<?xml version="1.0" encoding="utf-8"?><FictionBook xmlns="http://www.gribuser.ru/xml/fictionbook/2.0" xmlns:l="http://www.w3.org/1999/xlink"><description><title-info><genre>antique</genre><author><first-name>William</first-name><last-name>Brodrick</last-name></author><book-title>The Gardens of the Dead</book-title><coverpage><image l:href="#cover"/></coverpage><lang>ru</lang><sequence name="Anselm" number="2"/></title-info><document-info><author><first-name>William</first-name><last-name>Brodrick</last-name></author><program-used>calibre 0.8.10, fb2cut 2.5.4, fb2cut 2.6.2</program-used><date>7.8.2011</date><id>713e9d79-b2f5-49db-b4dc-e7aee007fb6d</id><version>1.0</version></document-info></description><body><section><empty-line/><p>the</p><p>gardens</p><p>of the</p><p>dead</p><empty-line/><p>WILLIAM BRODRICK</p></section><section><empty-line/><p><emphasis/></p><p><emphasis/></p><p><emphasis/></p><p><emphasis>For
The Passage</emphasis></p></section><section><empty-line/><empty-line/><p>ACKNOWLEDGEMENTS</p><empty-line/><p>For endless
support, patience and guidance, I warmly thank: Ursula Mackenzie, Joanne
Dickinson, Araminta Whitley, Pamela Dorman, Beena Kalmani, Austin Donohoe, Victoria
Walker, Catherine Browne, Stephen Guise, Sr Jean-Baptiste Koetschet OSB, Fr
David Middleton OSA. As ever, I remain gratefully indebted to the communities
at Bec.</p><p>One of the principal characters is concerned with how evil might be
undone. The seed for this question came from a talk given by Metropolitan
Anthony of Sourozh.</p><p>Finally, my heartfelt gratitude goes to Anne and our three children.
They have helped me at every turn, sharing the peculiar weight of a second
novel�s making.</p><empty-line/><p>NOTE</p><empty-line/><p>As I hope the
Bunyan undertones make clear, much of the landscape in this book is imaginary
or serves a symbolic purpose. I ask pardon from readers who note, for example,
that there are no �Four Lodges� at Hornchurch Marshes. The Gilbertines were an
English religious order that did not survive the reformation. References in the
text to �The Rule� are to that of St Benedict.</p></section><section><empty-line/><p><emphasis/></p><p><emphasis/></p><p><emphasis/></p><p><emphasis>Sleep is well for dreamless head,</emphasis></p><p><emphasis>At no breath astonish�d,</emphasis></p><p><emphasis>From the Gardens of the Dead.</emphasis></p><p><emphasis/></p><p>Walter de la Mare</p><p>��Dust to Dust�</p></section><section><empty-line/><empty-line/><p>PREAMBLE</p><empty-line/><p>Elizabeth Glendinning QC
walked purposefully beside Regent�s Canal in Mile End Park towards a
trestle-table covered with junk from the houses of the dead. Behind it, his jaw
working as if he�d tasted ash, sat Graham Riley, lolling in a camp-chair. To
her right, sausages and onions sizzled on a hotplate; steam rose from an urn;
clothing hung jammed on racks; bits of houses were laid on a blanket by a sign
that read Architectural Reclamation�; tools from yesteryear, rusted, robust and
manly, stood propped against a dinted van. Elizabeth passed them all, not quite
looking, keeping her eye rather on the calm of the waterway to her left, and
away from Graham Riley.</p><p>Despite
years of handling tension, Elizabeth found the strain this morning unbearable:
she had devised two grand schemes to bring this man from the camp-chair to the courtroom,
that he might answer to his many victims. The first of these, after months of
preparation, was about to be fulfilled.</p><p>Riley
looked up, across the autumn fair, in utter disbelief.</p><p>Elizabeth
was dressed in courtly black. She wore no make-up. Her hair had been precisely
cut at quite fantastic expense. Through anxiety, her skin was pale and her lips
peculiarly bloodless.</p><p>Riley�s
jaw was still. He looked like a wasted, frightened boy surrounded by broken
toys. But Elizabeth had travelled a long way beyond pity; she�d climbed to the
mysterious and airless place where justice and mercy met. Holding her breath,
at this the culmination of so much effort and sacrifice, she picked up a set of
Edwardian spoons.</p><empty-line/><p>Feeling a sudden giddiness
and a race of contractions in the heart, Elizabeth stumbled back the way she�d
come, beside the smooth, green canal. She slumped in the driver�s seat of her
lemon-yellow VW Beetle, stunned at her carelessness: she�d mastered the facts,
but had failed to consult the law On the passenger seat was the orange flyer
that had led her to Riley�s stall. She crumpled it with one shaking hand and
forced the ball into an ashtray. She began to sweat and her breath fell short.
Feeling a strange sense of moment � as when a train, out of view, hums on the
lines � she unhooked her mobile phone off the dashboard and called Inspector
Cartwright, being careful to leave only a message. She then rang Mrs Dixon. A
rush of wind seemed to come, and Elizabeth dropped the phone mid-sentence. In
the sluggish seconds left to her, Elizabeth found a last, winning smile.</p><p>Yes,
she was inconsolable. She would never behold Charles, her husband, again� he
was at Smithfield Market, fretting over the morrow; or Nicholas, her unwary
son.., he was probably on the Barrier Reef, among the brightly coloured fish;
or George, her friend and accomplice, who was waiting beneath a fire escape.
And, yes, in terms of these grand designs of hers, death had come too soon. It
was, as ever, the spoiler. But Elizabeth could laugh, and did. She�d devised
contingency arrangements for precisely these circumstances. And there was one
scheme left untried � the most far-reaching, and the most grave.</p><p>Her
heart became wonderfully still.</p><p>All at
once Elizabeth felt cold. It seemed that she was high above the clouds, coming
down to earth at last. As she tumbled in the sunlight, she thought: Now is the
hour of the unsuspecting friend, of the puzzled monk to whom I gave the key.</p></section><section><empty-line/><empty-line/><p>PART ONE</p><empty-line/><p>the story of a key</p></section><section><empty-line/><empty-line/><p>1</p><empty-line/><p>Anselm returned to
Larkwood, weaving through the apple trees in Saint Leonard�s Field. The scooter
skipped over tufts of grass, and Anselm bent his head, thinking of Steve
McQueen at the end of <emphasis>The Great Escape. </emphasis>He could see the fence ahead. In
a vivid reverie he saw himself soaring over the barbed wire, away from fiends
who would cart him off to the cooler.</p><p>Whistling
to himself, Anselm pushed the bike into the old woodshed, where he met Brother
Louis, the choirmaster.</p><p>�Hullo,�
said Anselm. �How was it?�</p><p>Appalling.�
He�d been on a ten-day residential counselling course. �I had to talk about
myself Eye-to-eye stuff.�</p><p>�Oh
hell.�</p><p>Louis
sat on a stump. He was tall and seemed to fold himself up. His eyebrows were
copper and straight, as if they�d been electrified. Anselm rolled two
cigarettes, obedient to a wink.</p><p>�From
the global perspective,� said Louis, pensively �I found some relief�</p><p>�Really?�</p><p>�Yes.
My parents aren�t to blame after all.� He slowly pushed out the blue smoke. �I
am.�</p><p>�Don�t
be deceived.�</p><p>Louis
tilted his head towards the scooter. �Where�ve you been?�</p><p>�Buying
wood to bank the Lark.�</p><p>�I hope
you�ve got a receipt.�</p><p>Anselm
had thrown it in the bin. �Why?�</p><p>�Cyril�s
gone round the bend. It�s that time of the year, I�m afraid. He�s doing the
books and he can�t account for twenty-eight pence.�</p><p>As the
cellarer, Cyril was responsible for the financial affairs of the monastery; he
was the commercial brain behind various industries derived from apples and
plums. An amputee after an industrial accident sustained before joining
Larkwood, he had the appearance and character of a one-arm bandit chock-full of
fruit and numbers.</p><p>�Speaking
of madness,� resumed Louis, rummaging in a habit pocket, �the elderly Sylvester
put this in my pigeonhole.�</p><p>Anselm
unfolded the slip of paper: �Elizabeth called. Roddy is dead.�</p><p>Roderick
Kemble QC, Anselm�s old head of chambers, a friend and guide from those
half-forgotten days. �Oh, God.�</p><p>He ran
to reception, where Sylvester struggled with buttons to get an outside line.
Anselm hovered, itching to grab both the receiver and Sylvester�s larynx � it
was a common problem at Larkwood � but shortly he made the call and a growing
suspicion was confirmed. �I am still here,� said Roddy �but Elizabeth is not.�</p><p>Anselm
stepped into the sunlight. He looked towards Saint Leonard�s Field as if he�d
been warned; and he thought of the key.</p><empty-line/><p>Anselm made for a quiet
place beside the river � the place he�d brought Elizabeth when she�d turned up,
all of a sudden, three weeks ago. A narrow flowerbed ran along a wall to an
arch. Passing through, he turned right and sat on a bench of dressed stone �
remnants of the medieval abbey, turned up by one of the tractors. The Lark
splashed in front between the shoring of black timbers. Elizabeth had sat
beside him. �I need your help,� she�d said, quietly.</p><p>Thinking
of that conversation now, Anselm recalled an earlier impromptu meeting ten
years earlier � their last, in fact, before he�d left the Bar. Within a month
he�d be at Larkwood. He�d been at home in Finsbury Park listening to Bix
Beiderbecke knock out �Ostrich Walk� when the doorbell rang (Anselm was a fiend
for all jazz prior to an indefinable but tragic moment some time in the 1950s).
It was Elizabeth, clutching a box of Milk Tray.</p><p>�I don�t
expect you�ll taste such delights in a monastery,� she said. They sat in Anselm�s
small garden eating chocolates, and reminiscing, while Bix moved on to �Goose
Pimples�. They talked of the job and its strange compromise.</p><p>�We always
stand on an island,� she said, �the cold place of not knowing, and not being
able to care.� Her hair fell forward: it was straight and black and cleanly
cut, like a queen�s in the days of pharaoh. A silver streak marbled one side.
It had appeared quite recently almost overnight. �We never know if they�re
guilty, and we can�t care if they�re innocent. The terms are, of course,
interchangeable. And yet, we <emphasis>do </emphasis>care; more than most. But we�re marooned
from our conscience.� She looked at her hands, checking the palms. �I�m sure
there�s a trial out there for each of us, which could slip between the not
knowing and the not caring and pull us off that beach.�</p><p>Anselm
reached for the praline and Elizabeth smiled thinly.</p><p>Then
and now Anselm was struck by her forcefulness, for Elizabeth, like many
prosecutors, had been inclined to perceive guilt in anyone who�d been charged.
It was a sort of infection, caught through excessive exposure to flimsy
defences. �You�re lucky to be called away from it all,� she said, adding
cheekily �Did you hear a voice?�</p><p>A quiet
one,� replied Anselm. �I�ve had to learn how to listen.�</p><p>Her
question had been a joke, but she�d become serious. �How?�</p><p>�It
sounds through your desires.�</p><p>Elizabeth
thought for a while, as though examining the pointing on the yard wall. �You
listen by heeding what you want to do?�</p><p>Tentatively
Anselm explained what he�d learned. �Yes. But it�s deeper than any desire. It
won�t let you go. And even then you need a guide who knows the ways of the
heart, in case you�re deceiving yourself.�</p><p>Elizabeth
seemed to snatch a thread. �Someone to help you understand a voice that won�t
be stilled.� It was as if she�d decided to become a nun. She knew the score
already.</p><p>�Exactly.�</p><p>�And to
ignore it would bring a kind of death?�</p><p>Smiling,
Anselm studied the curtain of hair with its strands of silver. This was a
wind-up, after all. She must have been reading a manual on the spiritual life.</p><p>Elizabeth
went on, �So you don�t have a choice?�</p><p>�Not
really� This was no prank. Anselm wanted to revive the cheekiness that had
fled. �I get the impression God isn�t that keen on dialogue. It comes with the
territory of always knowing what�s for the best.�</p><p>She
took the praline from the second layer. �Are they a strict lot, these monks?�</p><p>�Not
especially� Well, they are.., but about things most people wouldn�t care
about.�</p><p>�So you
can pop out on little errands?�</p><p>�It�s
up to the Prior.�</p><p>�What�s
he like?�</p><p>Anselm
thought of the various things he could say: that he didn�t talk much, that he
was always one step ahead of you, but he said, �He pops your illusions.�</p><p>At the
door she kissed him on the cheek and said, �I shall miss our little chats.�</p><p>It was
a truth neither of them had ever named: on a Friday they�d often been the last
to leave chambers. For fifteen minutes or so, they�d sit, feet on the table in
the coffee room, going over life, prodding its verrucas. But it showed up a
peculiarity in Elizabeth�s personal relations. The different aspects of her
life � the Bar, the family, the Butterfly Society, and so on � were screened
off from each other like beds in a hospital ward. As far as Anselm was aware
they were never brought together round the one table. He had only heard of the
others. It had made their chats significant while keeping him at a distance.</p><p>Anselm
went to bed uncomfortably sure that Elizabeth, like all examining barristers,
had wanted to find out something, without letting him know what it was. And
while he�d been talking, Anselm hadn�t been able to dispel the notion that
Elizabeth wanted to speak herself, and that the inclination had ebbed away. For
days afterwards he thought of that silver streak in her hair. She was, he
concluded, very attractive. It was as though he�d never noticed before.</p><empty-line/><p>�I need your help,� she�d
said, quietly, ten years later.</p><p>Again
she�d come unannounced. Anselm brought her to the stone bench by the Lark. The
long flowerbed was bright with planted daffodils and wild poppies. She�d hardly
changed. Though she was in her late fifties, her hair remained jet black with
that dash of silver, less bright now.</p><p>�I once
asked if you�d be free to do errands, do you remember?�</p><p>Anselm
nodded.</p><p>She
reached into her bag and pulled out a box of Milk Tray �You can have the
praline in caramel.� Bix seemed to be with them, blowing �Ostrich Walk� in the
distance.</p><p>Anselm
said nothing. Monastic life had taught him this much at least: to know when to
be quiet.</p><p>With a
delicate gesture, Elizabeth placed the fall of hair behind an ear. Her profile
was exquisitely drawn against the pink blur of Larkwood. Looking towards the
river, she began to speak. �I�ve been tidying up my life. It isn�t easy But
there�s always something we can do, don�t you think?�</p><p>�Absolutely.�</p><p>�We can�t
be lukewarm. That�s the only way to mercy or reward.�</p><p>Absolutely�
He�d use that one on Sunday He waited, silent again. Elizabeth took an envelope
out of her pocket, turned to him and said, �Could you do something for me?�</p><p>�Of
course.�</p><p>�It
holds a key and an address.�</p><p>Anselm
took the envelope.</p><p>�If I
should die � it does happen � use it.� She looked around, at the river, the
herb garden, the arches of the old abbey ruin. �It opens a safety deposit box.
Inside you�ll find what you need to know.�</p><p>She
rose and walked to the bank of the Lark. Anselm followed, keeping slightly
back, puzzled by her solemnity and his new responsibility. They listened to the
chattering water. It was autumn. Aelred had lined up potted plants on the other
bank, as if they might like the view, but most had turned away to face the sun.
Quietly Elizabeth said, �You mentioned once that to ignore a voice would have
left you bereft.� She added, with regret, �You listened. I turned away.�</p><p>Lamely
Anselm said, �It�s never too late.� It sounded awful.</p><p>�I hope
not.�</p><p>�We can
salvage anything.� That was worse. He didn�t even know what he meant, but it
was encouraging. He tried a serious kind of joking. �Don�t be lukewarm.�</p><p>Elizabeth
nodded thoughtfully, her gaze fixed on the Lark.</p><p>Lightly,
she said, �You can�t always explain things to your children. If need be, will
you help Nicholas understand?�</p><p>�Yes,
of course.</p><p>They
walked side by side to the car park among the plum trees. The fruit was soft,
ready to fall. Elizabeth quickly kissed him goodbye and rummaged for her keys
to avoid his attention. Once again Anselm sensed she�d come to say something
but had stepped back. After she�d driven away, he retraced his steps to collect
the unopened box of chocolates.</p><empty-line/><p>Anselm stayed by the river
brooding over these two encounters � impulsive actions, linked it appeared,
despite the interval of so many years. Before he could trawl his imagination
for the explanation, Larkwood�s bells began to peal, calling him to vespers.
Nipping through the cloister, he saw a huddle of monks in the South Walk. He
paused and listened to their muted conversation. A policewoman � someone
called Cartwheel � had arrived a few minutes ago and was talking to the Prior.
Sylvester had been putting out leaflets on the table near the door (that was
always his excuse for eavesdropping) and he�d overheard the word �murder�. The
considered view of everyone was that Sylvester had, yet again, got it wrong.</p><empty-line/><p>2</p><empty-line/><p>Nick Glendinning hid in
the pantry.</p><p>The
funeral had flown by but the reception seemed without end. Guests were still in
the lounge and corridor, being sympathetic, asking questions about everything
but his mother. A tubby executive high up in British Telecom (a client and
friend of Charles, his father) was the last to tread the worn route:</p><p>�I
understand you�ve been in Australia?�</p><p>�Yes.�</p><p>�Very
nice. Hot?�</p><p>�Tremendously.�</p><p>The
tubby executive took a sip of sherry. His eyes couldn�t keep still and, as if
to match, he had white curls above each ear that wouldn�t lie flat. Discomfort
made him shuffle. �Did you see any kangaroos?�</p><p>�Lots
of them,� replied Nick. �And koalas � funny fat little things that cuddle you.�</p><p>�Good
Lord. They live in eucalyptus trees, don�t they?�</p><p>�Yes.�</p><p>�Marvellous.�
He looked around, as if for help. �It�s unfortunate you didn�t get back in
time, given� what happened.�</p><p>�Yes.�</p><p>�I must
say your mother was a quite re<emphasis>maaark</emphasis>able woman. He�d shaken his shiny
head and Nick made for the pantry.</p><empty-line/><p>Where he also shook his
head. He�d been away about a year. He�d planned to travel since he was eleven
but hadn�t actually got on a plane until he was twenty-six. And he was already
back, hiding in the family home in St John�s Wood from people he barely knew.
The endless ceremonial of accepting sympathy required patience and gratitude
and he had neither. He had a headache. It had been non-stop movement across time
zones: the train to Sydney, the flight to Singapore, the long haul to
Manchester, the hop to London � a crazy sequence to get him home as fast as
possible. When he had finally embraced his father two days ago, his body was
still in Queensland. He�d come home to a fantastic absence in the heart of the
familiar. Sitting on a footstool, he wondered how he could ever have been drawn
away.</p><p>The
first impulse to travel grew by the fireside with his father who, on cold
evenings, would read out tales of adventure, of expeditions financed by some
committee dedicated to Humanity and Knowledge and Geography This was the world
of men who�d grown beards for the journey who wore khaki and had machetes. The
romance of entering the darkness had filled his boyish soul, and would not be
displaced � even by education, an appreciation of colonial oppression and the
advent of the aeroplane.</p><p>Perhaps
it was the spirit of the great philanthropists that pushed Nick towards a
career in medicine. In fact, while an undergraduate at Edinburgh, he had
considered setting up (eventually) a clinic on the banks of the Amazon � a
thought he kept to himself � which itself disclosed that �ordinary life� held
out few attractions for a man whose footing belonged in a canoe. Nick saw his
future with M�decins Sans Fronti�res or at the side of Mother Theresa, and not
in a high-street surgery.</p><p>The
second impulse to travel came from an unexpected quarter: his dealings with
his mother. As he�d grown an indefinable tension had crept between them, evident
not so much through confrontation as a loss of assonance: that pliability, the
willingness of children to rhyme with the lives of their parents.</p><p>As a
boy Nick had rarely seen Elizabeth before nine in the evening, but she�d sit on
the edge of his bed and they�d talk way past a sensible hour. They had no
secrets. He would give his verdict on his teachers and she�d pass sentence �
like consigning Mr Openshaw, the headmaster to a week at Butlins with a
clothes peg on his nose. This was a time of alliance against Sensible and
Prudent, and the Grown-Ups. Unusually the separation didn�t begin with a
conflict of ideas � although that was to come � but with <emphasis>his size. </emphasis>It
started when he began lumbering round the house and spilling things at the
table because of the glut of adrenalin. As he filled out and rose above her
head, she turned brittle. It was as if becoming a man had not been a foreseeable
consequence of his infancy Nick couldn�t recall when it first came to pass, but
she stopped coming to his room at night, and no comparable ritual took its
place. It was what they both wanted, without saying so; perhaps without even
knowing it. He�d lie in the dark simply aware that she was still in the Green
Room, still between the papers of a brief. During breakfast he could see the
courtroom looming in her face. At the weekends, she was forever tuning into
conversations halfway through, getting the wrong end of the stick. As he moved
towards manhood, her work expanded to meet the space created by his
diminishing childhood. It was part of a symmetry that he didn�t altogether
like. For while he wanted to build his own life elsewhere, he didn�t altogether
appreciate her concurrence. The night before he went to Edinburgh, she cried:
out of loss but with relief, he thought. Most of the friends he made told the
same old story.</p><p>Comradeship,
hangovers and exams were the landmarks of his growing independence. And from
that new vantage point he began to see his mother�s awkwardness as an
achievement, a mighty thing, purchased by little acts of selflessness. She�d
managed to let go of her son, knowing that she would drift towards the
waterfall. She, too, was an adventurer, he thought. She�d made the heroic
sacrifice.</p><p>Just
when this adult gratitude had shaped his outlook, Nick observed with surprise
that his mother was hovering over the terrain she�d abandoned. At one point, he
thought she�d lost her sanity. Just after Nick had qualified, she slammed the
front door and practically ran into the sitting room. �You�ve never had a full
medical,� she said, as if he�d been reckless since childhood.</p><p>�I�m
fine.�</p><p>�I don�t
care.</p><p>They
had argued a great deal recently, so Nick seized the opportunity for accord. �All
right � send in the doctor.�</p><p>Nick
had thought of blood pressure and tummy pressing from a buxom nurse. But his
mother had other ideas. She wanted every organ screened. They argued some more;
they bargained; and she paid. Nick had X-rays, ultrasound scanning and an ECG.
Kidneys, liver and heart. When the results came back showing him to be without
fault or defect, she burst into tears.</p><p>�What
else did you want?� asked Nick.</p><p>�Nothing,�
she sobbed, flushed and radiant. �I only wanted this.� And they went to a
restaurant as if she�d won a nasty case.</p><p>After
that outburst she began to come at night and sit on the edge of his bed, but it
didn�t quite work. She once asked about his intentions.</p><p>�What
will you do, Nick?�</p><p>�Dish
out prescriptions, hold the odd trembling hand.�</p><p>�Whereabouts?
I imagine London would be an attractive prospect.�</p><p>Without
having said anything to his parents, Nick had already approached M�decins Sans
Fronti�res, and various other agencies, all of which had suggested he obtain
some practical experience. So Nick was thinking of a couple of years in a surgery,
but not one so near to home.</p><p>�How
about approaching Doctor Ferguson in Primrose Hill?� continued Elizabeth.</p><p>Primrose
Hill was on the other side of the road from St John�s Wood. She wanted him back
home. His mother had worked out how to swim upstream, away from the waterfall,
and she was determined to survive. At that moment more than any other, Nick
recognised that he had to put some distance between her need and his identity.</p><p>Nick�s
father had observed this progression from medical-test frenzy to night-time
enquiries after employment hopes with the calm attentiveness that he gave to
bookplates and display cabinets. He�d been an unhappy banker for twenty-seven
years until they�d got rid of him, an apparent humiliation that had set him
free to study butterflies and beetles. He was a simple man who considered work
a species of evil.</p><p>Avoid
it,� he said firmly.</p><p>Elizabeth
had just gone to the Green Room. This was the day following the Primrose Hill
proposal, and, as if on cue, Charles offered Nick the third reason why he should
travel.</p><p>�See
things. Make notes. Be fascinated.� He was leaning forward, whispering loudly �Look
at that streak in your mother�s hair. That�s what work can do to you.�</p><p>It had
appeared rapidly over two weeks when Nick was sixteen. In fact, as he subsequently
learned, there was no medical explanation for the change. But Nick looked to
legend if science was found wanting, and something similar had happened to
Thomas More and Marie Antoinette before they were executed. He told his father.</p><p>�Precisely,�
said Charles. �There�s no rush. Have you thought of Down Under?�</p><p>Nick
hadn�t, but he liked the idea. It stirred his soul, for the phrase conjured up
the ultimate voyage. He�d be able to wear a hat with corks dangling from
strings. He could legitimately have a machete in his belt. A week or so later
Charles phoned an old client in Brisbane who, it transpired, had a nephew with
a surgery in Rockhampton.</p><p>�Where?�
asked Nick.</p><p>�Rocky�
Charles paused as if he were surveying millions of bleating sheep. �That�s what
the locals call it.�</p><p>�Oh
dear, no �� Elizabeth underlined a sentence in a brief She surfaced
momentarily �Who?�</p><p>�Not
who,� said Nick, with the relief that comes before a parting �It�s a place.�</p><p>�Where?�</p><p>�The
land of Oz.�</p><p>She was
stunned. She�d thought it was all talk. �Oz,� she said, sinking.</p><empty-line/><p>Nick took off from
Heathrow in the rain. The plane pushed through the cloud and it was just blue:
a wonderful, clean, endless blue, as if he�d entered a sapphire. He caught a
night coach out of Sydney, taking the front seat, and the headlights opened up
the future. By morning they were cutting through oceans of high green sugar
cane. For lunch he stood barefoot on the blistering tarmac drinking fresh
pineapple juice. He could smell the sea. There wasn�t a sheep in sight.</p><p>The
nephew was called Ivan and he laboured under the misapprehension that Nick�s
father had bestowed all manner of financial blessings on his uncle�s business �
which simply wasn�t possible � and so Nick received a sort of reward by proxy
For a modest amount of work, he received immodest remuneration. The world was
indeed a different place when things were upside down.</p><p>Nick
did a weekly stint at a school in Yeppoon where there were fat cane toads in
the swimming pool. A sub-aqua club shared the facility once a week. Nick joined
them and duly signed up. He bought the gear. He took a course. And he discovered
yet another world, but bigger and cleaner and deeper and more mysterious than
any place he�d ever known. Out of sight, countless tiny polyps had built the
biggest thing on earth: a reef, a barrier, a coral kingdom.</p><p>Then
the letters from his mother had started to arrive, wistful things, not signed
by his father. At first they looked back to his early school days � the time
she�d missed. But then her tone became inquisitive. She wanted to know when he�d
be returning. For some reason he couldn�t write back, so he lunged for the
phone on the evening of his birthday He �let slip� that he�d be staying another
year � something he�d thought of anyway �What about Papua New Guinea?� said his
father. �The Bundi do a butterfly dance.� His mother mumbled that Christmas
was coming �The house is huge and empty without that awful music. Your trainers
are still by the door, where you left them. I keep thinking of your feet.�</p><p>Then
one day when he was diving off Green Island he understood. He was treading
water. A queue of small brightly coloured fish was lined up before some sort of
plant rising from the coral. It was like a car wash. The leaves, or whatever
they were, opened up and a fish swam in. After a moment the leaves opened
again, the fish left and the next one took his place. And there, at that depth,
watching fish get themselves cleaned up, he realised that his mother wanted to
tell him something; that she couldn�t write about it; and that she hadn�t
mentioned it to her husband. Nick sorted out the flight.</p><p>A few
days later his mother was dead in a parked car. She was sitting at the wheel,
eyes closed, with a smile on her face. It was only when a pedestrian knocked on
the window that anyone realised that anything was wrong. A paramedic found her
mobile phone in the footwell. She must have dropped it as she tried to dial for
help. Within reach, on the passenger seat, was a set of antique spoons, marked ��30�.</p><p>On the
plane to Singapore Nick forced his head against the window. A most awful wave
of emotion racked him. He cried desperately. The woman next to him asked for
his yoghurt, and he couldn�t even face her to say �Yes�. His mother was out of
reach. He�d travel now for twenty-two hours and he�d get no nearer. By the time
he reached Manchester the impact of grief had been anaesthetised around a
painful truth: his mother had wanted to tell him something, and he�d left it
too late. In the churchyard during the burial, Nick recalled the childhood
exchange that had often ended a day of revelations. She�d sit on his bed,
stroking his hair:</p><p>�No
secrets?� she�d whisper. �None.�</p><p>More
quietly: �You can always tell me anything.�</p><p>He
would study her in the dark with a child�s careful eyes, absorbing this
insight: his mother received much, but she did not give.</p><empty-line/><p>Why did he recognise that
only now? Nick slipped out of the pantry. On entering the hall a discreet cough
made him turn:</p><p>�I�m
sorry, but I just don�t know what to say Dreadful business, if you ask me.�</p><empty-line/><p>3</p><empty-line/><p>Anselm kept his socks in a
wig tin. It was large and dinted, a thing from his days at the Bar. His name
was painted in gold upon the side. The wig itself rested upon a bust of Plato,
part of the miscellany of oddments that he�d kept on becoming a monk (the
remainder being his books and a jazz record collection, both of which accrued
to the benefit of the community). The tin was still in service. Anselm used it
daily as he�d done in that other life.</p><p>After
lunch Anselm joined the community for recreation in the common room. It was a
relatively important moment because he was wearing glasses for the first time
in public. He�d chosen what he thought were modest horn-rimmed frames, but the
view of Bruno was that he looked a cross between a futures trader and an owl.
He�d been told to wear them all the time. Colouring slightly, he put them on
and picked up a newspaper.</p><p>No one
noticed, perhaps because the alignment of chairs cut him out of three
conversations. On his right, Wilf timidly observed that as an entertainer Liszt
could reasonably be compared to Richard Clayderman, given his penchant for
transcribing other people�s good tunes; on his left Cyril expanded (loudly) on
the double-entry ledger system; and straight ahead Bernard tried to find a word
that rhymed with �murder�.</p><p>�How
about �merger�?�</p><p>�We�re
not a company,� said someone.</p><p>��Herder�?�</p><p>�We�re
not a farm,� observed another.</p><p>��Murmur��.</p><p>�Ah,�
said Wilf, crossing over, �that is expressly forbidden in The Rule.�</p><p>Murmuring.
Grumbling from the heart. It could kill a community Anselm hid behind the
raised paper, his mind on the funeral and his wig tin. Elizabeth, he thought,
would be buried by now. The key lay in an envelope covered by socks. He�d
looked at it every day, until he almost didn�t see it any more. Anselm had
fished it out that morning knowing the funeral was underway A brief note
recorded the address of a security firm where the safety deposit box was
retained. Elizabeth had chosen Sudbury, a town near Larkwood. He�d thumbed the key,
pondering her courtesy Then he�d put it back, firmly closing the lid.</p><empty-line/><p>4</p><empty-line/><p>�Dreadful business.�</p><p>Nick
turned towards the voice. A short, oval man bulging out of a dreary suit
scooped a fistful of cashews from a bowl and began popping them into his mouth
as though they were sedatives. A grey tangled beard crept up his cheeks to
narrow, moist eyes, suggesting a sociable mole on hind legs.</p><p>�I�m
Frank Wyecliffe, a lowly solicitor.�</p><p>�Very
nice to meet you.</p><p>�I
instructed your mother year in, year out. Family carnage mainly� He rummaged
for a business card. It was dog-eared.</p><p>�Thank
you.</p><p>�I
never knew she had a weak heart, though. Never.�</p><p>�Neither
did I.�</p><p>�Really?
You�re a doctor, aren�t you?�</p><p>�Yes.�</p><p>The
mole popped some nuts, chomping quickly �Well, if I had known, I�d have thought
twice about some of the stuff I sent her.� He paused. �First and foremost she
was a prosecutor, although she defended on some memorable occasions.� The small
eyes brushed over Nick. �I suppose you knew that?�</p><p>�No.�</p><p>Ah.� He
sniffed. �It doesn�t seem right somehow If asked, I�d have said your mother
would have died � if you�ll forgive the bluntness of the term � on her feet,
bringing down the wrongdoer.�</p><p>�That
would have been more fitting.�</p><p>��The
East End, wasn�t it?�</p><p>�Yes.�</p><p>�Got
family over there?�</p><p>�No.�
Nick shifted uncomfortably �Why?�</p><p>�Sorry.
Silly question. That�s why I keep out of court.�</p><p>Nick
backed away �If you�ll excuse me.� The little man�s intense manner seemed to
have filled the hall. Nick ran upstairs as if on an errand of practical
importance. At the open door to the Green Room he paused. With one hand on the
jamb he surveyed the familiar chaos.</p><p>This
was her study Piles of paper lay scattered on the floor, held down by various
paperweights � curious stones or chunks of wood picked up from the Island of
Skomer. He saw her in outsized wellingtons, a torch in one hand � she cut the
beam and called, �Hurry up.� They�d stood and stared. He could still see the
glow-worms and her eyes, wide with astonishment.</p><p>Downstairs
a glass smashed. Nick stepped into the room, treading between heaps of
transcripts and reports. As a child he�d always been picking things off her
desk. Now he wanted to hold the fountain pen that had written those letters. By
her chair, he stepped over a cardboard box and slipped; a hand flew out and he
struck a line of small antique books on the desk � the kind you don�t read, but
look good. He steadied himself and swore. By his foot was a dark glossy
photograph, a shot of a smashed cranium, part of an autopsy report. He knelt
down to gather the books. One lay open, its pages fanned against the floor.
When he picked it up, a key fell out. Engraved upon it was �BJM Securities� and
a telephone number.</p><p>For
something like ten minutes Nick sat at her desk, his mind blank. He flicked
through the pages of <emphasis>The Following of Christ </emphasis>�a tiny volume by Thomas �
Kempis, printed by Keating and Brown in 1829. Nick had written all over it when
he was five.</p><p>She�d
never said anything, as far as he could recall; but she must have noticed, even
if it was years afterwards, because a hole had been cut into the text. He put
the key in his pocket and left the room slowly like a man crossing a field.</p><p>Nick
braved out the remaining hour or so, shaking hands and talking of Australian
wildlife. When they�d all gone he tapped open the kitchen door and saw Roderick
Kemble assaulting the cooker while crunching a mint. Good old Roddy in his red
apron. He was swishing onions in a skillet. The cad had prepared for the moment
no one had thought about. Nick leaned on the counter observing his father at
the table: the jacket discarded, the rolled-up sleeves. Thin, silvery hair,
usually combed back, had been ruffled. The red patches on his cheeks � a
harmless liver malfunction � glowed as if he�d been slapped across the face.</p><p>He
began to speak, and Nick listened, thumbing the key in his pocket. For some
reason he felt like an intruder.</p><p>�During
the reception I nipped upstairs to the Butterfly Room. After a minute there was
a knock at the door. Someone called Cartwright.�</p><p>Roddy
banged the skillet with one hand and threw in something pink with the other. �She�s
a police inspector.� He tipped a bottle and threw in a match. The thing almost
exploded, as in a pantomime when the genie turns up.</p><p>�What
did she want?� asked Nick casually.</p><p>Charles
searched the table, as if for crumbs. �She asked whether Elizabeth had been
troubled by anything.� He was ruffled and red. �Just kindness, you know
Surprised that she�s gone the distance too soon.</p><p>Roddy
banged the skillet on the cooker, as if it were a gong.</p><p>�Plates,
glasses and the amenities of joy if you please,� he said solemnly �Even now, at
this painful time, we cannot waver.</p><empty-line/><p>Nick woke in the middle of
the night. He went to the bathroom for a glass of water. The mirror was too low
because he was too big � that�s what his mother had said � so he stooped to
look. Despite the sun, he hadn�t gone especially brown. But his skin was
speckled and his eyebrows had turned to straw As if that bewildered face ought
to know, he asked himself why a solicitor had quizzed him about the East End,
rather than dingos; why an inspector had gone after a widower; and why a key
his mother�s secret, had been kept not only from her husband, but also from
him.</p><empty-line/><p>5</p><empty-line/><p>Father Andrew was fond of
a saying from a Desert Father:</p><p>�Don�t
use wise words falsely� Perhaps that explained why he was always cautious when
he spoke. And why it was disconcerting when you sensed he was preparing to
speak.</p><p>The day
after the funeral, Anselm bumped into Father Andrew crossing the cloister. The
Prior paused, eyeing Anselm with an expression somewhere between expectancy and
deliberation.</p><p>�Nice
day for picking the apples,� volunteered Anselm.</p><p>�What?�</p><p>Anselm
repeated what he�d thought was an amiable observation.</p><p>�Eh?�
The Glasgow intonation suggested a coming scuffle.</p><p>Oh no,
thought Anselm. He�s changing the community work rota. The Prior always lost a
screw when he was planning to shift people from one job to another, because
everyone complained. Father Andrew waited a moment and then strode off. In a
flush of horror, Anselm thought of the new dispensation: he might face exile to
the kitchen � a sort of limbo where no one approves of you, except on feast
days. But then he settled upon the obvious: that the Prior�s ill temper was
related to Elizabeth�s death, the coming of Cartwheel and � an unused key.
They were of a piece. And the Prior was waiting for Anselm. He had something to
say. But why not call him in? Why the glowering?</p><p>Anselm
decided that he�d better go to BJM Securities sooner rather than later. First,
though, he had to sift through some nagging memories that had gathered around
the key Uneasily, Anselm made his way to Saint Leonard�s Field and the sweet
ambience of manual labour.</p><empty-line/><p>The trees were already
peppered with monks. Crates were stacked against a trolley Ladders and forked
poles reached into the branches. There was a hum of contentment. Apple picking
always did that, even when community nerves were frayed �which they had been
since Cyril had started banging on about missing receipts. And Christmas was
coming. That always wound the brothers up.</p><p>Anselm
chose an unattended tree that was heavy with foliage. He found a wide limb,
leaned back and rolled himself a cigarette. And he returned to Elizabeth�s
remark about �not knowing and not being able to care�. It didn�t sit easily
with the vociferous defender of the adversarial system whom he�d known at the
Bar.</p><p>�Look,�
she had said during one of their little chats, �it�s a court of evidence, not
truth. We have to forget about the truth, for truth�s sake. The truth is out of
reach. And we shouldn�t pretend when we stand up in court that the truth is
what we care about. We don�t. We care about what our client <emphasis>says </emphasis>is the
truth. I can live with that. It�s the only way to take innocence seriously when
all the evidence points the other way. The truth? What�s that? It�s something
the jury decided after I sat down.�</p><p>No
discomfort there, thought Anselm, blowing a perfect ring. At the time,
ruminating over a Jaffa cake, Anselm had baited her confidence. �But what if
someone got off because the trial took a wrong turn and no one noticed?�</p><p>�It can�t
happen,� she said, glancing at her watch. She was due back in court. �All the
jury hears are competing versions of the relevant facts. Have you eaten the
last one?�</p><p>�Sorry.�</p><p>What
quiet voice had seized her conscience? thought Anselm, picking an apple. And
what could it seize upon? Every barrister accepted that justice was determined
by winning and losing. If you lost, you swallowed disappointment; if you won,
you got a pat on the back. As Elizabeth had said, �what really happened� was
whatever the jury decided. And if they convicted an innocent man? Unless you
could fault the process or find new evidence, he�d languish in jail. And if a
guilty man was freed? No one could bring him back to court. He could chant <emphasis>�Nemo
debet bis vexari� </emphasis>(or, to be patristic, �God doesn�t judge the same offence
twice�). Either way the truth had gone like the dove off the ark.</p><p>Anselm
was certain that Elizabeth�s crisis had lain in this system, devised over a
thousand years to deal with the corollaries of frailty and wickedness. How
that was connected with tidying up her life, he hadn�t the faintest idea.
Having finished his cigarette, he turned his attention to the apple. Organic
principles, incompetently followed, meant that most of Larkwood�s fruit was
technically blemished. He examined a wormhole, feeling a small hankering for
the old struggle in the corridors of the Bailey.</p><p>In one
of those glancing thoughts, seemingly irrelevant, Anselm recalled that he�d
only ever done one case with Elizabeth. In many respects it had been an
allegory for the law�s uneasy accord with the truth. Forensically, it hadn�t
been anything special. But the client had been awful � Riley. That was the
name. She�d called him �a ruined instrument�. Gradually a presence materialised
in Anselm�s memory: a shaved head, small ears and sunken wounded eyes.</p><empty-line/><p>6</p><empty-line/><p>Nick went to the Green
Room and rang BJM Securities. While waiting, he studied an open trial brief on
the desk. A big man had been murdered in Bristol. �The cranial vault comprises
eight bones that surround and protect the brain.� Autopsy photographs reduced
him to a one-inch bundle of close-ups.</p><p>A Mrs
Tippins answered the phone. Nick explained that his mother had passed away and
that he wished to collect what had been stored at the premises. She, in turn,
described which documents would be required for access to the deposit box.</p><p>�Without
the probate certificate,� she said, �you can only look.�</p><p>�Fine,�
he replied. �Where are you?�</p><p>�Sudbury.�
She gave the Suffolk address. After a pause, she said, �At first I thought you
were the monk.�</p><p>�A
monk?�</p><p>�Yes.
He�s the other keyholder.�</p><p>Nick
made another call to check train times and then he wrote a note for his father,
saying he�d be back late. On rising he looked at the red and blue photographs.
His mother had often quizzed him on the building regulations of the body � how
it was put together, what would happen if you did this or that to an organ, a
tissue. It was an incredibly fragile structure, despite the bones; a
staggering, miraculous unity.</p><p>�The
design is perfect,� he�d once said.</p><p>�Not
quite.� She�d sounded disappointed.</p><p>To
Elizabeth, in this chair, the body had been an exhibit, something numbered and
sewn up with stitches. Her wonder had been reserved for worms that glowed.</p><empty-line/><p>Nick waited in a small
room without windows. The only furnishings were a table and one chair. The
door opened, and Mrs Tippins entered, pushing a large aluminium box on wheels.
She said, �People bring things here when their houses are full up.</p><p>Her
skirt seemed to have been made from abandoned hotel tablecloths and the blouse
from net curtains. �It�s hard to get rid of things, isn�t it? Stay as long as
you like. Here�s a list of attendances.� He glanced at the single entry, made
about three weeks earlier.</p><p>Left
alone, Nick opened the box. Inside was a single item: a battered red case � a
dainty valise for a weekend trip. A seam was split and the gold had flaked from
the clasp. He put the case on the table and lifted the lid. Inside it was a
ring binder, an envelope and a newspaper cutting.</p><p>Nick
began with the first. It was wrapped in the characteristic red tape that he�d
seen for years on his mother�s desk. Typed in the centre was the case name:
Regina v Riley The left-hand corner bore an endorsement:</p><empty-line/><p>Coram: HHJ
Venning</p><p>Prosecution:
Pagett</p><p>Defence:
Glendinning QC</p><p>Junior:
Duffy</p><p>Not
Guilty on all counts.</p><empty-line/><p>�Duffy� had come to his
attention a few moments ago from Mrs Tippins. It was the surname of the monk
who�d been entrusted with the second key Nick had met him, long ago. �Larkwood
Priory isn�t that far off, but he�s never been here. I�ve heard that once you�re
in, you can�t get out.� She�d grimaced like a seasoned potholer. Nick
considered the name of the instructing solicitor at the bottom of the page. He�d
met him at St John�s Wood, chomping nuts and thinking twice: Frank Wyecliffe
Esq.</p><p>Nick
untied the tape and opened the binder. The front page was entitled �Instructions
to Counsel� and contained a single paragraph:</p><empty-line/><p>Mr Riley
maintains that the witnesses, his former tenants, have fabricated a case
against him following their eviction for rent arrears. No doubt counsel will be
able to advise the client upon the complexion of the evidence.</p><empty-line/><p>Nick turned the page and
skimmed the typed witness statements. Three young women had said Riley was a
pimp. Scattered here and there was another name: the Pieman. The last
deposition was that of David George Bradshaw, the manager of a homeless people�s
night shelter to whom, it seemed, the girls had turned for help. The final page
was the defendant�s police interview. There was only one reply, �I�m clean. �Something
in Nick�s concentration failed and he tied up the brief. It was difficult this:
doing what she had done, in the same way.</p><p>He
picked up the cutting. It was taken from a south London daily newspaper. The
paper was dirty and the ink smudged. A coroner�s court had returned a verdict
of accidental death regarding John Bradshaw, seventeen, whose body had been
recovered from the Thames. The report quoted the anger and grief of his father,
George � evidently the witness in the earlier trial, even though he went by his
middle name. Nick cross-checked the date of the inquest with that of the trial:
an interval of five years had elapsed.</p><p>Nick
turned to the envelope. It was addressed to both his mother and Anselm Duffy
The letter inside was from Emily Bradshaw, the mother of John and the wife of
George. It condemned Riley�s defenders and blamed them for the destruction of
her family Again Nick checked the date, and then he quickly put everything back
in the red case. After a moment�s calm he pencilled a chronology to make clear
the sequence of events:</p><empty-line/><p>End of trial.</p><p>Death of J Bradshaw (as per cutting): 5 years after the trial.</p><p>Letter from Mrs Bradshaw: 8 years after trial.</p><p>Opening of account with BJM: 10 years after trial.</p><empty-line/><p>Nick
wheeled the aluminium box back to Mrs Tippins. Her look of permanent curiosity
prompted him to remark, �Just some old papers.�</p><p>�It�s
funny what people hang on to, isn�t it?�</p><p>�Yes.�</p><p>She
opened a desk register for his signature and then changed her mind. �Oh,
probate�s on the way � go on, take them. The monk won�t be coming, will he? I
mean, he�s all but locked up, I shouldn�t wonder.�</p><empty-line/><p>On the train back to
London Nick gazed at the evening fields, his mind focused on a small puzzle:
how did Elizabeth obtain a cutting from a local newspaper far from where she
lived and worked? She was a woman of meticulously clean habits, and yet the
paper was dirty and ragged. The only sensible conclusion was that someone had
given it to her; and the most likely candidate was either Mr or Mrs Bradshaw It
was unlikely to have been the latter because the cutting didn�t fit the
envelope, and in any event, the letter itself was in pristine condition, so
that left David George Bradshaw But how could Elizabeth have met him? She had
been defence counsel, representing Riley They�d been on opposing sides. How
could they meet without one or the other, in effect, crossing over? And given
that Elizabeth was the one with the suitcase, she was the likely traveller, so
to speak. That being so, there was a further curiosity: why would Mr Bradshaw
give such a cutting to Elizabeth? Not only did that imply a binding of his
mother to the tragic event, it revealed an intimacy that could not have
prevailed at the time of the trial: for if Elizabeth had already known Mr
Bradshaw, she would have had to withdraw from the case. And, since she didn�t,
the implication was that Elizabeth had sought him out afterwards, perhaps
prompted by the letter from his wife.</p><p>So,
thought Nick, watching homely lights spread across the fields, you made a
friend of your opponent, you stored what you found in secret, and you gave the
key to a monk. He felt acutely awake, though tired. He forced his mind to plod
on one or two steps and, like a reward, he came to the real mystery. He gazed
ahead, as if he�d stumbled on the source of the Nile: Elizabeth had started
this collection at the conclusion of the trial, when she could not have
anticipated the death of John Bradshaw, or the letter from his mother. Why
then, had she kept the trial papers in the first place?</p><empty-line/><p>At Liverpool Street Nick
took the Underground to St John�s Wood, musing upon a chain of intuitions:
there was a link between the evolution of Elizabeth�s secret and her desire to
keep Nick close to home; at the same time, Nick�s father had been urging him to
visit Australia. Did he know of his wife�s subterfuge? Nick had little doubt:
he did not. His father was guileless. His unthinking candour had compromised
numerous commercial transactions spanning several continents � the last of
which had led to his enforced retirement. He could not be relied upon � least
of all with the truth. It made another question all the starker: how might
anything be so important to Elizabeth that she could not share it with the man
she trusted most?</p><p>Once
home he walked straight to the Butterfly Room determined to confirm his father�s
exclusion from the meaning of the key Charles looked up from an armchair as if
he�d seen a well-loved moth. He had an empty glass in his hand.</p><p>�Where�ve
you been?� His face was flushed and he was tipsy.</p><p>�I just
went walkabout.�</p><p>�Me
too.�</p><p>�Whereabouts?�
Nick noticed the bow tie, a remnant from his father�s banking days. He�d worn a
bowler hat to work. His suits had been cut from heavy cloth that made him
perspire. But he�d looked the real shilling � as if he were hot with responsibility.</p><p>�Regent�s
Park. And you?�</p><p>�Sudbury.�</p><p>�Where?�</p><p>�Suffolk.�</p><p>�Good
God.�</p><p>Nick
studied his father�s wounded face. The dear man knew nothing. What had he
thought about in Regent�s Park? It was easy to surmise: his wife�s evasiveness
and stealth, which, of late, he had noticed; the manner of her going; and
consolation from a police officer whom he did not know He was bewildered and
Nick could not help him � because he held the key It gave him knowledge, but of
a kind he couldn�t share.</p><empty-line/><p>Nick woke and listened to
the rubbish truck and the antics of the binmen. He swung his legs out of bed
and reached for his mobile. After considerable hesitation, he rang a monastery.</p><empty-line/><p>7</p><empty-line/><p>Blind George, as he was
known, woke up on a traffic island. He was lying on a bench. Marble Arch
towered huge and white behind a litter bin. A flag fluttered, its line slapping
against the pole. Above, the sky was misty blue. An aeroplane crossed in
silence, like an ant on lino. George sat up, with a groan, and opened his
notebook. A thumb with a cracked black nail smoothed back the pages. He read
out loud:</p><empty-line/><p>I am
going to Mile End Park to confront Riley.</p><p>Wait
beneath the fire escape in Trespass Place.</p><p>The explanation for Inspector Cartwright is in your left inside
jacket pocket.</p><p>There�s
fifty pounds in your right trouser pocket.</p><p>Elizabeth.</p><empty-line/><p>For
years George had kept a record of days gone. Nino, a former traffic warden, had
insisted upon the practice. It had been part of his instruction when teaching
George about life on the street. Since leaving the world of parking tickets,
Nino had moved around the libraries of London, still clutching a floppy pad. He
had his own chair in most of the reading rooms. One of them had his name on it
� stuck on with tape by the management. He had a habit that drove them to distraction,
and kept him on the move: in one place he�d put in a request for a book that
was held in another. So all these books were flying about London after Nino,
when all he had to do was keep still.</p><p>�Don�t
think,� he�d said. �Just write, starting at the beginning, and keep going. You�ll
only understand the story looking backwards. If you start thinking, you�ll
write the story you want, not the story you�ve got.�</p><p>�Oh.�</p><p>�The
street is the place of stories,� he�d concluded gravely Black, tangled hair
covered his face and his skin was grey �Stories of harm and stories that heal.�</p><p>George
had obeyed, because traffic wardens have a peculiar authority. When one
notebook was full he�d start another. They were numbered on the cover. He had
thirty-eight of them. George�s whole life was laid out in order, all sixty-four
years, as best as he could remember them. Almost every day he�d sat on a park
bench or in a caf�, and he�d scribbled with haste, not pausing to choose his
words. Once he�d got something down, he was like an archaeologist with a
toothbrush: he gently brushed away the dirt; he�d change a word or phrase,
cleaning up what had been saved. It could take months to get it right.</p><p>George�s
earliest memory was of an outing in a pushchair. He was sitting behind an
improvised cover to keep out the rain. His mother had made it. There was a
polythene window sewn into a sort of waxed cotton tent that covered his upper
body His protruding legs were warm, covered by a blanket; but he couldn�t see
anything because of the condensation. He could hear only the rain and his
mother�s feet on the path. They were on their way to see Granddad, whose first
name he bore. David. He�d stopped using it a long time ago, out of shame. He�d
become George. That burst of anguish took up the first pages of book one, which
now lay with all the others in a plastic bag. All them had been filled with a
similar, honest desperation: to preserve both the good and the bad. That was
something else Nino had said:</p><p>�Don�t
decide what to keep. It all counts. Sometimes it is the worst things that turn
out to have delivered what is best.� He�d been solemn again. �It only appears
when you write it down.�</p><p>Filling
up these notebooks had a dramatic effect on George. It made him a compassionate
observer � not just of himself, but of everyone he�d known. But the scribbling
had also made him uneasy about the spoken word, because he�d gone through hell
choosing the right ones to keep on paper. Ultimately, the precision had
brought him close up to his more recent failures, but without the distortion of
self-pity. And then, clear-eyed and calm, he�d scrambled into a skip.</p><p>He�d
seen two black discs among the wood and bricks: a pair of welding goggles.
Instinctively he put them on and pretended to be blind. On the face of it he�d
gone mad. But it made sense to George. There were things in his life he could
not look upon, and he didn�t want anyone else to either. The street might be
the place of stories, but his was going to remain untold. Once the goggles were
in place, hardly anyone spoke to him any more. It was as though he wasn�t
there. They called him Blind George.</p><p>So at
first George wrote down his life in order to understand it; but the time came
when he did so to keep it together. Long after Elizabeth had found him, and
when their project to trap Riley was well underway George got his head kicked
in. His memory was sent flying over Waterloo Station like a cloud of pigeons.
The details, with Elizabeth�s help, were set down towards the end of book thirty-six.
That was after he�d woken to discover that a kind of lake had entered his mind:
on the far shore everything was clear, up to the week he�d fallen under those
swinging feet; but on this side, where he played out his life, events were like
globules of oil. If he didn�t confine them on paper, they could separate, drift
off and come back when they felt like it � heavily familiar but
incomprehensible. He could hold on to faces, geography and snippets of talk,
but he�d found himself in a world where everyone else knew all the missing
pieces. People would speak, expecting him to understand. And sometimes he did,
but often it was a lottery in which he could make no choices. But it was the
keeping of the notebooks that saved him and held everything together. Every
page helped to bridge the lake. He just carried on plotting the course of each
completed day.</p><empty-line/><p>Elizabeth had written a
great deal in books thirty-six to thirty-eight. She�d recorded everything they�d
said and done after his mind went loose. He�d watched her while drinking hot
chocolate or whisky. She�d always been careful. She�d treated words like
coins. And in her last entry she�d told him to wait.</p><p>After
Elizabeth had gone to Mile End Park in the morning, George had sat in his
sleeping bag beneath the fire escape at Trespass Place. He�d waited until
nightfall, counting the hours, his eyes on the arch at the end of the
courtyard. But she hadn�t come. Then, like a bubble popping at the surface of
his mind, he�d heard something she�d said more than once: �George, if anything
should happen to me, don�t worry. A monk will come.</p><p>A what?�
he�d said, the first time.</p><p>�An old
friend. He�s forever puzzled, but he gets there in the end.�</p><p>George
had read his notebook again. She�d written �Wait � not �Wait for me.�</p><p>The
next morning, George looked to the arch, hoping to see a different shape,
perhaps someone fat with a white rope around his waist. He watched and waited,
through the day and through the night. But when another morning broke, George
rose and hurried through the streets. He crossed the river and crept like a
thief into Gray�s Inn Square.</p><p>George
stood outside Elizabeth�s chambers reading the list of gold names on a long
black panel. Men and women slipped past him, flushed and serious. He became
paralysed by the grandeur of it all. Then through the glass of a door he saw a
round man with an orange waistcoat. The eyebrows rode high above piercing,
kind eyes. He stepped outside.</p><p>�I�m
Roddy Kemble, who are you?�</p><p>George
panicked. �Bradshaw, sir.�</p><p>Mr
Kemble thought for a moment. He didn�t move, but he looked like a man rooting
through a cardboard box, lifting this, lifting that. Abruptly he said, �May I
ask your first name?�</p><p>�George.�</p><p>The man�s
arms fell by his side. He seemed to have found what he expected and didn�t
want. Quietly, he said, �Elizabeth is dead.�</p><p>George
adjusted his goggles. His mouth went dry and he nodded appreciatively.</p><p>�In any
other circumstances,� said Mr Kemble, �I�d offer you a cigarette. But I�ve
given up. Would you like a Polo?�</p><p>George
nodded again.</p><p>Mr
Kemble peeled back the silver paper. �Her heart gave out.�</p><p>For a
while they stood awkwardly crunching mints, then Mr Kemble said, �Have you seen
Elizabeth since the trial?�</p><p>�Yes,
sir.�</p><p>�Frequently?�</p><p>�Yes,
sir.�</p><p>Mr
Kemble looked like a man whose house had just been burgled. He put a heavy hand
on his shoulder and said, �It�s time to forget everything, George. Move on, if
you can.</p><p>�I
stopped going anywhere a long time ago, sir.�</p><p>George
backed away clumsily Mr Kemble raised an arm, as if he were giving a blessing
or launching a ship. If it weren�t for the orange waistcoat, George would have
thought he looked sad.</p><p>George
stumbled up High Holborn and then found his way to Oxford Street, bumping into
people and things, until he reached the roundabout and Marble Arch � where he�d
last seen Nino, months back, in the summer. They�d sat on a bench and his guide
had told him a strange story about right and wrong. George went to the same
bench, looking hungrily at the monument, wanting his friend to emerge from
beneath one of the portals, his blue and red scarf trailing in the wind. Sleep
crept upon him. He woke and saw the arch, the flag and the ant crawling across
the sky, and he reached for book thirty-eight.</p><empty-line/><p>George left the traffic
island and began the long walk to Trespass Place. He thought of Elizabeth,
whisky in hand. She�d foreseen her dying and had prepared for it. George had to
wait because a monk would come. Another of her phrases floated by; it filled
him with hope: �No matter what happens, Riley can�t escape.</p><p>George
made haste, and he beckoned Nino�s story about right and wrong, but it wouldn�t
come. All he could recall was the end, because Nino had spoken it with such
force. His gaze had been wide as if he were waiting for eye-drops. �Don�t be
lukewarm, old friend. That�s the only way to mercy or reward.�</p><p>When he�d
told Elizabeth, she�d scribbled it down on the back of an envelope.</p><p>Beneath
the fire escape George picked up a sharp stone. On the wall he scratched a few
neat lines, one for each of the days he�d been waiting. By extension it was
another lesson from Nino: to diligently keep an account of anything that might
easily slip away.</p><empty-line/><p>8</p><empty-line/><p>Perhaps Anselm�s
sensibilities had been over-roused, but he could have sworn that the woman at
BJM Securities viewed him with both fascination and terror.</p><p>�You�ve
never come before,� said Mrs Tippins, as if he�d let her down.</p><p>�I�m
sorry, was I expected?�</p><p>�No.�</p><p>Anselm
couldn�t imagine the foundation for reproof �Well, I�m here now.�</p><p>�I can
see that, but you�re too late.�</p><p>Mrs
Tippins explained that the son of the deceased had taken possession of a small
red valise.</p><p>�That�s
fine,� said Anselm. He was convinced it was nothing of the sort; that this was
not what Elizabeth had wanted. �I�ll just go back home.�</p><p>Mrs
Tippins seemed uncomfortable, as if the static of her clothing was giving her
tiny shocks. She opened the door for Anselm and then seemed to leap at an
opportunity. �Do you mind if I ask � but are you allowed out?�</p><p>�Every
ten years.</p><p>�Never.
How long for?�</p><p>�Ten
minutes.�</p><p>�Honestly?
You better be making tracks, then.�</p><p>�I�m
joking.�</p><p>Mrs
Tippins narrowed her eyes, reluctant to abandon deep-rooted convictions.</p><empty-line/><p>Anselm berated himself all
the way back to Larkwood. Nicholas Glendinning had opened the box while Anselm
had been hiding in an apple tree. It would have appealed to the author of
Genesis: Nicholas now knew what he was not meant to know.</p><p>Mothers,
sons and secrets, he thought. They were an unhappy combination but often found
together. As if nudged, Anselm recalled the death of Z�lie, his own mother, and
the secret he carried. Oddly enough, the circumstances had captivated
Elizabeth when he�d told her shortly after joining chambers. That was almost
twenty years ago.</p><p>They
were sitting in the common room on a Friday night. The wind kept triggering a
car alarm that seemed to pause when sworn at from a nearby window.</p><p>�She�d
been in hospital for an operation,� said Anselm. �Before she was discharged, my
father called us all together. He said that she wouldn�t be getting better and
that we weren�t to tell her. I was nine. A few days later she came home. I took
her a cup of tea, and she said, �I�ll be up and about before you know it,� and
I replied, �No you won�t. You�re going to die.��</p><p>�Did
you tell the others that you�d broken rank?�</p><p>�No.
They would have seen it as a betrayal.�</p><p>�Betrayal?�
Elizabeth repeated, as if she were talking to an invisible third party.</p><p>�Yes,
but from that moment my mother and I were free. We could grieve while she was
still alive. We could face what was coming in the absence of lies. I hadn�t
even realised that obeying my father would have left us trapped.�</p><p>�Trapped,�
echoed Elizabeth again.</p><p>She was
talking to an imagined presence, but Anselm hardly noticed because turning over
the stone had uncovered forgotten emotion. His eyes prickled and he couldn�t
speak without his breath staggering. �Don�t get me wrong � this is no fairy
story about life winning out. Shortly before the end, she said, �I can hear the
sounds of a playground.� A kid was kicking a ball against our fence. She was
drifting off to sleep. But she let slip a confession. �It�s been a school for
death and I�ve hardly learnt anything.��</p><p>Elizabeth
had been spellbound.</p><empty-line/><p>Anselm parked beneath the
plum trees and wiped his eyes, astonished by the power and freshness of
remembered grief. The siren faded, along with the protestations from an
upstairs window Presently Larkwood�s bells found their strike and birds
scattered over the valley.</p><p>While
the loss of his mother remained painful to Anselm, it had opened his child�s
heart to a very adult truth: what you would cling on to will pass away, like
grass. Several times Elizabeth had returned to this subject with a sort of
fugitive hunger, but only abstractly and when they were alone. They�d spoken of
honesty between parents and children, of loving by letting go, of this day�s
importance. Half the time, Anselm was lost in the forest of ideas, but it
seemed to help Elizabeth. He sensed she wanted a distant companion while she
made a very private passage. She�d always been one for conceptual clarity.</p><p>Anselm
had recovered by the time he reached the cloister. He always saw things clearly
after he�d cried. And he was now convinced that it was back then, on a Friday
night, that Elizabeth had decided, one day to seek his help � long before the �not
knowing and the not being able to care� had become an accusation.</p><empty-line/><p>9</p><empty-line/><p>Elizabeth had found George
before he got his head kicked in. He still didn�t know how she�d traced him,
though he had his suspicions. The only person who knew about Trespass Place was
Nino. And everyone near the Embankment knew Nino. So George had pictured
Elizabeth beneath the bridges, tapping arms, lifting blankets, seeking the
whereabouts of a man named Bradshaw She must have been sent Nino�s way; and she
must have told him a great deal to make him reveal where George had gone to
ground.</p><p>A
pinprick of light had jigged in the distance, exposing the cobbles like scabs
in the asphalt. It grew larger, making her outline darker than the darkness.
