<?xml version="1.0" encoding="utf-8"?><FictionBook xmlns="http://www.gribuser.ru/xml/fictionbook/2.0" xmlns:l="http://www.w3.org/1999/xlink"><description><title-info><genre>antique</genre><author><first-name>William</first-name><last-name>Brodrick</last-name></author><book-title>The Sixth Lamentation</book-title><coverpage><image l:href="#cover"/></coverpage><lang>ru</lang><sequence name="Anselm" number="1"/></title-info><document-info><author><first-name>William</first-name><last-name>Brodrick</last-name></author><program-used>calibre 0.8.10, fb2cut 2.5.4, fb2cut 2.6.2</program-used><date>7.8.2011</date><id>22547fc2-10ff-4756-9800-59f548f24a81</id><version>1.0</version></document-info></description><body><section><empty-line/><p><strong>The Sixth Lamentation</strong></p><p>A Novel
by</p><p>William Brodrick</p></section><section><empty-line/><empty-line/><p>For my
mother</p></section><section><empty-line/><empty-line/><p><strong>Acknowledgements</strong></p><empty-line/><p>Generally speaking, debts
are disagreeable things, especially those that endure. One kind, however, is a
pleasant exception. I extend my warm gratitude to Ursula Mackenzie who helped
me to produce the book I wanted to write as opposed to the one I had written;
to Pamela Dorman for insightful analysis and championing this novel in the
United States; to Araminta Whitley and Celia Hayley, both of whom have brought me
to where I now am; to Nicki Kennedy and Sam Edenborough for ploughing foreign
fields on my behalf. I�m grateful to Joanne Coen for her patience and
scrupulous attention to detail in preparing the text for publication. While I
dislike general expressions of thanks, that is the only way I can encompass
the many individuals at Time Warner Books and Penguin Putnam who have worked on
this novel with unstinting dedication: I�m grateful to you all.</p><p>I
reserve a particular word of thanks for Sarah Hannigan who encouraged me to
write and helped me discover the way I wanted to do it. I also thank: Penny
Moreland (who pushed me from doubt to confidence), Austin Donohoe (who urged me
to take the risk), Paulinus Barnes (for sound advice), James Hawks (who told me
to get on with it); Damien Charnock (who politely remarked upon the prevalence
of sentences without verbs); Nick Rowe (who suggested including a list of principal
characters); my family (for their part in shaping who I am, and for always
smiling upon my endeavours); and my Chambers (for accommodating the
peculiarities of someone who is writing a novel). I am grateful to the
following for help with specific enquiries: William Clegg QC; Michael Walsh
(Archivist, Heythrop College, University of London); Dr E. Rozanne Elder
(Director, Institute of Cistercian Studies, Western Michigan University);
Inspector Barbara Thompson (Suffolk Constabulary); Ian Fry and John �Archie�
Weeks (Old Bailey). I am responsible for any errors of interpretation that may
arise from what I was told.</p><p>I
reserve a special paragraph for Anne. Constant selfless support (all manner, in
all weather) and solitary childcare (three of them) combined to mark out the
space that made the writing of this book possible. No formal words of thanks
can do her justice or reflect what I would like to say</p><p>We both
thank the community whose quiet presence graces the valley where this novel was
begun and completed.</p></section><section><empty-line/><empty-line/><p><strong>Principal Characters</strong></p><empty-line/><p>This novel deals
with three generations: those living in Paris during the Occupation, their
children, and their offspring: old age, middle age and youth. Each is a bearer
of memory, actual or transmitted. It is hoped the following table will furnish
some assistance in holding in mind a number of characters and their place in
the narrative.</p><empty-line/><p><strong>The family<emphasis/>of Agnes Embleton (n�e Aubret)</strong></p><p>Freddie (father
of Lucy)</p><p>Lucy</p><empty-line/><p><strong>Characters
mentioned in Agnes� journal recounting the resistance activity of The Round
Table:</strong></p><p>Father Rochet (parish priest, co-founder of The Round
Table with Madame Klein)</p><p>Madam Klein (a Jewish widow, guardian of Agnes)</p><p>Jacques Foug�res (operational leader of The Round
Table)</p><p>Victor Brionne (childhood friend of Agnes and
Jacques)</p><p>Franz Snyman (a Jewish refugee)</p><p>Eduard Schwermann (a Nazi Officer)</p><empty-line/><p><strong>Monks at
Notre Dame des Moineaux:</strong></p><p>Father Morel (the Prior)</p><p>Father Pleyon (a member of The Round Table; successor
to Father Morel)</p><p>Father Chambray (librarian who leaves the monastery
after the war)</p><empty-line/><p><strong>The family of
Victor Brionne:</strong></p><p>Robert</p><empty-line/><p><strong>Other
characters:</strong></p><p>Father Anslem (a monk of Larkwood Priory)</p><p>Salomon Lachaise (a Jewish survivor, saved by The
Round Table)</p><p>Max Schwermann (grandson of Eduard Schwermann)</p><p>Pascal Foug�res (descendant of Jacques Foug�res)</p></section><section><empty-line/><empty-line/><p>�L�Occupation�</p><empty-line/><p>April�s tiny
hands once captured Paris,</p><p>As you once
captured me: infant Trojan</p><p>Fingers gently
peeled away my resistance</p><p>To your charms.
It was an epiphany;</p><p>I saw waving
palms, rising dust, and yes,</p><p>I even heard the
stones cry out your name,</p><p>Agnes.</p><empty-line/><p>And then the
light fell short.</p><p>I made a pact
with the Devil when the</p><p>�Spring Wind�
came, when Priam�s son lay bleeding</p><p>On the ground.
As morning broke the scattered</p><p>Stones whispered
�God, what have you done?� and yes,</p><p>I betrayed you
both. Can you forgive me,</p><p>Agnes?</p><p>(August, 1942)</p><empty-line/><p>Translated from
the French by Father Anselm Duffy</p><p>Feast of Saint
Agnes</p><p>Larkwood Priory,
21st January 1998</p></section><section><empty-line/><empty-line/><p><strong>Part One</strong></p><p>�Now is the time for the burning of the leaves�</p><p>(Laurence Binyon, The Burning of the Leaves�, 1942)</p></section><section><empty-line/><empty-line/><p><strong>First Prologue</strong></p><empty-line/><p>1</p><empty-line/><p>April
1995.</p><empty-line/><p>��Night and day I�ve lived
among the tombs, cutting myself on stones�,� replied Agnes quietly, searching
her memory.</p><p>Doctor
Scott�s eyes narrowed slightly. His East Lothian vowels had lilted over
diagnosis and prognosis, gently breaking the news while Agnes gazed at a
gleaming spring daffodil behind his head, rising alone from a rogue plant pot
balanced on a shelf � a present from a patient, perhaps, or free with lots of
petrol. Soon it would topple and fall.</p><p>She
forgot the flower when those old words, unbidden, rumbled from her mouth. Agnes
couldn�t place where they came from. Was it something Father Rochet had said,
worse for wear, back in the forties? Something she�d read? It didn�t matter.
They were hers now, coming like a gift to name the past: an autobiography.</p><p>Agnes
glanced at her doctor. He was a nice fellow, at home with neurological
catastrophe but less sure of himself with mangled quotation. He looked
over-troubled on her account and she was touched by his confusion.</p><p>�Do you
mean to tell me that, after all I�ve been through, I�m going to die from a
disease whose patron is the Duchess of York?�</p><p>��I�m
afraid so.</p><p>�That�s
not fair, Doctor.� Agnes rose from her seat, still wearing her coat and holding
her handbag.</p><p>�Let me
get you a taxi.�</p><p>�No,
no, I�d rather walk, thank you. While I can.�</p><p>�Of
course.�</p><p>He
followed Agnes to the door and, turning, she said, �I�m not ready yet, Doctor.�</p><p>�No, I�m
sure you�re not. But who ever is?�</p><p>Agnes
breathed in deeply A sudden unexpected relief turned her stomach, rising then
sinking away She closed her eyes. Now she could go home, for good, to Arthur �
and, funnily enough, to the knights of The Round Table. She�d never noticed
that before.</p><empty-line/><p>Agnes had known there was
something wrong when her speech became trapped in a slow drawl as if she�d had
too much gin. She let it be. And then she started tripping in the street. She
let that be. Like so many times before, Agnes only acted when pushed. She�d
made an appointment to see a doctor only after Freddie had snapped.</p><p>They
were walking through Cavendish Square towards the Wigmore Hall. A fine spray of
March rain floated out of the night, softly lit from high windows and
streetlamps. Freddie was a few impatient steps ahead and Agnes, trying to keep
up, stumbled and fell, cutting her nose and splintering her glasses. Tears
welled as she reached for her frames, not from pain, but because she knew
Freddie�s embarrassment was greater than hers.</p><p>�Mother,
get up, please. Are you all right?�</p><p>Agnes
pulled herself to her feet, helped by a passer-by. She wiped her hands upon her
coat as Freddie produced a neatly folded handkerchief. His exasperation spilled
over. �Look, if something�s wrong, see a doctor. You won�t say anything to me.
Perhaps you�ll say something to him. But for God�s sake,� he blurted out, �stop
this bloody performance.�</p><p>Agnes
knew he would berate himself for hurting her, as she berated herself for
failing him. Neither of them spoke again, save to put in place essential
courtesies.</p><p>�No,
you first, really.�</p><p>�Thank
you, Freddie.�</p><p>�A
programme?�</p><p>�I don�t
think so.�</p><p>Agnes
felt unaccountably tired by the interval so he took her home. She saw Doctor
Scott within the week and he made the referral. She saw a consultant. The
results came back. Doctor Scott had given her a call, and now she knew</p><empty-line/><p>Leaving the doctor to a
mother of five, Agnes ambled to her beloved home by the Thames where tall
houses were cut from their gardens by a lane that ran to Hogarth�s tomb. Here
was her refuge, among brindled masonry and odd round windows with the copper
glint of light on old glass. On the way she passed a troop of children holding
hands and singing, the teachers front and back armed with clipboards. Piercing
voices dislodged stones in her memory, stirring sediment. Frowning heavily, she
thought again of Madame Klein and Father Rochet, Jacques and Victor and Paris
and � all that.</p><p>No
green shoots of forgetfulness had grown. The memory remained freshly cut, known
only to Arthur. And now she was to die, without any resolution of the past,
with no memorial to the others. But how could it be otherwise?</p><p>Turning
the corner past the newsagent, she came into view of the river. The breeze
played upon the water, tousling a small boy pulling oars out of time. She
slowed, caught short by the resilient disappointment that always struck like a
sudden cramp when Agnes paid homage to brute circumstance.</p><p>�Loose
ends are only tied up in books,� she said quietly, and she pushed aside,
probably for the last time, the lingering, irrational hope that her life might
yet be repaired by a caring author. Agnes stopped and laughed. She turned,
walked back to the newsagent, and bought two school notebooks.</p><empty-line/><p>2</p><empty-line/><p>Freddie and Susan drove
over from Kensington that evening, and Lucy took the tube from Brixton.</p><p>It was
like a set piece of bad theatre: Freddie standing by the bay window, Susan
fiddling with the kettle flex and Lucy, their daughter, the unacknowledged
go-between, sitting slightly tensed in an armchair opposite Agnes, who was
reluctantly centre stage.</p><p>�It�s
called motor neurone disease. �</p><p>No one
said anything immediately Freddie continued to avert his eyes. Lucy watched her
mother keeping still, the flex suspended in her hands.</p><p>�Gran,
did he say anything else?� Lucy asked tentatively.</p><p>�Yes.
He expects it to advance on the quick side. At some point I won�t be able to walk
or talk, but I never did��</p><p>Freddie
walked across the room and knelt by Agnes� chair. He put his head on her lap
and Agnes, a mother again, stroked his hair. Susan cried. Agnes wasn�t sure if
it was for her or the sight of Freddie undone. It didn�t matter. Agnes
continued �� I never did say much anyway, did I?�</p><p>After a
cup of tea, Freddie and Susan left. There�d been a surprising ease between them
all and Freddie had said he�d come back tomorrow night. It felt like a family
Lucy stayed on.</p><p>Joined
by familiar silence, they sat at the scrubbed kitchen table preparing a mound
of green beans, nipping the tips between their nails. Eight minutes later they
curled up with bowls upon their knees, sucking butter from the prongs of their
forks.</p><empty-line/><p>Agnes didn�t watch
television very often but she did that night. After Lucy had left she waited
with the volume off for something interesting to appear. Images flickered on
the screen, throwing stark shadows across the walls, lighting her face and
blacking it out.</p><p>The telephone
rang. It was Lucy, checking up on her. As she put the receiver down, Agnes�
attention was suddenly seized by a grainy black and white newsreel of those
elegant avenues she�d known so well, the slender trees and the sweep of the
river. It was Paris before the war, almost sixty years ago.</p><p>�No, it�s
not,� she said, looking for the remote control. �It�s the Occupation. All those
damned flags.� <emphasis>Merde! Where is it?</emphasis></p><p>When
she glanced back at the screen, she saw him and lost her breath � a handsome
youth in sepia, with thick, sensual lips, for all the world a reliable prefect.
Agnes froze, her eyes locked on the flamboyant uniform. �My God, it�s him. It
must be him,� she whispered. Then she saw a sombre monk shaking his head. The
item must have ended.</p><p>Agnes did
not move for an hour. Then, purposefully, she opened the drawer of her bureau
and took out one of the school notebooks she�d bought that morning. Not the
first time, Agnes was struck by that puzzling confluence of events which passed
for chance: that she should decide to commit the past to paper on the day
circumstance seemed to be forcing it out into the open.</p></section><section><empty-line/><empty-line/><p><strong>Chapter One</strong></p><empty-line/><p>1</p><empty-line/><p>�Sanctuary.�</p><p>�My
bottom!�</p><p>�Honestly�</p><p>The
Prior, Father Andrew, was fond of diluting harsher well-known expressions for
monastic use, but the sentiment remained largely the same. He was an
unconverted Glaswegian tamed by excessive education, but shades of the street
fighter were apt to break out when grappling with the more unusual community
problems.</p><p>�It was
abolished ages ago. He can�t be serious.</p><p>�Well,
he is,� said Anselm.</p><p>�When
did he come out with that one?�</p><p>�This
morning, when Wilf asked him to leave.�</p><p>The
Prior scowled. �I suppose he declined to oblige?�</p><p>�Yes.
And he told Wilf there�s nowhere he can go.�</p><p>The two
monks were sitting on a wooden bench on the south transept lawn of the Old
Abbey ruin. It was Anselm�s favourite spot at Larkwood. Facing them, on the
South Walk cloister wall, were the remnants of the night stairs from the now
vanished dorter. Anselm liked to sit here and muse upon his thirteenth-century
ancestors, cowled and silent, making their way down for the night hours. The
lawn, eaten by moss, spread away, undulating towards the enclosure fencing and
beyond that to the bluebell path which led to the convent. It was a sharp
morning. The Prior had just come back from a trip to London, having managed to
miss the main item on all news bulletins. He�d returned home to find a gaggle
of reporters and television crews camped on his doorstep.</p><p>�Give
it to me again, in order,� said the Prior. He always insisted upon accurate
chronologies.</p><p>�The
story broke in a local newspaper of all places. By the time the nationals got
to his home he was here, claiming the protection of the Church.�</p><p>�What
did Wilf say?�</p><p>�Words
to the effect that the police wouldn�t pay any heed to Clement III.�</p><p>�Who
was Clement III?�</p><p>�The
Pope who granted the Order the right of sanctuary �</p><p>�Trust
Wilf to know that.� Disconcerted, he added, �How did you know?�</p><p>�I had
to ask as well:</p><p>�That�s
all right then.� He returned to his mental listing. �Go on, then what?�</p><p>�Wilf
rang the police. The first I knew about anything was when the media were at the
gates. I had a few words with them, batting back daft questions.�</p><p>Father
Andrew examined his nails, flicking his thumb upon each finger. �But why claim
sanctuary? Where did he get the idea from?�</p><p>Anselm
shifted uncomfortably He would answer that question at the right moment, not
now It was one of the first lessons Anselm had learned after he�d placed
himself subject to Holy Obedience: there�s a time and a place for honesty, and
it is the privilege of the servant to choose the moment of abasement with his
master.</p><p>The
Prior stood and paced the ground, his arms concealed beneath his scapular. He
said, �We are on the two horns of one dilemma.�</p><p>�Indeed.�</p><p>They
looked at each other, silently acknowledging the delicacy of the situation.
The Prior spoke for them both.</p><p>�If he
goes, there�ll be international coverage of an old man protesting his innocence
being handed over to the police; if he stays we�ll be damned for supporting a
Nazi. Either way, to lapse into the vernacular, we�re shafted.�</p><p>�Succinctly
put.�</p><p>The
Prior leaned on a sill beneath an open arcade in the south transept wall,
reflectively brushing loose lichen with the back of his hand. Anselm joined
him.</p><p>�Father,
I think one horn is shorter than the other and more comfortably straddled.�</p><p>�Go on.�</p><p>�The
sooner he leaves the better. Otherwise we risk protracted public fascination
with why he came here in the first place.�</p><p>With a
tilt of the head the Prior drew Anselm away, leading him towards the stile gate
and the bluebell path. �I�m going to find out what the sisters think. They had
a Chapter this morning.�</p><p>As they
walked through the grass, wet with dew, Anselm pursued his point. �If he�s
forced to go now, any uproar will be short-lived. And there is an explanation
we can give in the future if we get hammered for throwing an innocent man on to
the street.�</p><p>�Which
is?�</p><p>�This
is a monastery, not a remand home for the elderly� Anselm was pleased with the
phrase. It was pithy and rounded: a good sound bite � prepared earlier.</p><p>The
Prior nodded, mildly unimpressed. Anselm persevered, eyeing the Prior as he�d
often eyed judges in another life when trying to read their minds.</p><p>�The
alternative is the other, longer horn. If he moves in, and that�s what it will
amount to, we�re in trouble. There could be a trial.� Anselm paused. �Nothing
we say will convince anyone that we�re not on his side.�</p><p>They
reached the stile and the Prior climbed over on to the path, gathering his
black habit under one arm, the white scapular thrown over one shoulder. Anselm
sensed him drifting away, chasing private thoughts. �We�ll find out more
tomorrow night. Detective Superintendent Milby�s coming at six. I�d like you
and Wilf to be there. Then we�ll have a Special Chapter. Let everyone know,
will you?�</p><p>�Yes,
of course.</p><p>Anselm
watched Father Andrew disappear along the path, across a haze of blue and
purple, his habit swaying in the breeze, his head bowed.</p><empty-line/><p>2</p><empty-line/><p>Anselm had met Detective
Superintendent Milby several times in the past. In those days Milby had been a
foot soldier with the drugs squad. He�d had long hair and dressed in jeans, but
had still managed to look like a policeman. Anselm had been a hack at the
London Bar and their meetings had been limited to the pro-forma
cross-examination about stitching up and excessive violence. Like all policemen
familiar with the courts,</p><p>Milby
had taken it in his stride. That was well over ten years ago and they�d both
moved on since then.</p><p>Leaning
against the stile gate, Anselm could almost smell the heavy scent of floor wax
from his old chambers, and hear again the raucous laughter of competing voices
in the coffee room. He smiled to himself, winsomely</p><empty-line/><p>When Anselm left the Bar
it caused a minor sensation, not least because it was such a wonderful Robing
Room yarn. Since it was endemic to the profession to treat such things with
private gravity and public levity, Anselm only heard the lowered voices of
shared empathy: �Tell me, old son, is it true? You�re off to a monastery? I can
say this to you; we�ve all got secret longings. The job�s not everything ��</p><p>Anselm
had knocked up ten years� call but, unknown to his colleagues, had never fully
settled into harness. There was a restlessness that started to grow shortly
after he became a tenant. Imperceptibly he began to feel out of place, as if in
a foreign land. There was another language, rarely spoken, and he wanted to
learn it. Determined attempts to live a �normal� life as a professional man
floundered at regular but unpredictable intervals. He could be waiting for a
taxi or heading off to court, doing anything ordinary, and he would suddenly
feel curiously alienated from his surroundings. It was a sort of homesickness,
usually mild, and occasionally acute. He later called these attacks by stealth �promptings�.
All Anselm knew at the time was that they were vaguely religious in origin. He
responded by purchasing various translations of the Bible and books on prayer,
as if the answer to the puzzle lay somewhere between the pages. On one occasion
he left a bookshop having ordered a thirty-eight volume edition of the <emphasis>Early
Church Fathers. </emphasis>They remained as they came, in three cardboard boxes
strapped with tape which he stacked in the corner of his living room and used
as an inelegant resting place for coffee cups and take-away detritus. Anselm
would then recover and continue his life at the Bar until ambushed by another
God-ward impulse. It was a sort of guerrilla war for which he was always
unprepared and ill-equipped. And all the while his book collection became
larger, more comprehensive and unread. Eventually he stopped buying books. He
realised one day while looking through a wide-angle lens that he wanted to become
a monk.</p><p>It was
a slightly odd experience. On leaving the Court of Appeal one late November
afternoon, he was stopped in his tracks by a Chinese tourist who never ceased
to smile. Several gesticulations later Anselm stood beneath the portal arch of
the Royal Courts of Justice looking into the camera of a total stranger.</p><p>Suddenly
he felt the urge to put the record straight, to say:</p><p>�Look,
you�re mistaken. I�m not who or what you think I am; I�m a fraud.� This happy
man from a faraway place had pushed an internal door ajar and Anselm knew at
once what was on the other side. He set off down the steps with incomprehensible
protestations ringing in his ears � from himself and from the tourist who�d
inadvertently nudged him away from the Bar. Taking the bus to Victoria, Anselm
walked past the bookshop and into Westminster Cathedral, where he sat down
beneath the dark interlocking bricks of the nave and prayed. It was to be the
only moment of near certainty in Anselm�s subsequent religious life. The
jostling between doubt and perseverance was to come later. But at that time he
understood, at last, what the underlying problem had been. It had been Larkwood
Priory all along.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Two</strong></p><empty-line/><p>1</p><empty-line/><p>Lucy Embleton made a stab
at the washing-up and then took the tube to Brixton, knowing her grandmother
would do them again. They�d cleaned out all the beans and even squabbled over
the cold ones lying limp in the sieve. It was macabre, for Agnes would soon be
gone, and eating had suddenly become a singularly futile activity. Waving
goodbye, Lucy sensed every gesture now had another meaning that each of them
would recognise, but never articulate, shaped by the torpid proximity of death.
Her spirits sank into a chilling silence: a part of her past was almost
complete and she�d never even understood it.</p><empty-line/><p>Lucy was twenty-five years
old and had spent a large proportion of that time trying to understand her
family�s winning ways. She had never been able to locate any particular moment
of crisis within the family history that might account for the present
entanglement. It was more of a cumulative happening constructed out of tiny,
otherwise insignificant building blocks tightly pressed together and cemented
over time. As a child she asked penetrating questions borne of innocence; she
guarded the answers with such care that, when she was older, confidences
rained upon her � but never from Agnes or Arthur. Lucy became the one in whom
the different facets of the past had been consigned, as if she was the one to
bring them all together. And from that privileged position she concluded that
if there was a simple explanation for what her father called �the mess�, it lay
in the war years.</p><p>The
received history was as follows: Agnes was half French, half English, and had
lived in Paris during the Occupation. She was there when the black shroud from
burning oil reserves hung over the city. She saw the German troops taking
photos of �La Marseillaise� on the Arc de Triomphe. She heard the thin, high
voice of Marshal P�tain say he made a gift of himself to France, that he would
seek an armistice with Hitler. About this period she was able to talk. It was
the time after that had to be handled carefully, if at all. As a child, Lucy
was small enough to inch under the fencing with her curiosity, moving from one
month to the next, into the following years. But always the details from her
grandmother became sparer, begrudging; her mood increasingly unsettled, her
replies sharper, until Lucy learned she was approaching the place of shadows
where she could go no further: where, as Freddie once spat out to his burning
shame, Agnes became �La Muette�: the dumb one.</p><p>Of
course the family knew what lay beyond the wire. A town and a village:
Auschwitz and Ravensbr�ck. As to the why and wherefore, that was a mystery.