She lowered the torch and he saw gold buckles on expensive shoes. The beam was
cut and she said, �You walked out of court, George.�</p><p>He
replied to the shadow �Yes, and I let Riley go.</p><p>�We
both did.�</p><p>Elizabeth
sat down on the cardboard beside him. They looked out on the courtyard, the
drainpipes and the bins. She produced a flask of whisky and two silver beakers.
It started to rain. The drops pattered on the fire escape landing. They didn�t
speak; they just sipped the warming malt.</p><p>She
came frequently after that, always in the evening. They fell to talking of old
times. George told her what he�d done before the trial: baggage boy at the
Bonnington, then one of a team in a night shelter for the homeless, and finally
becoming its manager. He�d lost that job for gross misconduct after Riley was
acquitted. Elizabeth�s story couldn�t have been more different: boarding
school, Durham University and Gray�s Inn. After the trial she was made a deputy
High Court judge. Her life had gone up, his had gone down. She too had married;
they�d both had a son. Hers was called Nicholas; he was planning a trip to
Australia.</p><p>�What
for?�</p><p>�To get
away from me.� She laughed. �He�s grown too quickly� Distantly she added, �He�s
the very image of my father.�</p><p>Elizabeth
never urged George to find a hostel; she never asked about the home he�d left
behind, and the wife who couldn�t face him any more. She seemed to understand
that sometimes there was no going back; or at least, not until one�s
connections with the past had been changed. They just sat side by side beneath
the fire escape sometimes chatting, sometimes silent. Then she�d go home.</p><p>One
night she turned up with her work. It brought the ambience of the Old Bailey
into this, his hideaway While she read, marking the page and swearing, he was
sure she was ahead of him, waiting. Tension made him fidget. She asked him to
keep still. Suddenly he blurted out, �It couldn�t have been any different.�</p><p>�I know.�
She carried on reading.</p><p>�Not
after I was asked about my grandfather � the dropping of my first name.</p><p>�I know�</p><p>�I
never saw that coming.�</p><p>�No one
did.� She put her files and coloured pens in a bag and pulled out the whisky
and the beakers. After they�d drunk several shots, she spoke of John�s fall on
Lawton�s Wharf. The subject had hung in the air while she�d spoken of her own
son. George opened out a newspaper cutting of the inquest and gave it to
Elizabeth.</p><p>�How
did Riley do it?�</p><p>George
couldn�t answer because � in truth � it was his fault. He�d sent his son to his
death with an aside uttered during <emphasis>Countdown. </emphasis>He saw the smiling
presenters; and he saw his boy fearful, stooping through a hole in the wire.
He was only seventeen.</p><p>�I
suppose there�s no evidence.�</p><p>�None.�</p><p>She
turned, drawing the fall of hair behind an ear. A diamond sparkled on the
lobe. �I�m implicated in what happened, George.�</p><p>�No you�re
not.�</p><p>�I let
Riley escape far more than you did.� It didn�t sound condescending, just
private and adamant.</p><p>�You
can keep the cutting.� It was all he could do to reach her. She had almost left
the planet.</p><empty-line/><p>When Elizabeth next came
to Trespass Place she said her back couldn�t take it any more. She was very
specific. The problem was degenerative changes at L5 and L6. �There�s a caf�
round the corner.</p><p>They
found a table in Marco�s by the window Then Elizabeth went to the counter
without having asked him what he wanted. When she came back, he paled. She�d
bought hot chocolate and toast. She�d done it on purpose. She�d remembered.</p><p>Three
girls had given evidence against Riley It had taken guts, because they�d been
terrified of the Pieman. But George had persuaded them to come forward. It had
taken three attempts. And he�d done it over toast and cocoa. They�d said so in
their witness statements.</p><p>�Eat
up,� she said gravely.</p><p>George
looked at the plate and mug in horror.</p><p>�Go on,�
she repeated. �Take a sip.�</p><p>When he
started eating, she said, �Have you ever wondered how evil can be undone?�</p><p>He
nodded.</p><p>�Me
too.�</p><p>And
that was it. George waited for the follow-up, but they just sat and ate toast and
drank hot chocolate.</p><empty-line/><p>Elizabeth came back about
two weeks later. She stood beneath the arch into Trespass Place and waved.
George got up and followed her to Marco�s. By the same window they ate more
toast and drank more hot chocolate.</p><p>Elizabeth
said, �Do you remember Mrs Riley?�</p><p>�Yes.�</p><p>�Nancy
is her name. She listened to the prosecution opening and then left the court,
rather like you.�</p><p>George
remembered the hat � yellow with black spots �pulled down as if it were a steel
helmet.</p><p>Elizabeth
explained that Riley�s solicitor, Mr Wyecliffe, was a highly intelligent man.
She had asked him to interview Nancy with a view to obtaining a witness
statement upon Riley�s good character. The difficulty was that no one knew what
Nancy might say under cross-examination. Ultimately it was agreed that Nancy
would not go into the witness box: she would only reveal Riley�s anger towards
women.</p><p>George
said, �She�s crackers.�</p><p>�She
trusts him, that�s all,� said Elizabeth reprovingly �Maybe she sees a trace of
something, a remnant of what�s been lost.�</p><p>Neither
of them spoke for a while.</p><p>�When I
first saw you under that fire escape,� mused Elizabeth innocently �I didn�t
recognise you.</p><p>�I�ve
been sleeping rough for years. It changes you.�</p><p>�Even
in daylight you looked different,� she continued. �Something�s gone, something
you can�t catch and put in your notebook. Riley wouldn�t recognise you either,
if you bumped into him.�</p><p>George
looked up quickly.</p><p>�He�s
still a criminal, as he always was,� she said, collecting toast crumbs with a manicured
finger. �Nancy is the way to proving it. Maybe we can all make amends. How does
that sound to you?�</p><p>When
Elizabeth had gone, George went back to Trespass Place and wrote it all down in
book thirty-five. There�d be one more volume before he got his head kicked in.</p><empty-line/><p>George sat beneath the
fire escape, his goggles in his hair, reading his account of that meeting It
was the beginning of a calculated scheme � although Elizabeth�s plans were
already formed. They just required his cooperation. From the moment he�d
written down her invitation it was as though every ill that had come to pass
since the trial might all be transformed by a greater conclusion. Elizabeth had
said, �If we get the ending right, we�ll change everything, right back to the
beginning. It�s almost magic. A monk told me.�</p><p>The
monk who hadn�t turned up, thought George, looking towards the arch at the end
of the courtyard. He hadn�t slept for days now. Giddily he counted the
scratches on the wall. Then he hauled himself upright, positioned his goggles
and tramped into the sunshine. His shoes were split and the laces frayed. They
fell off as he walked. On Old Paradise Street, he slumped forward onto the
pavement, one leg in the gutter. He heard the tread of feet: frantic high
heels, the measured clip of some army type, the squelch of trainers. Some
slowed, some stopped, some spoke; but the river of feet moved on, drawn towards
a sea of pressing obligations.</p><p>Among
the flowing George heard the steps of someone familiar, a dawdling coming close
� a pat-patting of small red sandals. He was dreaming. The ankles came into
view: white skin upon fine bones; blue veins summoned by a wind that lifted off
the waves. The boy�s copper hair danced. George lifted a hand off the pavement,
reaching out, and said, �Oh, John.�</p><p>The
waking dream unfolded. It was like watching a family video.</p><empty-line/><p>George took his son by the
hand on Southport Pier. It was a blustery day with gulls thrown around as
though attached to the railings by string. Occasionally they dropped like
stones, but landed lightly on discarded crusts of bread. George found a bench,
and John clambered beside him, banging one of his knees.</p><p>�What�s
for lunch, Dad?�</p><p>George
pulled a tin from the plastic bag prepared by Emily �Salmon.�</p><p>�That�s
a treat, Dad.�</p><p>�You�re
right there, son.</p><p>They
sat side by side, watched by the passers-by George kicked his shoes off and
wiggled his toes. John pedalled the air.</p><p>The
cold sun tilted towards the west. George checked his watch: it was time to get
back to the hotel. Emily was waiting. �Come on, lad,� he said despondently He
didn�t want these moments of happiness to end.</p><p>John
refused to budge.</p><p>�We
have to go.</p><p>John
leaned away arms entwining round part of the bench.</p><p>George
pulled him free and roughed his hair. The boy stomped ahead, along the silver
timbers. His voice flew on the wind, �I like Southport, Dad.�</p><p>�We�ll
come again, son.</p><p>Blind
George rolled over onto his back and said, �But we didn�t, did we?�</p><p>A
passer-by knelt down and placed his hand under George�s head. It was a young
man. His hair was gelled and spiked like a sea urchin. He wore a T-shirt with
WINGS written on it. �Are you all right?�</p><p>�Yes,
thanks.�</p><p>�You�ve
no shoes.�</p><p>��I
must have left them at Southport.�</p><p>The
young man sat down and took off his trainers. �Put these on.</p><p>George
couldn�t speak or protest. He just watched this prickly helper struggle to fit
the shoes onto his feet. They were white with bright red stripes. Seconds later
the figure walked briskly away as if he were embarrassed. Written across the back
of his T-shirt were the words: WORLD TOUR.</p><p>I
wonder where he�s off to now, thought George. He jogged back to Trespass Place
� with sporty things like that on each hoof, he�d have looked stupid walking.</p><empty-line/><p>10</p><empty-line/><p>Nick drove to Larkwood
Priory in his mother�s lemon-yellow VW Beetle. Her red valise lay on the
passenger seat. By late afternoon, after several wrong turns, he came upon a
line of oak trees straggling towards a set of colossal gates. They were jammed
open. Above an incline topped by rhododendrons he saw a spire and patchwork
tiles.</p><p>The
reception desk was unoccupied, although a phone was off the hook. A tinny voice
came out of it yelling, �Hello?� Nick peeked down a corridor but jumped when a
hand touched his shoulder.</p><p>�Were
you ever in the scouts?�</p><p>The
monk was ageless and aged, dressed in a black habit and a white scapular. A
length of frayed plastic twine was tied with a bow round a thin waist. His
cranium, while angular, seemed soft as sponge, with a haze of shaved white
fluff.</p><p>�I was
a Sixer,� said Nick proudly.</p><p>�When I
was a lad,� said the monk, hooking his thumbs onto the belt, �Baden-Powell told
me a secret about the relief of Mafeking.�</p><p>�Really?�</p><p>The
telephone shouted, �Hello?�</p><p>The
monk looked at the receiver as if it were an unusual fruit and put it back on
the console. �The Boers were at the gates, armed to the teeth.�</p><p>A
gentle cough robbed Nick of the disclosure. �Thank you, Sylvester.�</p><empty-line/><p>Father Anselm led Nick
outdoors. The monk seemed much younger than the barrister he remembered. As
with Baden-Powell�s confidant, a life of denial appeared to have disarranged
the normal ageing process. He was probably in his forties. They�d met a few
times in the corridors of his mother�s chambers. A slight hesitation in his
gait made him look shy and boyish, as if he were on his way to the podium to
pick up the diligence prize after all the clever children had returned to their
seats. Short, ruffled hair and round glasses magnified a look of permanent
surprise. His black habit was frayed; the white scapular flapped like a long
serviette.</p><p>�My
mother kept a secret,� said Nick. They faced each other across a table in a
herb garden. He placed his mother�s case between them. �She wanted to reveal it
to me. When I turned to listen it was too late.�</p><p>The
monk took off his glasses like some patients remove their trousers. He seemed
strangely vulnerable.</p><p>�By
chance,� said Nick, �I found a key hidden in this book.�</p><p>He
passed over <emphasis>The Following of Christ. </emphasis>�I�m afraid the scrawl is mine.
Biro practice when I was five or so.�</p><p>Father
Anselm opened the cover and looked intently at the open space. Apparently deep
in thought, he closed the book and opened it again, looking at where the key
had been kept. Then he turned to the front and read out the dedication:</p><p>�To
Elizabeth, from Sister Dorothy DC hoping that this small and great book will
always be a friend to her.�</p><p>�Do you
know her?� asked Nick. His mother�s faith had not been a shared field. It was
more of a parallel continent with strict border controls, imposed by both sides.</p><p>The
monk shook his head.</p><p>�I
think that whatever my mother wanted to say is tied up with this case. So I
opened it, and I�m none the wiser.�</p><p>�I�m
not surprised,� replied Father Anselm. One arm rested on the table, reaching
towards his guest. �When your mother gave me the other key she asked me to help
you understand what she wasn�t able to explain.�</p><p>Nick
felt a surge of relief He waited for the account that would make sense of the
secrecy and the planning. But the monk just kept smiling benignly Then Nick
realised that he was waiting for the case. Surprised, Nick said, �Don�t you
know what�s in here?�</p><p>�Not at
all.�</p><p>�She
just gave you a key?�</p><p>�Precisely�
said Father Anselm, quietly sagacious. Nick had cultivated a similar manner to
assure the terminally ill. He pushed, the case across the table. Father Anselm
placed the contents in an orderly line and then frowned. �Riley� he muttered
with distaste. Then he started with the ring binder. Without his glasses, he
seemed to be wincing. Slowly he turned the pages. At one point he said, �Cartwright
� not Cartwheel.� Then, with a shrug, he read the newspaper cutting, glancing
at the trial brief, making the connection. Finally he opened the letter,
saying, �I�ve never seen this before.� Leaning his head back, he read out loud:</p><empty-line/><p>Dear Mrs
Glendinning QC and Mr Duffy,</p><p>I thought that if
I ever began writing to either of you, I might never stop. There�s no beginning
or end to what I want to say But then I thought, why don�t I just tell you what
happened when the trial was over, when we went home and you went to a
restaurant?</p><p>We lost our son. My husband fell to pieces. For what it is worth,
along the way I lost myself.</p><p>Mr Duffy asked, �What did David do that George wanted to forget.� I
suppose you thought that was very clever. He had no right to ask that, no right
at all. Don�t think that wearing a wig means you had nothing to do with what
went wrong. You�re mistaken.</p><p>I don�t know what type of conscience you must have that lets you
walk out of doors. How can you sleep at night having stood up for a man like
Riley?</p><p>Yours sincerely,</p><p>Mrs Emily Bradshaw</p><empty-line/><p>Father
Anselm placed everything back in the case.</p><p>�Well?�
asked Nick.</p><p>Father
Anselm put his glasses back on and said apologetically.</p><p>�I��� haven�t
the faintest idea what your mother wanted me to say �Then why did she give you
a key?�</p><p>�I
assume because I was involved in the case. �But why hide it from me and my
father?�</p><p>�I don�t
know� Father Anselm tapped the lid of the case, perplexed but silent. Another
monk passed through the gate carrying a wicker basket. He waded into the tangle
of herbs and began cutting leaves with a pair of scissors.</p><p>�Herbal
remedies,� said Father Anselm weakly �I�m not sure they work.�</p><p>�Who
was Riley?�</p><p>�He was
a docker.� He snatched at random details as if they were flies. �He was a crane
operator. A docker. An alleged pimp. Three witnesses said he worked for the
Pieman.�</p><p>�Who
was he?�</p><p>�Just a
name in the papers.�</p><p>Nick
glanced towards the other monk, who was humming and snipping. A confusion of
scents drifted over them. �Father, what was so special about this trial?�</p><p>�Nothing.�
He frowned, showing that this was his own question. The monk smuggled each arm
into the sleeve of the other until he made a sort of sling across his chest. He
looked away towards a wilderness of healing plants. �The only memorable aspect
of the trial was how it ended.� He fell silent.</p><p>�What
happened?� prompted Nick.</p><p>�I
cross-examined the main witness, a man called Bradshaw He used his second name,
George, rather than David, which was his first. In a rather elaborate way I
asked him why and the case collapsed.�</p><p>�How?�</p><p>�He
just walked out of the court.�</p><p>�Because
you asked him about his name?�</p><p>Father
Anselm nudged his glasses. �It looked like he was refusing to answer for his
past. David�s past, if you like.�</p><p>�What
was it?�</p><p>�I don�t
know�</p><p>�Then
why did you ask?�</p><p>�I
couldn�t think of anything better.� As though he�d won an unwanted prize, he
added, �It�s what�s called a good performance.�</p><p>Father
Anselm�s attention shifted to the quiet work of his brother monk. The herb
garden was extraordinarily still. It seemed to give emphasis to speech, as if
the land and its many plants were listening.</p><empty-line/><p>Nick left the case on the
table and followed Father Anselm to a path of mulch between a stream and an
ancient abbey wall. At precise intervals slender pillars climbed from the
stone, but most had been smashed at head height. By a pile of black railway
sleepers, the monk halted. The creosote was sharp like smelling salts. He
breathed deeply and exhaled. �Something is missing,� he pronounced.</p><p>�Like
what?�</p><p>�Instructions.�</p><p>�If
that were the case,� replied Nick, �she�d have given you a letter and not a key�</p><p>And
that,� replied the monk, �is a rather good point.� His eyes blinked at a mark
on the ground, as if Andre Agassi had walloped something from behind an arch.</p><p>Nick
felt sorry for this puzzled man with tousled hair and flashing glasses. His
life among the ruins appeared to have blunted what was once a sharp mind � how
else did you win a case by quizzing a witness on nothing more than his choice
of name? That was impressive. But now, he felt sure, he needed a little help.
Nick said, �Father, it�s a strange story Of all the trials my mother ever
conducted, she kept this one. It just so happens that five years later the son
of a witness drowns. My mother finds the grieving father, and it seems they
both connect the death to the trial, apparently not accepting the coroner�s
verdict. Two questions follow: did they suspect foul play? And what did they do
next? But I�ve another: why keep the papers of this particular case? What was
so special about Mr Riley?�</p><p>Father
Anselm�s head was angled. Perhaps he looked like that when he listened to sins,
or whatever people usually told him. The monk discreetly produced a packet and
began to roll a cigarette. He removed a shred of tobacco from his mouth and
said, �She told me she�d been tidying up her life.� The match sputtered like a
damp flare.</p><empty-line/><p>They retraced their steps
past the great wall with the shattered columns.</p><p>�Father,
when I was diving on the Barrier Reef,� said Nick, �I watched fish getting
washed by a plant. It was wonderful. They lined up and took it in turns.
Somehow, they just knew what to do. There was no need for any instructions.� He
looked aside at the troubled monk. �Maybe my mother thought you were in the
same queue, that you�d understand without thinking. Don�t worry if you can�t
help in the way she wanted.�</p><p>When
they reached the table in the herb garden Father Anselm picked up the case;
from there they walked to the car park where the yellow Beetle seemed to quiver
against the purple canopy of plum trees. Fruit lay splattered on the windscreen.</p><p>A mad
Gilbertine idea,� said Father Anselm awkwardly. �We forgot that fruit falls
when it�s ripe.� It sounded like a warning. He asked for time to understand the
contents of the case and for Nick�s telephone number; and he concluded, �Don�t
turn over old stones. Let them lie where they were placed.�</p><empty-line/><p>Nick drove down the lane
of loitering oak trees, away from Larkwood and the smell of aromatic plants.
And as he did so, he reflected, painfully, that he�d never been able to share
his mother�s deep faith. He leaned more towards his father, who, while
adherent, was passive, his true fervour lying in the open fields. When cross,
Elizabeth had called him a heretic; in better tempers, she settled for
pantheist. Nick had grown up beneath the quirky arch formed where these two
types of belief met. He eventually crept away, not quite making sense of the
open sky At university he saw the chaplains and the students, half resenting
the consequences of his own choice (if that is what it was), for he would have
liked to belong. He eventually found a working credo in science � the purity
of facts and verification. His mother had quietly grieved. They�d argued �
hopelessly, because he didn�t ask her questions, and she didn�t want his
answers. He could follow loose talk about God, but not to the point where all
that type of thing <emphasis>mattered� </emphasis>at the meshing of life and ideas.</p><p>Shortly
before Nick had gone down under, she�d said, �We should settle on beliefs that
are worth the hazards of the race.�</p><p>Mildly
irritated, because they were watching <emphasis>Ben Hur </emphasis>and it was the exciting
bit when the chariots were crashing into each other, Nick said, �Would you
fight for yours?�</p><p>�I
really don�t know.� She spoke as if the crowds were waiting, but this was St
John�s Wood not the Colosseum.</p><p>Thinking
now of his mother on the edge of the sofa, eyes glued to the screen and
worried, Nick decided to ignore the parting advice of a monk. He pulled into a
lay-by and fished out Mr Wyecliffe�s business card. It was stained with oil
from the cashew nuts. He dialled the number on his mobile. The solicitor�s
surprise was forced and his charm predatory, as if he smelled business. An
appointment was made for the next day and Nick resumed the journey home,
wondering about the relief of Mafeking.</p><empty-line/><p>11</p><empty-line/><p>It was odd, but George
could remember in his sleep. Sometimes his dreams were like the old films shown
at Christmas. He watched with recognition. So when George was slipping away, he
would try to switch on what was lost to him while awake. Most of the time it
worked. But when he snapped upright it was with the horrible fear that he�d
made it all up.</p><p>With
the sharp stone, George scratched another day of waiting upon the wall. It was
early evening. Sheets of polythene wrapping flapped in the corner. He turned on
his pocket radio and Sandie Shaw sang �Puppet on a String�. He became drowsy,
drugged by the waiting and the cold. Elizabeth�s voice rose in his memory. They�d
often sat in Marco�s listening to the radio echo from the kitchen. Songs like
that were always being dug out. Quite deliberately, George held himself at the
line between sleep and wakefulness.</p><empty-line/><p>Elizabeth bought more cocoa
and toast. �You really have changed. I barely recognised you.�</p><p>�You
keep saying that.�</p><p>�I�m
sorry.</p><p>Elizabeth
picked up a triangle of toast with dainty fingers.</p><p>After
the trial Riley sold Quilling Road.�</p><p>�Did
he?�</p><p>�Yes.
And he left the Isle of Dogs. In fact, he was sacked. With the money from the
sale he set up a house clearance business.�</p><p>�Did
he?�</p><p>�Stop
asking if he did something, when I just said that he did.�</p><p>�Fair
enough.�</p><p>Elizabeth
licked her thumb and forefinger. �He set up two companies. One of them is a
shop run by his wife, Nancy, whom you saw at court. I don�t suppose you met?�</p><p>�No,�
said George. �It wasn�t that type of party.�</p><p>Elizabeth
dabbed the corners of her mouth. �The second business is Riley�s own concern.
He runs it from a transit van, selling odds and ends at fairs and bazaars.�</p><p>�Stuff
from the house clearances?�</p><p>�Yes.
So when he buys a job lot, everything is somehow or other divided between this
shop and his van.</p><p>�So what?�
George wasn�t interested in Riley�s commercial habits.</p><p>�Aren�t
you ever inquisitive?�</p><p>�Not
really� His eye fell on the last triangle of toast. �How do you know all this?�</p><p>�He has
to file accounts at Companies House. I�ve read them.� Elizabeth pushed the
plate towards George, as if it were a donation. She said, �I�m reliably
informed that this business isn�t what it seems.�</p><p>George
threw down a crust. �You�ve just said that he�s gone straight.�</p><p>�No I
didn�t. I said he�d gone into business.�</p><p>�What�s
the difference?�</p><p>�All
the figures add up perfectly�</p><p>George
couldn�t understand lawyers. How could they see a weakness that wasn�t there?
Mind you, that was what the other one had done. How had he known to ask about
David Bradshaw? Duffy was his name. He�d got lots of pages all to himself in
book thirty or so.</p><p>Elizabeth
said, �To find out what he�s really doing we need to see more than a balance
sheet.�</p><p>�We?�</p><p>�Sorry,�
said Elizabeth with a smile. A slip of the tongue. But now you mention it, I�ve
an idea.�</p><p>�Have
you?�</p><p>Elizabeth
glowered at him. �Yes. Both companies are registered at Nancy�s shop.�</p><p>�What
does that mean?�</p><p>�It�s
their official business address. Riley is obliged by law to keep all financial
records for seven years. I doubt if he keeps a filing cabinet at home.�</p><p>�So
what do you suggest?�</p><p>�Nancy
is the key. She must have turned aside from so much to have seen so little.�</p><p>�Your
idea� it wouldn�t be me knocking on the door and introducing myself?�</p><p>�Not
far off, George. Imagination and subtlety would have taken you the remaining
distance.�</p><p>�Would
it?�</p><p>Elizabeth
glowered again and refused to answer.</p><empty-line/><p>A loud flap from the
polythene nudged George into wakefulness. The present moment gathered density,
becoming prickly; he had pins and needles along one arm. The conversation was
still complete, like an echo. He listened to the aftershock, understanding �
for that moment of rebounding � all that had happened over the following
months. But then an awful doubt came over him: had it all been a dream? With a
torch held under his chin, he fumbled through his notebooks. He turned the
pages quickly, his mind growing dim, Elizabeth�s words fading� until he
paused to smooth out a dog-ear at the beginning of book thirty-six. There was
the heading. It brought back her voice: �George, this is what you are going to
do.�</p><empty-line/><p>12</p><empty-line/><p>After compline Anselm
knocked on the Prior�s door. It was the Great Silence, but Father Andrew never
let a rule, however ancient and secure, take primacy over an insistent worry. A
fire had been made. Two chairs had been placed in front of it. The Prior was
already seated, arms on his knees. Light flickered upon broken glasses that had
been repaired with a paperclip.</p><p>Anselm
took his place. �You know of the key?�</p><p>�I do.�</p><p>By the
hearth was a life-size statue that he�d never seen before. Such things turned
up occasionally in the fields, or by the Lark near the abbey ruin. Once cleaned
up, they stood in for garden gnomes in the grounds. This one had lost its head
and an elbow. Whoever it was stood like an observer of sacred things long gone.</p><p>�I
suspect you know everything else,� said Anselm, grateful to have an ally.</p><p>The
Prior shook his head. �All I�m sure of is this: in the nicest possible way, we�ve
been set up.�</p><p>They
looked at the wrangle of impatient flames. The wood was wet and hissed and
steamed.</p><p>While
Larkwood was a deeply impractical place, its traditions were very ordered when
it came to talking � because of the Rule�s insistence on listening.
Back-and-forth dialogue wasn�t the norm with serious matters. You took turns.
At a nod from Anselm, the Prior kept the initiative.</p><p>�Elizabeth
asked to see me � in confidence � the week before you came to Larkwood, which
is to say about ten years ago. Inadvertently it seems, you had given me a
favourable recommendation. Or, at least, the kind that spoke to her.�</p><p>Anselm
had said that the Prior pops illusions� it was all he could remember saying.</p><p>�She
made an appointment. She came all the way from London. But she couldn�t speak.
We just looked at each other. And something surfaced while I was watching
her� anger, helplessness� and finally she said, �How can evil be undone?��
The Prior scratched his scalp. �We spent the next hour exploring this
territory, never approaching a specific issue. And yet I was talking to a
haunted woman.�</p><p>Anselm
remembered his own conversations with Elizabeth on those dark Friday nights:
she�d been intellectually tireless, searching out the implications of every
nuance. When she�d come to Finsbury Park, she�d told of a voice that would not
be stilled and Anselm had said that to understand the ways of the heart you
need a guide�</p><p>�Years
later she asked to see me again,� resumed Father Andrew, eyes on the fire. �She
didn�t want you to know of her visit, so we met while you were away In many
respects it was a re-run of our first encounter, only this time the anger and
helplessness had been replaced by despair. As before, she did not speak. So I
asked her a question, �Why are you unhappy?� Almost whispering, she said, �I�m
implicated in a homicide.� And then she seemed to slip away, leaving her body
behind. I said, �I think you need a solicitor not a monk.� She replied, �It�s
not the law that has a claim upon me. It�s my ��</p><p>�Conscience,�
Anselm interjected. The Prior nodded.</p><p>Kierkegaard
had called it �an affair of the heart�. Anselm�s rebelled. He�d been in the
same position as Elizabeth: they�d both defended guilty men before. And if
Riley were connected to the death of John Bradshaw, conscience could not hold
either Elizabeth or Anselm to be responsible. There was no link between
anything they had done and that outcome. So how had the discomfort become
anguish? Mechanically, Anselm surmised that this particular visit to Larkwood
must have occurred shortly after Elizabeth had received the letter from Mrs
Bradshaw.</p><p>�We sat
in silence,� continued the Prior, gazing into the fire. �Gradually, as it were,
she came back, and we talked of her work � of revenge and fair dealing, of
injury and restoration, of judges and juries: these ideas, and their
connections, seemed to fill her mind, and she sifted through them as if she
were doing a jigsaw whose picture it was desperately important to complete�
and keep out of view.�</p><p>The
Prior leaned forward and threw another log on the fire. Flakes of orange ash
burst free and rose and turned instantly to grey.</p><p>�The
last time I saw her was a month ago. She wanted to talk to you, but only after
a meeting with me � which was, however, to remain confidential. She was neither
angry, nor helpless, nor desolate. I found her composed; you might even say at
peace. He took off his glasses and fiddled with the paperclip. �Going back to
the jigsaw, I think the gathering of the pieces was over. She said, �I�ve
thought a great deal about our previous discussions and, as a result, I�ve
been tidying up my life.� I waited, expecting her to tell me what this had all
been about, but she confided nothing. So I said, �If ever I can help again, don�t
hesitate to ask.� She smiled, saying, �Actually, I�ve a small favour to ask.�
And at that strange moment, I felt like the first domino in a queue.� The Prior
repositioned his glasses and looked to Anselm, as if inviting the next in line
to relate the fall.</p><p>Anselm
said, �She wondered if I might be free to run an errand on her behalf.�</p><p>�She
did,� said the Prior. �And I agreed.�</p><p>�She
then said, �May I give him a key to be used in the event of my death?��</p><p>�She
did. And I agreed.� The Prior pursed his lips, thinking. �What you will not
know are the instructions she then gave me regarding what should happen after
you had opened the box. They were precise. As regards myself, I was to wait,
otherwise you would not understand what I was to say As regards yourself, she
said, �Firstly Anselm should visit a Mrs Bradshaw She wrote to both of us many
years ago. She deserves a reply� Does that mean anything to you?�</p><p>�I�ve
just read it.�</p><p>While
Anselm explained what had been written, the Prior went to his desk and opened a
drawer. �She then said, �Secondly please give him this letter. He should open
it when he has left Mrs Bradshaw After that, everything should fall into place.�
And she added, �A police officer called Inspector Cartwright will one day thank
you, as I do.� I�d have called a halt to this drama, if it hadn�t been for her
resolve and.., her pain.�</p><p>Anselm
took the envelope. It bore his name in her small, painstaking hand. �And then,
to evoke the past, she sought me out with a box of chocolates.�</p><p>The
Prior sat down with a sigh, rubbing the back of his head � a gesture possibly
from his younger days in Glasgow �Tell me all about it; from when you first met
her.�</p><p>From
when you first met her. The Prior, like Anselm, was already looking further
back than appearances would warrant. Accordingly, Anselm began with a
conversation on a Friday night long before the Riley trial, a talk about
parents, children and dying.</p><empty-line/><p>It was late when Anselm
finished. Larkwood�s owl � heard but never seen � had taken flight, and was
hooting round the spire, permanently baffled by the fearlessness of the
partridge weathervane.</p><p>�I
suppose Sylvester told everyone that Inspector Cartwright came here?� asked the
Prior.</p><p>�Not
quite, but the bulk of the message got through.�</p><p>�She
believes that John Bradshaw�s death was a revenge killing linked to the Riley
trial, although the mechanics were beyond proving. We decided that Elizabeth
must have come to a similar conclusion, because this was undoubtedly the homicide
to which she�d referred. This, however, was not the only matter we discussed.
It transpired that in the seconds before she died, Elizabeth had made a
telephone call to Inspector Cartwright.�</p><p>�Really?
What did she say?�</p><p>��Leave
it to Anselm.��</p><p>Anselm
frowned and repeated Elizabeth�s last words with incredulity. �What the hell
does that mean?�</p><p>�She
hadn�t a notion. Presumably you�ll find out after you�ve visited Mrs Bradshaw
and read the letter.� The Prior rose, indicating that the interview was over. �Inspector
Cartwright would like you to call her in due course.</p><p>The cry
of Larkwood�s owl began to fade as it flew west over Saint Leonard�s Field,
leaving behind a charged silence, a sense that something strange occupied the
night sky above the monastery.</p><empty-line/><p>Anselm went to his cell
and threw open the window The night was cool and sharp, softened by the smell
of apples. The community had been peeling them before compline, and the skins
were in sacks by the kitchen door.</p><p><emphasis>Leave
it to Anselm. </emphasis>Was that wise, Elizabeth? What did I
say that made you choose me? Or is it something I�ve done?</p><p>Anselm
breathed in deeply wondering why he�d put the key back in his wig tin.
Generously, the Prior had not enquired. Perhaps it was that word �murder�, and
the hopeless search for a rhyme. Whatever the cause, Anselm was altogether sure
that the consequent delay would complicate things considerably Elizabeth had
foreseen many things, but Anselm�s hesitation wasn�t one of them.</p></section><section><empty-line/><empty-line/><p>PART TWO</p><empty-line/><p>the story of a box</p></section><section><empty-line/><empty-line/><p>1</p><empty-line/><p>The door opened and Mr
Wyecliffe�s face emerged out of a warm gloom. His brown oval suit seemed to
join his beard and run up his cheeks, stopping just below the small eyes. �Sorry,
the light bulb�s just blown. There�s sufficient illumination, however, in my
quarters.� He led Nick to a sort of hole composed of shelves and files. The air
was stale and still and seemed to have a colour, as though they were immersed
in a yellowish solution carrying a hint of blue from far, far away. Upon a
large, chipped bureau stood a yellow plastic air freshener that kept watch over
piles of paper in disarray.</p><p>�I
thought it best we speak outside office hours.� He blinked and nodded with a
single movement. �Can�t say much, mind. Client confidentiality� He slumped in a
chair behind his desk and said, �It was a first-class funeral, if you take my
meaning. Very nice reception. Lovely house. Nice to see the clients invited.
But I am sorry. Dreadful business, if you ask me.�</p><p>�Your clients?�
asked Nick.</p><p>�Quite
a few One of them ate the ham sandwiches.� He spoke as though he were tempting
the outrage of a magistrate.</p><p>Nick
said, �You specialise in criminal law?�</p><p>�Not
really,� he reminisced, scratching an ear as he leaned back. �I�ve followed the
personal injury market. And family work, of course. I�d always done that. Care,
divorce, custody. Always lots to do in that neck of the woods.� His narrow eyes
seemed to glaze. �I sent your mother more dog�s breakfasts than I care to
admit. But she had a knack with parents not disposed to cooperate with expert
assistance.� He blinked in the gloom, regarding the air freshener. �But why do
you want to know about the Riley case? It was a long time ago� Best
forgotten, I should think.� He almost winked.</p><p>�Maybe
you�re right,� said Nick. �But I found the papers among my mother�s personal
things. She kept them for nearly ten years. I wondered if you might be able to
tell me why�</p><p>Mr
Wyecliffe�s eyes enlarged like ink on blotting paper. �I�ll do my best.� He
picked up a glass ball containing a log cabin, two fir trees and three reindeer
yoked to a sleigh. He shook it and a blizzard swirled against a cobalt sky It
was the only movement in the room. �Was there anything with the brief?�</p><p>�Why?�</p><p>�Sorry.
Silly question. That�s why I keep out of court.� He watched the flakes of snow
sinking. �Maybe I should begin before the trial� You don�t mind if I put the
odd question do you?� His eyebrows seemed to nod.</p><p>�Not at
all.�</p><p>�That�s
fine.� As if startled by a recollection, he went to a side room. A cupboard
door clipped open and then shut. He came back with some envelopes and threw
them into a large plastic bin the size of a laundry basket. �My out-tray,� he
explained. �Where was I? Ah, yes� It�s probably best to start after your
mother took silk. You�ll appreciate, I wasn�t in the criminal field that often,
so what I know was picked up from here and there.� Nick saw him at the funeral
reception, eyeing the plates, picking at this and that. �She�d built a
reputation as a prosecutor and was always booked up. But defendants wanted her
as well: word gets round. Villains talk while they�re on remand. They play
bridge and discuss the relative merits of counsel. So, you see, it wasn�t
surprising to have a client who came in asking for your mother. But with Mr
Riley it was slightly different.�</p><p>�Why?�</p><p>�He�d
never been in trouble with the police.�</p><p>Evening
had come and the room was weakly lit by a single central light. A dinted shade
hung askew, like a hat on a stand-up comic.</p><p>�You
mean that Mr Riley asked for my mother?�</p><p>�Yes.�</p><p>�Did he
say why he wanted her?�</p><p>�Not
right off the bat.�</p><p>�Did
you ask?�</p><p>�Yes.�</p><p>Annoyance
raised Nick�s voice. �Well, what did he say?�</p><p>�That
he�d heard she was good; so good that she could win without even opening her
mouth.�</p><p>�Who�d
said that?�</p><p>�He
didn�t say�</p><p>�Did
you ask how he�d heard of her?�</p><p>�No.�
Mr Wyecliffe raised his hands, like he was offering a platter. �Mr Riley had
considered a newspaper article about women at the Bar. He picked your mother because
he�d read she could see right inside the guilty. Such an aptitude, he said,
would be invaluable for the exposure of his detractors.�</p><p>�What�s
that got to do with her not having to open her mouth?�</p><p>�An
astute question, if I may say so,� complimented Mr Wyecliffe, �for that telling
phrase wasn�t in the article.�</p><p>Coldly
and with apprehension, Nick considered his interrogator. This mound of hair
and cloth had been angling for an understanding of the trial ever since he�d
cleaned up the plates at St John�s Wood.</p><p>Mr
Wyecliffe reached for his glass ball and gave it another shake, stirring up the
snow The flakes swirled and began to fall slowly Nick said, �Please can we open
the window?�</p><p>�Sorry.
It�s been painted shut.�</p><p>The air
was still and warm and quietly beating.</p><p>�Where
was I?� asked Mr Wyecliffe pleasantly �Oh yes. I arranged a conference and sent
the papers off Your mother rang up the next day to say the case didn�t need a
silk and suggested I use Mr Duffy instead. But the client wouldn�t agree. So I
booked them both � at your mother�s insistence. Speaking of the monk � well, he
wasn�t a monk then � do you know him?�</p><p>�Vaguely.�</p><p>�Any
idea why she might have selected him?�</p><p>�No.
Why?�</p><p>�If I
might speak confidentially� He was good if you wanted a trumpet on a sinking
ship, but to stay afloat.., there were others. As it happens, I was wrong. He
blew the other side out of the water with one question.�</p><p>�Something
about calling himself George rather than David.�</p><p>�Yes.�
Mr Wyecliffe twisted the air freshener on its axis. �How did you know that?�</p><p>�Mr
Duffy told me.�</p><p>The
solicitor hitched a shoulder and coughed. �I trust my nautical metaphor can
remain between ourselves.�</p><p>�It
can.�</p><p>�Most
grateful.� Mr Wyecliffe scratched his beard. �All very peculiar really because
the name business came from me � well, I brought it to the attention of
instructed counsel � but your mother didn�t like it all.., discouraged it, in
fact. I�ve often wondered why because it turned out to be our best point. Are
you leaving already?�</p><p>Nick said,
�Perhaps I might buy you a drink?�</p><p>A most
agreeable proposal.�</p><p>Mr
Wyecliffe opened a drawer on his desk and pulled out a blue notebook. �Funny,
really� if you think about it� � he rattled the drawer shut, toppling the
air freshener � �given Mr Duffy�s last question, we did win without your mother
having to open her mouth. Even Mr Riley was stunned.�</p><p>Nick
made for the corridor. Dimly, through a grey pane, he could see the lights of
Cheapside.</p><empty-line/><p>2</p><empty-line/><p>Before coming to London
Anselm had suffered a bruising � and inevitable � encounter with the cellarer.</p><p>�Are
you familiar with the Inland Revenue and its peculiar habits?�</p><p>�Yes,�
said Anselm humbly He had presented himself after lauds to obtain the required
funds for the trip.</p><p>�I
thought so.� Cyril was in his office beneath an arcade � an ordered place
without ornament, save for colour�coded box files: blue for apples (on the
right), and green for plums (on the left). Each carried a date. His one arm was
on the table like a cosh. He was large and square. His nose was red and his
eyes were yellow He had a cold. �They require accurate records supported by
all relevant documentation.�</p><p>�They
do.�</p><p>�Can
you give me an example?�</p><p>A
receipt.�</p><p>Cyril
sneezed, slamming his nose with a huge polka dot handkerchief After rattling a
box out of sight, he counted out a precise sum to cover anticipated rail and
Underground tickets.</p><p>�God
bless you, Cyril.�</p><p>�Don�t
mention it.�</p><empty-line/><p>When Anselm came to London
he usually stayed with the Augustinians in Hoxton. Sometimes, however, as on
this occasion, he booked a guest room at Gray�s Inn, his former legal home.
The practice kept fresh his associations with the Bar; and it afforded an
opportunity to see Roddy his old head of chambers. Having studied the Riley
papers on the train, Anselm trudged up the narrow wooden stairs to his former
place of work. It was evening.</p><p>Roddy
had just purchased what he called a long blue smoking jacket. He sat with his
legs extended, looking like a waterbed in a sari. After some chat about
hypnotism as a means of trouncing addictions, Anselm said, �Do you remember the
Riley trial?�</p><p>�It was
the only case you ever did with Elizabeth.�</p><p>�Yes,
how did you know?�</p><p>�She
remarked upon it recently� He reached for a large carved pipe. Austrian,� he
said proudly �Made of bone.�</p><p>Anselm
hesitated, letting his mind whirr and clank. When it stopped he perceived that
Roddy already knew of the trial and its significance for Elizabeth. With this
in mind, Anselm explained about the key, the red valise and the letter to be
read after he�d met Mrs Bradshaw Throughout Roddy packed tobacco into the bowl
of his pipe, prodding it occasionally with his thumb or a knife. Gradually
creases gathered across his forehead, revealing agitation and surprise, as if
he�d missed something he ought to have foreseen. Anselm�s conclusion snapped
into place: Elizabeth�s confidence had not been given to Roddy beyond the
trial. It was staggering � for Anselm and for Roddy: she�d held something back
from the man who�d nursed her career like a father.</p><p>�It�s
been a very long time, Anselm, I�ve forgotten what happened.� Roddy lit a
match as if it were the opening of a ceremony �Tell me about Riley� that
ruined instrument.�</p><p>�Frank Wyecliffe
sent the papers down to chambers for a conference,� said Anselm. �Three
teenagers said they�d met Riley at Liverpool Street Station. He�d offered them
somewhere to stay free of charge. His story was that when he�d come to London,
no one had been there to help him, that he�d spent months in a burnt-out bank
near Paddington, that he wouldn�t wish that on anyone else, that people needed
a break. They could think about rent once they were earning, and not before. So
they moved into this house at Quilling Road in the East End. All he wanted was
the contact details of someone they trusted with their lives � in case they did
a runner. Then he gave them a key and he left them alone.�</p><p>While
Anselm spoke Roddy struck matches, stroking them over the bowl.</p><p>�Every
now and then he�d come round and ask them how they were getting on, whether
they�d found work yet,� said Anselm. �Then, gradually things changed. They�d
see him at the end of the street, milling around. Same thing at night. He�d
just be standing there, rubbing his hands to keep warm. Then he�d be gone. And
later, when he came to the house, asking how the search for work was going, he
never said anything about having been in the area the week before. That was how
it went on: they�d see him outside, near a street lamp, but then he�d be gone,
turning up a few days later, and always at the same spot, as if he was waiting
� sometimes in the morning, sometimes at night. Eventually they went out to ask
him what was going on.�</p><p>On the
train to London, Anselm had read several times the witness statement of a girl
called Anji. She had recounted the confrontation with Riley:</p><p>�Why do
you keep hanging around?�</p><p>�Because
I�m frightened.�</p><p>�What
of?�</p><p>�Not
for myself.., for you lot.�</p><p>�Us?�</p><p>�Yes. Each
of you.�</p><p>�Why?�</p><p>�The
owner of the house is tired of waiting, and he wants his rent.�</p><p>�You
said this house was yours.�</p><p>�No I
didn�t, I said I had a house. It�s not mine. I�m just the rent collector� for
him.�</p><p>�Who?�</p><p>�The
Pieman.�</p><p>�What?�</p><p>�The
Pieman� that�s what he calls himself He has lots of houses and he likes his
rent. I let you use this one because I felt sorry for you. I thought that once
you got settled in you�d have the money and we could smooth things over. But
you�ve been slow and he�s found out. The Pieman�s not happy. That�s why I�m
worried.�</p><p>�How
much does he want?�</p><p>�What
he�s owed.�</p><p>�What�s
that?�</p><p>�Three
thousand three hundred.�</p><p>The
girls were stunned and angry. They swore and shouted. Riley said, �I�m here
whenever I can to hold him back if he turns up, but this can�t go on. The best
thing is to start making a contribution.�</p><p>They
said they were off, that they were paying nothing to no one. Riley told them, �I
wouldn�t do anything silly if I were you. The Pieman begins with those you
trust. First of all he takes it out on them. Then he comes for you. And he�s a
way of finding those who owe him. And I wouldn�t be standing out here, night
and day, if I wasn�t worried what he might do. The best thing is to get some
quick money, and in the meantime, I�ll calm him down.�</p><p>Anselm
gave the gist of Anji�s evidence to Roddy At its conclusion, Roddy asked, �Who,
pray was the Pieman?�</p><p>�I said
it was a load of nonsense, but Elizabeth thought I was wrong. She said this
figure was very real for Riley, which was why he could make an abstraction so
terrifying.�</p><p>Roddy
opened his mouth as if to say �Ah,� but nothing came out. Anselm continued with
his narrative.</p><p>�One of
the girls ran off and turned up at the night shelter where George Bradshaw
worked. They got talking. She left but came back a week later with the others.
They told Bradshaw about Riley and the Pieman and he urged them to make a
complaint. If we are to believe Bradshaw, he appreciated that these girls would
have difficulty persuading a jury to believe them. They�d all committed
offences of dishonesty. Their credibility would be an issue. So Bradshaw
persuaded them to go back to Quilling Road. Only this time, he joined them when
Riley was due to collect the rent. It was a sort of sting: in the event, they
said they were leaving and that provoked Riley to make threats within Bradshaw�s
hearing.�</p><p>�Where
was he?�</p><p>�In one
of the bedrooms. Apparently Riley refused to go up the stairs� he wouldn�t
even go near the bottom step. He always made them come down to the hall.�</p><p>Roddy
chewed his pipe. �How peculiar.�</p><p>�So
Riley was in deep trouble,� continued Anselm. A witness of impeccable character
would corroborate the girls� evidence. There was no reason to doubt him except
for one significant consideration: Riley, too, had no previous convictions.
Bradshaw was therefore of central importance.�</p><p>Another
match flared in Roddy�s hand.</p><p>�When I
arrived for the conference, Elizabeth was already there with Riley She listened
while I went through the statements with him.�</p><p>Riley
came to Anselm with a flash: wiry limbs, the jaw chewing minutely �He was
calm, even though his defence was based on conjecture: that the girls had
framed him when he�d kicked them out for rent arrears; that Bradshaw had been
the pimp who�d lost out, which explained his involvement in the scam.</p><p>Roddy
examined the bowl of his pipe. �What did Elizabeth make of that?�</p><p>Anselm
had found a summary of Elizabeth�s words scribbled on the back of a witness
statement � made by himself at the time. �Words to the effect, �Mr Riley, I am
very familiar with people who pretend to be one thing when in fact they are
another; and with people who lie, and they rarely do it without very good
reason. If these witnesses did not know you, if by some marvel you received
remuneration arising from their work without them realising it, then perhaps we
might find a technical route off these charges. But since that does not apply,
in order to promote your defence we are going to need far more than ingenuity��
Anselm paused, as if he were in the room again, stunned by her contempt. �It
was terrific.�</p><p>�What
was his response?�</p><p>�He was
smiling.�</p><p>�Smiling?�</p><p>�Yes,
and Elizabeth said, �If I may respectfully say so, you do not appear to
appreciate the gravity of the situation in which you find yourself� The smile
had gone from Riley�s face but he was simmering. He said, �You�re wrong there.
I know exactly what position I�m in.� If Elizabeth had thought he�d buckle and
plead, she was wrong. There was going to be a trial.�</p><p>Roddy
tapped his pipe upon an ashtray �He sounds like many of the gentlemen I�ve had
the honour to represent.� He looked at his watch. �We�ll have to leave it
there. I must commandeer a few words to explain away a point-blank shooting.
Tell me the rest tomorrow.�</p><empty-line/><p>3</p><empty-line/><p>�The case started all
right but then went badly, although it seems that the decline itself was a strategic
decision � because your mother was responsible.� Mr Wyecliffe was lodged on one
side of a table in a public house near Saint Paul�s. His small head was sunk
into the collar of his overcoat. Nick leaned away from the encroaching
confidence. �The first witness was the youngest, a kid under sixteen. I saw her
in the corridor tattooes above each ear. But she ran off.�</p><p>�Where?�</p><p>�No
idea. But that meant that the first charge was in the bin: encouraging a minor
or something into the profession, if I might use that word.� He sipped at his
pint. �That was bad news for the Crown and good news for us.</p><p>�I don�t
follow�</p><p>�It was
the easiest allegation to make out because they didn�t have to prove
procurement or intimidation. Encouragement is enough. The Crown was on the back
foot, so to speak, and it was then that your mother seemed � I stress �seemed�
� to help their case. The witness in question had, shall we say, a complicated
past: not one that would promote trust in her word. But if I wasn�t familiar
with forensic technique, I�d have thought that your mother reviewed it to evoke
sympathy Take a look yourself. These are my notes of her cross-examination.�
He opened his notebook and passed it over. Nick read the surprisingly neat transcription,
almost hearing his mother�s voice, her reluctance and her understanding.</p><p>�Anji,
you�re seventeen?�</p><p>�Yeah.�</p><p>�You�ve
been very brave this morning, telling the court how you came to work on the
street � I hope you don�t mind if I use that phrase.�</p><p>�You
can call it what you like.�</p><p>�Thank
you. I�d like to ask you a little about what happened before you came to
London.�</p><p>�Eh?�</p><p>About
Leeds.�</p><p>�Whatever.�</p><p>�You
ran away?�</p><p>�So
what?�</p><p>�You
ran away from Lambert House, a care home?�</p><p>A
prison.�</p><p>Anji, I�m
not going to rake over what happened. This court understands that the places
which ought to protect children sometimes fail. Your honour, let me make it
plain that__�</p><p>Mr
Wyecliffe coughed. �Do you see that bit about Lambert House?�</p><p>�Yes.�</p><p>�Well,
the place was eventually closed down because of its moral failings. Now, the
prosecution would have been saving that information about the witness for after
the defence cross-examination. That way the jury�s last memory of the girl
would be sympathetic � because it gave a handle on the running, the lying and
the thieving that was to come. But your mother spiked that by getting it in
first. It showed she was being fair even as she was stealing the prosecution�s
only card. Do you see?�</p><p>Nick
drew his chair away from the table and continued reading.</p><p>Afterwards
you ran away from the Amberly Unit?�</p><p>�Yeh?�</p><p>�And
then Elstham Place?�</p><p>�And?�</p><p>�Anji,
there are nine other projects from which you absconded, aren�t there?�</p><p>�I
never counted.�</p><p>Nick
let the notebook fall. Mr Wyecliffe was examining his beer glass. �Tastes mild
this stuff but the specific gravity is 5.6. You have to be careful.�</p><p>�Why
would my mother� <emphasis>seem </emphasis>to evoke sympathy?�</p><p>�Because
she didn�t want to alienate the jury.� He wiped froth off his moustache. �The
bedside manner would draw them on side.�</p><p>�How do
you know it wasn�t genuine?�</p><p>�As a
woman, as a human being, of course she felt for the kid,� said Mr Wyecliffe,
with mock impatience, �but as a lawyer that sort of thing becomes part of how
you handle a trial. She could make it serve another purpose � to help the
client.�</p><p>Nick
hadn�t quite appreciated that this was the sort of manoeuvring his mother had
been obliged to perform if she was to win a case. He turned over the page and
his attention latched on to an exchange that Mr Wyecliffe had marked with an
asterisk:</p><p>�Anji,
you told the court that Mr Riley said, �The one to fear is the Pieman. I�m just
the rent collector.� What does the Pieman look like?�</p><p>�I�ve
never seen him.�</p><p>�Do you
know where he lives?�</p><p>�Nah.�</p><p>�Well,
is he in London, or far off?�</p><p>�He�s
just round the corner, like, keeping an eye on us all the time.</p><p>�What
makes you think that?�</p><p>�Mr
Riley says so.</p><p>�Have
you heard his voice?�</p><p>�Nah.�</p><p>�Why
are you frightened of someone you�ve neither seen nor heard?�</p><p>�Cos of
what he�ll do if he catches us.</p><p>�What�s
that?�</p><p>�He
says that when you�re asleep, lying there, with your head all still, the Pieman
comes up with a poker.�</p><p>�A
poker?�</p><p>�Yeah,
and he�ll bash you, just once.�</p><p>�He�s
after you, is he?�</p><p>�Yeah.�</p><p>�You�re
in the care of social services at the moment, aren�t you?�</p><p>�Yeah.�</p><p>�You�re
safe, aren�t you?�</p><p>�Nah,
cos he knows how to find you, no matter where you are, and he always comes at
night, after you�ve closed your eyes. You can�t be looked after all the time,
you know. He just watches, like, waiting for your eyes to drop, and when no one�s
looking and it�s really dark, that�s when he comes.�</p><p>�Through
a window?�</p><p>�Maybes.
Wherever there�s an opening. He doesn�t need no keys or nothing.�</p><p>�Anji,
from what you�ve said, it�s as though the Pieman is like a bad dream. Is that
right?�</p><p>�Yeah,
but it�s real.�</p><p>�Thank
you, Anji, you�ve been very helpful.�</p><p>Nick
closed the notebook and handed it back to Mr Wyecliffe. His mother�s work had
always been a remote activity: the facts were usually interesting, but it remained
on a neutral platform where she�d �represented� someone in �a trial� with �evidential
difficulties�. Reading the actual questions and answers within their context
removed the staging. Each move was determined by one objective: to win.
Nothing was sacred, save the rules of the contest. Even compassion was a tool.
Nick said, �Do you know what happened to George Bradshaw?�</p><p>�I do
not.�</p><p>�Do you
know what happened to his son?�</p><p>�I do.�</p><p>�How
did you find out?�</p><p>�The
matter was reported in several newspapers.</p><p>�Who
showed you?�</p><p>Mr
Wyecliffe eyed his beer, admiring the question. �Can�t say much,� he said. �Client
confidentiality.�</p><p>They
were back to where they�d started from when Nick had first taken a seat in that
dim, stifling office.</p><empty-line/><p>On the pavement Mr Wyecliffe
whistled at the cold. It came funnelling down Newgate Street from the direction
of the Old Bailey. The office blocks were slabs of grey with occasional squares
of dim light. �I suppose you know Mr Kemble?�</p><p>�Yes.�</p><p>�In a
class of his own.</p><p>�Yes.�
Nick, however, thought of his mother and father holding hands upon Skomer. The
sea was often wild and the wind could make you shake. It was a world away.</p><p>�Seen
him recently?� Mr Wyecliffe�s breath turned to fog.</p><p>�At the
funeral.�</p><p>�Of
course.� He sniffed. �I suppose you mentioned your mother�s triumphant
performance on Mr Riley�s behalf�</p><p>�I did
not.�</p><p>Ah.�
That seemed to be the answer he expected. �Do you mind if I ask am odd
question?�</p><p>�No.�</p><p>Mr
Wyecliffe�s head sank into his collar until it seemed he had no neck. �Did your
mother ever mention the Pieman after the trial?�</p><p>�No.�</p><p>�Thought
not.�</p><p>�Why do
you ask?�</p><p>He
thrust his little hands into capacious pockets. �Silly question, that�s��</p><p>��why
you keep out of court?�</p><p>Mr
Wyecliffe voiced his surprise. �Exactly�</p><empty-line/><p>4</p><empty-line/><p>George switched on his
torch and counted the scratches on the wall. While he�d been waiting for the
monk, his mind had kept returning to Lawton�s Wharf, for it was there, to the
sound of the river, that he and Elizabeth had planned their campaign.</p><p>�You
are avenging those girls, George.�</p><p>That�s
what Elizabeth had said the first time she�d stood on the landing stage.</p><p>�When
you walked out of court you left them behind.�</p><p>She
could be harsh, if she wanted.</p><p>The day
before, a Friday, she�d said, �I�d like to see where John fell.�</p><p>They�d
walked from Trespass Place to the Isle of Dogs. Side by side, they followed a
dark, angular lane that ran between tall, silent warehouses, and beneath hoists
like old gibbets. Presently, they reached an immense open space fronting the
river: the premises of H &amp; R Lawton and Co (London) Ltd. All that remained
was a brass nameplate fixed to the perimeter fence with a coat hanger. The
railings were loose, held upright by sheets of mesh wiring. George and
Elizabeth passed through a large gap, as John had probably done. They picked
their way over the remnants of a flattened warehouse into a chill off the
Thames. Moving ahead of George onto the landing stage, Elizabeth said, �You are
avenging those girls, George.� The waves slapped against the timbers. �When you
walked out of court you left them behind.�</p><p>And
then, without waiting for George to reply, Elizabeth set to work telling him
what she required.</p><p>�There�ll
be two sets of documents � one for each business: that of Riley, and that of
Nancy They�re legally separate papers. They�ll be stored separately�</p><p>�Right-o.�</p><p>�The
first is �Riley�s Junk�. The second is �Nancy�s Treasure�.�</p><p>�Right-o.�</p><p>�Once
you�ve found them, we�ll talk again.�</p><p>�Right-o.
And in the meantime?�</p><p>�You
introduce yourself to Nancy.�</p><p>�How?�</p><p>�If I
were you I�d sleep on her doorstep.�</p><p>�Right-o.
But she�ll want to know my name.�</p><p>�Quite
right. I suggest an alias. Mr Johnson. How does that sound to you?�</p><p>The
bantering vanished at the allusion to John�s Christian name. So that�s why Elizabeth
had come to this wharf, thought George, on a Saturday, and at might. It was to place
John at the heart of her planning. She was at it again: evoking a setting for
what she wanted to say like her use of the toast and cocoa. This time it was
for what they were going to do. She used these ceremonies to stir up the past
and make it present in am unusually active way George couldn�t quite put it
into words, but he felt there was something restoring in the revival, even
though it summoned his failure. Henceforth, everything they did together
occurred among a prickling sense of the closeness of people who�d once been
near: the girls whom George had betrayed and the son he had lost.</p><p>�Mr
Johnson sounds just fine,� George had said.</p><p>�Let�s
get going then.�</p><p>A horn
beeped three times. It was Elizabeth�s taxi, come to take her home.</p><empty-line/><p>A few days after this
conversation another taxi took George and Elizabeth from Trespass Place to the
Isle of Dogs. They had agreed that it would be better if he were closer to
Nancy�s shop in Bow, which was a short distance from the old docklands.</p><p>�Riley
comes once a week on a Thursday afternoon,� said Elizabeth. �He stays about an
hour to unload furniture or move things around.�</p><p>�How do
you know?�</p><p>�I paid
to have him watched.�</p><p>�For how
long?�</p><p>�Six
weeks.�</p><p>�I
could have done that.�</p><p>�No�
I�d only just found you.�</p><p>The
taxi idled for an hour while George mooched around the tall abandoned
buildings. Barbed wire topped the walls and chicken netting hung across black
windows. Planks had been nailed pell-mell across openings, but down am alley,
George found a swinging door. It tapped like a mallet, drawing his attention.
The room inside was bare like a cell, its walls stained green as if they were
soaking up the river. It would do. Elizabeth appeared behind him.</p><p>�I can
pay you know� She sounded grief-stricken.</p><p>�I�m
not ready� He didn�t understand his own words. Nino did. It was part of the
mystery of having lost too much.</p><p>She did
not press him. Struggling with her voice, she said, �We�ll meet twice a week on
Lawton�s Wharf.�</p><p>�Right-o.�</p><p>The
taxi whipped through the murky lanes towards the orange lights of Bow, five
minutes away It dropped George at a fish and chip shop near a bridge. Nancy�s
place � a shack of wood and corrugated metal � was on the other side of the
road. Through the cab�s open door, Elizabeth pressed twenty pounds into George�s
hand. Then she was gone.</p><p>George
scouted around for places where the wind would die � Nino taught him that � and
beneath the bridge he found some cardboard. He tracked his way back up the
grassy slope and set himself up in Nancy Riley�s doorway He built closefitting
walls against the cold. Then he wrote down the happenings of the day in book
thirty-seven.</p><empty-line/><p>George met Nancy Riley the
next morning He�d expected to confront someone flinty and impatient. But her
face was soft, and she wore a silly hat, a yellow thing with black spots. She
gathered up the cardboard as if it were worth something and brought him inside,
out of the freezing cold. She put on a gas fire and went to make him tea in a
back room. Thick arms filled out the sleeves of a chunky cardigan. She glanced
at him, showing eyes that were large and seemed to smile. The kettle was on top
of a grey filing cabinet.</p><p>Through
the dark glass of his goggles, George looked around at the wardrobes, the
mirrors and the ornaments. It was like a home; there was nothing of Riley here.
He quickly left the shop and rushed back to the docklands. Elizabeth came to
the wharf that night.</p><p>�I can�t
do it,� said George. Nancy was vulnerable in the way he was; tired, like he
was; hungry for what might have been, like he was. It was all marked upon her
face.</p><p>Elizabeth
seemed neither surprised nor interested. �You saw a filing cabinet?�</p><p>�Yes.�</p><p>And
everything else was old furniture?�</p><p>�Yes.�</p><p>Elizabeth
was gratified, like someone ticking a box on a register. �I�m glad you left.�</p><p>�Why?�
George was stunned. He�d expected anger.</p><p>�Because
now you know what you�re dealing with. She must be an extraordinary woman to
have won Riley�s trust without losing something of herself Perhaps you can help
her.�</p><p>�How?�</p><p>�By
drawing her into something she�d never countenance if you asked her directly Unfortunately,
it requires deceit.�</p><p>�But
why?�</p><p>�Can
you think of another way?�</p><p>George
had no answer; he just listened to the river lapping against the wharf.
Elizabeth left him with a primus stove and a box full of tins.</p><p>A week
later George went back to the shop. Again, Nancy let him warm up by the fire.
While she was helping a customer load some chairs into a van, George went into
the back room. The drawers on the filing cabinet were clearly marked: one for
the JUNK, and one for the TREASURE. Within minutes he�d placed two official
booklets in one of his plastic bags.</p><p>�George,�
said Elizabeth that night on the wharf, �I don�t wish to appear ungrateful, but
I�ve already seen this lot. These are the annual returns sent to Companies
House.�</p><p>Elizabeth
took George�s notebook and wrote down what she was looking for: acquisition and
sales records for each business. She described what they would look like.</p><p>�Stay
away for another week, George.�</p><p>�Why?�</p><p>�Since
this is love more than deceit, you have to play hard to get.�</p><p>Then
she went home in a taxi that was waiting outside the perimeter fence.</p><p>When
George next turned up in Bow, Nancy seemed pleased to see him; perhaps, even,
relieved. Again, she made tea. They talked of the weather. She kept glancing at
his shoes. After ten minutes she got up again and came back with a basin full
of warm, soapy water. �Soak your feet, Mr Johnson.�</p><p>It was
paradise.</p><empty-line/><p>In the days that followed,
George didn�t get a chance to nip into the back room, so he met Elizabeth at
the agreed times. In due course, though, he turned up with a couple of canvas
ledgers:</p><p>Riley�s
were red; Nancy�s were blue. George had found them when Nancy went out to get
some milk.</p><p>Elizabeth
sat on the remainder of a low wall studying the books with George�s torch. She
seemed to be checking individual entries, shifting her attention from one
ledger to the other.</p><p>�Something�s
going on,� she whispered, irritated, a finger tapping the page.</p><p>�Is it
over now? Can I stop lifting things?�</p><p>�I don�t
know,� she snapped. �I�ll tell you tomorrow.�</p><p>Elizabeth
came back at some ungodly hour while it was still dark. He woke in the abandoned
warehouse to find her standing over him.</p><p>�These
only show half the picture.� She handed back the ledgers. �I�ve copied them but
I need something else. There should be individual receipts.� She was speaking
quickly out of the darkness, and George was still half asleep. �You know the
sort of books I mean � small with a blue cover. Each page has a number in one
corner. The writing is an imprint from carbon paper. The original is with the
purchaser.�</p><p>George
sat up, rubbing his eyes. �Do I have to, I mean ��</p><p>�Yes.�
Her voice was raised. She lost control, ever so slightly; just enough to send
him back to Bow �You�re not walking away this time, David George Bradshaw�</p><empty-line/><p>5</p><empty-line/><p>Pale morning light
described Roderick Kemble QC behind his desk, a revolver in one hand and a
document in the other. With savage concentration, he examined the rotation of
the chamber while he slowly depressed the trigger. �Take a seat,� he said after
the click. As if there�d been no interval between now and the night before, he
added, �Riley said Bradshaw stood behind the allegations laid against him?�</p><p>�Yes.�</p><p>�How
did you propose to undermine Mr Bradshaw?�</p><p>�Frank
Wyecliffe�s only thought was that it was odd to use your second name when the
first one was ordinary. At the time I thought he�d lost his marbles � so did
Elizabeth.�</p><p>Anselm�s
mind tracked back to the rest of that conversation with her. They were in the
common room. She said, �Do you think Riley is innocent?�</p><p>�No.�</p><p>She
took the last Jaffa cake and ate it with small bites. �Would you cross-examine
Bradshaw?�</p><p>�Of
course.� Ordinarily the QC handles the main witness, not an underling. At the
time Anselm had attached no importance to the request.</p><p>A
gentle cough brought him back into Roddy�s presence. Anselm spoke softly
searching for the meaning of words spoken long ago, �Elizabeth said, �This is
your chance to do something significant.��</p><empty-line/><p>Anselm�s problem was that
he would have to call Bradshaw a liar � in however polite a fashion � without
any justification. There was no evidence whatsoever that he had conspired with
the girls to frame Riley When Anselm rose to his feet, all he had was an
intuitive awareness that Wyecliffe had been right: the use of one�s middle name
was unusual.</p><p>Roddy
once joked that decisive cross-examinations fell into one of three categories. First,
where counsel prevails in a clean argument over facts that will bear more than
one interpretation. Second, where counsel is armed with devastating
information, which need only be revealed at the right moment to clinch the day But
there was a third: where counsel doesn�t know what he is talking about. Anselm
put his encounter with Mr Bradshaw into this last category. Elizabeth might
have thought the change of name worthless, but Anselm was the one at the wheel.
He moved forward tentatively, following the implications of each answer. Most
of Bradshaw�s replies had been �Yes.� It had been an entirely civilised
exchange.</p><p>�You
call yourself George, is that right?�</p><p>�Yes.�</p><p>�But
your first name is David?�</p><p>�Yes.�</p><p>�How
did you come to call yourself by your second name?�</p><p>�I didn�t
like the first one.�</p><p>Most
barristers develop a keen sense of intuition � because they have failed to see
the obvious time and again. It�s a kind of hunting instinct, a sniffing for a
scent. And the dislike of an ordinary first name struck Anselm as unconvincing.
Without instructions or vindicating facts, Anselm decided to follow his nose.</p><p>�People
change their names for all sorts of reasons?�</p><p>�Yes.�</p><p>�More
often than not it is to turn over a new leaf.�</p><p>�Yes.�</p><p>�One
life ends, so to speak, and another begins?�</p><p>�Yes.�</p><p>�Is
that what you did?�</p><p>�Yes.�</p><p>Anselm
paused, letting his imagination loose.</p><p>�It
meant, I suppose, David slipped quietly away?�</p><p>�Yes.�</p><p>�And
George stepped forward?�</p><p>�Yes.�</p><p>Anselm
didn�t make the mistake of asking �Why?� Instead he shifted ground completely,
still feeling his way.</p><p>�You
are the manager of the Bridges night shelter?�</p><p>�Yes.�</p><p>�Where
you have worked for twenty-three years.�</p><p>�Yes.�</p><p>�You
are there to serve the needs of a highly vulnerable client group, are you not?�</p><p>�Yes.�</p><p>�Indeed,
as I understand it, you�ve had people in your care as young as nine?�</p><p>�Yes.�</p><p>�I
expect an employee in your position must be of the very highest character?�</p><p>�Yes.�</p><p>Anselm
paused, watching every inflection on the face of the witness.</p><p>�Tell
me, Mr Bradshaw, whom did the night shelter employ:</p><p>David
or George?�</p><p>�I don�t
understand.�</p><p>�What
name did you give on the application form?�</p><p>�George.�</p><p>The
next amateur question would have been another �Why?� Anselm avoided that temptation:
the important point to appreciate at this stage was that everything Bradshaw
had said might go in one of two directions: innocent or compromising. Roddy
often said that with an honest witness, the wider the question the better,
because they are disposed to impose relevance upon it �their consciences take
them to the crucial, unknown detail. Anselm needed to find out if there was a
link between Bradshaw�s dropping his first name and his taking employment under
the second.</p><p>�Mr
Bradshaw, have you ever done anything that came to the attention of the police?�</p><p>�Yes.�</p><p>�Now,
would that have been as David or George?�</p><p>�David.�</p><p>Now
Anselm had to make his final move. There was no other territory to explore.
Bradshaw was either going to exonerate himself completely by revealing an
unpaid parking fine, or he just might divulge something that could be used
against his integrity. He said: �What did David do that George wanted to
forget?�</p><p>The
courtroom makes everyone a voyeur. The witness is often stripped bare, way beyond
what clothing can conceal. It is darkly fascinating and can leave the viewer
stained with pleasure. These things Anselm had learned long ago. But as he
spoke to Roddy the electricity of this particular spectacle surged through him
as if this were the first, forbidden time. Bradshaw stared across the well of
the court, his face pale. The jury watched him � as did the lawyers, the
ushers, the reporters and the bystanders. Looking down on this exhibition, a
judge held his pen above a page. Not a shred of detail would be lost to the
official record. Then, as if someone had called his name, David George Bradshaw
stepped out of the witness box and walked out of the court. Half an hour later
Riley went through the same door, a free man.</p><empty-line/><p>Roddy kept his papers and
court dress in a tartan suitcase on wheels. It bounced and ratted after him as
he pulled it through chambers and onto the stairs that led to Gray�s Inn
Square. Anselm followed, convinced that Roddy�s close examination of the
revolver � an exhibit taken out of court with permission �had served some
useful purpose, but that the true reason was the commotion that would shortly
erupt when he tried to take it back in. Anselm, though, had other concerns. �Something
shot over my head in that trial.�</p><p>�Isn�t
it always thus?� He waddled along the pavement as if he were on the way to
Corfu.</p><p>�This
time it was different. I�ve been wondering why Elizabeth kept the brief in the
first place.�</p><p>Roddy
bounced his valise over a kerb. �Sorry, old son. The question never entered my
head.� He became studious. �Forgive me, I must now dwell upon triggers and
safety catches. Do you know, in certain circumstances, it�s rather difficult to
press one without putting pressure on the other? That ought to kick up some
doubt.�</p><p>They
parted and Anselm watched Roddy nod greetings to left and right as he trundled
down Holborn towards the Bailey The rogue never asked the question, thought
Anselm, because he�d always known the answer.</p><empty-line/><p>6</p><empty-line/><p>The
memory of Mr Wyecliffe ruined Nick�s cornflakes. It was like sour milk. He had
never quite appreciated the twilight world of compromise that his mother had
inhabited. Nick had woken troubled by three questions. He would deal with two
of them over breakfast. His father sat opposite him, examining a boiled egg.</p><p>�I
wonder what Mum was doing with those spoons?�</p><p>�Spoons?�
Charles tapped the egg as if it were the door to the MD�s office.</p><p>�The
ones that were found on the passenger seat.�</p><p>�Bought
them in a shop, I suppose.</p><p>Not on
a Sunday, thought Nick. He didn�t want to disturb any of the conclusions his
father might have framed about Elizabeth�s behaviour prior to her death. But
the spoons seemed innocuous and important at the same time. She had obtained
them, in all likelihood, shortly before her death. There was another incidental
detail that remained unexplained, which prompted the second question.</p><p>�What
was she doing in the East End anyway?�</p><p>Charles
began dropping the egg on a plate. �She said it was work. A site visit.�</p><p>Nick
had in mind the autopsy photographs on his mother�s desk. They were part of the
last case she�d worked on. The victim had been killed in Bristol, not London.
Nick had checked the instructions to every case in the Green Room before they�d
been collected. None had referred to the East End.</p><p>Charles
picked at the battered egg with a nail, his face reddening. �What are you
doing with yourself when you�re out of doors?� He laughed weakly �Going here,
heading there. You�re getting like your mother.�</p><p>�Oh,
just friends and unfinished business.�</p><p>Charles
picked up a knife, eyes narrowed. He looked bullish.</p><p>�That�s
what she said.�</p><empty-line/><p>After breakfast Nick went
to the Royal Brompton Hospital in Kensington to deal with the third question: a
heart condition that had killed his mother. Its presence and gravity had been
unknown to him. �She didn�t want to worry you,� Charles had said the night
before the funeral. He�d tweaked his tie. �I�d no idea that she might collapse
without warning� that the end could come like a bus mounting the pavement.�</p><p>There
was no point in pressing his father for details. The anatomy of a butterfly he
could grasp, but that of a human being left him dazed. Too many pipes. So Nick
contacted his mother�s consultant cardiologist. He didn�t mention it to his
father.</p><p>On the
desk before Doctor Simbiat Okoye was a slim bundle of medical records.
Pensively she leafed through them. Her hair was tightly braided into thick
strands and rolled into a loose bun at the nape of her neck. When she spoke,
her eyes studied the listener�s face. �Your mother had hypertrophic
cardiomyopathy.�</p><p>Nick
let the words settle. This was a hereditary disorder of the heart whereby its
muscles become thick and stiff. In turn, this affects blood flow and valve
function. There is no cure; and it�s hereditary with a fifty-fifty chance of
passing it on to your children.</p><p>�You do
not have the condition,� said Doctor Okoye. Her eyes were dark with a flush of
rose around the whites.</p><p>�She
had me screened before I went to Australia, without me realising it?�</p><p>�Yes.�</p><p>Doctor
Okoye explained the history and outcome of his mother�s consultation. Elizabeth
had first developed breathlessness and chest pain about ten years ago. She�d
put this down to stress at work: she�d recently found herself frightened of
court �not the usual nervousness, but a debilitating anxiety that could make
her sick. This had been unknown before. Palpitations and light-headedness were
placed at the door of the menopause. And then she�d had a blackout about a year
ago. A visit to her GP prompted an emergency referral.</p><p>�Surgery
wasn�t required,� said Dr Okoye. �I prescribed beta-blockers and
anti-arrhythmias. The drug therapy was effective but��</p><p>�__with
a small number of patients there�s a risk of sudden death� like being hit by a
bus. My mother was one of them.�</p><p>�Yes.
Would you like to see my notes?�</p><p>�No
thanks.� He asked the question for which she was waiting �How did my mother get
it� I mean.., which parent was affected, her father or mother?�</p><p>�There�s
no way of knowing now,� said Doctor Okoye. �From what I was told, it may have
been her father. I understand he died in an armchair with a glass of milk in
his hand.�</p><p>�Yes,�
said Nick. �He went out like a light.�</p><p>Nick�s
grandmother had followed her husband shortly afterwards, from septicaemia. He�d
never known them. And there were no other siblings, so there was no one else in
the hereditary tree.</p><p>Doctor
Okoye rose and walked to the window With a gesture she drew him beside her. �Look
down there, in the courtyard.�</p><p>A
copper sculpture stood in the centre of a pool. Two adjacent basins channelled
a watercourse. Exotic plants with fronds like open scissors stood in tubs
positioned along the sides.</p><p>�It
represents a hidden aspect of heart rhythm,� said Doctor Okoye. Apart from
muscular contraction, blood movement results from surface waves created by the
inflowing stream. It�s as though after an initiating shove, circulation could
go on for ever, the required energy coming not from a heart, which will one day
tire, but through the configuration of cavities and the momentum of blood.
Unfortunately, that�s not what happens. As you can see� � she pointed towards
one end of the sculpture � �art and nature require a pump.</p><p>Nick
looked at the grove, his head against the glass.</p><p>�Your
mother and I stood by this window,� said Doctor Okoye. �She had been
distressed. But the heart carries a greater mystery than any frailty.�</p><p>�What?�</p><p>�It�s a
wonder that it ever worked at all.�</p><p>On his
way out of the hospital, Nick paused in the courtyard to watch the tumble and
splash of water between two scoops of metal. He wasn�t thinking of possible
worlds but of the inscrutability of this one: his mother had gone to the East
End, obtained a set of spoons, and her heart had stopped.</p><empty-line/><p>7</p><empty-line/><p>As far as George was
concerned, after he got his head kicked in he woke up in a very nice garden by
the Imperial War Museum. In fact, a lot happened in between. Much of it came
back of its own accord, and Elizabeth filled in some of the gaps, as best she
could. Her voice released other memories and together they�d put a shape to
what had happened.</p><p>The
preliminaries were straightforward.</p><p>George
didn�t like the docks: the warehouse seemed to wake at night with groans in the
bricks: it was resonant with lost activity. More to the point, it wasn�t his
patch. His territory was south of the river, round Trespass Place. So, a few
days after Elizabeth had asked for the receipt books, George walked to Waterloo
after nightfall. He was only a few minutes from the fire escape when it
happened.</p><p>There
was no reason for the attack. George didn�t go down defending an old lady or
tackling a thief. He was just sitting on a bench eating popcorn. Out of the
corner of his eye he saw a gangly youth in a padded jacket� and then another,
with a shaved head. They were laughing and elbowing each other like kids on a
school trip. Mischief always ran high when the master wasn�t watching. The one
with the jacket asked for some popcorn. George handed it over. The shaved head
tipped it over George as if it were a massive salt-cellar. When he stood up
they began the kicking, like it was a dance, or a new sport. They panted and
grunted and sighed.</p><p>And
this is where the confusion began in George�s mind: he had no recollection of
being admitted to hospital or discharging himself or making his way to the
garden of the Imperial War Museum. After what felt like a drunken sleep, George
simply opened his eyes and saw the trees.., and clouds like wisps of cream in a
light-blue blancmange� and his first thought was how delicious the world was.
The smell of cut grass was so strong he could almost taste it. This must be
heaven, he thought. Overjoyed, George walked out of the gates to discover what
was waiting for him. It was only then, ambling down magnificent, strangely
familiar streets, that he discovered his mind wouldn�t work properly
Instinctively, he�d ran back to Trespass Place like a wounded animal, where
Elizabeth had finally found him.</p><p>For her
part, she�d waited, as usual, on Lawton�s Wharf. When George didn�t turn up,
she went to the police, who traced the hospital; but by the time Elizabeth got
there, he�d already slipped out of the ward. �I knew you would come back here,�
she said affectionately In her hands were his two plastic bags retrieved from
the docklands. There and then, beneath the fire escape, she read out the last
couple of volumes that covered the known; and together they approached the
unknown.</p><p>The
line wasn�t clear-cut. The weeks prior to the attack had been shaken. The
events were jumbled and some were missing, but thankfully George�s written
account was detailed. It provided scaffolding for his memory With gratitude,
he rebuilt the past in his mind around the pieces that he�d saved. When
Elizabeth had finished reading she said, �You have to do this every day to keep
what you�ve got.� Then they went to Carlo�s. They sat down without ordering.
There was going to be no toast and no hot chocolate.</p><p>�It�s
over,� said Elizabeth shortly �It�s time you came off the street, whether you�re
ready or not; and it�s time we let Riley go.</p><p>The
mention of that name was like a stab, an injection to the heart.</p><p>�I�ve
sorted out a rehabilitation clinic,� said Elizabeth with authority. �You can
stay there for as long as necessary.�</p><p>�No
thank you.� George went to the counter and asked for toast and hot chocolate.
He came back with a tray and said, �I�m going back to Nancy.�</p><empty-line/><p>George didn�t go to the
shop for a while. He studied his notebooks. By pooling memories with
Elizabeth, he brought his own up to date. Then he went to the Embankment, to
the other people on the street. He was like a man with a new toy or a strange
weapon: he had to get used to handling his changed mind. He had to learn again
how to relate. It took practice and patience. Rather than write events down at
the end of the day he did it soon after they happened. He made lists of things
to be done. And throughout the day he made frequent reference to both. It was
like turning a timer before the sand ran out. Each minute became precious even
though he knew it was ultimately lost. The essential had been written down, so
he could let the rest go. Of course, the notebook and the lists covered no
matters of importance � nothing that happened to George was important � they
dealt only with the commonplace, but in this way George became confident, once
more, with the little things. He still slept at Trespass Place, and Elizabeth
came in the evening. She tested him on his current list. Gradually he began to
do quite well. If there had been a prize, he�d have won it. And when he�d got
the hang of himself, he went back to the warehouse on the Isle of Dogs. And he
went back to Nancy�s shop in Bow.</p><p>On his
first day, they sat by the gas fire, and George told her he�d lost half his
mind; and that he�d lost his son: it happened naturally because the recent past
had gone, and his loss was ever fresh. But it was also somehow necessary to
tell Nancy because she was close to the man responsible. She listened, forgetting
to take off her yellow hat with its black spots. He watched her through his
goggles, knowing that she thought him blind, that her expressions of horror
went unseen.</p><p>The
following morning, thinking George wouldn�t remember what she was about to say
Nancy told of her life at Lawton�s, how she�d met Riley, and about a trial�
but she left out the details, and kept it vague, just as George had done when
talking of his son. That evening, George wrote nothing down of the day�s
revelations but one sharp fragment survived into the morning: �He�s not a bad man,
you know He�s just� lost.�</p><empty-line/><p>The receipt books were
blue, as Elizabeth had suspected. George eventually found them in shoeboxes on
a bookcase opposite the filing cabinet. Taking them was difficult, because
Elizabeth had been insistent that she needed a selection from each business
covering the same period of time. �Don�t just grab them, look at the dates.� So
George spent about two weeks snatching glimpses whenever Nancy dealt with a
customer or went out to get some milk. One morning he placed four of them in
his plastic bag. That night Elizabeth was tense when she took them.</p><p>�You do
realise that this is your only chance?�</p><p>George
nodded, not quite following.</p><p>�I hope
I�m right,� she said anxiously �so that you�re the one who finally traps him.�</p><p>�And if
you�re wrong?�</p><p>�I�ve
another string to my bow�</p><p>George
nodded again, utterly baffled.</p><p>Elizabeth
returned with the books in the morning darkness.</p><p>�Well?�
said George to the dark outline.</p><p>�I need
more time,� she said, and the shape vanished as if it hadn�t been there.</p><empty-line/><p>8</p><empty-line/><p>The home of Mr and Mrs
Bradshaw stood within a leafy, secluded terrace in Mitcham. Porches and windows
were situated in identical positions like enormous stickers. Anselm hadn�t
knocked, but the door opened slowly, and a slim woman in her sixties with
ruffled hair emerged holding a paintbrush. Her skin was freckled with emulsion.
The sleeves of a large, shapeless shirt were loosely rolled to the elbow She
looked at Anselm as if he were familiar.</p><p>�Mrs
Bradshaw?�</p><p>She
wiped paint from her brow with the back of a hand and said, �She told me you
might turn up one day�</p><p>�Sorry?�</p><p>�Mrs
Glendinning.� She roused herself, like she was about to get to work. �I suppose
you�d better come in.</p><p>Anselm
entered the hallway. The carpet was covered with sheets. The rucks lapped
against the skirting board like milky floodwater. He followed Mrs Bradshaw into
the sitting room. All the furniture was draped and the walls were bare. She�d
been painting a ceiling rose. The ladder stood beneath it, with a tin on a
stand. They stood regarding each other, Anselm�s fingers moving impulsively
behind his back; Mrs Bradshaw remained quite still, the paintbrush at her side.</p><p>�Mrs
Glendinning has died,� said Anselm. �She left me a key to a small red case,
which I have opened. I am brought back to a trial I had forgotten, and a letter
I had never seen. And I have learned of your great loss.� Instinct kept Anselm
away from John�s name. He watched her, willing her head to rise, for a mighty
hand to tear away the drapes. He said, �I want to say sorry.., to you and your
husband� only I don�t know how to reach the extent of what has happened to
you both. If I�d read sooner what you�d written, I would not have waited so
long in coming here.�</p><p>Mrs
Bradshaw began tugging a button on her shirt. It was blue with a British Gas
badge on one side. She seemed foreign to her own home. It was as if she�d just
turned up to read the meter.</p><p>�Mrs
Glendinning told me you�d become a monk,� she said. �I asked her not to tell
you.</p><p>�Why?�
asked Anselm.</p><p>�Because
I didn�t want to disturb your peace.� She spoke as if he�d found what she
wanted for herself. �And I felt ashamed of what I wrote.� The paintbrush began
to swing slightly �I showed myself up for what I am. A bitter woman.�</p><p>Anselm
shrank from the self-loathing. �You were honest, that�s all.�</p><p>�I
expect like Mrs Glendinning you want to see George,� she said remotely �But he�s
gone, I�m afraid. He�s a lost man.�</p><p>Anselm
could feel the depth of quiet in the house. His chest grew tight and he felt he
was drowning. This was the first time he�d met someone from �the other side� in
a case he�d won. Apprehensively he listened.</p><p>�After
the trial,� said Mrs Bradshaw, �George lost his job. He was dismissed for gross
misconduct. Not for the fiasco at court, but because he�d got involved with
those kids in the first place. He should have kept his distance� like a
lawyer.., but he didn�t, he couldn�t. Afterwards he fell to pieces, here, at
home. Then we lost John. I don�t know what happened � but George did, only he
couldn�t tell me. No, that�s not true� � she was struggling, as she�d
struggled then; with her mind and body she twisted in her big shirt � �George
couldn�t have known, but he felt responsible.� She breathed evenly, becoming
still. �One Saturday night John went out. He didn�t come back. He�d gone to
Lawton�s Wharf__�</p><p>�Where
Riley had worked,� added Anselm.</p><p>She
nodded, biting her lip. �But the police could do nothing. A link like that
meant something, of course, but it just wasn�t strong enough. The fact remains,
John was killed because George stood up to that man.� She put the brush on the
ladder and knelt, worked her hand beneath a drape that lay upon a sideboard.
Without looking, she found the letter from Inspector Jennifer Cartwright.</p><p>It was
long, detailed and deeply sympathetic but, finally, uncompromising There was no
prospect of arrest, never mind conviction. Anselm gave the letter back and Mrs
Bradshaw knelt again, working her hand beneath the drape. She rose unsteadily
and reached for the paintbrush and, as if it were a handle, she lowered herself
onto a covered chair.</p><p>The pit
of Anselm�s stomach turned. He saw the walls primed with undercoat. Yesterday�s
patterns had only just been stripped away Outside rain began to fall, at first
gently, and then gathering weight. The low cloud seemed to soak up the light.</p><p>�George
could no longer live with himself or me,� said Mrs Bradshaw, �and I could no
longer live with him. You cannot imagine the anger that comes between you. It
eats up everything. I blamed George. George blamed himself. He blamed me for
blaming him. That�s what anger does: it makes you hate what you once loved. It
finds a way, even if you can�t imagine how. And when it finally grows quiet you�re
empty and changed and you can�t get back. You�re left with the wrong kind of
peace. What can you do? Nothing comes of nothing.�</p><p>Anselm
looked down, wanting to be on the same level, but he dared not disturb the
drapes. Like mounds of snow they couldn�t be touched without a kind of
vandalism.</p><p>Mrs
Bradshaw put her hands to her head, the paintbrush sticking up like a feather. �One
morning, five years ago, George walked down the stairs for breakfast, only he
walked out of the door. I knew he was leaving. And I didn�t even get up to
watch him go. It had been exactly the same with John.� Her hands fell. �I told
Inspector Cartwright that he�d vanished. She put the missing persons team on to
him. That was a very long time ago.�</p><p>Anselm
sank to her side but there was nothing he could say. This was the place where
everyone�s fault was smudged, where �Sorry� didn�t quite work any more. Where
something more powerful was needed. On one knee he thought of Elizabeth, her
key and her final words: �Leave it to Anselm.�</p><empty-line/><p>In the hallway, Mrs
Bradshaw said, �I didn�t understand your job � at the trial or afterwards. But
I do now Mrs Glendinning explained where you were standing.�</p><p>On an
island, she had said, the cold place of not knowing, and not being able to
care.</p><p>When
Mrs Bradshaw opened the front door, a strong wind carried the sound of shaking
trees and rain.</p><p>�I
asked your husband a question,� said Anselm, feeling queasy, �� What did
David do that George wanted to forget?� I was being clever within the rules,
but I was blind to what it meant� I�m sorry.�</p><p>�Maybe
one day he�ll tell you.� She didn�t mean it; she couldn�t. He�d gone: he was a
lost man. �Here, take this. I found it on the Tube.� She handed him a man�s
umbrella from a stand.</p><p>Anselm
stumbled on the sill. He turned, staring past Mrs Bradshaw at the sheets. �I
think that Mrs Glendinning found your husband before she died.�</p><p>�Where
is he?� She dropped the paintbrush.</p><p>�I don�t
know yet, but��</p><p>Mrs
Bradshaw�s mouth fell slightly open and she quickly closed the door as if she
were ashamed.</p><empty-line/><p>Anselm strode along the
terrace, angling his umbrella towards the rain. He felt a churning violence
against Riley and the dominion of his kind, their endless thriving. He would
bring them down, if he could, with all the vigour with which he�d once defended
them. Of course, Anselm had seen the link between the trial and John�s death as
soon as he�d considered the contents of the case. So had Nicholas; so had Roddy.</p><p>However,
meeting Mrs Bradshaw had foreshortened his understanding and it made him
shiver. Riley�s presence moved in his mind: arms coiled across a narrow chest,
the jaw bony and strangely lax.</p><p>Anselm
took refuge beneath the first bus shelter and read the letter from Elizabeth.
The Prior had been right. She had carefully drawn them both into a daring
purpose.</p><empty-line/><p>9</p><empty-line/><p>Elizabeth�s taxi came
along the cobbles chased by kids. George was at Lawton�s perimeter fence when
he heard the racket. He stopped, one leg through the wire, and watched. These
grubby vagabonds crawled all over the docks. They challenged intruders great or
small. George had already seen them in action against a fire engine and had
kept out of sight ever since. When the taxi pulled up, they danced around it
clapping and shouting. The driver sped off, leaving Elizabeth in the street.
Unabashed, she walked towards George, followed by a chanting crowd.., well,
there were only five or six of them, but they took over the place� and yet he
didn�t dwell on their antics. Elizabeth was jubilant.</p><p>They
went through the fence and picked their way towards the wharf. A couple of kids
tailed them, but then vanished.</p><p>�We�ve
done it,� said Elizabeth. A trial had taken her out of London, so they hadn�t
met for three weeks. She sat on the remnant of wall, glad to be back, her
heels tapping like a dancer�s. �He appears to be doing one thing, but hidden
within the numbers is another animal. He keeps it right under Nancy�s nose.�</p><p>�Would
you write that down, please?� George reached for his notebook.</p><p>�In due
course.� Elizabeth fished in her bag for the whisky and the beakers. �There�s
more to say, more that�s worth keeping; but now we celebrate.� Out of a carrier
bag she produced beef and horseradish sandwiches, and a tub of cherry tomatoes.
The surface of the Thames ran upon itself with ripples. On the far bank empty
barges hovered in a mist.</p><p>�George,
there�s something you need to remember� to dwell on, as I have. The stone you
throw is small, picked from his own garden, but it will take away something he
values above all else, and behind which he hides: a good character: the gift
bestowed by the law upon the righteous, as well as the man who is never found
out.�</p><p>George
frowned. �Have you got a pen?�</p><p>Elizabeth
laughed. She put a tomato in her mouth and took the notebook.</p><p>�And
lay off the stones and gardens stuff. I�d like it in black and white.�</p><p>�I�ll
give you both.�</p><p>When
she�d finished, Elizabeth fetched out some Greek yoghurt with honey George was
reading the label when an envelope wrapped in plastic blocked his vision.</p><p>�Put
this in a safe place,� she said. �Inside is a detailed explanation of Riley�s
scheme. It�s complicated and by no means obvious.�</p><p>�What
am I to do with it?�</p><p>�For
now, nothing. Tomorrow he�ll be at Mile End Park for an early Christmas fair.
In all we have done, I�ve reserved for myself a small part: to see him face to
face once more, and to accuse him.�</p><p>And
what�s mine?� He looked at the yoghurt pot. Nino had said the stuff was bad for
the arteries.</p><p>�You
will deliver the explanation to Inspector Cartwright. It is the material upon
which Riley�s conviction will stand. That belongs to you.</p><p>George
shifted with importance and pride. The moment had become solemn. He felt he
should stand up and make a brief speech.</p><p>�Have
you got a spoon?� he said.</p><p>Elizabeth
grimaced. �I completely forgot.�</p><empty-line/><p>Elizabeth stayed late that
evening. As night fell, lights appeared upon the river, shuddering.</p><p>George
said, �You asked me, once, if I�d ever thought of evil� whether it could be
undone. I wrote it down, but I�ve been unable to forget the idea. It�s
impossible. It�s greater than anything I can imagine.�</p><p>Elizabeth
was writing in George�s notebook (recording what would happen in the morning,
and where they�d meet). Without looking up, she said, �Many years ago, a
wonderful monk told me we could only undo evil to the extent that it has
touched us. I can�t do it for you; you can�t do it for me. It�s a wholly
personal quest.�</p><p>George
thought there should be a manual for this sort of thing � instructions with
diagrams and a page at the back for troubleshooting. It would make life a hell
of a lot easier.</p><p>�I was
told it�s more deadly than vengeance,� she said, narrow-eyed, as if aiming.</p><p>�What
is?�</p><p>�The
forgiveness of the victim,� she muttered, making a precise full stop. �It goes
right to the heart.�</p><p>George
wasn�t especially impressed. He�d expected a revelation, something to make you
sit up.</p><p>�I�m
told it�s the only way evil can be undone,� she said, closing the book.
Becoming practical, she added sternly �Whatever happens, wait at Trespass
Place.�</p><empty-line/><p>From beyond the bed of
broken brick, outside the fence, a horn beeped three times. Elizabeth stood and
faced George. She gave him fifty pounds, and checked that he had understood all
that would happen tomorrow, confirming that they would meet in the afternoon at
Trespass Place.</p><p>�George,�
she said, with a sigh, �even tonight will you not stay inside? How about the Bonnington?�</p><p>He
refused and she smiled fondly, placing a hand on each of his shoulders. As far
as he could recall, she kissed him for the first time. Her hands remained
there, heavy and reassuring. Perhaps it was the openness of her face that made
George say what he hadn�t planned. It seemed to devastate her, on this the
night of celebration.</p><p>�John�s
death had nothing to do with you. You didn�t bring Riley into court, I did.�</p><p>�Yes, I
know� She spoke as if she were haunted; as if she didn�t mean what she said.
Her arms dropped and she walked carefully along the edge of the wharf. At the
far end she stopped and stared for an age into the black water. It chopped
around the timber supports like a clock gone wrong, ticking in spasms.</p><p>Three
times more the taxi beeped its horn.</p><empty-line/><p>10</p><empty-line/><p>The smooth running of
great schemes relies upon the small details. Elizabeth�s directions to Trespass
Place were rather vague, so Anselm ran to a newsagent, where he checked an A to
Z. The fact that Mr Bradshaw was waiting � and had been for over ten days �
raised a spirit of urgency that made Anselm fumble and swear. He hurried to the
Underground while the wind clutched at the umbrella as if to hold him back.</p><p>The
train was packed and damp. Wet coats pushed against him. He forced his way to a
corner and unfolded Elizabeth�s instructions.</p><empty-line/><p>Dear Anselm,</p><p>Ten years ago I
helped Graham Riley to leave the court as an innocent man. He was, I am sure,
guilty. I now require your help to bring him back again.</p><p>In the first place you needed to be reminded of the trial; to read
the letter and the cutting. This prepared you, I hope, for the meeting with Mrs
Bradshaw It was her place to reveal what happened after the Riley trial. It is
mine to explain what I have done about it.</p><empty-line/><p>Anselm read the first sentence
again, not quite believing that an officer of the court would behave in such a
way regardless of any crisis of conscience.</p><empty-line/><p>No evidence is
likely to emerge which would demonstrate how or why Riley killed John Bradshaw
Something can still be done. George and I have set about taking away from Riley
the one thing he does not deserve: a good name.</p><empty-line/><p>Anselm ducked beneath an
arm to check the name of a station. A territorial shove put him back in the
corner.</p><empty-line/><p>Riley has
remained criminally active. The details are set out in a document retained by
George. He keeps it in his inside left jacket pocket. His task is to deliver
this, the basis of a future conviction, to Inspector Cartwright. Yours is to
bring them together.</p><p>You will find him waiting beneath a fire escape in Trespass Place, a
courtyard off Blackfriars Road. On the street he is known as Blind George,
although he sees further than you or me (don�t be troubled by the welding
goggles). A senseless attack, however, has damaged his short-term memory He can
only retain events by writing them down.</p><empty-line/><p>Anselm
wriggled into a tight space nearer the doors. Legs and bodies stiffened around
him.</p><empty-line/><p>This project is
of the greatest importance to him. I hope that through its fulfilment he will
recover sufficient self-respect to start the journey home. You might elbow him
in that direction when you get the chance. He�ll need it.</p><p>Best wishes,</p><p>Elizabeth.</p><empty-line/><p>Anselm
folded the letter away His time at the Bar had taught him never to accept any
document at face value � you had to scratch between the commas, and, in the
final analysis, give the writer a going-over. That lost option was no longer
available, and was, in these circumstances, unnecessary The letter corroborated
everything Anselm had already concluded about Elizabeth: she had lost her
confidence in a system that, perhaps, she had never questioned with sufficient
vitality.</p><p>Anselm
sighed audibly � and not because someone had stamped on his foot. He�d felt an
idiot when he�d seen Nicholas Glendinning. Now, at last, he knew what to say �
well, sort of, only it was difficult to articulate with accuracy and nuance.
How would he explain to him that Elizabeth had been changed by her encounter
with Riley? Like a gift, Locard�s Principle came to mind. And Anselm, in the
secrecy of his soul, felt modestly satisfied with himself, and not a little
clever � an agreeable sensation instantly consumed by the recollection of Mrs
Bradshaw standing harrowed in a doorway and that awful phrase: nothing comes of
nothing.</p><p>The
train roared into Elephant and Castle and Anselm burrowed between steadfast
shoulders. He stood on the platform hot and wet but triumphant. Through a
window he saw a head pressed against the glass examining the handle of Mrs
Bradshaw�s umbrella.</p><empty-line/><p>11</p><empty-line/><p>Trespass Place normally
protected George from the elements. The fire escape was vast and constructed of
sheet metal. But there was a problem when a wind blew It whirled around the
tiny courtyard, throwing the water onto a horizontal plane. George had been
wiping his face for ten minutes when he decided to head for Carlo�s. He
clambered to his feet and grasped his two plastic bags.., and then he paused,
looking down.</p><p>In one
of them, beneath his rolled-up scarf, was an old carton of milk, a loaf of
greenish bread and some tins. This wasn�t his bag. He checked the other and
immediately understood. He�d picked up Nancy�s shopping, misled by the sight of
his scarf. He must have put it on top, not noticing. And that meant that he�d
left behind volumes one to twenty-two. With growing dread, George checked
number twenty-three, to locate himself in his own story. There was no doubt
about it. He�d left behind half his life: a childhood in Harrogate, hitching to
London in his teens and, of course, his tangled relations with Graham Riley.</p><p>The
wind moaned and wrested with the bins and sacks. George grabbed his sleeping
bag and the carrier that held the other half of his life. He ran to Marco�s and
took a seat in a far corner, beneath one of the heaters. Without his having to
ask or pay, a plate of toast presently appeared, alongside a mug of hot
chocolate.</p><empty-line/><p>12</p><empty-line/><p>Anselm had forgotten the
plan on the A to Z, so at Waterloo Station he went looking for another
newsagent. He studied the map, committing to memory the rights and lefts. Then
he nipped back into the rain.</p><p>Five
minutes later he surveyed Trespass Place: its towering walls; its back doors
without handles; its signs that read KEEP CLEAR. He walked towards a mammoth
fire escape at the far end. To thwart the burglar the bottom section was raised
on a cantilever � a measure defeated by the attachment of a long chain that
twirled slowly on its axis. Beneath this shelter stood a queue of green plastic
sacks with yellow ties. Cardboard was propped against the wall. A shopping bag
lay open. The milk was clotted and the bread was furry with mould. Anselm
checked the sell-by dates. This lot had been bought before Elizabeth died.
George Bradshaw hadn�t waited long at all. And who could blame him? Anselm
looked at the drainpipes, the tangled tape and the wheelie-bins. A client had
once told him that hell was Sunderland Magistrates Court. He was wrong. Anselm
moved under the raised steps and pulled back the cardboard. Upon the wall,
neatly scratched, was a block of short vertical lines.</p><p>Anselm
walked briskly out of the courtyard, his head bowed against the rain. Further
up the road he saw the bright lights of a caf� He ran and sheltered in the
doorway, wondering what to do next.</p><empty-line/><p>13</p><empty-line/><p>One of the great things
about Marco�s was the style of electric wall heater. They were high up and
old-fashioned � orange bars against curved shining metal. They hummed while
they worked, like Marco himself.</p><p>George
sipped hot chocolate, wondering what to do about his missing books. It would be
impossible to roll up, take his bag and disappear again. No, he couldn�t see
Nancy not until it was all over � when Riley had been arrested. Then George
could explain why he�d vanished, and why he�d deceived her. But that left open
the possibility that she might leaf through volume twenty, where her husband
made his first appearance. It was a risk he�d have to take. She wouldn�t look,
though.., she wasn�t like that. She�d been well brought up.</p><p>The
windows were grey and streaming with condensation. Through the glass door
George saw a dark figure swaying left and right in the cold. George stirred
milky froth and thought of Graham Riley.</p><p>It had
been one of the stranger things about the whole trial. Jennifer Cartwright �
she�d been a detective sergeant back then � had quizzed him very carefully
about Quilling Road. He�d drawn a plan of the house. He�d described the
wallpaper. He�d labelled each room with numbers and names. He�d told her of
Riley�s strange manner.., his never going up the stairs, his insistence on
meeting everyone near the bottom step. And DS Cartwright had written it all
down, smoking incessantly Months later he�d had a meeting with a CPS solicitor
called Miss Lowell. This time there�d been typed-up depositions and a
colour-coded floor plan. George had told his story all over again. The details
were cross-referred to other witness statements, confirming their coherence
with the broader picture. Finally there�d been a conference with a barrister
called Pagett, a tall fellow in a morning suit � the kind of thing you got married
in. George could almost recite his statement by now Again, he went over what he�d
seen and heard, and what he knew of Riley�s idiosyncratic behaviour. But the
strange thing was this: neither DS Cartwright nor Miss Lowell nor Mr Pagett
thought to ask George if he had met Graham Riley before. None of them wondered
why George had been so prepared to help these three girls in the first place.
They weren�t like the barrister Riley had on his side � the one who�d asked, �What
did David do that George wanted to forget?� If he�d been at the conference with
DS Cartwright and Miss Lowell, he�d have rumbled George, of that there was
little doubt.</p><p>The
figure at the door swayed side to side. It had the bulk of a man. George
wondered why he didn�t step inside. The heaters were just out of this world.</p><empty-line/><p>14</p><empty-line/><p>Anselm�s predicament
illustrated the perils of the monastic path. Cyril had given him just enough to
cover the cost of public transport. So Anselm, freezing and wet, had enough
money to buy what he wanted, but only at the expense of what he needed. A cup
of restoring coffee was there, behind his back, but only if he walked to his
lodgings in the rain.</p><p>Anselm
brooded over the choice but finally surrendered his thoughts to a more serious
problem. Elizabeth had failed to anticipate something far more basic than
Anselm�s delay in using the key. She hadn�t given any weight to the reasonable
expectation that a man with half a memory might wander off and leave his dinner
behind, never mind his role in her scheme. How could he even begin to know
where to look?</p><p>A flame
of protest made Anselm restive. He shifted his weight from one foot to the
other, as if he were ready to leave his corner and fight. He recalled Mrs
Bradshaw when she dropped the paintbrush, mouth open and appalled at the
thought that her husband might come home. Her hope had become too terrible to
contemplate.</p><p>Anselm
blinked at the sodden sky. It was getting worse. He ran to the Underground,
dodging puddles and rivulets. In a livid fancy, he grabbed Cyril�s remaining
arm and chained it to a drainpipe.</p><empty-line/><p>15</p><empty-line/><p>Beneath Marco�s humming
heater, George wrote of waiting, a storm and a restless man at the door. (Once
George had committed the past to paper, Nino had told him to gather up the
present moment. �It keeps you in the here and now�) When the rain became fitful
he made his way back to Trespass Place.</p><p>The
recollection of Nino�s words made his stomach turn. There was something foolish
in what George was doing: sitting beneath a fire escape expecting a monk to
appear around the corner. It was like pretending that Elizabeth hadn�t died, or
that her death would have no consequences. In the here and now, Elizabeth was
dead. His recollection of all they had done together was a kind of grieving,
but also a running away because it lay back there in the past, when she�d been
alive. He shivered with cold and anxiety as if a harsh truth were creeping
across Trespass Place: accepting Elizabeth�s death meant accepting that Riley
would get away after all. They were the two sides of the one coin. Spinning it
in the air day after day was just an illusion.</p><p>Wrapping
his arms around his legs, he remembered that Elizabeth�s optimism had been
without limit. And it worked backwards as well as forwards: she�d said the past
is up for grabs.</p><empty-line/><p>16</p><empty-line/><p>When evening came, Nick
went to the Green Room and opened <emphasis>The Following of Christ. </emphasis>On account of
the hole it was impossible to read the first page, or indeed, most of the
following chapters. Why cut out the heart of a book, unless you knew it by
heart? While he tried to complete a broken sentence by guessing the missing
words, the telephone rang. Father Anselm was in London, and wanted to meet him
that evening. He said, �I now have at least one of the answers you were looking
for.�</p><p>An
arrangement made, Nick closed the book with the thought that his mother was a
comparable enigma.</p><empty-line/><p>Nick parked the yellow
Beetle facing the old stones of Gray�s Inn Chapel. Beneath a nearby street lamp
stood Father Anselm, his close-cropped head angled to one side as though he
were puzzled by the ingenuity of modern contraptions. Against the arched
windows, he would have cut a medieval figure, but for the shapeless duffel
coat. They crossed Holborn into Chancery Lane, heading towards the South Bank.
The afternoon�s storm had cleared the air, and the streets were shining and
wet. At the frontage of Ede and Ravenscroft, the court tailors, Father Anselm
peered at the wigs, the collars and the sharp suits. Afterwards he was quiet
for a while. In the middle of Hungerford Bridge Nick broke step and leaned on
the rail, arms folded. The swollen river beneath glittered at its banks, but
the central flow was black and mysterious, seeming deeper and magnetic on that
account. A small boat jigged on the surface. Nick watched its eerie survival,
and a monk�s voice sounded at his side.</p><p>�Forensic
scientists say that every contact leaves a trace. �Father Anselm was also
looking down into the silent waters. �It�s called Locard�s Principle. The idea
is that if you touch an object, you leave behind something that wasn�t there in
the first place � a little of yourself. By the same token, you take away
something that wasn�t on you when you came � part of the object. It�s an
alarming fact. We can�t do anything without this interchange occurring.</p><p>Out of
the darkness, Nick perceived a rope between the small craft and a buoy His
mother�s attachment had been to Saint Martin�s Haven. The wind and rain had
cleansed her mind for what she had to do. He recognised that now A busker�s
flute began to whistle in the distance.</p><p>�Locard
wasn�t thinking of lawyers,� continued Father Anselm thoughtfully �Had he done
so, had he applied the Principle to conduct, rather than contact, they�d be the
exception to the rule, because nothing sticks to their robes. They can prosecute
the innocent and defend the guilty and they remain � as they should �
altogether blameless. In a way, their sincerity is determined not through
principle, but by accident. It can�t be otherwise. They stand urging you to
believe one thing, whereas, if the other side had got there first, they�d be
persuading you to think the opposite � with equal fervour, regardless of any
price differential. It has nothing to do with what they might actually believe
or, despite popular opinion to the contrary, what they�re subsequently paid.
Their allegiance is to the evidence and the instructions of their client. For
this many would risk life and limb. As for themselves, when they go home..,
they�re an island people, isolated by not knowing and by not being able to care.
The Riley trial changed all that for your mother. The contact left a trace.�</p><p>The
monk wormed a hand into a pocket beneath the duffel coat. He passed Nick a
letter, and said, �Having helped Riley to escape, she set out to bring him back
to court.., to take away his good name. In the event of her death, she�s asked
me to fulfil what she began.�</p><p>Nick
read the instructions, his mind swimming. Why had she not shared this crisis
with him? Why had it remained so very private? He stared at the neat sentences
as Father Anselm explained his understanding of events: Elizabeth�s faith in
her professional identity had collapsed; this was the defence case that had
brought down the ardent prosecutor; she�d kept the brief at the time because of
what it represented; but then she�d learned of John Bradshaw�s death, a killing
with a connection to Riley that could never be demonstrated. He paused, and he
seemed to reach out to Nick without moving. �I think she wanted you to
understand that she was culpable but without blame.�</p><p>They
both gazed into the dark river, towards a lonely boat.</p><p>�But I
would never have accused her,� said Nick.</p><p>�Me
neither.� Father Anselm seemed melancholy �I sometimes wonder if conscience
calls us back to a world very different from this one, making us strangers.�</p><p>Nick
found his eyes filled with tears. She was so remote, now: not only in death but
also in life. And, despite his confusion and distress, Nick felt disappointed.
He�d anticipated a spectacular explanation for his mother�s behaviour � withholding
evidence or misleading the court; something that would account for her secrecy
her outlandish actions and the troubled letters that had brought him home. But
it had all turned on acute sensibilities.</p><p>Nick
pulled away, and together they walked back to Gray�s Inn.</p><empty-line/><p>The orderly streets of St
John�s Wood were empty. Nick parked the Beetle and sat in the darkness
rehearsing Father Anselm�s last words. �Get on with your life,� he�d said, �I�m
looking after your mother�s.� They�d laughed, even though his task seemed
pretty hopeless with Mr Bradshaw astray Idly, Nick slapped the dashboard: he�d
forgotten to ask about the relief of Mafeking.</p><p>Something
rattled� his mother�s mobile phone.</p><p>Either
a paramedic or the police must have put it back on its stand.</p><p>Slowly
Nick detached it. He looked at the face. There was a thumbprint on the glass.
It could be the last mark his mother had made; all that was left of her. He
pressed the redial button and listened.</p><p>A
knocking sound cut the ringing tone� in the background a buzzer rang.
Instantly there was applause and cheering.</p><p>�Hello?�
yes?� It was a woman�s voice. �Who is it?�</p><p>Nick
flushed with heat. But he couldn�t reply.</p><p>�Are
you there?�</p><p>The
woman waited, and Nick listened, unable to cut the line. She was old, her tone
wavering. Nick could hear her breathing. He could imagine a hand shaking.</p><p>�Wait�
is that you � is that my lad?�</p><p>Nick
looked at the phone�s screen. The thumbprint was like an etching. Behind it was
the dialled number. He fumbled for a pen and jotted it down upon his palm.</p><p>��Say
something�� The voice was far off and desperate. Nick pressed the off button.
His mouth was parched.</p><empty-line/><p>17</p><empty-line/><p>Anselm caught the last
train to Cambridge, where Father Andrew met him on the station concourse. Since
the Prior had never quite come to appreciate the relationship of co-operation
that prevails between the clutch and the synchromesh gearbox, Anselm offered to
drive back to Larkwood. Thus the Prior was free to study, by the light of a
pocket torch, Elizabeth�s brief account of moral upheaval and her attempt to
make amends. When he slowly folded up the letter, Anselm explained what had
come to pass with Mrs Bradshaw, how she�d used a terrible phrase: nothing comes
of nothing He concluded by saying, �And when I got to Trespass Place, her
husband had gone. Elizabeth�s scheme is already in ruins, within two weeks of
her death.�</p><p>The car
trundled out of the city and it was only after several miles that Anselm, from
the smell, realised he�d left the handbrake on. Discreetly he released it, and
dropped his window by an inch. Apparently� he said, �Elizabeth had a heart
condition that meant she could die at any moment. It must clear the mind
wonderfully to know that each breath could be your last��</p><p>�It
did,� said the Prior. �She called me on the day of the consultation.�</p><p>�When
was that?�</p><p>�Shortly
after she�d come to Larkwood� when she�d spoken of a homicide.�</p><p>Anselm
slowed down to concentrate. Whatever the Prior had gone on to say had almost
certainly pushed Elizabeth into action.</p><p>�I didn�t
mention this before,� said the Prior, �because I felt� self-conscious about
what I said to her. She began to cry because there was so much that she would
change, but it was out of reach.� Father Andrew tugged at am eyebrow �I tried
to comfort her, saying it�s not the beginning that matters, but rather the
undiscovered end, because it completely transforms our understanding of where
we came from, what we�ve done, who we ultimately are� I said it was never too
late, that even last words or a final act could bring about this fantastic
change� that it was like magic. The line seemed to go dead but then I heard
her say �Thank you.� I next saw her on the day she gave you the key.�</p><p>�The
day� said Anselm, �that she prepared for what is now unfolding.�</p><p>Gradually
the wide roads narrowed and street lamps vanished. The stars were hidden and
the moon faintly lit the edge of a cloud. Beneath it Larkwood appeared like a
crowd of fireflies. After parking beneath the plum trees they trudged along a
winding path towards the monastery. Anselm could barely see the Prior but he
heard his voice clearly �You must go back to London, I�m afraid. You owe it to
Elizabeth and to George, to his wife and to his son. Perhaps it�s owed to Mr
Riley; perhaps, also, to yourself.�</p><p>Anselm
didn�t like that final coupling, but he took it as an accident of sentence
construction. �When should I go?�</p><p>�Tomorrow
night. There�s no time left for thinking. As you say her plan is already
falling apart.�</p><p>Anselm
thought of George in welding goggles, stumbling down an alley �How do I find a
man who�s lost to himself?�</p><p>�I�ll
speak to Cyril�s niece.</p><p>�Pardon?�</p><p>�Cyril�s
niece, Debbie. She works with the homeless near Euston.�</p><p>Anselm
pictured a large, annoyed oblong with clipped hair and a mouth like a post-box.
�An inspired idea,� he said magnanimously.</p><p>At the
entrance to Larkwood the Prior fiddled with a huge key wrought from iron
hundreds of years ago. As the door swung open, the Prior took Anselm�s arm, and
they paused on the threshold. �Find out who Elizabeth was,� he said, �find the
child who grew up to wear a gown that was too heavy for her shoulders.�</p><p>He
seemed to have vanished, so deep was the darkness.</p><p>�Where
shall I start?� asked Anselm, sharply awake to the presence in front of him.</p><p>�The
fly-leaf of an incomparable book.�</p><p>Anselm
recalled the inscription in <emphasis>The Following of Christ, </emphasis>written by a nun,
and he smiled at the figure before him as it clanked and fumbled once more with
the lock.</p><empty-line/><p>By late afternoon the next
day all the necessary arrangements for Anselm�s trip to London had been made: a
room had been secured with the Augustinians in Hoxton; consecutive meetings had
been organised with Debbie Lynwood and Inspector Cartwright (who, of course,
knew nothing of Elizabeth�s floundering project and the evidence held by
George Bradshaw); after a long and entertaining conversation between Anselm and
the Provincial of the Daughters of Charity, an appointment had been made with
Sister Dorothy � a maverick soul, it transpired, who now endured forced
retirement in Camberwell; and, finally the Prior had produced an envelope
containing sufficient funds for a week, a generous act that had spared Anselm a
reunion with the cellarer.</p><p>After
vespers Father Andrew called Anselm out of his stall to the centre of the
choir. Following ancient custom, no one left Larkwood on a journey without the
Prior�s blessing. He had a little book full of well-phrased send-offs. You�d
kneel wondering which one you were going to get.</p><p>Anselm
bowed his head but, like a blasphemy he thought of Riley: the bobbing knee,
jangling gold on a bony wrist and thin, fixed lips. The image turned Anselm
cold, and he woke, as if stunned, for the Prior�s concluding words:</p><p>�May
the light guide your steps, your thoughts, your words and your deeds; and may
it bring you safely home, if needs be by a different path.�</p><empty-line/><p>18</p><empty-line/><p>Night had fallen and
George felt a sudden urge to stay in a spike. As institutions devoted to the
needs of those without shelter, they didn�t compare favourably with the Bonnington,
but they had three things in common: a roof, lots of beds and an effective
heating system. The combination had its attractions when � like now � it was so
wet that the air itself seemed to advance like the Atlantic. The council was
responsible for these night shelters. In some you had to lie awake holding your
shoes against your chest; if you closed your eyes you�d lose your laces. The
first time George had rolled up at a spike in Camden, he�d been given a bed
near a white brick wall with posters dotted here and there to add a splash of
colour. That night he�d met an old man, who�d told him an old story.</p><p>The
fellow had matted hair and an overcoat that almost reached his shoes. A scarf
with blue and red stripes trailed down his back. He was examining a picture of
trekkers following a mountain ridge: the sky was blue and the hills were
another kind of blue. In this refuge of chipped bedsteads, of strong odours and
shouting, it was ethereal. Written on the bottom in red letters was �Andorra�.
The man muttered, �You�d think it wasn�t there.� He turned around and said, as
if mildly surprised, �What brings you here?�</p><p>George
said, �I�m tired.�</p><p>�Then
you�re in the wrong place.�</p><p>�So
what about you?�</p><p>�I like
the pictures. You�re new to this school, aren�t you?� He didn�t mean the spike;
he meant the street.</p><p>�Yes.�
George�s eyes watered, but he ground his teeth. He no longer had the right to
cry.</p><p>The man
was called Nino. He�d been a traffic warden. After his �early retirement� he
had obtained membership in every library that didn�t require a fixed abode. His
bed was beside George�s. When the lights were out Nino began to whisper.</p><p>�Have
you heard of Pandora?�</p><p>�Yes.
She had a box.�</p><p>�That�s
right. Hesiod says she was the first woman that ever lived. Do you know what she
was made of?</p><p>�No.�</p><p>�Clay
Do you know what was in the box?�</p><p>�Worms?�</p><p>�No.
You�re confusing it with the expression �a can of worms�, which, I grant you,
has considerable bearing upon the matter in hand. Before I go on, let me say at
once that Pandora has been much maligned � I�ve checked every library in north
London. The classical mind, like that of ancient religion, tends to blame women
when it comes to moral catastrophe. I dissociate myself entirely from that
tradition.�</p><p>George
wanted to cry again. It was like being a boy once more, having a story told at
night that he couldn�t quite follow His grandfather, David � whose name he
carried and had abandoned � had been a wonderful reader of stories. Listening
to Nino, George could imagine big pictures in a big book: a beautiful princess
with long, golden hair, her fair hands holding a small, golden casket.</p><p>Nino
said, �Now in that box stirred every imaginable evil. Do you understand?�</p><p>�Yes.�</p><p>A very
foolish fellow lifted the lid. Are you listening, stranger to the road?�</p><p>�I am.�
George had started to cry. George bit his pillow and his hands gripped the
mattress and his leg. Far off there was shouting. Someone cried in a scuffle.</p><p>�The
evils escaped,� said Nino softly �and they caused great suffering. But do you
know what was at the bottom of the box?�</p><p>George
dared not release the pillow from his mouth. But Nino wouldn�t go on until
George had spoken. �I�ve no idea,� he gasped.</p><p>Nino�s
whisper grew fainter, making George raise his head.</p><p>�The
last thing to rise from that unimaginable quarter was hope.�</p><empty-line/><p>George blinked, resolved
to wait a little longer. There were tears in his eyes.</p></section><section><empty-line/><empty-line/><p>PART THREE</p><empty-line/><p>a boy�s progress</p></section><section><empty-line/><p>1</p><p>�I�m no fool, Arnold,�
said Nancy Riley to the hamster. �It all adds up.�</p><p>It was
early morning and she�d just slipped into the kitchen, leaving her man groaning
in his sleep.</p><p>Nancy
could see the connections between things. Always had done. When she�d worked
for Harold Lawton on the Isle of Dogs she�d once spotted a petty fraud at the
hands of the wharf manager.</p><p>�When I
showed the boss how it was done,� murmured Nancy �he said I could�ve gone
places.�</p><p>That
was a long time ago, but the same sensation of discovery had settled on Nancy
all over again: there was a link between things that didn�t seem to be
connected: the death of that barrister, the photograph that arrived in the post
and the change in her man�s nightmares.</p><p>A
couple of weeks back, Nancy had bought a paper. A name on page five caught her
eye. Elizabeth Glendinning QC, a well-known barrister, had been found dead at
the wheel of a car parked in the East End. She had died of heart failure while
trying to call for help. That evening Nancy showed the article to her man.</p><p>�What a
coincidence,� said Nancy �She was just up the road from Mile End Park.�</p><p>Riley
nodded, staring at the paper.</p><p>�Did
you see her at the fair?� asked Nancy.</p><p>Riley�s
jaw moved as if his gums were itching.</p><p>�They
found some old spoons on the seat,� continued Nancy pensively �It�s sad if you
ask me.�</p><p>During
the night Riley moaned like he was being fried on a low heat. His face was hot
and wet. And then, a couple of days ago, the letter came. Well, it wasn�t a
letter. Riley tore it open and out popped a photograph. The two of them stared
at the crimped black and white square on the table. Nancy noticed a booming
chest and wide braces, a shirt without a collar.</p><p>Riley�s
hand slammed onto the smiling face as if it were a wasp.</p><p>Nancy
jumped. �Who�s that?� she asked, shaken.</p><p>�No
one.� His eyes were trained hard on his fingers as if something might crawl
out.</p><p>Nancy
didn�t press her man. She�d learned not to. She could read the signs. He was
like hot water in a pan, close to the boil. That night he screamed. In itself,
that was no surprise: Riley had suffered nightmares since the trial. (�Occupational
hazard,� said Mr Wyecliffe, as if he had them too.) They were always the same:
he was running for dear life, chased by something like a dog they�d once seen
at the races, and then he was falling� but this time it was slightly
different.</p><p>�What is
it?� wailed Nancy She�d been listening to his muttering but the cry had come
like a brick through the window. To her astonishment he buried his head into
her neck.</p><p>�I�m
falling� � Nancy stroked his wet scalp. It was bony like a rock on the beach.
His hand covered hers and they stayed like that, as if they were waiting for an
ambulance; and then Riley added the bit that was new, the change in the dream �
�I�m just falling down an endless stairwell.�</p><p>A
stairwell? Strange things, are dreams.</p><p>From
that day on, Riley�s nightmares got worse. To make himself tired, he started
walking in the middle of the night along Limehouse Cut, the canal that ran
through Bow to the Thames. He�d listen to the foxes in the old warehouses. But
that was later. On this night, when he�d calmed down, Riley turned his back on
Nancy and she felt her own stomach fail, for he was always moving away and she�d
never got used to it. And Nancy said to herself, I�m not stupid. This dream,
the photo and the death of that barrister are tied up somehow Mr Lawton hadn�t
believed her, but in the end she�d been proved right, and he�d said, �You could�ve
gone places.�</p><p>Come to
think of it, that was insulting. The boss had let slip what he thought of
Nancy: how she�d wasted her life. All she�d done was work for him and marry
Graham Riley.</p><p>Nancy had gone to the
docks when she�d turned sixteen, along with Rose Clarke and Martina Lynch. They�d
been together since primary school. They remained a threesome, well known to
everyone who worked on Harold Lawton�s quay; and they were seen every Friday
night at the same pub just outside the main gates, the Admiral � a hole, really
but it was ever so old, and there was this side room made from a ship�s cabin.