Susan often said that only Grandpa Arthur knew where she�d been and why, but
Lucy, as usual, moved as close to the line as possible trying to find out.</p><p>�No, I
was never in the Resistance,� Agnes said wearily to one of Lucy�s unremitting
schoolgirl questions.</p><p>�Did
you know anyone who was?�</p><p>�Yes, I
did.�</p><p>�So you
were involved with them?�</p><p>�Not
really I was just on the edge.�</p><p>�Were
they brave?�</p><p>�Very
brave. �</p><p>�So you
must have edged towards bravery?�</p><p>Agnes
became very still, distracted. �We were all so young, so very young.</p><p>�So you
did do something?� pressed Lucy, eating chocolate.</p><p>�Nothing
much to write home about. Now, stop your questions.�</p><p>That
was usually where the probing ceased. But this time Lucy chanced her arm,
pushed into the place of shadows: �You can�t have a big secret and not tell us
what happened.�</p><p>Agnes
gave a low animal growl through bared teeth. �Enough.�</p><p>It was
Lucy�s first experience of atavistic fear. She became scared of her own
grandmother. For Freddie, who was sitting in the corner, watching over a
collapsed newspaper, it was simply another example of his mother�s hopelessly
introspective temperament. But Lucy, aged fourteen, still possessed the awesome
non-rational percipience of childhood, and was young enough to be acutely
sensitive to something neither she nor anyone else could name or know It was
that which made her shrink instinctively back: a smell on the wind.</p><p>So the
reason for arrest and what had happened during two and a half years of
incarceration lay out of reach.� The narrative trail resumed, through Lucy�s
persistence, at the moment of Agnes� release, as if nothing had gone before: �A
Russian soldier stood gawping at me. He was no more than a boy, and his gun
looked like a battered toy He couldn�t say anything. I couldn�t speak.� I was
standing with children on either side. He cried.� We just watched him.�
Eventually he said in English, �You�re free now.��</p><p>Agnes
wearily passed a blue-veined hand through her grey hair, rearranging a silver
clip, and added, �I got out of Babylon, but there was no Zion. No promised
land.�</p><p>�What�s
that, Gran?� Lucy enquired, puzzled.</p><p>�Just
an old song about homesickness. And hope.�</p><p>�By
Boney M?�</p><p>�A
psalm.�</p><p>It was
an opaque exchange, and all the more peculiar because Agnes was not a religious
woman.�</p><empty-line/><p>After the war Agnes
returned to Paris where she met Captain Arthur Embleton in a hospital. They
were married within two months, staying on in France for the next couple of
years, during which time they had twins: Freddie and Elodie. After leaving the army
Grandpa Arthur brought the family back to a suburban existence in north London.�
He became a solicitor in a large London firm and their life was superficially
comfortable and predictable, except for those who knew otherwise. After Lucy�s
unnerving exchange with her grandmother, Freddie told Lucy about his own
inexplicable childhood memories.</p><p>At
times Agnes was captivating and extrovert, Freddie explained, but could
suddenly and for no apparent reason become swamped by abstraction.� It was as
if the apparatus of her personality shut down, like a vast generator losing its
source of power. The life in her would drain away until all the lights blinked
and flickered before going out. And then she was gone, even though she was
still in the same room, and everyone else was left adrift and awkward, trying
to make contact across the space left by her absence.</p><p>This
was the kind of thing Grandpa Arthur called �a tactical withdrawal from the
field of conflict�, which was his thin attempt to joke with the children. But
it also named a truth. Ordinary life was a battle for Agnes. Lucy�s father also
remembered those frightening moments: when Agnes suddenly froze, as if gripped
by vertigo, shaking and sweating, holding on to the rim of the sink, the edge
of a table, the back of a chair, until talked down by Grandpa Arthur.</p><p>Later,
when Lucy�s relationship with her father became more complicated, her mother
.passed on a little more history so that Lucy might better understand the man
she had ceased to know in a simple way</p><p>�Try to
understand your father,� Susan said appealingly. �It wasn�t easy for him as a
child, even though Grandpa did his best.�</p><p>Grandpa
Arthur, she said, had tried to provide some consistency for Freddie and
Elodie, giving them what he thought was a warm English upbringing, with lots of
Gilbert and Sullivan, <emphasis>Wisden </emphasis>annuals (which Elodie loved) and regular
tea at four o�clock. But he could not completely protect them. Where Agnes had
been approachable and inviting one day, Freddie in particular would run towards
her the next only to find her withdrawn. There had been one little incident
that Freddie had never forgotten:</p><p>�Mum,
look what Alex gave me. It�s Excalibur. The sword pulled from a stone.�</p><p>Freddie
held out the plastic brand with both hands, holding tight, just in case anyone
actually tried to take it. Agnes slowed for a moment, but carried on peeling
carrots.</p><p>�Mum,
look, it�s Excalibur. Alex gave it to me.�</p><p>Agnes
continued roughly peeling off the skins, aware that Freddie was at her side,
unaware he held out the toy he no longer wanted.</p><p>And
Susan continued: �You see, it wasn�t easy for your father. It wasn�t that bad
for Elodie.�</p><p>�Why?�
Lucy asked, and was granted more history.</p><p>Part of
the problem for Freddie was that Elodie did not need Agnes like he did.�
Ironically, that made relations between mother and daughter moderately relaxed.
Elodie drew water from another well. She naturally gravitated towards her
father, with their shared love of cricket, leaving Freddie behind, resentful.
Batting averages held nothing for him and he vainly searched for something he
could bring to his mother, but she gave no lead. So he found himself unable to
reach his mother and jealous of his sister. When they grew up and left home,
the distance between siblings was weakly bridged by Christmas cards and awkward
phone calls, the most memorable of which was when Elodie rang to say she had
cancer. Freddie didn�t know what to say and to his horror said nothing of
consequence. He groped for the language they had once shared as children but
that was long gone. He asked questions but could not remove the note of polite
enquiry. He said goodbye as if nothing had really happened. The illness took
its time, drawing Elodie down despite treatments, prescribed and otherwise.
Curiously, as Freddie heard the details of decline he felt the need to talk to
her. He rang spontaneously, often in the middle of the day, without knowing
what he would say. More often than not conversation flowed easily, and
something began to grow He paid a few visits, always arranging another. And
then Elodie died, sedated and beyond the comfort of her family, aged
thirty-two. He blamed himself for having become a stranger.� And, somehow,
Freddie blamed Agnes.</p><p>And
Susan said to Lucy, �So you see, it hasn�t been that easy for your father.�</p><empty-line/><p>Lucy could remember her
father still trying hard, despite his confusion. Grandpa Arthur had always
said, proudly, that Agnes was a jolly good musician. So her father bought a
piano. But Agnes never played it. He bought various records, but Agnes never
listened to them. In that conventional period of family calm, after Sunday
lunch, the piano and records became a silent accusation. The lid had not been
lifted; the records were still wrapped in cellophane. It was Lucy who first
pressed the keys and introduced �Chopsticks� to the house. It was Lucy who
scratched Faur�s �Romance sans parole�, anxious because of the simmering <emphasis>politesse
</emphasis>among the grown-ups. The scratching was a symbolic mishap, because the
second of those three little piano pieces was her grandmother�s favourite
melody. That was why Freddie bought it.</p><p>It
seemed to Lucy � not surprisingly � that her father�s attempts to reach his
mother became more deliberate and dutiful, his need constrained by a thin skin
of self-protection. And yet, simultaneously, as Agnes grew older her
oscillations in mood were replaced by a more moderate inaccessibility. But by
then it seemed to be too late for Freddie. He could not slough the skin. Lucy�s
memory of Grandpa Arthur at this time was of a tired man, endlessly patient and
exquisitely gentle with Agnes but a man who had learned to live more or less
alone. He died quietly in his sleep one day, after a sudden stroke, as if he
had slipped out of the back door in his slippers, unnoticed.</p><p>Agnes was
strangely composed until the funeral, when her grief broke out like a flood.
Then it sank away like a stone beneath flattened water. However, she refused to
stay in the family home and sold up within two months, moving to a spacious
flat in Hammersmith, by the river.</p><p>The
loss of Grandpa Arthur left Freddie bereft. And Agnes, of all people, could not
help him.� The remaining links between them began to fragment, and Freddie�s
anger at his mother began to break out. He snapped at her more frequently, his
outbursts becoming less of a protest and more of an accusation: for being his
reluctant mother.</p><empty-line/><p>2</p><empty-line/><p>Even
as Lucy received and experienced the living history of her family she
understood that her father�s problems had juddered wholesale into Susan, and
embrangled her own most formative years.</p><p>What
should have been a playground for a child had turned out to be more of a No Man�s
Land, strewn with adult debris. As she�d tried to romp around she�d snagged
herself on unseen obstacles, until she�d learned by experience to locate and
map out the specific danger spots between all her relations. By the age of
fifteen Lucy had acquired the ability to move among her family with the supreme
ease of a sophisticated adult. She became the deft one, prodding people away from
plotted minefields. She seemed wise.</p><p>It was
this shining characteristic that led her father to speak so unguardedly, and
her mother to say more by way of further explanation. They didn�t mean any
harm, but they said enough to take, inadvertently, the glow off Lucy�s
innocence. Only Agnes and Grandpa Arthur left her alone.</p><p>So, it
was not surprising that, after Grandpa Arthur died, Agnes and Lucy were
imperceptibly drawn to one another, without effort, decision or the swapping of
inner wounds. They grew to enjoy each other�s company, neither of them placing
demands upon the other. There was no weighted expectation. Long periods of
silence could be shared, punctuated by clipped, comfortable conversation. It
was obvious to anyone else in the same room that there was an alliance of sorts
between them. But this only triggered a jealousy within her father that he
could not bring himself to acknowledge, but could not stop himself from
expressing, even when something far more serious was at stake.� As he did when Lucy
announced she was leaving home to live with a man:</p><p>�A man?�</p><p>�Yes.�</p><p>�Could
you be more specific?�</p><p>�Tallish��</p><p>�Don�t
be cheeky to your father,� said her mother, flushed.</p><p>�Have I
met him?� he pursued. �No. But Gran has.�</p><p><emphasis>�Gran
</emphasis>has?� said her father, incredulous, and lowered his
head.</p><p>�Only
once, Freddie, by accident,� said Agnes apologetically from her chair by the
fire.</p><p>�He�s
called Darren and he�s thirty-seven.�</p><p>�But
you�re only twenty,� Susan said, pale and desperate, smoothing her blouse. �Darren,
you say?�</p><p>Her
father collected his coat and left the room, saying, �Lucy, I�m going home. You
can tell <emphasis>me </emphasis>as much as you see fit when you feel like it. Or maybe Gran
can tell me next Sunday.�</p><p>He
apologised profusely that evening for his petulance, by which time he�d got to
grips with the anxiety that really troubled him. At the time of her
announcement Lucy had recently dropped out of Cambridge, after winning a
scholarship at King�s to read Economics. It had been more of a triumph for
Freddie than for her � she had made it to the same college to read the same
subject as he had done. It was just marvellous � even though Lucy�s
interest lay in literature, not the science of wealth distribution. When Lucy
left university at the end of her first year, her father entered a sort of
mourning. So did Lucy; she wore black and dyed her hair. For a short while she
attacked the structure of Capital by drawing Income Support. Her father spoke
to his old college &#x2015; the place was open for the next academic year. But
she found a job as a finance clerk for a small company that manufactured pine
chairs. Pine chairs? Freddie cried. Yes, and a few tables. Oh my God, he said.
Her mother bought a rocker. And then, at a party, Lucy met Darren, who had a
lively interest in Lenin. He was the only person she knew who�d read the
lambent phrases of Joseph Schumpeter. He introduced her to the vast, liberating
plain of Other People�s Misery but he quarried his authority from Lucy�s lack
of self-esteem. Age and force of manner overwhelmed her innate, cultured
sophistication and she became a disciple. The large house called Home fell
under the heavy sword of ideological scrutiny. She moved out. There was little
Freddie could say. Her mother cried and cried.</p><p>The
most interesting aspect of this episode was that Agnes didn�t like Darren
either. But she knew instinctively that it had to run its course. As a
consequence, while Lucy knew Darren she kept visiting her grandmother; she
rarely went home. That was the thing about Agnes, and in it lay a mystery:
while she was inaccessible to �normal� people the route was left open for �outsiders�;
like the bag-lady she frequently met in the park; like Lucy, in a way</p><p>Then,
long after Darren had left the scene, Lucy turned up at Chiswick Mall, Agnes�
home, while her father was listening to the cricket (he�d lately discovered its
secret joys, but only after the other two �had been bowled out�).</p><p>�Dad, I�ve
got a place to read English at King�s College.�</p><p>�Cambridge?�
he said, alight.</p><p>�No,
London.�</p><p>He
smiled broadly At least it had the same name as his alma mater. Susan baked a
cake. And Agnes, the person who had always been there, to whom there was never
a homecoming, pretended nothing had happened.</p><empty-line/><p>3</p><empty-line/><p>In leaving the cut and
thrust of chair sales and becoming an undergraduate, Lucy entered another sort
of No Man�s Land that was not altogether unattractive. She had made no lasting
friendships in the office and her new youthful companions at King�s were
broadly interested in drinking and running through the preliminary stages of an
emotional crisis that would probably flower in the second year. This was
familiar, uninviting territory. And so, in her first year studying English,
aged twenty-five, Lucy found herself between a life she had left behind and a
future that was yet to find a shape.</p><p>Lucy
did retain, however, a small link with her past. It presented itself one
morning when she was walking down High Holborn. Among the bobbing heads she
caught sight of blonde hair and a stare of enquiry that turned rapidly into
recognition. It was Cathy Glenton, a girl Lucy had known at Cambridge. She was
one of the few people with whom Lucy had found any affinity. Their mutual
attraction appeared to lie in sheer difference. Cathy was effortlessly
brilliant and endowed with generalised talent, more like a machine that
smoothly went to work on any activity she cared to assume. Between hot-air
ballooning and acting in the drama club she discharged high marks in all her
papers. She ate what she liked without putting on weight. She had it all,
including a sublime boyfriend called Vincent. Even misfortune seemed toothless
before Cathy�s exuberance. Shortly into her first year she had had an accident
in a drunken bicycle race, striking a pot-hole on a narrow bridge over Hobson�s
Brook, flying off her bike and landing on the railings, cutting her hands and
face. She had been left with an almost insignificant scar, more of a twisting
in the skin, situated upon her left cheek. For anyone else such an outcome
would have teetered on the edge of psychological importance. But not for Cathy
She couldn�t have cared less. When Lucy met her in High Holborn she noted the
subtle presence of pink foundation, something Cathy had never used, and
wondered why it should be needed now. After the preliminaries and the
truncated histories, Lucy said, �Still ballooning?�</p><p>�Nope.�</p><p>�Acting?�</p><p>�Nope.�</p><p>�How�s
Vincent?�</p><p>�Gone
with the wind.�</p><p>�Oh.�</p><p>�Just
work. Nothing but bloody work. And Turkish baths for pleasure.�</p><p>�Turkish
baths?�</p><p>�Every
week,� she laughed.</p><p>Cathy
had gone into advertising, thinking up clever ways to persuade people that they
wanted what they didn�t really need. �I�m a sorcerer,� she said. They exchanged
numbers and thereafter each of them lurched for the phone every once in a
while. They met, had a laugh and parted without planning another meeting, which
somehow felt right. For different reasons they were both alone, crossing
different fields.</p><empty-line/><p>4</p><empty-line/><p>Lucy stepped out into the
cool night air and made her way to her flat in Acre Lane, trying yet again to
move around the various bits of history which put together properly might give
a coherent explanation for her family�s broken ways. There was the war; the
camps; a swift marriage; and the mystery that was Agnes. How did they all fit
together? Was there something else? God alone knew.</p><p>Lucy�s
persisting regret was that things could so easily have been different for
everyone: Agnes needn�t have been lost to those around her; Grandpa Arthur
needn�t have sacrificed himself so much; Freddie needn�t have felt rejected;
Susan needn�t have been run down by someone else�s past; and Lucy could have
had a childhood, at least for a while. They had all, to a greater or lesser
extent, been unnecessarily damaged. Looking at the workings of the world and
all therein, it seemed to Lucy that everything had been put together quite
nicely at some point in the past, only now it didn�t work very well. And no one
knew why But now that her gran was dying, explanations were of no consequence.
If there was one, only Agnes knew it, and maybe it was better she take it with
her.</p><empty-line/><p>When she got to her flat,
Lucy switched on the television and drew the curtains, shutting out the night.
On impulse she rang her grandmother, just as the news was about to begin.</p><p>�Are
you all right?�</p><p>�Of course
I am. Don�t worry�</p><p>�Are
you frightened?� It was a personal question, the sort she�d never asked before.</p><p>The
answer came smoothly: �No. There�s not much more in this life to be scared
about, is there?�</p><p>�I
suppose not. Goodnight, Gran.�</p><p>�Goodnight,
Lucy�</p><empty-line/><p>Lucy watched the news with
interest. She thought the monk handled the silly question about complicity
rather well.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Three</strong></p><empty-line/><p>Brother Sylvester, the
Gatekeeper, escorted Detective Superintendent Robert Milby and Detective
Inspector Madeleine Armstrong into the parlour at the main entrance of the
Priory. At ninety-three years of age Sylvester�s memory was now best equipped
to deal with his youth, the subsequent decades having become somewhat
indistinct. His mind was often somewhere else, and most visitors were treated
to forays into his past without the need for any particular enquiry.</p><p>�You�ll
be going back to Martlesham tonight, Detective Superintendent?�</p><p>�No,
no, I�ve got to go on to London. No rest for the wicked.�</p><p>�Yes,
there is,� said Brother Sylvester. He leaned upon the open door, in
contemplation of a distant glimmering. �The last time I was in London was with
Baden-Powell��</p><p>�Brother,
thank you.� The Prior�s words were firm, with an undertone of familiar
entreaty. Brother Sylvester, a little startled, reluctantly withdrew</p><empty-line/><p>The Prior, Anselm and Wilf
were seated at a large table. Milby had changed a great deal since Anselm had
last seen him. The days of flinging drug suppliers over the bonnets of their
cars had ended and, through promotion, he had eased himself into a suit and a
certain studied gravitas. As he sat down, Milby announced: �This is a matter
for the Metropolitan Police, but conduct of the enquiry will be shared with us
because the subject is in our area.� He raised a large hand towards his
colleague. �Detective Inspector Armstrong will be handling our involvement.�</p><p>Anselm
regarded her pensively Her manner suggested self-containment, separation. Short
jet-black hair made her stand out sharply from her surroundings, like an etching.
Long eyelashes, also black, moved slowly as she scanned a sheaf of notes that
lay on the table.</p><p>Milby
said, �Madeleine, would you explain what�s come to light:</p><p>She
nodded at Father Andrew, as if he were the one who had invited her
contribution. Her voice was even, controlled, with a slightly hard edge.</p><p>�His
name is Eduard Walter Schwermann. It seems he was a low-ranking SS officer
based in Paris during the war. He�s incriminated in the deportation of
thousands of Jews to the death camps.�</p><p>Father
Andrew sat with his hands joined, only the fingertips touching, a
characteristic gesture known by Anselm to mean intense, troubled concentration.</p><p>�He was
captured in January 1945, disguised as a priest and with transit papers for
England.�</p><p>�A
priest?� repeated the Prior.</p><p>�I�m
afraid so. He was recognised on a train and subsequently arrested. At that
point he appears to have informed the military police that he was travelling
with someone else, a Frenchman named Victor Brionne. He too was arrested. Both
men had false identities. Both were interviewed by a Captain Lawson. Both were
released and their passage into this country went ahead.�</p><p>The
Prior frowned. �Why were they released?�</p><p>�We
haven�t the faintest idea. I�ll be talking to the interviewing officer in a
few days� time. He�s now a Labour Peer. Back then he was a captain in Military
Intelligence.�</p><p>�Who
provided the false identities, the travel papers?�</p><p>�We don�t
know. But the fact that Schwermann was caught dressed as a priest might suggest
an ecclesiastical connection.�</p><p>�And
then again,� interjected the Prior logically, not defensively, �it might not.
There may be a diplomatic link, though I can�t imagine why or how� The Prior
drew a hand across his tight lips.</p><p>�Of
course. The strange thing is� � her manner altered suddenly, becoming warmer,
less analytical � �that the false identities appear not to have been recorded.
It is as though they were let into the country and the trail to finding them
was quietly brushed away�</p><p>�By
Captain Lawson?�</p><p>�So it
seems.�</p><p>A reflective
pause ensued, until Anselm said, �So what happened for the next fifty years?�</p><p>�Nothing,
until Pascal Foug�res, a young Frenchman and foreign correspondent for <emphasis>Le
Monde, </emphasis>found a declassified memo in the United States setting out the
information I�ve just given you. It turns out he has a personal interest,
because Schwermann was responsible for the deportation of his great�uncle,
Jacques Foug�res. Apparently he�s a Resistance hero.�</p><p>�So
what did he do?� asked Anselm.</p><p>�He
wrote an article � this is about a year and a half ago �alleging that two war
criminals had found a safe haven in Britain. It caused a big splash on the
Continent, but only a ripple over here. And then another peculiar thing
happened. Foug�res received an anonymous letter giving him the name under which
Schwermann had escaped: Nightingale.�</p><p>�The
number of people who knew that can�t be very large,� said Father Andrew
pensively</p><p>�No,
but Foug�res hasn�t pursued that angle. I have to say I find that puzzling.
Anyway, what he did do was contact Jewish and former Resistance organisations
in France. They quietly started putting together the case against Schwermann��</p><p>�And
Brionne?�</p><p>�No,
not against him, which is even more puzzling. When they had the outline of a
case they presented it to the Home Office. Somehow Schwermann found out before
we could arrest him and the next thing we know he�s here, claiming sanctuary.�</p><p>She
glanced at Detective Superintendent Milby who added quickly, with a studious
frown, �We find that a little odd, sanctuary.�</p><p>�A
right granted by Clement III. It has no legal force,� Father Andrew said
dismissively</p><p>Anselm
caught Wilf�s eye � he had been an historian in the world � and read
astonishment at the hidden erudition of his Prior.</p><p>�But
what gave him that idea?� asked DI Armstrong.</p><p>�Father
Anselm will enlighten you.</p><p>Anselm
recounted to the police officers what he had told his Prior the previous night
just before Compline, when the Great Silence would fall on Larkwood and the
chances of reproach were least likely to blossom. On the day of Schwermann�s
arrival Anselm had been on the afternoon confessions. No one had come. When he�d
left the confessional there had been only one other person in the nave, an old
man sitting at the back, as still as a painted figure in a frieze. As Anselm
had walked past he�d suddenly moved, grabbing Anselm�s habit, saying, �Father,
what does a man do when the world has turned against him?�</p><p>Anselm
had paused, disconcerted by the tight grip on his clothing rather than the
question posed. It was one of those ponderous enquiries, he�d thought, which is
the lot of the monk to answer.</p><p>�In the
old days,� he�d replied, pulling at the cloth, �you�d claim �sanctuary�, the
protection of the Church, if the accusation was unjust.�</p><p>�And
would you be safe?�</p><p>�Oh yes.�</p><p>�Truly?�</p><p>�I
promise you.</p><p>�Thank
you,� the old man had said, with a quiet calm that Anselm had later recognised
as the threshold of decision. At the time he had simply walked away reflecting
carelessly on the eccentricities of the faithful and the curious things that
troubled them.</p><p>�Therefore,�
Anselm said to Milby and DI Armstrong, �I fear he took words lightly spoken as
an invitation.</p><p>Father
Andrew turned to Brother Wilfred and said, �Now is a good time to tell us what
happened next.�</p><p>Wilf
was the sort of gentle, reflective man who could not talk to the police without
feeling as if he had committed a crime. Nervously, he said, �I was talking to
Brother Sylvester at reception about a news item I�d just heard to the effect
that a local man accused of wartime atrocities had vanished from his home. Then
in he walks and says, calmly as you like, he�s claiming sanctuary. I told him
it had been abolished. I asked him to leave and he refused, so off I went to
call the police.�</p><p>�And
then,� said Father Andrew, musing, �the troops of Midian arrived at our gates
with their panoply of cameras.� He waited for a response, his silver eyebrows
slightly raised.</p><p>The
Detective Superintendent said, �The Press. They�re always one step ahead.�</p><p>�Indeed,�
said Father Andrew dryly �What happens now?�</p><p>�There
will be an investigation, and then we�ll review the evidence,� informed DI
Armstrong.</p><p>�That
isn�t quite what I meant,� said Father Andrew gently �I meant how do you
propose to remove him?�</p><p>DI
Armstrong looked at her superior officer with, to Anselm�s judgment, a
hardening of expression. Milby leaned across the table in a sort of sprawl. In
a confiding way he said, �We�ve given that some thought. If at all possible, we
think he should stay here, as a short-term measure at least, if only for his
own protection.�</p><p>�Detective
Superintendent, this is a monastery, not a remand home for the elderly� The
words were strangely familiar to Anselm.</p><p>�I
appreciate that, but��</p><p>�And
our first duty is to our common life.�</p><p>�Of
course� �And we have the peculiar sensation of having been deliberately
compromised.�</p><p>Springing
unforeseen from pliable courtesy, the accusation stung the Detective
Superintendent. From Anselm�s point of view there followed that delicious
silence upon which he had often dined in the past. The embarrassment of the
police is every defence barrister�s illicit pleasure and years of committed
monastic life had done nothing to diminish his appetite. And, curiously, on
this occasion it seemed the delight, ill�suppressed, was shared by DI
Armstrong.</p><p>Unconvincingly,
but ready for a tussle, Milby said, �I�m not sure I follow you.</p><p>Father
Andrew smiled benignly He never engaged in useless arguments. In the absence of
an admission where one was required he abruptly closed a conversation down. It
was a powerful, unnerving tool. Returning to his former gentility, he said, �I�ll
let you know our position a week from today� He turned his attention to DI
Armstrong � �I�m very grateful for all you have told us.�</p><p>The
meeting over, Anselm walked the police officers to the courtyard in front of
Larkwood. The gravel crunched underfoot as the question came from the
Detective Superintendent:</p><p>�Haven�t
we met before?�</p><p>�Yes. I
used to be at the Bar. I�m sure we had a few courtroom squabbles. I moved on.�</p><p>He
laughed and said, �Well, you did the right thing. Wish I�d become a monk: He
slumped in the back of an unmarked car and slammed the door.</p><p>DI
Armstrong seemed to hesitate. She glanced around as if not wanting to leave and
said, �This is a lovely place. Goodnight, Father.�</p><empty-line/><p>Anselm returned to the
parlour to join Father Andrew and Brother Wilfred. Brother Sylvester had
shuffled into the room and was laying out a selection of leaflets on the
sideboard. He said:</p><p>�When
Wilf told that chap sanctuary had been abolished, he said he�d done it before.�
He continued arranging neat piles of pink and green paper.</p><p>�What?�
said Father Andrew quietly</p><p>�After
Wilf left to find Anselm, he said he�d done it before, a long time ago.</p><p>The
Priory bell rang ponderously, slow, deep chimes echoing around Larkwood,
calling the brothers to prayer. Sylvester turned obediently to get himself
ready � �I�m off. Don�t want to be late.� � and slipped out of the room,
leaving the other monks to digest the implications of his words.</p><p>�I�m
glad he kept that to himself,� said the Prior judiciously</p><p>So was
Anselm. He was thinking ahead, catching sight of a shifting shadow �Why here?