A big plastic sign said the owners had been serving �seadogs since the days of
rigging and sails�. Martina got the nickname Babycham from the landlord because
she drank nothing else. True, Nancy was the dumpy one, but it didn�t seem to
matter when she was jammed between the other two. She dressed nicely and there
were always lads wanting to join their table. Thinking of those days, Nancy
remembered a small detail about the weekend that followed the night before:
more often than not, no one had asked her out. She could admit that now. What
did it matter? It wasn�t through her friends that she�d met her man, anyway.</p><p>Riley
used to clock in with all the others at eight in the morning. Back then,
everyone had a card that was stamped in a big machine. It was the same at
lunchtime. The lads all got one hour off, but they had to stamp their cards
again if they�d left the premises, to show they were back on time. It was old-fashioned,
but Mr Lawton liked the contraption. He wasn�t one for changing with the times.
Funny really that his business should have lasted so long on the Isle of Dogs,
while everyone else went under. Anyhow, one day Riley lingered in the office
until they were alone. He�d been taken on a couple of months earlier, after
being made redundant just down the road. So he was new, and different from the
rest � not a Friday-night man, not a drinker. Quiet. Kept himself to himself.
Didn�t need friends � didn�t want them. His hair was always ruffled and his
eyes couldn�t keep still. They were blue-green and confused, as if he�d been
shaken up in the bottle. And he�d noticed Nancy He watched her from the driver�s
cabin of a crane. She knew because he once pulled the wrong lever, and all the
stevedores went off it when he dropped a crate of bananas. So, on this day
Nancy sensed him hanging around, edgy and shy She thought he was about to
invite her to that big dance coming up in White City, but he wasn�t. Instead he
asked her to risk her job.</p><p>�Do my
card for me, will you? I�ve got tenants to see.�</p><p>Nancy
had been impressed. Here was a man with a bit of property. Hardly common among
Lawton�s boys. A nest egg, he�d explained. He was getting other people to pay
off the mortgage.</p><p>�I just
need about half an hour,� said Riley looking over his shoulder.</p><p>Nancy
agreed, and he studied her face like he was looking for spots. Then he said, as
if he were handing over something precious, �I knew I could trust you.</p><p>She
waited for him to ask her out, but he didn�t. A week or so later he suggested
having tea in a hotel. She said yes, thinking he meant some place on Commercial
Road, but he took her to Brighton, which was a double shock, because he paid
for the train as well � first class, if you please. They were married within
six months. Babycham and Rose were the only witnesses. There was no reception,
just a free drink at the town hall and a cheeky kiss from the registrar. Her
man didn�t like that. And he didn�t like her pals. She still saw them at Lawton�s,
but the threesome had been split. So the Friday-night sessions came to an end.
Nancy didn�t altogether mind, because, looking back, she�d never really enjoyed
herself.</p><p>They
moved into Riley�s bungalow and set up home. Nancy had always wanted a herb bed
but there was no garden, just flagstones. So she started collecting bricks from
the towpath by Limehouse Cut �just one at a time, if she happened to see one in
the grass. Slowly as married life got underway the pile of bricks grew bigger,
but the bed was never built. She was a few short. And that mirrored their life
together. There were some missing pieces. Within weeks of that free drink at
the town hall, the man who�d taken her to Brighton went into hiding � in his
own home.</p><p>But, of
course, he had to come out again. They were under one roof. During the day he
was sharp and brusque, baring his teeth when he felt he was being crossed. His
jaw would creep forward, and his eyes would go wide, staring to one side, as if
he daren�t look at you for fear of what he might do. During the evening, he�d
sneer at the television: at politicians, soaps, the news, bishops. His bottom
lip would warp, and his bitten nails would scratch the rests of his armchair,
catching on the nylon covers. In disgust he�d put on a Walt Disney video,
slamming it into the machine. Them his face would light up. He�d weep with <emphasis>Bambi
</emphasis>or shake his fist at the queen in <emphasis>Snow White. </emphasis>All his feelings
crackled and popped, like the cereal. But when the film was over, he became
pinched, as if it shouldn�t have ended. (Nancy didn�t like the word �unstable�,
but she got the impression that her man held himself together, a bit like a
barrel with those iron bands, and that if one or two of the screws came loose,
he�d just explode. So she learned to keep well back. She didn�t tinker with his
ways.) At night he wouldn�t touch her. There was a cold part of the bed, right
in the middle. It was like that channel in the sea opened up by Charlton
Heston, when he was Moses. Both of them were like walls of water, waiting to
collapse from the sheer weight of separation. Only it never happened. Not even
after that policewoman came to Lawton�s and arrested her man at the foot of his
crane. At the time, Nancy watched him being led away waiting for those iron
bands to snap; but they didn�t.</p><p>�It all adds up,� repeated
Nancy solemnly �I�m no fool.�</p><p>Suddenly
Arnold froze on his drum. His neck seemed to beat as though his heart was
lodged in his throat.</p><p>�You
think too much,� said Riley quietly.</p><p>Nancy
let out a cry. Right behind her, an arm�s length away was her man. He was
wearing his camouflage parka with the hood up. A high collar almost covered his
mouth. He�d picked it up from an old soldier who�d topped himself.</p><p>�You
scared me,� laughed Nancy Her pulse found its stride, and she said calmly �Don�t
you want some breakfast?�</p><p>�No.�
His voice cracked, and his eyes were famished. �I�ve got a clearing.�</p><p>�Where?�</p><p>�Tottenham.�</p><p>The
back door slammed as if they�d had a row Standing by the window, Nancy watched
her man as if he were on another planet. A dense mist had risen off the Thames
and dissolved the streets of Poplar. It would swamp the Isle of Dogs from
Canary Wharf to Cubitt Town. Street-lights hung like saucers and Riley slowly
disintegrated. When he�d vanished, Nancy turned to Arnold. His little legs
started moving and the wheel clinked and whirred.</p><p>�How on
earth did he get like that?� she asked sorrowfully.</p><empty-line/><p>2</p><p>As arranged, Anselm
arrived at the Vault near Euston Station at seven in the morning. Scaffolds and
hoarding covered tall buildings on either side of the day centre. Sheets of
polythene flapped and winches clinked in the breeze. A queue of figures
shuffled to a gate, evoking the fortitude of travellers bound for the New
World. Anselm passed behind them into a narrow, cobbled lane and found the
back-door buzzer beneath a nameplate.</p><p>�How is
Uncle Cyril?� asked Debbie Lynwood, opening the door to her office at the end
of a dimly lit corridor.</p><p>�Hot
and bothered,� said Anselm. �I threw away a receipt.�</p><p>�Cantankerous
beast.�</p><p>Anselm
had expected genetic determinism (bulk in overalls) but Debbie�s frame was
slight. She wore black trousers and a scarlet roll-neck jumper. A selection of
enamel badges revealed an interest in classic motorcycles.</p><p>�I can�t
promise much,� she said, hands in her back pockets. �Finding someone on the
street is almost impossible. But I know a man who might be able to help � someone
who knows the ropes.� She moved across the room towards a door that led onto the
Vault itself. In the middle was a round window. On the other side Anselm saw
the blue haze of smoke. Dark figures crossed slowly as if wading through water.
�When I mentioned what I knew of you,� said Debbie thoughtfully �he was eager
to meet you. Wait here.�</p><p>She
opened the door and a low industrious hum spilled into the office. As he
waited, Anselm absorbed his surroundings: a wall of box files, posters
displaying information, an old school desk, a worn blue carpet� and a short,
wiry man holding a staff like a curtain rail with an ornamental knob. He wore a
green cagoule, his trousers were tucked into his socks, and he shouldered a
backpack. His feet, in polished, split brogues, were splayed outwards. A thin,
grizzled beard covered an oblong chin.</p><p>�May I
present Mr Francis Hillsden,� said Debbie.</p><p>The
traveller made a short bow with his head and shook Anselm�s hand. A pleasure,
with respect,� he said, keeping his eyes averted. They were blue and seemed to
be smarting.</p><p>Debbie
invited Anselm to speak as they pulled up chairs in a triangle. Mr Hillsden
perched himself on the edge of his seat, gripping his staff as though it were a
pole to a room below.</p><p>�I am
looking for a man in his sixties,� said Anselm. �His name is David George
Bradshaw I understand he is known as Blind George.�</p><p>�By
whom, if I might respectfully ask?� His accent was soft, a cultured voice from
the West Country. �I hope my interjection does not trouble you?�</p><p>�Not at
all,� replied Anselm. A sense of d�j� vu flashed like a weak light. �That�s his
name among other homeless people.�</p><p>Mr Hillsden
gave a brief nod as if he�d made a note of the reply �Mr Bradshaw has
restricted vision?�</p><p>�No.
But he wears welding goggles. I don�t know why�</p><p>�To
hide his face?� The suggestion was directed towards one of the posters on the
facing wall.</p><p>�Maybe�
I�m told he keeps his own company� Anselm felt uneasy as if he were hiding the
part he�d played in the downfall of a man. �Until recently Mr Bradshaw stayed
beneath a fire escape at Trespass Place. He was waiting there for a colleague
of mine who unfortunately died. When I went to meet him on her behalf he had
gone. I have an important message for him � in effect, that I will continue
what they were doing in her stead.�</p><p>�In the
first place, I offer my condolences.� Mr Hillsden�s eyelids twitched as if
troubled by a particle of grit. �But secondly with respect, if this gentleman
has withdrawn from the company of men, how might one ask questions as to his
whereabouts?�</p><p>�I don�t
know�</p><p>A fair
answer, if I may say so. Where is Trespass Place?�</p><p>Anselm
explained, adding that while Mr Bradshaw might not be blind, his memory had
been shattered; that he held time together with a series of notebooks � a
detail that somehow seemed to define the man he was looking for.</p><p>�A wise
practice,� observed Mr Hillsden. He became abruptly stern, glancing round as if
he�d heard a voice of contradiction. He banged his staff twice and the severity
dissolved. Twitching again, he said, �I don�t wish to intrude, but have you met
Mr Bradshaw before?�</p><p>�Yes.�</p><p>�Frequently?�</p><p>�Once.�</p><p>�Would
he remember you?�</p><p>Anselm
was stung more by the innocence of the question than its pertinence. His face
grew hot: Mr Hillsden was proceeding with him as he had once proceeded with Mr
Bradshaw Neither of them had known what they were doing. �I hope not,� said
Anselm gravely not daring to look up. He let his eyes rest upon the shining
brogues and the socks outside the trousers.</p><p>No one
spoke after that. Mr Hillsden seemed to be deliberating. Presently he said, �My
colleagues on the street tend to have what might be called a patch. Most of us
do not stray from it. When we do, I�m afraid, it is usually for a serious
reason. And when we move, it is not to another part of London, but a different
corner of England. That, at least, has been my experience. He stood up,
bringing Anselm and Debbie to their feet. �I�ll go over to the South Bank,
though I fear the venture will be futile. But should I find him, the most I can
do is invite him here. Without his express permission, I would not reveal his
location.�</p><p>�Of
course,� said Anselm. He had the peculiar sensation of standing before a High
Court Master in an application for Wasted Costs. He reached into his habit
pocket, aware that his coming gesture was ridiculous but necessary: �Please,
may I cover your expenses?�</p><p>�Thank
you, but no,� said Mr Hillsden graciously �I have adequate means which I am
happy to place at your disposal.� He looked down at his feet. Briskly he raised
his head and for a split second his blue, watery eyes latched on to Anselm. �I
understand you were once at the Bar?�</p><p>�Yes.�</p><p>�Which
Inn?�</p><p>�Gray�s.�</p><p>Mr Hillsden
seemed to breathe in the sound. A ghostly calm changed his face. �Fantastic
forms, whither are ye fled?�</p><p>He
frowned as if trying to remember what came next. Anselm knew these words of
Lamb, but he too was stuck. Suddenly Mr Hillsden swung to the door with the
round window. Without hesitating, he strode into the heavy murmuring and the
blue smoke, his stick tapping on the floor.</p><empty-line/><p>3</p><p>Riley stood at the foot of
the stairs in an empty house in Tottenham. It was cold and damp and his heart
was beating fast. He stared at the bottom step.</p><p>�Who
sent the photograph of Walter?�</p><p>His
eyes moved to the chipped baluster, following the spindles up to the gloom of
an unlit landing. The silence opened a door on those shouting voices, the
scuffling of feet and whatever it was that ended up smashed on the floor. As a
boy in the boxroom, he used to beg God to make it stop. And funnily enough, He
did. Shortly afterwards things would go quiet and he�d say �Thank you, thank
you,� his head still under his pillow.</p><p>Riley
set to work, lifting and dragging. He loaded up the tables and chairs, the
mirrors and cupboards, a lamp stand and four candlesticks. His feet stamped out
the memory of his childhood, but others from last week licked him. It was
always like this. His head was full of noise. He played arguments like they
were favourite records, changing the words for a bit of variety. It was
exhausting, but anger made him feel alive. In a full-blooded row, he�d pass
through a kind of barrier and float, hardly breathing; he�d think up things to
say and pass them on, as if to someone else. It was a long way from the
gratitude of a boy in the boxroom.</p><p>He
worked feverishly Puffs of dust made him cough and spit. By the late afternoon
he�d finished. The building had been stripped. Panting, he stood in the living
room. Sweat touched the nape of his neck like a hand: who had posted the photograph
of Walter?</p><p>He hadn�t
looked at the picture since the day it had fallen from the envelope. But he
could still see the man he wouldn�t call Dad, the man no one pushed around, the
biggest man in the street. Walter had kept dumb-bells under the bed. He�d done
press-ups. He�d boxed the air, snorting and whistling �he�d been a southpaw He�d
smelled of liniment. Riley saw him only in the evenings because he got up at
four o�clock to work at the warehouse. After he was made redundant he had to
sell pies from a barrow He was known as the Pieman. And there wasn�t a picture
of him left on the planet, except the one that had fallen onto the kitchen
table. Riley couldn�t understand it. He�d burnt them all over forty years ago. Sweat
crawled down his back. Who could have posted the photograph? There was no one
he could think of. They were all dead.</p><p>Riley
sat against the wall, hands resting on his knees. Rat droppings were scattered
like tiny black seeds along the skirting board. The damp and the quiet closed
in upon him.</p><p>Major Reynolds at the
Salvation Army hostel had always worn a neatly pressed uniform. He had a pencil
moustache like that of a Battle of Britain pilot and years of cornet playing
had left a small indentation on his upper lip. A shiny square face and
prominent black eyebrows completed the impression of military distinction.
Riley never learned his first name. He was just �the Major.</p><p>When
this quiet soldier saw the blade in Riley�s sock, he should have thrown him back
onto the street. But he didn�t. Instead, he pulled the runaway into his office,
threw the knife in the bin and said, �You�re a grown-up now.�</p><p>Riley
smiled, like kids do when they�re nervous.</p><p>�You�re
a man.�</p><p>Riley�s
eyes glazed, but he kept the smile.</p><p>�And a
man should think deeply� said the Major, unperturbed. He folded his arms, and
his dark eyebrows made a frown. He measured Riley up and down with a long,
calculating gaze, as if to guess the size of his clothes.</p><p>The
next day the Major called Riley back into his office. He stood with legs
crossed, leaning back on his desk. He�d put in a good word to another trooper
in the Army a manager at McDougall�s on the Isle of Dogs.</p><p>�There�s
a job if you want it,� he said.</p><p>�Doing
what?� He stared at the Major�s gleaming shoes. Even the soles were clean.</p><p>�Stacking
crates of self-raising flour.�</p><p>Riley
had seen the ads everywhere. They made it out to be some kind of miracle when
it was just a mix of chemicals. He said, �Nothing rises on its own.�</p><p>The
Major narrowed his eyes, like a gambling man, wondering if there was another
level to the remark. Uncertainly he said, �No, it doesn�t.�</p><p>Riley
never went back to the Sally Ann. He worked hard. He learned how to operate a
crane. He saved up. He bought a bungalow. And he bought Quilling Road. The
idea was to rent it out and build up an investment, but it turned into
something else. No, that wasn�t true. It was a choice; a rambling, complicated,
murky series of impulses and actions, but, in the end, a very deep kind of choice;
something cold and murderous. It was similar to being in one of his rages. It
was as if he were watching himself, and he felt nothing at what he saw.</p><p>The
docks were dying, but Riley survived. After he was made redundant, he found a
job the same week at Lawton�s, where he met Nancy Dumpy Nancy with her hungry
eyes. He first saw her from on high, looking down from his crane. He seemed to
see her close-up for who she was. She walked timidly as if she�d been hurt.
That�s when he first thought of selling Quilling Road. He seriously thought of
packing up. But he didn�t. One lunchtime he went into the manager�s office
intending to ask her out� because there was something about her that had
stirred him, that had lit a small flame in his guts� But on the day when he
opened his mouth, he�d asked her to stamp his card while he went AWOL to catch
his rent. That sudden shift of intention, the deception of Nancy had thrilled
him, as if it were a kind of arson. (Riley understood the excitement of a
building on fire.) So that was another choice �an even deeper one, from a
frozen place inside himself. Unlike getting married to Nancy. That happened as
if it were inevitable. The courting went like a dream. He did everything that
he�d seen in the films: aftershave, greased hair, a natty suit � the lot. He
took Nancy to a big hotel, ordered high tea and paid with crisp bills fresh
from the bank. He left a fat tip. He held out his arm for Nancy. On Brighton
beach, he tossed his trilby into the wind. But when they got married, and they
went home, and she was there first thing in the morning and last thing at
night.., he felt sick. He didn�t know what to do in the day to day He scoured
his past, lifting its slabs, jerking open its drawers, trying desperately to
find something that would teach him <emphasis>what to do. </emphasis>But there was nothing
there, except loathing and disgust, like a warm mist. And there before him, day
and night, was Nancy Dumpy Nancy with her hungry eyes. She was a breathing
accusation.</p><p>And
then help came from a very strange quarter, although he didn�t see it that way
at the time: a woman in black arrived on the wharf with a few heavies in
uniform. Twenty minutes later he was arrested. From that moment, the focus of
Nancy�s anguish shifted from who he was to what someone had said he�d done. And
that gave him space. Not much, but space nonetheless.</p><p>Riley swept up the rat
droppings and put the pan and brush back in a hallway cupboard. As he closed
the door he heard that polished voice as if it were on the other side. He saw
the scrubbed nails, the white cuffs, the starched trousers.</p><p>A man
should think deeply; he should know himself.�</p><p>Riley
had studied the Major�s cap-badge motto, �Blood and Fire�, in a panic, unable
to comprehend why this man should care at all.</p><p>�I know
myself better than you ever will, Major. I�ve been places.., in here� � he�d
pointed savagely at his head, as if it were a distant continent � �that you�ve
only heard about.�</p><p>�I don�t
mean what you�ve done. I mean who you are. The man behind the mistakes and the
wrong turns.� The Major leaned forwards, placing a hand on each knee, like the
medic on a football pitch. He stared at Riley his eyes clean and unbearably
merciful. �They�re not the same, you know�</p><p>They�re
not the same. The strange words spiralled down forty years into an empty house
in Tottenham. Riley�s mind grew dark � even his eyes seemed to drain of light.
How could you separate a man from what he�d done? Like a flicker of flame in
the grate, Riley remembered himself standing at the bedroom door, a boy in
pyjamas, watching Walter punch and stab the air.</p><empty-line/><p>4</p><p>Anselm was drinking tea in
a caf� ten minutes early for his meeting with Inspector Cartwright. Roughly
ten minutes after the agreed time he saw a figure dodging between the cars on
Coptic Street. A magenta scarf fluttered against a long black overcoat.</p><p>Anselm
had first met Inspector Cartwright during the Riley trial. Afterwards he�d seen
her once or twice smoking in the corridors of the Bailey. Their eyes had met;
and Anselm, being the sensitive sort, had detected a measure of hostility. That
expression, it seemed, had not left her face.</p><p>�Sorry
I�m late,� she said sweetly sitting down, �three kids under five. Don�t do it.�</p><p>�I�ll
try not to.� Each ear was weighted with a substantial holly-berry earring,
irregular in shape, probably painful to wear and undoubtedly made by one of the
under-fives. Her hair was a deep, rusty brown; it had been cut very short,
leaving precise lines. �I think when we last met,� she said kindly �you�d just
opened the door to let Mr Riley out.�</p><p>And
now,� replied Anselm, �I hope to open another that will bring him back in.</p><p>Inspector Cartwright was,
of course, wholly unaware of Elizabeth�s hope to �take away Riley�s good name�
and her contingency plan should death overtake the fulfilment of her project,
so Anselm related what had transpired since the day he received the key.</p><p>�Unfortunately�
he said, in conclusion, �I came to my responsibility a mite later than she
anticipated. When I got to Trespass Place, George had gone.�</p><p>Inspector
Cartwright had listened with fixed attention, a hand at intervals repositioning
an earring. She glanced at the cake selection, saying, �I�ve already played a
part in this business, only I didn�t realise it until now Would you hang on a
moment?� She waved at the counter and asked for a date slice. �Kids. I need
sugar.� The waiter returned with a small plate and a small cake. After
reflecting for a moment she began to speak.</p><p>A few
years ago a friend of mine put a file on my desk. He has an informant in the
field called Prosser who trades in antiques at the bottom end of the market. He
goes round the fairs and f�tes. He�s on a retainer to tell us what he sees and
hears. Usually it�s handling stolen goods � stuff being moved on for cash
without a receipt. Sometimes it�s drugs. It happens that he�d filed three
reports on Riley� She leaned on the table, one hand on top of the other. �Prosser
said Riley was up to something, but he couldn�t pin it down. But he was sure
that people came to Riley�s stall, handed over cash and left with nothing.�</p><p>�A
payment?�</p><p>�Apparently.�</p><p>�The
same people?�</p><p>�Not
always, but often.�</p><p>�Paying
protection?�</p><p>�We had
him watched but he does nothing but empty dead men�s houses and sell on what
they�ve left behind.�</p><p>Anselm
called up the sorts of questions that were once basic to his trade: �Is the
profit margin too high for his kind of business?�</p><p>�No.
And the accounts are perfect � all filed on time at Companies House.�</p><p>�Is he
funding a lifestyle beyond his earnings?�</p><p>The
Inspector shook her head. �He�s got a tatty bungalow, no car and never goes on
holiday. So we dropped it.�</p><p>�But
people still give him money for nothing?� said Anselm.</p><p>�Yes,
they do.�</p><p>Anselm
waited.</p><p>A
couple of years ago I was at the Bailey for a trial,� said the Inspector. �One
morning I was in the canteen and Mrs Glendinning took a seat right in front of
me. Without saying hello, she asked if I�d heard about the death of John</p><p>Bradshaw
I said I had. And then, like a timetable enquiry, she said, �Will you get Riley
in the dock for the killing?� I shook my head and she just made an �Ah,� as if
a train had been delayed. And then she said, �I wonder if he�s gone straight?�
That�s when I told her about Prosser, but she didn�t seem that interested.�</p><p>Anselm
smiled to himself. With two straightforward questions, Elizabeth had learned
what she wanted to know: the state of the police inquiry into John�s death, and
whether Riley was still believed to be involved in crime. Armed with this
information, she�d tracked down George and begun her scheme. In a reverie,
Anselm saw afresh its crucial antecedents: her troubled visits to Finsbury Park
and Larkwood, where she�d worked out the framework for her actions.</p><p>Inspector
Cartwright tapped her plate with a teaspoon. �Hello.� She seemed to be peering
into a pipe. �I�m a police officer. Put your hands up.�</p><p>�Forgive
me,� said Anselm, blinking. �I was distracted by a kind of vision.�</p><p>�Really?
What did you see?�</p><p>�That
Elizabeth drew you forward; as she drew my Prior; as she drew me.�</p><p>For a
time neither of them spoke.</p><p>�I
suppose that makes us comrades,� Inspector Cartwright said at last. She held
out her hand. As their palms met Anselm saw Elizabeth leaning over a box of
Milk Tray � when it had all begun. Her hair had fallen like a curtain. In his
imagination, Anselm peered behind it, and caught her faint smile. �I�ve been
tidying up my life,� she�d said.</p><p>�I
never heard from Mrs Glendinning again,� resumed the Inspector. �On the day she
died, she left a message on my answer machine. She just said, �Leave it to
Anselm.��</p><p>They
both now understood what that meant. But Anselm wanted to know something else. �How
would you describe her tone of voice?�</p><p>�Supremely
confident.�</p><p>Standing outside the caf�,
Anselm said, �Out of interest, did you ever take the Pieman seriously?�</p><p>�We ran
the name past all our contacts in the field,� said the Inspector, �and we
pushed it through the computer, but nothing came up. When I interviewed Riley
he wouldn�t answer a single question, but I kept coming back to that name.�</p><p>�Why?�</p><p>�I
noticed it made him sweat.�</p><p>Anselm
left Inspector Cartwright on the understanding that he would contact her as and
when he heard from Mr Hillsden. Watching her walk down Coptic Street, Anselm
recalled Lamb�s question to the old benchers of the Inner Temple: <emphasis>�Fantastic
forms, whither are ye fled?�</emphasis></p><p><emphasis/></p><p><emphasis/></p><p><emphasis/></p><p>5</p><p>One freezing morning Nancy
had walked from Poplar to her shop. Dumped across the entrance was a pile of
cardboard marked FRAGILE in red. She reached over with her keys, glancing down
to keep her balance. That�s when she saw the finger poking out. She gasped,
thinking it must be a body from a gangland war. She tapped the surface with her
foot, wondering if the man had been cut up into bits, but the finger moved and
a flap opened like a trap door and there was this man, his face black and
hairy, his eyes hidden by goggles. She�d thought he must have been a fighter
pilot from the First World War.</p><p>This
man rolled onto his side, drawing up his knees. Then he felt his way up the
door, using the handle to lift himself out of the cardboard� It was packaging
for a fridge.</p><p>�Am I
in the way?�</p><p>�Not at
all, but you�re nearly in the road. Can�t you see?�</p><p>�No.�</p><p>It was
arctic and the man�s hands were a dirty blue. Cars whipped over the hump in the
road, making them scrape and bang. Nancy said, �Won�t you warm up inside?�</p><p>�May I?�</p><p>Mr
Lawton used to say things like that. <emphasis>May I? </emphasis>She opened up and dragged
the cardboard through to the back room. It wouldn�t feel right, throwing it
out. When she came back he was standing inside, his hands on what Riley had
called a figurine lamp � a woman with scarves all over and a light socket
sticking out of her head. His fingers moved so gently building the thing in his
mind, that it became beautiful.</p><p>�I�m
Mrs Riley.�</p><p>�I�m Mr
Johnson.�</p><p>Who
would have believed it? Over the following months they became friends. He was
her one secret from Riley And then he disappeared. In one sense it was for
good, because a very different man eventually came back. He seemed frail and
uncertain. He sat down with shaking arms.</p><p>�What
happened?� asked Nancy anxiously.</p><p>�I got
my head kicked in.� His goggles moved on a rumpled nose. �I can�t remember much
of the present. This morning, last week� they�ve gone down the plughole.�</p><p>Nancy
lit the gas fire, and she thought of the entertainment Uncle Bertie used to
kick off when they were in Brighton. It was called �Silly Secrets�. Cheerily
she said, �Shall we play a game?�</p><p>�All
right.�</p><p>�You
tell me a secret, and then I�ll tell you one.� The idea was that people confessed
to daft things they�d done. (Once, in a shop, Uncle Bertie had used a toilet,
only to find it was part of a mock bathroom for sale.)</p><p>�That�s
not fair,� said Mr Johnson. �I won�t remember and you will.�</p><p>�I�ll
tell no one.</p><p>Mr
Johnson said, �I once had a son.�</p><p>Nancy
covered her mouth. He leaned forward, vapour rising off him, his goggles full
of condensation, and he talked about summers in Southport with the same longing
that she had for Brighton. And Nancy waited, sensing that something awful had
happened to his boy but he never said what. The next day Mr Johnson turned up
and Nancy tipped out things she�d never said and thought she�d never say � how
she�d met Riley the life she�d lost at Lawton�s, the children she�d never
had.., the trial. And Mr Johnson listened, warming his grey-blue hands: a
gentleman who would remember nothing.</p><p>Nancy glanced at the
sputtering fire. On her lap was a plastic bag. She�d found it a couple of weeks
ago when she went into the back room to pick up her shopping. It was full of
notebooks, each neatly numbered on the front. They belonged to Mr Johnson, the
gentleman who could remember nothing. Nancy had waited for him to come back,
but he�d vanished in the mist, just like Riley on his way to Tottenham. She
glanced towards the door� and reached into the bag. It was wrong, she knew,
but ever since that barrister had died, the trial had returned. Sensations from
that time had been prickling her like pins in a doll. The only way to numb the
pain was to fill her mind with something else, and the puzzle book was full �
she rooted around for number one. On the front was written �My Story�.</p><p>Her
mouth was open and her hair tingled. This wasn�t right.</p><p>I call myself
George.</p><p>She hadn�t known that. He
was just Mr Johnson.</p><p>I�m a Harrogate
boy a Yorkshire lad. There�s a little lane that runs by a bowling green and a
tennis court of orange grit. On the other side are houses with mown lawns. At
the end of the lane there�s a clump of trees and a fence with a gate. It seems
that the sun is always shining here and the flowers are taller than me.
Foxgloves, I think they�re called. But my earliest memory of this place is in
the rain. My mother had made a canvas shelter for my pram.</p><p>Nancy
snapped it shut. This was wrong. But she reached in and opened another number,
wondering what had happened to Mr Johnson when he�d grown up.</p><p>I�d seen her
quite a few times, and always at night. She stood beneath a street lamp, hands
behind her back like Dixon of Dock Green. The most amazing thing was her white
headdress. It was like a tent without guide ropes.</p><p>The
doorbell sounded.</p><p>Nancy
dropped the book, composed herself and presently sold a mirror to Mr Prosser �
a dealer in quality second-hand. He was always mooching around, asking how her
man found such good stuff. She told him nothing. When he�d gone she tied a knot
in Mr Johnson�s bag and pushed it into the bottom drawer of the filing cabinet.</p><p>But
that left her exposed. She fell back in her seat, eyes clenched and hands over
her ears. In that inner darkness, she sensed the patient �attendance� of Mr
Wyecliffe. It was a word he�d often used. She�d thought he was a sorcerer. How
else did he pull off the impossible?</p><p>After being charged, Riley
was hauled before a porky magistrate with a runny nose, who, between sneezes,
sent her man to Wormwood Scrubs on remand. But Mr Wyecliffe got him out within
a week. No special keys or dodgy chains. �Just words, well used, ma�am,� he
said, waving a grey handkerchief. �All that requires my attendance now is the
trial.� He sniffed and blinked, as if he hadn�t worked out how to do it yet.</p><p>The
solicitor had brought Riley home and stayed for a �preliminary conference�.
They sat in the living room, drinking Uncle Bertie�s �poison�. Riley was
humiliated and speechless and couldn�t look in Nancy�s direction. He was
quaking.</p><p>�We�ll
use counsel,� said Mr Wyecliffe significantly to break the silence. �I�ll get
the best.�</p><p>�I know
who I want.� It was the first thing Riley had said. He glanced at a spot near
Nancy�s feet and asked for some sandwiches.</p><p>When
she came back, Mr Wyecliffe was making notes, and Riley appeared deathly calm.
The shaking had stopped. He spoke under his breath while the solicitor stuffed
his face as if he�d had no breakfast. Her man stared at the carpet and said, �How
the hell am I to know what the tenants get up to? I�m hardly ever over there.
Ask the wife.�</p><p>�I
will, in due course,� promised Mr Wyecliffe. �In the meantime, might I have
another sandwich?�</p><p>Nancy
gave him hers.</p><p>It
turned out the tenants had all been in arrears. Eventually Riley had shown them
the door. That�s why they�d set him up, he said.</p><p>Mr Wyecliffe
nodded slowly stubbing the crumbs on his knee. Licking his fingers, he said, �But
what of Bradshaw? He�s your real problem.�</p><p>�I�ve
thrown his girls onto the street. Now he�s trying to make me pay.�</p><p>�That�s
a guess.�</p><p>�Why
else would he lie?�</p><p>�Bradshaw
is of good character.�</p><p>�So am
I.�</p><p>�Indeed.�
After a moment, as if he�d just finished reading the instructions that had come
with a gadget from Japan, Mr Wyecliffe said, �Okey-dokey Bradshaw is the pimp.�</p><p>Nancy
had hated the sound of that p-word. It had been used in her own living room,
leaving a heavy stain on the air that she couldn�t wipe away It was still
there, even though Riley had been acquitted, even though all those terrible
people had been lying. Something ghastly had entered her home. It was like
waking to a burglary. The tidying up made no difference.</p><p>Thoughtfully
Mr Wyecliffe said, �The claptrap about the Pieman allows them to say very
little about you, makes the story shorter, easier for three of them to learn by
heart� � he looked at his empty plate, his features tangled up in his beard � �but
counsel will not advance a guess at trial.�</p><p>Riley
leaned back, genuinely calm now � Nancy could tell. �Who said anything about
guesses?�</p><p>Mr Wyecliffe
put his papers in his tatty briefcase and said, �I ought to observe that no one
can save you from the truth or a lie that hangs together. It is a sad fact of
life, but the two are often interchangeable.�</p><p>�Just get
me Glendinning.�</p><p>Nancy
held back the tears; and her man watched her, approving of the struggle,
relieved by it.</p><p>Waiting
for the day of the trial was awful, if only because of the unimaginable shame.
At such times, your mum and dad were meant to rally round, but Nancy�s had
drawn the blinds good and proper � they�d never liked her man, never. And Riley
had no one. Even Mr Lawton went peculiar. He�d always been one for having a
good grumble first thing � about the downturn and closures � but he went quiet,
all stern, and turned his big tweedy back on her when he had to speak. Everyone
had crossed to the other side of the road. One day she looked up and saw
Babycham�s permed head against the frosted glass of the door. They hadn�t
spoken for ages.</p><p>�Look,
Nancy� she said, after checking the boss was out, �we�ve known each other since
we were this high. Fair enough, we�re not as close as we used to be, but I don�t
hold no grudges. We all make our own choices, and you�ve made yours. But still
I owe it to you to speak plain. Why do you trust him?�</p><p>Nancy
was knocked sideways. Not just because she�d implied, all brazen, that Riley
was in the wrong It was that word, �trust�. Nancy had never quite clocked the
obvious: her man was for saying he trusted her when, in fact, it was she who
was trusting him.</p><p>�Run
for it, girl,� Babycham said. �We�ll all rally round, honest. We�ve had a
meeting.�</p><p>Confused,
angry and feeling sort of cold and stripped, right down to her pants, Nancy
gasped, �Clear off.� Finding some breath, she added, �Riley always said you
were full of wind and bubbles.�</p><p>When it grew dark Nancy
locked up the shop and walked home along the towpath by Limehouse Cut, past
barges and boats moored at the banks of the canal. On the way she found a brick
for the herb bed. She dropped it on the pile, had a boiled egg and watched a
programme on Liberian shipping regulations. After the news she went to bed and,
dozing fitfully waited for Riley.</p><p>The
room was pitch black when he climbed into bed.</p><p>�Nancy?�
He waited, and whispered again. �Nancy?�</p><p>She
didn�t so much as turn a hair. After a moment he reached over and, for minutes
on end, he stroked her nose, her lips� each feature on her face, just like Mr
Johnson had done with the figurine lamp. Then he shrank back as if he�d done
something wrong.</p><p>It was
often like this. When Riley had done a clearing he didn�t come home until after
midnight � she didn�t know where he�d been, or what he�d done, and she didn�t
care � but he�d come to bed with these trembling hands. No one had ever touched
her so exquisitely (it was a word she�d heard a doctor use to describe intense
pain, but when she�d looked it up in a dictionary, she�d thought of these
secret moments).</p><p>Nancy
fell asleep, savouring the aftermath of this mysterious, most secret affection.
Beside her Riley started to moan, and downstairs Arnold was running as fast as
his little legs would carry him.</p><empty-line/><p>6</p><p>�You�ve received another
letter from Mrs Glendinning,� the Prior repeated.</p><p>Anselm
had just finished his breakfast when he was called to the phone. The envelope
was marked �PRIVATE and URGENT�, which prompted Sylvester � in a rare burst of
competence � to summon the Prior, who�d recognised Elizabeth�s handwriting.</p><p>�But
who <emphasis>posted </emphasis>it?� asked Anselm.</p><p>�Another
friend, I suppose,� said the Prior. �Shall I read it out?�</p><p>Anselm
glanced nervously at his watch. An adult life determined in its first half by
court engagements and its second by bells had made Anselm (like many barristers
and monks) slightly neurotic about time. �No thanks,� he said. �Will you fax it
through? I�ve got an appointment in Camberwell.�</p><p>The community superior led
Anselm through baffling corridors that only an architect could have devised,
past various photographs of the congregation�s personnel. Anselm noticed the
alteration in headdress over the years, from a spectacular construct of
starched linen to a simple veil. Entering a walled garden, Sister Barbara
pointed towards a path flanked by chestnut trees. At its end, in a wheelchair,
sat an elderly woman who wore a woollen hat remarkably similar to a cushion.</p><p>Like
any sensible interrogator, Anselm had researched his witness in advance. From
his initial telephone enquiry, with supplemental details from the superior,
Anselm had learned a great deal. Sixty years ago, upon the outset of her
religious life, Sister Dorothy had run a London hostel before being installed
as matron at a private school in Carlisle. She had been very happy but her life
was to typify the precedence of service over personal inclination. Following a
short stint as a prison chaplain in Liverpool, she�d been sent to work as a
nurse in Afghanistan. Seventeen years later she�d come home to have her wisdom
teeth removed. She never went back to her mountain dispensary. Her one
souvenir was an Afghan pakol, the hat that became her trademark.</p><p>Anselm
approached her, his feet crunching the gravel.</p><p>As soon
as he was within earshot, Sister Dorothy said, �I didn�t know she�d died until
you called.� Her voice was clear but slightly laboured. As Anselm sat on a
bench, she added, �So you�re an old friend?�</p><p>�Yes.
We were in chambers together.�</p><p>�Tell
me, was she happy?� She spoke with the aching concern of an old teacher.</p><p>�Very
much so.�</p><p>�Successful?�</p><p>�Oh
yes.�</p><p>The nun
smiled and sighed. Threads of shadow thrown by branches swung across her face. �Well,
well, well,� she sang quietly. Her skin had the transparent whiteness of old
age, with a multitude of deep lines. A dint in the profile of her nose revealed
a badly healed fracture, sustained (he�d been told) during a prison visit.</p><p>Anselm
spoke of Elizabeth�s professional reputation, of her marriage and her son,
while Sister Dorothy listened eagerly not wanting to miss a single detail. In
due course, and adroitly Anselm observed, �And yet, after all those years
together, I knew very little about her past.�</p><p>He
waited, hoping. In fact, he prayed.</p><p>�Did
she ever show you the photograph?� She spoke distantly one hand raised, as if
she were pointing to a wall.</p><p>Anselm
leaned forward, elbows on his knees. �I don�t think so.</p><p>�The
photograph of the family?� continued Sister Dorothy surprised that her visitor
was unsure of her meaning.</p><p>�No,�
replied Anselm, trying not to sound too interested.</p><p>�Well,
well, well,� sang Sister Dorothy to herself. She studied Anselm, like one about
to break a confidence. �The photograph tells you everything� It�s all there
in black and white� a happy family on a Sunday afternoon some time in the
1940s.�</p><p>The
part of Anselm�s character that trusted in the dispensations of Providence
made an exclamation of gratitude. He waited, though he was impatient to learn
the history that Elizabeth had kept to herself.</p><p>�On the
right is her father,� said Sister Dorothy Wrinkles crowded her eyes as she
called up the portrait. A tall, thin man with a waxed moustache and shiny black
hair. He wore wing collars every day of his adult life. A man fifty years out
of his time.� She threw Anselm a glance. �Did she tell you about him?�</p><p>�Not in
any detail,� replied Anselm. In fact, Elizabeth had never mentioned him.</p><p>�He was
an unhappy insurance salesman based in Manchester. After he�d sold his quota of
premiums he locked himself in the attic trying to invent an electronic smoke
detector. Several times he nearly burnt the house down. He never gave up. He
thought if he could only pull it off, the industry would name a policy after
him.�</p><p>�He
didn�t succeed?�</p><p>�No, he
did not.� She paused, looking towards a high wall covered in ivy. �But he made
a fortune.�</p><p>Anselm
pictured a man with the shade of Elizabeth�s face.</p><p>�To the
left is her mother,� continued Sister Dorothy like a museum guide. A seamstress
from Chorley She�s wearing a polka dot dress with enormous buttons. Hair like
Maggie Thatcher. A happy house-proud woman whose only joke was that she�d like
to invent a fire extinguisher.�</p><p>And
Elizabeth?� asked Anselm.</p><p>�She is
in the middle. A late and only child. A beaming girl of ten in ribbons and
bows. It was an age, she once said, that seemed perfect in every way She was
young enough to appreciate that she was a child, and old enough to consciously
enjoy it.� Sister Dorothy swung Anselm a glance. �That is the photograph of
the Glendinning family.�</p><p>�How
did the inventor make his fortune?� asked Anselm roguishly.</p><p>�By
dying,� she replied.</p><p>Elizabeth was born when
her mother was nearly fifty, explained Sister Dorothy Her father was already in
his early sixties. It was a late match, and a contented one. They had found
companionship after having long accepted that loneliness would take the
greater portion of their days. Elizabeth�s coming was a boon and, like many
booms, unforeseen. But the unforeseen was to lay its heaviest hand upon the
child. The year after the portrait was taken, her father came down from the
attic grumbling about a trip switch. He turned on a wireless, sipped a glass of
milk, closed his eyes and promptly died � as if he�d blown the fuse box. The
doctor said he�d reached a fine old age. The fellow might not have had a policy
named after him, but he did take one out on his life: his nearest and dearest
were amply provided for. A year later Elizabeth�s mother died from septicaemia
arising from a trivial leg injury Her father, however, had taken out another,
even larger, policy and Elizabeth, at fourteen, found herself without either
parent but the beneficiary of a very healthy trusted income.</p><p>�People
are odd, aren�t they?� observed Sister Dorothy shaking her head. �Elizabeth�s
father had filled in all these forms, but he hadn�t made out a will. She had no
legal guardian. And there were no relatives chomping at the bit. So the court
had to get involved. In the end, it was a judge who sent Elizabeth in our
direction.�</p><p>The
congregation ran a boarding school in Carlisle. (Where, deduced Anselm, you
were matron.) So Elizabeth became a pupil, but not without a period of considerable
adjustment. The first years after the death of her parents were marked by
rebelliousness and grief. She started coming to the dispensary when there was
little if anything wrong with her. Headaches. Stomach aches. Splinters. But
Elizabeth began talking to this young nun whose veil kept crashing into
cabinets and doors �Sister Dorothy would never get used to the contraption.</p><p>�But
she did very well, in the end,� she said proudly �When she went to university,
I gave her <emphasis>The Following of Christ.�</emphasis></p><p>In a
curious way Anselm felt stumped. He couldn�t tell her �as he�d intended � that
Elizabeth had cut a hole in its pages. At a stroke, everything to do with the
trial had been closed down. He did not feel capable of revealing that the book,
her gift, had been permanently damaged. A question left his mouth before he
could admire its excellence. �When did you last see her?�</p><p>�Forty
years ago.� Sister Dorothy spoke vaguely as if she were drifting towards sleep.
She�d closed her eyes. Anselm watched for several minutes. Then he tiptoed away
altogether sure that the nun in the brown pakol had had enough.</p><p>It was
only when Anselm was trotting down the stairs to the Underground that he felt
the entire interview had been incongruous � but he couldn�t reduce the insight
to any particulars.</p><p>When he
got back to Hoxton he found two sheets of paper outside his bedroom door. The
first was the fax from Larkwood. The second was a message asking him to call
Inspector Cartwright.</p><p>Anselm
read the letter from Elizabeth by the light of a window.</p><p>Dear Anselm,</p><p>I would be very
grateful if you would visit the following lady:</p><p>Mrs Irene Dixon</p><p>Flat 269</p><p>Percival Court</p><p>Shoreditch</p><p>Mrs Dixon may not know that I am dead, so please explain, if needs
be. Thereafter, listen rather than speak. I suggest you arrive unannounced.</p><p>Farewell, Anselm. You have helped me more than you can know.</p><p>Warm regards,</p><p>Elizabeth</p><p>Anselm
let his hand drop. This was the final letter, he was sure. He thought of
Elizabeth the rich orphan who hadn�t quite gone, who wouldn�t let go, even in
death. Subdued, he rang Inspector Cartwright.</p><p>�You
won�t believe this,� she said, �but I�ve received a letter from Mrs
Glendinning.�</p><p>They
arranged to meet in half an hour. Feeling more and more like an ass in a
bridle, Anselm set off on this next unforeseen errand. Perhaps it was the act
of retracing his steps to the Underground that brought home another veiled
truth: the old biddy in the woolly hat had taken him to the cleaners � but he
didn�t know how, and he couldn�t guess why.</p><empty-line/><p>7</p><p>At breakfast, Nancy said
that Prosser had been sniffing around again.</p><p>Riley
looked up, put his tea down and went bonkers. He grabbed a plate and sent it to
the wall, like a frisbee. The pieces went everywhere. Arnold tore from his
wheel and Nancy ducked as if it were an air raid (as a teenager she�d hidden in
the Underground while London got trashed by the Nazis).</p><p>�I�m
sick of him,� shouted Riley His mouth curled like a boxer�s, and he huffed and
puffed, pacing the ring in his head. �He�s always watching me, chewing that
cigar.�</p><p>Riley
looked for something else to throw, but Nancy had cleared the table.</p><p>�I�ll
speak to Wyecliffe,� vowed Riley.</p><p>�When?�
said Nancy dropping a cup. �What for?�</p><p>�I�ll
go tonight,� he seethed. �And he�ll bang a writ on Prosser�s nose.</p><p>That
sounds very legal, thought Nancy not quite knowing what it meant.</p><p>Buoyed
up and punchy Riley set off for work, his boots crunching on the crockery.</p><p>When
Nancy duly opened her shop that morning she went straight to the filing
cabinet. She untied Mr Johnson�s plastic bag and pulled out the first volume
that came to hand. She sat by the fire, aiming to read, to drive out the memory
of that lawyer in his stuffy twilit room. But he was too strong. Nancy let the
book drop on her lap. She could almost feel his breath and smell the nuts.</p><p>A few weeks after the �preliminary
conference� at the bungalow, Mr Wyecliffe sent Nancy a letter �requiring your
kind attendance�.</p><p>She
thought solicitors weren�t meant to have beards and yet his was like an old
toilet brush. She hadn�t liked him. Not because he�d been hungry when he should
have lost his appetite, and not even because of the grilling he�d dished out
(he�d leaned across his desk, tugging at his hairy chin, not taking no for an
answer, digging around in her private life: it was like he was after something,
but wouldn�t say what). No, she didn�t like him because she�d said too much.
Part of her had gone missing. The room had been dark, the windows jammed, and
he�d just bitten his way through her life, as if it were another sandwich. And
another thing: his eyes were too close together.</p><p>Mr Wyecliffe
had said, for openers, �What you now tell me is completely confidential.�</p><p>�Then
how does it go in my statement?�</p><p>That
knocked him one. He wasn�t used to women with minds of their own. But he
explained himself. He was the professional. He needed to know everything. �Just
imagine I�m doing a jigsaw out of sight. You�ll wonder why I pick up this bit
or the other. Don�t think about the broader picture: leave that to me.� Nancy
supposed that that was why lawyers earned so much money �they could see things
the rest of us couldn�t. And then Mr Wyecliffe got started in the middle of
nowhere, and wouldn�t let go. �I suppose your husband goes out with the lads
every now and then?�</p><p>�Never.
He stays at home. �All the time?�</p><p>�Well,
apart from work and that ��</p><p>�Every
evening?�</p><p>�Yes,
unless he�s doing overtime.�</p><p>�Do you
ever get unexpected phone calls from a strange man?�</p><p>�Of
course not.� She folded her arms tight across her chest. �Why would I?�</p><p>�Wanting
to speak to your husband?�</p><p>�No.�</p><p>�Does
Mr Riley make calls to anyone you don�t know?�</p><p>�We�re
husband and wife.� Nancy had been getting more unsettled than cross, because
the questions were like digs in the side, but she was proud to throw that one
back. They were man and wife. Till death us do part. For better or for worse.</p><p>�Is
that no?�</p><p>�Yes.�</p><p>Mr Wyecliffe
nodded like her Uncle Bertie would after he�d checked the odds at Ladbrokes. �Just
as I expected.� He chewed a pencil, smiling at Nancy his eyes too deep in his
head. Not a word had been written down.</p><p>�So
your husband does lots of overtime?� �He works for his living, yes.�</p><p>�Indeed.
This overtime. Is it always on the same days?�</p><p>�Not
now, what with the downturn on the docks.�</p><p>�Of
course. But it�s frequent?�</p><p>�We
find out as and when. Mr Lawton�s been very lucky so yes, there�s always a lot
to be done. The boss has to keep ahead of the game. And my husband�s always
there, ready to help. He�s one of his best workers. Never missed a shift.�</p><p>�I don�t
doubt it. Any cash in hand?�</p><p>Nancy
felt the coming of a blush. �No.�</p><p>Mr Wyecliffe
swivelled the pencil, biting into the wood. He said, �Do you collect the rents
with him?�</p><p>�Why
should I?�</p><p>�Ever
met the tenants?�</p><p>�No.�</p><p>Once
again, the solicitor looked like Uncle Bertie with the <emphasis>Racing Post. </emphasis>�Very
sensible,� he said. �Let �em rest in peace.</p><p>�Exactly.�</p><p>Nancy
wanted a breather, but Mr Wyecliffe seemed to have her trapped. He said, �How
often does your husband visit the property?�</p><p>�Well,
I don�t know, once or twice a week, if anything needs doing. He does all the
maintenance himself. Keeps the costs down.�</p><p>�Very
sensible. Just let me try some names.</p><p>Nancy
thought she�d suffocate if he went on like this.</p><p>�David?�</p><p>�No.�</p><p>�George?�</p><p>�No.�</p><p>�Bradshaw?�</p><p>�No.�</p><p>Mr Wyecliffe
looked at the pencil as though he was a film star with a cigar, and Nancy saw
that the lead had snapped. He started chewing the dry end. �Is Mr Riley in debt
to anyone?�</p><p>�Absolutely
not.�</p><p>�Then
why the overtime?�</p><p>�We�d
like a house to match yours.�</p><p>A noble
objective that would, however, bring considerable disappointment.�</p><p>Suddenly
the little man got up and opened the door. He returned and put a plump little
hand on her shoulder, �Sorry, but the ventilation system is somewhat primitive.�
He looked at her in a funny way as if he were hungry again. �One more name, of
a sort.� Nancy closed her eyes. Quietly he asked, �Have you ever heard of the
Pieman?�</p><p>Nancy
gripped the sides of her head as though it might fall in two. �Never.�</p><p>�Is Mr
Riley frightened?�</p><p>Frightened?
What a thing to have asked. Her man was scared of no one. A flash of heat
spread across her chest, face and scalp � that was the menopause, telling her
she�d never have a baby that it was too late. So the doctor had said. Strange
even to her own hearing, she replied, �Yes.�</p><p>�What
of?�</p><p>Nancy
didn�t want to say It sounded daft. If she�d been asked was her man angry, she�d
have said, �Oh yes,� and that would have been that. But this question had
stirred a new kind of thinking deep inside, somewhere other than her head � it
wasn�t really thinking; she didn�t know what it was, but it happened in her
lungs, and lower down, in the stomach. �Well,� she said, feeling weak, sheets
of fresh sweat unfolding, �he was scared by the hunter in <emphasis>Bambi </emphasis>even though
you never see him.�</p><p>Mr Wyecliffe
nodded like the doctor, showing no surprise.</p><p>Nancy
continued, blinded by salt and mortification, �And he doesn�t like the new
queen in <emphasis>Snow White.�</emphasis></p><p>Mr Wyecliffe
kept nodding, his eyes closed. Then he asked, �What does he think of the little
princess?�</p><p>And
that was where Nancy went too far � without understanding why except in her
guts. She replied, �He hates her.� She�d never liked the h-word. It was hard
and sharp and somehow dark.</p><p>The
sweating had stopped and a chill had struck her. Nancy sat with her arms folded
tight, feeling like she was in the altogether on the ice-rink at Hammersmith.
These humiliating flushes could go on for years, apparently So the doctor said.
Nancy reached for a hankie.</p><p>�I don�t
think we�ll be calling you as a witness.� Mr Wyecliffe put his pencil down. And
Nancy knew � because she wasn�t daft � that he�d never intended to call her in
the first place.</p><p>The cars struck the bump
and swept past Nancy�s door. Blinking uncertainly like she�d just landed, Nancy
handled the book on her lap. It fell open naturally in the middle. A spill of
coffee or tea had made the ink run and the paper was ribbed and sticky.</p><p>� and her hair
was pulled back ever so tight. Like all female staff at the Bonnington, she had
to wear a black dress with a white frilly pinafore. It made her look like a
servant in <emphasis>The Forsyte Saga. </emphasis>I watched her walk down the corridor
pushing a trolley of sheets. That was the first time I saw Emily. And I said to
myself, �I shall marry this woman before the year is out.� I eventually found
the manager�s office. Sister Dorothy said he would be rude and she was right,
but she�d also said keep your eye on his smile, which I did. He said, �Young
man, all you have to do is carry bags, don�t speak unless you�re spoken to, and
don�t loiter for a tip. This is London not New York.� I was what an American
businessman once called �the bell hop� � presumably because I came running
when I heard a ding from the reception desk.</p><p>Unfortunately Emily had no interest in me.</p><p>Nancy
was forcefully present to herself now Eagerly she turned the page but it was
stuck to the next few with something like jam.</p><p>and there he was
lifted high in the air by a nurse. I said, �Oh my God, I�m sorry,� because I
thought I�d gone into the wrong theatre. But then I saw Emily on the bed. And
then I realised that the baby in the air, on his way to the scales, was my son.
I�d missed his birth by seconds. I don�t remember a sound, not a cry.</p><p>Nancy
slowly closed the book here, at the point that most interested her. This had to
be the son who would one day be lost, the boy who�d run along the pier at
Southport. Out of respect to Mr Johnson, she would read no further, because in
all their many conversations, he�d never told her what had happened.</p><p>I�m a
dreadful woman, thought Nancy Mr Johnson had his own tragedy and yet she
escaped from hers into his, as if his story wasn�t real.</p><empty-line/><p>8</p><p>George rose, picked up his
remaining plastic bag and left Trespass Place. As he passed beneath the arch at
the entrance he knew he�d never come back. The waiting was over.</p><p>Many
people think that the homeless live on the whim of the moment. One minute they
are there, in a doorway � as they have been for months � the next, they�re
gone. In fact, these movements are decisions. Moving on is a kind of obedience
�just like leaving home in the first place.</p><p>When
George found Trespass Place all those years ago, Nino had said that life on the
street is like walking round the world. �It�s a turning away; but it can become
a turning back.� George had instantly understood the first part, for his
arrival beneath Blackfriars Bridge had been an attempt to flee a single
conversation.</p><p>After
the trial, George hardly left his armchair in the sitting room. He faced the
window and the treetops of Mitcham. John was fourteen. Of late, he�d taken to
roughing up his hair with gel. His skin was raw, as if he scrubbed his cheeks
with a nail-brush. He kept coming into the room. He�d sit on different chairs
as if he were trying to get a fresh angle on his father. He reminded George of
those lifeguards at the swimming pool. They had a way of staring at people who
might be in difficulty. They were always young and athletic and confident. John
was a small lad, though, with thin arms and long fingers.</p><p>One day
John was sitting on the rest of an armchair, knotting his fingers together. He
was like a man preparing to jump. <emphasis>Countdown </emphasis>was on the television and a
cheery presenter was adding up numbers faster than George could think. He felt
John leaning towards him.</p><p>�Dad, I
believe everything you said in court.�</p><p>The
local media had pulled George to pieces. The CPS was considering a prosecution
� for some unspecified offence.</p><p>�Thanks.�
It sounded trite, but his heart had banged against his chest with a kind of
gladness.</p><p>�You
mustn�t blame yourself, Dad,� said John. He messed his hair up even more,
gathering confidence. �It doesn�t matter that Riley got off. He was just a
dogsbody. The police always get hold of the ones that don�t matter� That�s
not your fault.�</p><p>George
allowed himself to look at his son. It was hard, because of the lad�s
earnestness, the passion to save his father.</p><p>�I
wonder who the Pieman might be?� asked John coldly.</p><p>The lad
had been thinking hard, and he�d come to some conclusions. He�d decided who
the real criminal was, the one the police hadn�t arrested. George looked back
to the television as the scores were being read out. George, unthinking, said, �You�d
have to ask Riley�</p><p>The
remark must have landed like a pip in the mind�s soil, because the boy didn�t
do anything for years.</p><p>When George had walked out
of his own front door, he�d been turning away from that remark during <emphasis>Countdown.
</emphasis>He�d also turned away from the ocean of memories that Emily evoked. But no
sooner had he met Nino, than the old man set him on course to face them again �
and not just in passing, but with all the detail he could summon to the pages
of his notebooks. The turning away however, had been essential.</p><p>And
now, with a similar kind of fortitude, he left Trespass Place, and �a royal
scheme to bring down the�� or something like that; Elizabeth had often used
towering phrases to describe what they were doing. And he�d known why: she,
like George, had never accepted that Riley could not be brought to court for the
killing of John. All that � a trial and its aftermath � belonged at a still
point on the surface of the earth. George moved on, a plastic bag swishing
against his leg.</p><p>George must have been
walking for about half an hour when he noticed he was heading south, way off
his patch. He never went south. Mitcham lay down there. He wondered where he
was going; and he thought again of Nino, and what the old man had said when
they�d left the spike, the morning after the Pandora tale. �The street is the
place of stories,� he�d intoned, leaning on a wall by Camden Lock. �Stories of
how you got here, and how you might leave.� But he�d said something else �and
it had frightened George: �There are stories of how you might stay�</p><p>George
didn�t want that. All at once, his pace quickening, he wanted to tell the
extraordinary story of a man whose turning away had brought him back to where
he�d started from: the tale of a man who�d finally made it home.</p><empty-line/><p>9</p><p>�You can leave everything
behind,� the Major said, �but it�ll cost you more than you�ve already paid.�</p><p>He�d
come to the court off his own bat, or so it had seemed. He wore his cap as if
he were on parade. For the first time, Riley noticed the old shine on the
cloth, and the frayed lapels. The trial was about to begin. The witnesses were
lined up. The barristers were dressed in all that black. The Major had drawn
him into a tiny conference room. Guilt had been assumed, which cleared the air
like disinfectant.</p><p>Riley
played the fish. �Why should I do that?�</p><p>�For yourself,�
he said, as if that were something worthwhile. And so that you can stop hurting
everyone around you.�</p><p>Riley
glanced over his shoulder. The conference room had large, misty windows from
floor to ceiling. On the other side he could see Wyecliffe. He was like a man
at prayer.</p><p>�You
can still turn around,� the Major continued, full of entreaty. Anything else is
an illusion. If you do, I�ll help you. I doubt if anyone else has the
inclination.�</p><p>Riley
laughed in a way that embarrassed him, because his voice squeaked. He saw the
lips of the Major harden; the red indentation of a cornet mouthpiece blanched
and vanished. He said, �I needed saving then, not now�</p><p>That
was meant to strike a nerve, but it didn�t. The Major was more switched on than
Riley had supposed.</p><p>�We always
need saving now,� he said. �Just stop running.�</p><p>Riley
shrank more from the repelling compassion than the idea. �I did. And I turned.
Now I do the chasing.�</p><p>That
hit the spot. The sight of the Major�s loathing thrilled him. But the man in
uniform still wouldn�t give up � Riley could see it in his eyes � he was
holding out for redeeming features; what Wyecliffe called �mitigating
circumstances� for why Riley did what he did. And Riley thought, There weren�t
any But the Major wouldn�t have it. He refused to believe that anyone could be
rotten at the core � that a man might even want it. But who else was to blame?
Riley�s mother? Walter? None of them. Riley was sick to the back teeth of
sympathy that gobbled up his identity. The making of allowances � it was
daylight robbery. Of course, the family stuff could be used to his advantage in
a court, if he�d only plead, if he�d only grovel. But hold it there �Riley felt
pride burn the lining of some canal in his guts � I have self-respect. I�m me.
In the end, I�m pretty much self-made. He suffered a spasm of sour excitement:
this was the one thing no one could harm or take away: the core of himself, the
inedible part. A bitter fruit had grown from the dirt of his choices. No one �
and he meant <emphasis>no one </emphasis>� was going to give that back to his mother.</p><p>�If you
plead guilty,� the Major said mechanically �I might be able to say something on
your behalf.�</p><p>Riley
glanced at his cap-badge motto, �Blood and Fire�, as he�d done when they�d
first met. Back then, the Major�s compassion had made Riley panic. What had
happened? He felt nothing now He simply observed the man�s hopes and intentions.
On the face of it, he�d come to wangle a confession out of Riley urged on, no
doubt, by Wyecliffe, who was standing outside, biting his nails. But the Major
had his own reasons. He believed in the Lord of how things ought to be, of how
they might yet turn out. Riley stood, bringing the interview to a close. He
looked down from on high, with a remote, godless pity. The old soldier didn�t
seem to hear the tune of his own march: you couldn�t save a man against his
will.</p><p>Riley
walked out of that tiny room and never saw the Major again. Within minutes, he
was in the dock. It was only then, sitting in that box, flanked by guards,
that he realised he�d made another choice; that he could still have put his
hands up without blaming anyone but himself. It was an example of his actions
being one step ahead of his thinking. He hadn�t given a second thought to
pleading guilty because, in a feverish way he was looking forward to the trial,
to what might happen. No one could possibly know it, but Riley had set up a
reunion, and he didn�t want to miss it, even though for him, personally the
court process was an unimaginable ordeal. He wanted to see what George would do
when he saw Riley�s advocate.</p><p>Riley
was not disappointed. The trial ended exactly as he had expected, but not in
the way he�d foreseen. That David/George trick had been baffling.� If Riley had
been the Major, he�d have thanked God.</p><p>On the
day of the acquittal, Riley pulled Nancy into the sitting room. He�d sobered
up, so to speak. The fever had passed, and he saw with terrible clarity that
Nancy had been an observer for years. And when it had been spelled out, she�d
fled from the courtroom, just like George.</p><p>�Do you
trust me?� He stood in front of her, holding her arms, as if she might slap
him.</p><p>�I do.�</p><p>Nancy�s
eyes revealed a hard decision. Their light was gone, as if a screen had fallen
to stop a smash-and-grab. She seemed older and cut off from him � giving away
to Riley that they�d never really been attached.</p><p><emphasis>I do.