Why come to us?�</p><p>�Good
question,� said the Prior pensively The ringing had come to a close. A busy
shuffling of feet came from the cloister. �Come on. Time for quiet.�</p><empty-line/><p>Anselm entered the long
dark nave and found his place in the choir. Sylvester�s space behind him was
empty. He would, as usual, be late. Leaning against his stall and leafing
through his Psalter, Anselm smiled to himself about the Prior � his sally about
Clement III and the remand home remark. Father Andrew always listened carefully
to everyone with whom he spoke, and used what he heard at some future point as
if it was fresh to his mind. Like the Lord, he reaped a harvest from fields he
had not sown. He mulled over how it was that the Prior was so sure the police
had informed the Press, and had done so in order to force Larkwood to keep
their guest. Someone, of course, must have told him.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Four</strong></p><empty-line/><p>1</p><empty-line/><p>It was the stone in his
shoe, lodged inadvertently when Anselm visited Larkwood Priory on a school
retreat at the age of eighteen. He only signed up to avoid yet another
geography trip, plodding in the rain over that wretched limestone pavement
near Malbam Tarn. But an extravagant claim on a vocations leaflet caught his
eye (laid on a table by a monk who said he�d met Baden-Powell):</p><p>�We can�t
promise happiness, But if God has called you to be here</p><p>You
will taste a peace this world cannot give.�</p><p>Throughout
the years that followed, the words slunk into his mind and out again � not when
he was restless but when he was content. The contingent pledge became a goad,
an unwanted invitation that reminded him of what he most wanted to forget.</p><p>The
loss of peace � for that is what it was � had trodden an unknown path. When
beset by the dogmatic turbulence of adolescence Anselm turned to Proust. Seeing
his life in epic form, he subjected his past to a minute psychological investigation.
He easily identified the events that had sent ripples into the present: the
death of his mother whom he had hardly known; the nineteenth-century formality
of his father; the paradoxical but defining insecurity that arises from being
wedged between two older brothers and two younger sisters; the welcome nuance
of banishment to a French boarding school for part of his secondary education.
Anselm concluded that he, alone among men, was in grave need of internal
repair.</p><p>When he
joined the chambers of Roderick Kemble QC, fondly known as Roddy, and had a few
run-ins with some of the more difficult members of the profession, he learned
that he wasn�t in that bad a shape after all. Roddy was a red, round and joyous
man, loved and bled over profusely by all who knew him. While he was one of the
most outstanding advocates of his generation it was compassion that truly set
him apart. His one theme of consolation was habitually volunteered when drunk: �None
of us get here without being broken to pieces along the way, old son. None of
us know why So let�s just bear with one another.� And, lunging for a bottle, he
would say, �Now, bring on the fatted calf.�</p><p>The
dislocation that beset Anselm in his maturity, however, was of a wholly
different order and could only be assuaged by long periods of solitude and �
prayer: an activity that took him beyond himself, but which collapsed the
moment he thought about what he was doing � like falling off a bicycle. And,
picking himself up again, he remembered those frightful words on the leaflet.
He began to wonder, on a purely theoretical basis, whether for some people
(but not him) monastic life was the only way of finding contentment.</p><p>He went
back to Larkwood out of curiosity, attending an occasional Office and having
tea in the village. He visited the Priory more often, dreading the return to
London, but without wanting to stay in Suffolk. On the fateful day he met the
tourist at the Court of Appeal, Anselm recognised that in brushing against this
other life he had sustained a fine wound on the memory, causing a longing, a
homesickness that would not let him settle in any place other than the source
of injury. And so, Anselm began his return to Larkwood. After two years of
visiting, and being politely discouraged (in accordance with The Rule), he
became a postulant. He left behind a baffled family He was thirty-four.</p><empty-line/><p>Anselm�s first surprise on
entering religious life was to discover the monastery contained ordinary human
beings alarmingly similar to one or two villains he had represented at the criminal
Bar. He had thought only the prison system could withstand the outrageous
behaviour of its members. But the same was true of Larkwood, where, unlike
enforced incarceration, each individual had promised to live a life of ongoing
conversion. Thankfully, Brother Bruno performed an important act of mercy on
the day of Anselm�s arrival. He briskly punctured whatever reasonable
expectations Anselm might have entertained about a life of wholesome
tranquillity.</p><p>Bruno
had been a Tyneside docker for thirty years and brought to monastic life a
playful candour that generated various maxims � most of which were only quoted
to be discounted. �I think there�s something you ought to know,� he confided,
having been introduced to Anselm five minutes earlier. �You�ll find out as you
go along, the good guys always leave and only the so and sos remain.�</p><p>Time
passed with a peculiar swiftness known only to those who live subject to the
rhythm of monastic life. The chant, the ancient regularity and the silence
mysteriously brought together the fragments of Anselm�s past and gave him a
sense of completeness � but only for the first few months. That turned out to
be a glimpse of who he might become, rather than who he was. Within a year the
pieces shattered again, falling back to where they had been before he�d become
a postulant. He understood what agnostic Roddy had told him when he�d left the
Bar: that being a monk had nothing to do with putting the bits back together.
And he learned the meaning of another Bruno aphorism: �Nobody stays for the
reasons they came: The liturgical cycle rolled up the years. Some very pleasant
chaps returned to the world. But Anselm stayed put, abandoning any pretence of
being one of the good guys, or of searching for peace through internal
reconstruction. And sometimes, in that half-sleep savoured last thing at night
and first thing in the morning, Anselm began to wonder how much of it had been
choice, and how much unwitting cooperation.</p><p>Larkwood�s
life became Anselm�s. The Priory supported itself through bookbinding, ceramics
and the production of apple juice � along with a now legendary cider of a
particularly vigorous character. Anselm learned the balanced crafts of labour,
rest and prayer. After twelve years of monastic life the elements of living a
fulfilled life were broadly in position. A planetary motion of doubt, certainty,
joy, anguish, loneliness and boredom, each on their own trajectory, encircled
an evolving contentment. And very, very occasionally, when he wasn�t looking,
the Lord of the Dance brushed past.</p><empty-line/><p>2</p><empty-line/><p>The man from the Home
Office turned up the day after Milby�s visit and before the community meeting.
Fortunate timing that, thought Anselm. He didn�t get the chance to share this
reflection with Authority, however, because Father Andrew, in the days
following the arrival of Schwermann, had withdrawn from corridor and cloister
and only emerged to growl his way through Office and tell the morning Chapter
who was coming.</p><p>His
name was Wilson, apparently Peering through a window in the bursar�s office,
Anselm saw the black Jaguar creep across the Priory forecourt. The mandarin
emerged in a chalk pin-stripe of the deepest blue, his hair a laundry white,
each strand obedient to its place in life. He extended a pale hand graciously
to Father Andrew, as if it was a Royal visit, his faint smile conveying
shyness, a remote fragility masked by exquisite courtesy</p><p>Precisely
what Mr Wilson said was revealed that evening. Community meetings, like
gatherings in Chambers, were notorious for bringing out everyone�s worst
qualities. For a group of men capable of savage argument over nothing in
particular, the prospects of a sensible discussion on modified asylum for a war
criminal were not promising. But on this occasion there was a surprising
display of common sense.</p><p>The
monks silently took their seats in Chapter, side by side around the circling
wall. All eyes fell on Father Andrew�s stern face. A single candle burned
brightly on a plinth beside him. From where Anselm sat, the tiny flickering
danced upon the Prior�s narrow glasses, lighting his eyes with fire.</p><p>�I�ll
be brief. The Home Office has asked us to provide this man with a short-term refuge.
You already know what he was, and what he�s alleged to have done. He must be
accommodated away from the public eye, and be protected. He can�t go home.
Transfer to prison is considered inappropriate.� Father Andrew had anticipated
most of the questions and answered them mechanically in brief succession. �An
expedited investigation has already commenced. No charges were brought after
the war and it�s thought unlikely any could be brought now.</p><p>He�s
never been in hiding from the British authorities. Our involvement is nothing
more than a matter of convenience. Costs sustained by the Priory will be met,
and the police will deal with any protesters. A personal protection officer
will stay with the man himself. He should be off our hands in three months.
That�s it. The question is this: does he stay or go?� He surveyed the room
gravely waiting for a response, and then dutifully checked himself. �Oh yes,
Lord Thingummy-Other, a Catholic peer, humbly endorses the government�s
request:</p><p>�Do you
mean Lord Crompton?� purred Father Michael with deferential enthusiasm.</p><p>�I�m
sorry, I didn�t note the name,� said Father Andrew brusquely</p><p>�What
do the sisters think?� asked Anselm, realigning the debate but relishing the
way Father Andrew had batted down Michael�s impulse for social climbing.</p><p>�That
he should leave.�</p><p>There
was a general murmur of assent.</p><p>Father
Jerome, a muscular chap troubled by occasional asthma and the only member of
the community ever to have been imprisoned, named the problem. �Leaving aside
any assurances, he�s come here for protection. Claiming sanctuary�s all about
holy innocence, an appeal to God for higher justice. We can�t give that. And if
he doesn�t deserve it we�re in for big trouble. In this world and the next.�</p><p>�Nonsense,�
snapped Father Michael. �If he�s rejected this way and that because of a false
accusation, then he should stay His own appeal is backed by the Establishment.
How the world chooses to interpret our cooperation is neither here nor there.
Appearances count for nothing.� And by way of retort he added, �I know exactly
what the Trotskyites among you think, but I happen to know Lord Crompton has a
distinguished war record. He knew Mother Teresa. An assurance from him can be
trusted.�</p><p>And so
it went on. Only two monks kept silent: Father Anselm, who was biding his time,
and a recently professed Brother, the youngest member of the community.</p><p>�Benedict,
what do you think?� asked the Prior warmly</p><p>The
young monk stood, as was the custom, and looked uncertainly around him. �I�m
afraid I don�t have an opinion. Just questions,� he faltered.</p><p>�Go on.�</p><p>�If he�s
innocent, why the false name?�</p><p>�A good
question.�</p><p>�Why
come here?�</p><p>�Another
good question.�</p><p>�Why
wasn�t he indicted after the war?�</p><p>�I don�t
know.�</p><p>�Against
expectation, if there is a trial, what happens then?�</p><p>�As
Father Jerome has rightly pointed out, we�re in trouble, especially if he�s
convicted.�</p><p>Brother
Benedict scratched the shaved hair behind his ear. �That�s all I can think of
for the time being.�</p><p>�Thank
you very much,� said Father Andrew, leaning back. �Jerome and Benedict have
kindly demonstrated the nature of the problem facing the community.� A
reflective silence spread across the gathered monks. Now, thought Anselm, was
the time for his planned contribution. He coughed, and stood. The Prior nodded.</p><p>Anselm
held back from advocating any one course of action. Instead he donned the
mantle of impartial adviser, reaming off an impressive summary of issues,
neatly numbered, with recommendations depending on the view taken of other
points raised.</p><p>It was
all very professional and implicitly based on lofty experience of these
difficult matters: sound advice from a man who knew the ropes. To the trained
eye, Anselm feared he would be found out by his brothers � that he was angling
to be involved in the handling of the Schwermann case.</p><p>�Thank
you, Anselm,� said the Prior. �And thanks to you all. Now, time for quiet.�</p><p>Father
Andrew said a brief prayer and extinguished the candle between his fingers. The
meeting was over. And, having listened to all, the outcome was for the Prior
alone to decide.</p><empty-line/><p>The Papal Nuncio came to
Larkwood the following day � yet another unexpected visitor demanding to see
Father Andrew Not some hobbledehoy, exclaimed Father Michael, but the top
brass, you know. Precisely what the Nuncio had to say was not disclosed but
word went round that Rome must have leaned on the Prior to throw Schwermann
out.</p><p>And so
it was the week drew to a close. Anselm stayed up late, waiting for <emphasis>Sailing
By </emphasis>on Radio 4, and mused lightly on the curious sequence of events. In four
days, four driven horsemen from different quarters had galloped across the
hearth: the fugitive, the sheriff, the Queen�s good servant and, last of all, a
Prince of the Church. But as he drifted off to sleep to the consolation of the
shipping forecast with warnings of gales at Tyne and Dogger, he was gripped by
a darker thought, and suddenly woke. Their coming had the mark of a grand
reunion.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Five</strong></p><empty-line/><p>1</p><empty-line/><p>Lucy propped herself up in
bed and laid the manila envelope carefully on her knees. Agnes had given it to
her that afternoon and Lucy had nearly cried. The soft clunking of Grandpa
Arthur�s wall clock grew louder, as if he were coming, as if he would take off
his hat and coat and sit down.</p><p>In the
three months that had passed since Agnes had told the family about her illness,
the tight pattern of relating, built up over so many years, had begun to fall
apart, threatening something more significant, like the one or two loose rocks
that topple down a scree. Freddie came to visit his mother more frequently,
tussling with the old awkwardness he preferred to avoid; Susan�s spirits rose
as she saw the coming together of separate worlds � not just that of her
husband and mother-in-law but also their daughter. As Lucy recognised, she had
once been the small hub in a wheel where everyone else�s long spindles found a
meeting place: that arrangement had splintered a while ago, but now, with the
news that Agnes would soon die, a strange re-ordering of things was under way
As with all great changes, there was a constant: Lucy came frequently with
market vegetables in brown paper bags.</p><p>The
subtle transformation was not restricted to the inner workings of Lucy and her
parents. Agnes, too, was on the move. Arriving unannounced one afternoon, Lucy
found a pile of newspapers in the hail. Surreptitiously she leafed through
them: two or three bore the same date and cuttings had been taken. As she
realigned the pile, puzzled, Lucy halted, suddenly identifying the subtle
difference in ambiance that had struck her as soon as she opened the door, but
which she had not been able to name: the radio was on. She crept into the
kitchen. Grandpa Arthur�s Roberts had been retrieved from some forgotten place
and now stood upon the windowsill by the sink. Agnes was twisting the dial,
grumbling about modern music.</p><p>On
another day Lucy rushed into the sitting room chasing a stray cat that had
formed an unreciprocated attachment to Agnes but who, out of mercy had been
granted a tenancy The beast escaped through the window Turning to go, Lucy
caught the tiny twinkle of a red light. She scanned the familiar room as though
she were a traveller in a foreign land: the record player was on; the piano lid
was open � there was music on the rest. Lucy glanced at the title: �Romance
sans parole, No. 2� by Faur�, her grandmother�s favourite melody All at once
Lucy saw Agnes, alone, when she knew no one would call, her long fingers
finding their way across the keys.</p><p>As for
Agnes, she was slower, more measured in her movements, and when she walked
from one room to another she held out her slender arms like a ballet dancer,
touching objects lightly as she passed � sometimes it was only the leaf of a
plant � as if dispensing blessings.</p><p>�I don�t
need to, but I like to feel something on either side,� explained Agnes.</p><p>She was
losing her balance.</p><empty-line/><p>On a muggy afternoon in
early July Lucy rang Cathy Glenton and arranged a night out. Then she went to
Chiswick Mall, resolved to touch upon what her father called �the real issue�.
She stood over the piano, playing �Chopsticks� slowly, with two fingers, her
heart in her mouth. �Gran, you�re going to need specialist help.�</p><p><emphasis>�Please,
</emphasis>anything but <emphasis>that,� </emphasis>Agnes pleaded.</p><p>�I�m
sorry, but it�s true. Someone has to tell you.�</p><p>�I mean
that tune. For God�s sake, stop it.�</p><p>�I�ve
played it every time I�ve- �</p><p>�Believe
me, I�ve listened!� said Agnes impatiently There was an uneasy pause.</p><p>Lucy
bit her lip. �I meant what I said, you� �Yes, yes, yes, I know Don�t worry. I�m
all right for now And anyway, there�s always Wilma.�</p><p>Lucy
gaped and almost exclaimed: a bag-lady � I thought you just met in the park
�</p><p>Agnes
swiftly shut down any objections. �Wilma�s a very interesting person. She used
to be in the theatre. Did a lot of Rep. I�ll introduce you.� She smoothed a
pleat on her skirt. �She�s my friend, Lucy Don�t shut her out.�</p><p>�Of
course not,� said Lucy uncertainly Before she could draw her thoughts together,
Agnes continued, with assumed cheerfulness, �Anyway, enough of that. Let�s
have a cup of tea. �</p><p>They
moved awkwardly into the kitchen.</p><p>�There�s
always some rubbish on about now,� said Agnes, moving towards the radio,
touching a chair � and then a counter � and then the sink. She turned the
control. Suddenly there was a sort of explosion. An orchestra was involved� and a jazz band. And someone, thought Lucy, listening carefully � is
hitting a biscuit tin of broken glass.</p><p><emphasis>�Post-modern,
</emphasis>you know,� said Agnes, nodding gravely, ignoring
the tension between them.</p><p>Lucy
made the tea and they sat nursing their mugs, their eyes frequently meeting.
Lucy was going to raise the subject of professional help again whether Agnes
liked it or not. But the glances from her grandmother made it clear she would
not budge, she would make her own arrangements. And, as if providing a
soundtrack to a silent film, an out-of-tune jazz band fought with an orchestra
while someone had a whale of a time with a hammer.</p><p>Lucy
chose her moment when a languid, knowing voice ushered in the news at five o�clock.
But Agnes outflanked her with a newfound passion for current affairs. She sat
forward with a convincing display of concentration. The swift volley of
headlines between broadcasters began but Agnes dismissed each new story with a
pout before the introductions ended. After a few minutes, she signalled with
her head to turn it off. A clatter of falling plates echoed from the dining
room.</p><p>�That
blasted cat.�</p><p>�Sounds
<emphasis>post-modern </emphasis>to me,� said Lucy, nodding gravely</p><p>Agnes
rose to investigate, touching a lamp�stand, a chair and the door on her way She
wasn�t going to discuss the need for help any more that day</p><empty-line/><p>Lucy was getting ready to
leave when Agnes handed over the key to her Morris Minor, bought by Grandpa
Arthur in 1963. She�d named it Duchess.</p><p>�It�s
no use to me any more.</p><p>�But
Gran��</p><p>�Take
her. I�ve arranged the insurance. But treat her gently She�s a tired old bird.�</p><p>Before
Lucy could find words of thanks, Agnes produced a manila envelope. She said, �There�s
a notebook inside. I want you to read it. But say nothing of what you learn.
Not to anyone.</p><p>�What�s
it about?�</p><p>�You�ll
find out.�</p><p>Lucy
frowned.</p><p>�Don�t
worry,� said Agnes. �I just want you to know more � about me� � she
hesitated, embarrassed � �before I die.�</p><p>These
last words fell on Lucy like a sword. Her composure slumped and, with rising
tears, she turned quickly to go. By the vestibule door she caught her foot on a
pile of newspapers. Lucy stared at them, as if they might speak.</p><p>�The answer�s
in the notebook,� said Agnes, looking aside. �Don�t cry for me, please don�t
cry�</p><p>As Lucy
turned the ignition she looked back to wave and saw Agnes with one hand on the
doorframe. Her face was drawn and she looked terribly small and alone.
Something had drained out of her.</p><empty-line/><p>Cathy opened the door to
her flat in Pimlico later that evening before Lucy could even ring the bell.</p><p>�I�m
just getting ready,� said Cathy �Fancy a meal out?�</p><p>�No,
thanks.�</p><p>They
walked into a sitting room of astounding chaos, clothes thrown everywhere, junk
mail scattered like discarded handouts after a demonstration. The walls were
covered with posters from various exhibitions.</p><p>�A
drink?�</p><p>�No��</p><p>Cathy
flopped on to a sofa and said: �What�s wrong?�</p><p>The
fact that they rarely saw each other somehow set Lucy free to say what she had
said to no one else: �My grandmother�s going to die from a disease I�d never
heard of until now It attacks your body but leaves the mind alone. In full
throttle you just lie there unable to move or talk, blinking at the ceiling.
You feel as if you�re going to choke to death but it doesn�t happen. That�s
where you stay, right on the edge of dying, but you remain alive.�</p><p>�Motor
neurone disease,� said Cathy, sitting up.</p><p>�Yes.
How do you know?�</p><p>�I read
an article.�</p><p>Lucy
sat on the edge of an armchair and shrugged. �It�s just ordinary life showing
its colours.� She didn�t want to talk about it any more, and said so.</p><p>Cathy
thought for a moment and said, �I�ve a good idea.� She left the room and came
back with a pack of cards. �Let�s play Rummy�</p><p>�I don�t
know the rules.�</p><p>�Any
other game?�</p><p>�No.�</p><p>Cathy
pondered the scale of ignorance. �You must know Snap.�</p><p>They
moved to the dining table and started laying down the cards, flip, flap, flip,
flap, their concentration fixed on whatever turned up, waiting for a match.</p><p>�Do you
ever think about the past?� asked Lucy Flip, flap.</p><p>�Never.�</p><p>Flip,
flap.</p><p>�Why?�</p><p>Flip,
flap.</p><p>�It�s
dead.�</p><p>Lucy
paused, eyeing the Queen of Spades. �Do you really mean that?�</p><p>�No.�</p><p>Flip,
flap.</p><p>�Then
why ��</p><p>�Because
it�s already won.</p><p>Flip,
flap, flip, flap.</p><p>Lucy
threw her hand across the table and said, �I�ve changed my mind. Let�s have a
meal � and a drink � what do you think?�</p><p>�I�ll
just put on a subtle, enhancing cream,� said Cathy, reaching for a make-up bag.
�You can help me think up a slogan to flog a critical illness insurance policy�</p><empty-line/><p>They had a good time
talking about death and money parting in the knowledge it would be months
before the phone next rang. Lucy went home clutching the envelope, thinking of
her grandmother who seemed now to pervade each waking moment, each
conversation. She climbed into bed with the distinctive loneliness that only
arises between members of the same family Agnes was breaking away and there was
no time to adjust. She had begun her departure and an awkward goodbye was under
way She was like one of those rare desert plants, apparently lifeless but
opening petals just before death under the heat of the sun. It was late, so
late in the coming. Cathy was right. The past had won.</p><p>Lucy
pressed the quilt into the folds of her body and pulled out a school notebook
from the envelope. Grandpa Arthur�s old wall clock struck midnight.</p><empty-line/><p>2</p><empty-line/><p>Throughout the week
following Larkwood�s four extraordinary visitors, Anselm lingered in the
cloister after every Office on some unconvincing pretext, hoping the Prior
would take him to one side � to confide or seek guidance. But he did not. On
the sixth day the Prior informed the community of his decision at the usual
morning Chapter, after the customary reading of an excerpt from The Rule.</p><p>�As you
know,� he said, �I received a visit from the Papal Nuncio. It has been strongly
suggested by Rome that I permit Schwermann to remain here while the police
carry out their investigation.� He glanced around the vaulted chamber. �Rome s
suggestions are even more loaded than mine. The view I hold is that they wouldn�t
take an interest unless it touched on wider implications � matters I may not
fully appreciate. Accordingly I have decided he can stay� With characteristic
brevity he made the necessary appointments. �He will be housed in the Old
Foundry. Security arrangements are in the hands of the police and the Home
Office. Brother Wilfred will be the daily point of contact on all matters
relating to Schwermann. Brother Edmund will handle all enquiries from the
media. That�s it.</p><p>Anselm
bridled. He had waited with the anticipation of certainty for his name to be
mentioned. He thought, angrily: that�s it? I�m the lawyer � I know Milby� I speak bloody good French.</p><p>The
Chapter moved swiftly on to deal with a dispute about the work rota.</p><p>Anselm
continued to wrangle. Edmund? He doesn�t speak to anyone in the monastery,
never mind the world � how can he handle an investigative journalist? Wilf?
He�s timid to the point of paralysis �</p><p>The
Chapter ended: the monks filed out to their cells for the time allotted to
Lectio Divina; the Prior did the same; and Anselm stood in the cloister
smarting at the rejection.</p><p>Over
the next few weeks the lawyers came and the Press made their enquiries. Wilf
apprehensively led the first group to the Old Foundry by the lake but never let
his curiosity off the leash. Edmund gave interviews to the second lot but told
them nothing of significance, not even about the monastic life. As a
consequence, no one in the Priory or the outside world gleaned any information
other than that which had already been released. In recognising this outcome,
Anselm beheld the astuteness of his Prior.</p><p>Anselm
only saw Schwermann once, while taking a walk by the lake after his afternoon
session in the bottling plant. The elderly fugitive was sitting on a stool,
painting. The brush flashed across the paper while he urbanely chatted to his
personal protection officer. The weeks turned to months and still Schwermann
did not leave. The investigation continued and the Prior became increasingly
brittle. But he did not confide in Anselm about what the Priory should do if it
transpired allowing Schwermann to stay had been a mistake. There were difficult
issues to handle, involving Rome, the Home Office and the media. Anselm wanted
to remonstrate. The Prior was deliberately wasting the skills he had to offer.
Anselm�s mind teemed with exhortations from scripture and the <emphasis>Early Church
Fathers </emphasis>(which he�d eventually read) to the effect that lights should not
be put under bushels, talents shouldn�t be buried in fields, a monk should be
given work suited to his powers and capabilities, and so on. However, Anselm
was also obedient and said nothing to the Prior; and the Prior did what he knew
was wise and said nothing to Anselm � until the day Anselm had a devastating
encounter with a stranger by the lake; the day the fax came from Rome.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Six</strong></p><empty-line/><p>Grandpa Arthur�s old wall
clock struck midnight. The German bullet had probably been a stray, but it came
through an open window, tore past Grandpa Arthur�s head just as he took off his
helmet and smashed into the central glass panel of the wall-mounted wooden
clock. The pendulum swung out of the way and back again, as if nothing had
happened. The dull clunk of the ticking continued softly, as before, while
Captain Embleton lay shaking on the ground, wetting himself like a baby</p><p>Grandpa
Arthur had always said there was a moral in there about Providence, but he didn�t
know what it was. He brought the clock home with its missing panel and hole in
the back and never let it wind down. It was a sort of companion, holding time
to a measured tempo and giving assurance that troubled times always pass. It
had only stopped once: the day after he died. That was when Lucy had burst into
tears, and Agnes had simply said: �The pendulum�s stopped swinging.� She never
wound it up again.</p><p>When
Lucy left home after the row with her parents, Agnes gave her the clock,
saying, �Here�s an old friend. Wind him up every morning, like Arthur did.� It
had sprung to life at the first turn of the key It was as though Grandpa was
nearby, out of sight.</p><p>Lucy
smiled at the front cover of the school notebook. From old habit and the
embedded obedience of a diligent pupil,</p><p>Agnes
had carefully printed her name along the dotted line, ready for her work to be
handed in and marked. The text was in pencil, with a crafted yet fluid hand,
the kind that used to be taught by severe masters and perfected in detention.
There were no corrections. The swift strokes imperceptibly became a voice, and
Lucy could hear Agnes speaking to her in a way she never had before. She read
without pausing to rest. Grandpa Arthur�s wall clock ticked and softly chimed
the half-hours. The night traffic rolled on, like the distant moan of the sea.
The pendulum swung and the tiny bells trembled, as if stirred . from sleep.</p><empty-line/><p>Lucy put the notebook to
one side. She was unable to move. Her eyes swam out of focus. Eventually she
stumbled into the kitchen. From behind the microwave she fished out a packet of
Camel, bought the same day Darren had left her to go back to the wife and kids
she hadn�t known about. She�d thrown them unopened across the room when she�d
got back from the corner shop. Lucy lit up her first cigarette on the gas
cooker, singeing her eyebrows. Sitting on the floor of the living room with a
side plate for an ashtray, she smoked and grimaced, calmed by the sudden punch
of nicotine.</p><p>In
reading her grandmother�s story a kaleidoscope had turned, and almost
everything Lucy knew about Agnes had tumbled out of place and fallen into a new
configuration. Memories of peculiar things her grandmother had said and done
in the past, making sense now, burst across her mind. Like that shopping trip
after Christmas to the Army and Navy store in Victoria Street. They�d walked
across the piazza facing Westminster Cathedral as the sound of the choir had
filtered through the open doors. Agnes had suddenly turned and gone inside. She�d
sat at the back for something like half an hour. Mosaics had glittered in the
distance, and a boy�s voice had spiralled between pillars that rose to hold the
darkness overhead. As they were leaving Agnes had said cheerlessly, �The Feast
of the Holy Innocents. �</p><p>�What�s
that, Gran?�</p><p>�The
remembering of a great slaughter. After the birth of Christ, King Herod wanted
him killed. He didn�t know where he was so he ordered the massacre of all
children under the age of two.�</p><p>�How
many was that?�</p><p>�Two
thousand.�</p><p>�What
about the one they were after?�</p><p>�Warned
beforehand, by an angel. The family escaped.�</p><p>�Why
not warn all the others?�</p><p>�A very
good question.�</p><p>Lucy
looked at her gran enquiringly �How do you know all that?�</p><p>�A
decent education.�</p><p>�Do you
believe any of that stuff? God, angels, three wise men?�</p><p>Agnes
hadn�t replied immediately She�d slipped her moorings, as she was prone to do
when loosened by an unspoken memory. �Sometimes I think it�s homesickness. But
you can�t get back.�</p><p>Lucy
hadn�t taken the matter further, but Agnes� remarks had stayed in her mind. Now
she understood.</p><p>During
her third cigarette, lolling but seasick on rising waves, she ran for the
toilet and vomited. Lucy faced the mirror. She studied her black hair, the
colourless oval face, the translucent skin, those dark lashes that always got
her into trouble. She was a stranger to herself.</p><p>Lucy
made a large mug of tea with two heaped teaspoons of sugar, to help swallow the
unpalatable. Her mind turned bitterly to Schwermann, who lay protected in a
monastery, and to Victor Brionne, the man of fine words, the collaborator who�d
betrayed Agnes. But how did he get away after the war? Who on earth could have
wanted to help a man deaf to the cries of children?</p><p>She
poured the tea down the sink and made her way back to bed, knowing that a
different person would see the morning. Her old self had closed her eyes for
ever. Lucy glanced at the notebook lying open on the floor. What has happened,
she thought, in my growing up that I can read such things and not even cry?</p></section><section><empty-line/><empty-line/><p><strong>Chapter Seven</strong></p><empty-line/><p>The
first notebook of Agnes Embleton.</p><empty-line/><p>3rd April 1995.</p><empty-line/><p>Dear Lucy, I have
just seen the face of the man who took away my life, on the very day Doctor
Scott said I was going to die. I sensed that months ago, when the voices and
faces of my youth came back, like rooks coming home. I should have known
Schwermann would turn up as well.</p><p>I would have liked to talk to you about me, and my childhood
friends, but I�m not able. Soon I�ll be gone and I do not want their memory to
go with me. The time has come for you to know everything.</p><empty-line/><p>10th April.</p><empty-line/><p>I�ve often
wondered why the path of my life diverged from what I hoped for, and sent me on
track for what I got. But there�s no point in seeking explanations. There are
no �might have beens�. So I look to London, and my birth in March 1919.</p><p>My father was French and came to England in 1913 to work in a bank.
He met my mother, who was Jewish, at a work function. She was the daughter of a
regional manager. Within the year they were married, and then I came along.
They used to say I was the second great blessing of their life. The first was
to have escaped the war. My earliest memories are of playing upon Hampstead
Heath, threading daisies, half understanding conversations about �The Great War�
. Most of the people we knew had suffered loss, and even now the names of those
terrible battles conjure up a strange remembrance of warm summer days and other
people�s grief. You see, by some miracle (as my father used to say), the war
had passed us by while touching all around us. And so I grew up feeling
protected, as if God had carefully placed us beyond catastrophe. Until my
mother died on 17th August 1929.</p><p>From that day my father wanted to go back to France, away from every
reminder of her. I wasn�t surprised because England had never become his home.
He was always making comparisons, which showed he saw things from the outside.
Even the milk was better in France. He began to tell me wonderful things about
Paris, and I would go to sleep seeing bridges, a shining river and tables in
the street lit by thousands of candles. We set sail in early 1931.</p><empty-line/><p>I suppose he wasn�t
to know He thought he would simply move back into his old bank. But those were
hard times and no positions were available. I know that now. At the time I
presumed we had landed on our feet. We lived in a nice flat, I did well at
school and I wanted for nothing. I was especially good at the piano and my
father bought me a monstrous upright for Christmas. Each week I went to see
Madame Klein, my teacher, and each week I came home vowing never to see her
again. She was a Jewish widow who lived in a magnificent apartment opposite
Parc Monceau. My father told me she was one of the best piano teachers in
Paris, and had once been a concert performer. That�s as maybe, I thought.
Because every Saturday afternoon I climbed those stairs dreading the scowl that
never left her face. I hated every second. I said she couldn�t even play For
she nursed her right hand and only touched the keys with her left. My father
laughed and sent me back each week. I have never written her name down before,
and doing so makes me pause. I see her now as I saw her then, dressed in black
silk with a vast coiffure of silver hair. She looks at me over quite useless
glasses that seem to be part of her nose, her eyes impossible to read.</p><p>Anyway back to my father. I never thought to ask where he worked, or
how he could afford lessons from such a lady But I came to recognise he was troubled,
despite all his efforts to conceal it from me. Children may not know which
questions to ask but they already sense the answers. He started scratching his
arms, practically scraping the skin off. Before long it was all over his body
He joked it was the lice. So I started itching, and together we�d scratch and
scratch, laughing. One morning he said casually he had to go and see the
doctor. I was fifteen so that would be roughly 1934. I came back from a school
camp three days later and, to my surprise, was met by a young nun who brought
me to a hospital. She kept glancing at me when she thought I was looking the
other way My last memory of my father is that day, sleeping in a white room
with a high ceiling, dressed in a white gown beneath white sheets, and a smell
of strong disinfectant. The nun stayed with me, trying to hold my hand. A
doctor came in and said my father had widespread cancer, and there was nothing
they could do. I was left alone, me on a chair, my father asleep in a bed.</p><p>When I turned to go there was a priest standing behind me. He was
short and badly shaven, with bags under his eyes. His name was Father Rochet.</p><empty-line/><p>12th April.</p><empty-line/><p>Father Rochet. He
had known my father from school-days and would frequently drop by usually when
I was going out. He always looked as if he�d slept badly I had never spoken to
him for long as he was a man of few words. But I saw him a great deal, going
into the flats in and around where we lived, which I suppose was strange
because it was not his parish. He was a great one for carrying something under
his coat. I used to think it was a bottle, though I know better now My father
said he was always getting into trouble with his bishop, which Father Rochet
thought very funny Anyway there he was, behind me in the hospital, looking as
if he�d just got out of bed. I followed him into the corridor. Everything had
been arranged, he said. I was to go with him and he would take me to the house
of a friend. We would talk about my future another time.</p><p>Father Rochet took me in his car. Neither of us spoke. It was a
black night and the rain was so heavy I could not recognise any streets or
buildings. I remember watching the windscreen wipers and wondering how they
worked. The water falling in sheets across the glass. Eventually we arrived. I
opened the door and saw what I least expected or wanted: Parc Monceau.</p><p>Up those stairs I went, dripping everywhere. By now I was crying.
When the door opened, Madame Klein scowled and shook her head. �For heaven�s
sake, stop soaking the floor.� Those were her first words.</p><p>My father died that night.</p><p>Father Rochet came to see me after the funeral. Again he hadn�t
shaved properly, and this time I could have sworn he smelled ever so slightly
of stale wine, which distracted me from taking on board what he said. It was my
father�s wish that I now live with Madame Klein. He had seen to all the
finances.</p><p>And so I believed family resources had sustained me in the past and
would do so in the future. I didn�t realise they were both feeding me a story
to save my dignity.</p><p>I wasn�t to know Father Rochet had introduced my father to Madame
Klein when we first arrived in Paris; I wasn�t to know my father went out each
day in a suit, then changed and earned his living cleaning floors. I wasn�t to
know that Madame Klein was our landlady; that she had waived the rent from the
outset; that she had given the piano to my father; that my lessons were free;
that both of them were what some call saints.</p><empty-line/><p>13th April.</p><empty-line/><p>Madame Klein was
the most extraordinary woman I have ever known. She must have been in her early
seventies when I came to live with her. At first I thought maybe I was there to
act as a nurse. Far from it. She was too busy to want any help.</p><p>Her husband had died about ten years earlier. He�d been a gifted
violinist, and his death had come without any warning while performing on
stage. From what she said it was rather like Tommy Cooper. He made an amusing
aside, and then dropped down. Everyone laughed, including Madame Klein. They�d
never had children, and extended family were out of reach and touch. So she
found herself alone. She told me the first few years were the worst, and
getting worse. And then she had an accident.</p><p>Madame Klein was an atrocious driver, always banging into things. On
this day, for once, it was not her fault. A van collided into the side of her
car, breaking her right wrist. She never played the piano professionally again.
However, the van had been driven by a young woman who worked for a Jewish
children�s welfare organisation, �Oeuvre de Secours Aux Enfants� (OSE) . Its
headquarters had moved from Berlin to Paris in the early thirties, after the
Nazis came to power. It became Madame Klein�s life, just when she thought she
had nothing to live for.</p><p>You have to understand what it was like then. Thousands of refugees
had flooded into France, with children separated from their parents. You�ve
seen something similar on the news. It still goes on. Then, as now, people did
what they could. So Madame Klein was out each day, doing I don�t know what. It
was not something she talked about. But she often took her husband�s violin.</p><p>On some evenings there were meetings with friends she�d made through
OSE. I was never present. But the same men and women came. To my child�s eye
they were always dressed in black and arrived in a long shuffling line after
dark. They gathered in the salon, with its low lights and drawn curtains. I
thought it was terribly exciting. And I was desperate to know what they talked
about. So I started listening at the door.</p><p>You�ll find, Lucy, as you get older you start seeing yourself from
the outside. Particularly your childhood. You�ll see a child enacting her part
innocently while you watch, knowing what is going to happen, unable to
intervene. As for me, the need to intervene, if I could have done, comes later.
For now I can see myself in my nightie, with bare feet, bent over by a great
white door with beautiful shining brass handles. I�m trying to breathe as
quietly as I can, looking through the keyhole at those gesticulating arms and
solemn faces.</p><p>They never seemed to converse. It was always an argument, even when
they agreed. What was going to happen next? That is what they fought over. Were
they on the verge of the greatest pogrom they had ever known? And what was to
be done? The killings had been under way since 1930. Within months of Hitler
becoming Chancellor, there were camps. I remember one voice from the far side
of the room say fearfully �If they�ve killed us in the street, they�ll kill us
in the camps.� And then a deep voice by the door spoke, so close to me I almost
jumped back. It was Father Rochet. �You are not safe in France. You�re not safe
anywhere.� There was the most dreadful silence after that. Through the keyhole
I could just make out an old man with a stick propped between his legs. He
still had his dark hat and coat on. I can�t recall his name, but I�ve thought
for years about his face, caught in the yellow lamplight. He had a look of
recognition: this was an old, familiar warning.</p><p>When I heard a chair scrape, I ran upstairs. Sitting on the landing
with my arms around my knees I would hear them all troop out, as if in rancour,
and from the window see them disperse into the night, in twos and threes, often
arm in arm.</p><p>In time, these meetings occurred more frequently Events in Germany
and France were followed closely Some talked about emigration. There was no
need, said others. The Germans have got us out of their hair, we�re safe. Not
yet, said Father Rochet.</p><p>He always stayed behind, Father Rochet, to confer in private with
Madame Klein. I never found out what they talked about. Back by the keyhole, I
only saw them huddled round a table, like mother and son, whispering. God knows
why No one was listening.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Eight</strong></p><empty-line/><p>Vespers was not for
another half hour so Anselm had gone for a secret roll-up. He strolled along
the bluebell path and took a narrow track through the woods leading to a
stretch of sand by the water�s edge. Then he saw him through the laden branches
and paused. Anselm guessed he was in his late fifties. He was a very small man
with the smallest feet Anselm had ever seen. Whoever the stranger was, he kept
perfectly still, like a sculptured memorial, silently looking over the lake.</p><p>�I
suspect you and I are asking ourselves a similar question,� said the stranger
without averting his gaze. His voice was disturbingly deep, like wet churning
gravel; at once musical and melancholy</p><p>Anselm
stepped out of the shade. The stranger continued:</p><p>�You
wonder why I am here. Just as I wonder why he is over there.�</p><p>Across
the lake, just visible through the surrounding trees, shone the red tiling of
the Old Foundry roof, where Schwermann had been accommodated.</p><p>�May I
ask who you are, and what you are doing here?� said Anselm hesitantly, walking
slowly to the stranger�s side.</p><p>The man
peered solemnly at Anselm through heavily framed glasses, his eyes enlarged and
penetrating, and said, �I�ve come to look upon the father of my grief.�</p><p>Anselm
followed his gaze, confusion giving way to the first flutterings of fear.</p><p>�Don�t
worry,� said the stranger dispassionately, �I�m not mad. But I do have a
penchant for� the telling phrase.� He smiled paternally �My name is Salomon
Lachaise.�</p><p>Anselm
took in the loose cardigan and galoshes, the profound relaxation in
circumstances that should have produced embarrassment � he was, after all, a
trespasser within the enclosure. Salomon Lachaise was like a man in his own
drawing room, receiving a guest on a matter of grave importance. Speaking as
much to himself as to Anselm, he said, �Have you any idea how painful it is for
me to stand here� � he gestured uncertainly across the water � �knowing who
sleeps over there?�</p><p>Anselm
felt the slow flush of humiliation. Salomon Lachaise smiled sadly, drawing pipe
and tobacco from his cardigan pocket. He began the endless ritual of packing
with his thumb, drawing air and trailing match after match over the bowl. �I�m
sorry. It�s an old rabbinic trick,� he said through a swirl of smoke. �Posing
the question to a man who cannot answer without discovering his own shame.
Jesus did it quite a lot.�</p><p>Anselm
was dumbstruck. Not expecting an answer, his interlocutor said, �It�s time for
me to go. What�s your name?�</p><p>�Father
Anselm, but��</p><p>�Saint
Anselm of Canterbury? Now there�s an interesting fellow A man in search of God.
But not that fond of ��</p><p>At that
moment they heard twigs cracking underfoot and three figures emerged through
the trees, one in front, two behind. Anselm took in the calm, concentrated
glance of the police officer in his Marks &amp; Spencer casuals, one hand inches
away from a concealed weapon, but Salomon Lachaise stared beyond, through the
branches, to a shape moving through the shadows. A voice spoke lightly to a
young man with his hands sunk deep in his pockets. Max, the grandson. He�d come
every week since his grandfather had taken up residence in the Old Foundry.</p><p>Anselm
shivered in the sun, alarmed by a sudden, dark prescience. A meeting of ways
lay ahead: one of those rare instances where the past coagulates into the
present.</p><p>Schwermann
pushed aside some brambles with a stick and stepped into the open, looking up
as if in a dream. His eyes rested lightly on Salomon Lachaise and then moved on
to Anselm with a courteous nod. He smiled briefly, as if to a friend, saying, �I
haven�t thanked you for your advice, Father.�</p><p>Anselm
sickened.</p><p>�Sanctuary
is not what I expected and more than I could have hoped for.�</p><p>They
had not met since that unfortunate exchange at the back of the church. Anselm
studied him afresh: didn�t evil have a known face, angular and pinched? If so,
this was not it. The eyes, awash with a dull black iris, lacked focus, and the
slow, tired blinking suggested � suggested what? For the life of him Anselm
could not tell whether this was the torpor of old age or the persisting trace
of ruthlessness. He looked no different to the stooped parishioner who waved
the collection plate.</p><p>�At
least I can still paint.� Schwermann lifted his paint box, like the Chancellor
with his budget. �These enchanting woods help me to forget. �</p><p>At
that, Salomon Lachaise groaned through his teeth and stumbled forward towards
Schwermann, falling on his knees right in front of him. The policeman�s hand
shot inside his jacket. With one great, savage movement, Salomon Lachaise tore
open his shirt from top to bottom, both hands ripping the fabric apart,
exclaiming in a loud voice, �I am the son of the Sixth Lamentation.�</p><p>Schwermann
stepped back, appalled, breathing heavily, the features of his face suddenly
alive. �Gott � mein Gott � help me!�</p><p>The
policeman swiftly placed himself before Schwermann and ushered him back through
the trees. The grandson, paralysed, fixed wide, flickering eyes upon the man
on his knees �the bowed head, the extended arms � and then, as if abruptly
woken, turned and ran.</p><p>In a
moment they were alone to the sound of feet moving urgently through the woods.
Late afternoon sunlight slipped through pleated branches on to their shoulders.
A light wind idled over the surface of the lake, crumpling the reflections
lying deep in the water. Salomon Lachaise did not move until Anselm lightly
touched his shoulder. With help from the monk he stood up.</p><p>�Forgive
me,� he muttered thickly</p><p>�What
on earth for?�</p><p>�I don�t
know� He covered his upper body as one shamed, hunching over the bared skin.
Anselm�s arms were raised foolishly, as though he would start a Mass. He
wanted to do something, anything, to touch with balm this astounding, wounded
man who now, clasping himself, began to stumble along the path through the
woods that Schwermann had taken. Anselm followed like a disciple.</p><p>After
several minutes the stranger abruptly stepped off the track and made through
the trees towards an old breach in the monastery wall, a hole that had never
been repaired. Anselm thought, apprehensively, he knows his route: he�s been
here before. Upon impulse he asked, �What brought you here?�</p><p>�I�m a
Professor of History at the University of Zurich. A medievalist, but I like to
keep my eye on the modern period.� He stepped carefully through the fallen
stones towards a car parked on the verge. �You see, with one or two notable
exceptions, he sent my family to the ovens.� He patted pockets in turn,
searching distractedly for keys. �I only wanted to see his face but now �
we�ve actually met. Believe it or not �� He sighed and held out his hand,
letting his shirt fall open. <emphasis>�Shalom aleichem, </emphasis>Anselm of Canterbury.�</p><p>The
great bells of Larkwood sang over the trees, summoning Anselm to Vespers. Torn
by the obligation to run and the desire to stay, Anselm said, �Can we meet
again?� He scrambled for a reason: �Perhaps we could talk � go for a walk?�
The idea of leisure rang a ridiculous note but Salomon Lachaise replied
quickly, sincerely �I would like that very much.�</p><p>He
climbed into his car, still dazed. Winding down the window he said, �I�m
staying in the village, at The Grange.� The engine rumbled into life and the
car pulled away, never quite gathering speed but moving slowly out of sight.</p><empty-line/><p>After Vespers the monks
shuffled in procession out of choir and into the cloister. In the shadow of a
pillar stood Father Andrew, waiting for Anselm. With a gesture he led Anselm to
his room. Behind a desk, his chin resting upon the backs of his hands joined in
an arch, the Prior said, troubled:</p><p>�I�ve
received a fax. Rome wants someone from the Priory to handle a particular
matter on their behalf relating to our guest. I�ve recommended you. The flight
has already been arranged.�</p><p>Anselm,
instantly curious, said, �Have they said anything else?�</p><p>�No.�</p><p>�Just a
fax?� asked Anselm.</p><p>�Yes.�</p><p>Anselm�s
imagination perceived a nuance of irregularity which he tamed: �That�s odd.�</p><p>The
Prior�s arched hands dropped on to the desk. �Indeed. I rang the Nuncio. Even
he didn�t know anything.� He eyed the telephone. �You�d think he�d have been
briefed. Very odd.�</p><empty-line/><p>Awake in bed that night,
unable to sleep, Anselm barely thought of Rome. Instead he listened again to
the words of the trespasser confronting the man in the woods, and he thought
of the five lamentations of Jeremiah, each mourning the destruction of Jerusalem,
each placing absolute trust in its sworn Protector. What then was the Sixth
Lamentation: the tragedy of a people, or a personal testament? In asking the
question, Anselm felt a sudden chill, like the passing of a ghost. He didn�t
want to know the answer. He closed his eyes and saw Salomon Lachaise upon his
knees. Instantly Anselm prayed, wanting to cry but not quite knowing how to.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Nine</strong></p><empty-line/><p>The first
notebook of Agnes Embleton.</p><empty-line/><p>14th April 1995.</p><empty-line/><p>Of course, in the
first weeks and months of my living with Madame Klein, I knew nothing of her
past, nor what she did when she went out with her husband�s violin.</p><p>On my first night I was sent to have a bath and packed off to bed. I
thought she could not possibly know how I felt to have lost my father. I was
wrong. She eased my way through routine and piano practice. Three times a day:
when I got up, before I could think, after lunch before going back to school,
and every evening. She sat by me or in the corner, groaning loudly at my
mistakes. She had a string of pupils. None of them paid (I later found out) and
she was horrible to them all. It was through music that I got to know her, not
words. I�ve never been one for talking, maybe that�s where it comes from. She
used to say, �Your ears are more important than your mouth.� And Father Rochet
would add his bishop was of much the same opinion.</p><p>It was about a year later, 1935 or thereabouts, that Madame Klein
started to host musical evenings every Sunday The same people came each week.