</emphasis>It was like getting married all over again. It was
a second chance.</p><p>On the
strength of that vow Riley put Quilling Road up for sale. Then he drove to a
place he hadn�t seen since the age of eleven: Hornchurch Marshes. He walked
down a path of flattened grass until he reached four rectangular ponds, laid
out neatly like a window, with a frame made of bricks. It was known as the Four
Lodges. His breath grew tight, hurting his chest. Nothing had changed. He wept
uncontrollably looking at the men on stools and the clouds of midges.</p><empty-line/><p>10</p><p>Anselm passed through the
ornamental gates of Gray�s Inn Gardens. Here, as a young man, he�d dreamed of
standing in the Bailey of being an old hand, a grumpy legend in a tattered
gown. Lying on the grass, he�d cross-examined imaginary foes, breaking them
with imperial courtesy Phantom judges had looked on, mystified by such talent
in one so young. Not much later, he�d found himself walking the same gravelled
lanes, with their unexpected turns, thinking of a flickering space above a
nave, and an attentive silence.</p><p>�Good
afternoon, Father,� said Inspector Cartwright pleasantly.</p><p>Anselm
looked to his right, quickly as if he�d been caught. She was sitting legs
crossed on a bench eating crisps. On her lap was a manila envelope. Her ears
still carried the weight of a child�s affection.</p><p>�Have a
look at these,� she said. �Mrs Glendinning is either playing a game or she�s
being very careful.�</p><p>Anselm
sat beside her, one hand searching an upper pocket for his glasses. Relieved by
the unaccustomed sharpness of things, he withdrew a bundle of papers from the
packet. To leave him undisturbed, Inspector Cartwright wandered a short
distance away.</p><p>In fact
there were four bundles, each stapled into a kind of booklet. The first was
entitled �Nancy�s Treasure�, the second �Riley�s Junk�. Both of them comprised
annual returns, covering three successive years, as submitted to Companies
House. Nothing had been flagged or underlined. Anselm flicked through the other
two enclosures. Each was made up of photocopied receipts. Again they were
labelled with the different business names; again the pages unmarked. He
glanced at the dates, noting that each pamphlet spanned the same period framed
by the formal accounts. Puzzled, he checked the envelope again and then said, �Isn�t
there a covering letter?�</p><p>Inspector
Cartwright licked salt off two fingers and said curtly �No.� She dropped the
crisps packet in a bin and came back to the bench. She modified her answer. �Well,
there was a signed compliments slip. The explanation of the figures must be
with George Bradshaw�</p><p>�But
why separate the evidence from its meaning?� mused Anselm.</p><p>�My
guess is that Mrs Glendinning didn�t trust the person she asked to send it.�</p><p>�Then
why approach whoever it was in the first place?�</p><p>�Maybe
he or she � like you and I � was involved in the original trial.�</p><p>Anselm
took off his glasses and returned to a universe that was faintly and agreeably
blurred. �But why send the packet at all? Why not give the lot to George
Bradshaw?�</p><p>Inspector
Cartwright replied instantly: �Maybe she foresaw that a man with half a memory
might get lost before he was found.�</p><p>That
sounded rather biblical, a thought that might have slowed Anselm down, but he
was suddenly close upon Elizabeth�s heels and his mind lurched forward. �Which
means that the figures you�ve received should speak for themselves.�</p><p>�I
agree, but they don�t � at least not to me. I�ve seen the Companies House stuff
already so I assume the trick is in the receipts.</p><p>Anselm
turned the pages with an air of deep concentration. In fact, without his
glasses, he couldn�t quite make out the numbers. He grimaced significantly.</p><p>�Would
you examine them?� asked Inspector Cartwright, checking her watch. �You might
have one of those visions.�</p><p>After
she�d gone, Anselm wondered why he hadn�t told Inspector Cartwright about the
letter he�d received himself. There had been nothing to suggest that the visit
to Mrs Dixon should be confidential. But he knew that he should say nothing.
Why? He took a pleasant path between the Georgian buildings where, as a
student, he�d dreamed of greatness, and he came to the strange conclusion that
he was entering Elizabeth�s mind; that he was beginning to sense her will, if
not the reason for her calculations.</p><p>At High Holborn Anselm
bumped into a nun who wasn�t looking where she was going. Struck by a sensible
idea, he turned round and went back to Gray�s Inn. Not knowing quite where to
place his enquiry, he went to the library situated on South Square. A short
woman behind the main desk, it transpired, was used to helping those who were
baffled.</p><p>�The
archives of the Inn are extensive,� she said, �and not everything has been
stored on computer. We�re working backwards.�</p><p>�Of
course,� replied Anselm. �You should never start at the beginning.�</p><p>He�d
meant to be agreeable, but it came out dreadfully Being wise in small respects,
he said nothing more. And she, being perceptive, smiled.</p><p>�The
point is,� she resumed, �material on Mrs Glendinning could be anywhere. If you
leave me a contact number, I�ll dig around this afternoon. In the meantime, I
suggest you have a browse through some back numbers of <emphasis>Graya.</emphasis>�</p><p>This
publication covered various happenings in the lives of the Inn�s membership. It
was an obvious place to look. Anselm wrote down the Hoxton fax number and then
settled himself at a table adjacent to the relevant volumes. For over an hour
he chased any reference to Elizabeth. He found a small piece upon her becoming
a QC, and a longer biographical item following her appointment as a deputy High
Court judge. All the background material coincided precisely with what Sister
Dorothy had said: birth in Manchester, schooling in Carlisle, university at
Durham.</p><p>Anselm,
however, was disappointed, for he trusted his unruly intuitions. And they had
been ruffled. Something wasn�t quite right. Standing in a phone booth outside
the library, he rang the administration section of Elizabeth�s former
university. He related the details gleaned from <emphasis>Graya. </emphasis>Almost
simultaneous with his speaking, he heard a soft tapping followed by the bang of
the return key and then a pause.</p><p>�Sorry,�
said a man evenly �No one called Elizabeth Glendinning attended the university
between those dates.� The tapping began again. �In fact, we�ve never had a
student by that name.</p><p>Anselm
crossed Gray�s Inn Square as if Father Andrew were by his side. <emphasis>Find the
child who grew up to wear a gown that was too heavy f or her shoulders.</emphasis></p><p>Neither
of them had considered switched identities, or a burned history.</p><empty-line/><p>11</p><p>The closer George came to
Mitcham, the heavier his body became. He pushed himself along his own street,
past the lit windows of Aspen Bank. The televisions were on and the curtains
were drawn against evening. Opposite George�s home, across a patch of grass in
shadow, was a children�s play area. A low fence and a tiny gate gave it a sense
of shape and importance. George sat on a merry-go-round, one leg trailing on
the asphalt. He watched Number 37 as though it weren�t really there; as though
it might vanish if touched. Emily was upstairs. George could see her shadow,
thrown large across the chimney-breast wall. She was moving about quickly.</p><p>A quite
extraordinary stillness settled upon him. It was a solemn moment � one he would
like to have shared with Nino: his life on the street was about to end; he�d
walked around the world and made it back to his point of departure. With a
shove of one foot, the merry-go-round began to spin, wobbling gently on its
axle. George saw his home, the trees, the distant tower blocks, the lights on
Aspen Bank and then his home again. Round and round he went, slowly building up
the courage to cross the patch of grass and the empty street.</p><p>The
light upstairs went off.</p><p>The
light downstairs came on.</p><p>George
dragged his shoe as a brake and the merry-go-round clinked to a halt.</p><p>The
front door of Number 37 opened and Emily stepped onto the garden path. She
walked a few steps, threading a handbag along one arm. Her hair was different,
but the movements of her body its tiny hesitations, were the same.</p><p>George
stood up and quietly cried, �Emily� He couldn�t get his mouth and lungs to
work. He was spent. He could only lift and drop his feet.</p><p>Suddenly
the light from the open door was blocked. A large man appeared, jangling a set
of keys. He angled them to the light, to find the one he was after.</p><p>�Have
you got everything?� he said wryly.</p><p>Emily
nodded. She was looking up at the stars.</p><p>George
couldn�t stop his legs. His eyes swam and his hands were joined. He was still
in shadow and about to enter the pale orange light.</p><p>The
door banged shut and the big man placed a heavy arm around Emily His keys
jingled again and two headlights flashed. George stepped off the grass but
veered aside with a groan. He tripped on a paving stone but kept his balance,
heading back along Aspen Bank � the way he�d come, a few minutes earlier, and
the way he�d gone a few years before.</p><p>An
engine coughed and tyres began to turn. A few moments later they drove slowly
past him and for an instant George saw his wife. She was straining forward in
the passenger seat, her face framed in the wing mirror. But he couldn�t read
the expression because the car moved on, gathering speed. He watched the
indicator blink at the end of the road and then he was alone.</p><p>Where
do I go now? he thought. Nino had said nothing about this sort of thing.</p><empty-line/><p>12</p><p>All those years ago, Mr
Wyecliffe had called to tell her the good news.</p><p>�We�ve
won,� he exclaimed, and his beard scratched against the receiver.</p><p>Feeling
sick, she waited on the doorstep for her man. When he arrived, he wasn�t
smiling and he said nothing about how the case against him had fallen to bits.
He just pulled her into the sitting room and asked her if she trusted him.
Staring back, she said, �I do,� with all her soul and with all her might, and
he quickly kissed her on the cheek, as if there were people waiting to clap.
Then he drove off.</p><p>Riley
put Quilling Road on the market. He decorated the bungalow He quit his job.
Within the week, Mr Wyecliffe was in the sitting room dishing out advice over a
spam fritter: �You might give constructive dismissal a run.</p><p>Riley
did. He took Mr Lawton to court <emphasis>for</emphasis><emphasis>sacking him. </emphasis>It was another
triumph and the company had to pay him thousands. Nancy never got her head
around that one, but Mr Wyecliffe knew his onions. No one seemed to realise
that this second victory was Nancy�s loss. She could hardly stay on as Mr
Lawton�s bookkeeper. She handed in her notice. Mr Wyecliffe deemed it �prudent
but outside the compass of economic redress�.</p><p>With
all that money her man bought a shack on a bed of crushed cinders opposite a
crummy fish and chip shop.</p><p>�What
do you want that for?� asked Nancy.</p><p>�We�re
going into business,� said Riley as if they were emigrating. He was edgy. It
was as though he were destroying everything behind him.., except for Nancy He
didn�t even ask her what she wanted. She was part of him, like his hands or
feet. They were man and wife.</p><p>As for
Riley he bought a big van without windows. He lined it with thick plywood �
floor, roof and sides � and he put up shelves and straps. He put an advert in
the local papers offering to clear houses. And he made good. In fact, two years
on he�d had to rent some garages for storage. If you came with a voucher from
the Salvation Army you could take what you liked. He was a good man, was Riley
in his own way.</p><p>So that
was where all the pieces landed after her man came back from the Old Bailey Day
in, day out, Nancy sat by a gas fire, working her way through a bumper book of
puzzles. It was a long way from the banter with Babycham at Lawton�s. That was
when she�d started thinking of a house by the sea in Brighton, going back to
the place of childhood holidays on the pier, back to the bright lights of the
Palace, to the magicians and the rousing bands. But her man wouldn�t hear of
it. They had a new life: Riley on the road, and Nancy in the shop. He had to
keep moving, and she had to keep still. If this is what it means to win a
trial, she often thought, I can�t imagine what it�s like to lose.</p><p>A few months later,
feeling guilty but resolved, Nancy bought Stallone, her first hamster: guilty
because she was satisfying an ache in her heart; resolved because Riley couldn�t
heal the injury. He had, after all, caused it. As she stood at the counter,
with her new friend, a cage and a bag of dried corn, she didn�t even feel
humiliated. On the contrary, she almost trembled with excitement, because
something so small, so unnoticed, was going to receive the <emphasis>simplicity </emphasis>of
her affection. The complex stuff would go to her man.</p><p>The
trouble was, Riley was no fool. He sensed the division of Nancy�s warmth. And
he was jealous� <emphasis>jealous of a hamster. </emphasis>Nancy would have enjoyed being
the nub of competition if she hadn�t known, deep down, that the situation was
pitiful. It was also, in practice, distressing because unfortunately hamsters
don�t last that long. (Stallone made it to three, but Mad Max and Bruce dropped
tools at two and a half.) And you can�t let on that you�re grieving, not
without looking a fool. Pretending she felt nothing, she�d attend to the burial
and then pop down to the pet shop for another one. It was unseemly. But there
was nothing else to be done.</p><p>Riley
watched the hamsters come and go without saying anything � except once.</p><p>After
Nancy found Bruce on his side, she said wistfully �Aww. Where�ve you gone?�</p><p>�Nowhere,�
said Riley from a rocking chair in the next room. �What do you mean?� said
Nancy sharply She didn�t like this kind of talk.</p><p>�We
came from nowhere, out of nothing, and we end up nowhere, back to nothing
again,� he replied, like an old-timer whittling wood, �and in between we�re
alive.�</p><p>Nancy
glanced at Bruce, wanting him to survive in another place� along with Uncle
Bertie, her mum and dad, everyone she loved� even though none of them had
been on speaking terms.</p><p>�What�s
the point?� asked Riley quietly.</p><p>There
was an odd excitement about him, and Nancy wondered what he could do � what
anyone might do � if it were true, if you didn�t have <emphasis>any </emphasis>beliefs that
made sense of being alive (not necessarily the whole package, of course, but at
least the wrapping). But that was Riley He didn�t really mean it. He said one
thing and did another. He loved Nancy � though he�d never said it, though he
couldn�t show it.</p><p>Riley
stomped off to work and Nancy went and bought Arnold. Thinking of her man, she
said (not for the first time), �How did he end up like that?� But she asked the
question mechanically without any real interest in the answer. It wasn�t
important to her. If there were a book called <emphasis>The Secret to Graham Riley, </emphasis>she
wouldn�t have bought it. The contents would have nothing to do with why she
actually loved him.</p><p>And why
did she love him? There weren�t answers to questions like that. If there�d
been a list of �reasons�, Riley�s conduct would have torn it up years ago.
Lists were for the likes of Mr Wyecliffe. Ultimately nothing could explain why
his constant testing of Nancy�s attachment had opened her heart rather than
closed it. It was very simple: what she saw she loved. Babycham hadn�t been
able to understand her �and she�d said so (she�d always spoken her mind).
Sitting in the Admiral on a Friday night, at one of their last gatherings as a
group, Nancy had struggled to find the words, fiddling with her glass. She�d
blushed and a slot machine went ding. Finally she�d said that to see Riley as
Nancy saw him, you needed Nancy�s eyes.</p><empty-line/><p>13</p><p>Anselm walked from Hoxton
to Shoreditch, and to a tower whose hotchpotch of lit windows rose like Braille
against the night sky Here and there, laundry dangled across a balcony The
lifts were out of order, so Anselm trod cautiously up a concrete stairwell,
past confessions of love and hate, persuaded that the whole damp edifice was
being sucked into the ground.</p><p>Mrs
Dixon peered above a door chain. She was stooped and suspicious, squinting
through large glasses. �Are you from the Council?�</p><p>�No,�
replied Anselm gently �I�m a friend of Mrs Glendinning.�</p><p>The
door closed, and the latch rattled and slid. It opened again, letting loose the
sweet and sour of meals on wheels.</p><p>�When�s
she coming back?� said Mrs Dixon anxiously �I�ve missed her � The stories,
the cakes and all that ��</p><p>Mrs Dixon fell back into
an armchair before a crowded coffee table. A dinner plate with swirls of gravy
lay in the centre. A button nose and pink cheeks suggested a rag doll. Her hair
was curled and faintly blue.</p><p>Anselm
said, �I�m here to tell you that Mrs Glendinning won�t be coming any more. I�m
very sorry.</p><p>Mrs
Dixon lined up her knife and fork. �She�s dead?�</p><p>�Yes.�</p><p>�Her
heart?�</p><p>�Yes.�</p><p>Anselm
sat on a wicker stool. Unsuccessfully he tried to picture the exchange of
confidences. Glancing around, he noticed there were no pictures or clocks, no
postcards propped on the mantelpiece. Streaks of Polyfilla split the ceiling like
forked lightning dried out. A settee from a missing three-piece stood adjacent
to the coffee table. Elizabeth must have sat there, relating what the
consultant had said, before going home to gin-and-it with Charles and Nicholas.</p><p>While
he was half-French, the part of Anselm that was English emerged forcefully in
moments of strong emotion. �Can I make you a cup of tea?� he said warmly.</p><p>Mrs
Dixon shook her head. Her mouth worked and she rearranged a salt cellar, a
napkin ring and a side plate. �She was my friend, you know�</p><p>Her
face crimped with emotion, as if there was something she wanted to say. Finally
she blurted out, �I�d been here for so long on my own and then she came along
out of nowhere.�</p><p>�When
did you first meet?� he asked ingenuously.</p><p>�Just over
a year ago,� she replied, finding a hankie in a sleeve. �I�d been on to the
Council about being lonely you know. But it feels like I�d known her all my
life.� She became fervent. �Do you know what I mean?�</p><p>�Yes.�
He looked across at Mrs Dixon, remote behind her table, eyes tightly closed
with a tissue at her mouth. Her hand dropped and a lip twitched. She coughed. �Did
Elizabeth tell you about me?�</p><p>�No,�
admitted Anselm. �She simply asked me to come here if she died.�</p><p>�Wasn�t
there any other message?�</p><p>One of
her legs began to bounce on its toes. Anselm watched it, and he frowned.</p><p>�Didn�t
she � say anything about my lad?� Her eyes fixed on him.</p><p>�Who?�
asked Anselm gently.</p><p>�My
son.� Mrs Dixon began to shuffle forward, her hands fidgeting. �He went missing
years ago, as a boy and Elizabeth said she might be able to find him, what with
all her contacts and all that � I�ve never known what became of him � He
was a good boy you know �� The desperation had changed her face. She was
someone entirely different. Her voice became metallic. �Did she leave a message
for me?�</p><p>Anselm
moved to the sofa, within reach of this frightened, vulnerable mother. �In a
way yes.� He spoke quietly �Elizabeth asked me to listen to you.�</p><p>�What?�</p><p>�Elizabeth
thought you might like to talk to me,� he replied gently.</p><p>�But I
don�t have anything else to say� said Mrs Dixon, shrinking back in her chair.
Confusion and caution changed her features once more. �Has she told you
anything?�</p><p>Anselm
didn�t reply He searched her face, willing her to release what she was holding
back.</p><p>�Did
she tell you?� Mrs Dixon�s voice quaked and rose.</p><p>The
lawyer in Anselm would have done anything to discover what Elizabeth might have
told him, but something like mercy made him say �I know nothing. But you can
tell me anything in complete confidence.�</p><p>Mrs
Dixon looked as if she had been manacled. With sudden dignity, she said, �Would
you go now, please, I�m all upset. I never thought she�d not come back and I�m
too old for this � Look, just go, go ��</p><p>Anselm
explained that she had nothing to fear; that he would leave immediately and
never come back; that he�d write his telephone number down, in case she changed
her mind.</p><p>�After
I�ve gone, please remember, I was sent by a friend � yours and mine.�</p><p>In the
hallway Anselm paused before a creased picture in a frame painted gold. It was
one of those nineteenth-century images found in sacristies and second-hand
shops: a man with beautifully sculpted muscles bearing the cross of Christ, his
head raised high, to something dark and wonderful in the watching clouds.</p><p>�Simon
of Cyrene,� said Mrs Dixon. Her composure was still fragile. �It was my mother�s.�
As Anselm stepped away she said, �Ask the Council to send someone else, will
you?�</p><empty-line/><p>14</p><p>Riley sped along
Commercial Road, up Houndsditch and into the City. He parked in a loading bay
on Cheapside, near Wyecliffe and Co.</p><p>�How
very nice to see you,� said the solicitor, stretching a moist hand over columns
of paper. His face was dark and grey and hairy; his eyes glittered. It had been
years since Riley had entered this room, but Mr Wyecliffe seemed to be
expecting him. �Do take a seat. How can I help you?� He was a silhouette
against a jammed sash window Like the Four Lodges, nothing had changed. Not
even the air. It was like a warm tomb, but Riley was shivering.</p><p>�Someone�s
after me,� he blurted out.</p><p>�I
often have the very same sensation.� He picked up a glass ball with a log cabin
and some reindeer inside. He shook it and snow began to fall.</p><p>�I�m
serious,� snapped Riley.</p><p>�So am
I,� Wyecliffe intoned, leaning forward, his chin resting on stubby fingers. �Tell
me what brought you back to this worrisome place.�</p><p>That
was Wyecliffe. He referred to things but never said them. Riley had last come
here when Cartwright was trying to pin the death of John Bradshaw on him. He�d
been sick with fear.</p><p>A guy
called Prosser keeps hanging round Nancy asking questions.�</p><p>�First
name?�</p><p>�Guy.�</p><p>Mr Wyecliffe
scraped his moustache along one finger. �So what?�</p><p><emphasis>�So
what?� </emphasis>breathed Riley �He wants to know where I get
my stuff from, as if the business wasn�t clean.�</p><p>�Is it?�</p><p>�Completely.�</p><p>�Well
then,� said Mr Wyecliffe reassuringly �there�s nothing to worry about.� He
paused. �Mr Riley we�ve known each other a very long time. Just hand over the
other pieces, I�ll look after the larger picture.�</p><p>�Someone�s
trying to scare me,� he whimpered.</p><p>�In
what way?�</p><p>�I
received a letter.�</p><p>�Saying
what?�</p><p>�Nothing.�
Riley couldn�t say any more, but he needed help. �It was just a photograph.�</p><p>�Of
whom?�</p><p>�It
doesn�t matter,� said Riley his voice rising. �I thought it might have been
Prosser, that�s all.�</p><p>�Most
unlikely� observed Mr Wyecliffe confidently �Someone clever enough to let a
photograph speak for itself doesn�t blow their cover by asking stupid
questions.�</p><p>Pushed
by fear, Riley almost let slip what he�d held back for most of his life. �I
just want to know if you can stop someone digging around.�</p><p>�That
rather depends,� said Mr Wyecliffe. One of his hands covered the glass ball. �Who
else might be handling the shovel, so to speak?�</p><p>�I don�t
know,� barked Riley He�d asked himself day and night. If it wasn�t Prosser,
there was no one. John Bradshaw had come with a question and a promise, but he
never got an answer. Riley said, �There�s no one alive that I can think of.�</p><p>�Anyone
dead?� The lawyer shook the globe.</p><p>Riley
held his breath, feeling heat descend like a crown.</p><p>�Don�t
play around with me, Wyecliffe.�</p><p>�I�ve
never been more serious.�</p><p>Riley�s
temples began to throb. �The dead?�</p><p>�Yes.�</p><p>Riley
couldn�t think straight. Only the living could reach him. He jerked his head,
as though to shake off some flies.</p><p>�Very
well,� said Mr Wyecliffe, with a long sigh of disappointment. �If you don�t
have any more names � likely or otherwise � I cannot act. You�ll have to wait
and see what they do with what they know.�</p><p>�They?�</p><p>A
figure of speech,� replied the lawyer. Hooking his thumbs into his waistcoat
pockets, he added, �That said, perhaps your correspondent has primed several
people to act on his or her behalf.� He examined Riley with something between
pity and wonder. �You know, everything always comes down to facts.�</p><p>�Facts?�
The change in subject threw Riley off balance.</p><p>�Yes. Those
known and those not known.� Mr Wyecliffe waved his palms over the desk as if he
were incanting a spell. �We lawyers assemble the known ones for the jury. You�d
be surprised how many different pictures a clever hand can make out of the same
pieces� � he chuckled at the thought � �and if it were a game, I�d say that was
value for money But after forty years in the courts, let me tell you something.�
He was no longer merry and the lights seemed to go dim. �No one can change the
shape of a fact that makes sense on its own. It�s like a photograph.�</p><p>Riley
tugged at his top button. Wyecliffe hadn�t changed subject at all.</p><p>�Tell
me the name of the man in the picture,� said the lawyer soothingly.</p><p>�I
never said it was a man.�</p><p>�Quite
right.� He nodded a compliment.</p><p>�If I
tell you, can you help?�</p><p>The
scratching began again, high on his hairy cheek. He sighed and whispered, �That
rather depends.�</p><p>Riley
kicked back his chair and yanked at the door. Everything always �depended�.
Wyecliffe had been like that last time, hinting and sighing and never looking
surprised.</p><p>On
Cheapside, Riley found his van clamped. In a frenzy he kicked the huge yellow
bracket and tore the notice off the windscreen. He nearly cried. Someone was
after him, and he couldn�t get away. Then, in a moment of sickening calm, the
obvious hit Riley like a backhander: whoever it was already knew what John
Bradshaw had wanted to know.</p><empty-line/><p>15</p><p>George wasn�t sure, but he
probably followed the exact route back to the river that he�d taken when he�d
first left Mitcham. As he walked, Nino�s story about right and wrong came to
mind. Elizabeth had loved the ending, but George had never been able to catch
the beginning. And now, after she�d gone, it had popped to the surface.</p><p>�I�ve
had a very odd dream,� Nino said, while they sat on a bench near Marble Arch. �I
was standing on a road between heaven and hell writing parking tickets. A
reporter came along. �What are this lot waiting for?� I asked. �Nowt,� he
replied. �They can�t go to heaven because they didn�t do anything good, and
they can�t go to hell because they didn�t do anything bad. Hardly a scoop, but
it�s still a good story.� He showed me the headline on his pad: <emphasis>�They lived
without praise or blame.��</emphasis></p><p>Nino
didn�t say anything else.</p><p>�What�s
that supposed to mean?� asked George.</p><p>Nino
became resolute, as if he had been quizzed about the value of double yellow
lines. �Don�t be lukewarm, old friend. That�s the only route to mercy or
reward.�</p><p>George
had told Elizabeth, and she�d written it down, asking him to repeat every word.</p><p>But to
what end? Where was she now? And where was he?</p><p>George
crossed Blackfriars Bridge with a glance towards Trespass Place. On the north
bank of the Thames he turned east, following the road to Smithfield and Tower
Hill � the route to the Isle of Dogs, and a wasteland of padlocks and chicken
wire. The river flowed oily and magnificent on his right; traffic swept along
to his left. George�s mind tracked back to the night he�d pulled open a
wrought-iron gate at three in the morning. He�d given no thought to praise or
blame.</p><p>Three made-up girls stood
shivering on the other side.</p><p>�Come
on in,� he said. �I�ve a kettle and a toaster.�</p><p>He
followed them down the alley to the door he�d left ajar, looking at their bare
legs, the blue veins and the goose pimples. This was late November, the month
of biting rain and short days, the month when shop fronts twinkled with the
approach of Christmas. George made cocoa. He didn�t tell them that all the beds
were taken, that they�d have to leave.</p><p>Let
them have the length of a hot drink, he thought, it�s not much. George left
them so he could make the usual telephone calls. Every project was full,
although the Open Door in Fulham could see them at half eight: that was five
hours away; five hours to lose heart. George had learned long ago that with
some kids you only got one chance to offer them a hand, and even then they didn�t
take it. But some did � that�s what brought him to the gate night after night:
some did. While waiting for the toast to pop up, George overheard the first
name: Riley and then he caught the second: the Pieman. When he appeared around
the corner they stopped talking. He said, �After this lot, you�ll have to move
on.� There was no protest.</p><p>He
followed them back towards the gate. Their shoes clattered on the flags like
dropped marbles and George felt � as he�d often done � like an accomplice to
murder. One of them � the youngest � had a tattoo of a dragon above one ear.
Her head was shaved. The three girls must have been a good fifty yards up the
pavement when George came running after them.</p><p>�If you
want to fight back, I�ll help you.�</p><p>Two of them
stared; the other laughed. They backed away shrouded by rain.</p><p>That
should have been the end of it. But a week or so later they�d returned to the
gate, again at God knows what hour, wanting to know what he�d meant. George
stood on one side, they on the other, separated by bars. There was so much that
did not need to be said: about who they were, what they did, even the where,
when and how: everything, really except for the why � those impossibly intimate
histories that would not be reduced to a common badge.</p><p>George
said through the bars, �What happened at the Open Door?�</p><p>�Getting
away is one thing,� said the one with the dragon, ignoring the question. �But
you said we could fight.�</p><p>He
turned the lock and yanked back the gate.</p><p>George
made more cocoa for Anji, Lisa and Beverly.</p><p>�I
believe you,� he said.</p><p>About
what?� asked Anji. She spoke for the others; she was the eldest, a kind of
leader at nineteen.</p><p>George
saw the resentment in their eyes and their obstinate vulnerability. �I not only
understand,� he said heavily � for he knew this look; he�d felt the same once �
�I�ll do something about it.�</p><p>Without
invitation they started talking about Riley fighting one another for the right
to give details of his appearance and habits. George listened with glazed eyes.
This man, when a boy had been a kind of brother to him. In the years since, he�d
often wondered if Riley was one of those for whom the helping hand had come too
late, or if he�d turned away No doubt it was this heavy reminiscing that made
George slow on the uptake. When the three girls stared at George, drained and
expectant, he said, �I�ll call the police tomorrow.�</p><p>�Police?�
Beverly asked, her mouth open, like that of her dragon.</p><p>�Yes.�</p><p>�Us?�</p><p>�Yes.�</p><p>And
then George understood what had brought them back. �Hang on,� he said in
disbelief, �you didn�t think I was offering to whack him over the head?�</p><p>The
three conspirators threw glances at one another. Unmasked, they appeared
younger still, and more awkward. Lisa stood, putting on her bomber jacket. �We
fight back by filling in a complaint form?�</p><p>�No. By
taking Riley to court.�</p><p>�That�s
easily said. We�d pay and it would cost you nothing.� Anji followed Lisa to the
door while Beverly still slouching, looked George right in the eye. �They�d
tear us to pieces.�</p><p>If
precision matters, this was the moment when George lost his senses, when two
teenagers stood at the door and a third was about to pull away �Yes. But they
can�t do that to me.�</p><p>�What�s
it got to do with you?�</p><p>George
wasn�t going to answer that question. �If I support what you say� he persisted,
�Riley will be convicted. There�s nothing they can throw at me. Nothing.�</p><p>�What
will it cost you, then?�</p><p>�If it
goes wrong, my job.�</p><p>�Why do
it?�</p><p>Again,
he sidestepped the question. �It can�t go wrong.�</p><p>The next day George woke
up profoundly grateful that Beverly had joined her pals at the door. But a week
later � again at three or so in the morning � the buzzer had torn George out of
a deep slumber. It had been a bad night, with a punch-up over queue-jumping He stumbled
angrily to the gate with such a weight upon his eyes that he could barely see.
He heard Anji�s voice:</p><p>�We�ll
risk it, if you will.�</p><p>In a
stupor, George leaned his head on the bars. The wisdom of these kids, he
thought. They trust only the person whose outlay matches theirs. The gate swung
open for the last time; and George made more cocoa and toast.</p><p>�If I
do this,� he said cautiously �will you go to the Open Door?� They all shook on
it while George�s gaze rested upon a tiger�s head that snarled behind Beverly�s
other ear. It hadn�t been there last time.</p><p>Funnily
enough, it was the tiger and the dragon who fled on the day of the trial. Anji
and Lisa kept their side of the bargain. And then George was called. If he�d
even sensed what might be waiting for him in the courtroom, he�d have joined
Beverly on the pavement. In the corridor, Jennifer Cartwright grabbed his arm. �Where
the hell are you going?�</p><p>�Home.�</p><p>�Where?�</p><p>�Back
home.�</p><p>�Why?�</p><p>He didn�t
reply.</p><p>�Two
girls have just had their heads kicked in.� She was seething. �You can�t go
home.�</p><p>George
took the bus to Mitcham knowing that Anji, Lisa and Beverly wouldn�t be going
to an open door in Fulham. That was George�s fault. In the long run, she�d been
right, that policewoman.</p><p>Much
later George had written in his notebook, �Who�d have thought that a question
about my grandfather would have set Riley free?� And it was only then that
George realised that his downfall hadn�t begun at the night shelter�s gate,
when he was a man, but with a secret, discovered when he was a boy.</p><p>And
now, walking by the Thames, George asked himself where lay the praise and
blame? That was a tricky one, because things couldn�t have been any different. Mercy
or reward? Well, that was trickier still.</p><p>George followed the
cobbled lane that ran between the warehouses and the hoists. He ducked through
the mesh wiring onto a quilt of broken brick. A bitter wind swung off the
Thames, pulling at his hair and stinging his nose. He stood upon Lawton�s
Wharf, his long walk ended. He�d been homeless without knowing where he was
going, but now he�d arrived � at the place he�d visited more frequently than
any other. He spied a ladder built into the dock wall. He took off the bright
new trainers he�d been given on Old Paradise Street and laid them to one side.
Slowly he lowered himself into the river. His clothes gathered weight, and the
cold clasped his legs and stomach. A painful thought passed across his mind:
for Emily he was already dead.</p><empty-line/><p>16</p><p>Anselm went to bed with
the accounts and receipts that had been sent to Inspector Cartwright. Even with
his glasses on, he couldn�t make head or tail of a single column (at the Bar,
he�d steered clear of cases that had numbers in them), so he put the documents
on the floor and gave his attention to something more promising: a cornucopia
of intractable problems. A lawyer�s habits made him divide them into two
groups.</p><p>First,
why had Elizabeth sent him to see Mrs Dixon without any clue as to what she
might say? What was the point of leaving him powerless, and her powerful � in
the sense that she could refuse to talk, which is precisely what happened? Why
take another risk that could only harm her prospects of success � for just as
George Bradshaw (predictably) had gone missing, so Mrs Dixon (not surprisingly)
had refused to talk about her missing son. The only answer Anselm could muster
was this: at the heart of Elizabeth�s bid to make good the past was a complete
respect for the free choices of the other actors. There would be no cajoling,
no forced outcomes.</p><p>The
next group of problems was, for Anselm, the most intriguing. How did this
second mission connect with the first?</p><p>What
was the link between the missing boy and the bid to bring Riley back to court?
While listening to Mrs Dixon, Anselm had noted the vowels resistant to life in
the South; the northern intonation in the word �cake� had survived completely
intact. It had shone like a tanner in a heap of decimal currency. Who, then,
was the missing lad? He�d been a good boy a good son. Reviewing the cornucopia
as a whole, Anselm came to a sensible though uncomfortable conclusion: both of
the matters that had been entrusted to him by Elizabeth were now well on the
way to monumental failure.</p><p>Success,
however, had come Anselm�s way earlier that evening, albeit from another
direction. He had, of course, begun looking into Elizabeth�s past, while she
had only expected him to move forward on her behalf. And initial results were
interesting.</p><p>After
leaving Mrs Dixon, Anselm paid a visit to Trespass Place, hoping that George
Bradshaw had returned to his patch, but it was silent and bare; so,
discouraged, he went back to Hoxton, where he found a bundle of faxed documents
from Gray�s Inn. He leafed through them while his shepherd�s pie revolved in
the microwave. The librarian had organised, in reverse order, various notices
covering legal responsibilities assumed by Elizabeth. It was only when Anselm
reached the final sheet that he appreciated his earlier, decisive mistake. It
was obvious why this particular Glendinning hadn�t gone to Durham University.
Looking down, he read again the list of names. It was a register of those
called to the Bar by the Honourable Society of Gray�s Inn on the fifteenth day
of October nineteen hundred and fifty. The librarian had marked the relevant
entry: Elizabeth Steadman.</p><p>Glendinning
was, of course, her married name. Anselm had never known her as anything else.
On marrying, most women barristers kept the names under which they began their
careers because they carried their reputations. Elizabeth, however, had dropped
hers and started all over again. Anselm sat down, suddenly excited because
someone else had made the same gaffe as himself, only she didn�t have the
excuse of not knowing any better. His thoughts becoming tangled, he picked up
the telephone and called the Prior.</p><p>�Sister
Dorothy reeled off the history of Mr G, the frustrated inventor, and Mrs G, his
uncomplaining wife.� Anselm paused. �But she got the name wrong. It should have
been Mr and Mrs Steadman.�</p><p>�Teachers
follow the fortunes of their pupils,� replied Father Andrew confidently �Perhaps
she learned of Elizabeth�s marriage and switched the names by accident.�</p><p>A monk
can always contradict his prior. But it has a taste all of its own. �My first
thought too,� said Anselm warmly �However, she hadn�t had word or sight of
Elizabeth in forty years. She shouldn�t even know the Glendinning surname.�</p><p>It was
hardly caviar, but the hiatus was delicious. Anselm said, �But why would Sister
Dorothy lie?�</p><p>�Perhaps,
like you, she�d given her word,� said Father Andrew distantly as though he�d
turned to the fire. �And perhaps,� he added, �that was the first of the many
promises that have been sought and obtained.�</p><empty-line/><p>17</p><p>Riley took the bus home
because the fascists who�d clamped him weren�t answering the phone. He came in
the back way pausing to glance at Nancy�s bricks: she�d been collecting them
all her married life. She rummaged in the grass by Limehouse.</p><p>Cut and
brought them home one by one. Exhausted by the bout with Wyecliffe, defeated by
the Council, and cold to his bones, he felt suddenly weak: affection stirred
inside him like a shot of Bertie�s poison.</p><p>There
was an irony about Riley and Nancy: prior to the trial, he�d pushed Nancy back,
but she�d kept returning; after the trial, he�d wanted her to linger, but she
kept away So when Riley told her what had happened to his van, she was very
understanding; she said all the right things; but she was far off. She didn�t
even ask what he was doing in Cheapside. Later, Riley lounged in his rocker,
listening to a very different kind of chat. As Nancy cleared away the plates,
she asked Arnold how he was getting on, whether he was tired of his wheel,
whether he got lonely in his cage. Riley�s chair creaked as he moved more
quickly as his envy grew.</p><p>After
Nancy had gone to bed, Riley stayed up watching the fire decline. In the
stillness of the night he took out the photograph of Walter from his pocket.
Without looking he dropped it on the fading coals. He heard it snap into flame.
When he glanced into the grate, all that was left was a curl of ash.</p><p><emphasis>Who
posted it? </emphasis>Until that evening, Riley had confined
his thoughts to the living, but the lawyer had turned to the dead. Who�d he
been referring to? Or had he been having a dig, trying to tell him that he�d
never believed him about John Bradshaw?</p><p>Suddenly
Arnold started running in his wheel.</p><p>Years after the trial,
Riley was doing a clearance when his mobile started the nerve-racking tune that
he didn�t know how to change. He stabbed a button to make it stop.</p><p>�Will
you help me find the Pieman?�</p><p>Riley
was stunned. �Who is this?�</p><p>�Someone
who knows you weren�t the only one to blame�</p><p>Riley
couldn�t reply He sank onto a thing the relative had called a<emphasis> fauteuil.</emphasis></p><p>�If you
tell me,� said the young voice, �I can inform the police. I�ll be like a
cut-off. And when they�ve found their own proof, they can act without bothering
either of us. You�ve nothing to fear.�</p><p>In the
corner, a budgie hopped from bar to bar, tinkling a little bell. He�d come with
the job lot. �Who is this?� said Riley again.</p><p>�I�m
the son of George Bradshaw�</p><p>Riley
watched the bird pecking seeds, its green-and-yellow head jerking like it was
being shocked at intervals from the mains. Riley said, �Who else knows that you�ve
called me?�</p><p>�No
one.</p><p>�Will
they find out?�</p><p>�No. I
promise.�</p><p>Much
later Riley concluded that some big decisions aren�t as simple as they might
appear. Like a wall, they�re built from the bottom up. You stand on the top
course, laying bricks, not daring to look at where you�ll end up if you carry
on. Finally you�re too high and you can�t get down. And yet, from the outset,
there was always a kind of knowing; and recklessly it was broken down into
manageable bits, and put together.</p><p>It was
therefore without having reached a decision as such, but irresponsibly that he
said, �I need to think. Call me back in six months.�</p><p>The
next day on impulse, Riley went to Lawton�s Wharf. Everything had been sold off
or flattened. The whole place was falling into the dark-blue river. Suddenly
moved, he stood on the cracked plinth that had held his crane and he searched
the pale evening sky for Nancy�s window.</p><p>What
was he going to do about Bradshaw�s son? He gazed at the wharf, sentimental for
the days he�d never really enjoyed. His eyes settled on the DANGER sign
attached to a barbed-wire fence that blocked access to the main quay Farther on
he noted a line of plastic bollards. The timbers on the other side were black
and green.</p><p>Four
times over the next six months Riley came home late and told Nancy that his van
had broken down. He complained about it to Prosser and the rest. He bought
spare parts, kept the receipts and went through the motions of an unnecessary
repair. He was getting higher and higher, never taking his eyes off what his
hands and feet were doing.</p><p>Arnold�s wheel rattled and
raced.</p><p>Riley
had hoped that George�s boy would drop the matter but he rang back, as
arranged. Wobbling, but keeping his nerve, Riley said, �Meet me on Lawton�s
Wharf on Saturday night.�</p><p>Why
there of all places? It wasn�t just because it was secluded and dangerous.
Riley hadn�t thought it out, but his instinct wanted to stamp upon the world of
fluffed chances, to wreck it good and proper. Accordingly broken down into
bits: Riley left a fair in Barking at six, cursing the rain. Half an hour later
he rang Nancy and told her that the van had stalled. At seven he cut down the
barbed wire. At ten past, he set about the bollards. (They�d been filled with
concrete, so one by one, he dragged them to the edge of the wharf and tipped
them into the river.) Since the planking was rotten, Riley crept along a
supporting beam, and was at the end of the platform by seven-thirty. At eight a
figure appeared.</p><p>Riley
never once looked directly at the boy He kept his eyes down and began a conversation
that had no purpose because he was too high up to listen properly.</p><p>�I only
want to vindicate my father,� said John Bradshaw The drizzle pattered on their
shoulders.</p><p>�Vindicate�.
What a hauntingly strong word. This boy would never give up.</p><p>Fear
played its part, for sure � not the kind that gripped Riley in his childhood,
but something organic, a condition that he could feel all the time if he�d
checked for it (like an irregular heartbeat). It pumped ink into his intentions
� and he shoved with all his might � hoping and not hoping that it would
happen; that he could console himself afterwards by saying he didn�t really
mean it.</p><p>The
boards cracked. A whole section of planking gave way and Riley was abruptly
alone. There was a cry, but after the splash, there was no noise � none at
all � just the slapping of the river and the patter of the rain.</p><p>Riley
waited for half an hour, checking the side of the quay. Then he went home and
thrashed Nancy at dominoes.</p><p>The
following morning, as usual, he went to work. The weeks passed and he did the
things that he always did. But just as Arnold�s whiskers got wet every time he
licked the milk, so a kind of suicide happens with a murder. Sitting opposite
the Major, Riley had been bitterly proud of his home-made identity. He�d
sought no mitigation. He�d scorned salvation now, never mind the hereafter. But
with the death of John Bradshaw all that posturing fell slack. He felt
strangely sick of himself, in a new way and of the world. He tried to doubt
that he�d shoved him. Some big decisions might be made up of small choices, but
what Riley couldn�t work out was why in another world, he wouldn�t have chosen
the end result in the first place. Why he recoiled from it in this one? And
with that insight, Riley teetered towards an abyss of self-pity, for he
wondered if he�d been acting freely if he�d <emphasis>ever </emphasis>been free; if he ever
would be. Within a couple of months, after years of clean living, Riley began
his new scheme.</p><p>And
then, out of nowhere, came an envelope containing a photograph. The image sent
Riley flying back to the times he�d done his best to forget. He was overwhelmed
by his powerlessness � either to annihilate that face or to hinder whoever it
was that had sent it. Stranded, he felt a need for Nancy far stronger than
anything he�d known since the trial. It seemed incredible, but it was true:
standing in his way was a <emphasis>hamster. </emphasis>It was humiliating.</p><p>The spool fell silent.
Arnold had been running for ages. If he�d been a man on the road he�d have
reached Penzance.</p><p>Riley
went to the kitchen, bit an apple and threw it in a plastic bag. Still chewing,
he opened the cage and dropped Arnold onto the fruit. Then he followed the lane
that led to Limehouse Cut. The bins were out. A crowd of polystyrene pellets
skittered along the pavement, white and vibrant in the darkness. He swished the
bag across his trouser leg, like a boy with sweets from the corner shop �
sticky things out of tall jars held out by Mrs O�Neill. She�d only ever been
kind to him �but with a pity that had guessed everything, that had stripped him
down to the contusions. �He has tempers.� That�s what his mother had said of
Walter. Tempers. It sounded like something Babycham would have ordered with
lemonade and a cherry. �Not to worry, son,� his mother once said. She wiped her
own split lip as if she�d just finished her fish and chips. �You fell off your
bike, all right?� Her eyes had dried like a desert, centuries before.</p><p>When he
reached the canal, Riley halted. The bag swung by his leg. Hesitating, he began
to think. In a way Walter, John Bradshaw and Arnold belonged together. Each of
them, in very different ways, had been so much stronger than Riley And with
that terrible thought, he let go.</p><empty-line/><p>18</p><p>Despite expectations that
he would sink quickly under the weight of wet clothing, George had remained
afloat. An action somewhere between swimming and treading water led him away
from his point of entry He felt a colder current around his feet; the smack of
small waves made him spit. He was being pulled now, towards the full flow of
the river. The final supporting pillars rose out of the shadows to meet the
abrupt ending of the wharf�s run. George turned into the water.</p><p>In so
far as this moment had received any planning, George had intended to give his
final thoughts to John. To his surprise he found himself upon the tracks of his
own childhood, running down a winding path, at the back of a string of council
houses in Harrogate. It was a sunny day; the ground was ribbed and dry
underfoot. To his right were fences and small gardens with sheds � windows
framed white in walls of red brick � A shining cat lay sprawled upon warm
slate; to his left there were trunks and branches, screening a tennis court of
orange grit � and then a bowling green � a velvet stage for men in white
coats with bald heads or big caps � He was skipping and hopping, for the
sheer joy of being alive, feeling his heart ache with the strain. He was ten.
And he wanted to stay that age for ever. At the end of the path was a thick
patch of dock leaves at the base of a tree by his home. George began to sink,
just as he remembered kneeling down, panting and curious, to taste a bright,
crisp leaf as though he were a rabbit.</p><p>Something
made of metal hit George on the head. Instinctively his arms flailed and he
surfaced with a gasp. Bobbing in the water was a tin can. Looking up, he saw a
boy sitting at the end of the wharf, his legs idly dangling. A small shaved
head cut a fine serrated hole into the sky Suddenly he vanished. Rage ran hot
through tired old veins. �The little brat �� George was panting now Cold had
seized him as though it were a weight. Panic gripped him. The boy appeared
again at the edge of the wharf. George shouted for help. A thin arm swung out,
and something angular swiftly cut a fine arc against the sky like a shooting
star without light. It struck the water with a deep thud. The arm flashed
again.</p><p>�What
the <emphasis>hell </emphasis>do you think you�re doing?� yelled George. In a frenzy he shook
off his coat. Enraged, he began moving towards the side. The boy relaxed,
followed the swimmer�s progress, walking along the rim of the wharf, tossing
chunks of broken masonry. They landed around him casually George hauled himself
up the rusted ladder and collapsed, spewing water, onto the quay His teeth worked
in unison with a vivid memory, and he began to weep. The sun was warm upon his
neck, and he was a lad again, on his knees at the foot of a tree, tasting a
leaf. It had been surprisingly bitter, when he had wanted it to be sweet. He
arched his head, opening his streaming eyes: the boy was sauntering towards
the perimeter fence, hands in his pockets.</p><p>George
tried to shout, but nothing came from his throat. He clambered to his feet and
stumbled after his persecutor. Several times he fell, cutting his hands and
knees. The pain quickened him. Frantically George continued his ridiculous
pursuit, driven by a senseless desire to express an elemental, livid gratitude.
Beneath the radiance of a street lamp, the boy stooped, working his way through
a hole in the netting. By the time George stood dripping in the road that ran
adjacent to Mr Lawton�s fallen kingdom, the assassin had gone.</p><p>A couple of hours later
George swayed beneath the fire escape and was stunned to find his bed made. As
consciousness became pain and a deep, immense shivering, delusion eased away
his last waking moment: he could have sworn he saw a figure coming down from
the steps above.</p><empty-line/><p>19</p><p>When Nancy had gone to
bed, leaving Riley in his rocker, she�d tossed and turned, annoyed by questions
as if they were lumps in the mattress. Where was Mr Johnson? What should she do
with his notebooks? Who was the man in the photograph? With this last, Nancy
had, in fact, made some headway: it might be Riley�s father, she thought,
because he never spoke of him. Or maybe his mother had sent it: he didn�t speak
of her either. That was Riley He was so different, you wouldn�t be surprised to
hear that he�d never had parents. She laughed at her own joke, changed sides
and plumped her pillow. Listening to Arnold, she finally became drowsy.</p><p>Nancy woke up. Something
in the house was slightly different, but she didn�t know what. Riley wasn�t
beside her � but she could hear him in the kitchen. The back door opened and
closed. A tug of sympathy took Nancy out of bed and to the window: her man
couldn�t come to bed; he had to walk himself like a dog, until he was so tired
that his mind couldn�t worry him. This is what British justice had done to her
man � to a man who�d done nothing wrong.</p><p>She
moved the curtain an inch or two. At first she couldn�t see anything. Some of
the windows on the other side were lit round the edges � and the bins were
out. Her breath steamed the glass. She gave it a rub with the sleeve of her
nightie, and then she saw him. Riley was at the top of the street. She knew his
walk, by the way his arms swung like loose ropes.</p><p>Nancy
climbed back into bed and twenty minutes later, Riley slipped between the
sheets. She didn�t stir and he didn�t move. Almost at once, he began snoring
with his hands behind his head. Nancy couldn�t get back to sleep because she
was distracted: something had been altered in the house, and she couldn�t put
her finger on what it was.</p><empty-line/><p>20</p><p>In his sleep Riley was
running down a dark corridor towards a window, its frame blurred by light. His
footfalls were silent. All he could hear was the breathing of the Thing behind
him. Blinded, he broke though the glass as though it were tracing paper. His
stomach spilled out and he began to fall.</p><p>Even as
he fell, he knew this was the old dream � the dream that had begun the day of
his acquittal. And even as the stairs appeared, he recognised that this was the
development � like a turning of the pages in his mind � that had started after
he�d received the photograph. He was observing himself, and yet experiencing
the rise of terror.</p><p>All at
once the nightmare cut location. Riley was no longer falling. His stomach was
in his belly He was walking along a small corridor in a silent terraced house.
Upstairs there were three bedrooms. Outside, at the back, there was a small
garden with a gate that led to three trees. He didn�t know why he knew all
this, or why he was aware that the front door was green, or that the kitchen
floor had been laid with fake marble. It was simply part of the sensation of
being in this empty house. He moved slowly like an underwater diver. Sunshine
lit the floating dust. To his right, through a doorway he saw an iron
fireplace. The grate was clean. By the hearth were a pan and brush on a stand;
the poker was missing. A kind of barking started in Riley�s guts � a juddering
sensation brought on by the recognition of his surroundings: this was home. He
noticed that he was not a man, and not a boy; that he was in between the two.
Ahead and to the left he saw a hand on the carpet. It hung off the bottom step
of the staircase. The bystander in Riley vanished. Riley became Riley in his
entirety. Slowly bravely his eyes moved along the arm, up the shoulder and onto
the matted hair.</p><p>A
lifeless, loveless face looked back. So great was Riley�s horror at the sight
of himself that he didn�t even scream.</p></section><section><empty-line/><empty-line/><p>PART FOUR</p><empty-line/><p>a girl�s progress</p></section><section><empty-line/><empty-line/><p>1</p><empty-line/><p>Anselm faced Mr Hillsden.
Between them, in a hospital bed, lay George Bradshaw, a frown holding one side
of his face like a paralysis. Clippers had neatly removed his hair and beard,
leaving a ragged stubble. The skin around his eyes was pale, as if he�d just
returned from two weeks on a sunny alpine piste.</p><p>�I don�t
recognise him,� said Anselm quietly. The man in the witness box had been tall and
imposing. Where on earth had he been after he�d walked out of court? What
manner of journey could so reduce a man? He said, �How did you find him?�</p><p>�With
respect,� said Mr Hillsden, �I lodged at Trespass Place.�</p><p>�All
this time?�</p><p>�Indeed,
on the upper platform of a fire escape.� He stood with both hands resting on
the ornamental knob of his curtain pole. �He chose an agreeable location, if I
may say so. South-facing and close to all local amenities.� There was a heavy
irony in his voice � that of the commentator who can�t adequately explain what
he�s known and seen. His watery blue eyes never strayed higher than Anselm�s
folded arms.</p><p>It
transpired that Mr Hillsden had secured an ambulance by halting it on
Blackfriars Bridge with his raised staff. He�d then waited at the hospital all
night until the Vault opened, when a sympathetic nurse had made a telephone
call to Debbie Lynwood. She had immediately contacted Anselm, who, in turn, had
left a message for Inspector Cartwright. It was nine in the morning.</p><p>Anselm
examined the twisted shape in the bed. According to his witness statement,
David George Bradshaw was a married man with one child, a careworker by
profession, in the employ of the Bridges night shelter. �When you wake,� said
Anselm, detached from his surroundings, �please tell me what I did wrong.</p><p>The
sound of feet and bustle announced the approach of a consultant weighed down by
a stethoscope and students. �Are you a chaplain?� he asked. The tone was kindly
but implied a treatable deviation from the norm.</p><p>�No.�</p><p>His
eyes moved onto Mr Hillsden. A relative?�</p><p>�With
respect, no.</p><p>�If you
don�t mind,� he said hastily �I�ll proceed.�</p><p>�Go
ahead,� said Anselm, stepping back.</p><p>The
doctor flicked through the medical motes on a clipboard while his young
audience formed an arc around the bed. Mr Hillsden did not move and stood among
them, head bowed, hands on his staff.</p><p>�Male, sixty-something,�
intoned the consultant. �First admitted after a beating at Waterloo Station. Multiple
blows to the cranial vault. No patient history� � he glanced towards an industrious
young man with a pad and pen � �Edgerton, stop writing and listen. Just think.
It�s far more difficult. Outcome: ruptured aneurysm. Louise, a definition, please.�</p><p>A sac
in a major artery or vein that burst,� said the young woman, �causing a leak of
blood into the brain.�</p><p>�Correct.�
The doctor hung the medical notes on the bedstead. �The required surgical
procedure is rather like patching the inner tube on your bike, but rather more
difficult. You may record that for posterity, Edgerton. In the instant case, no
post-op complications. One hitch: short-term memory loss. Treatment?�</p><p>Glances
fell on Louise.</p><p>�In
effect, there is none.� The doctor eyed his patient with pity. �To anchor
events a routine and supported life is essential. Unless he writes things down,
the recent past will draw back like the tide on Dover Beach. In the
circumstances, that may not be a bad thing. Last night someone found him
soaking wet. He�s now got mild to moderate hypothermia. Treatment, Gardner?�</p><p>�Cover
with blankets at room temperature.�</p><p>�Precisely�
he replied. �What you see now is a pandemic condition characterised by static
posture and reduced but reversible sensitivity to external stimuli. Diagnosis?�</p><p>No one
spoke.</p><p>�With
respect,� said Mr Hillsden apologetically �the term �asleep� has the advantage
of economy.</p><empty-line/><p>Outside the ward, by a
door marked EXIT, Anselm and Mr Hillsden once again faced each other. This time
nothing lay between them, save for the kind of awkwardness that might befit
separated friends. Anselm looked at the lowered head, the green cagoule and the
polished, split brogues. Casually as he might have done on a rather stiff
social occasion, he said, �Might I ask, to which Inn do you belong?�</p><p>For an
instant, Mr Hillsden�s washed eyes caught Anselm�s gaze. A faint smile moved
beneath the grizzled beard. �The Inner Temple.� The words were barely audible.</p><p>�Which
chambers?� asked Anselm carelessly.</p><p>�3
Vellum Square.�</p><p>�An.�
Anselm knew it well. �Facing that glorious magnolia tree?�</p><p>Mr Hillsden
nodded. �There�s a sundial, too ��</p><p>Footsteps
echoed, moving swiftly Anselm glimpsed the magenta scarf of Inspector
Cartwright at the end of the corridor. He called out and she paused, retracing
a few steps. With a brief wave, she came towards them.</p><p>�She
will be as grateful to you as I am,� said Anselm, turning back to Mr Hillsden �
but he was gone. Anselm ran through the EXIT door into a stairwell. Leaning
over a railing, he could see nothing but a shadow thrown across the steps,
descending.</p><p>�Come
back,� he shouted.</p><p>The
staff sounded on the stone like the tapping of a patient carpenter. A door
closed out of sight and Anselm found himself alone with Inspector Cartwright.</p><p>�Who�s
that?� she enquired. A breath of lavender came with her approach.</p><p>�Just
another member of the Bar,� he replied.</p><empty-line/><p>Anselm and Inspector
Cartwright chose window seats in the cafeteria. Down below the Thames seemed
not to flow It flickered with light around a reflection of Parliament and Big
Ben. The sky was immense, cold and blue.</p><p>�Did
you make any sense of those accounts?� asked the Inspector, stirring foam in a
mug of hot chocolate.</p><p>�No,�
replied Anselm. �No matter how hard I looked.�</p><p>�I don�t
suppose it matters, now that Mr Bradshaw has turned up.</p><p>Anselm
examined his toast. This was soft, additive-packed, white sliced bread. None of
your grains and nuts, like the breeze blocks at Larkwood. It should have been a
moment to relish, but his appetite had gone � with Mr Hillsden. �The letter
from Elizabeth has been destroyed,� he said shortly �George�s clothing was
binned at three in the morning. The waste disposal truck came at six. I arrived
at half eight. I think that just about explains what�s transpired in our
absence.�</p><p>�We�re
stuffed, then,� observed Inspector Cartwright.</p><p>�Not
quite,� said Anselm. He measured his words with care, sharing a thought that
had come to him earlier that morning. �All manner of fowl are drawn to the
monastic life. Some are very talented but for years these guys have to follow
the same routine as the rest of us. And then one day � the Prior gives them a
job. Suddenly all that unexercised talent breaks out on the laundry, or the
kitchens, or � and I have a concrete example in mind � the priory�s accounts. It�s
hell for the rest of us, of course, but in that one quarter we have levels of
efficiency the Bundesbank couldn�t dream of. All of which persuades me we
should send the accounts to Brother Cyril. This is a man who spends the night
hours chasing pennies, and he finds them.�</p><p>Inspector
Cartwright had the original papers: she would fax them to Larkwood as soon as
she got back to her office. Anselm wrote out the number, explaining that he�d
prepare the way with a call to Father Andrew �In the meantime,� he said, �I
shall wait for George to wake up.�</p><p>What
was Riley doing? The question was unspoken but it bound them together.
Inspector Cartwright sipped her hot chocolate and Anselm nibbled his cold
toast.</p><empty-line/><p>2</p><empty-line/><p>Riley glared at Prosser,
at his felt hat, at the cigar jammed beneath a handle-bar moustache. They�d
both set up their stalls in Beckton Park. The air was sharp and a frost had
made the grass ribbed and hard. The �dealer�, as he called himself, had ambled
over to Riley�s patch and was nosing through his goods. He stood with his hands
behind his back, picking up this and that with a nod of approval.</p><p>�Keep
away from Nancy� said Riley.</p><p>�Whatever
do you mean?� Smoke came slowly from Prosser�s nostrils.</p><p>�You
heard me.�</p><p>Prosser
stepped away but then hesitated. �Look, Riley were both men of business, so I�ll
be honest. I�m interested in the shop, not your good lady. You�ve a prime
location there. No offence, but I�d say the building requires the sort of
investment you can�t afford.�</p><p>�Push
off.�</p><p>�I�d
give you a good price.� He walked backwards, winking.</p><p>�I�ll
never sell.�</p><p>Riley
held himself tight, arms wrapped across his chest. A chill had reached his
bones and he squirmed, thinking of Wyecliffe�s questions. They�d burrowed into
his head and eaten away at what was left of his peace of mind. He�d wanted the
solicitor to weave his magic, to do something startling with the law that
would protect him. But he couldn�t pull it off, not this time. Instead, he�d
made it worse � deliberately � with that remark about the dead being on to
Riley�s trail. For the first time, there was no Wyecliffe twitching by his
side: he was on his own. Riley hugged himself more securely feeling more
exposed than ever. Someone was after him. They were watching and waiting and
they would come. A familiar racket began deep in the tissues of the brain: he
heard bangs on the wall and screams on an upstairs landing. Riley covered his
ears with gloved hands and stood to shake off the sound. Violence swirled
inside, making his eyes glaze and dry out.</p><p>Riley
blinked. Beckton Park appeared as if it hadn�t been there. Trees, grass and
people became solid. Prosser was watching, legs crossed on a commode as if it
were a throne, puffing on his cigar. Despite the cold, Riley felt sweat sting
the corner of his eyes. When his head grew quiet, he sat down, slightly out of
breath.</p><p>As if
someone had turned on a radio by his ear, Riley heard himself talking to Nancy
over his breakfast.</p><p>�It was
me,� he said honestly feeling grubby �I oiled the wheel and I must have left
the cage open.�</p><p>Nancy
leaned on the counter almost dazed and unable to speak. Riley couldn�t
understand it. She�d had three hamsters. When one died, she bought another. It
was a routine. But this time it was different. She�d never been so winded.</p><p>Riley
turned aside to escape the recollection. At once, his eye snagged on a
billboard showing a smiling woman with a bottle of milk. Her lips were red and
her teeth were as white as the sky There were lots of children in the
background looking at the bottle, as if it would make them happy He swore and
looked the other way But he saw a mother tabbing by a pram, and beside her a
man, hungover, lean and yellow He closed his eyes to escape � <emphasis>everything. </emphasis>When
he opened them he saw a newcomer thirty yards away He was reading the name on
Riley�s van.</p><p>Major
Reynolds had once said, �You�ve made lots of choices, and you can make others.�
That one idea had stuck to Riley like pitch. He�d never been able to scrape it
off. All he�d wanted was a warm bed for the night, but the Major had given him
words that burned. <emphasis>You can make other choices. </emphasis>The idea was horrendous �</p><p>The man
drew close. He was middle-aged, dressed in a bomber jacket, jeans and a cap.
Uncertainty made him fidget with the zip on his jacket. He moved it up and
down, and said, �Can I buy a number?�</p><p>Riley
charged his eyes with disgust until they stung. Did he really want to do this
any more?</p><p>�Sorry,�
said the man fearfully �I�ve made a mistake ��</p><p>Riley
summoned him back with a flick of the hand and took out a notebook. He flicked
through the blank pages until he came to a calling card, picked up from a
telephone booth near Trafalgar Square. Slowly he read out the number.</p><p>The man
seemed to wake up, patting his pockets, trying to be normal. He took out a
crumpled envelope and a pencil.</p><p>�I�ll
read that again,� said Riley his attention shifting to Prosser. The dealer had
sidled from behind his stall and was watching every movement. He lit a new
cigar and studied the glow of red ash.</p><p>After
jotting down the number, the man said, �I understand it�s fifteen quid?�</p><p>�We don�t
talk,� said Riley taking the money �It�s the only rule.�</p><p>The man
walked quickly away between the trestle tables and the moochers, tracked by
Riley�s contempt. When he was out of view, Riley went through the motions (his
mind returning at intervals to the sight of Nancy winded by the counter). He
selected a vase from his table marked for sale at ��15�. He wrapped it in
newspaper and put it in a crate � for transfer to the shop in Bow Then he
opened a pad labelled �Van Sales�. He made out a receipt to record a fictional
transaction: �One Vase.</p><p>�30
received in Cash.� Carefully he detached the original from the blue duplicate
beneath. Ordinarily this would go to the customer, but since there wasn�t one,
Riley tore it to pieces. He then opened another pad marked Acquisitions� and
wrote out a second receipt � for an imaginary purchase: �One vase. �15 paid in
Cash.�</p><p>When he�d
finished, Riley dropped the pads into a cardboard box at his feet. He looked at
them, at the bones of his system. Not since his childhood had he felt so
strongly the desire to run away: from the voices, the billboards, the sheer
filth of his existence. But he�d learned long, long ago, there was a most
unusual pleasure that came with the staying.</p><p>Prosser
ambled along a path puffing smoke. He was pretending to stretch his fat legs,
to get some heat into his toes. In fact, he was trying to work out what had
taken place before his eyes � just as Riley that morning � feeling queasy �
had tried to make sense of Nancy.</p><empty-line/><p>3</p><empty-line/><p>�Don�t use wise words
falsely� quoted Father Andrew.</p><p>Anselm
had rung Larkwood to forewarn the Prior that a fax would shortly arrive for
Cyril�s kind attention � it was an unlikely outcome, admittedly but it was
important not to hold a man to his past. In the background he�d heard a bell,
and, feeling abruptly homesick, Anselm had opened his heart: he didn�t know
what to say to George Bradshaw; he was ailing with a strain of guilt. And that
had provoked the familiar quotation from a Desert Father.</p><p>Anselm
put the receiver down. Thoughtfully mouthing the phrase, he returned to the
ward, where a nurse informed him that George was not only awake, but in a chair
and anxious to meet him.</p><p>Anselm
paused at the entrance. From a tinny radio, Bunny Berigan was playing �I Can�t
Get Started�. The trumpet soared while Anselm examined the bandaged feet and
dinted legs. Then Bun gave it voice:</p><empty-line/><p>I�ve flown around
the world in a plane,</p><p>I�ve settled
revolutions in Spain,</p><p>The North Pole I
have charted,</p><p>But still I can�t
get started with you.</p><empty-line/><p>Remembering Emily Bradshaw
in Mitcham, Anselm entered the ward.</p><p>George
had been conducting, but instantly he rose, his wrists quivering on the
armrests as they took the strain. �Elizabeth said you�d come,� he exclaimed,
hand outstretched. �Funny thing is� � he laughed quietly at the coming joke � �I
can�t remember why.�</p><p>Anselm
smiled thinly and he flinched at the old man�s grip. Mumbling how nice it was
to see him, he sat on the edge of the bed, still wondering how to approach what
had to be said. He couldn�t look at George, any more than Mr Hillsden had been
unable to look at Anselm. Something tied them together, though, because they
were both held spellbound by Bunny Berigan�s trumpet solo.</p><p>�Even
Louis Armstrong wouldn�t touch that number,� observed Anselm, at the end of the
song. It was hardly wise, but at least it wasn�t false.</p><p>George
gave Anselm a friendly shove, as if they were pals sharing half a pint of mild.
�These days,� he said, �I�ve no choice about what I remember. Tomorrow, if we meet,
don�t expect to pick up where you left off. Begin all over again. With me, I�m
afraid, you�re always starting afresh � That�s not so bad, is it?�</p><p>Anselm
raised his eyes, suddenly aware that a kind of pardon had been given to him.
George�s thoughts seemed to mark his face like stippling on a reef, as though
one might understand him by watching. There were no barriers left: the surface
was the depth. Anselm was staring at George � right into him � and there was no
anger, no resentment, no pride, just a certain shining quality, which might be
the brightness of the light � and yet, which might not. Fumbling for
confidence, he said, �Mr Bradshaw, about the trial, I asked you a very
particular question.�</p><p>George
raised a hand. �I�m no longer troubled by anything I can remember,� he said
simply �I�ve let it fall away � like a stone in the Thames.� He patted Anselm�s
arm, signalling the end of that particular conversation.</p><p>Anselm
was disorientated, for this broken man spoke an idiom whose meaning he could barely
follow (he�d had a similar problem with a traffic policeman in
Czechoslovakia). On the one hand, the forgiveness had been given quickly and
comprehensively; but on the other, it had come from a spirit of detachment that
Anselm had never met before, save in some of the older monks at Larkwood.
Anselm had no time to ponder either mystery because George had already moved on.</p><p>�We
went after Riley and I got hold of the works, like Elizabeth told me to.�</p><p>�Yes.�</p><p>�And
she discovered what he was doing � it was there, in the numbers, plain to be
seen. Once she�d cracked it she went to see him.�</p><p>�Who?�</p><p>�Riley.�</p><p>This
was not something Anselm had anticipated. �What happened?�</p><p>�She
died,� replied George. �I�m not saying he did anything, it�s just that death
follows him around.�</p><p>Tentatively
Anselm said, �Did she explain Riley�s scheme to you?�</p><p>�Several
times.�</p><p>�Do you
recall what she said?�</p><p>There
was no doubt about it: George�s facial expressions revealed his thoughts. And
at this moment it was evident that he considered Anselm to be rather slow �What
do you think?�</p><p>�No,�
replied Anselm apologetically.</p><p>�Exactly�
George, however, was not especially troubled. �Elizabeth wrote it down. It�s in
my jacket.�</p><p>Gently
Anselm explained what had happened to George�s clothing, and, therefore, the
letter, but the old fellow just made an �Ah�. That, it seemed, was just another
stone in the river. Anselm was astonished. He said, as though to comfort
himself, �But there�s still hope. Inspector Cartwright received all the
business records through the post.� He was struck by an idea. �Did you send
them?�</p><p>�I can�t
remember.�</p><p>Anselm
fetched up a grin. �Of course not. Sorry.�</p><p>�I
doubt if I posted anything, somehow� George rubbed a finger into his brow,
trying to knead a splintered thought to the surface. It wouldn�t come. He
shrugged at the deep itch and said, �Can the Inspector understand them?�</p><p>�No.�</p><p>�Ah.�</p><p>�But
someone with an eye for these things will be considering them shortly�</p><p>�Very
good.�</p><p>�You�ve
done your part,� said Anselm, wanting to give something back to this man who�d
given so much. �Now you can rest.�</p><p>George
raised his legs, looking down at the bandaged feet. �I lost my shoes, somehow,
and I got terribly wet and cold.� He became confused, his mind in suspension;
he seemed to have heard a noise, like a scratching behind the wall. Quietly he
said to himself, �No � no � It�s gone.�</p><p>Later
in the day Anselm would ring Inspector Cartwright to recount the conversation
that revealed how little George knew, and how much. But first, there was
something else to be done. He reached deep into the oldest part of anyone�s
memory, saying, �Would you like to go home, George?�</p><empty-line/><p>4</p><empty-line/><p>Nick Glendinning sat in
the sitting room at St John�s Wood twirling a piece of paper between his
fingers. Written on it was the telephone number of the woman who�d asked about �her
lad�, the woman who�d probably received his mother�s last words. She hadn�t
rung Charles, or the police or the medical services. She�d rung this stranger.
What had she said, before dying?</p><p>At
first, Nick told himself that Father Anselm was handling Elizabeth�s final
dispensations � she�d planned it that way � so he tried to forget the question:
he signed up as a locum, and he tried to assume a normal life � until it dawned
on him that he�d stumbled on another secret, his mother�s last; and that
whatever she�d said was more important than the key or anything retained in its
box. This realisation haunted him. It made him pick up the telephone.</p><p>�My
name is Nicholas Glendinning,� he said. �I understand you know my mother.�</p><p>He
pressed the receiver against his ear, to stop his hand from shaking. All he
could make out was laboured breathing.</p><p>�Can I
meet you?� said Nick, pressing harder.</p><p>The air
whistled in his ear. �Did she tell you about me?�</p><p>�No.�</p><p>�What
do you want?�</p><p>�To
talk about my mother.�</p><p>The
breathing grew calm. �I�d like that very much.�</p><p>Having
noted the address, Nick rose and swivelled on his heels. Framed by the doorway
was his father. His arms were almost raised. He looked like one of those
entertainers in Covent Garden who don�t move until you give them some money.</p><p>They
looked at each other, both utterly still. Abruptly Charles grimaced and flicked
a finger in the air, as if he�d remembered what he was looking for. Then he
quickly shuffled upstairs.</p><empty-line/><p>Nick sat on the sofa
adjacent to a low table in the Shoreditch flat. The old woman was dressed in a
yellow floral dress as if she were off to church or a summer garden party She
wore earrings, a necklace and creaking leather shoes. The room was
conspicuously tidy but very cold, even though a radiator clicked with activity.
She�d had the windows open, and an air freshener had been used. Nick found the
assembly of images and sensations unequivocally surreal. He could not imagine
his mother traipsing up that filthy stairwell, or sitting here, before this
apparition with silver hair and tragic eyes.</p><p>�I don�t
even know your name,� he said awkwardly.</p><p>�Mrs
Dixon,� she said, clearing her throat at the same time. �Refreshment?�</p><p>�Yes,
please.�</p><p>The low
table was covered with a white cloth. It had been laid for a small reception.
Mrs Dixon poured tea into ancient china cups. �Milk or lemon?�</p><p>�Milk,
thank you.</p><p>A whole
ritual unfolded, as if he were a vicar, or the squire. She offered Nick sugar,
a teaspoon from the Isle of Man and a jammy dodger from a cake stand.</p><p>�Your
mother was my friend,� she said proudly �The Council sent her along when I got
lonely�</p><p>�The
Council� had evidently explained that she was dead. The flat vowel in �lonely�
disclosed that Mrs Dixon was not a Londoner. Her accent had been softened, but
the northern intonation in that one word was unmistakable. Before Nick could
think of what to say Mrs Dixon spoke again.</p><p>�She
came here every week, on a Friday and we talked � mainly about me, and my
family� Delicately Mrs Dixon raised her cup. �She was full of questions, but it
did me good to get things off my chest. It�s not good to keep things in, that�s
what I say.</p><p>�Absolutely.�</p><p>�You�re
a doctor, aren�t you?�</p><p>�Yes.�</p><p>�Well
done,� she exclaimed.</p><p>Nick
sipped his tea, wondering how soon he might reasonably make his exit. But Mrs
Dixon�s confidence had grown. There was something predatory about her delight.
A biscuit?� she said, pointing at the stand.</p><p>�Thank
you.�</p><p>Mrs
Dixon settled back in her chair, her teacup and saucer resting in the middle of
her chest. Looking over the top, she said, �I told her so much about myself,
but I never asked about her � Do you mind telling me a little?�</p><p>�What
would you like to hear?� asked Nick.</p><p>�Well �
anything really. Something that explains where she came from � Like I did,
with her.�</p><p>Nick
surrendered to the circumstances, as his mother must have done, when she�d
first realised what she�d let herself in for. Mrs Dixon�s question, however,
was so broad that he didn�t know where to begin. And then he thought of the
photograph.</p><p>�We
have this family portrait at home,� he said thoughtfully �It shows my mother as
a child with her parents.�</p><p>The
picture was in the sitting room at St John�s Wood. As a boy Nick used to study
the sepia faces of the solemn man and his proud, buxom wife. They were stiff
and unsmiling, in a happy sort of way obedient to the formality of their time.
His neck was bound in a wing collar, and she was packed into a polka dot dress.
Elizabeth was in the middle, her long hair scraped back and held by ribbons. An
affectionate hand from her father had strayed onto her knee, unnoticed by the
cameraman. There was a clock in the background and a tall dresser. Elizabeth
used to say that her self-understanding � where she�d come from, who she�d
become, her dispositions and their provenance � had been captured in that one
photograph, with one explosion from the flash. It was her way of explaining to
Nick why as he�d grown older, she�d become more reserved; and why there was a
melancholy even in her smile. As a teenager, her quietness, her lack of bounce,
had sometimes irritated him and, being a teenager, he�d told her. It made him
sad, now, to think he could ever have held her to account, given the tragedy
that overran that prim family in the photograph.</p><p>Nick
found himself explaining to Mrs Dixon how events had wiped clean his mother�s
expectations before she was fifteen. That her father had died suddenly before
her eyes.</p><p>�What
happened?� asked Mrs Dixon, blinking over her teacup.</p><p>�He
just passed away like a light going out.�</p><p>�But
how?�</p><p>A weak
heart.� Nick understood now, because Doctor Okoye had made the diagnosis.</p><p>�What
was her father like?� asked Mrs Dixon after a moment.</p><p>�My
mother rarely spoke of him,� replied Nick. �She once told me that not a day
passed without her calling him to mind.� Nick sipped his tea � it had gone cold
with his talking � and then he said, strangely moved, �She said I was just like
him �� In saying that sentence to this dolled-up stranger, Nick, for the
first time, understood his own adolescence, and his mother�s anguish as a
parent. She�d tried to tell him why they�d fallen out of kilter, but he hadn�t
understood.</p><p>�And
what of Elizabeth�s mother?� said Mrs Dixon. �How did she fare?�</p><p>�Not
very well.�</p><p>�I�m
not surprised.�</p><p>�That�s
not what I meant.� He paused, not wanting to divulge much more. �She died too �
shortly afterwards, from septicaemia.�</p><p>Mrs
Dixon seemed visibly shocked, and Nick felt a stab of irritation, fearing that
his mother�s life had become an episode in a kind of soap opera.</p><p>�Thank
you for telling me what happened to Elizabeth,� said Mrs Dixon, placing her cup
on the table. �I now understand why she came to look after me.</p><p>�Really?�
asked Nick, curious now.</p><p>�Yes �
You see � I, too, have had my mishaps.� She picked up a paper napkin. And I
know what it�s like to lose someone and want them back. Of course, the Council
had all this information in their files, and they�ll have told your mother. So
when she knocked on my door, thank God, she didn�t bring just pity, she brought
� herself.� The napkin tore in her hands.</p><p>Nick
was ashamed of his earlier irritation with this poor woman who was genuinely
distressed. He would have liked to leave, but now was the obvious time to put
the one question that had brought him here. He said, �Before my mother died,
she made a telephone call � to you.�</p><p>Mrs
Dixon nodded. Her mouth was set, and her eyes were suddenly vacant.</p><p>�Do you
mind telling me what she said?�</p><p>�Not at
all.� Mrs Dixon appeared tragically isolated in her chair, the only one left at
the garden party. �Elizabeth said � �I�m very sorry, but I won�t be coming
any more.��</p><p>Nick
was dumbfounded. The latter part of his mother�s life had been devoted to a
scheme wholly personal in its objectives and significance. But her last words
had been said to a forgotten woman halfway up a tower block who dressed up for
a cup of tea; to the person who probably needed her most.</p><empty-line/><p>5</p><empty-line/><p>At the mention of going
home, George whispered, �Can I?� Are you ready?� asked Anselm.</p><p>�Yes.�
His features showed both desire and dread. He shifted in his seat.</p><p>�If you
forget my going,� said Anselm confidently �I�ll surprise you when I get back.�
No truer words, he thought, had ever passed his lips. He was sure that Emily
Bradshaw would be with him.</p><p>More
out of excitement than impatience, Anselm banged the knocker to the terraced
house in Mitcham. A figure came to the door, fragmenting in a globe of dimpled
glass.</p><empty-line/><p>Emily Bradshaw stood at
the bay window while Anselm, by the arm of a settee, felt the rigour of
hesitation. She�d walked to her post without a word, without offering a seat.
When the past comes to an end, thought Anselm, you panic. He knew exactly what
he was going to say He�d chosen his words carefully on the Underground. �You
told me last time that nothing comes of nothing.�</p><p>Emily
moved a net curtain with the back of one hand �just an inch. �I got it from <emphasis>The
Sound of Music.�</emphasis></p><p>�Sorry?�</p><p><emphasis>�The
Sound of Music. </emphasis>The Captain and Maria sing it in
the garden when everything falls into place.� Emily spoke with immeasurable
sadness. The hand fell to her side.</p><p>Anselm
became strong; these moments could be overcome. He sat down and spoke towards a
happy ending. �I have seen George. He�s ready to come home.�</p><p>�Yes, I
know�</p><p>�Pardon?�</p><p>�He
came back.� She raised a net curtain once more, looking out hopelessly.</p><p>And he
left?�</p><p>�Yes.�</p><p>�But
why?�</p><p>The
gate tapped shut and the front door opened. Anselm�s empathies dropped. They�d
been tailored for a happy ending in Salzburg. He felt the coldness of real
compassion. In the hallway feet stamped, shaking off the week. �Bloody hell,
it�s cold. But it�s Frida-a-ay� It was a reassuring sound, kindly and rooted. A
zip hummed down its line.</p><p>Emily
moved to the middle of the room. She did not sit, so Anselm remained standing.
She said, �George�s place isn�t filled. Don�t think that, please. I can�t
understand our life together, that�s all. And if you can�t understand
something, it�s ��</p><p>A round
freckled face, smudged with grease and surprise, appraised Anselm. �Oh, hullo,
sorry about the swearing, like ��</p><p>�Don�t
worry. It is cold, I entirely agree.�</p><p>�Peter,
this is Father Anselm. He knows George.�</p><p>The man�s
hand was large, stamped with work and decency Anselm reached over. It had looked
like an anvil, but when touched it became a fat sponge.</p><p>Emily
said, �Father Anselm was just about to go.</p><p>Peter
stood in the doorway like a roadblock. His blue overalls were parted, revealing
the V-neck jumper, the shirt and tie. A slight paunch stretched the patterned
wool. He took a shallow breath while practical, no-nonsense eyes seemed to
weigh up a fractured joint, something basic that couldn�t be fixed. Peering
through a sort of spray he said, �How is he?�</p><p>�Fine.
Not so bad,� said Anselm, trapped between honesty to Peter and sensitivity to
Emily.</p><p>�Well,
that�s good news, isn�t it?�</p><p>�Yes,
it is .�</p><p>Anselm
pictured the arrival of the big man, his ordered life folded up in cardboard
boxes: a few pictures, his dad�s tin mug, some Corgi cars, mountains of
underpants, a shoe-cleaning box. Anselm said, �George makes no claims.� It was
a strange announcement. He didn�t know why he�d said it.</p><p>Peter
rested blue arms on each pillar, his head aslant. He was balding. The remaining
hair had been creased by a regulation hard hat. �Emily let him in. Take him
back.� He drew up the zip of his overalls, as if he�d just emerged from the
locker room. �It�s his home.�</p><p>Emily
was crying. She pushed past Anselm and said, �Peter, would you make some tea?�</p><p>�You�ll
have one, Father?�</p><p>�No, he
won�t,� sobbed Emily.</p><p>At the
door, one foot on the flags, Anselm said, �Is there anything you�d like me to
say?�</p><p>�Yes.�
Emily searched her pockets nervously.</p><p>Anselm
said, �I think I�ll be able to explain without saying anything.� He was looking
at Peter, out of earshot.</p><p>Emily
said, �Tell him �� Her face crumpled. She fetched out a biro that had leaked
and a receipt. With a slap at the air, she threw them against the wall and
slammed the door.</p><empty-line/><p>Anselm entered the ward.
George was dressed, his knees crossed, one leg bobbing. He was like a granddad
in a waiting room, ears cocked for an announcement. He�d been smartened up. The
hair hadn�t quite taken to the parting, but the comb lines stood out. Someone
had found an old blazer. It had a crest over the breast pocket with a motto: <emphasis>�Legis
Plenitudo Caritas�. </emphasis>Love fulfils the law.</p><p>Before
Anselm could move, George swung him a quick look and grimaced. His feet
slipped, despite the shoes, and he locked his wrists on the armrests. Bony
shoulders took the strain of standing. Before Anselm could stop him, George was
upright, a hand outstretched. �Elizabeth said you�d come,� he exclaimed.</p><p>Anselm
felt the grip. It was reassuring; it was strong. He looked aside from cloudless
eyes that revealed nothing but the sky.</p><p>�Funny
thing is� � George laughed gently at the coming joke ��I�m not quite sure why�</p><empty-line/><p>6</p><p><emphasis/></p><p>Riley unscrewed the box
casing that concealed the water pipes in the kitchen. Nancy stood behind him
waiting for the news.</p><p>�Not
there,� he said.</p><p>�But he
can�t get out,� moaned Nancy �You said so yourself.� Riley replaced the casing,
thinking he shouldn�t have said that, because she�d latched on to it. He�d only
expected a ten-minute look-around. But Nancy was ready to dismantle the
building. She�d already made him check the washing machine, the dryer and the
fridge. She wouldn�t give up. That glow of expectation in her cheeks was like
the fog lights at Lawton�s.</p><p>�I�ll
check the bedroom.� Her voice was tight with the strain. �This is a waste of
time,� he said, thinking of the dark around Limehouse Cut.</p><p>Nancy
got down on all fours, one cheek flat on the carpet. Riley stood behind her,
looking down. Her fastidious concentration was ridiculous to him.</p><p>�Where
are you, Arnold?� whispered Nancy.</p><p>Riley
knelt beside her, as if to drink from a stream. �Not there,� he said. These
were bitter waters. He tasted one thing, and she another. His stomach turned,
like it did in his dream.</p><p>This
charade was played out in every room until they returned to the kitchen and
faced the empty cage. All at once Nancy slumped into a chair, pushing a hand
through her hair, one elbow on the table. �He�s so small, and so weak.�</p><p>The
phrase threw up the days when Riley wore shorts. He�d been a small lad.
Everything was heavy, even the shopping. He�d hated his weakness. Coming round,
he noticed that Nancy�s shoulders were shaking. She�s laughing, he thought,
with relief, and it brought a nervous giggle out of him. Like a thing on a
ratchet-wheel, Nancy slowly looked up, and showed her tears.</p><p>�How could
you?� she whispered in disbelief.</p><p>Riley
paled, thinking that she�d known all along; that she�d led him round the
houses, giving him the chance to admit what he�d done. He panicked and
sniggered again.</p><p>�Go on,
laugh,� she howled, proud and defiant. �Join the rest of them who think that
Nancy Riley�s such a joke.� She hid her face with her hands.</p><p>Riley
waited for her to stop, but she didn�t. She moaned gently into her fingers,
shaking her head, and he watched her, as if his mind were on a shelf, while his
body against him, still wanted to laugh. The more he listened to Nancy�s grief,
the longer he observed her covered face, the more he seemed to become separate
from himself. He was retreating from this awful sight � he�d never seen her cry
like this � but his lungs were ready to explode. Unable to stop himself, he
began to laugh.</p><p>Nancy
lowered her fingers. Impassively she watched him � as he had watched her. With
a pink tissue she dabbed each cheek as if she were putting on her make-up.</p><p>Riley�s
laughter wouldn�t end. Shuddering and out of control, his voice grew loud. He
tried to stop it with a cough and a whistle, but it was no use. It was like
being stripped down, and Nancy could see him for who he was. She didn�t storm
out; she just kept crying and dabbing her cheeks, watching him like it was a
sad film, a tragedy It turned into a sort of game: who was going to stop first,
him or her? The thought allowed him to recover, because he didn�t want to win:
he couldn�t bear to watch her any more. The hysteria was over. And yet �</p><p>Riley
didn�t know what was happening. He touched his cheeks � they were wet, like a
rock on the beach. Nancy rose as if someone had banged at the door. She came
towards him, curious and frightened, while Riley backed away His tears kept
spilling out. The muscles all over his face ached terribly and yet part of him
felt nothing, because he was distant, like a balloon, bobbing against the
kitchen ceiling. Then, as if punctured by exhaustion and a will to resist no
more, he felt himself sinking: coming down to a distraught man with a wet,
contorted face.</p><p>�It�s
not your fault,� urged Nancy appalled. �You only left the cage open.</p><p>Sobbing
with a sound just like his laughter, Riley yanked open the back door. Cold air
bit his face. He was still falling, but more quickly.</p><p>�I�m
here,� said Nancy softly at his shoulder. �I�m always here, Riley.�</p><p>At
those words, he caught himself up. He felt weakened �dreadfully � by the
realisation that he wanted to live like other men; that he�d had enough of the twisting,
the breaching and the wrecking of everything that passed before him. He�d gone
out of his way to smash whatever might break. Nancy was in the yard, at his
side, and Riley saw her as he�d first seen her at Lawton�s long ago, at their
bleak beginning. She was still the same old Nancy still dumpy still hungry.</p><p>A frost
had fallen with a faint mist. The yard was crisp with tiny crystals. It was
dark and Nancy�s pile of bricks glittered with rime. Closing his eyes, and
through a growing headache, Riley thought of snow � fields and fields of
fresh fallen snow, as it�s seen at night, practically glowing from the inside �
not a leaf, not a flower, just snow That was his wife. He knew it. And with a
savage certainty, he knew that he didn�t want to spoil what he�d seen, not with
a single careless footprint. Stunned, Riley recognised that he � <emphasis>loved
her.</emphasis></p><p>He
looked up to the misty night sky. There were no stars, just this ghostly breath
off the Thames.</p><empty-line/><p>They were sitting at the
kitchen table. Nancy had fished out Uncle Bertie�s poison and filled identical
tumblers.</p><p>�To
Arnold,� she said.</p><p>They
clinked glasses and downed their drinks in one.</p><p>Nancy
coughed, and Riley�s lips ignited. To the blotches of purple light, he said, �I�ve
had enough.�</p><p>Nancy
nodded and put the bottle back in the cupboard.</p><p>Because
the poison was illegal, she always hid it, even though no one would ever come
looking. That was Nancy all over. He said, �I�ve got a Christmas Fair coming
up.�</p><p>�Where?�</p><p>�Wanstead.�
Riley conjured up those fields of snow spreading out before him as far as the
eye could see � beyond the Weald and on to the South Downs. �I�ll do this last
one.� He could do it; he could take a first step, as long as Nancy knew nothing
of what lay behind.</p><p>�What
do you mean?� Nancy stood with hands on her hips. Her face still blotched from
the tears.</p><p>�I�m
going to pack it in.�</p><p>�What,
the business?�</p><p>�Yes.�
He could walk away and keep going. Every step would be new He need never turn
around. Riley�s eyes glazed before a sort of darkness. He didn�t understand his
own thoughts. This was the Major�s country.</p><p>�You�ve
had too much of Uncle Bertie�s poison,� said Nancy She smiled, and was, to
Riley very pretty. �Your sort never give up.</p><empty-line/><p>7</p><empty-line/><p>Anselm slept fitfully
waking at intervals to be tormented by George�s calm, and his own folly The old
man�s repetition word for word of their earlier conversation had been a device
of mercy but in the giving George had revealed the activity of his memory: he�d
known that Anselm had been to Mitcham; and he�d understood that Emily wouldn�t
take him back.</p><p>When
morning came Anselm acted without hesitation: whatever Doctor Johnson thought
of London, Anselm was tired of it. His life lay elsewhere, as now would George�s.
He rang Larkwood to say he was coming home, and he asked Wilf � the guestmaster
� to prepare a room for a weary pilgrim. At the hospital, George warmed to the
proposal immediately volunteering that he�d never been to a monastery, and
that <emphasis>The Sound of Music </emphasis>was his wife�s favourite film. On the train he
kept breaking into �Doe, a deer� while Anselm studied the badge on his blazer:
<emphasis>Legis Plenitudo Caritas. </emphasis>It was a warning and a promise: the law would
be fulfilled, but only by love. What would Elizabeth have made of that?</p><p>By
early afternoon George had been installed in a room overlooking the valley of
the Lark. The stream sliced through ribbed fields, drawing down the winter sun.
On the far side, oaks and chestnuts crowded on the slopes. Anselm leaned on the
sill, beside George, longing to get among the blue shadows, to kick the acorns
and conkers.</p><p>�I knew
a strange man called Nino,� said George, searching the treetops. �He told me
that at the bottom of every box is hope. No matter what terrible things jump
out, he said, we have to wait.�</p><p>The old
man hung his hands on the lapels of his blazer and talked to the valley about
this Nino, a guide who told stories that George had rarely understood first
time around. It was a patchy reminiscence, of sayings uttered near Marble Arch
or King�s Cross, on a bench or by a bin. His memory hadn�t held on to the parts
that would have made the whole easy to understand. But as he spoke, Anselm
thought of Clem, his old novice master, long dead, who�d taught through
mysterious tales of the Desert Fathers. And slowly like warming up, Anselm felt
close to George, as he�d been close to Clem, and yet � as with Clem � he
remained so very far away For with every word, it became clear:</p><p>George
understood Nino�s stories without being able to explain them. George had come
to that point of stillness and detachment that Anselm was hoping to reach
through monastic routine. This mendicant beside him was already home: he�d
reached the same strange uplands stalked by two strange masters.</p><p>�Here�s
a small present with many pages,� said Anselm, taking his leave. It was a
notebook with Larkwood�s address and phone number inside.</p><p>He
moved briskly down the corridor, intent on grabbing the Prior just before
compline, when authority was both tired and indulgent, to beg that George might
live out the remainder of his days at Larkwood. For the moment, another task
required his attention.</p><p>Anselm
went to the calefactory, a side room off the cloister with a huge fireplace,
some armchairs and a telephone. In the Middle Ages, it had warmed up rude and
ready monks; now it was one of the monastery�s many hideaways, a place in which
to thaw and think. It was empty. Anselm sat by the inglenook and made what
amounted to a preliminary call. .</p><p>The
Provincial of the Daughters of Charity remembered him from his earlier enquiry
about Sister Dorothy and the account of a hidden key Anselm wanted access to
any records that touched on the background of Elizabeth. They were held in the
congregation�s archives, he assumed, at Carlisle. Fearing a refusal if he
approached the school directly he wondered if the Provincial might sanction his
appeal for help.</p><p>�Why
exactly do you want to know?� she said. �I don�t see how your question is
linked to your objective.�</p><p>�Because
I think it�s only a matter of time before her son wonders why his mother cut
a. hole into that particular book, which will bring him to Dorothy� replied
Anselm. �And as this business reaches its end, I fear everything will unravel.
I want to get back to the first dropped stitch � if there is one � so that I
might help him.�</p><p>The
Provincial told Anselm to wait one hour and them he was to ring the school and
ask for Sister Pauline.</p><p>When
Anselm duly dialled the Carlisle number the phone was picked up instantly. And
just as promptly they set to work. There was only one sheet of paper in the
file, said Sister Pauline. �I�d rather not release a copy Father, but I can
read it out. Is that all right?�</p><p>�Yes.�</p><p>Laboriously
she described the format of the page and the brief details recorded on it.
Anselm listened, eyes closed, picturing the document in his head. When she�d
finished, Anselm decided to repeat back the particulars that mattered for
confirmation.</p><p>�So, am
I right, Elizabeth Steadman was born in London, not Manchester?�</p><p>�Correct.�</p><p>�No
parental details are recorded?�</p><p>�None.�</p><p>�Her
home address is given simply as Camberwell?�</p><p>�Yes.�</p><p>Anselm
wondered why such an important matter had been left so vague.</p><p>�Because
we know exactly what it means,� said Sister Pauline. �Camberwell refers to our
hostel. It means she was based there before being given a place at the school.�</p><p>�Hostel?�
asked Anselm, thinking of the convent where he�d met Sister Dorothy.</p><p>Sister
Pauline explained that the Camberwell hostel had been their biggest London
project, offering accommodation and help to anyone and everyone, so long as
they were female. The building had been converted years ago to provide
affordable housing, a part of the ground floor being retained for the community.
Anselm had already been there.</p><p>He
could imagine Elizabeth�s journey north, far from the big city; but something
was missing �If she came to Carlisle through the hostel, without parental
involvement, then there should be a court order � a legal document that
defines her status and yours. Are you sure there�s nothing else in the file?�</p><p>�Absolutely.�</p><p>And
that, he inferred, means it�s either been destroyed, or it never existed.</p><p>Anselm
thanked Sister Pauline and put the phone down. His thoughts fell neatly into
place: if no court order had been made, then Elizabeth�s presence at the school
would have been with parental consent � that of Mr and Mrs Steadman. So why had
no address been recorded? And why had Elizabeth been linked to the hostel? The
only person who knew was Sister Dorothy and she, Anselm decided, would receive
another friendly visit �only this time they�d get beyond the figures in a
photograph.</p><p>The
calefactory door swung open with a bang. Anselm bristled � a common enough
experience in monastic life, for sensibilities were always colliding,
especially on the little things, like how to open a door � and there, standing like
a slot machine, was Brother Cyril.</p><p>At
last,� said the cellarer. �I�ve been looking all over.�</p><p>�I�m
sorry.� That was another aspect of existence in a habit. With some people you
had to apologise when you�d done nothing wrong. Guessing Cyril�s mission,
Anselm said, �I�ve put all unspent money � with receipts � in your pigeon-hole.�</p><p>�I
know,� he snapped, �That�s not why I�m here.�</p><p>Anselm
prepared himself for a harangue on the theology of internal audit. �Do
continue, he said wearily.</p><p>�I�ve
worked out what this Riley man is up to.� Cyril�s one arm swung proudly.</p><p>�Already?�
asked Anselm, astonished.</p><p>�Yes.�</p><p>�You�d
better tell Inspector Cartwright.�</p><p>�I have
done. She�s coming here tomorrow afternoon.�</p><p>Anselm
stood up, distracted by all that must now be done. He would have to tell
George; and, instinctively he knew that this was the moment to draw Nicholas
more closely into his mother�s doings.</p><p>�Shall
I explain the trick now?� asked Cyril impatiently.</p><p>�No, I�ll
wait, thanks.�</p><p>�Pah!�</p><p>Anselm
almost ran down the trail that led to a narrow bridge over the Lark. The sky
was clean and shining like metal � as it was, no doubt, over Marble Arch or
King�s Cross. Anselm sensed he�d be going back to those bustling streets, but
for now he wanted to be alone, to enter the far wood and pray among the acorns
and conkers.</p><empty-line/><p>8</p><empty-line/><p>�Nancy is that you?�</p><p>It was
Babycham. She hadn�t changed. Well, she had, because of the hair extensions and
a fur coat. And her lashes were false. And ten years had made a difference.
Those pink cheeks had fallen a bit and the powder looked like bruises; or maybe
it was the cold.</p><p>�It�s
been ages �� The fur ruffled magically leaving windy paths like those corn
circles. It was the real thing. You could tell.</p><p>Nancy
had just got off the bus. With worked-up hope, she�d gone east this time, into
West Ham, hoping for a glimpse of Mr Johnson. She�d sat by the buzzer, her eyes
latching on to every uncertain step among the flow of jackets and prams; she�d
checked a bench by a newspaper kiosk and a heap outside Currys. He was blind.
He couldn�t have gone that far. She�d stepped out to buy some Polos, when that
voice had made her jump.</p><p>Nervously
Babycham said, �Lovely hat.�</p><p>Riley
had found it in a drawer at a clearance. It was yellow polyester with black
spots.</p><p>�How�s
things?� asked Nancy When they�d last met, she�d told her she was full of wind
and bubbles.</p><p>�Altogether
nice,� said Babycham. She turned to a newsagent�s, to the paints and pens and
toys with stickers on. The glossy mags were on display � happy faces, baring
their teeth. <emphasis>Woman�s World </emphasis>had a couple of answers. �Take Control:</p><p>Tell
Him What You Want in Bed�; and, in bigger letters, �How to Stop a Yorkshire
Pudding Falling Flat.�</p><p>Nancy
admitted, �I didn�t mean what I said.�</p><p>�Course
you didn�t.�</p><p>Nancy
waited, but Babycham didn�t reciprocate. It was to be expected. She never dealt
in returns or cast-offs. She�d always gone top drawer. Knew her mind. She�d
told Nancy to run. They�d had a meeting.</p><p>Babycham
looked hard into the window again. The glare from the shop made her cheeks
redder. Forty-denier tights. All you had to do was tear a number off the bottom
and ring up whomever it was. Only one had been taken.</p><p>Nancy
said, �So what�s been up, then?�</p><p>Babycham
pulled out a hankie. It had a blue �B� on one corner and lace round the edge. �Well
� I ended up with Harold � You know, the boss.�</p><p>�Mr
Lawton?� Nancy�s surprise made it sound ridiculous.</p><p>�Yes.�
She carefully touched the corner of one eye.</p><p>�So it�s
easy street for you then, Babs.� Mr Lawton must have made a packet, what with
the development of the docklands.</p><p>�Well,
he held on to his turf, so he could negotiate, sort of thing. That was the
idea. And you?�</p><p>�Antiques.�
Nancy felt a punch of self-hatred for the lie, for the lack of pride in what
she did, for who she was.</p><p>�Oh,
very nice.�</p><p>�Well,
you know, second-hand. I�ve a small shop.� Before Babycham could ask
whereabouts, Nancy said, �I suppose you�ve got tons of kids?�</p><p>�Three.
And you?�</p><p>�None.�</p><p>�Sorry.�
She dabbed the other eye. �It�s arctic.�</p><p>Riley
had said, �No children. No talk of it. It�s just the two of us.� He�d spoken
like it was a deal before they hit the sand. They�d make it out of this hell
together. Confident and romantic, he�d ducked like John Wayne on Iwo Jima.
Nancy had agreed, not knowing that Riley never changed, that he�d come out of
the packaging ready made and complete, all the screws in place. There was
nothing to add on, no expensive extras. Whereas she�d been incomplete, with
gaps, so many gaps. She�d always wanted to be a mother, and the nearest she�d
got was Arnold. Shame and a kind of hatred � again, of herself �twisted in her
stomach, like when she�d been starving after a day on grapefruit, part of a
diet that was meant to transform her shape in two weeks. It hadn�t worked.</p><p>Babycham
said, �Harold didn�t sell up when he wanted, you know.�</p><p>�Why�s
that?�</p><p>�He had
to. After he got fined.�</p><p>�What
for?�</p><p>�Health
and safety.� The hankie went up a sleeve. Her eyes were fine now, and her
cheeks not so red. �Did you not hear? A lad drowned off E Section.�</p><p>�No.�
Nancy shuddered as something fell inside her � like one of those metal shutters
that could stop a car, never mind a smash and grab. Her voice failed.</p><p>Years
back a woman had come to the shop and handled a mirror � checked her lower
teeth and a spot on her chin. She�d been sociable and asked how business was
going. Then she�d shocked her by using her name: �Nancy I�m not a customer. I�m
a copper.</p><p>Feeling
sick, she�d said, �What have I done?�</p><p>�Nothing.
Can we have a talk, just us two, going no further?�</p><p>�Well,
I suppose so.�</p><p>She�d
tried to win her round, with talk of the poor mother, and that man Bradshaw,
the father, who�d walked out of the court. Cartwright, that was her name.
Jennifer. She�d made insinuations. It was like being trapped in Wyecliffe�s
office all over again.</p><p>�Where
was he last Saturday?�</p><p>�The
car-boot fair at Barking.�</p><p>�It
rained.�</p><p>�He
went.�</p><p>�What
time did he get back?�</p><p>�I was
asleep.� That hadn�t been true. But lying awake was her secret.</p><p>�What
time did you go to bed?�</p><p>�Elevenish�</p><p>�The
fair would have wound up by six or seven?�</p><p>�Yes,
but his van broke down.�</p><p>�Where?�</p><p>�How
would I know?� These police and their daft questions.</p><p>Babycham
said, A lad went through some of the planks. Harold had put up a notice, a
fence, bollards, but they�d all been moved. Dumped in the river.�</p><p>�Really?�</p><p>�Yes.
He�d checked them on the Friday at seven o�clock, but they�d gone by Saturday
night.�</p><p>Nancy
said nothing. Babycham stepped closer. Fur tickled Nancy�s wrist.</p><p>�And
that was when the lad drowned, the Saturday They said he was a trespasser.�</p><p>�And Mr
Lawton got fined?�</p><p>�Because
of the holes in the fence and the missing bollards.� Like she had an itch, she
repeated. �They said he was a trespasser.�</p><p>�I
suppose he was, then.�</p><p>�Well,
I don�t think so. And neither does Harold.�</p><p>A
slow-moving HGV had snarled up the traffic. It crawled past, heaving a trailer
with a huge shed on it, more like a fairy-tale doll�s house, painted red and
white. There were two windows and a door in the middle. Someone�s moving home,
joked Nancy to herself, her eyes smarting. The idea stung everywhere at once,
as if she�d crunched a nest underfoot; wasps, angry and purposeful, swarmed
around her.</p><p>Jennifer
had said, �Where was the van fixed?�</p><p>�On the
spot.�</p><p>�Who
by?�</p><p>�He
does it himself � He keeps everything he needs in the back.�</p><p>�Why?�</p><p>�Well,
it�s been breaking down a lot recently�</p><p>�For
how long?�</p><p>�Six
months.�</p><p>And he
always does the work himself?�</p><p>�Yes.�</p><p>At the
side of the road?�</p><p>�Yes.�</p><p>�Have
you seen him do it?�</p><p>�Once.�
She�d said it with a gusty success, as if she�d swatted a big one.</p><p>�When?�</p><p>�At
home. About three months back.�</p><p>Jennifer
had looked inside a wardrobe and checked the joints. �Does he always tell you
when the van breaks down?�</p><p>�Well,
if he doesn�t tell me, there�s no way I�d find out, is there?� These police. No
wonder they didn�t catch anyone. �We�re man and wife, you know. That�s why we
talk.�</p><p>�Of
course, Nancy � But there are people who say things � and your husband won�t
help himself, you know that. That�s why I�ve come to you.�</p><p>�Saying
what sort of things?�</p><p>Babycham
said, �We think it was deliberate.�</p><p>The
doll�s house had gone, and Nancy hadn�t noticed. She hugged herself, gripping
her elbows. �Deliberate? You mean the lad jumped in?�</p><p>�No. I
mean someone pushed him. Or let him fall. Got him out there. When it wasn�t
safe.�</p><p>�Why do
that?�</p><p>�I
wonder.�</p><p>�Who�d
do a thing like that?�</p><p>�There�s
no knowing, is there?� It was a real question. Nancy stepped back, away from the
tickling hairs. �Then Mr Lawton should�ve fixed the fence.�</p><p>Babycham
dug out the hankie and prodded the corners of her mouth. A matey tenderness
from the yard made her voice suddenly hoary � like when they�d told Carmel
Pilchard to get knotted, that she couldn�t join in � �You haven�t changed.�</p><p>�Neither
have you.� For one brief, terrible moment they were both barelegged in
knee-high socks, with bruises on their knees. Pilchard�s main had one eye and
her dad was doing time. �Serves him right with a name like that,� Babycham had
said. Nancy had thought that a bit on the harsh side.</p><p>�Best
be off,� said Babycham, checking her watch � it was small and gold with
trinkets dangling off the strap: a horse, a pig and a penny �I�d stay but I�ve
a plane to catch. Winter break.�</p><p>�Very
nice.�</p><p>�Who�d�ve
thought there�d be an airport between the King George and the Royal Albert. The
place was dead.�</p><p>With a
quite awful longing, Nancy wanted to go back to those days of heavy morning
mists � when they�d first arrived at the docks, when she�d tramped up the
iron stairs to the office with a view of the river. On some days, you wouldn�t
be able to see it until lunchtime. As the sun burnt through the sodden cloud,
the waves would appear, here and there, like silver chains. She wanted to wind
back time some more, into the yard, by the toilets, when they�d changed their
mind about Carmel. They�d felt sorry for her main. Exclusions weren�t so bad,
then, although it had felt like it. She said, And who�d�ve thought you�d be
cooking dinner for Mr Lawton.�</p><p>Babycham
pressed a button on a key and a nice car winked. It was like magic.</p><p>Nancy
said, �I�ll see you around, then.�</p><p>�No.
You won�t.� She didn�t deal in returns, Babycham. And she always spoke her
mind.</p><p>�Ta-ra,
then.�</p><p>�Yes, ta-ra.�</p><empty-line/><p>When the bus pulled into
the depot, Nancy changed numbers and followed another route, her face set
against the window It was useless, but she kept looking for Mr Johnson, while
her mind kept turning to Arnold. Her breath steamed up the glass. She gave it a
rub with the sleeve of her coat � and out of nowhere, she remembered seeing
her man at the top of their street at two in the morning Nancy knew it was him
from his walk, and the way his arms swung like loose ropes.</p><empty-line/><p>9</p><empty-line/><p>As Nick drove through the
pinks and thatch of Suffolk, he continued to brood upon the tall figure at the
window of the Butterfly Room. Charles had been watching as Nick pulled away on
yet another solitary jaunt in the Beetle.</p><p>Ironically
since Nick had left Australia, a great distance had fallen between them. Nick
had been making short expeditions: from Larkwood, to Mr Wyecliffe, to Dr Okoye,
to Mrs Dixon and now, coming full circle, back to Larkwood again. And he had
said nothing to his father � not since he�d concluded that the dear old buffer
hadn�t the faintest idea what his wife had been up to. Driving through the
monastery gates, Nick resolved to buy some red mullet and white Burgundy He
would cook the meal that his father had planned on the day Elizabeth had died.
And, when they were warm and tipsy he�d tell him all that had been happening
while they�d both been far away on different continents.</p><empty-line/><p>Nick couldn�t take his
eyes off his mother�s accomplice: a solemn man in a school blazer that was far
too small for him. The white cuffs of an ample shirt stuck out from the
sleeves. A blue-and-yellow-striped tie suggested membership of an exclusive cricket
club. His eyes were dark, like rings in pale saucers.</p><p>Apart
from Nick and Mr Bradshaw, seated round the table were Inspector Cartwright and
three monks: the Prior of Larkwood, Father Anselm and Brother Cyril � a man
whose pinned sleeve would have evoked Admiral Nelson, had it not been for his
defining squareness. He seemed to have lost his neck, never mind an arm. They
assembled in a cool room of thick white stone. Arched windows threw sunshine
across the old flags like banners of yellow cloth.</p><p>�It�s
all very simple,� said Brother Cyril, as if it were a complaint. �In a
nutshell, it�s a scheme to sell information, but it�s hidden within a
legitimate business. I became suspicious because if you look at the receipt
numbers and the dates and the description, on one and the same day Mr Riley
sometimes sells an object but then buys it back again. I�ll give you an
example. Let�s take that ashtray Imagine it�s on Mr Riley�s stall. There�s a
little sticker on it marked ��15�. <emphasis>But he sells it for �30. </emphasis>Then he buys
it back again for �15. It�s a crazy way of accounting for the fact that he�s
made �15 and the ashtray hasn�t left the table.�</p><p>�But
that isn�t what we�ve been told,� said Inspector Cartwright. �Our understanding
is that people arrive, give him money and then leave.�</p><p>�Of
course they do, because that�s exactly what happens: they buy some information.�
Brother Cyril scanned his audience. �The shenanigan with the receipts is done
afterwards. It only occurs on paper. The ashtray doesn�t even move. But the
receipts show that a different kind of sale has occurred. They prove that Riley
pocketed �15.�</p><p>�But
why do you think he�s selling information?� asked Father Anselm tentatively.</p><p>�Because
otherwise,� snapped Brother Cyril, �someone�s giving him money for nowt.�</p><p>Nick
was amazed. Neither of the other monks was in the least discomfited by the ill
temper of their confrere.</p><p>�And
why go to such lengths?� added the Prior. Each eyebrow was like a chewed
toothbrush, and his glasses were lopsided, with a paperclip on one side for a
screw He had received Nick with surprising warmth.</p><p>�There�s
only one explanation,� said Brother Cyril, raising a thick index finger. �If he
got rumbled, he could trace every transaction, just like I�ve done. He can
account for every penny received. There�s no cash in hand. So he can show that
when all�s said and done, he�s paid tax on the lot. In fact, he�s in breach of
all manner of accounting rules because this is a completely separate business
� and he wouldn�t pay any tax at all if he�d set it up properly And that brings
me to the heart of this completely barmy system.� He laid his arm flat on the
table, fingers splayed. �On the one hand, he must think that what he�s doing
is legal, because he could have sold his information over a pint of beer.
Instead, he fills out all this paperwork to demonstrate what he�s doing. On
the other hand� � he shrugged the shoulder with the missing arm � �he�s
obviously hiding something. And that suggests it�s an illegal activity.�</p><p>�But
who, then, is he hiding it from?� asked Inspector Cartwright.</p><p>�Nancy�
replied a husky voice.</p><p>Everyone
turned to Mr Bradshaw During Brother Cyril�s explanation, he�d been kneading a
temple, but nodding with increasing conviction. Nick couldn�t expel the notion
of a gentleman chairing a team of selectors for the England XI.</p><p>�Elizabeth
thought he was hiding it from Nancy� he said, both hands straying to the lapels
of his blazer. �And himself.�</p><p>Nick
just caught Father Anselm�s half whisper, <emphasis>�Himself?�</emphasis></p><p>�George,�
said Inspector Cartwright, �is this system all about information?�</p><p>�Yes �
Something Elizabeth told me has come back, while I�ve been listening.� He
pulled at one of the short sleeves, trying to lengthen it. His mouth sagged,
and purplish shadow crept up to his eyes. �She said Riley had gone back to
where he�d started from, that he was selling � introductions.�</p><p>The
long banners of light faded with a movement of cloud, and the stone vaulting
seemed to contract. No one spoke. Almost everyone, except Brother Cyril, was
leaning on the table, arms folded.</p><p>And
that,� said Inspector Cartwright finally �is called living off immoral
earnings. However convoluted the system, and whatever his motives, it�s
illegal.� She thanked Brother Cyril and Mr Bradshaw and then said, �I shall
arrest Riley tomorrow morning. He, in turn, will want representation from
Wyecliffe and Co. All things being equal, the interview will begin at two o�clock�
� she looked to George � �I�ll have to reveal how I obtained this paperwork, so
Riley will know that you�ve brought him down. There�s an observation room with
a mirror-window, so you can attend unseen, if you wish � in fact, any of you
can. Father Anselm coughed deliberately �Cyril, you said if he�d set this up
properly he wouldn�t pay any tax � What�s the turnover? How much are we
talking about?�</p><p>�Peanuts.�</p><p>�I�m
thinking of a likely sentence when it gets to court,� said Father Anselm,
turning to the Inspector. Reluctantly he said, �A judge may think the offence
is not the most serious of its kind.�</p><p>�I
appreciate that,� she replied. �But in my book, it could hardly be worse. Do
you know why? Because he doesn�t give a toss about the money; <emphasis>he only cares
about what he�s doing.�</emphasis></p><p>Outside
the monastery, Nick made hasty goodbyes and set off down the track for the car
park. Father Anselm came running after him.</p><p>�Nick,�
said the monk, out of breath, �you didn�t speak in the meeting � Are you all
right?�</p><p>�There�s
nothing to say� he replied. Nick didn�t want to linger; he didn�t want lunch in
the guesthouse; he didn�t want a chat with Mr Bradshaw His mind was on his
lonely troubled father, a shifting shape behind a tall window.</p><p>�Will
you attend the interview?� asked Father Anselm.</p><p>�No.�
The whole sordid business had thrust him back into Mr Wyecliffe�s fetid burrow
He faced the kindly worried man.</p><p>�When I
first came to Larkwood you said, �Don�t turn over old stones. Let them lie
where they were placed.� You were right. I should have left things be. And now,
I just want to go home.�</p><empty-line/><p>It was late afternoon when
Nick cut the ignition in the back lane at St John�s Wood, thinking of his
mother, not wanting to diminish her achievement. But he couldn�t help himself:
a key in a book, a letter to a monk, a parcel for the police and all the conspiring
with Mr Bradshaw: such effort expended to the moment of her dying, but for
what? A fixation with a two-bit crook peddling a two-bit crime. In a liberating
moment of self-realisation, Nick let the whole matter drop, as if it were
someone else�s suitcase. This was his mother�s life, not his. He was free. He
always had been.</p><p>As he
reached for the key Nick�s eye caught on a small orange triangle. A paper
dog-ear had been trapped in the closed ashtray He tugged out a flyer for an
antiques fair. The various participants were listed beside their phone numbers.
Towards the bottom, circled in biro, he saw a name that he knew:</p><p>Graham
Riley</p><p>Nick
pushed open the back gate, remembering Mrs Dixon, who shared one thing in
common with his mother: they both knew what it was like to lose someone.</p><empty-line/><p>10</p><empty-line/><p>Nancy was bewildered.
There was a spring in Riley�s step like she�d never seen before. Over breakfast
he�d rung Prosser and offered him the business, there and then, if the price
was right. That had led to a bit of swearing, but the two men had agreed to
meet.</p><p>�It�s
going to happen, Nancy� said her man, heading out. �We�re off to Brighton.�</p><p>�For
the weekend?�</p><p>�For
good.�</p><p>He�d
driven to Wanstead Park laughing at the wheel. That had never happened before. Nor
had the stunning experience of the night before. They�d been lying in bed, side
by side, discussing Uncle Bertie�s liver. Nancy�s arm had strayed into the
narrow corridor between them. Still talking of poison, Riley�s hand lightly
touched her fingers, and then her wrist; he�d held on, like in the films when
someone tumbles over the edge of a boat or a cliff; but there was no panic or
hollering, he just carried on talking in a husky voice about percentage proof
and damaged organs. He let go as he fell asleep, and he didn�t dream.
Intuitively Nancy was worried. She�d always seen her man as a barrel, wrapped
with iron bands, and wondered what might happen if they fell off. And, in a way
they had � and there had been no explosion. Somehow, it wasn�t quite right.</p><p>That
said, the notion of a house in Brighton made Nancy excited beyond measure. But
there were two hiccups, one small, the other large: Arnold hadn�t turned up,
and neither had Mr Johnson. The bigger problem took her to the plastic bag in
the shop that would soon belong to Prosser. For once she had a reason to leaf
through the pages � to find the address of Emily Nancy would give her all the
books that her husband had written. What else could she do with them?</p><p>Sitting
on a stool, listening to traffic fly over the bump, Nancy flicked through some
pages, until her eye caught on a name. She caught her breath and read from the
top:</p><empty-line/><p>� wouldn�t
believe me. She said Grandad was a war veteran. He�d survived the Atlantic
convoys. He�d been given a brass lamp by the shareholders when he�d retired.
You carry his Christian name. You�re David George Bradshaw What could I say?
That was all true, but it had nothing to do with what I�d found out. So I told
my father. He kept puffing on his pipe. After a while I noticed, that his neck
was red. He was like that when he was angry or frightened. For a good ten
minutes I didn�t know which it was. In the end he said, �Have you any idea what
you�re saying? What it means?�</p><empty-line/><p>George Bradshaw The man
from the trial. Nancy went dreadfully still. She�d been played upon �
something had happened, under her nose, and she didn�t know what it was. But
that�s not what made her breath pull short. No, it was Mr Johnson. He�d been <emphasis>genuine.
</emphasis>Their times by the fire had not been make-believe � she knew that, in her
bones. She�d made friends with an old gentleman who�d lost his son, and half
his mind. The man in goggles who�d stumbled out of a cardboard box had been homeless,
for real: it was in his skin, that deep grey with black speckles like asphalt.
But he was still � that other man <emphasis>Bradshaw. </emphasis>Her head began to beat,
and she hastily checked the other books, getting nowhere, until she paused at
the inside cover of Book One: there it was, an address in Mitcham.</p><empty-line/><p>When the front door
opened, Nancy held up the plastic bag as if she were making a delivery for
Tesco. �Your husband left these in my shop.�</p><p>The
woman made no response. It was as though she had been anaesthetised.</p><p>�Are
you Mrs Bradshaw?�</p><p>The
woman nodded, staring at the bag.</p><p>�I know
George,� said Nancy all friendly but wanting to shout and cry. �I sort of
looked after him.�</p><p>�Come
in,� said Mrs Emily Bradshaw �I�ll make some tea. �What a nice house, thought
Nancy There was a faint smell of fresh paint. All the wallpaper was new �
expensive stuff, too � a soft corn yellow with silver lines, straight as
cheese wire. None of it had been scuffed yet. Pictures had been hung close
together, not one of them askew: a cathedral rising out of some trees, a field
with cows by a river, someone praying by a windmill, ducks taking off. The
settee had matching armchairs. Nancy sat down, noticing that the covers were
stiff and the cushions were firm. Yes, it was very nice and new But something
was missing. There was an immense hole that the catalogue hadn�t been able to
fill or paint or cover.</p><p>�Milk
and sugar?�</p><p>A cloud
and two lumps,� said Nancy It was very quiet, like a dentist�s waiting room. �How
is he?� asked Mrs Bradshaw automatically �Not so bad.�</p><p>�Oh.�
She kept her head down, eyes in her mug �Well,� said Nancy �he�s blind, and he
wears these massive goggles, and he can�t remember much because someone bashed
his head in.�</p><p>Nancy
hadn�t wanted to speak so bluntly She�d planned a few nice phrases, but here,
before his wife, she abandoned niceness. It seemed more kind.</p><p>Mrs
Bradshaw didn�t drink her tea, and she didn�t look up. She was stuck on the end
of her chair, her knees held tightly together. Nancy liked the checked slippers.
One of them had a hole in it, near the big toe.</p><p>�His
memory works, mind you,� said Nancy The plastic bag of notebooks was on her
lap. �He talks of his days in Yorkshire, of the Bonnington, of you, and your
son. All that is bright and clear. He can recall your white pinafore � even
the frills. It�s what�s happened recently that he can�t hold on to. He once
said that he wished it was the other way round. But he didn�t mean that for a
minute. He�s a clown, your husband.�</p><p>Nancy
had seen wine tasters once, on the television, and they looked just like Mrs
Bradshaw: a frown, concentration and a mouth barely moving. Any second now, she�d
spit.</p><p>�What
happened?� asked Nancy She shouldn�t have asked; it was prying. But this woman�s
husband had played on her, despite his battered brains, and she didn�t know why
he�d done it. And she was confused. She�d come to Mitcham thinking she might go
mad, because this was George Bradshaw�s house, the man who�d played on Riley
But she�d found an ordinary home, with a big hole in it, and an ordinary woman,
who was empty.</p><p>Mrs
Bradshaw said, �Our son was killed by a bad man.� She held on to the mug like
it was a rope on a winch, wanting to get away from Nancy and her simple
question. �But I blamed George.�</p><p>An
obvious fact hit Nancy like a swipe from a rolling pin. The son Mr Johnson had
spoken about was indeed lost: he�d died off Lawton�s Wharf, and Inspector
Cartwright had made insinuations, and Babycham�s husband had been fined by the
Health and Safety, and Riley�s van had broken down. Nancy too, wanted to
escape. She stood up, putting her mug on the shiny table, but something in her
soul held on to the memory of Mr Johnson, steaming by the fire, his hands
raised in surrender. �Here�s your husband�s notebooks,� she said generously �He�s
written everything down, from his birth onwards. I hope you don�t mind me
saying, but if you dip in, as I�ve done, you�ll see him as he was: the brave
boy who left Harrogate and made it to Mitcham.�</p><p>Nancy
walked quickly along Aspen Bank, hounded by noise. It came from the hollering
in her mind, and a low voice that shoved hers to one side. �Some men are like a
coin,� yawned Mr Wyecliffe confidentially at the Old Bailey �He shows you his
head. But give him a spin and, if you�re lucky you�ll find his tail.� Nancy had
gone cold, because he could have meant Bradshaw, or her man. She�d left the
building half an hour later.</p><p>At the
end of Aspen Bank she broke into a run, because an even quieter sound was
growing louder: a tap-tapping at the window.</p><p>Having
left the court, she�d hidden at home and wouldn�t answer the bell. Then the
tapping had started, moving round the house. On and on it went, like someone
needing help, until she�d opened the door to a smartly dressed man from the
Salvation Army.</p><p>�I�ve
got no money� she�d said through a crack.</p><p>�Have
you a plate?� He�d held up a cake from Greggs. �I�m Major Reynolds.�</p><p>He knew
Riley from way back. They talked of Lawton�s and the loss of jobs left, right
and centre. He�d been watching her, giving her the chance to cry. But she�d
kept a good grip, taking note of things that didn�t matter: that his uniform
was smart but old; that his polished shoes had split, that the laces were new At
the door he shook her hand and wouldn�t let go. �Nancy maybe your constancy
will save him. But what about you?� He waited, his black eyebrows knitted with
worry. �If you ever want my help, call this number.� She�d taken the slip of
paper and thrown his cheek in the bin.</p><p>�Constancy�.