Those who had come by night, as my child�s eye had seen them, returned, along
with some others brought by Father Rochet. Six families from his parish and a
couple of rather vocal atheists (�My strays,� he would say). It was the same
with the Jewish group � some were devout believers, others weren�t. The first
evening was stilted to say the least but that gradually lessened as the weeks
passed, as we all listened to the same music. We were an audience of families
providing the performances ourselves. That is how I met Jacques and Victor.</p><empty-line/><p>15th April.</p><empty-line/><p>Jacques� father,
Anton Foug�res, was a great friend of Father Rochet. Anton played the piano
with an enthusiasm unsupported by talent. His wife, Elizabeth, sang. She was
quite good, actually Apart from Jacques, they brought with them a man called
Franz Snyman. He was a refugee, about Jacques� age, who had been introduced to
them by Father Rochet. Originally Mr Snyman�s family had come from South
Africa, but business interests had taken them abroad. In three generations they
had fled from Romania to Germany to France. He�d lost both parents along the
way His father had been killed in Kishinev. They�d moved to Gunzenhausen. His
mother had been beaten to death in a campaign for �Jew-free� villages. Aged
fourteen, he had made his way to the Saar, where a non-Jew family friend had
offered him a roof. Then the Saar became part of Germany so off he�d moved
again, coming to Paris on his own. Where he�d lodged with Mr and Mrs Foug�res.
He always dressed in a suit. Perhaps that is why we called him �Mr Smyman�,
rather than using his first name � it was a kind of affectionate, mischievous
respect. He was a superb cellist and he and I played a lot of duets together.
Jacques had an elder brother, Claude, who lived near the Swiss border. I don�t
recall much about him. All I know is that after the fall of France he became a
vocal supporter of Vichy and P�tain. There�s nothing so strange as families.</p><p>I must now turn to Victor. He�s played an important part in my life.
Victor�s father, Georges, was married to Anton Foug�res� second cousin. But
there�d been an almighty row between Anton and Georges, and the two families
hadn�t spoken for years. The Foug�res family were committed Republicans,
whereas Georges was a Monarchist. Another member of the Brionnes had even been
a �Camelot du Roi�. They were a Royalist youth movement, and I�ll tell you
about them later for it touches on Victor. And, I suppose, Father Rochet.
Suffice it to say, Anton Foug�res disapproved and that was that. A major rift.</p><p>Victor, however, went to the same school as Jacques and they were
best friends. He spent as much time at Jacques� house as he did at home. So
Victor had to pull the wool over his parents� eyes whenever he went to visit
the Foug�res. He once said it was perfect training ground for a spy</p><empty-line/><p>Same day</p><empty-line/><p>In due course I
found myself more with Jacques and Victor than anyone else at our musical
evenings. They sought me out and I began to expect it and to want it. Even
then, at that early stage, I knew I was coming between them. It seems to be the
role of a girl, to split the covenant between two boys. It often happens. But I
was only sixteen and they were scarcely older. At that stage there were no
choices to be made. Looking at things from their beginnings we were all
innocent then, even Victor, making our clumsy way forward, away from childhood.
We became a threesome and I lay upon a dais in the middle, f�ted on either
side. I led the pranks and they got into trouble on my behalf. My hair fell
long over my shoulders and I would cast the whole lot to the wind, as if it was
necessary Victor once caught me on camera, in full swing, but I never saw the
picture. I wonder what happened to it?</p><empty-line/><p>16th April.</p><empty-line/><p>These gatherings
went on each week, right up to 1940. In the summer we would go on picnics,
driven by Father Rochet in a roaring bus. The exhaust was held in place by an
old coat-hanger. Madame Klein was not allowed behind the wheel. She�d sit
towards the back, shouting at him to go down driveways into private gardens and
houses, always with that violin on her lap. For her damaged hand could draw the
bow I see her mow, standing by the Seine, somewhere between Poissy and
Villennes, playing dreadfully to the river. To think, she was taken away,
beaten and gassed. And I didn�t even get the chance to say goodbye.</p><empty-line/><p>17th April.</p><empty-line/><p>I did very well
at the piano and entered lots of competitions. Madame Klein, who never cried,
wept every time I won. She said it was a complete catastrophe. When I gained a
scholarship she made so much noise she was asked to leave the auditorium. So
off I went to the Conservatoire in 1937. Madame Klein arranged a few classes
under Yvonne Lefebure at the �cole Normale, where I played for Cortot, but he
didn�t think much of me. For what it�s worth I didn�t think much of him either,
and neither did Madame Klein. Too many wrong notes. And it is those happy
memories that bring me back to Jacques and Victor.</p><empty-line/><p>18th April.</p><empty-line/><p>Father Rochet
once said, �Those boys are sword and scabbard.� Jacques was short and slightly
stooped, pressed in on himself by ideas, his dark eyes strangely timid for
someone always ready for an argument. That was his problem really By nature
withdrawn, things he thought wrong dragged him outwards, uncomfortably, into
the light. I always thought he was rather like a rabbit in the middle of the
road: blinded by injustice and unable to back down. He said very little but his
face disclosed the constant workings of his mind. I think that is what drew me
to Jacques, the absence of words.</p><p>Now, imagine him with Victor standing like a general, his hands
behind his back, firing off frivolities to whoever would listen, hooting
playfully at Jacques� indignations. He winked a lot at the spectators. He was
very careful with words and that rather sums him up. Beneath the badinage lay
caution and a calculating brain. He always saw both sides of a problem and you
never quite knew which side he was going to take. Sword and scabbard. Which was
which?</p><empty-line/><p>Same day</p><empty-line/><p>I�m not sure when
the parting of the ways began. Perhaps it was the day Jacques� father called me
�Guenevere�. With that one word he named where we stood on the stage. One of
the more unfortunate things about late adolescence is that you understand the
part you�re playing without being able to appreciate the likely consequences.
You see, in a way I led Victor on, and I knew it. For anyone else this was just
a part of growing up. But for me, the whole shebang got caught up with the war,
when heroes were needed before their time and when my stumblings became the
stuff of tragedy</p><p>It wasn�t me who made the choice that set us apart. It was Jacques.
By then he was studying Classics at the Sorbonne. He turned up once �by chance�
at the Conservatoire and I showed him Chopin�s death mask and a cast of Paganini�s
long pointed fingers. He said something about relics in Saint Eugene across
the road. When I told Madame Klein that night about our meeting, her eyes
narrowed and after a long pause she said, �I think you should go for him,� and
I said, �Don�t be ridiculous!� A week later I saw him at a recital when I hadn�t
said I was playing. Shortly afterwards, by an old bookstall where the shelves
were fastened to the outside wall, he muttered, �There�s something I have to
tell you.� But he couldn�t get the words out. I had to put various suggestions
to him. He shook his head mournfully after each one. Eventually he looked away
from me and grimaced, �I think I might be attached to you.� I felt nothing. But
I woke the next morning with a fountain spurting from the pit of my stomach.</p><empty-line/><p>19th April.</p><empty-line/><p>Victor must have
known, but he said nothing. Maybe because we never spelled it out he never took
it seriously Remember, words were very important to him. If something hadn�t
been reduced to language he didn�t understand it. And, appropriately writing
that sentence reveals how careless I was. For Victor wrote poems for me and I
should have taken him, of all people, at his word. They were lofty with plenty
of classical allusions, making them sufficiently impersonal to be safe. I kept
them in a book. I should have told him to stop, but I didn�t. You see, on the
face of it we were a trio, and I didn�t want to cut Victor off. But lurking
within that laudable sentiment was the truth � a reluctance to give up the
attention he gave me. Against myself I encouraged him, ever so slightly, but I
did it without really meaning it. It�s called vanity.</p><p>I told Jacques that Victor was just showing off. Our failure to
speak up became a sort of conspiracy of pleasure between us, in the secret kept
from Victor who blindly carried on. I remember the three of us looking over the
waters of Launette to the Isle of Poplars at Ermonville. Victor recited
something about Euterpe�s aching soul before Rousseau�s empty tomb. Jacques and
I listened, watching creamy clouds drift across the sky, making his words our
own. But I knew Victor wrote them for me. Maybe Jacques did as well.</p><p>And there you have it. Jacques and I, and Victor soon to be
disappointed. That was the beginning of the end.</p><empty-line/><p>Same day</p><empty-line/><p>And all the while
something else was under way The weekly musical gatherings, the summer outings,
had brought us all together and we grew up side by side. Through the keyhole,
after everyone had gone one Sunday might, I could see them. Father Rochet
finishing off the bottles. Madame Klein at the table, telling him not to drink
too much. But each of them looking very pleased with themselves. Looking back,
I can see it was the beginning of The Round Table. Father Rochet was calling
together his knights for when the time was right.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Ten</strong></p><empty-line/><p>1</p><empty-line/><p>Anselm�s presence during
that harrowing confrontation in the woods had established an understanding
between him and Salomon Lachaise such that future relations could never be
characterised by mere acquaintance. They had stood on the same burning ground.
A few days later, just before his flight to Rome, Anselm knocked unannounced at
the door of �The Grange�, a small B&amp;B with a name plaque of heavy iron. He�d
planned a walk deep within the monastic enclosure to The Hermitage, a shack by
a stream where no one ever went except with the Prior�s permission � which he
had obtained. Salomon Lachaise emerged, smiling and expectant, and Anselm led
him back to the Priory to a locked oak door in a high wall of Saxon flint.</p><p>The
bent key was ancient and large and required both of Anselm�s hands in the
turning. The door swung open and they stepped through into the hungry silence
of the fields. As with many hidden places in the grounds of a monastery, the
fact that it was cut off produced in those who entered a surprising sensation
of having been freed, set loose from a captivity they had barely recognised.
With a light step they set off for The Hermitage in the distance.</p><p>�How
long will you stay?�</p><p>�Until
he goes.</p><p>Anselm
said, with feeling, �It was most unfortunate that you should meet him in the
way you did � without warning � or preparation.�</p><p>�I
could never have prepared myself.� His relaxed face scanned the rolling fields,
sunlight flashing upon his heavy glasses. �Anyway, I always look for something
to be grateful for.�</p><p>Anselm
flinched at the notion of thanks. But Salomon Lachaise said, �I am glad my
mother was not there, to see him and to see me before him. It would have been��The sentence vanished, not through emotion but because the right word did
not exist.</p><p>Anselm
asked, �Does she know that you are here?�</p><p>�She
died before he was exposed,� he replied evenly �I am also grateful for that.�</p><p>�Tell
me about her,� said Anselm, tugging, he suspected, at the one significant
thread of a seamless garment.</p><p>�In
many ways I am here on her behalf. Her story will never be told. And neither
will mine.�</p><p>Anselm
understood that to be an imposing refusal, but Salomon Lachaise continued as
though it had been a preface:</p><p>�Like
so many others, the war told her who she was and who she wasn�t. She thought
she was a young Frenchwoman, a Parisian, with a sister, two brothers and the
usual clutch of uncles and aunts � and, out of mind, a couple of estranged
German grandparents she�d never known. There�s always someone that everybody
else isn�t speaking to. Then France fell and the occupier told her she was
Jewish � on account of the grandparents. She�d never seen a synagogue in her
life.�</p><p>Anselm
slowed, for Salomon Lachaise was keeping slightly back; but the small man
maintained his position, almost out of sight, close to the shoulder of his
guide. His deep voice came on the air, while Anselm could only see the empty
fields, the wild abundance of the grass.</p><p>�My
mother and I escaped to Switzerland with the help of a smuggling ring known as
The Round Table. Then the border closed. The rest of the family were taken��</p><p>Anselm
said, to the breeze, �Did she know anyone, where she settled?�</p><p>�No.
Like all the others she lived waiting, waiting, waiting � during the war� after the war � until she died � in some sense always waiting. But
no one else survived.�</p><p>The
bare grass ran to a long line of trees, their tops hazy where the
phosphorescence of the sky fell upon them. Diffuse sunlight picked out against
the vague green a sloping wall of The Hermitage.</p><p>�Hitler,
she liked to say, had been responsible for her conversion. Confronted with
such evil, she said, there had to be a God. She crossed the border a believing
Jew There were many like her � alone, cut off, yet free � and there was
help. She opened a kosher shop beneath a bridge � in a sort of cavern �
the shelves were packed with mysteries last seem by Solomon. And yet �
paradise? Not quite. The shop became a meeting place for those who�d got out,
and all of them were looking for someone, hoping by a wild chance that they
might turn up. My mother did what she could to help, refusing payment, wiping
the slate clean, but most of all she simply listened. She never mentioned her
own loss. Ever since, hope, for me, has not been about anticipation � but
endurance. Like the food taken at Passover, from a very early age I was introduced
to the bitter and the sweet.�</p><p>They
reached The Hermitage. Salomon Lachaise stared at the parched silver timbers
with wonder, as though they were part of the Holy City. Through age and want of
repair the whole shack sloped to one side. A covered veranda fronted a stream
that chattered between low banks towards a copse. Anselm said:</p><p>�We�re
allowed to come here for a few days at a time. There�s tap water, a stove, a
couple of chairs and a bed � little else.�</p><p>They
sat in the shade of the veranda, and Anselm asked, �Did you ever find out
anything about your family � those you lost?�</p><p>�We
only ever talked of them once,� said Salomon Lachaise. �I asked, late one night
when I was in bed. She said, �Get up and put your coat on.� I did. Back we went
to the shop. She pulled out a cardboard box of photographs and a menorah �
and there, by the dim light of eight candles, she gave me through tears the
names for the faces � then she put them back under the counter. That was as
far as she could go.�</p><p>�She
kept them in the shop?�</p><p>As if
explaining what should not be uttered, he replied, �She spent her waking life
there, in that cavern.</p><p>Anselm
held in his mind the image of a woman, alone, the till counted, ready for home.
She locks herself in, comes back, lights the candles and reaches for the box,
that lid. Ah, thought Anselm � that�s why she turned the key � to let
her tears free. He said, �So you never learned anything about them?�</p><p>�No. At
first, I constructed lives for them. Later, I took refuge in learning. It was a
most remarkable sensation that only left me as I got older, but I would read
through the night as if those strangers of my blood were there in the room,
inhabiting the shadows. That is how I reclaimed them for myself. And, with
their help, I did well at school. It was said I had considerable promise.</p><p>�That
must have been a joy for your mother.�</p><p>�It
was. But there was very little money around. I was expected to work in the
shop, but then � my life changed.�</p><p>�What
happened?� asked Anselm.</p><p>�Something
extraordinary. At the beginning of the term I was due to leave school I was
summoned to the headmaster�s office. Sitting in his chair was a wiry fellow
with a stiff, self-important manner � a lawyer, it turned out � who had come on
his client�s behalf to see me. His message was simple enough. He had received
funds from �a survivor� to secure me a university education.�</p><p>Anselm,
marvelling, said, �Some would call that a blessing.�</p><p>�Indeed,�
replied Salomon Lachaise with a numinous, inquisitive smile. �So you would. My
mother did the same. She spent the remainder of her days trawling over the
names of all those she had helped, wondering who it might have been so she
might thank them. She saw a door open before me, and in due course I passed
through to a whole life, a whole universe I would never have otherwise known.�</p><p>�And
your patron�s identity remained a secret?�</p><p>�Yes.�</p><p>Salomon
Lachaise explained that the lawyer had entrusted administration of the finances
to a local solicitor of his choosing � insisting on separate representation in
case a conflict of interest arose between his client and the young Lachaise.</p><p>�And
that is how I met a wonderful man, Josef Bremer, who became something of a
father to me. All my life he has been a source of advice and encouragement.�</p><p>�Incredible,�
said Anselm. �Whoever it was probably knew your mother, knew you, and just did
it, forsaking recognition or repayment. It is the sort of thing that makes life
worth living.�</p><p>�And
worth the dying.�</p><p>Anselm
had the strange sensation of something hot having passed him by A trace was
left behind, slightly acrid, like exhaust from an engine, but then it was gone,
quickly dispersed by a breath of air. Salomon Lachaise said:</p><p>�I
found my home in the art of the Middle Ages. It has brought me great joy �
and pain � always the bitter and the sweet.�</p><p>Not
entirely sure the true meaning of the words had reached him, Anselm thought of
the rivalry of academics, known to surpass even that of children. Consolingly
he said, �Like all homes .�</p><p>�And,
no doubt, like all monasteries,� said Lachaise.</p><p>�Verily�
Automatically, insensitively, Anselm said, �You remained alone?�</p><p>�Yes� although I nearly got married once �</p><p>�What
happened?�</p><p>After a
thoughtful pause, Salomon Lachaise said, �She ran off with the maths teacher.�</p><p>�Oh
dear.�</p><p>They
both looked at each other and burst into ringing laughter.</p><empty-line/><p>2</p><empty-line/><p>Evening light came with a
faint chill. Together they retraced their steps through the fields, away from
The Hermitage crouching by the stream. When they had gone a fair distance
Salomon Lachaise stopped and turned, as though taking a mental snapshot of a
place to hide.</p><p>Anselm
said, �I meant to say sorry for the fact that � he is here at all.�</p><p>�Thank
you. I have to say your Prior must be singularly unconcerned about appearances.�</p><p>�He is,
actually But it wasn�t his decision.�</p><p>�I see.�</p><p>Tact
and a sudden disquiet prevented Anselm from disclosing that it had been the
Vatican�s proposal. He simply said, �I know it looks bad.�</p><p>�Perhaps
it is bad,� said Salomon Lachaise. �For someone like me it could so easily
belong with all the other springs of lamentation which, I am afraid, are not
simple misunderstandings. �</p><p>�What
do you mean?� asked Anselm apprehensively Immediately he wished he�d let the
matter pass.</p><p>�There
are too many to mention � they run wildly one into the other, from the
first charge of deicide � to the expulsions of the Middle Ages �
through to the complicated time of anguish, silence and diplomacy In my own way
I, too, have known these.�</p><p>It was
the old agonising problem for Anselm. He was forever confronting the face of a
church to which he belonged, many of whose features he did not wholly
recognise. He said, �I hope Larkwood offers you something different, another
kind of spring.�</p><p>Salomon
Lachaise, glancing over his shoulder, said, �I have already discovered one, in
a place I least expected to find it.�</p><p>They
walked on, the light swiftly thinning, the mad swooping of distant birds
suddenly ended, leaving the sky bare, unscored. The high monastery wall grew
larger, a dam between great banks of trees.</p><p>Salomon
Lachaise said, �Do you know which great romance of literature emerges beside
the pogroms of the Middle Ages as they erupted across Britain, France and the Rhineland?�</p><p>�I�m
afraid not.�</p><p>�It is
the poetry of the mystic king � Arthur, The Round Table and the Grail.�</p><p>�How
strange. �</p><p>�It�s
as though the attacks upon the Jews and medieval chivalry belonged to the same
cultural flowering. And then, fifty years ago, some genius set up a Round Table
to save the Jews, to redeem its association with ancient hostility.�</p><p>Anselm,
intrigued, glanced at his companion. Lachaise�s head was lowered, his face dark
as he said, �Isn�t it all the more tragic, then, that the person who broke it
apart was��</p><p>Anselm
finished the complaint, to demonstrate his understanding, his profound regret,
��able to find refuge in the arms of the Church.�</p><p>Salomon
Lachaise seemed not to have heard. They had reached the oak door in the wall.
Anselm forced in the key and turned it heavily They parted, promising to meet
again, and Anselm felt the slow, piercing influx of shame: he had quite
deliberately said nothing about his planned trip to Rome, which had
imperceptibly come to present itself as something disagreeable. Unable to
shake off the discomfort, he hurried back to the Priory. Climbing the spiral
stone stairs to his room, it dawned on him that Salomon Lachaise had told him
everything, and yet, with calculation, with regret, he had told him nothing.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Eleven</strong></p><empty-line/><p>The
first notebook of Agnes Embleton.</p><empty-line/><p>20th April.</p><empty-line/><p>How can I now
think of my Jewish comrades as different from the rest of us? For we were one
group. The fact is they had been hunted, we had not, and the hunt was still on.
I suppose I too should have been scared, because I was, am, half Jewish. But my
identity on that level was indistinct. The inks had run together. I discovered
just how separate they were one morning when looking through Madame Klein�s
desk for a letter opener. I found a baptismal certificate in my name, one in my
mother�s, a marriage certificate for my parents, and a death certificate for
my mother. A whole Christian history lived out in Normandy I saw the scheming
hand of Father Rochet, although I couldn�t imagine how he�d done it. Pretending
to be cross, I asked him, �Why?� He grabbed me by each arm and the smell of
stale wine hit me in the face. �I hope to God you�ll never need them,� he
snapped. �These are dark times, Agnes. If you doubt me, read widely Read what
others are thinking in the streets you walk.� That night he gave me C�line�s <emphasis>Bagatelles
pour un massacre. </emphasis>It described France as a woman raped by Jews, looking to</p><p>Hitler for liberation. For the first time in my life I did not feel
safe.</p><p>The reports poured in from Germany. Jews banned from this, Jews
banned from that. You might as well make your own list because everything was
on it. And, of course, more camps. We knew it wasn�t just regulations for the
death toll went on and on, long before Kristallnacht, and long after. So the
music drained out of our Sunday gatherings. There were too many questions to
ask. �Should we get out while there�s still a chance?� �How much will it cost?�
�What about so-and-so�s grandmaman?� �And her cousin, the one who�s ill?� There
were no easy answers. You must realise these people had either grown up in
France or had fled from somewhere else. They�d had enough. They wanted to
believe they were safe. That said, two families did jump and made it to Canada,
but they left behind half their blood because of visa problems. That was a
warning in its own right, for the doors of escape would soon close. We had a party
for them and Mr Rozenwerg sang a Yiddish song of farewell. He was the old man I
told you about, the one through the keyhole who understood Father Rochet�s
warning. After all these years I�ve remembered his name. I cannot think of that
might without seeing the faces of those who stayed behind, trusting in better
times when the endless partings would cease. That is my overwhelming feeling
of those days, a gradual falling apart, of broken pieces being broken still
further.</p><p>The Germans occupied the Sudetenland, and them invaded
Czechoslovakia. Next, Poland. They were on the march. War was declared. That
was when Father Rochet called the meeting.</p><empty-line/><p>21st April.</p><empty-line/><p>No one knew who
else was coming. Each had been told it was secret, although in my case Madame
Klein had already been informed. We all knew one another for we were the
non-Jewish members of our Sunday gathering. By then we were all aged between
twenty (me, the youngest) and twenty-three. I must name them: Jean, C�cile,
Philippe, Tomas, Monique, M�laine, Fran�oise, Alban, Th�r�se, Mathilde, Jacques
and, of course, Victor.</p><empty-line/><p>Same day</p><empty-line/><p>We met in Father
Rochet�s presbytery on 1st November 1939. It was a large, yellowish room with a
very high ceiling, and a single central light without a shade. The grate was empty,
and you could smell the damp. There were no curtains, We were so cold that no
one took their coat off. Yet Father Rochet didn�t seem to notice.</p><p>He said he�d called us together to form a �Round Table� of knights
dedicated to chivalry. I remember thinking that he must have been drinking. But
he was deadly sober. He said he�d always loved the stories of Arthur, the dream
of a fairer world and the longing for the return of the King. I recall that
distinctly He said life is a great waiting. There was no King, as yet. So we
had to struggle for the dream in the meantime.</p><p>Do what? asked Victor. Father Rochet said that if France fell the
Nazis would move against the Jews in a matter of months. Many would not be able
to escape. But we could make a small difference. The Round Table would smuggle
children to safety. He could not tell us when or how or where or who else was
involved. He just wanted to know if we would act as young parents, older
brothers and sisters, taking a child from A to B.</p><p>We all looked at each other, huddled in the cold, sitting around a
huge oval table. Father Rochet drew a circle in the air with his finger,
bringing all of us in on his scheme. Everyone nodded. Including Victor, but he
voiced some doubts.</p><p>I should tell you something else about Victor. He was an organiser. Very
practical-minded. He was the one who�d arranged the picnics, getting everyone
to the pick-up point on time, allocating different jobs and so on. He liked
lists and crossing things off. After Father Rochet�s little speech he said he
didn�t think the Germans would ever march along the streets of Paris. If they
did then the survival of everyone would be through cooperation, not
confrontation. Including the Jews. That would be the key, finding an
accommodation. In due course that is precisely what Victor did, at the expense
of everyone in that room.</p><p>As I recollect, Father Rochet replied that Victor would soon change
his mind about cooperation when he felt a jackboot up his bottom.</p><empty-line/><p>22nd April.</p><empty-line/><p>I discovered the
full explanation for The Round Table in two parts, one openly, the other at the
keyhole.</p><p>First, I asked Father Rochet and he told me it was a private
literary joke.</p><p>At the turn of the century a political movement called Action
Fran�aise had been formed, dedicated to re-establishing the monarchy It was an
extreme right-wing organisation, attracting certain types of Royalists and
Catholics. Its leadership and many members were notoriously anti-Semitic. Soon
it had a youth movement called the Camelots du Roi and they entertained Paris
by rioting in the streets with the Socialists.</p><p>So far, I understood it. Then he said this: he wanted to use the
myth of Arthur from the Middle Ages to carry out his own small purge of history
� the Christian persecution of the Jews. The Round Table, he said, would enact
the chivalry denied to Jews in the past. I didn�t understand what he meant at
the time. Father Rochet was a learned man, always reading something, and he
knew tracts of medieval verse off by heart.</p><p>But now the keyhole, which made a bit more sense.</p><p>Madame Klein asked the same question as me. Father Rochet replied
that he was swinging a punch at his old Prior who had thrown him out. There had
been a bitter election for the leader of the monastery and one of the
candidates had had connections to Action Fran�aise. Father Rochet had made a
stink about it, hoping to stop him getting elected. He�d failed. Shortly
afterwards, Father Rochet had been shown the door.</p><p>For opposing him? asked Madame Klein. Wasn�t there another reason?</p><p>There was a long pause, so I looked. Father Rochet had his face in
his hands. I never heard the reply.</p><empty-line/><p>23rd April.</p><empty-line/><p>The Germans took
Paris in June 1940. I�m afraid from mow on my memory is all in pieces, some
large, some small. Many of the simple day-to-day details have been blotted out,
and not the things I�d rather forget. It has always been a curse of mine.</p><p>I have disconnected pictures in my head.</p><p>I am standing near the Gare Montparnasse. I don�t know what I�m
doing there. Thousands are queuing for the trains, desperate to get out. Gaunt,
hot faces. Hordes of people burdened with everything of value they can carry,
and children running wild. For months afterwards there were notices in the
shops from mothers listing the names of their lost boys and girls, just like
those �Have you seen � ?� things in the newsagent describing missing pets. Name,
age, colour of hair and so on.</p><p>Next I am standing at the gates of a park. This must be later on. It
is deadly quiet. A pall of black smoke hangs over the city. An old gardener
tells me, �That�s our boys. They�ve set fire to the oil reserves. We�re on our
own now.� The streets are empty. I remember thinking the buildings are like a
wall of scenery, where maybe there is nothing behind the fa�ades but planks of
wood and trestles, holding up a front. Paris is hollow and if you knocked upon
its dome with a hammer you�d only hear an echo. There are two dogs trotting
down the Rue de ha Bienfaisance, sniffing at the closed doors.</p><p>I don�t remember the moment they came. But I can see those wretched
flags everywhere, on almost every building. I am standing on the Champs-Elys�es
watching a parade. They did that every day with a full military band. At some
point they even landed a plane on the Place de la Concorde. They were great ones
for letting you know they were there, the Germans. Hitler turned up at some
point but I have no recollection of it whatsoever, which is gratifying.</p><p>At first they were extremely polite, which surprised everyone. And
that�s not all. I remember seeing a truck by one of the bridges, with soldiers
leaning out of the back charming the girls with jokes and chocolate. With some
success, I might add. I think it was Simone de Beauvoir who said now that they
were here there were going to be lots of little Germans running around.</p><p>What else? A curfew, the hours sometimes changing. Shots in the
night. Queuing endlessly for food. Everyone awfully hungry. Bicycles
everywhere, because special permits were required to drive (Jacques� father got
one because he was a doctor). People heaving cases along the pavement or using
a wheelbarrow That was daily life under the Germans.</p><p>I know it doesn�t sound so bad to you, seeing the war as you must
from its outcome. But for those of us who were there, the fall of Paris, the
fall of France, was devastating. From the moment they came and soiled our
streets the mourning began. I cannot tell you how dark those times seem to me.