She�d looked it up in the dictionary, knowing that with every second the trial
was unfolding. While all those dreadful things were being said out loud, she�d
folded back the corner and marked the definition in red biro.</p><empty-line/><p>When Nancy got back to
Poplar there was a policeman at the gate. The hems on his trouser legs were far
too high, but he was very polite. A radio kept talking on his shoulder.</p><p>�I was
hoping to go to Brighton,� said Nancy distantly when he�d finished.</p><p>�I�m
sorry, madam.� He gave her a note with an address on it. �Inspector Cartwright
would like to speak to you as soon as possible.�</p><p>After
he�d gone, Nancy crumpled the paper, thinking of constancy and that kind man
tapping on the window long ago.</p><empty-line/><p>11</p><empty-line/><p>Anselm sat beside George
facing a tinted window Ahead, through the weak bluish haze, were a table, four
chairs and a tape machine. A door banged shut. Inspector Cartwright walked to
her place, followed by another police officer and Mr Wyecliffe � more aged to Anselm�s
eyes, but still in his brown suit. Suddenly Riley appeared at the window, his
nose against the glass. He checked his teeth as if in a mirror and he smiled
rage and impatience and � Anselm thought it might be exhilaration.</p><p>Inspector
Cartwright began the litany of warnings prescribed by the Codes of Practice,
while Riley searched the window with the flat of his hands, his face wet and
sallow Unblinking, he backed towards the table.</p><p>�Now
the preliminaries have been completed,� said Mr Wyecliffe, twitching, �there�s
the technical issue of intentional trespass and the theft of my client�s
property, grave matters which ��</p><p>�Belt
up, will you,� said Riley He slouched in a chair and smiled. �Hurry up, Cartwright,
I want to go to Brighton.�</p><p>Step by
step, the inspector presented the system disclosed by the financial records.
She invited Riley to confirm her explanation, but he turned aside, gazing back
towards Anselm and George. His fingers tapped erratically on the table, and he
said, �Come on, get on with it.�</p><p>Judiciously
Inspector Cartwright said, �I suggest that you are receiving remuneration
arising from prostitution.�</p><p>Riley
crouched, angry and bored. �Correct.�</p><p>Mr
Wyecliffe, who�d been absorbed in the blank pages of a yellow notepad, put down
a chewed biro, and said soothingly �Can we just pause there for one moment ��</p><p>�Shut
up, Wyecliffe,� whispered Riley.</p><p>Inspector
Cartwright said, �You have a list of telephone numbers?�</p><p>�Correct.�</p><p>�You
provide contact details in return for a payment?�</p><p>�Yep.�</p><p>�How
long have you been doing this?�</p><p>�Yonks.�
A frown displaced the resentment and laughter. An agony of confusion seemed to
hold him. He shouted towards the ceiling light, �I should be on the Brighton
road by now�</p><p>�You�ve
had a long enough holiday.�</p><p>�Have
I?� The swing from euphoria to despair was complete, and menacing.</p><p>�Graham
Riley you are charged with living wholly or in part on the earnings of
prostitution contrary to section ��</p><p>�It�s
all legal.�</p><p>Inspector
Cartwright turned on Wyecliffe, �Can you enlighten me?�</p><p>�Certainly
not. How dare you.�</p><p>Riley
stood up, looking down upon his interviewer, �I get the numbers from magazines
and phone booths. They�re already in the public domain. I sell them to people
who think I have a special connection.�</p><p>�That
is still an offence.�</p><p>�Is it?�
Riley seemed to rise higher. He appeared mighty over a domain of dirty facts.
This was his patch. He didn�t take lessons. �I sell numbers that anyone could
find if they knew where to look.� He swaggered on the spot, bony hands on his
hips. �Whoever�s on the end of the line doesn�t know me. I don�t know them.
They don�t know I�ve been paid. They don�t know <emphasis>nothing.� </emphasis>He spat out
the word as if it were a failing, something that should be punished. �They just
do what they do, and I get paid � for <emphasis>nothing.� </emphasis>Glaring outrage and
disgust, Riley swept Mr Wyecliffe�s papers off the table.</p><p>�Sit
down,� ordered Inspector Cartwright.</p><p>�No. I�m
off to Brighton. You can check the law�</p><p>�I
will.�</p><p>�Make
sure it�s a silk��</p><p>He bit
his lip, not finishing the jibe, and Anselm�s mind reeled back to that first
conference when Elizabeth�s poise had failed. Instantly � and horrified � he
understood: Riley�s system had grown from the seed of Elizabeth�s words: she�d
said that if he�d received payments linked to the girls� activity, but without
them knowing, then there would be a technical defence �</p><p>Anselm
heard a soft noise behind him. The door opened and a woman entered wearing a
peculiar yellow hat with black spots. Her red, trembling hands were crumpling
and reopening a small piece of paper. Timidly she checked the room, until her
attention settled on George. Then, her mouth open, she looked into the blue
haze.</p><p>�If I
can help in any other way� said Riley �don�t hesitate to contact me.</p><p>He made
to leave, but halted before the window. Confused and deliberating, his eyes
shot towards the door, as if the cry of gulls had carried from the seaside,
calling him to another life of deckchairs and ice cream. Instead Riley turned
back to examine his reflection.</p><p>It was
an awful scene, because Anselm knew that Riley had sensed their presence � at
least George�s � and he was staring through the image of himself at what he
thought was on the other side: but, in fact, he was looking directly at this
haunting woman in her yellow spotted hat.</p><p>�When
you came, Inspector,� said Riley faintly eyes on the glass, �I thought it was
about John Bradshaw� His face was a like a mask, thick and oxidised.</p><p>�I�m
bringing this interview to a close,� said Inspector Cartwright. She rattled off
the date and time and the names of those present and hit the tape machine,
turning it off. She walked up to Riley�s shoulder, seething, �You have blood on
your hands.�</p><p>They
were both staring towards the poor woman who was crumpling a scrap of paper.</p><p>Very
clearly Riley replied, �Yes, I know.�</p><p>Inspector
Cartwright blinked a few times, not quite believing what she�d heard, and
George, who did, stepped towards the window, pressing both hands to the glass.
The woman moved beside him and together they watched what was about to unfold.</p><p>Inspector
Cartwright switched on the tape machine, reamed off the necessary details, and
said, �I would like to confirm the exchange that has just taken place. You have
blood on your hands?�</p><p>Riley
circled the room, his arms swinging like chains. �Yes, but not much.�</p><p>�Does
the quantity matter?�</p><p>�No. It
was still innocent.�</p><p>Mr Wyecliffe
patted his hands on the table, as though to calm a family spat. �Stop the tape
please. I�d like to discuss matters with my client.�</p><p>�Forget
it,� said Riley falling into a chair. �It�s too late now� Anselm had seen this
sort of thing before: it was part of the psychology of wanting to be caught.
Conscience was elemental: a small quantity could produce an explosion of truth
that could obliterate a lifetime of deceptions. The change in Riley a moment
ago strutting and now cowed, was shocking.</p><p>Inspector
Cartwright said, �How did you kill him?�</p><p>�I knew
he couldn�t swim.�</p><p>�Go on.�</p><p>Riley
leaned on his knees, his head angled down, showing the spine bones of his neck.
�In the middle of the night I put him in a plastic bag with an apple.�</p><p>�This
is no time for jokes.�</p><p>Riley
shook his head. �Then I threw him into Limehouse Cut.�</p><p>�Who?�</p><p>�Arnold.�</p><p>�Arnold?�</p><p>�Nancy�s
hamster.�</p><p>Cartwright
turned off the tape, without the usual formalities. �You are a bastard,� she
said.</p><p>Riley
looked up and said, �Inspector, that�s the first thing you�ve got right today.�</p><p>The
hands of the woman crumpling paper became still and George said, �I�m sorry,
Nancy.�</p><p>She
nodded and quietly left the room.</p><empty-line/><p>The door behind Anselm
swung open and Inspector Cartwright entered, saying, �I�m sure he�s wrong,
George, but I need to check this out, all right?�</p><p>�Of
course.� He coughed like a patient who didn�t believe in doctors.</p><p>�Is
there anywhere you could wait?� she said to Anselm. She was weary and angry and
upset. �It could take the rest of the day.�</p><p>After a
phone call had been made to Debbie Lynwood, it was agreed that they would meet
that evening at the Vault Day Centre. Anselm took George�s arm. He felt as if
he were guiding a man who was so much older than before, a man who could no
longer see.</p><empty-line/><p>12</p><empty-line/><p>Riley pushed open the
swing door, leaving Wyecliffe flapping behind. At the end of a corridor he
kicked another and strode past the custody desk, barging aside people and
things to reach the pavement. There, in the street, he saw Nancy.</p><p>�What
are you doing here?� His jaw began to work.</p><p>�An
officer came to tell me you�d been lifted.�</p><p>�Have
you been inside?�</p><p>�I�ve
just arrived. What�s happened?�</p><p>He
groaned with relief. �They�ve been chasing me again. For nothing.�</p><p>�What
do you mean?�</p><p>�They�ve
never given up, not since that trial. Come on.� He pulled Nancy�s arm and they
walked down the street. He turned a corner, any corner. He didn�t know where he
was going. He swung on her, �Cartwright�s been looking at my business, but I�ve
done nothing wrong.</p><p>�What
did she say you were doing?�</p><p>�The
same as last time.� Riley didn�t use the words that would hurt her.</p><p>�Oh
God.� Nancy sat down on a low wall. The railings had been cut down during the
war, leaving black stubs in the stone.</p><p>�But it�s
nothing, Nancy Nothing.� Riley plucked at his jacket and shirt. Sweat itched
his stomach. Inside, behind that wet lining, he was ruptured with anxiety and
rage. The lot of them had put Nancy through the mill for nothing. That was
meant to be all gone. He�d put himself out of reach. He said, �Look, we�re off
to Brighton, right?�</p><p>Nancy
pulled off her hat, disarranging her hair. She looked faint. �It�s too late,
far too late.�</p><p>Riley
watched her, as he�d once gazed into the waters of the Four Lodges. If you kept
still, you could see the perch dart around in the green-black water. They were
like torn scraps of aluminium foil. Something seemed to move in Nancy�s face. �I
really wanted to go to Brighton� � she looked down at the flagstones, the
weeds in the cracks, the fag ends � �I really fancied the sound of the sea. A
walk on the beach. And maybe a stick of rock. It wasn�t too much to ask, was
it?�</p><p>��No,�
urged Riley taking her hands, �and it still isn�t. We can still make it.�</p><p>�Can
we?�</p><p>�We�re
selling up, we�re moving out. We�ll leave this place behind.�</p><p>Nancy
normally didn�t stare. She�d always been demure, one step back, a bit scared.
At Lawton�s her shyness had kept her head to the page, even when he�d tapped on
the counter. Now she faced him with wide, tired eyes. They were like polythene
bags from the tackle shop, full of clear water. Something orange flickered,
wanting to get out.</p><p>�Nancy
head off home, I�m going to see Prosser.�</p><empty-line/><p>Riley moaned as he ran. He
knew that Elizabeth had worked out what he was doing when she turned up at Mile
End Park. She held up a set of spoons and went through the same routine as
Cartwright.</p><p>�But
you taught me how to do it.� He was mocking her.</p><p>She
frowned � a bit like Nancy a few moments ago � while he reminded her of that
conference in her chambers. �You can keep the spoons,� he said, and she sagged
as if he�d squeezed her heart.</p><p>He ran
even faster. All that manoeuvring, that hunger to win back something, belonged
by a stream of deceit � the one he�d tasted with Nancy He just didn�t want it
any more. It lay behind him � with every stride. �I�m going to Brighton,� he
shouted, knocking into some codgers by a newsstand. His arms flung out: they
were in his way. The whole world was in his way He crashed against a bin, and
spun, thinking Nancy had dropped a notch: she wasn�t in the usual place, and it
terrified him.</p><empty-line/><p>13</p><empty-line/><p>There were no red mullet
left, so the fishmonger at Smithfield Market suggested tench, a freshwater fish
which, when duly cooked at St John�s Wood, turned out to be utterly disgusting.
But they�d already drunk a bottle and a half of M�con Lugny so it didn�t
matter. Charles was laughing like a schoolboy because he�d spilled half a glass
on his tie when Nick said abruptly �Did Mum ever mention the Pieman?�</p><p>It was
meant to be an introduction to what Nick had prepared himself to reveal. He
was seeking a small piece of common territory upon which to build.</p><p>Charles
carried on laughing and dabbed his chest with a napkin. Lining up his knife and
fork, he replied, �I�ll thank you kindly never to mention that name in this
house again.�</p><p>The
laughter had ceased, and Charles�s face was bitten, his lips pursed. He moved
his plate an inch.</p><p>�Is he
for real � this bogeyman?� asked Nick, incredulous.</p><p>�This
conversation is over.� Charles had that pale, helpless look that must have
driven them all mad in the bank when explanations were in demand. He said, �You
don�t need to know. Your mother�s dead. It�s over.�</p><p>They
both became completely still, hands on their laps, concentrating on a
half-eaten fish. This, I suppose, thought Nick, is what passes as a moment of
truth. He�d been convinced that his father knew nothing of his wife�s crisis;
but in that opening Edwardian rebuke he�d shown that he must know everything,
that he always had done, and that he�d held back even the barest of
explanations from his son. He�d watched Nick scuttling around in a yellow
Beetle; he�d stood at doors and windows clocking that a parental secret had
been breached: and he�d said absolutely nothing � and never had done, except to
commend the merits of a trip to Australia � and Papua New Guinea.</p><p>Something
like rage and love and fear swooped upon Nick: anger at the antics of his
parents, passion for their protective concern, but a certain dread at what had
driven them to behave like that in the first place. His mother had wanted to
bring him home, to tell him; but his father hadn�t agreed: he�d been scared. �The
Bundi do a butterfly dance,� he�d said.</p><p>And
Charles was still scared. But of what? And who? And why?</p><p>Nick
folded up his napkin and went upstairs to the Green Room. This was where she�d
planned it all, and this was where it would end � for him and his father. The
only person who knew what the hell was going on was a half-wit crook, whose
grubbing around had demolished Elizabeth�s self-respect.</p><p>Nick
took the orange flyer out of his pocket. The wine had made him foolish, he
knew, but also perceptive. Colours were slightly brighter than usual � like his
insight; things wouldn�t keep still � like his resolve.</p><p>He
dialled the number and listened.</p><p>He�d
been a fool. He hadn�t seen the true crisis, even though he�d found the key and
opened the box. The �not knowing and not being able to care�, Locard�s
Principle (as applied), the �responsibility without blame� � it was all good
stuff, but these had only pointed towards a rarefied conscience. And yet there�d
been something else in the box, right from the outset.</p><p>An
answer machine clicked into action. Nick stubbed the button and dialled again.
He waited, getting jumpy.</p><p>Nick
had actually hit upon the critical question long ago, in a dingy pub near
Cheapside. He�d ignored it, wanting to turn away from the idea that Elizabeth�s
compassion had been a commodity for the client, a bonus thrown in with the
brief fee.</p><p>But now
he wanted to know what had really happened when his mother had risen to
cross-examine Riley�s pitiable victim. For Anji, who�d had the guts to step
into a witness box, the Pieman had been a dread presence, a reality that still
exercised Mr Wyecliffe�s fascination ten years later. And what had Elizabeth
done? She�d skilfully � and <emphasis>compassionately </emphasis>� made the Pieman into a
figure from Anji�s tormented mind; she�d explained him away she�d made him <emphasis>a
dream </emphasis>�</p><p>The
phone was answered.</p><p>It had
to be the wine, but Nick shrank from the voice, for it was otherworldly in its
harshness. He pictured his father before a half-eaten tench � It was safe
downstairs � and there was another half bottle of M�con Lugny waiting � but
he wanted to know the answer to his question.</p><p>�Who
was the Pieman?�</p><p>Nick
had to ask because he felt, obscurely that his mother had known all along, even
as she�d taken Anji by the hand; that he had found the secret spring of
Elizabeth�s disgrace.</p><p>Twenty
minutes later Nick was at the wheel, over the limit, and driving east towards
Hornchurch Marshes. He�d expected a reluctant conversation, not a demand for a
meeting.</p><empty-line/><p>14</p><empty-line/><p>The Prior frequently
reminded the community in chapter that, as the Rule made clear, there are times
when good words are to be left unsaid out of esteem for silence.</p><p>With
this counsel in mind, Anselm guided George to the Vault, saying very little.
Before withdrawing, Debbie Lynwood led them to a simply furnished bedroom away
from the bustle of the day centre. On a sideboard was a selection of games and puzzles
in battered boxes. George studied the lids meditatively �Riley knew I was
there,� he said. �He was speaking to me.�</p><p>Anselm
nodded at the rounded back of this lean, honourable man in his honourable
blazer and tie. Adam�s sin, said Genesis, was that he wanted to be like God, to
direct the great arrangement of things into which he had been wonderfully
born; to know why good was good, and why evil was evil; maybe to make a few
discreet changes. There are occasions, thought Anselm, when I would like to be
God: long enough to understand this man�s fall, and to do something about it.</p><p>George
chose a jigsaw � a medieval map of the known world. Anselm left George and took
a bus to Camberwell. Once more he was directed to the garden and the corridor
of chestnut trees. Sister Dorothy was in the same place, at the far end. Tartan
blankets kept her warm; the brown pakol had been pulled down to protect her
ears. She glanced at Anselm as he sat down beside her on a stone bench, and
said, �She was a very clever girl, but naughty. Didn�t take to the rules at
first. She spent her first months in detention every Sunday afternoon. I used
to visit her with parcels from the tuck shop.�</p><p>�I take
it you mean Elizabeth Steadman, and not Elizabeth Glendinning,� said Anselm.</p><p>�What a
<emphasis>very </emphasis>silly mistake,� she replied, closing her eyes. The fracture in her
nose caught the low, slanting light, and it appeared dark and grotesque.</p><p>�I was
completely fooled,� said Anselm.</p><p>Sister
Dorothy might have admitted defeat, but she was shrewd enough to wait and see
just how much territory had been lost. Anselm smuggled an arm into each wide
sleeve, taking hold of his elbows. It was cold. Three ravens watched him from
the branches of an oak beyond the convent wall.</p><p>�I
imagine that it was in the evening,� said Anselm, �and that it had grown dark
outside. Elizabeth was alone in the Green Room at St John�s Wood. She opened <emphasis>The
Following of Christ </emphasis>� a book that went back, perhaps, to her last meeting
with you �and she cut a hole in the pages deep enough to hold a key Much later
she came to Larkwood with a duplicate and asked me to use it if, by chance, she
were to die. Her last words to me were, �You can�t always explain things to
your children. If need be, will you help Nicholas understand?� At first, I
thought she meant help him come to terms with grief. Then I thought she wanted
me to explain that you couldn�t be a lawyer without a sort of innocent
compromise. But now I fear she meant something very different ��</p><p>Sister
Dorothy made a low groan of surrender. �Mr Kemble said you might come.�</p><p>The
ravens hopped onto higher branches, and then flew off in different directions.</p><p>�You
know <emphasis>Roddy?� </emphasis>Anselm had the sort of sensation that might occur if you
turned a corner in a familiar street, only to find you were in a different
country.</p><p>�Oh
yes, we�re old friends,� said Sister Dorothy �I met him during a prison visit.
My veil charmed him. In those days it was like a marquee. He wanted to know how
it was fixed, whether it was comfortable. I rather thought he was jealous.�</p><p>�He�s
never mentioned you.�</p><p>�I
should hope not.�</p><p>�Why?�</p><p>�Because
that is what we agreed.�</p><p>Anselm
tried to stop his intuition racing ahead of his questions. �Sister, did you
introduce Elizabeth to Mr Kemble?�</p><p>�Not
quite.� Sister Dorothy seemed proud of her own machinations. �I told Roddy all
about Elizabeth when she began her studies for the Bar. He wangled several
accidental meetings and eventually urged her to apply to his chambers.
Elizabeth never found out.�</p><p>Anselm�s
inkling was like a rush of blood. He said, �You didn�t meet Elizabeth in
Carlisle, did you? You met here in Camberwell � This is the hostel where you
were based � before the architects put in those corridors ��</p><p>Sister
Dorothy gazed high above the convent wall, as if she could see ridges, peaks
and snow �Wheel me inside, please, and tell me about the key� she said.</p><p>As
happens in November, darkness had come like a thief, and quickly.</p><empty-line/><p>15</p><empty-line/><p>When Riley got to
Hornchurch Marshes the light was dwindling. Gingerly he trotted down a sloping
path that led to the Four Lodges. Years back, a cooling tower had been
demolished and all that remained were these rectangular pools. The Council had
put some fish in and left them to it.</p><p>On the
site of the old tower, Riley scoured the grass. Whimpering and swearing, he
kicked free some rocks and a blackened two-by-four with rusted nails protruding
like a row of buttons. Then he sat on the remnants of a wall, hugging himself,
his eyes fixed on the path. He was up a height, feeling nauseous, watching his
actions run ahead of him, like they�d done with John Bradshaw At his feet were
the weapons, and a torch.</p><p>This
was only the third time Riley had been here. The last was after the trial, and
before that he�d been a boy.</p><empty-line/><p>Very early one morning the
man Riley wouldn�t call Dad had put the remaining kitten in a sack. The other
eight had found good homes. �Put your coat on, Graham,� he said. There was a
smell of aftershave � something brash and fiery.</p><p>Without
speaking, they walked through Dagenham�s empty streets towards the pale light
over Hornchurch Marshes. Presently the flats of the Thames opened out like a
damp blanket and there, in the middle, were four panes of water, framed and
criss-crossed by slippery bricks.</p><p>They
walked to the edge and Walter�s arm began to swing. His chest blew up and his
mouth went firm. Sick at the idea of unwanted life, Riley grabbed the big man�s
sleeve, but a backhand sent him flying He was on his hands and knees for the
splash, with blood on his lip. The bag turned in the water and sank. Riley
watched, transfixed. He�d expected a scream � not from the bag, but from above
and all around. But there was no sound � none at all. After the ripples had
run off, the surface carried nothing but colour snatched from the brightening
sky.</p><p>That
evening, they came back to the Four Lodges. Midges clung like hats around the
fishermen. They sat on boxes and stools, maggots on their bottom lip. That�s
how it was done: you warmed it in the mouth. When it hit the cold water the
thing wriggled on its hook, attracting the perch and the carp. Walter kept his
supply in a Tom Long tobacco tin.</p><p>�Go on,
Graham,� he said distantly.</p><p>Riley
wanted to please Walter, so he did as he was asked, and Walter looked on,
midges circling his head. Riley gazed into his high, tormented eyes: the big
man didn�t really want to be like this, but he couldn�t stop himself. However,
there and then, Riley�s understanding shrivelled up. Somehow, this couldn�t be
right � feeling this thing writhe between his lips. It was the taste of decay.</p><p>Riley
didn�t trouble himself with questions like why the man he wouldn�t call Dad did
what he did � he already knew the answer: Walter had a child of his own; Riley
was in the way The big man had lost his job and his self-respect. He wanted a
life different from the one he�d got. Those huge lungs were bursting with
complaint. The braces weren�t strong enough to hold it in. When Riley lay awake
that night, after two visits to the Four Lodges, such thoughts didn�t even
ruffle the surface of his mind; no, Riley was more confused by the senseless
parade of death: in one day he�d seen a fish taken out of water, and a cat
thrown in.</p><p>When
Riley next came, after the trial, he thought of the Major, who�d never lost
faith in the boy who�d turned up at the hostel, who�d seen someone else behind
the flesh and blood in front of him � someone lost to Riley�s eyes. Leaving the
conference room, Riley had glimpsed something like agony on the old soldier�s
face. The Major was asking himself how this beast had turned out the way he
had. It was a good question, but who�d have thought that the die was cast when
Riley still a boy couldn�t make sense of a brightening sky?</p><p>On that
glorious day of acquittal, midges gathered around Riley�s head; and he wept as
a man on the grass where he�d wept as a boy.</p><empty-line/><p>The temperature was
dropping fast with the light and Riley shivered. Before him lay the Four Lodges
and, on their far side, coming down a sloping path, was a big lad � a lad who
was on to Walter.</p><empty-line/><p>16</p><empty-line/><p>Nancy stood in the yard by
the pile of bricks that she�d been collecting for the herb garden.</p><p>�You
could have gone places.�</p><p>Mr
Lawton had said that because Nancy saw the connections between things. It was
insulting, she�d thought, because he was implying she�d wasted her life, when
all she�d done was work for him and marry Graham Riley.</p><p>�We�ve
had a meeting.�</p><p>Babycham
had been fiery and protective and a friend � her oldest friend, in fact. There�d
been a meeting of the clerical staff and everyone was ready to support her. �Run
for it, girl,� she�d said.</p><p>�I once
had a son.�</p><p>Mr
Johnson had steamed like a tea bag on the draining board and Nancy had listened
with a hand over her mouth. She�d been desperate to know what had happened, but
her friend in the goggles had never been able to put words on it.</p><p>�Our
son was killed by a bad man.�</p><p>Emily
Bradshaw had said that to Nancy not knowing who she was; just as Nancy had
spoken to George Bradshaw not knowing who he was. She�d listened to neither of
them. She�d run out of Aspen Bank chased by the sound of tapping on the window.</p><p>�Maybe
your constancy will save him. But what about you?�</p><p>That
kind man had refused to give up. He�d circled the house, knowing she was
inside. He�d come with a cake from Greggs. He�d left his phone number.</p><p>They�d
all come � even Mr Wyecliffe, with his quip about tossed coins and their tails
� but Nancy hadn�t seen any of the connections. No, it was worse than that, far
worse. She <emphasis>had </emphasis>seen them. And she�d turned away in the name of trust.</p><empty-line/><p>�My life rests on a heap of
lies,� said Nancy She felt no emotion whatsoever, though she was crying all the
same. Her soul was like an arm gone dead, as when you wake up at night and find
this heavy thing, limp by your side. All you can do is wait for the tingling to
come and bring it back to life.</p><p>Nancy
knelt down and started counting the bricks, to see how many more were needed.</p><empty-line/><p>17</p><empty-line/><p>Nick paused at the bottom
of the slope. It was almost dark and extremely cold. In the distance he could
see the Thames like a black vein. Above it and beyond glowed the lights of
south London. To the west stood the motor works, immense and silent. Directly
before him, like pools of oil, were the Four Lodges. On the other side, stamped
against the skyline, sat Riley He was utterly still; his breath appeared as a
coarse mist.</p><p>Skirting
the water�s edge, Nick suffered a primal desire to run away He subdued it,
because the hunched figure had scared his father and possessed his mother. He
stopped by the end of a pool, well back from Riley but close enough to hear his
words.</p><p>A low
voice came out of a small fog. �Didn�t your mother tell you about me?�</p><p>�No.�</p><p>Riley�s
elbows were on his thighs. His face and body were completely blacked out. �Who
gave you the photograph?�</p><p>Nick
angled his head, trying to see into the dark shape ahead of him, the moving
arms. The questions seemed planned, as if they were a test.</p><p>�I don�t
know what you�re talking about.�</p><p>�Did
you post it?�</p><p>�No.�</p><p>After a
few moments Nick heard something fall to the ground near Riley�s feet with a
thump. A long exhalation of mist came from the lowered head. The voice became
curious and quieter. �How old are you?�</p><p>�Twenty-seven.�</p><p>�What
do you do for a living?�</p><p>�I�m a
doctor.�</p><p>A <emphasis>doctor
</emphasis>�� It was as though he�d never met one, but had heard of them from magazines
and television programmes. �What�s your father called?�</p><p>�Charles.�</p><p>�What
does he do?�</p><p>A
banker.�</p><p>A <emphasis>banker
</emphasis>�� They were another species from the same glossy pages, off the same
screen. Riley stood up and purposefully crossed the five yards between them. As
he passed Nick he slowed, saying, �Forget about the Pieman.�</p><p>Nick
turned on his heel, watching the stooped figure tread quickly along the lodge
bank, towards the path. �Where are you going?� he called stupidly.</p><p>�Brighton.�</p><p>Nick
stumbled after him, unable to see where he was going, aware only of a sheet of
glinting black water to his left. He grabbed Riley�s shoulder, sensing the
sheer physical difference between them. Nick was a big man, towering over a
bantam. �Tell me what I came here to find out.�</p><p>�No.�
Riley pulled free with a swing of his elbow.</p><p>�Who
was he?�</p><p>�Go
home � just go home; go back to your patients.� Riley began to trot, heading
up the slope, towards the night sky.</p><p>Nick
gave up. He cast an eye around Riley�s chosen meeting place: at the cold
marshes, the scattering of small lights, and, upstream, the brooding hulks. A
spasm of rage made him rebel against this embodiment of his mother�s conscience
� at the thought that she felt responsible for Riley�s twisted actions.</p><p>�Before
you came along, she was happy� he bellowed. �You shattered what was left of her
life.� His voice bounced off the motor works, falling quiet as if the air had
soaked it up.</p><p>Riley
seemed to strike a wall. Slowly he turned around, and came back along the brick
ledge beside the water. When he was close, he halted, treading the ground, his
head bent and angled. Gusts of fog escaped his mouth as if he�d just run a
race.</p><p>�Let me
tell you something you don�t know� He seemed to be struggling, as if a shred of
pork were jammed between two teeth. A faint light touched his face, and Nick
finally glimpsed his features, judging the man to be not just ill, but
profoundly sick. �Before she met your father,� said Riley as if he were forcing
out the words, �before she got her chance, she was on the street. I might have
kept the money � but she earned it.� Riley looked up with pity, a far-off
emotion gathering like water on limestone. Quietly almost gently he said, �She
was no better than me.�</p><p>Riley
stepped back and groaned.</p><p>All at
once a bright light struck Nick�s face. Terrified, he raised his hands �
Slowly he let his arms drop. Stunned, feeling light-headed and sick, Nick
glared back at the unseen presence behind the torch. Riley must have been
observing him intently because he didn�t cut the beam, and, for a very long
time, he didn�t move. Then, after a snap, it was dark again.</p><p>The
last that Nick saw of Riley was of a sunken head, and limp arms against the sky
on the brow of a slope.</p><empty-line/><p>18</p><empty-line/><p>�When the university term
was about to begin,� said Sister Dorothy �I drove Elizabeth to Durham. We
strolled down a cobbled lane near the cathedral and she stepped into a charity
shop and bought a picture. I thought it was the frame, but I was wrong.</p><p>As in
many religious houses, the living room seemed to have been furnished
exclusively from the type of place where Elizabeth had bought her picture. A
mismatch of chairs were grouped around a fifties glass-top table. At its
centre, having a status somewhere between that of a relic and an ornament (said
Sister Dorothy), was an ashtray that had once been used by a pope. The carpet
was hard, without a pile, creating the durable look of a car showroom.</p><p>�We
found a bench on Palace Green,� said Sister Dorothy pushing stray silver hair
beneath her pakol. �There was a market with people milling all around, but
Elizabeth didn�t seem to notice. She couldn�t keep her eyes off the three
people in the picture. Rather sadly she began to imagine who they were, and
what their stories might have been. I joined in. Elizabeth came up with the mad
inventor dreaming of a smoke detector, and I added the wife, with her one joke
about a fire extinguisher. We both laughed � among all these real people,
with real lives.� She sipped a glass of milk, resting it on her lap and the
tartan blanket around her legs. �And what of the little madam in the middle? I
said. Elizabeth touched the girl�s hair � as if she might reach through the
glass to the ribbons � and she said, �She�s got the whole of her life ahead
of her.� Even then, I didn�t see what she was planning. It was only when we
reached the gates of her college that she told me her decision � that we could
never meet again.� Sister Dorothy sighed. �She wanted a fresh start. The story
we�d made up would become hers, because she could live with its tragedy She
would take the girl�s life and make something <emphasis>wonderful </emphasis>of it � Those
were Elizabeth�s words � something wonderful.�</p><p>With
permission, Anselm rolled himself a cigarette. Licking the paper, he said, �And
what of the girl whose tragedy was too painful to bear?�</p><p>Sister
Dorothy nodded knowingly She recognised the unlimited scope of the question,
Father Anselm�s plea to be told everything.</p><p>�I met
her shortly after I came to Camberwell.� She paused while Anselm�s match
flared. �In those days this place was a hostel for girls, an open door with no
questions asked. But it was one step removed from the street, and I wanted to
reach the kids who would never look in our direction, who might not know we
were here. I wanted to change the world with � <emphasis>acts of mercy� </emphasis>�she
sang the phrase with a raised fist � �so we tried something different. I�d jump
in a taxi � driven by Mr Entwistle, a friend of the community � and he�d drop
me off at Euston, so I could keep my eye out when the trains pulled in � You
see, there were lots of kids coming down to London from up north, to the
pavements of gold, to a better life � and we hoped to get them off the street
as fast as possible.� She dropped her little fist and sipped her milk. �So, Mr
Entwistle would come back after half am hour and take me to King�s Cross, and
then Liverpool Street, and so it would go on, to all the mainline stations. I�d
mooch around, plucking up the courage to approach anyone I thought might have
nowhere to go. I confess in those days, we had our eye out mostly for girls.
And yet � Elizabeth�s story begins with a boy I met at Paddington.� She
glanced sideways and said confidentially �Would you roll me one?�</p><p>�Of
course.� While Anselm made the cigarette, Sister Dorothy finished her milk.
Then she lit up with the panache of Lauren Bacall.</p><p>�I saw
this boy in a man�s trousers stealing fruit from a barrow,� said Sister Dorothy
sternly �I called to him, and, strangely I suppose, he came. We got talking and
he explained that he�d just left a burnt-out bank round the corner, a squat run
by a lad, a hard lad. When Mr Entwistle turned up, I took the fruit thief to an
hotelier I knew who kept a bed free, and then I went back to Paddington, to a
lane that ran by the tracks.� With determination, but control, she slowly blew
out the smoke. �I stood beneath a street lamp watching these garden statues at
intervals along the pavement. That�s what I thought at the time. They were like
ornaments that could no longer spout water in the grounds of � a terrible
place. One by one, they drifted down the road, but none of the cars that came
ever stopped. So I remained there, too scared to step forward and too angry to
move back. A lifetime later, Mr Entwistle took me home. I went to the police.
They told me that so long as I frightened off the business, the kids wouldn�t
work, and without any evidence, there was nothing they could do. It was a
terrible irony All the same, I put myself beneath that light every evening,
from eight until ten, and that was how I met her.�</p><p>Sister
Dorothy reached for the ashtray on the coffee table and placed it between them,
on the arm of Anselm�s chair. �That�s how I met Elizabeth�, she repeated. At
night, a fifteen-year-old with white legs, long black hair and no socks �
bare feet in black, boardroom shoes. She was the only one who came anywhere
near me � about as far away as that chair. Close enough to deter any business,
and far enough to catch my voice. Every night I came to that lamp, and every
night she hovered within talking distance. That�s how I learned her name. She
taught me to smoke. Can you picture it, the two of us, by the kerb, sharing a
cigarette? We talked of the weather �anything, except why she was there and
where she�d come from. When Mr Entwistle arrived, I�d open the door, and she�d
just look at me and shake her head. And then, one night, she came.�</p><p>Anselm
felt his mind crowding with images of Elizabeth, none of them remotely similar
to the description he�d just heard. He saw himself as a pupil in chambers,
sharing a box of Jaffa Cakes with the best silk in her field. She�d picked him
out, in a way and started their conversations �</p><p>�She
was standing closer to me than usual,� said Sister Dorothy leaning towards
Anselm. At her feet was a small red suitcase, like you�d take on a weekend
break. And over her shoulder I saw someone edging along the pavement. He was
neither boy nor man, a wiry thing with his hands in his pockets. At that
moment the taxi pulled up � Elizabeth turned around, as if she�d known all
along that this creeping thing was there. �I�ve paid you in full,� she said,
very deliberately �and now I owe you nothing.� I opened the door, and she
picked up her little suitcase and climbed in. That hollow, haunted thing on the
pavement was Riley When I came back the next night, the street was empty and
the squat had been abandoned.�</p><p>Anselm
rolled fresh cigarettes for them both, fumbling with the paper. He could hardly
keep up with Sister Dorothy�s rolling narrative. She�d gathered speed, speaking
towards the empty chairs in the common room. Elizabeth had stayed at the hostel
for months. Refused to go home. Wouldn�t eat. Wouldn�t talk. Finally she was
prepared to let Sister Dorothy act as a messenger. But she was very clear that if
steps were taken to send her home, she�d disappear once and for all.</p><p>�So I
knocked on the door,� said Sister Dorothy slowing as if she�d just tramped
across London. �I told Mrs Steadman that her daughter had run away but was safe�
� she glanced at Anselm, her eyes narrowed and moist � �I did this kind of work
for years, and I always had to manage hysteria and anguish � the lot � But
this time, and neither before nor since, I met with instant and complete
resignation.�</p><p>She
motioned for a light, because the cigarette had gone out. Anselm struck a
match. �What of Mr Steadman?� he asked, after a short silence.</p><p>Accidental
death,� she replied, through a breath of smoke. �Mrs Steadman wouldn�t speak of
it, but the coroner�s certificate was required when the authorities were
convened to plan Elizabeth�s future � that�s how I found out. In all the years
to come, Elizabeth never referred to him. <emphasis>Not once.�</emphasis></p><p>With
court approval, it was agreed that Elizabeth would attend the Carlisle school,
and Sister Dorothy would act as a go-between to Mrs Steadman. The court order
was kept in an office upstairs because, technically speaking, Camberwell became
Elizabeth�s home address.</p><p>�After
she went to Durham, I never saw her again,� said Sister Dorothy �but I received
a postcard when she decided to become a barrister.� With the cigarette between
her teeth, she wheeled herself across the room to a sideboard. She returned
with a breviary on her lap. Wincing at the smoke, she leafed through the pages
until she found her bookmark.</p><p>The
picture showed Gray�s Inn Chapel on a summer�s day beneath whose tower Anselm
had waited for Nicholas. Written on the other side were these brief words:</p><empty-line/><p>Tuesday week I
shall be called to the Bar. Thanks to you alone, I am happy The girl we found
in ribbons shall spend her days on the heels of the wrongdoer.</p><p>With my love,</p><p>Elizabeth</p><empty-line/><p>�That same day I gave
Roddy a cold call,� said Sister Dorothy taking back the card. �I hoped he�d
remember me from my veil.�</p><p>�Did
he?�</p><p>�Oh
yes.�</p><p>They
both smiled, quiet for a moment at the recollection of Mr Roderick Kemble QC,
who�d wheedled his way into Elizabeth�s aspirations, and fulfilled them.</p><p>Darkness
had fallen completely outside. The rush of traffic on Coldharbour Lane sounded
like the tide, sure but fitful. When George had accused Riley thought Anselm,
Riley had turned to Elizabeth. The three of them met in court. The symmetry
was appalling. And I stood among them, unseeing.</p><p>Sister
Dorothy stubbed out her cigarette and said regretfully �I�ll tell you now about
the boy who sent me towards that street light.� (Anselm had wondered about him.
A sympathetic hotelier had given him a bed for the night.) �He was named after
his grandfather � a revered man in the household.�</p><p>�To use
the language of the day� said Sister Dorothy wearily �the lad discovered that
his namesake had <emphasis>interfered </emphasis>with a neighbour�s child. It was the word
he used when he told his mother, who didn�t believe him � and when he told
his father, who couldn�t � so the lad went to the police. The victim denied
it, so the lad was ostracised. Then, one morning, Granddad took a train to
Scarborough and walked into the sea, leaving his medals on the beach.</p><p>�That�s
why he left home,� mumbled the old nun, �why he had to.� She was heavy with
remorse, not wanting Anselm to see the place into which he�d stumbled (the
place where, unknown to her, Anselm had found the lawyer�s grail: a win against
the odds). �He wouldn�t tell anyone who he was,� she admitted, quietly �It�s
Elizabeth�s tale all over again. Start afresh, I said. Use your other name. I�ve
often wondered what became of young George.�</p><empty-line/><p>19</p><empty-line/><p>Charles Glendinning�s
interest in Lepidoptera did not extend to catching examples for display. They
belonged out of reach. And because they rarely kept still, occasions of
extended observation were rare, always unforeseen and thereby on each count,
prized. Perhaps, then, it was out of respect that Charles had acquired several
antique collections: long, shallow boxes lined with green baize, fronted with
glass. The specimens were laid out in neat rows, each with a label bearing a
name in brown copperplate. These cabinets lined the walls of Charles�s study.
It had always been known as the Butterfly Room.</p><p>After
parking the VW in the back lane, Nick moved through a dark and silent house to
find his father. His lungs were tight, as if they were too small for the job.
With a shaking finger he pushed open the door to the study Charles was leaning over
a display cabinet, hands behind his back, his face artificially bright from
phosphorous illumination.</p><p>Nick
let the door clip shut. He wanted to be a child again, to sit on someone�s
knee, and to be told it was just a dream; to be ushered back into a world
without demons. The leather armchair was cold to the touch.</p><p>�That tench
was nauseating,� said Charles, without shifting his gaze. �The wine, on the
other hand, was divine.�</p><p>�Dad,�
said Nick, �I�ve just met Graham Riley�</p><p>Charles
placed an arm on either side of the cabinet under review His knuckles turned
white. The examining gaze, however, remained intact. He is a man preparing
himself, thought Nick, wanting him to be strong and bigger than his own
revelations.</p><p>�That,�
said Charles faintly �was a remarkably foolish thing to do.�</p><p>Yes, it
was, thought Nick. And now I know what I do not want to know. It did not belong
in the garden of their shared memories. Every year they�d gone to their
cliff-top cottage at Saint Martin�s Haven, facing the Jack Sound and the island
of Skomer. As a boy he�d follow his father in the dark of summer nights, shining
his torch on the island�s protectors, a militia of toads. They�d sat on the
paths, fat-necked and smiling. Once, his mother had come. They�d gone looking
for these lazy squaddies but had halted, awestruck before a patch of heathland
lit by glow-worms.</p><p>�He
said Mum was no better than him �� Nick was pleading for the innocence of
Skomer, the Barrier Reef, Christmas Day � all of it. He wanted the lot
restored. He wanted his father to tell him something that would put things back
into position.</p><p>Charles
had closed his eyes. He was like a man praying, horribly fervent and yet <emphasis>strong.
</emphasis>Nick had always seen the duffer � the gentleman with raised eyebrows in the
provincial museums of half-term holidays � but never <emphasis>this. </emphasis>This was a
different kind of strength, and it was not the kind he was looking for or
wanted.</p><p>�Did I
ever tell you how I met your mother?� asked Charles ingenuously.</p><p>�Of
course,� said Nick, wanting to scream. Charles�s employer had retained
Elizabeth to bring a claim for money paid under a mistake of fact � that is to
say Charles had authorised payment of a cheque to an individual notwithstanding
the countermand of the person who had drawn it. Elizabeth won on a technicality.
The same day Charles rang her chambers, he sent her flowers � he did all the
things that he�d thought he was constitutionally incapable of doing. Such was
the transforming power of forgetting yourself, and being unable to forget someone
else. Such was the received wisdom.</p><p>�Well,
let me tell you another version,� said Charles. He motioned to his son with his
hand � warmly like he�d done upon the heath on Skomer.</p><p>Nick
came to the display cabinet and looked down at the specimens, lined up and
labelled. His father�s arm was suddenly heavy on his shoulder.</p><p>�See
this one, top right?� With his free hand Charles pointed through the glass to a
butterfly with large, dark reddish-purple wings trimmed with a buttery gold.
Reserved but ardent, he said, �This lady came to be known as White Petticoat
and Grand Surprise. The labels suggest that she�s naughty � a shameless gal,
a trickster. She�s had lots of names. They tell you something, but they never
quite capture her.� He glanced at Nick, as he used to do in those fusty
museums. �She�s not a city girl. She likes the woods � willow, birch and elm.�</p><p>�Where�s
she from?� Nick scarcely heard himself, because he thought his father had gone
raving mad.</p><p>�Another
land, far away � she�s a rare vagrant.� He looked more closely drawing Nick
down with him. �She has another label: the Mourning Cloak. But when she was
first sighted in Cool Arbour Lane� � his voice dropped, as if he�d come to the
secret � �she was called the Camberwell Beauty.�</p><p>Charles
was holding his son tightly across the shoulder, but all the time he looked
down into the cabinet of phosphorescent light. His grip was almost fierce.
There was no escape.</p><p>�Your
mother was a Grand Surprise,� said Charles, confidingly �She moved warily as
if she�d been netted once � and was forever mindful of where she�d been. When
I first saw her at court, I had to follow her. There was something about her
eyes, the movement of her arms. So I tracked her progress. Nothing could keep
me away neither nettles nor thorns, and I went through the lot, barelegged
without a net, never wanting to trap her, only hoping to be near by That�s how
it was when we got married. I had to keep my distance, all scratched and
swollen.� His grip on his son eased, but only slightly �But when I least
expected it � many years later � she came to me � I could barely breathe; I
could only look at her broken wings with wonder, with astonishment, that she
could still fly and that she had deigned to rest on me.� His blue eyes began to
move, checking labels. �Nothing Riley told you could come between me and the
love I have for your mother.�</p><p>Gently
Charles pulled Nick round, placing a hand on each of his son�s shoulders. �The
mother you knew has vanished, I know, and I grieve for you. But if you just
wait� � he was distressed, but strong in this newly discovered way � �the labels
� those tabs that hang on what we�ve done, that can never sum up who we are
�they�ll all fade and find their place. And then someone infinitely more
wonderful will appear.�</p><p>Charles
strode across the room to a drinks cabinet and poured two glasses of scotch. �Will
you drink to that?� he asked.</p><empty-line/><p>20</p><empty-line/><p>At any one time,� said
George distractedly �there were roughly ten of us living in that squat.�</p><p>He
picked up a jigsaw piece and angled it towards a small lamp. The map of the
known world was almost complete.</p><p>�News
of a place to stay travels on the street,� said George, �and that is how I met
Elizabeth. I first saw her huddled by a fire in the manager�s office. On her
lap was a small red suitcase with a gold lock. We became friends, though I
never heard her story, and I never told her mine. Riley was kind � helped her
settle in � he <emphasis>watched </emphasis>her. At that stage, he seemed no different to
anyone else. But then a change occurred.� George knitted his fingers on the
table. �I don�t know whether Riley started it, or whether he moved naturally
with the downward drift, but talk moved from cold and hunger to quick money
Either way Riley became a leader � feverish � and, in a way <emphasis>ambitious </emphasis>�
and that�s when I left. For reasons I will never understand, Elizabeth refused
to come with me.�</p><p>Anselm
sat very still, arms folded on the edge of the table facing George. The room
was dark, save for the pool of light thrown between them.</p><p>�After
Sister Dorothy found me a place for the night,� George continued, �I came back
to Paddington. What I saw, I�ve never forgotten. There she was, beneath a
street-light, completely still. Ahead, and to the left, in shadow, stood the
squat. On the right, behind a wall topped with broken glass, ran the railway
line. Against the sky I could see a footbridge leading from the station. The
street was empty. And then I saw some movement on the bridge � two people �
one larger than the other. They paused midway and I knew it was Riley looking
over towards Sister Dorothy Even back then, he was bony and stooped, strangely
angular. He was leading someone by the hand. They came down the steps and onto
the road. Again he stopped, facing Sister Dorothy � with Riley holding a
hand, and carrying a bag. Slowly with side-steps, he moved into the squat,
tugging the arm of another runaway.</p><p>George
returned to his jigsaw, tapping edges that wouldn�t stay down. He wasn�t
concentrating, because some pieces became detached and he left them misaligned.
Remotely he said, �It was � awful � you see, Riley went to the station <emphasis>because
</emphasis>Sister Dorothy had come to the street. It�s as though he�d taken her place
on the platform, and, coming back to the squat, he�d let her see the
consequences of her choice.� George found Anselm�s troubled gaze and said, �That
night I vowed that if I ever got the chance to name Riley for what he was, to
bring him down, then I�d seize the day�</p><p>The
room grew darker, and the lamplight grew harsher. The walls seemed to have
vanished. All that existed was this table, this jigsaw and an old man with
careful fingers. Anselm sat back, almost in shadow, listening to what had
happened to a boy who�d made a solemn promise.</p><p>George
had got a job at the Bonnington and there he�d met Emily They saved pennies in
large bottles and �did without� until they could afford two rooms in a boarding
house. Emily went to night school, did a typing course and landed a job with
the National Coal Board. George couldn�t forget the quiet street that ran by a
railway line in Paddington. When he got the chance, he started work at the
Bridges night shelter, first as a helper, and finally as manager. It played
havoc with married life, because George was out four nights every week and
permanently on call: no one seemed to know the system quite so well as George;
no one seemed to solve a crisis quite so deftly But, as Emily well understood,
this wasn�t �work� for George. The Bridges was his way of reaching back to
where he�d come from. It was therefore fitting, observed George, that he should
have heard the name Riley from the mouths of children: Anji, Lisa and Beverly �But
I let them slip over the edge,� he said.</p><p>Anselm
stared at the map�s illustrations. Monstrous creatures of the imagination
inhabited the extremities; radiant apostles stood upon the lands to which they�d
brought the Good News. It was difficult to conceive how such a chart could have
served any navigational purpose. He let his mind study the robes: he knew that
the unfolding narrative was moving inevitably towards his cross-examination.</p><p>�After
leaving Paddington, I never saw Elizabeth again,� said George. �Not until that
day at the Old Bailey We�d been told to address our replies to the jury, so I
hadn�t noticed her � and it had been over twenty years, so a glance told me
nothing. It was only when you began your questions that a glance became a
stare. And then I realised: Riley had picked Elizabeth to silence me.� He
breathed heavily through his nose, and leaned back into the obscurity behind
the light. A slight agitation raised his voice and his hands began to move with
his words. As you were asking your questions, I was trying to work out what was
happening. I was sure that this confrontation was a threat � If I stuck to
my evidence, then Riley would expose Elizabeth. She was gazing at me, pleading
with her eyes, but telling me what? To spare an old friend who�d made a new
life? Or to get on with it and condemn Riley � to bring him down while she
was watching?�</p><p>Anselm
knew the answer, because Elizabeth had told him the night before. �Do you think
Riley is innocent?� she�d asked him, feet on the table. And when he�d said no,
she�d invited him to cross-examine Bradshaw the next morning. �This is your
chance to do something significant.� Outwardly Elizabeth had been mildly bored.
But inside she�d screamed with fear that George might fail, without dreaming
that Anselm might succeed. He stared at the map, with its strangely beautiful
but false proportions, and said, �And before you could determine if it was
mercy she wanted, or sacrifice � for it would mean her public humiliation � I
asked you the one question you could not answer.�</p><p>George
did not reply.</p><p>�Because
if you told the court about David,� said Anselm, �it would undermine your own
evidence.�</p><p>George
still did not speak.</p><p>And, of
all people, it would fall on Elizabeth to argue that the word of George
Bradshaw could not be trusted, because he�d made false allegations once before.�
Anselm paused. �It must have been a dreadful moment, George, when I pushed you
out of that witness box. I�m far sorrier than I can express, all the more so
because I gloried in not knowing what I�d done.�</p><p>The
sounds of feet and low voices were at the door.</p><empty-line/><p>No one is more familiar
with the varieties of forensic disappointment than a police officer. Sometimes
she knows that a man has committed a crime but she can�t bring him to book,
either because a witness won�t speak out (unlike Anji) or the assembled facts
wouldn�t convince a jury of guilt (as in the case of John Bradshaw). And even
if she rolls him through the court door, a wheel can still fall off (as
happened with George Bradshaw). But, curiously the greatest disappointment of
the lot is the one reserved for objectionable conduct that falls short of an
offence.</p><p>These
sunless thoughts settled upon Anselm as he greeted Inspector Cartwright, noting
that she did not smile or look at George, and that she kept her coat wrapped
tight despite the rampant efficiency of an institutional heating system. They
formed an apprehensive triangle. The main light had been switched on, but the bulb
cast a weary glow, as though it were fearful of what might be revealed.</p><p>�There
is a simple legal problem,� said Inspector Cartwright bluntly �Riley�s scheme
doesn�t constitute a recognised criminal activity. He�s no different to someone
using a telephone directory. He sells a number, that�s all. And in his hands,
it�s neutral. If there was an arrangement between Riley and the girl, then it
might be different. But there isn�t.�</p><p>With
the back of his hand, George brushed unseen dust off his sleeve. Anselm gazed
again at a schoolboy�s motto: the law will be fulfilled by love.</p><p>�Even
if charges could be framed,� continued Inspector Cartwright, �it would be a
weak case, a case that we couldn�t reasonably pursue.� She slowed her delivery,
hating her role, her obligations. �George, this means that Riley is out of my
reach, and yours. I�m sorry to say this, but it looks as if he always was, even
before you and Elizabeth set out to catch him.�</p><p>It
struck Anselm that the last observation belonged to the category of things
that need not be said, even though true.</p><p>�Would
you mind writing that down for me?� asked George appreciatively as if he�d
received complex travel directions. �I�ll need to remind myself in the days to
come.</p><p>With a
frown of concentration, he tapped his blazer pockets, not quite sure where he�d
left his notebook.</p><empty-line/><p>Anselm had foreseen that
the lateness of the hour might preclude a return to Larkwood. Accordingly
after Inspector Cartwright had gone, George was left in place poring over a
table, and Anselm was directed to a narrow storeroom with a camp bed that
snapped shut when he sat in the middle. Surprisingly � and in the morning, he
thought, indecently �Anselm fell asleep easily He began compline, but didn�t
get beyond the first verse of the opening psalm. When daylight came, he knocked
on George�s bedroom with all the worry and regret that he�d thought would keep
him awake. The door was ajar and swung a little at his touch. Entering, Anselm
found the bed unused and the jigsaw completed.</p><p>David
George Bradshaw had gone.</p></section><section><empty-line/><empty-line/><p>PART FIVE</p><empty-line/><p>of beginnings and ends</p></section><section><empty-line/><empty-line/><p>1</p><empty-line/><p>Anselm joined Father
Andrew in the cloister. They sat on a low wall beneath one of the arches,
looking onto the garth. At the insistence of an MCC benefactor the square had
been laid with turf from Lord�s cricket ground � �Father, we�ll lay a
sand-based, fast-draining outfield� � but rank disobedience to the maintenance
regime had permitted this corner of the English soul to be eaten by moss. The
square was now a deep emerald sponge that held on to water.</p><p>The
Riley business was, they both concluded, a sorry affair. Their involvement left
the bitter aftertaste of shared failure: as if they might have done something
to prevent the outcome � the dereliction of a dead woman�s hopes. She had set out
to alter the appearance and effect of the past. That her entire project should
founder on a mistake of law was unfortunate. That the correct legal analysis
should have come from her mouth in the first place was a tragedy.</p><p>Learning
of Elizabeth�s background ought to have surprised Anselm, but it did not (he
said, letting his eyes rest on the crisp, frosted lawn). The manner of her
living now made sense: a life in compartments, the zeal for prosecuting and,
like an arch, her inventiveness. In retrospect, Anselm could see her quietly
working out the knots of her history, as when she, who had lost her father,
had drawn from him the loss of his mother. They�d discussed its manner and
meaning, but she�d applied its lessons elsewhere. From the outset childhood
grief had bound them together, though he�d never known it. Perhaps that�s why
she turned to him � instinctively � when she saw �Riley� typed on the front of
the trial brief, when she read the name of David George Bradshaw on the witness
list. She must have seen what Riley was hoping to do: that he might well
succeed; that he could do so only if Elizabeth sacrificed the identity she had
so carefully constructed. Professionally speaking, in that one trial, unseen
by the public and her peers, Elizabeth had committed suicide: she should have
withdrawn from the case; she should probably have gone further, and revealed
what she knew of her client, �this wounded instrument�. There were lots of shoulds,
but they were not enough when weighed against her need for self-preservation.
Or � to be just � was it yet another murder that could never be laid at Riley�s
door? As he had been from the beginning, Anselm was linked to Elizabeth by a
kind of grieving that he didn�t fully understand. Her dying words to an answer
machine seemed preposterous, now: �Leave it to Anselm.�</p><p>�What
was I supposed to do,� asked Anselm, drawing breath, �sweep up the pieces?
Explain to George the limitations of the law � as if he didn�t know already?�</p><p>�No,�
said the Prior patiently �the message related to a project she knew had failed,
otherwise she wouldn�t have called the police. They�re words of hope, urging
Inspector Cartwright to remain confident, despite appearances.</p><p>�The
point remains,� said Anselm, with mock testiness, �what is it that I�m meant to
be doing?�</p><p>�It
sometimes helps to shift tenses,� said the Prior, nudging his glasses. �What
are you meant to have <emphasis>done?�</emphasis></p><p>�Find
George,� replied Anselm smartly for there he had succeeded, before he�d lost
him again. (Before coming home, he�d checked Trespass Place, left messages at
homeless shelters in London and written a letter for the kind attention of F
Hillsden Esq.)</p><p>�What
else?� asked the Prior routinely He seemed to be slipping away drawn by
adjacent thoughts.</p><p>�Visit
Mrs Dixon.�</p><p>Anselm
pondered these twin duties while the Prior fiddled with the paperclip on his
glasses. Slowly like water clearing in a stream, Anselm began to understand
Elizabeth�s last wish. Answering the Prior�s questions had placed George and
Mrs Dixon side by side. And, seen like that, their link grew strong.</p><p>Mrs
Dixon, with her drawn-out rogue vowels, hailed from the north of England. She�d
lost her son. She�d remarried. She was utterly extrinsic to Elizabeth�s scheme
of retribution.</p><p>George
had run from a good northern home, leaving behind a truth that wouldn�t go away
But George�s father may well have died by now. The burden of loyalty on the
mother would have been lifted. Perhaps she�d built a new life with another man.
That woman could be Mrs Dixon � it <emphasis>had </emphasis>to be.</p><p>Leave
it to Anselm, he thought excitedly gratefully.</p><p>Who
better to bring George back to that place of first departure, than Anselm,
whose question had reached so deep into the Bradshaw history? Elizabeth had
prepared the means by which Anselm could reclaim his own regret.</p><p>Leave
it to Anselm.</p><p>Why say
this to Inspector Cartwright? Because Elizabeth foresaw that this tireless
policewoman would be devastated �because she was a servant of the law that
would once again disappoint an honourable man.</p><p>Leave
it to Anselm.</p><p>�Can I
visit Mrs Dixon?� said Anselm keenly turning to the Prior.</p><p>�Yes.�
He�d taken to examining the garth, as though the benefactor had demanded a
written report with several appendices. �What were Elizabeth�s stipulations?�
he asked, rising.</p><p>�To call
uninvited and to listen rather than speak.�</p><p>�Sound
advice,� replied the Prior. He smiled benignly and then shuffled through the
cloister, hands thrust behind his belt.</p><empty-line/><p>Anselm went to check for
mail in the bursar�s office, expecting to find some fresh tobacco, obtained by
stealth at the hands of Louis, who�d had business in the village. On the way
Anselm fell to thinking about Nicholas Glendinning. There was no need for him
to know what Sister Dorothy had disclosed. It all happened a long time ago. And
since then Elizabeth had become someone totally different. The truth need not
be told, he thought awkwardly.</p><p>Brooding
on this conundrum, Anselm reached into his pigeon-hole. There were two items.
One was a manila envelope from Louis wrapped in tape. The other was a letter
from an unknown hand, postmarked London. He opened it and read:</p><empty-line/><p>Dear Father
Anselm,</p><p>Please bring
George home as soon as possible.</p><p>Yours sincerely</p><p>Emily Bradshaw</p><empty-line/><p>He
folded up the paper and mumbled a prayer � giving God several options, like a
multiple choice � that George would make his way to Mitcham, or that someone
would read Larkwood�s address in his notebook, or that Mr Hillsden would strike
lucky once more. All the same, Anselm felt uneasy when he should have been
edging towards jubilation. It was the image of the Prior staring at the garth,
thinking tangential thoughts.</p><empty-line/><p>2</p><empty-line/><p>Nancy had the day to tidy
up the shop because Prosser was coming to barter with Riley at the close of
play This room of bumper puzzles would be sold. The sound of cars bashing the
hump near the bridge, the sight of the flints by the railway embankment, the
clang of the bell over the door: all this would pass. Riley was with the estate
agent, arranging the sale of the bungalow. The world she had known was coming
to an end. They were going to the seaside.</p><p>For
most of Nancy�s life Brighton had been the object of her dreams. Even the word
shone. It was the place of childhood memories of her mum and dad, of fish and
chips wrapped in newspaper, of warnings about Uncle Bertie�s wayward habits.
And now it was as though the pier had broken away and drifted out to sea, with
her memories giving chase, like dwindling gulls. She covered her face,
defeated: so much remained unresolved, undone and unspoken.</p><p>The
bell rang, and she turned.</p><p>�I�ve
come to say goodbye, Nancy.�</p><p>Mr
Bradshaw�s overcoat was stiff and creased with frost. His beard had thickened
since she�d last seen him at the police station. There were no goggles and his
eyes were pale and defenceless.</p><p>�Not
just yet, please,� she entreated. �Warm yourself, one last time.�</p><p>Mr
Bradshaw sat in a small sewing chair while Nancy lit the gas fire. As the heat
drugged the air, the windows streamed, and George said what he couldn�t have
prepared (for, as Nancy well knew, he could do that sort of thing).</p><p>�When I
first came here,� he said, rubbing his hands, �it wasn�t to deceive you. I just
pretended to be someone else, but I�ve only told you the truth about myself.
There�ve been no lies between us.</p><p>�Thank
you.�</p><p>Mr
Bradshaw inched his boots towards the fire and vapour rose off the caps. This
is how I shall always think of you, thought Nancy: steaming as if you�d been
hung out to dry.</p><p>An old
man once gave me a golden rule,� continued Mr Bradshaw ��Don�t be lukewarm, old
friend,� he said. �That�s the only route to mercy or reward.� It�s the reason I
came, Nancy I�d walked away from the trial, and this was my last chance to go
back, to make up. I might have failed, but something happened that I hadn�t
thought possible, and it has made losing worth the candle: I didn�t expect to
become your friend.�</p><p>�Thank
you,� said Nancy again, warmly Emotion wouldn�t let her say much more. She
glanced back at her life, at its many candles, and the burnt-out stubs. It was
like one of those big stands with tiers in a church. Was this really the Golden
Rule: to keep on lighting another wick, when the wax always melted? To keep on
hoping, no matter what? She mastered herself by making a confession.</p><p>�You
left behind a plastic bag full of notebooks,� announced Nancy �I�m afraid I
read some of them.� To show that she�d made good the wrong, she added swiftly �I
also took the liberty of returning them to your wife.�</p><p>At
first Mr Bradshaw didn�t reply � he nodded at the first part and then shook his
head at the second, which Nancy took as a sort of quits, since one cancelled
out the other, like in the ledger at Lawton�s � but then he said, �I hope Emily
reads them.�</p><p>With a
slap of each hand on a knee, Mr Bradshaw stood up, and said, �Well, I�d better
be making tracks.�</p><p>�Where
to?� asked Nancy surprised by the worry in her voice.</p><p>�I don�t
know�</p><p>�Have
you ever been to Brighton?� she blurted out.</p><p>�No,�
said Mr Bradshaw, checking his buttons, �but I�ve heard of the pier.�</p><p>�There�s
two,� stammered Nancy �The West Pier, which is falling into the sea, and the
Palace.� She wanted to share it with him, while it was still good, before it
was altered. She raced like a guide in a tourist office, telling Mr Bradshaw
what she�d told him many times before. He always listened as if it were new, as
if it were fresh. �I went there every summer, with my mum and dad and Uncle
Bertie. We stopped going after I got married. There was all sorts �
magicians, jugglers � the helter-skelter � a clock tower � and right at
the end a funfair with a ghost train. We�d walk around eating rock, wasting
pennies in the one-armed bandits. But it was the sea I liked most, now grey now
blue, stretching away lonely Long ago, I heard that the whole lot was slowly
falling to bits � like me� � she smiled, looking down at her legs, the strong
veins behind the tights � �but it�s been completely renovated. Nowadays the
deckchairs are free.�</p><p>�Magnificent,�
whispered Mr Bradshaw, sitting down again.</p><p>Boldly
but decisively Nancy said, �Would you like a holiday by the seaside?�</p><p>Mr
Bradshaw�s agreement was far more emphatic than his surprise at the forwardness
of the question. Nancy drew some directions that would take him along Limehouse
Cut to the agreed meeting place. She wrote down the time he should be there,
and she gave him her watch. Throughout he made a show of impatient nodding, as
if the mastery of such details was child�s play After Mr Bradshaw had gone,
Nancy tenderly thought: The great thing about someone who�s lost their memory
is that they�re so used to forgetting answers that they don�t ask too many
questions. And that was a help, because Mr Bradshaw hadn�t asked what Mr Riley
might think of her invitation; or what Nancy proposed to do with the options
that remained open to her; or how she, too, might take the route to mercy or
reward. It would have taken Nancy a very long time indeed to explain.</p><empty-line/><p>3</p><empty-line/><p>Perhaps Nick�s father had
dropped a hint along these lines: �He hasn�t come to terms with the passing of
his mother. He could do with a treat � something to take him out of himself.�
Or maybe it was simple generosity of spirit. Either way the tubby executive at
British Telecom � last seen sipping sherry at the funeral � had offered Nick a
treat closed to the general public for donkeys� years: a view from the top of
the BT Tower. The executive was called Reginald Smyth.</p><p>�One
hundred and eighty-nine metres high,� he said, reverently, on the
thirty-fourth floor. �Sways twenty centimetres in a high wind.�</p><p>Reginald
was a plump and ponderous man with active eyes, and a commiserating manner. He�d
lost all his hair save for white curls above each ear. Standing with joined
hands, he ushered in fact after fact as if they might soothe the bruised and
broken. �As you can see, there are no walls, just windows and, of course, the
floor rotates, obtaining a full circuit in twenty-two minutes��</p><p>Nick
missed the details about tonnage, nylon tyres and speed. He was already gazing
at the sprawling majesty of London. Sitting down, he picked out St John�s Wood,
hazy under the threat of snow and, with an alarming shudder, the floor began to
move.</p><p>From
this suburban pinnacle Nick looked upon recent events as if he were detached
from their happening and significance. It was calming; it was a treat. He
listened and watched while the world seemed to go round. Reginald, being a man
with a sense of moment, kept a respectful distance.</p><empty-line/><p>�We had a long-drawn-out
argument,� Charles had admitted, clinking more ice into more scotch. After the
visit to Doctor Okoye, Elizabeth wanted to tell Nick about Riley and his place
in her life.</p><p>�I didn�t
know about the heart condition,� said Charles, handing Nick a glass. �Your
mother only said that maybe it was time to retire, that the cut and thrust was
all getting a bit much for her valves.�</p><p>Husband
and wife toyed with selling up and fixing the tap in Saint Martin�s Haven. Led
by Elizabeth, they talked of all the things they agreed about, until Charles
realised she was trying to seduce him. Snapping a thumb and finger, he said, �No.�
He was against any disclosure of the past, not because he was ashamed, but
because he was frightened: for Nick.</p><p>�There
was no need for you to know� � he hunched his shoulders and squinted � �You�d
be shocked. You�d been protected. And what did it matter? She�d moved on, <emphasis>wonderfully.�</emphasis></p><p>That
notion of <emphasis>protection </emphasis>irritated Nick. It was demeaning. It was a kind of
pity that insinuated measurement: it cut love down to size � for Nick, not
knowing all, had therefore not <emphasis>loved </emphasis>all. He�d loved only partially His
father failed to realise that Nick�s heart was greater than his needs or
expectations; that the woman of his dreams was Sonia, the prostitute in <emphasis>Crime
and Punishment. </emphasis>But he hadn�t said that out loud.</p><empty-line/><p>The revolving deck groaned
suddenly on its rails, sending a stab of fear through Nick. He threw his eyes
to work, spying the Inns of Court, and further on, the Isle of Dogs, where
towers were being raised from the mist at Canary Wharf. Nick�s attention
shuddered to the east, to things known but out of sight, to Hornchurch Marshes
and the Four Lodges. He thought of the cold wind, the small shaved head, the
lingering torchlight; and he heard again the unnerving pity in that voice.</p><p>Nick�s
parents had never fully resolved the disagreement, though Charles won the first
round on points. While Elizabeth urged Nick to find a practice in Primrose
Hill, Charles pushed for paid indolence in Australia. (He wanted his son out of
the way while Elizabeth went after Riley. If it came to nothing, then Nick
would be left <emphasis>unscathed. </emphasis>Should an arrest become imminent, then,
perhaps, the matter could be re-examined.)</p><p>The
word �unscathed� also irritated Nick, because it was the twin of �protection�.</p><p>The
second round began when Elizabeth turned to letter writing, those lures of
affection and melancholy while Charles (guessing the stratagem) countered with
more temptations of distance and wonder. This last had been a subtle ploy for
Charles was drawing on what bound father and son together: the dream of
escapades and foreign peril.</p><p>�In the
end, she was several moves ahead,� said Charles affectionately spilling whisky
as he poured from the decanter. He was weary, his sleeves rolled up and a
tartan tie askew A shirt-tail hung out like a waiter�s cloth. �I knew nothing
of the key or Father Anselm�s role as her unwitting understudy� He paused as if
ashamed by the complaint in his own voice, the hint of resentment. �For your
sake, I�d hoped that this business would pass you by; as still it might.�</p><p>�For
your sake,� repeated Nick quietly As still it might?�</p><p>�Let�s
get back to normal,� said Charles, with a sudden note of beseeching. �Let�s �
let�s go to Skomer.�</p><p>Nick
laughed, not so much at what Charles had said, as his appearance: the red face,
the clothing in disarray and the precariously sinking glass. Charles took the
laughter for assent and joined in heartily.</p><empty-line/><p>London kept turning and
Nick kept watching, high above all that had happened, glad that it was over,
perhaps grateful � if he were honest � that he had a protective father. When
the twenty-two minutes had elapsed the floor stopped, and Nick was facing St
John�s Wood.</p><p>�The
lift moves at six metres per second,� said Mr Smyth, more relaxed, hands in his
suit pockets. Nick guessed that he was the sort of executive who liked to don
the hard hat and chat with the lads about the tricks of cable installation.</p><p>As the
narrow compartment plunged down to ground level, Nick ignored some more
statistics, marvelling rather at his father�s determination, his refusal to
compromise with his wife, the captain of matters practical. This time Charles
had taken the lead and called the shots, forcing his mother�s hand. It was the
sort of bull-headed drive the bank had wanted and never got.</p><p>�Who�s
Mrs Dixon?� Nick had ventured, before going to bed. �I haven�t the faintest
idea.� Charles had rolled down his sleeves, pulled his tie up and dabbed at the
spillage with his shirt-tail. Nick watched him carefully � and he just couldn�t
be sure: was this the truth or another species of protection?</p><p>The
lift doors opened and Nick showered thanks on Mr Smyth. It was, he replied, the
<emphasis>least </emphasis>he could do, adding, as if he hadn�t been heard the first time:</p><p>�I must
say your mother was a quite re<emphasis>mark</emphasis>able woman.�</p><empty-line/><p>4</p><p><emphasis/></p><p>�You�re a hard man, Riley�
said Prosser. He puffed on his cigar and nudged the peak of his cloth cap.</p><p>A fair
one.</p><p>�Twenty-five
grand it is, then.�</p><p>The
figure wasn�t quite accurate, but it was in keeping with the outward show of
honesty. Prosser would pay that handsome figure into the Riley bank account
first thing next morning. An extra five thousand was due now, in cash � an
exchange that would trouble neither the conveyance deed nor the records of the
Inland Revenue.</p><p>Prosser
had a worn leather pouch of Spanish origin. Having tugged it from the inside of
his heavy overcoat, he opened it slowly lowering his hands to show how much he�d
brought. Then he counted out the bills, licking his fingers, making it
painfully clear that he was handing over far less than he�d expected � that he
was a harder man than Riley.</p><p>�Wyecliffe
will do the paperwork,� said Riley and he tossed high a bunch of keys.</p><p>Catching
them, Prosser replied nobly �The traditions of your business will continue.�</p><p>�I
doubt it.�</p><p>Prosser
was jubilant. He sucked air through his teeth, breathing in a mix of furniture
wax and butane.</p><p>�When
you�re ready� he said, �I�ll lock up. I bid you good day ma�am.� The last
affectation came with a bow for Nancy after which he swaggered outside to
linger on the pavement. He winked to an imaginary audience, and licked the butt
of his cigar.</p><p>Cars
smashed over the hump in the road. It was nearing the end of the day so
everyone was impatient, even Riley As he checked the limp motes against a light
bulb, he became scatty �he was looking at the pictures and not the watermarks �
because every action was a movement away Every breath was one less among these
standing ruins. He was going to walk with Nancy on Brighton Pier. Something
rustled at his elbow.</p><p>Nancy
was holding out a plastic bag as though it were Riley�s turn for the lucky dip.
It was empty and she looked severe.</p><p>�Let me
carry the money� she said, pronouncing each word distinctly �It�s my shop,
remember.�</p><p>Riley
didn�t have the guts to refuse � Nancy had been acting funny. Not that she�d
said or done anything. It was just a sense that she�d already gone from Poplar
and left him behind. He wanted to catch her up. Without a word he wrapped the
motes in an elastic band and dropped them into the bag.</p><p>�You
can trust me, you know,� said Nancy under her breath.</p><p>She was
being funny again, though Riley couldn�t put his finger on how. But she made
him think of trust: it had held them together, even in the breaking.</p><p>Nancy
lifted up her skirt and stuffed the money beneath her tights, across her
stomach. Then she went into the back room and came back with a grey canvas
rucksack. Riley had found it in the cellar of a mountaineer.</p><p>�I want
to pick up some bricks by the canal,� said Nancy adding proudly �for my herb
bed.�</p><p>Riley
was aghast. �You want to go along the Cut with five grand in your tights?�</p><p>�No one
will look.�</p><p>�Nancy
have you ever heard of muggers � villains?�</p><p>�It�s
never happened before.�</p><p>Prosser
called out, �Oi! I�m freezing out here.�</p><p>�I want
to finish the bed,� said Nancy flatly.</p><p>�All
right, fine,� sighed Riley giving up. He�d follow Nancy to hell, never mind
Limehouse Cut.</p><empty-line/><p>They walked side by side,
Riley shouldering the rucksack. The sky was reddish brown like a bruised fruit.
Beneath it, in the near distance, a bonfire kicked sparks into the air. Smoke
billowed and a smell of rubber drifted along the towpath beside the Cut. The
hush was a trick. Somewhere ahead was a den of foxes. When it grew dark, they�d
scream and it was like a feast of murder. Nancy broke step. She�d seen a brick.
Examining its edges, she said, �It all begins with Quilling Road.�</p><p>�What
does?�</p><p>�Our
trouble.�</p><p>Riley
closed his eyes and stumbled slightly He didn�t want to hear of that place. An
old voice came out of him, and he listened, �How was I to know?�</p><p>He
hated the weakness and the whining and the cowardice. But they were weapons,
and he�d learned how to use them like an automaton.</p><p>�Of
course not,� said Nancy sympathetically She stepped behind Riley to struggle
with the toggles on the rucksack. She dropped the brick inside, and left the
flap open.</p><p>They
walked on, coming closer to the fire. Riley wondered, Could it really be that
easy? Was the future an open field? He felt a shudder of excitement. With
Prosser�s money he�d buy some new shoes. He�d chuck away that camouflage
jacket.</p><p>Nancy
bent down, complaining about her old knees. With more groaning about her limbs,
she picked up two bricks, and said, �It was terrible when that boy drowned and
the police tried to pin it on you.</p><p>The
comment was like a smack in the teeth. Nancy had never referred to that before.
Like Quilling Road, it was another crater in the dark. They walked around them.
But now she spoke as if she were in the laundrette with Babycham.</p><p>Smarting,
Riley said, �Cartwright has never let me go.� He whistled quietly because he�d
strayed to the edges of truth, close enough to fall in.</p><p>�I
kno-o-ow,� sang Nancy sharing his indignation, and he could just see her,
nudging Babycham�s ribs.</p><p>Nancy
put the bricks in the rucksack and Riley shrugged the shoulder straps into a
more comfortable position. After that drowning, he�d expected the Major to turn
up at Poplar � to target him with that old, quiet urging. But he never came.
Their last meeting had been at the Old Bailey when he�d said, �They can lock
you up, but they can�t stop you taking that first step.� The Major had been
brittle and despairing. Where was he now? What would he tell him to say to
Nancy?</p><p>It was
dim now, and the edges of the canal had blended into its banks. The sky had
lost its colour and joined the slate on the straggling warehouses. Nancy�s
puzzled voice was muffled while she rummaged near a hedge of barbed wire.</p><p>�So
that�s why they hauled you in again?�</p><p>�What
do you think?� Riley made it sound like a �Yes�. He didn�t know what else to
say. They hadn�t spoken of the arrest since the day he�d been released without
charge. She�d been off-colour afterwards, and he hadn�t been able to read her.
Suddenly she was tugging at the rucksack.</p><p>�Are
you all right?� asked Nancy as though she were anxious for his health.</p><p>�Fine,
absolutely fine.�</p><p>Carefully
she laid three bricks on top of the others.</p><p>�Steady
on,� he rasped. �I�m not �� � <emphasis>Stallone, Mad Max, Bruce: </emphasis>the hamsters�
names ran into one another like a furry pileup but a name popped out, like it
was shoved � �� Mr Universe.�</p><p>Riley
leaned forward and increased his speed, as if to get away from that reminder of
Arnold. At the fire, a gang of youths brandished flaming branches. They danced
and whooped and stared. A car tyre lay smouldering near the bank. It was almost
dark mow. The path narrowed and Nancy dropped back, leaving Riley to move on
ahead. He looked aside into the dull, smooth water. And then he thought, as if
tripped. Why do I keep remembering what the Major said? Why can�t I just forget
an old soldier�s hopes, his insane confidence?</p><p>�I
wonder what happened to Arnold,� asked Nancy faintly.</p><p>�God
knows.�</p><p>There
was a long, withering pause. Then Riley heard Nancy�s feet in the grass, as if
she were swishing a scythe. His thoughts became bitter, remonstrating: the
journey from Paddington to this point by the Cut owed a great deal to John
Bradshaw � for that death had marked his soul � but who took the laurel? The
Major? No, that honour went to a <emphasis>hamster. </emphasis>Even in conversion, if that is
what it was, I�m a contemptible specimen.</p><p>�That�s
the lot,� she said with resignation. One after the other she placed four bricks
into the remaining space.</p><p>�Bloody
hell, Nancy� he gasped, �what are you trying to do?� He fastened the clips
across his chest, linking the arm straps. After a few steps, he glimpsed the
hunched figure of a man by a wall � someone who was watching him. Riley swung
around, wanting Nancy�s help. �I�m sorry, there�s too many� he whispered,
genuinely sorry, �I can�t carry this lot.�</p><p>�Neither
can I.�</p><p>�What?�</p><p>Riley
couldn�t see her face. She walked slowly towards him.</p><p>He knew
what was going to happen. Nancy pushed him with a finger and he fell backwards.
As he left the towpath, he wondered why it was that he felt relief.</p><empty-line/><p>5</p><empty-line/><p>At school, Anselm had met
a Jesuit teacher who considered familiarity with the life and work of John
Bunyan to be a valuable adjunct to the onset of adolescence. First, that
exemplar, in his youth, had been haunted by demonic dreams; second, he�d
suffered a strange sickness that had made him blaspheme atrociously and want
to renounce the benefits of redemption. To counter these inclinations, so often
manifest in the young, the amused Jesuit would read choice excerpts from <emphasis>Pilgrim�s
Progress, </emphasis>the allegory of a burdened man, fleeing a burning city.</p><p>This
warm memory touched Anselm because he was sitting on a bench near the author�s
tomb in Bunhill Fields. At his side sat Mrs Dixon in a long overcoat of russet
tweed. She wore sturdy shoes and thick socks. A paisley scarf had been tied
around her head with a knot under the chin. She�d brought Anselm to this garden
of peace without a word. Thousands of tombs stood crowded among the planes,
oaks and limes. The light came to them through the rafters of these winter
trees.</p><p>�I had
already decided to speak to you about my son,� said Mrs Dixon finally.</p><p>Anselm
presumed he would now learn why she hadn�t mentioned George�s name at their
first meeting. A jitter of excitement made him impatient. Leave it to Anselm.</p><p>�I told
someone recently that Elizabeth�s last words to me were that she wouldn�t be
coming any more. That wasn�t true.� Mrs Dixon examined the backs of her hands. �Elizabeth
said a lot more: that she�d found Graham; that the time of the lie was over.</p><p>For a
second or so, Anselm didn�t understand what had been said. His mind lay with
George Bradshaw, not Graham Riley When he clicked, it was as though he�d
stepped out of a musty matinee into the chilling daylight. �Your son?� he asked
foolishly.</p><p>Mrs
Dixon nodded. Her face became blank, as if all her emotions had been drained
into ajar for safe-keeping. Decisively she said, �But that was not the lie.�
Mrs Irene Dixon spoke softly and resolutely �I wish I�d stayed in Lancashire,
but I went south, to start over. All that I knew had changed, because Graham�s
father died in the pit, under thirty tons of coal and rock.�</p><p>Mother
and child came to London, encouraged by an aunt �a seamstress � who had a house
with rooms to spare, and a business with more work than she could handle.
These were hard times because Mrs Dixon was a widow at barely twenty. But then
she met Walter, a big, handsome man with responsibility and a house of his own
in Dagenham. He was the manager of a warehouse in Bow; he hired and fired. He
ruled the roost. After courting for a year, they were married, and by the end
of the second year, there was a child on the way.</p><p>This is
the beginning, thought Anselm. From this moment onwards, it is all an
unfolding. He understood everything, but with such speed that his insight into
what would happen became foreshortened, and he lost the detail. He was left
with the first simple realisation that Walter Steadman was Elizabeth�s father;
that Riley was her half-brother.</p><p>The two
children grew up under the one roof, but did not enjoy equal favour. Walter
didn�t mean it, said Mrs Dixon, but he was hard on Graham, who was not his own,
and soft on Elizabeth, who was. The inequality of affection was ever present
and Graham simply couldn�t understand why: they were, after all (he thought),
the same flesh and blood. As Graham grew older, it became obvious: he was not a
Steadman.</p><p>�The
boy became the shadow of his father, my first love,� said Mrs Dixon. �And
Walter was a jealous man, even of the dead. It was pitiful that a boy so small
could pose a threat to a man so big.� She hesitated, as if she�d come to a defining
moment. �And then the warehouse closed and Walter lost his job.</p><p>�It
might not sound much,� said Mrs Dixon, after another break, �but the big man
who�d told everyone else what to do for ten years was unemployed. The only work
he could find was selling pies from a barrow on the pavement. He lost his self-esteem.
The men he�d sacked mocked him. He drank what he earned, and I had to work
twice as much. And when he was in drink, he didn�t control himself any more.
The small things loomed large in his head. You could say he was the same; you
could say he�d changed.�</p><p>Walter
hit Graham and Mrs Dixon. But he never touched Elizabeth. He wanted to be
someone else with her � the person he could have been � and that longing
survived even the sickness that came with beer. Graham, however, became Walter�s
target.</p><p>�When
things go wrong in your life,� intoned Mrs Dixon, �you look for someone to
blame. And you always settle on someone who�s <emphasis>different. </emphasis>Graham was
different, in every way and all of them small.�</p><p>According
to his teacher, Graham was clever. He asked questions that didn�t have easy
answers. He shrank from the rougher games, preferring to collect things � all manner
of rubbish that he thought interesting, like pebbles and bottle tops. His arms
and legs were thin. When he tried to help with the shopping, it was always too
heavy. It showed up the sheer difference between him and Walter. And on one
fateful, drunken day Walter mocked him, just as those sober men had mocked
Walter.</p><p>�No son
of mine would collect bottle tops,� said Walter, swaying.</p><p>�But I <emphasis>am
</emphasis>your son,� snapped Graham defiantly.</p><p>�No you�re
not.�</p><p>�What?�</p><p>�You
heard.�</p><p>�That
was how he found out,� said Mrs Dixon. �He seized hold of me, wanting to know
who his father was, his real name, what had happened, why he�d never been told �
endless questions � It was as though Walter�s rage � all of it � had
infected him. From that day Graham refused to call Walter his father. He
dropped Steadman and became Riley. And the rage I�d seen � It simply
vanished.�</p><p>While
Mrs Dixon was speaking, Anselm began to recover a fraction of the insight that
had struck him and gone. He remembered the conversation with Elizabeth about
the death of his mother, knowing that she�d been harvesting his experience. He
said to Mrs Dixon, �What happened to Walter?�</p><p>�We
were at the top of the stairs,� she replied, as if she were dictating a
statement to the police. Her eyes were to the front, her back straight. �There�d
been a lot of shouting. He swung out but keeled over on the step and went down,
like a tree. I fell back, trying to keep my balance, so I didn�t see; I just
heard him tumbling down, and then, after a second or so, a bang. When I looked,
there was a large heap on the floor. I called the ambulance and they took him
away but he was dead.�</p><p>�I�m
sorry,� muttered Anselm.</p><p>�Don�t
be,� she replied. �I was relieved � glad that he was gone.</p><p>Staring
ahead once more, Mrs Dixon resumed what she�d planned to say: the opening up of
a lie. Again, she seemed to be recording a deposition.</p><p>A week
or two later a policeman knocked on the door. He knew Walter. He knew about his
temper and the violence. He told me the doctor had found a long wound on the
head. He examined the stairs. He took measurements of a tread, and its edge. I
said nothing about the bang that I�d heard after the fall, that Graham had been
downstairs, that the poker was missing. In due course, the police concluded it
had been an accident. My son, however, had stopped eating. He was sick. One
night, I held his hands in mine and asked if he�d seen the poker. He pulled
himself free, hid behind a pillow, and said, �I�ve thrown it in the Four
Lodges.� The next day he was gone. He was seventeen. I haven�t seen him since.
Everyone said it was because he�d lost his dad.�</p><p>Bunhill
Fields is a wonderful place, thought Anselm, wanting to flee those stairs, that
hallway The Pieman must have taken shape among its shadows and blood: a name
coined from other people�s contempt, an engrossment of rage and abuse, tame to
Riley but towering over those whom he would terrorise. Elizabeth had walked
along the same corridors, among the same shadows. Anselm felt her presence. She�d
worn a delicate perfume that didn�t seem to fade. She was always very <emphasis>clean,
</emphasis>in strictly tailored clothes, with sharply cut hair.</p><p>Elizabeth
blamed herself for Graham�s running away for Walter�s treatment of him. And Mrs
Dixon, against herself, blamed Elizabeth: not with a single word, but with a
host of manners. On a cold night Elizabeth made a fire. Looking for the poker,
she asked her mother where it might be.</p><p>�Graham
threw it away.�</p><p>�Why?�</p><p>Mrs
Dixon didn�t answer the question directly She let the silence do it for her. A
month later Elizabeth disappeared. Everyone said it was because she�d lost her
dad and her brother.</p><p>Anselm
knew what had happened next. Sister Dorothy had come to the house of Mrs
Steadman. Her decision to do what Elizabeth wanted had been instantaneous and
heartbreaking. Mother and daughter, without saying so, had agreed to hush up a
murder. You can�t do that sort of thing under the same roof.</p><p>�I next
saw my daughter a year ago,� said Mrs Dixon, without emotion, enunciating her
words. �She traced me through my national insurance number, because I had
remarried � to a wonderful man, who would have been a wonderful father to
anyone�s children.� Mrs Dixon swallowed hard and carried on with the job in
hand.</p><p>Elizabeth
had learned of her heart condition, and that it was hereditary. Mrs Dixon
underwent the tests with a Doctor Okoye, who pronounced her clear. Big, strapping
Walter, it seemed, had been a fundamentally weak man. But that was not why
Elizabeth had come.</p><p>�She
told me that Graham had built a new life,� said Mrs Dixon, �but not a nice one.�</p><p>Not for
the first time in his life, Anselm marvelled at the word �nice�, and the
wonderful uses to which it was frequently put.</p><p>�She
told me that the only way to save him was to bring him to court to answer for
the murder of her father. It wasn�t revenge she wanted, I knew that. She was
talking about � what was right. But I refused.�</p><p>�Why?�</p><p>�Because
if it was anyone�s fault, it wasn�t Graham�s, or Elizabeth�s, it was mine. I
failed to protect him. I thought that if I stick by Walter, then maybe he�ll
change back to who he�d been who he <emphasis>was </emphasis>with Elizabeth � that his anger
might boil dry; that he might wake up and see Graham as � different, yes, but
not a threat. I�m the one who put that poker in Graham�s hand. All I ever said
to him was that Walter has tempers.�</p><p>The
quietness of Bunhill Fields filled the pause. Nothing moved, not even the
trees, which were so full of life. For once, it seemed strange.</p><p>�Elizabeth
came each week, trying to persuade me. I refused. Then, on the day she died, I
received her last call and her last words.�</p><p>�The
time of the lie is over,� Anselm said to himself. To this he added the final
message for Inspector Cartwright, uttered seconds before: Leave it to Anselm.</p><p>�Mrs
Dixon,� said Anselm, �as I�m sure you know� � he watched her nodding, because
Elizabeth had already told her ��I will have to inform the police. They will
interview you. Graham will be tried for murder. You, too, may well be charged,
because of your silence. Do you realise this?�</p><p>�Yes,�
she replied, as if she were already in court.</p><p>Anselm
regarded her with compassion and said, �Why did you change your mind?�</p><p>�Because,�
said Mrs Dixon defiantly proudly �I have met my grandson, Nicholas. And I do
not want his life to rest on a lie �on a false understanding of who he is and
where he comes from � as Graham�s did. One day he might learn the truth about
his family I do not think he would thank his mother for the story she dreamed
up in its place. It is, of course, what she wanted, what she�d asked of me. I
didn�t appreciate why until I saw Nicholas � He looks just like Walter.�</p><empty-line/><p>Anselm took Mrs Dixon�s
arm, and they walked slowly like mother and son, along the lanes of Bunhill
Fields. In their shared quiet, he thought of Riley�s early life, and of murder,
undetected and forgotten, and what it might do to a man. And he thought of
Bunyan, whose youth had been marred by four chief sins: dancing, ringing the
bells of the parish church, playing tipcat and reading the history of Sir
Bevis of Southampton.</p><empty-line/><p>6</p><empty-line/><p>For the fourth day in a
row, George ordered a full English breakfast (with Cumberland sausage). Nancy
opted for the kipper (from Craster), explaining, �You only live once,� which
was very true. They sat in a bay window of the Royal Guesthouse, looking at
the waves trimmed with foam. Far off, daft gulls dipped and rose like kites. It
would be another windy wonderful day.</p><p>The
entries in George�s notebook would have told him that Nancy had withdrawn
thirty-six thousand, four hundred and twenty pounds and fifty-two pence from
the Riley bank account; that facing rooms had been booked in Brighton for a
week (meals included); that she had bought a two-for-the-price-of-one packet of
envelopes from Woolworths. However, he didn�t need to remind himself of their
comical project, any more than he needed to be told of Nancy�s horror and guilt
over all that Riley had done, or of her remorse for the murder of John. It was,
as they say written on her face. She was not to blame, by any stretch of the
imagination. And yet, on their first night, over Hereford beef with Yorkshire
pudding, Nancy had said, �I share the fault, because I share the disgrace� � a
stinging phrase which revealed that Nancy accused herself because she�d known
what her husband was like, and she�d turned away.</p><p>When
breakfast was over they prepared some envelopes, put on their coats and set
about the business of the day. They strolled along the esplanade towards the
Palace of Fun.</p><p>�How
about that one?� asked Nancy.</p><p>George
nodded.</p><p>Coming
towards them was a young girl, pushing a pram against the grain of the wind.
Her knuckles were blue. Judging by the noise, the child was not happy.</p><p>�Excuse
me,� said George, �we represent a secret society whose object is the benefit of
humanity.�</p><p>The
girl�s eyes flicked from George to Nancy and back to George again. She said, �Sorry,
I don�t need anything.�</p><p>�I�m
afraid the steering committee does not agree,� said George severely �Here�s a
thousand pounds.�</p><p>Nancy
pulled an envelope from her handbag, and held it out. The young mother stared,
as if it were a warrant from the bailiff.</p><p>�The
only condition is this,� said George, suddenly kind, �under no circumstances
are you to spend it <emphasis>wisely. </emphasis>We wish you a very good day�</p><p>And
with that, the delegates crossed the main road, heading towards the forecourt
of Brighton Pier. Near the entrance, a Salvation Army brass band was playing
carols. The cornets and trombones glittered in a semi-circle, pointing down
slightly Nancy approached them respectfully walking round the arc of bonnets,
caps and polished shoes.</p><p>�Hark
the Herald Angels Sing� � the words rode on the back of the hymn, melancholy
and joyful.</p><p>George
mumbled the rest of the verse, gazing at the turrets of a dome and two flags
fluttering against a clean blue sky Suddenly Nancy was at his side.
Ceremonially they walked onto the long quay as if it were a nave, as though the
world itself were a cathedral of unutterable magnificence.</p><p>George�s
spirit soared higher and higher with the brazen gulls. There were no clouds, no
shadows, just the harsh seaside light. The wind carried the smell of sand and
bladderwrack, shells and salt.</p><p>�Peace
on earth and mercy mild, God and sinners reconciled.� Nancy handed out
ten-pound notes as they walked along, as if they were flyers for Unimaginable
Warehouse Bargains. People stopped and stared. An old woman in black with bowed
legs waddled towards them, head down like a bull, her hair harnessed by a net.</p><p>�Excuse
me,� said George, �here�s five hundred pounds for your trouble.�</p><p>�Are
you mad?� she replied, straining to get her neck upright.</p><p>�I was,
but am no more.�</p><p>She
glanced around warily �Is this <emphasis>Candid Camera?�</emphasis></p><p>�Indeed
not, madam,� said George, like a magician. �This is real life.�</p><p>�Thank
you, but no.� Her head went down and off she went, burrowing through the wind
to the town.</p><p>At his
side Nancy was laughing. She pulled off her yellow hat with its black spots,
and forced a hand through her hair. Breathing deeply she closed her eyes and
threw back her head. Her nose was bright red at the end.</p><p>�Let it
be known,� cried George, raising his arms like Charlton Heston, �that for one
week a kind of justice ruled on Brighton Pier.�</p><p>�Joyful
all ye nations rise, join the triumph of the skies� � the sound was fading.
As they walked on distributing their leaflets, George glanced over his
shoulder: he could still see the caps, the bonnets and the glitter of
instruments.</p><p>�� Glory
to the new-born King.�</p><empty-line/><p>In the Palace of Fun,
Nancy bought tickets for the dodgem cars. The till was wrapped in tinsel and a
Christmas tree was chained to a bracket. A girl in the booth wore a Santa hat
and she called the management when George gave her two hundred pounds. The
police turned up and particulars were taken. When everyone in a suit or uniform
was happy � actually not so happy � George and Nancy climbed into a rather
small Rolls-Royce. With a crackling of sparks, the music started and they were
off.</p><p>Driving
always made George thoughtful, and present circumstances proved no exception.
Nancy had pushed her husband into Limehouse Cut; George had witnessed the fall,
and made a note of the details that night on the train (first class). With a
glass of champagne in one hand, and a pen in the other, Nancy added an
important postscript to explain that Riley�s point of entry had been adjacent
to a boat, moored by the canal wall. George, however, was still troubled on his
friend�s account: what would she do when all the money was gone?</p><p>�Where
will you go, Nancy when this is all over?� he asked.</p><p>�I
haven�t a clue.� Her hands were folded on her bag and her knees were squashed
against the dashboard. �What about you?�</p><p>�No
idea,� said George. He turned to Nancy wanting to thank her for their time
together, for this brief, shining �</p><p>George
thwacked a yellow Lamborghini. It was his fault. He hadn�t been looking. The
jolt was so severe that stars twinkled behind his eyes. When he could see
straight, he saw a police officer � the same one as last time � talking to his
radio and summoning George with a gloved hand. Thinking the world had turned
upside down (leaving aside his and Nancy�s efforts in this regard), he drove to
the rubber kerb. Ten minutes later they were taken in a squad car to the
station. George was left in the waiting room and Nancy was taken to an office
with a panel of frosted glass in the door.</p><p>Twenty
minutes later George and Nancy had been released. For a long time Nancy did not
speak.</p><p>�George,�
she said evenly �when they checked us out for giving money away my name caused
a stir on the computer. �She sat down on the low wall of someone�s garden. �I
was reported missing two days ago, and yesterday Inspector Cartwright charged
Riley with the murder of his stepfather. Without being asked, he confessed to
the murder of your son and to everything that happened at Quilling Road. He�ll
be going to prison for a long time.�</p><p>George
felt as though he were back in the Roller, seeing stars; that the world must
right itself at any moment. He lowered himself onto the wall and took his
friend by the hand.</p><p>�What
will you do, Nancy?�</p><p>With
her hat pulled down over her ears, she looked resolved. �I�ve two days left in
Brighton,� she said, as if doing her sums. �I�ve got ten thousand pounds in my
pocket. And I�ve got agreeable company for the duration. What else could a girl
want?�</p><p>George
studied her face, its softness.</p><p>And
when my time�s up and I�m broke,� she said, gazing at George as if it might be
wrong, as if he might never understand, �I�ll go back to Riley.�</p><p>Side by
side, they walked into the wind and the sun, heading back towards the band,
with the music growing stronger.</p><p>�Someone
has to love him,� she said simply.</p><empty-line/><p>7</p><empty-line/><p>Nick came to Larkwood not
so much because Roddy had urged it upon him, but because it was fitting. He�d
begun a kind of journey with Father Anselm, and now it was over; there were no
more secrets. It was the right time to say goodbye.</p><p>�Because
I�m a monk,� said Father Anselm, wrapped in a long woollen cloak, �I am a
creature of ritual. Symbols help me understand things.� They were sitting on a
bench of dressed stone � a chunk of the medieval abbey It faced the Lark and a
row of empty plant pots. �Your mother and I sat here at the outset of her
endeavour,� he continued. �Perhaps it�s not a bad place to examine where it
ends.�</p><p>A week
ago, Nick had felt irritated at his father�s desire to <emphasis>protect, </emphasis>the
energy spent on leaving his son <emphasis>unscathed. </emphasis>He�d found it patronising. Nick
was a grown man, a doctor. He�d swum with cane toads. But now he knew that
Walter Steadman had been his grandfather, killed by a boy who�d grown to kill
as a man and who, for good measure, was Nick�s half-uncle. Roddy had come round
to explain these niceties because, following Riley�s confession, a trial
became inevitable and Nick would soon find out � if not from him, or his
father, then the national press, who would probably be competing with one
another for the most punchy by-line to describe his mother. It transpired that
Roddy had known of Elizabeth�s short time on the street, but no more. He�d
learned the rest from Father Anselm.</p><p>After Roddy
had tumbled into a taxi, Nick finally appreciated his father�s bullish
resistance. Even after Elizabeth�s death, Charles had clung on to a slender
hope: that Father Anselm would fail; that Mrs Dixon would enjoy a long and
private retirement. The matter of Walter Steadman had been the issue upon which
Nick�s parents had been most divided. And Nick wholly endorsed his father�s
reading of the compass: what was the point in bringing it out into the open?
Why had she set up this dreadful, public annihilation of the living? For whose
benefit? Only that of the dead. Nick wanted to be protected, frankly and left
unscathed. He had said all this to Father Anselm on the way to the bench of
dressed stone. Worm out, he slumped down, arms on his thighs. He looked ahead
at the river and the teetering plant pots.</p><p>�Your
mother ran away from a house in which her father had been murdered,� said
Father Anselm steadily �She didn�t admire the man, although he�d made a claim
upon her affection. That must have been difficult for her: to see his
brutality, and his gentleness; to wonder how both could rise from the same
soil; to try and give credit for one while condemning the other. She was, of
course, just a child. And it was as a child that she turned her back on the
gravest offence known to the criminal law. She�d made an unspoken agreement
with her mother to remain silent, as though it were a payment she owed to her
abused sibling. Elizabeth could do this only by wiping out her past � every
memory, every smell, every taste, every sound � and by creating a new history
of imagined sensations. And she succeeded. She launched a career, she married
and she had a child. But then the half-brother she�d protected appeared in this
wonderful universe of her own making.�</p><p>The
monk reached down and picked up some twigs. He snapped them, while he thought
himself into this other livid experience.</p><p>�When
Riley instructed your mother to represent him, he did so, in the first place,
to silence George. But there was more to it than that. He wanted to destroy an
achievement that, to him, must have been an unbearable sight. Since their last
meeting, she had changed beyond recognition; while he, the other runaway could
only look upon the same squalid reflection. So it�s worth pausing to consider
what Riley now demanded from your mother. In the first place, he was holding
up, like a mirror, her silence over Walter�s murder. He was saying, �Look well,
look hard: your position as an officer of the court is a sham, it always has
been; and your likeness is just as soiled as mine.� And nowhere could that have
been acutely felt than when Elizabeth was obliged to cross-examine Anji,
staring � as she must have been � at the unhappy face of her past.�</p><p>Father
Anselm looked to Nick, inviting him to speak, but his mind had drained of
everything save what he now heard. It was of course a fancy but there was
something in the monk�s manner, his choice of words, that seemed to speak truly
of Elizabeth, a mother who�d wanted to speak to her son.</p><p>�Now,
what did Elizabeth do in that terrible situation?� Father Anselm reached for
more twigs. <emphasis>�She surrendered. </emphasis>But why? This woman had given her life to
the law, she believed in due process. How could she suffer his <emphasis>winning, </emphasis>and
the <emphasis>defeat </emphasis>of everything she had valued? That is the most taxing
question. I think I know the answer.</p><p>�Riley
asked for your mother, believing this: She helped me once; she�ll help me
again. That was a huge error of judgement. Elizabeth had changed in more ways
than he could imagine. Her attachment to the law was so great that I think she
would have <emphasis>seized </emphasis>the opportunity to expose the facts of her life,
regardless of the personal cost. But she didn�t. What Riley didn�t know, and
this is what saved him, was that Elizabeth now had a son. Nick, I think she
cooperated with Riley for you. To protect you. To leave you unscathed. To keep
intact the world she�d created for you with Charles.�</p><p>Nick
didn�t like Father Anselm using the words of his own complaint, but the monk
did so kindly and tentatively as if he were passing them back across the
counter. Nick looked to the river and a strange mist rising on the other side,
stretched thin like a silver table. In a kind of daze, he listened to Father
Anselm�s exposition.</p><p>The
price paid by Elizabeth was high, he said reluctantly By continuing the case,
she broke the rules of her profession. By asking him to cross-examine George, she
hoped, nonetheless, to lose the trial. Even that went awry because,
unfortunately the stooge had been lucky. Throughout the following years,
nothing unsettled Elizabeth�s resolve to remain silent � not the letter from
Mrs Bradshaw, not the death of that poor woman�s son. The strong spirit of her
childhood had returned. And being so resolved, she lost her faith in the law
�just as long before she�d lost faith in her family.</p><p>�But
then,� said Father Anselm, �something of capital importance happened. Your mother
learned that her days were counted � a moment which, I am sure, has a stillness
all of its own. And in that quiet she recognised that a great lie had been
allowed to take root, and that unless she acted, it would define her life. The
problem, of course, was that it was too late. Your mother had already made her
choice. She�d done Riley�s bidding. And it is at this stage, I think, that
Elizabeth�s story becomes what my father used to call a corker. She decided to
alter the past by changing how everything would end.�</p><p>The
monk was smiling encouragement. He stood up and with a tilt of the head
suggested a walk. They quietly followed the Lark and crossed a small
footbridge. On the other side, they entered a field that was hard underfoot.
Without a path, they tracked a furrow towards the table of mist.</p><p>As you
know,� said Father Anselm, �your mother devised two schemes. The first was for
George: to let him take away the good character of the man responsible for the
death of his son. She went to extraordinary lengths to succeed because she
hoped to restore his self-worth. But a great part of her energy, I am sure,
arose from a blinding desire to see Riley convicted of any offence of this
kind, however trivial in the eyes of the courts; to have him proved a pimp.
That outcome was denied her. She failed.</p><p>�The
second scheme was for herself: to bring Riley to court for a murder whose
evidence she had helped to suppress. To succeed, Elizabeth had to convince her
mother to reveal what she knew to the police. She failed again.�</p><p>They
had reached the centre of the field and stopped. The mist was just above head
height, rolling within itself.</p><p>�It
might reasonably be said,� observed Father Anselm wryly �that I was the
contingency plan. And I too failed, comprehensively� He fixed Nick with an enquiring,
kindly gaze.</p><p>�Who
persuaded my grandmother to speak?� asked Nick. Whether he liked it or not, he
felt himself a part of the narrative; as if it were his proper concern.</p><p><emphasis>�You
did,� </emphasis>said Father Anselm, quietly fervent. �She didn�t
want you to live a lie � as she had done; as her children had. For no one knew
better than your grandmother the cost of a lie.�</p><p>The
monk started walking aimlessly his hands moving with suppressed animation.</p><p>�It was
only when I met Mrs Dixon that I understood the importance of what Elizabeth
had set out to do,� he said. �Once she�d decided to reclaim her past, the only
available means was the legal system that she�d abandoned. So through each of
these schemes, she was hoping to restore justice itself. She saw afresh � I�m
sure of it � that the rule of law <emphasis>matters, </emphasis>that our attempts to punish <emphasis>matter,
</emphasis>that to show mercy however clumsily <emphasis>matters.� </emphasis>Father Anselm turned
to Nick, wrapping his cloak around his body A man had been killed � your
grandfather. Brute or not, his life had been taken from him. The irony is that
he was a man ready to die at the drop of a hat. But that�s of no consequence: a
murder is a murder � be it Walter�s or John�s. To bring this truth to light was
your mother�s endeavour. She succeeded � but not through her own efforts.� He
paused to reflect. �Nick, if I can say anything to you that I�m sure I�ll stand
by tomorrow morning, it�s this: isn�t it fitting that you have achieved this on
her behalf � and not some bumbling oaf like me?�</p><p>Nick
agreed, reluctantly smiling.</p><p>And who
better to help your father understand,� continued the monk, �than the son he
sought to protect?�</p><p>The
table of mist had spread across the valley It caught the sunlight, bringing it
within arm�s reach. Walking beneath it, they passed the bench where Elizabeth
had given Father Anselm the key. Slowly they followed the track to the plum
trees and her yellow car.</p><p>�Can I
ask a favour?� asked Nick.</p><p>�Of
course.�</p><p>�What�s
the secret of the relief of Mafeking?�</p><p>�After �the
Boers were at the gates�,� said the monk, �the story changes all the time. I�m
not sure even Sylvester knows, not any more. He makes it up as he goes along�</p><p>When
Nick was in the car and the engine was running, Father Anselm knocked on the
window Diffidently he said, �Did you ever look inside the hole where your
mother kept the key?�</p><p>Nick
had only ever examined the outer cut pages.</p><p>�Have a
peep when you get home,� said the monk. �It tells you the route your mother
tried to follow�</p><p>When
Nick got back to St John�s Wood he went to the Green Room and opened <emphasis>The
Following of Christ. </emphasis>He hadn�t noticed before, but the incisions had
created a window around a quotation:</p><empty-line/><p>The humble
knowledge of thyself is a surer way to God, than the deepest searches after
science.</p><empty-line/><p>Nick closed the book. He
didn�t know about God � or science any more � but he was convinced, with
gratitude and joy that his mother had known herself intimately that she must
have found her heart�s desire.</p><empty-line/><p>8</p><empty-line/><p>It was completely by
chance that Nancy spotted the monk�s entry in the notebook. They were in the
Snug Room at the end of a busy day. Having put the remaining five thousand
pounds into ten envelopes, she glanced at George, who, true to his routine,
was refreshing his memory. Nancy picked out: �If you meet this gentleman,
please contact �� It was like one of those tags put on a family pet. Nancy
smarted at the condescension, but quickly discovered that she couldn�t come up
with a better alternative. When George excused himself to answer a call of
nature, Nancy noted the number. And when he came back, she retired to her room,
ostensibly worn out by the rigours of the day Apprehensively Nancy rang the
monastery and a sort of hell broke loose. The monk on the switchboard lost his
marbles, another one said, �Hang on,� and then a fellow called Father Anselm
turned up panting. He took Nancy�s number, saying he�d contact Mrs Bradshaw,
but rang back in a tizzy saying there was no answer. He said he�d go here,
there and everywhere, on a train or in a car, and Nancy being a decisive woman,
told him to calm down and stay put. �We have our own steam,� she said. �When we�ve
completed our business, I shall bring him to your premises.�</p><p>Nancy
went to bed quite sure that something good was about to happen. At breakfast, she
had another kipper, but said nothing of her intimations. Her time, and that of
George, was given over to hearty meals, long walks and senseless giving.</p><p>On the
morning of the seventh day using funds set aside for the purpose, Nancy paid
the bill. She rang Inspector Cartwright for a chat, and then, by train and cab,
and with George at her side, she went deep into the Suffolk fields.</p><p>The
monastery was like something from a fairy tale. The roofs were
higgledy-piggledy with russet tiles and slate tiles. There were pink walls,
stone walls and brick walls. It seemed as if the ancient builders had made it
up as they went along. Nancy was overwhelmed by the sight of the place �
because it was holy. So she asked the driver to pull over. �Let�s say goodbye
here, George,� she said, �I don�t want to go any closer.�</p><p>They
stood awkwardly on the path, and she appraised her friend, with his coat over
one arm, and his small blazer all buttoned up. The blue and yellow tie � and
she�d told him � was too bold.</p><p>�Thank
you,� she said cheerily �for a wonderful week by the seaside.�</p><p>He took
her hand and kissed it. �I shall never forget it.�</p><p>Uncle
Bertie had always said, don�t hang around saying ta-ta. Get it over and done
with. So Nancy urged him on, with a shove. It was a painful sight, looking at
his back, and those white cuffs peeping out of the sleeves, for Nancy knew that
this would be the last she�d ever see of George Bradshaw.</p><empty-line/><p>Nancy asked the man in the
taxi to cut the engine, just for a moment. She�d seen a wooden sign for the
information of visitors.</p><p>Following
the arrow took her closer to the monastery, but the temptation was too strong.
Behind a broken gate Nancy saw the wildest herb garden she�d ever seen. She was
so entranced by the mess, by its abundance, that she didn�t hear the monk�s
approach. She only heard his voice.</p><p>�Hello,
Nancy� he said. �We�ve met once before, many years ago � in my old calling. I
represented your husband.�</p><p>Nancy
wasn�t quite sure what to say. But you have to be honest with a monk, so she
said, �Well � no offence, but you didn�t do him any favours.�</p><p>�No, I
didn�t,� he replied, moving beside her. He, too, looked at the tangled herbs. �But
this time � if he wants � I will.� He became shy but forceful. �Is there
anything I can do for you?�</p><p>Glancing
at the taxi, and getting itchy feet, Nancy said, �When it�s all over� � her
heart began to run, and her face became warm; she�d turned all serious � �if I
stick by my man � will God turn him away?�</p><p>The
monk seemed mildly stunned, like Uncle Bertie when he checked the final results
against his betting card. He reached for a pair of glasses and, thinking better
of it, put them back.</p><p>�Surely
I can�t be less constant than God?� she persisted.</p><p>�No,
you can�t,� he said. He was staring at her, thinking through his own answer.</p><p>Nancy
was surprised: she hadn�t expected to give a monk some guidance on his own
turf. I mean, she thought, it�s all fairly obvious, isn�t it? But then again �
Babycham had said, �He�s not worth it,� and her dad had said, �There has to be
give and take, and he doesn�t give.� They were both right. But no one seemed to
understand. It wasn�t about her gaining or him deserving.</p><p>Nancy
wished the monk a very merry Christmas and clambered into the taxi.</p><p>�Wormwood
Scrubs,� she said, leaning forward.</p><p>The
driver frowned his disbelief. �The prison � in London?�</p><p>�Yes,�
said Nancy gaily �my husband�s a guest on D-wing.�</p><p>�It�ll
cost you a bomb � it�s hours away.</p><p>�I�ve
got my problems,� said Nancy with a sigh, �but money isn�t one of them.�</p><p>They pulled
out of the monastery and Nancy�s chauffeur began to chat, just like Cindy at
the hairdresser�s. Nancy was a �somebody�, of course. She was the wife of a
villain. He wanted to know what he�d done, but was too scared to ask outright.
But he�d get there, like Cindy long before they got to London.</p><p>According
to Inspector Cartwright, Riley had already received one visitor: a
lieutenant-colonel in the Salvation Army.</p><empty-line/><p>9</p><empty-line/><p>George didn�t look back
after leaving Nancy He followed the path towards Larkwood with a growing sense
of loneliness and loss. It was blinding, for he trudged on, losing sight of his
surroundings, save for the small stones underfoot. Birds whistled in the trees
that were banked tight against the verge.</p><p>When
George looked up, he saw a woman coming towards him. At first he didn�t
recognise her because she was out of place. A monastery was not her normal
stamping ground, although, that said, <emphasis>The Sound of Music </emphasis>was her
favourite film. He became confused in a terrible way a way that had come with
the beating to his head. For there were times, now, when he doubted what he
experienced, when he tramped through a world that he didn�t fully understand.
Such is the importance of memory, and the things it saves; for, as George well
knew, it�s only by remembering the lot that we can hope to grasp the lot. And
when you cannot grasp the lot, you become very circumspect indeed. But Emily
was there, right in front of him, advancing along the same imaginary line as if
they were on the top corridor of the Bonnington. Father Anselm appeared behind
her � he ran past him, asking of Nancy and George mumbled something, keeping
his eyes on this apparition from his past that was crying.</p><empty-line/><p>In the same drunken spirit
of doubting � and of terror that someone would shortly explain what was really
happening � he said goodbye to a parade of monks as if he were the Pope. The
boot of Emily�s car was open � robed figures carried a crate of apples, two
bottles of plum brandy and some preserved pears. He was mumbling to himself
while someone took his arm by the elbow The passenger door banged shut. He
opened the window as if he needed the air to breathe. A small crowd smiled and
waved and Emily was at his side unable to get the key into the ignition.
Someone did it for her, and she laughed into a handkerchief. A long corridor of
oak trees passed slowly as if the car were standing still. The lane opened out
onto gentle hills with a scattering of houses, and the place that had given him
shelter was gone.</p><p>�Emily� said George, very
sure of himself now, �are we going home?�</p><p>�Yes.�</p><p>He
looked at the hedgerows, thinking of the other man he�d seen in Mitcham. �I
tried to come back, once.</p><p>�I
know,� said Emily She understood. �No one has ever taken your place. Peter was
nothing more than a friend. He was to me what Nancy was to you. And God knows,
George, we have needed friends, if only to bring us back together.�</p><p>Emily
explained that the house would look very different, that it was new and clean.
The neighbours hadn�t changed but someone round the corner had bought a dog
that they let loose at night.</p><p>�Why do
you want me back?� asked George, pulling at the sleeves of his blazer.</p><p>�Because
I found you again, in your notebooks,� she replied, reaching for the gear
stick, but not changing gear. �I don�t know how I could have ever let you go.
Maybe I lost sight of the right and left of things, the front and back, the top
and bottom � everything that brought us together. I didn�t only find you,
George. I found myself.�</p><p>George
slept � not the sleep of exhaustion through labour, or the fatigue of strong
emotion. A great weariness had taken hold of him, as though a whole life had
ended. He woke somewhere in London, unsure again of his senses until the car
parked outside the home he�d left so many years ago. It was very dark.</p><p>�Can we
start again?� asked Emily her voice heavy with hope.</p><p>�No, I
don�t think so.�</p><p>They
both looked through the windscreen at the antics of a stray dog. George had
strong views on dogs � especially those that barked.</p><p>�Can we
carry on from where we left off?�</p><p>�That
makes a lot of sense,� said George. �Of course, I can�t remember what�s
happened in between.� He took her hand. �It�ll be as though nothing ever
happened.�</p><p>That,
of course, wasn�t true. It was a joke to bridge the distance between honesty
and expectation. Emily unlocked the front door and George came home, as he�d
gone, without any luggage. What did he have to show for it? Nothing you could
put your finger on, he thought merrily except apples, plum brandy and some pears
in ajar.</p><empty-line/><p>10</p><empty-line/><p>A long-forgotten
Gilbertine once had the wild notion that Larkwood�s dead should be broken up by
aspen roots. The proposal had been enthusiastically endorsed without a mole�s
breath being spent on the implied logistics: the need to dig <emphasis>through </emphasis>the
roots for each internment. But perseverance with the shovel won out. And so,
years later, white wooden crosses lay sprinkled between the slim trunks, as if
they�d grown with the dandelions. A railway sleeper had been sunk into a facing
bank for the comfort of visitors. Anselm and the Prior sat in the middle,
wrapped in their cloaks.</p><p>�When I
look at everyone involved in this case,� said Anselm, �Mrs Dixon, Walter
Steadman, Elizabeth, George, Nancy me � we�re all, in varying degrees,
responsible for what happened; but in varying degrees were not to blame.�</p><p>�You
left out Mr Riley�</p><p>The
omission had not been deliberate, which, thought Anselm, was telling. It showed
that Anselm was undecided on something of great importance. Inspector
Cartwright had, with a marginal lapse of propriety, shown the text of Riley�s
interview to Anselm. There were hardly any questions. He just spoke into the
tape machine, sometimes so fast that the transcribing typist couldn�t catch the
words. Each page contained multiple ellipses. It was (in their joint
experience) a unique mixture of honesty, insight, right thinking and,
fundamentally a defining self-regard. At the end, when he�d recounted all he�d
done, and how and (most strangely of all) why he said to the officers at the
table, �Look, I�m crying.� With a hand he�d touched his face as if it belonged
to someone else. Inspector Cartwright said he kept saying it, looking around
the room. It was as though he were announcing an achievement.</p><p>�The
passages that unsettled me most,� confided Anselm, �were those where he seized
the blame. Repeatedly he said he�d made his choices, that no one had twisted
his arm, that he was his own man. It read like vanity or a kind of vicious
pride; as though he was holding on to what he could of himself, however ghastly
it might be. And yet, in one place � almost inaudibly I assume, because the
typist had put questions marks on either side � he seems to have said, �I never
had a chance.� He strangled his own mitigation before it could see the light
of day� Anselm wrapped his cloak tighter, hugging his knees. �Was he free, even
though he claimed his actions for his own? Can you be responsible if you�re so
injured in the mind? I�m filled with dread at the thought that today�s capacity
to choose might already be forfeit to yesterday�s misfortune.�</p><p>�Well,
it might be,� said the Prior simply �But it might not. When I first went into
the confessional, I believed that all evil, at root, was a wound and never a
choice � and I still hold on to that, when I can. But I�ve met charming people
who tell me they�ve done unconscionable things, quite freely without the
benefit of yesterday�s misfortune. And I believe them. The wounded and the
free: they both break windows. But there�s one narrow piece of ground upon
which they have an equal footing. It might seem unfair, but forgiveness is
available to each � not because they can prove they deserve it, but because
they can both say sorry. I used to think it scandalous that each could be
reprieved on the same basis, just as easily when the deserts of one so
outweighed the other.�</p><p>�What
changed your mind?�</p><p>The
Prior�s eyes twinkled. A little knowledge of myself.� He stood up and brushed
the back of his cloak. As for Mr Riley who knows where he stands? We can�t
discern who�s truly free, and who isn�t, or where the difference might lie. We
have to muddle along, all of us, remembering, I think, that in the end, the
giving of mercy is not our lot.�</p><p>Resolutely
Father Andrew followed the track away from the aspen trees towards Larkwood. He
had a meeting organised by Cyril. Gazing at graves, he�d said, was an excellent
means of preparation.</p><p>The
winter sun was low and clouds were moving over St Leonard�s Field. The air was
charged with precipitation, and the light curiously pink.</p><p>The
court system, thought Anselm, would handle the question of Riley�s intentions
and deserts with bracing clarity. He would receive censure, a certain amount of
sympathy and a lengthy custodial sentence, which, on reflection, would be merciful
to Nancy But despite his many crimes, Anselm felt pity for Graham Riley He
could not easily dismiss the image of a boy collecting coloured stones and
bottle tops; of such a boy casting a poker into a lake that it might never be
seen again. In a sense, he thought, Elizabeth had successfully recreated
herself; and so had George. They�d run away and started again. But Riley had
failed hopelessly He�d never left Dagenham. The courts could no longer punish
him. It would just be window-dressing, however severe. He was, in several
disquieting respects, beyond the reach of the law But not Nancy�s �</p><p>That
ruined instrument, Elizabeth had said of him. She, too, had finally settled on
pity.</p><empty-line/><p>Anselm looked up, his
attention caught by a small, roundish figure hurrying along the track. He wore
a brown overcoat with the collar up and a red woolly hat with a bobble on top.</p><p>�Frank
Wyecliffe,� muttered Anselm, astonished.</p><p>The
solicitor bowed, shook hands, looked around warily and sat on the railway
sleeper. He wanted to raise a delicate matter, he said. He�d asked for Anselm
and a monk had given him faultless directions to the graveyard, which, given
the errand in hand, was a most appropriate location. He sat blinking at the
aspen trees.</p><p>�So �
is this how you spend your free time these days?�</p><p>�Some,
but not all,� replied Anselm.</p><p>�Very
nice.�</p><p>Mr Wyecliffe
rubbed his hands, blowing into them. His head had almost vanished below the
high collar. He said, �Our mutual friend Inspector Cartwright is of the opinion
that my old client, Mr Riley could not have devised his harebrained scheme without
contemporaneous informed assistance. She thinks it came from me. But I don�t
give that kind of help � not on legal aid � �He glanced over the collar. �That�s
a joke � all right?�</p><p>�Yes,�
replied Anselm.</p><p>�I
could do without another complaint to the Law Society,� he said, wincing at the
cold. �Would you explain to the good Inspector that I�m not responsible for the
workings of Riley�s mind? That I limit myself to its effects?�</p><p>�Of
course.� Anselm considered the huddled figure with warmth and something like
admiration. For thirty years, Frank Wyecliffe had represented Graham Riley�s
interests � from conveyancing to homicide; he was that most adroit of guides:
a scout in the maze of the law If there were a turning he could take to his
client�s advantage, he�d take it, with a bow He was a necessary man, a
dedicated man; a good man, though, inevitably such work leaves its mark.</p><p>�Frank ��
Anselm began to smile. At last, he�d worked something out. �Did you post
letters to me and Inspector Cartwright on Elizabeth�s behalf?�</p><p>The
hairy head appeared above the collar again. The narrow eyes were asking if this
matter was on the record or off. �Consider this a species of confession,� he
said, to cover both alternatives.</p><p>It
transpired that Elizabeth had come to Cheapside not long after she�d visited
Larkwood for the last time. Just as Anselm had been entrusted with a key so Mr
Wyecliffe had been given two letters. They�d each been asked to act in the
event of her death. They�d both of them delayed (in Mr Wyecliffe�s case,
because he�d lost them in his office. It was the phone call from Nick that had
him on his hands and knees).</p><p>Anselm
could not suppress a smile. There can be a grim humour among lawyers. And he
saw wit in Elizabeth�s allocation of duties:</p><p>�You
ought to know,� he said, �that you posted to me the means by which your client
now stands charged with murder �for that was how I met Mrs Dixon. And if
Elizabeth hadn�t made a mistake about the law, you�d have posted to Inspector
Cartwright the evidence to convict him of living off immoral earnings.�</p><p>Mr Wyecliffe
blinked at the aspens, and said, �I wonder what the Law Society would make of
that one?�</p><p>�Don�t
worry, Frank,� said Anselm. �We�re all in the same boat. She gave everyone a
part to play depending on what they�d done: me, George, you, even Inspector
Cartwright. We were all meant to get what we deserved. Especially your client.�</p><p>Mr Wyecliffe
hurried back along the track, a figure so very different to the Prior, and
perhaps, in his own way just as important.</p><empty-line/><p>The branches trembled and
snow began to fall. Instantly the whole valley of the Lark became speckled. The
greens of winter began to fade and the woods turned white. There was so much
activity and so much silence. Pensively Anselm thought, What will grow in the
space I leave behind? Something for the delight of others, or pain? He didn�t
know; and, he felt, he ought to. �Now is the time to decide,� he said out loud.
On that note of homage to Elizabeth, he rose and sought refuge in the small
tool-shed propped against the enclosure wall. As he rattled free the door, a
yellow butterfly skipped past him and left the grove. It vanished as quickly as
it had appeared.</p></section></body><binary id="cover" 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</binary>
</FictionBook>