And all around the Germans were on holiday That�s another memory I have. I can
see lots of young soldiers larking about, taking photographs of each other in
front of the Arc de Triomphe. Some of them have an army-issue guidebook.</p><p>I think it is the frailty of time that brings people together. When
you don�t know if you will even see the year out, and you�ve lost a great deal,
you seize what happiness comes by In those days, we all held on to each other
in different ways. For Jacques and me there was a strange, satisfying
desperation about our coming together, as if we were one step ahead of
misfortune. One evening Madame Klein, trying to winkle an admission out of me,
said, �I expect you see rather a lot of young Foug�res?� I said I did. She
said, �I suspect he rather likes you.� And I told her to stop it. She was a
terrible schemer, that woman.</p><p>But then we both got a big surprise, way beyond her suspicions and
my expectations. I became pregnant.</p><empty-line/><p>1st May.</p><empty-line/><p>My generation
doesn�t talk about this sort of thing. Things got out of hand. It only happened
once but, as you will appreciate, that�s all it takes.</p><p>Jacques displayed his Catholic entrails, as Father Rochet put it,
offering to marry me within the week, As he spoke I all of a sudden saw him
dressed in a respectable black uniform, safely behind the rail of a huge ship,
throwing me one of those circular life rings. Standing over his shoulder was a
severe captain, his eyes concealed by shadow Then he was just earnest Jacques
again, alone with me by the windmill in Montmartre. I said no, not yet. I�ve
never been that good at giving explanations so I described my picture. He
couldn�t see what I was trying to say I said, �Give it time.�</p><p>Jacques� family were the best kind of Catholic � principles never
interfered with practice. They welcomed me and our child for what we were �
part of their fold. Madame Foug�res was very pleased: she already had one
grandchild from Claude, a boy named Etienne. One day she said, they�d play
together.</p><p>I suppose it was a very modern arrangement. I lived overlooking Parc
Monceau and Jacques was a stone s throw away on the Boulevard de Courcelles.
Our infant was happily tossed between the two households. So I think we would
have married, eventually In all that matters he was an utterly devoted father,
but he clung to wilful ignorance when faced with the more unpleasant chores of
parenting � like most men I have known (including Freddie) .</p><p>Notwithstanding the �Not yet� to marriage, I did agree to a baptism,
if only because I wanted Father Rochet to place his hands upon my boy All I
remember about the ceremony is sticking my head around the parlour door
afterwards and seeing him alone with my baby I instantly thought of that story
by Maupassant, �Le Bapt�me�, about the lonely priest caught crying over an
infant. That was 21st April 1941.</p><p>I have said nothing about Victor. He found out about Jacques and me
by chance. And it was ironic that he should stumble upon us in the way he did.
I said in passing to Father Rochet that an anti-Semitic exhibition had just
opened in Paris,� Le Juif et la France�. He told me to keep well away from such
filth. But Jacques and I decided to go anyway On the day, Victor suggested
going over to Saint-Germain-des-Pr�s to hobnob with the intellectuals solving
the problems of France in a caf�. Jacques and I made our different excuses, met
up secretly and headed off. Who did we meet at the exhibition? Victor. And for
reasons best known to himself, Father Rochet had urged him to go.</p><p>After that I have only two or three other memories of Victor. When I
told him I was pregnant, it was as though I had struck him across the face with
the flat of my hand. I didn�t see much of him from then on and neither did
Jacques. He withdrew, as if betrayed, and only came forward to witness the
consequences of his revenge. For come it did.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Twelve</strong></p><empty-line/><p>1</p><empty-line/><p>Left to his own devices,
Anselm would have preferred to walk � a long, irreverent ramble through the
vineyards of France, blistering his feet on the Alps, drinking too much wine
and then descending, light-headed and a boy again, through the landscape of
frescoes on to Rome. Instead, he did as he was told and took the 12.15 p.m.
flight from Heathrow to Fiumicino. He was to stay with a community of friars at
San Giovanni�s, an international house of studies incongruously situated
between two restaurants near Santa Cecilia in Trastevere, beneath the Janiculum
Hill. A priest would collect him.</p><p>Anselm
was standing in the arrivals area in his long black habit, beginning to feel
the heat, when he was greeted from behind by a back-slapping friar in cut-off
shorts and a T-shirt:</p><p>�Hello
there, I�m Brandon Conroy But call me Con.�</p><p>He had
the build of a shaven ox with hands like pit shovels. But the most startling
feature was his eyes, china blue, elfin and glittering, deeply set beneath a
brow of heavy bone.</p><p>�I knew
it was you from your outfit,� said Conroy �Here, give us your bag,� and off he
went, whistling, while Anselm trailed behind, all pores opening.</p><p>Conroy
compressed himself into a flaming red Fiat Punto, with Anselm at his side, and
took the autostrada to the city.</p><p>Crossing
the <emphasis>Grande Raccordo Anulare </emphasis>and accelerating towards the west bank of
the Tiber, Anselm sensed a gradual disintegration in conventional road
positioning. A slanging match of horns, bewildered voices and Latin passion
tumbled through the open window, while Conroy made various offensive hand
signals to right and left. There seemed to be a wide digital vocabulary the
sophistication of which had completely escaped Anselm�s well-informed
schooldays. The whole m�l�e was thrashed out under the blessed heat of the sun
and a cloudless cobalt sky</p><p>�Been
here a month now and I�m beginning to get the hang of it,� said Conroy, his
gesturing arm at rest on the doorsill. �I thought Rio was bad, sure. But here
you�ve got to play <emphasis>to kill. </emphasis>No arsing around, you know, or they�ll have
your <emphasis>cojones </emphasis>on pasta.</p><p>Anselm
didn�t quite know how to respond. It wasn�t the usual language of recreation at
Larkwood. He kept a firm grip on the door handle while Conroy clattered on.</p><p>�I�m
brushing up my theology. Then back to Paula and the kids.�</p><p><emphasis>Paula?
Kids? </emphasis>Anselm had to reply He�d start with the children.</p><p>�Kids?�</p><p>�Yep.�</p><p>�How
many?�</p><p>�Too
many� Conroy waved his first and little finger at a priest on a bike.</p><p>Anselm�s
eyes widened involuntarily �I see,� he observed, politely sympathetic but
resolved now to make no further enquiry about Father Brandon Conroy�s domestic
arrangements. Each took a side�glance at the other.</p><p>�Loosen
up, Father, I�m only having a laugh,� chuckled Conroy his hands off the wheel
while he scratched his shoulders. �Street kids. The homeless. S�o Paulo. I�ve
been at it thirty�five years.</p><p>Anselm
laughed. Small buttons flew off some carefully ironed garment of childhood
restraint. He�d never met anyone like Conroy in his life, except perhaps Roddy:
they both gave copiously from the wine of themselves. The Punto weaved its way
into the narrow streets of Trastevere and Conroy, tired of rambling, turned to
enquiry:</p><p>�Anyway,
what brings you to Bernini�s twisted columns?�</p><p>�My
Prior received a fax asking me to attend a meeting at four o�clock tomorrow �</p><p>�Sounds
serious.�</p><p>�It is.
We�ve just had a Nazi land on us claiming �sanctuary�.�</p><p>�My
arse.�</p><p>�Funnily
enough, that�s what my Prior said:</p><p>�Really?�
asked Conroy, surprised, gesturing in response to an attack of horns.</p><p>�Not in
quite the same terms.�</p><p>�Thought
not.�</p><p>They
drove on. Conroy was thoughtful. He�d slowed down his driving and the roads
were somehow all the quieter for it. He said, �Who�s your meeting with?�</p><p>�Cardinal
Vincenzi.�</p><p>Conroy
chewed his bottom lip. �There�s only one other higher than your man, and that�s
Himself.� The jester was no longer at the wheel. With the earnestness of
experience he asked, �But why you?�</p><p>�I used
to be a lawyer and I speak French. Our visitor was based in Paris during the
war. That�s all I can think of.�</p><p>�Father,
let me give you some advice, all right? I know this place.�</p><p>�What
do you mean?�</p><p>�Let�s
just say I�ve had my little run-ins. If you�re going to get dragged into Church
politics, you�re entering one of those tents at the circus packed with curved
mirrors, twisting and pulling things out of shape. Be careful. Don�t go by
appearances. Nothing�s what it seems here.�</p><p>The car
came to an abrupt halt and they walked into San Giovanni�s, Conroy restored to
his former self, shouting out for peaches, Anselm trailing behind, subdued.</p><empty-line/><p>2</p><empty-line/><p>Beniamino Cardinal
Vincenzi, the Vatican�s Secretary of State, welcomed Anselm as if he were an
old friend from whom he had been separated by cruel misfortune. He had a
disarming warmth wholly Italian in its excess, which almost concealed his formal
identity � that of a highly polished diplomat more familiar with crisis than
tranquillity. He was short and round with dark olive skin, the burden of his
office carried by gleaming eyes that lured condolence as he spoke. He drew
Anselm to one of three elegant chairs forming an intimate triangle at the
furthest end of the room. One chair was already occupied by a priest in a neat
black soutane, a red sash draped across one knee. He was introduced as
Monsignor Renaldi. Of paler skin than his master, he conveyed a similar warmth,
its expression subdued by an air of professional competence. He had the happy
sheen of a recently appointed Recorder. Anselm took his seat by a small, highly
polished table with legs like a dancer on tiptoe. A green cardboard folder lay
upon it. Bright sunshine flooded through graceful windows on to paintings of
sober men dressed in scarlet. They watched with old, expressionless eyes,
keeping their own secrets.</p><p>Cardinal
Vincenzi said, �Father, I must give you some delicate information, the sort
that is never printed. What you are about to be told you must not repeat, save
to your Prior. You must appreciate that with an institution like the Church one
cannot always allow the complete truth to meet the stream of public enquiry.
There�s a place and a time. Occasionally that moment never arrives. It can be
very difficult, keeping silent about what you know That burden of silence will
now be placed upon you.</p><p>Monsignor
Renaldi smiled at Anselm encouragingly, as though it were a burden that had its
rewards.</p><p>The
Cardinal said, �I have sought your help because of the arrival of Eduard
Schwermann at your Priory.�</p><p>Flattered
and slightly inflated, Anselm nodded with self-conscious gravity.</p><p>�A
great deal is already known about him, but we know a little bit more, something
that would greatly compromise the Church if ever it were made public: He was a
man of expansive gestures, but his arms lay still, as if wearied. �Monsignor
Renaldi will explain.�</p><p>�Let me
give you the stark outline of the problem we face.� The Monsignor spoke
confidentially like a calm doctor before a specialist operation. Anselm noted
the reddish tint to the cheeks, a morning inflammation caused by shaving close
enough to draw blood. �Immediately after the fall of France, Eduard Schwermann
was posted to Paris. He was only twenty-two. He served as an
SS-Unterscharf�hrer in the Jewish Affairs Service of the Gestapo and his duties
involved supervising the deportation of Jews to the death camps. A French
policeman of roughly the same age, Victor Brionne, was assigned to the same
department. They were, shall we say colleagues. So, we have two young men, a
low-ranking German officer and a collaborator, both involved in grave crimes
against humanity:</p><p>Monsignor
Renaldi paused, widening his warm eyes slightly. �Let me now take you from
Paris to Notre-Dame des Moineaux, a Gilbertine Priory in Burgundy It is at the
centre of a smuggling operation to hide Jewish children, as a result of which
its Prior, Father Morel, is shot against the monastery wall in July 1942.�</p><p>Anselm
felt the burdened eyes of the Cardinal upon him. Monsignor Renaldi patiently
smoothed an eyebrow with a delicate finger and continued, �Now we come to our
problem. We don�t know what evidence has been presented to the police in
England but <emphasis>we </emphasis>in Rome are certain of this: the Allied forces broke out
of Normandy at the end of July 1944. The war was over. Schwermann and Brionne
fled Paris together and arrived at Les Moineaux on the twentieth of August
1944. De Gaulle marched into Paris a week later. Both men lay concealed until
December 1944. They left with forged identity papers. As far as we know,
neither of them was seem again.</p><p>A
charged, heavy silence fell. Sensing an invitation to speak, Anselm said, �That�s
inexplicable.�</p><p>�We
have been thinking about these facts longer than you, but our conclusion is
much the same,� replied the Cardinal.</p><p>�Are
there any monks left from that time?�</p><p>Monsignor
Renaldi said, �Only one is alive, a Father Chambray, but he returned to the
world shortly after the war. We�ve already approached him, but unfortunately he
was not entirely cooperative.� Moving on rather too quickly he said, �We are
lucky enough, however, to have a report that was written by the Prior in early
1945.� He reached for the green folder on the table and withdrew several sheets
of pale yellow paper.</p><p>�Before
you read this,� he said, �I want to say something about the author. It was
written by Father Pleyon, a man who quietly acquired a great reputation for
wisdom and holiness. He came from a distinguished family with extensive
political and diplomatic connections and would in all probability have
followed the path of his forefathers into government service had the Lord not
called him to the hidden life. But as you no doubt know, certain lights cannot
be concealed. He became a confessor to those who carried the responsibilities
he might have borne, individuals who often have no guide competent enough to
understand the peculiar problems that come with worldly authority. It was this
man who became Prior after the execution of Father Morel, and it was this man
who presided over the escape of the two men with whom we are now concerned.�</p><p>Monsignor
Renaldi handed the papers to Anselm.</p><p>The
report was addressed to the Prior General of the</p><p>Gilbertine
Order. A covering note showed it had been passed on to the Vatican, into the
hands of Archbishop Alfredo Poli, Secretary of the Cipher, who had simply
marked it: �Noted�.</p><p>Anselm
turned to the front page. After the usual obeisance, Father Pleyon had
described the events already reported to Anselm The text went on:</p><empty-line/><p>The smuggling ring was
called The Round Table and involved a former member of the community, Father
Rochet, who had been based in Paris. This monk had left Les Moineaux in
disgrace, although I do not think it necessary or relevant to disclose the
circumstances of his departure. I beg your indulgence on this matter, for I
would prefer to protect my brother monk�s dignity by not formally recording the
reason for his ignominious downfall. Prior to his departure I managed to secure
a placement for him in a parish where 1 had connections, informing in advance
a family known to me for many years named Foug�res who, I was sure, would give
him a warm welcome. I cannot be certain of this, but it seems that from their
meeting was eventually to spring the smuggling operation to which I have
referred. As you are aware, France fell in June 1940. Father Rochet visited Les
Moineaux in the October after a census of Jews had been ordered in Paris by the
Nazis. He came with his proposal for The Round Table which was accepted by the
then Prior, Father Morel. The function of the Priory was to hide the children
in the orphanage run by our sister community and to provide false identity and
travel documents � the skills required to produce such things being possessed
by two of our monks when they were in the world, one an artist, the other a
printer.</p><p>In
unknown circumstances The Round Table was tragically broken in July 1942 and
Father Morel was shot. Fortunately the detachment of soldiers that came to
carry out the execution did not search the convent. Had they done so they would
have found several children whose passage to Switzerland was still under preparation.
I became Prior and was holding that office when Schwermann and Brionne arrived
in August 1944.</p><empty-line/><p>Anselm turned the page and
read the last few sentences:</p><empty-line/><p>I used my connections
to facilitate their escape to England with false identities. Schwermann was
given the name Nightingale; Brionne was called Berkeley The reason I took this
grave step is complex, and I now set out a full explanation which, you will
readily understand, treads upon matters of profound secrecy. Appearances were
never perhaps as deceptive as that which I now disclose.</p><empty-line/><p>Anselm glanced down the
page, scanning the empty lines.</p><p>Monsignor
Renaldi said, �While we are fortunate in having the report at all, we are not
so fortunate in that Father Pleyon died before he could complete his
revelation.�</p><p>�Not a
good time to die,� Anselm said, handing the letter back to Monsignor Renaldi.</p><p>�That
was our conclusion,� said Cardinal Vincenzi, settling his paternal gaze upon
Anselm. �No doubt you see our difficulty. We do not have an explanation that
meets the facts.� Speaking fluidly as though there was no time to pause, he
went on, �You may have heard about priests and prelates helping fleeing Nazis�
� Anselm had, but it was so vague and so beyond his own experience of the
Church that it lay on the fringes of relevance, almost as a fiction � �and that
is another problem on my desk, but you can forget all about that.� As if to
wave away any possible connection, he added, �At the time, the Church was very
concerned about the advance of communism, and out of that fear some of our
wayward sons assisted fascists on the run.� It was a local problem, his tone
suggested. �The institution forever has its prodigals. In due course I will
have to answer for them.� He gave a worn, sour smile. �But, as I say, you can
forget that.�</p><p>Smoothly
removing any hiatus for reflection, Monsignor Renaldi said, �The unanswered
question remains: why did this community hide these two young men? It is
perhaps stating the obvious, but the only ones who need to escape are those with
something to fear. That is our worry. And, in the absence of an explanation, we
are forced to consider logic.�</p><p>The
application of reason alone to such a problem struck Anselm as a particularly
desperate measure. And somewhat unconvincing. But nothing had been hidden. They
had told him all there was to know Monsignor Renaldi said, �I understand you
were once a lawyer.�</p><p>�Yes,
but not a particularly good one. My practice was restricted to hopeless cases,
and they tended to stay that way�</p><p>�Well,�
said the Monsignor appealingly half-amused, �what do you make of this one?�</p><p>The
question jarred with Anselm. It was an approach he used to follow at the Bar
when trying to prompt an intelligent, obviously guilty crook into seeing sense;
it often pulled them on side. However, the vulnerable look of Beniamino
Cardinal Vincenzi, the man who presided over the Secretariat of State, a noble
dicastery of the Roman Curia, banished such tawdry associations. Anselm wanted
to help. He thought for a long while and then said, �On the face of it, Father
Pleyon must have thought that both men were blameless. But if that�s the case,
he must also have concluded that proof of innocence could never be made known
to the public. Otherwise he would not have found it necessary to devise an
escape strategy. �</p><p>Quietly
and slowly, Cardinal Vincenzi said, �But what if they were guilty? What then
would you make of the assistance provided?�</p><p>Anselm
scavenged for an innocent explanation. �He must have known something of
sufficient importance to outweigh whatever Schwermann and Brionne may have
done.�</p><p>�Yes,� said
the Cardinal, assuaged, �they are the only possible explanations.�</p><p>�And,�
added Anselm, gathering confidence, �I would have thought Father Pleyon must
have already known and trusted one or the other, otherwise he would not have
taken the risk of facilitating their escape.�</p><p>Monsignor
Renaldi and the Cardinal glanced at each other like two judges sitting in the
Court of Appeal. They shared a look of agreement, acceptance of a submission
they hadn�t thought of. The case was won. Monsignor Renaldi said, �If
Schwermann is brought to trial the role of Les Moineaux is likely to become
public knowledge. We need to know why Father Pleyon acted as he did:</p><p>�Of
course,� said Anselm, as though he, too, were encumbered.</p><p>�You
may well know,� said the Monsignor, �that those who tracked Schwermann down
succeeded because someone disclosed the identity under which he had been
hiding.�</p><p>Anselm
nodded.</p><p>�We
think that person might have been Victor Brionne. Apart from Father Chambray,
no one else alive would know the name. This has given us some encouragement
that he may be prepared to speak the truth, regardless of personal cost, if he
can be found.�</p><p>The
Cardinal spoke with an enticing note of solemn commissioning. �Father, I would
like you to track down Victor Brionne and discover what really happened in
1944.�</p><p>Monsignor
Renaldi rose, urging Anselm to remain seated. Beneath the dull gaze of painted
Cardinals he walked the length of the room to a large panelled door and slipped
out. The Secretary of State brought his eyes on to Anselm. They contained
concern and fear and, to Anselm�s elevating satisfaction, gratitude.</p><empty-line/><p>Cardinal Vincenzi summoned
Anselm with a wave of the hand to an open window overlooking the Vatican
Gardens.</p><p>�I want
you to understand the delicacy of the situation,� he said confidingly �These
are difficult times for the Church. Relations with our Jewish brothers and
sisters are especially fragile as we try to resolve nearly nineteen hundred
years of shared hostility. A great deal has been achieved in the forty years
since I was ordained. But the role of the Church before and during the war is a
particular stumbling block, especially what is alleged against Pius XII.�</p><p>�Anguish,
silence and diplomacy?� asked Anselm, suddenly thinking of Salomon Lachaise and
the empty, hungry fields.</p><p>�The
caution of the Pope was shared by the world,� the Cardinal replied simply He
looked over Rome, which was glistening under the sun, the heavy hum of
business afar. �You are fortunate, Father, in not having to negotiate the
boundaries of responsibility. I�m afraid dealing with history has always been a
trading activity of sorts. We are bidding for a manageable form of truth. It is
a most delicate exercise, for I am trying to protect the future from the past. �</p><p>The
Cardinal moved away from the window, taking Anselm paternally by the arm. �Which
brings me to the Schwermann case. In these difficult times the last thing the
Church needs is a war crimes trial tearing open the wounds we are trying to
close, and that is what I fear will happen if he reveals precisely who effected
his escape in 1944. With your help I need to prepare myself for that
eventuality.�</p><p>The
Cardinal walked Anselm to the panelled door, his heavy hand upon his shoulder.
He blessed him and said goodbye. As the door opened, Monsignor Renaldi appeared
on the other side. Their steps echoed down high corridors and wide stairs until
they reached a side door on to the world. Upon opening it, they were struck by
a rush of heat. The Monsignor, squinting in the light, said offhandedly, �I
suppose if Berkeley can demonstrate Schwermann�s innocence then all well and
good. But if he can�t � well, it would have been better, for everyone, if we�d
left him alone. Don�t you think?� He smiled confidentially and withdrew.</p><p>Anselm
headed towards an iron gate protected by a guard in a preposterous uniform. He
entered the street aware that an obligation had been placed upon him; not at
all sure he knew whose had been the laying hand.</p><empty-line/><p>3</p><empty-line/><p>Conroy was seated at an
old olive press, installed as a table beneath orange trees in the middle of San
Giovanni�s ornate fifteenth-century cloister. A large jug of wine and a bowl of
peaches in water lay on the press. At Larkwood it would now be the Great
Silence after Compline, but for Conroy it was time for �a bit of a wag�.</p><p>�And
there�s plenty more where this little divil came from,� he said, nodding at the
jug. �A bit rough, mind.�</p><p>Anselm
pulled up a chair and they sat opposite each other like card players in a cheap
Western surrounded by shooting cicadas.</p><p>�Now,
can you tell me what the holy men had to say?� asked Conroy</p><p>�No.�</p><p>�Thought
not,� he replied, gratified.</p><p>Anselm
remembered Conroy�s warning about mirrors twisting things out of shape. He had
been wrong, which was not altogether surprising. The likes of Conroy, while
highly entertaining, were not disposed to understand the subtleties of high
office and the demands it placed upon its servants.</p><p>Conroy
held the jug in his hand, saying, �There isn�t much time, you know, so give me
that glass. We were born to celebrate.� He poured, squinting at some private
thought, and then, measuring his words carefully, said, �If ever you want
information above and beyond what the holy men have told you, let me know I�ve
got a pal or two in the library with very sticky fingers.�</p><p>Conroy
dropped a peach in his glass.</p><p>Anselm
shook his head. There was no need for any such thing. And then, with dismay, he
heard himself say, �As a matter of fact, I do.�</p><p>�Tell
me, so.</p><p>It was
as though another person was talking and Anselm was being helplessly pulled
along. He said, �What is known about a French Priory, Notre-Dame des Moineaux?�</p><p>Anselm
winced as he sipped savagely dry white wine. Conroy quaffed and said, �I won�t
write that down, so.�</p><p>�No,
please don�t.�</p><p>�And I
won�t write down the answer either.�</p><p>�No,
please don�t.�</p><p>They
looked at each other, conjoined by deceit.</p><p>�Have a
peach,� said Conroy</p><p>�I
will,� said Anselm, laughing for no reason, ready to celebrate he didn�t know
what.</p><p>Then
Conroy took off at a pace. �Did I tell you the story about me and the Cardinal?
No? My God, well, listen.�</p><p>Conroy
filled his glass.</p><p>�After
I got a clattering for my book, I was invited, <emphasis>invited </emphasis>I tell you, to
share evening prayer with the Prince of the Sacred Congregation for the Defence
of the Faith. Well, I made an awful hash of it. You know that antiphon for
Lent, �Heal my soul for I have sinned against you�? Well, God forgive me, it
came out wrong. As solemn as you like I spoonered the opening words, with <emphasis>emphasis,
</emphasis>and Jasus, you should have seen his face:</p><p>Conroy
was fishing in his glass, trying to grip his peach. �It was gas, I can tell
you.</p><p>�What
book did you get into trouble for?� asked Anselm, intrigued.</p><p>�You
won�t know it. I agreed to have it withdrawn. The clever boys behind the door
weren�t happy with my Christology. Too low.�</p><p>�I�d
like to read it.�</p><p>�I
burned every copy, thousands of �em. But I�m thinking of writing another. Now,
Father, your glass please, it�s empty.�</p><p>Anselm
was rapidly slipping out of his depth. These were Roddy�s waters, not his. But
by tomorrow night he�d be back in Larkwood obeying the bells, so he dived in
with Conroy and swam for his very life.</p><empty-line/><p>Anselm woke between two
and three in the morning, lying on the kitchen floor with a block of English
cheddar in one hand and a potato peeler in the other. Conroy was nowhere to be
seen. He could remember little of their conversation except for one exchange
which seemed to bring them both to sobriety. Conroy had asked what Schwermann
was supposed to have done, and Anselm had told him. Conroy�s face had darkened
and his features had contracted in pain. He�d played with his glass, rolling
its slender stem between his thick, gentle fingers.</p><p>Very
slowly he�d muttered, �Once you�ve heard a child cry out to heaven for help,
and go unanswered, nothing�s ever the same again. Nothing. Even God changes.�</p></section><section><empty-line/><empty-line/><p><strong>Chapter Thirteen</strong></p><empty-line/><p>The
first notebook of Agnes Embleton. 2nd May</p><empty-line/><p>Father Rochet was
right about the Germans. Within months of taking control a census of Jews was
ordered. At the time I was pregnant, so this would be late 1940. Madame Klein
and I had moved out of her apartment to a rental property she owned in the
eleventh arrondissement. �I do not want to be too conspicuous,� she said. But
it was a strange thing to have done. For while she became just another face
among the crowd � the crowd in question was unmistakably Jewish where, with
all the others, she would easily be found. It was a poorish neighbourhood but
many of her friends from our musical evenings lived there. I think she wanted
to be with her people when the end came, for she knew I would be safe, come
what may as a �Christian�.</p><p>Madame Klein obeyed the census. I did not. The first round-up
followed a few months later, of foreign Jews. Shortly afterwards, every Jew had
to hand in their wireless to the police. She did, and I didn�t. Then there was
a huge round-up in our area, lasting about a week. By the time they�d finished,
all our friends from the music group had gone. Do you remember Mr Rozenwerg? I
saw him with two gendarmes. He walked calmly on to the bus wearing his prayer
shawl and a wonderful big fur hat. Twice they came to our door. Twice they
looked at my papers, nodded and told Madame Klein, my �grandmother�, not to
bother looking for hers. Isn�t that strange? She would not give herself up to
them, but neither would she take any forged papers from Father Rochet. But that
was Madame Klein. The net began to close, for the next orders were that Jews
could not change their address and had to obey a curfew</p><p>They knew where you lived and you couldn�t get out. The whole
rotten, stinking business was under way</p><p>Then Father Rochet called together his knights.</p><empty-line/><p>3rd May</p><empty-line/><p>My little boy was
about ten months old. So that would be early 1942. It was the same group as
last time. Except for Victor. Father Rochet had not spoken to him for months
and someone said they�d seen him dressed as a policeman. Father Rochet nodded.
Victor�s family apparently were very pleased with him.</p><p>The Round Table was ready to operate. Acting alone or in pairs, our
task was to collect children from a pickup point and take them outside Paris
where they would be hidden. Someone else would take over after that.</p><p>Jacques was the coordinator among ourselves. He would be the sole
link with Father Rochet and would tell each person where and when to do �a run�,
distributing any travel papers that might be needed. He was the natural choice
because members of his family, based in Geneva, handled the other end of the
escape route.</p><p>Father Rochet stressed that if caught, stay calm and blame him. �All
you have to do is say I told you the parents were ill, and I�d asked you to
take the children to stay with a relative. Leave the rest to me.� I asked him
wasn�t he frightened of what they might do to him? �No, no,� he laughed. �I�ve
lived among tombs all my life. I�m not scared of dying.� Afterwards, Jacques
said that worried him because there was a weak streak in Father Rochet. He
often smelled of wine, even though he was a priest. He was the sort who might
well cave in under the pressure. �Never,� I said.</p><p>I did several �runs�, my own boy on one arm, a little charge in the
other. They passed without hitch or hindrance.</p><empty-line/><p>4th May</p><empty-line/><p>About this time
there was another order from on high. All Jews had to register the names of
their children. That is what it was like. Every now and then there�d be a new
requirement or regulation affecting the Jews. The next one was to wear a
six�pointed star with �Juif� printed across it. Jacques and some friends from
the university decided to protest by wearing a star with their names on. Come
to think of it, I think Jacques� said �Catholique�. He was duly arrested. The
memory of that day is bitter for many reasons.</p><p>Almost overnight, thousands of people suddenly became visible,
separated from everyone else by a single piece of yellow cloth. I saw two
girls, twins, walking hand in hand, dressed in the same clothes, and with
sky-blue ribbons in their hair. Over their hearts, neatly sewn, were these
yellow stars the size of my hand. I stopped on the pavement and watched them
pass, dumbfounded.</p><p>That makes me think of Madame Klein, a week or so before the
regulation came into force. She is sitting by a tall lamp-stand, glasses on the
end of her nose, carefully sewing the yellow cloth on to her black dresses. She
has three of them. I don�t remember her going out any more. She took fresh air
by the window, describing the statues of musicians in Parc Monceau, or the
turns in the paths and the odd people she used to meet there.</p><p>Worried about Jacques after his arrest, I went to see Victor at
Avenue Foch, hoping he could help. On the way I saw Father Rochet. He looked
more dishevelled than usual and nipped down a side street. Anyway, Victor
crawled from under his stone and I asked if Jacques was all right. He couldn�t
even bring himself to speak to me. He just stared back in a way that scared me
and showed me the door.</p><p>A few days later I bumped into him on the Champs-Elys�es. �I know
what you�re up to,� he said. And he warned me to back off from the heroics. I
suppose I should have seen it then, that he was capable of selling us all down
the river. But it never entered my head. Instead, I did something which, I�m
ashamed to say I have often relived these past fifty years. I gave him a great
big belt across the face. It was glorious.</p><empty-line/><p>13th May</p><empty-line/><p>The end came on
14th July 1942, Bastille Day I had been given a �run�. It was straightforward
enough. I went to a dummy social club, set up by OSE, and there I collected a
little boy I met his mother. She was about my age but very beautiful, with dark
green eyes. Needless to say she was distraught. It was like a scene in a film
about a sinking ship. I am there, taking the boy who will survive, but with no
space left on the lifeboat. Anyway the mother had no papers, so the plan was I
would leave my boy with her and her son would come with me, relying on my
papers if we were stopped. Her last words to him were, �I�ll see you very soon.</p><p>I took the train from the Gare de Lyon to a village in Burgundy I
was met by a monk who took me to a convent with an orphanage. That was it. I
took the next train back to Paris.</p><p>I got to the social club in the middle of the afternoon. They told
me my boy had cried after I�d gone so I took him straight home. Trudging up the
stairs, I heard a low cough from am open door. It was an old busybody who lived
on the first floor, Madame Vigmot, who often complained about the noise. She
shook her head, pointing up at the ceiling. I leaned in. She whispered that
Madame Klein had been taken away She�d fought and they�d dragged her down the
stairs by her hair. Then three others had come, half an hour ago. They were
waiting upstairs. I asked for a description and one of them was obviously
Victor. There was a German soldier and a nurse.</p><p>I walked out on to the landing. That was the turning point in my
life. Because I could have walked down the stairs, on to the street and out of
Paris. But it was only Victor. He�d come to explain about Madame Klein, with
the nurse. All my papers were in order. There was nothing to fear. The German
just wanted to know why I was living with a Jew Anyway, I hadn�t seen Jacques,
I couldn�t just slip away So I went up the stairs. It all happened very
quickly, but in my mind it is painfully slow</p><p>The German soldier was Eduard Schwermann. I had seen him once
before, sitting with Victor in a caf�. Father Rochet had pointed them out to
me. Well, Schwermann barked something. Victor asked for my papers; everything �
birth certificate, baptism certificate, the lot. I passed them over. Another
bark. He wanted my parents� papers. Shaking like a leaf, I dug them out of the
cupboard. My boy started to cry Schwermann didn�t look at a single piece of paper,
he just put them in his pocket. He barked again. �Downstairs,� said Victor. Off
we went. The nurse followed.</p><p>I was taken into the street and round a corner, where a couple of
parked vehicles were waiting � a truck with some soldiers in the back and a
car. Both engines started. The rest is a blur. As I was being pushed into the
back of the truck Schwermann pulled my boy out of my arms and handed him to the
woman. She ran to the car and it pulled away I was dragged off my feet, kicking
and screaming. I can�t remember much after that.</p><empty-line/><p>21st May</p><empty-line/><p>I don�t know how
long I was locked up in Paris, and I don�t know when I left. But I was taken to
La Sant� prison and later transferred to Auschwitz.</p><p>It was in that appalling place that I had a bit of luck. I�d been
there about four or five months. Up at 3 a.m. Standing in the yard until 7 a.m.
Then labouring till I dropped. Constant, indiscriminate beating. One afternoon,
a group of French women arrived. About two hundred or so. They marched through
the gates singing �La Marseillaise� . They were political prisoners and their
detention at the camp was later the subject of a complaint by some government
or other. I didn�t get to know them immediately because I got typhus. For ten
months I was in quarantine, and that probably saved my life because I was
pulled out of the Auschwitz regime just as I was losing the will to survive. For
six months I lay in a bunk beside Collette Beaussart, a former journalist who�d
been deported because of what she thought rather than anything she�d done.
Every day we talked of the simple things we�d like to do if ever we were free.
She wanted to make jam and I wanted to eat it. I can�t remember what else we
said, but the words formed a sort of ladder and I clung on to them, unable to
move up but not slipping any further down. When I came out of quarantine, the
French politicals were being moved to Ravensbr�ck the next day in response to
the protest. By some clerical error, or so I thought, my name was on the
transfer list. In fact, Collette had told the camp officials I was one of their
number.</p><p>We left Auschwitz in 1944 and I remained at Ravensbr�ck until it was
liberated by the Russians. I worked like a slave in the Siemens factory, making
telephone equipment. I thought it would never end. When it did, the Germans
abandoned the camp, leaving a few of us behind to deal with the sick.</p><empty-line/><p>22nd May</p><empty-line/><p>I have often
wondered whether I should tell you about your past, never mind my own. But now
the two are inextricably linked. I cannot give you partial truths. So, read
these words slowly and understand that I hope not to hurt you. I�m telling you
part of your own history and, however painful it might be, it is yours and no
one else�s.</p><p>I met a woman who had only just arrived in the camp. I could not
understand her language, so I know nothing about her. Not even her name. I
think she was Polish. She had two children and was gravely ill. Ravensbr�ck was
a women�s camp so I can only assume her husband, your grandfather, had been
taken from his family at some time in the past.</p><p>You don�t need words to express certain things, or to understand
them. So I think, in what mattered, we made contact with one another. She knew
she was dying. She knew her children would be left all alone. She knew I was
the last person she�d ever speak to. Pleading sounds the same in any language,
and she asked me to do something, over and over. I held both her hands,
muttering helpless assurances in French. I knew she was begging me to look
after her twins, Freddie and Elodie. And I knew she was comforted by my
replies. She died while we were talking. Her hands lost their grip, as if she�d
let go of a rope, and she fell back. I did not have a name for her, until you
were born. I called her Lucy, after you. And you have grown to have her
delicate, haunting features.</p><p>The rest you know I returned to Paris with fifty or so other camp survivors.
We were all terribly thin and a waxy grey-green colour, with brown rings under
our eyes. As we lined up on the platform at Gare de l�Est, everyone stopped and
stared in silence. They began �La Marseillaise� . It was the most moving moment
of my life. The last time I�d heard it was at Auschwitz.</p><p>While I was in hospital I met Grandpa Arthur, who was recovering
from a broken foot. I found him talking to Freddie and Elodie. He introduced
himself Over the next few weeks I told him everything. From then on I didn�t
need to say any more. He understood. After that I knew I never wanted to leave
him. I long to see him again.</p><p>When I was discharged I went to what was left of my home. Nothing
remained of Madame Klein�s life, or mine, or anyone I had known. I made
enquiries and pieced together what I could. Victor betrayed us all. Each and
every member of The Round Table had been arrested on the same day as me, mostly
that afternoon, in one swoop. Jacques� family had managed to escape but he�d
stayed behind. He must have waited for me in vain, for I did not come. He was
arrested that night, in his own home.</p><p>I tried to keep my promise, to look after the children, but I
failed. And I have never been able to forget the little boy who cried because I�d
left him with strangers at the social club. Arthur helped me find out what had
happened. My boy had been taken to an orphanage. All of the children were
deported to Auschwitz in July 1942. The Red</p><p>Cross told me the obvious: no one with his name had survived. At
least I spent some time in the place where he met his end. That has been a
comfort.</p><empty-line/><p>Well, that is
what happened, and that is why I am who I am. Do you remember reading out loud
with Grandpa Arthur on Sunday afternoons, doing silly voices with serious
plays? Do you recall King Lear, when he finally understands that his failures
have cost him the lives of his children? He says, �I am a man more sinned
against than sinning.� Can you bring yourself to think that of me?</p></section><section><empty-line/><empty-line/><p><strong>Part Two</strong></p><p>�All burns! The reddest rose is a ghost;</p><p>Sparks
whirl up, to expire in the mist ��</p><p>(Laurence Binyon, �The Burning of the Leaves�, 1942)</p></section><section><empty-line/><empty-line/><p><strong>Second
Prologue</strong></p><empty-line/><p>�I shall be your
amanuensis,� said Wilma with theatrical gravity. Agnes nodded. It would be the
only way now that she could not write. �There isn�t much to say but I�d like it
set down.� Ever since she had completed her notebook, Agnes had pored over that
dreadful time, rehearsing the order in which things had happened. The act of
committing herself to a narrative had lit the past with a new light. She saw
new shapes and the hint of an outline she partly recognised.</p><p>Agnes
opened the drawer of her bureau and took out the remaining school notebook she�d
bought six months earlier. She gave it to Wilma, who settled herself down at
the table.</p><p>�Start
when you are ready,� said Wilma ceremoniously pen poised.</p><p>Agnes
closed her eyes, feeling her way And then she began:</p><p>��Night
and day I have lived among the tombs�, comma, �cutting myself on stones�. Full
stop. �</p><p>Wilma
wrote slowly, in great swirls. �I like that story.�</p><p>�What
story?� asked Agnes sharply wondering if this was a sign of things to come.</p><p>�The
one about the poor chap in the hills. He was possessed by so many demons that
no one could control him. He lived night and day just as you said, among the
tombs. Like we do.�</p><p>�Why do
you like it?� enquired Agnes with feeling.</p><p>Wilma
put down her pen. �Because help eventually came, after everyone had given up
and when he was unable to ask for it.�</p><p>Agnes�
memory flickered. �What happened?�</p><p>�The
Saviour sent the lot of them into a herd of pigs grazing on the fat of the
land.�</p><p>�That�s
right,� remembered Agnes. �The demons were called �Legion� because there were
so many of them: Father Rochet had likened them to the German army in France,
just as the Roman legions had occupied Palestine.</p><p>�They
charged over a cliff into a lake and drowned,� said Wilma with great
satisfaction. �And the poor young man was returned to his family�</p><p>Oh yes,
that�s it, thought Agnes. Father Rochet had said there were plenty of pigs, but
no cliff, and as yet, no Messiah. �So we have to act while we wait,� he�d said.</p><p>�Did I
say who this was addressed to?� breathed Agnes, weakened by a new, unexpected
certainty.</p><p>�No.�</p><p>�Go
back to the beginning them, please.� She closed her eyes, trying to conjure up
an old friend.</p><p>�Dear��</p></section><section><empty-line/><empty-line/><p><strong>Chapter Fourteen</strong></p><empty-line/><p>Alone at last in the
first-floor sitting room overlooking the sea, the old man opened once more the
letter from his wife, penned just before she died while he slept in a chair by
her bed. She�d told him to read it every time the guilt threatened to overpower
him.</p><empty-line/><p><emphasis>My Dearest Victor</emphasis></p><p><emphasis>I�ve often watched you while you sleep. The bad times
have even marked your peace. They�ve never really left you and I doubt if they
ever will. But you must believe me: you acted for the best in the most difficult
of times. 1 was right when I said all those years ago that sometimes there have
to be secrets. What a relief it would be if a great wind would blow and sweep
it all away! But that is not going to happen. For twenty-six years we�ve had
each other and you could turn to me, and now, well, that is coming to an end.
So this is what I have to say. Just look at Robert! Look at all his children!
Look at them all! This is your testament. They only see the good man I married,
even if the world comes to judge you one day out of hand. I know, and I bless
the day I met you.</emphasis></p><p><emphasis>Your ever-loving</emphasis></p><p><emphasis>Squirrel</emphasis></p><p><emphasis/></p><p><emphasis/></p><p>Pauline
the squirrel: because she never threw anything out. He folded the paper and put
it back in his pocket diary. The words had no effect. They never had done. It
wasn�t that Victor didn�t see the wonder of his family He did. But each shining
face was only a flickering candle against the endless shadow of slaughter he
had known.</p><p>After
his wife died Victor went on a binge. Not a single monumental blow-out but
rather a gradual build-up of solitary chaotic sessions, a ritual that gathered
pace and eventually left him flat on the floor almost every day He learned what
only the gravely fallen know: there�s a sincerity to drinking, a bravery. It�s not
an escape � that�s at the amateur level, carried out with newfound comrades,
takeaways and taxis. It�s the opposite. It�s standing your ground, utterly
alone, as the demons rise to dance and sneer.</p><p>In the
end, Robert found out what was happening from the parish priest, Father Lacey
who found Victor slumped in a confessional. Victor hadn�t eaten or washed for
days. A meeting was called. Father Lacey said he knew of a good place, out in
the country, but it was expensive. �You�ll have to face the grief, Dad,� Robert
implored, and Father Lacey added knowingly, with a stare, �along with your past
.</p><p>All the
family helped, once they were allowed to visit. The professionals involved said
Victor hadn�t fully cooperated, implying he�d dodged about rather skilfully,
but that he�d �learned a lot about himself� and they�d been over various �coping
strategies�. And so Victor came back to �normal life�. For most of the
observers it was a matter of a grief under control, a man who�d found a way of
living without his wife. Only Victor and his confessor, Father Lacey, knew of
the demon legion sleeping out of sight.</p><p>Victor
often returned to his wife�s letter, hoping the recitation of the lines might
yet have some effect, like the workings of a spell that only required a solemn,
heartfelt incantation. But he didn�t believe in magic. What about the fragile
light of candles? Yes, he believed in those. He lit them every week in the side
chapel for Robert. For � a gust of laughter suddenly burst through a door
somewhere downstairs � Robert�s wife, Maggie, and the grandchildren, all five
of them, two boys and three girls, all �grown and flown, to homes of their own�,
as Robert liked to say Victor smiled. Two of them were married.
Great-grandchildren had followed. The whole clan came to thirteen � a blessing
of biblical proportions. Only, it wasn�t that simple, was it? He caught his
reflection in the mirror over the fireplace. Even when he smiled he couldn�t
hide that ineffable, intractable sadness. Why was it that, after all these
years, whenever he looked in a mirror he thought of Agnes and Jacques, her long
thick hair and his dark beseeching eyes? And why oh why did their shades always
part, with a moan, leaving him with another remembrance that would not be
staunched? How could it be that even now, in his mid-seventies, he could not
see himself without seeing Eduard Schwermann? Was it any wonder he could not
explain to the children why there were no mirrors in granddad�s house?</p><p>Here,
in Robert�s home, there were many of them, unforgiving windows into his soul,
and that of his accomplice. He said under his breath:</p><p>�Zwei
Seelen wohnen, ach! in meiner Brust.�</p><empty-line/><p>As they sat round the
crowded, laden dining table on the night of his arrival, conversation turned,
as Victor had anticipated, to the Schwermann case. In order to protect Stephen,
the eldest great-grandchild, key terms had to be spelled out. He�d reached the
dreadful age of four where listening and repetition went mercilessly hand in
hand.</p><p>�From
all accounts he was a complete b�a�s�t�a�r�d,� said Francis, Robert�s first
son.</p><p>�He�ll
probably say they�ve got the wrong man,� someone chipped in. Other voices
turned over the material they�d all heard and read:</p><p>�Oh no.
Apparently there�s no doubt that he was there.�</p><p>�Then
what�s he going to say? He�s got to say something.�</p><p>�Didn�t
know what was going on, only obeying orders. It has to be one or the other.�</p><p>�That�s
always struck me as odd.�</p><p>�What
has?�</p><p>�Well,
where I work, even the cleaners get to know all the dirt.�</p><p>�That�s
an awful pun. Pass the chicken, please. �</p><p>�It�s
the same at our place. I don�t know how they find out because no one admits to
telling them. At the end of the day, you can�t hide anything.�</p><p>�It�s
not chicken, it�s soya.</p><p>�And
you�d think �doing as you�re told� and �d-e-a-t-h c-a-m-p-s� don�t really
belong in the same sentence. Not unless you�re mad.�</p><p>�And he�s
sane.</p><p>�Either
way you�re right, Francis; he�s a b�a�s�t�a�r�d.�</p><p>�What�s
that, Daddy?� asked Stephen with a curiosity that, from experience, would not
be easily deflected.</p><p>�Nothing,
son, nothing.�</p><p>�Daddy,
what are you talking about?�</p><p>�A
naughty man, that�s all. Now eat up.</p><p>The
words nearly made Victor sick.</p><p>�But
Daddy ��</p><p>Victor
heard no more. Although he couldn�t be sure, for he kept his eyes on his plate,
he felt Robert�s gaze upon him, talkative Robert, who for some reason kept out
of the conversation.</p><p>That
ordeal was last night, his reticence passed off as old age worn out further by
the delayed train from London. Now he was alone in the sitting room, waiting.
There was no need to make an arrangement. Soon he would come. Repeating
snatches from his wife�s letter, Victor walked over to the bay window of Robert�s
much-loved home, The Coach House at Cullercoats � a rambling pile of creaking
rooms on a low cliff between Tynemouth and Whitley Bay overlooking the old
harbour. He could see the jagged black rocks collapsing over each other into
the incoming tide, the great rush of metallic water, always cold, always bound
to the sky, always seemingly inviting him to cross over, into the thin wisp of
evening light where memory was left behind. Great fat gulls swooped under gusts
of wind and then surrendered to the drift, floating high out of view.</p><p><emphasis>God,
bear me up, help me.</emphasis></p><p>A fire,
freshly made, crackled in the grate.</p><p>The
door opened quietly He heard the soft approach of familiar steps. A hand rested
on his shoulder. Now was the time. He would have to speak of things he�d vowed
never to say</p><p>�Dad�?�</p><p>�Yes,
son?�</p><p>�Tell
me what�s troubling you.� He spoke almost in a whisper. �Come on, I�m a
grandfather, you know�</p><p>Victor
breathed deeply; his eyes scanned the silent, tumbling sea, the long threads of
foam clinging on to light that vanished on the shore. Robert remained by his
side, as if he were a boy again, and together they faced the vast, brightening
darkness.</p><p>�Son, I
am not who you think I am. I am another man, someone I buried fifty years ago,
after the war. Someone who, but for you, would have been better dead.� .</p><p>No
questions came. And, not seeing Robert or the confusion that must be clouding
his eyes, Victor picked his way over all that might be said.</p><p>�My
name was Brionne. I was a police officer seconded by chance to the Gestapo:</p><p>Victor�s
attention shifted to Robert�s hand. It was heavy upon him. <emphasis>I beg you, don�t
take it away </emphasis>�</p><p>�To
some I was a collaborator � there was nothing I could do to stop �� Now
that simply wasn�t true, and he knew it. His voice trailed off. How much shall
I say? If I go too far, I�ll go over the edge. It will all come out. I can�t� I can�t do that.</p><p>Victor
tried again. �I worked as an assistant to a young German officer, Eduard
Schwermann. He�s the one who�s claimed sanctuary in a monastery. You�ve read
the papers � Francis talked of him last night.�</p><p>Victor
lived each moment through that hand, his existence depending on the movement of
someone else�s fingers.</p><p>�Pascal
Foug�res, who found Schwermann, will almost certainly come looking for me ��
Again, his voice faltered on the threshold of complete disclosure. �Schwermann
will also seek me out � I suspect there will be others � they�ll all
want me for the trial.�</p><p>Victor
felt the grip of panic. He told himself: you�ll be all right, you�ve already
planned for this. When he left Les Moineaux he had a new identity; he was
Victor Berkeley But that name was known to Schwermann and the monks. So when
Victor got to England he changed it again, to Brownlow No one else knew. Again
he said to the beating in his chest: you�ll be all right � but don�t wait
around �</p><p>It was
now completely dark outside. Tiny lights from fishing boats twinkled in the
distance upon the hidden, brooding presence of the sea. The catch was out
there somewhere in the deep, but they�d be found and decked by morning.</p><p>�Robert,
I cannot tell you any more. Perhaps one day things might be different. But for
now, if you can, trust me. Trust me as you�ve never trusted anyone before.
Believe me,� Victor swallowed hard, reaching out for words that might slip
through the gap between truth and deceit, �it has been the curse of my life
that I ever knew that man.</p><p>Victor
waited, his eyes closed, facing an abyss. Robert�s hand lay still upon him.</p><p>�I have
to hide,� he said simply �I have to go where no one would think of looking for
me, until it�s all over. Then I can bury Victor Brionne for the last time. And
after that � I�ll be your father again � the man you have known.� Tears
filled his eyes, rising from a deep, ancient sorrow</p><p>Robert�s
hand fell away</p><p>After a
long moment, Victor heard these words, quietly spoken: �I don�t know Brionne.
As far as I�m concerned, he�s still dead. He�s not my father and never was. You
are. You were and always will be.�</p><p>Tramping
footsteps and voices mingled on the stairs. It was time for a game of
Consequences before the crackling fire.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Fifteen</strong></p><empty-line/><p>1</p><empty-line/><p>�I won�t be going into
hospital at all. I want to die here.�</p><p>�But
you can�t. �</p><p>�I can
and I will. This is my home. This is where I�ll die.�</p><p>Lucy
sank her nails into her thighs, as if they were party of her father�s neck.
Susan fiddled with the buttons on her blouse. This was the inevitable
confrontation between mother and son. They had all gathered at Chiswick Mall
that afternoon, at Freddie�s instigation, to deal with the question �my mother
won�t face�.</p><p>Agnes
walked deliberately across the room as if she had a pile of books on her head.
She flopped confidently into her usual chair by the bay window</p><p>�Mother,
your legs are giving way more often, you� �I know�</p><p>��need
a wheelchair��</p><p>�I know�</p><p>�Getting
in and out will not be straightforward.� �No.�</p><p>�You
already need help with washing.�</p><p>�Freddie-�</p><p>�Before
long, there are going to be problems with feeding, talking, moving��</p><p>�Freddie,�
said Agnes, her voice rising and the muscles on her face beginning to contort.</p><p>�The
house will need cleaning, sheets washed, bedclothes changed��</p><p>�Freddie-
�</p><p>��what
about going to the toilet��</p><p>�FREDDIEEeeeeeee!�
Agnes� cry became a strange howl, rising and trailing off. She heaved with a
sort of anguished laughter, tears gathering in her eyes, her thin hands shaking
uncontrollably</p><p>�Now
look what you�ve done,� snapped Lucy, running towards her. Agnes waved her
away, angrily, her mouth locked wide open.</p><p>Freddie
pulled at his hair, saying sorry over and over again. Agnes was trying to say
something by hand gesture, her head thrown back while she moaned.</p><p>Lucy
could barely contain her anger. �Just read this, will you? Go on, read it.� She
reached over to the bureau and handed her father a piece of paper. Agnes had
written an explanation:</p><empty-line/><p>Sometimes I laugh or cry or wail for no reason. Please ignore me while
it lasts. It will stop soon. Thank you.</p><empty-line/><p>Lucy took the paper back.
Agnes was quiet now No one said anything. Susan made some tea.</p><p>Agnes
sipped from old china, the tinkling saucer held beneath. The cup was so fragile
that sunlight passed through its clay, tracing the outline of frail fingers on
the other side.</p><p>�Freddie,
don�t worry. It�s difficult for all of us. But I�ve made my mind up,� said
Agnes kindly</p><p>Freddie
moved to speak. He was resolute, as if he too had made up his mind. He was
going to press his point. Lucy felt a flash of anger and confusion. There was
such a dreadful mix of motives and concerns. Yes, Agnes was going to
deteriorate, and planning was necessary. But there was another powerful drive,
and that was Freddie�s reluctance, if not refusal, to become ensnared in day-in
day-out nursing care. The illness was creeping up on all of them. Lucy could
see her father�s terror. He wasn�t <emphasis>capable </emphasis>of giving Agnes what she needed,
he could not carry the strain of intimate dependence on him. And now he was
feeling rising desperation, shifting from right to left as if routes of escape
were closing down. Lucy saw all this internal squirming, while her father sat
stock-still on the settee, his hands on his knees as if for a school
photograph. And she loathed it, in him and in herself.</p><p>�I won�t
need your help. None of you need worry about that:</p><p>Freddie
immediately spilled a lie: �We�re not <emphasis>worried, </emphasis>we <emphasis>want </emphasis>to help.
It�s just that we�ve got to be practical. All of us.�</p><p>�I�ve
already planned everything, Freddie.�</p><p>No one
knew what to say The question they were all asking themselves didn�t need to be
asked. Agnes nodded at her tea cup, wanting more. �And a chocolate finger,
please, Lucy� Freddie relaxed a little with the promise of relief. And, hating
herself for it, so did Lucy</p><p>�I�ve
spoken to Social Services. As and when it becomes necessary, carers will come
each day to help with washing and dressing. They�ll provide appliances �subject
to budget� and I can get all sorts of toys from the hospital or Trusts. There
really is nothing to worry about.�</p><p>Susan
was still fiddling with the buttons on her blouse when she spoke. �I don�t want
you being cared for by strangers. �It�s not right. You need your family I want
to help, if you don�t mind, I really do. I�ll do anything you like � I can
cook, clean up, I can � do anything � give me the chance, can�t you?�</p><p>Agnes
was visibly moved. Lucy had always felt Agnes valued Susan�s confused attempts
to establish normal relations with her mother-in-law It cost her so much, and
always without reward. Susan, like Lucy wanted things to be different, and in
her own way had kept on trying.</p><p>�Thank
you, Susan, there�s plenty of time, yet, for both of us. Of course you can
help.�</p><p>Freddie,
ashamed, ran for the line: �But all this isn�t enough, is it? I mean, it�s not
just about bits of help at certain times of the day What about the nights? You�re
going to be needing� � Freddie hesitated, the corner flag was in view � �twenty-four-hour-a-day
assistance,� and then he dived, full length, �from people who know what they�re
doing.�</p><p>He was
pale. He�d finally said it. He�d said he couldn�t and wouldn�t become a nurse,
or move in, or take Agnes to his own home.</p><p>�That�s
right, Freddie, and I�ve sorted it all out.�</p><p>For the
second time, no one knew what to say Lucy, incredulous, guessed immediately The
question fell out of Freddie�s mouth: �How? In what way?�</p><p>Agnes
put down her saucer, and then the cup, and then the biscuit, saying, �I�ve asked
Wilma to move in.</p><p>Freddie,
rigid again, almost stopped breathing.</p><empty-line/><p>2</p><empty-line/><p>It seemed it was going to
be a day of arguments. After her mother and father had left, Lucy urged Agnes
to give a statement to the police.</p><p>�If I
get involved, replied Agnes, �your father will have to know everything. I don�t
want that. His life with me has been hard enough.� She spoke without a trace of
self-pity. �It would be too much to ask of him.�</p><p>�What
would?�</p><p>�To
understand me more than he understands himself.�</p><p>�But if
he knew what was done to you, and how you saved him��</p><p>�Lucy
you forget, I also failed him.� She raised a hand to stop any protestation. �That
can�t be changed, even by forgiveness. I used to blame myself, but after I met
Wilma I realised things couldn�t have been otherwise. But that only makes the
remorse all the more insupportable.� Her features became still and extraordinarily
beautiful, like a rapt child at a pantomime, and she said, �In a way I lost
Freddie as well. I could not bear to lose the little I have left.�</p><p>Agnes
had a way of saying dreadful things with complete simplicity, as if she were
commenting on the wallpaper. Unless one inhabited a similar inner landscape it
was quite impossible to reply Even Lucy came up against these awful flashes of
tranquillity, where one would expect to find anguish, when she could only look
upon her grandmother from a distance with a sort of shocked reverence.</p><p>Outside
the window rain began to fall, bouncing off the pavement, gathering the litter,
washing stray cuttings from tidy gardens, and Agnes, serene, reached for the
newspaper by her side, saying, �There�s a documentary tonight on The Round
Table.� She paused. �One of the contributors is Pascal Foug�res. I�m worried he
might mention me � the family will not have forgotten �� Her eyes
reached out to Lucy. �You�ll have to stay �</p><p>�All
right then, if I must.�</p><p>�You
must.�</p><p>Lucy
regarded her grandmother and became almost cold with apprehension. Impulsively,
with sudden terror, she said, �Does it make any difference to you?�</p><p>Agnes
looked up, mildly surprised, and said, �Of course it does.�</p><p>�No,
Gran,� Lucy replied, squirming, prickling with intimacy, �I mean, does it
matter that I�m not your own blood?� She flushed hot; sweat tingled across her
back and neck.</p><p>Agnes
dropped the paper. With coruscating simplicity she said, �It has made you
utterly irreplaceable.�</p><empty-line/><p>The documentary had been
constructed in such a way as to follow the steps of Pascal Foug�res through a
tragic moment in history. To her amazement, Lucy found her sensibilities
dozing, sluggish, as she watched the footage of German soldiers surveying Paris
with the lazy contentment of ownership. She could not rouse the naked fear they
must have represented. Anodyne war films and comedies about silly Nazis had
tamed them, even in Lucy�s eyes.</p><p>The
narrator described how Foug�res, a foreign correspondent for <emphasis>Le Monde, </emphasis>had
inadvertently come across a cryptic memo recently declassified in the United States.
The document briefly reported the capture and release of a young German officer
by British Intelligence. The journalist immediately recognised the name for it
was Schwermann who had been responsible for the breaking of a Resistance
network and the death of its leader � Pascal�s great�uncle, Jacques. The viewer
was taken back to the time of Occupation, when Jacques, with other students,
formed The Round Table. On the day the Star of David had become compulsory
apparel, Jacques had worn his own star, marked �Catholique�, outside the
Gestapo offices on Avenue Foch. He had been arrested and interned in Drancy for
two weeks. But that had not discouraged the young protester.</p><p>�The
Round Table continued with its work,� said Pascal, his face filling the screen,
dark-eyed and pensive, �but it was broken by Schwermann within the month. They
were all deported. None survived.�</p><p>Schwermann
escaped from France after the war and made his way to England, along with a
Frenchman, Victor Brionne, who had been based in the same department of the
Gestapo. They did so under false identities that had never been discovered.
All this, and no more, was set out in the terse memo the young journalist had
been fortunate enough to find. He publicised his findings, expecting a strong
reaction throughout Great Britain. It caused a brief outcry somewhere on the
third or fourth pages and then became yesterday�s news. Attempts to trace
Schwermann through official channels floundered. Meanwhile, back in France, a
consortium of interested parties had been formed and the case against the
fugitive Nazi was painstakingly constructed. The decisive breakthrough came
when Pascal Foug�res received a letter, anonymous and tantalisingly brief,
disclosing the false name under which Schwermann was hiding: Nightingale.</p><p>The
narrator, interviewing Foug�res, asked about the Frenchman whose whereabouts
were still unknown. Pascal replied, �Victor was Jacques� best friend and, as
with so many others, the war split them apart. He fled, I think, because he�d
been trapped by circumstances. He was just an ordinary policeman but ended up
at Avenue Foch.� He smiled, as if cracking a joke: �I doubt whether it would
have been a good idea to trade arguments with the Resistance after the Germans
had gone.</p><p>As for
Schwermann, said the narrator with a level voice, he had found sanctuary in a
monastery.</p><p>Lucy
turned off the television. It was dark outside and the rain was still falling,
lightly but interminably She said, �You weren�t mentioned.�</p><p>�No.�</p><p>�I didn�t
realise Jacques had been the one who set up The Round Table.�</p><p>�That�s
not how I remember it.</p><p>Lucy
reflected further about Pascal Foug�res. �He�s got no idea what Victor Brionne
did to you and Jacques � and the others.�</p><p>�No,�
replied Agnes, distracted. She smoothed a wrinkle in the fabric on the arm of
her chair. Her eyes narrowed as if trying to make out a figure in the dark,
half seen, familiar but receding from view</p><p>�I
wonder who wrote that letter � giving the name?�</p><p>�Yes, I
wonder �� Agnes stared into the shadows, still calmly smoothing the
material.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Sixteen</strong></p><empty-line/><p>1</p><empty-line/><p>Finding the whereabouts of
Father Louis Chambray (for he had never been laicised) was a relatively
straightforward matter. While a Gilbertine monk like Anselm, he belonged to a
different Province, a French strain, which had nonetheless been founded as a result
of Henry VIII�s delirious policy of closure that had removed the Gilbertines
from English life. Remnants of the Order had sought refuge in Burgundy �
mindful, perhaps, that its Dukes had once sold Joan of Arc to the English. Such
courtesies promote lasting trust, a commodity the Gilbertines required if they
were to survive. For whatever reason the characteristic double-houses (monks
and nuns in separate buildings but joined for services on Sundays and feast
days) thrived, notwithstanding the various anti-clerical movements that
followed the feast of revolution two hundred years later. The French Order
subsequently re-established an English presence at Larkwood Priory in the early
1 920s. After that there was little contact between the two Provinces, not
least because each house was self-governing. But historic familiarity and a
sort of religious <emphasis>entente cordiale </emphasis>helped Anselm�s purpose.</p><p>The
French Gilbertines� motherhouse in Rome freely supplied Anselm with details
about Father Chambray, as they had evidently done on an earlier occasion to an
emissary from the Vatican. Chambray kept in contact with his Order once a year,
sending a <emphasis>Bonne Ann�e </emphasis>card to a Prior General he had never known. He�d
gone, but that one slender tie remained.</p><p>�Why�s
he so popular all of a sudden?� asked the plump archivist, chewing one of his
fingernails.</p><p>�Some
ancient history, that�s all,� replied Anselm.</p><p>�History
is never ancient,� said the keeper of the books, blinking solemnly</p><p>�Indeed,�
said Anselm dryly He wasn�t altogether fond of inversions. They tended to sound
good and mean very little. He thanked the young sage, placed the address in his
pocket and wandered back to San Giovanni�s. There was much to be done before
returning to England.</p><p>Before
directing his efforts to finding Victor Brionne, Anselm decided to follow the
escape trail from Paris to Notre-Dame des Moineaux. Tracing history had its own
poetic attraction, but geography and pride were the decisive factors: Chambray
now lived in the capital, and since Anselm had to pass that way to reach the
monastery he thought he might as well track down the one living survivor from
the time. All the more so, coming to the pride, because Anselm considered himself
particularly adept at handling individuals described as �uncooperative�. It had
been his hallmark at the Bar. Back at San Giovanni�s, Anselm rang Father Andrew
to explain matters and get the necessary permissions .</p><p>�While
you�ve been away,� said the Prior, �there�s been a run of stories in the Press
implying that we are sympathetic to Schwermann�s predicament. Worse, there are
heavy implications that the Church may have eased his passage out of France in
the first place. Just wild guesses.�</p><p>�I�m
afraid those guesses may not be that wild, but appearances aren�t what they
seem.</p><p>A
troubled pause crept over the line. �Tell me everything when you get home.� The
Prior�s voice changed tone. �Anselm, I want you to be careful. Remember, first
and last you�re a monk. Protect what you�ve become because it can easily fall
apart if you�re careless. In one sense you�ve left the world behind, so in all
you have to do you should sense you don�t quite belong. If you begin to feel
you do belong, you�re at risk. Remember what one of the desert fathers said.
The house caved in not because it was struck by rain but because it was built
on sand.�</p><empty-line/><p>Anselm packed his bags and
slipped out, praying that Conroy would not emerge from his lair. By early
evening he�d landed in Paris, taken the metro to Porte de la Chapelle and
walked to Saint-Denis. Upon an impulse, Anselm made a casual enquiry at the Basilica.
Yes, said a young priest, they knew Chambray well but he was in considerable
ill-health. He�d been coming to daily Mass for thirty years and had never been
to Communion once.</p><p>Anselm
made the final two-minute walk to the flat, climbed four floors of rough
concrete stairs and knocked firmly on the dull brown door. A small brass
eyepiece stared back remorselessly The lights on the landing were broken and
thin streaks of grey daylight lay adrift upon the walls. Anselm heard a rattle
from the other side, getting louder, as of air being pulled into thick lungs.
An unseen cover scraped off the eyepiece. Anselm swallowed hard in the long,
heaving interval that followed. The door opened slowly and smoothly</p><p>In the
gloom Anselm saw a shortish man, his wiry head pushed forward with a thick
moustache falling over his mouth. All other features were indistinct, but
Anselm was not really looking. His gaze had fixed upon the long knife.</p><empty-line/><p>2</p><empty-line/><p>�Good afternoon,� said
Lucy</p><p>Pascal
Foug�res nodded an acknowledgement with such a direct gaze that Lucy could have
sworn he�d said something. He held out his hand with a smile. Lucy took it,
suddenly self-conscious. While only twenty-eight, he seemed older. Relaxed in
his body, as the French say his energy spilled over in the swiftness of small
gestures.</p><p>�Take a
seat,� he said, pointing to a chair.</p><p>After
watching the documentary on The Round Table, Lucy brooded upon the strange
exoneration of Victor Brionne. A suspicion had grown that the Frenchman�s
artless ignorance was more of a subtle contrivance � which would be warmly
received by Victor Brionne had he seen the programme. With growing conviction,
like one who has found a footprint, Lucy checked the various newspaper cuttings
retained by her grandmother. On too many occasions to be described as
coincidence she perceived a clear agenda: the emasculation of Victor Brionne�s
past as a collaborator. With that understanding came the further critical
insight that prompted Lucy to contact the producer of the programme. Her
details were passed on to Pascal Foug�res who promptly returned her call. They
arranged to meet in Sibyl�s Cave, a pub by the river at Putney Bridge, after
Lucy had finished a morning tutorial.</p><p>Upon
arrival Lucy instantly recognised Foug�res sitting at the far end of a terrace,
absorbed in a novel. He wore a striped shirt, the collar wide open without a
tie, and a rather shapeless jacket that had once probably been green. One hand
covered his mouth while his eyes squinted at the fluttering page.</p><p>�I�ve
never been here before,� said Lucy</p><p>�It�s
not just a pub,� he said, closing the book. His black hair fell forward, quite
long, and extravagantly thick. Lucy suspected he cut it himself.</p><p>�Through
there,� he continued, pointing towards the lounge, you can join any table you
like and get involved in whatever debate is going on. No politics or religion,
they�re the only rules.�</p><p>At
Pascal�s suggestion they ordered lunch and came back to their table while it
was being prepared. Lucy glanced across the river towards Hammersmith, towards
Chiswick Mall, towards someone slipping away on the heavy pull of a late tide.</p><p>�Mine
are peculiar circumstances,� she said. �Unfortunately I can�t tell you about my
background because I�m protecting someone. Let�s just say I have an interest in
the fate of Eduard Schwermann. I know all about your great-uncle Jacques,
Victor, Father Rochet, Madame Klein, The Round Table � Mr Snyman � all
of it, not from the papers, not from books � but I can�t say any more,
because of a promise.�</p><p>Pascal�s
whole body tensed with interest. He looked at Lucy afresh, as if trying to
recognise her.</p><p>�From
what I have read,� continued Lucy, �I suspect that through words of
encouragement you are hoping Victor Brionne will come forward to be a witness
at the trial.�</p><p>A light
wind tousled Pascal�s thick hair, pushing it over his eyes. �No one is better
placed to condemn Schwermann.�</p><p>Lucy
grimaced at the admission. �The reason I�ve asked to see you is to give you a
warning. I know that if Brionne responds, for whatever reason � to make amends
for his past, to offer consolation to your family, whatever � nothing he says
can be relied upon.</p><p>Pascal�s
brow contracted fleetingly, smoothed away by a deeper, contrary conviction.
Lucy went further: �Brionne will not say a word against Schwermann.�</p><p>�I know
someone who thinks otherwise.�</p><p>�And I
know someone else.� Calmly she watched his confidence falter. �That is all I
can say,� said Lucy with finality. �Except for this: if Victor Brionne contacts
you, persuade him to meet me, if only for a few minutes.�</p><p>�Why?�</p><p>�Because
afterwards he will tell the truth about everything that happened.�</p><p>A
waitress brought their lunch. Lucy picked up her knife and looked at Foug�res
expectantly �Well, will you help me, to help you, to help the rest?�</p><p>He
glanced down at the knife in her hand, eyebrows raised:</p><p>�Is
that a threat?�</p><empty-line/><p>3</p><empty-line/><p>Anselm could not take his
eyes off the dull glint on the blade.</p><p>One
edge flashed as the shadow holding it stepped forward on to the landing.
Chambray threw a swift, raking stare over</p><p>Anselm�s
habit.</p><p>�What
the hell do you want? I�m trying to eat. �</p><p>There
was something in the brash confrontation that persuaded Anselm this was a
performance, possibly concealing hidden warmth. More confident of his ground,
Anselm ventured, �I wondered if we might have a brief talk��</p><p>�What
about?� Chambray fired back. He did not budge. There was no invitation to come
in. His chest rose and fell angrily</p><p>Anselm
faltered. He�d been very wrong. This was not the harmless banter of an old soul
in need of a playful ribbing. He pressed on, �I understand you were once at
Notre-Dame des��</p><p>�I�ve
already told the other lot. I�m not saying anything, to no one.</p><p>Anselm
seized on the distinction: �I�m not really from the other lot, he said
alluringly</p><p>�Then
where are you from?� challenged Chambray, waving the blade impatiently and
still not moving.</p><p>�My
name is Father Anselm Duffy. I�m a Gilbertine monk, like you, from Larkwood
Priory. It�s a rather ��</p><p>Before
Anselm could trot out some guidebook particulars, Chambray lumbered back
through the doorway and turned around. With one hand on the door he flung it
shut with a single savage movement. The unseen cover scraped off the brass
eyepiece. Slower breathing hovered on the other side, not receding, while the
two monks looked towards each other. After a long moment, Anselm retraced his
steps to the evening light.</p><empty-line/><p>4</p><empty-line/><p>Pascal ate a plate of
sausages and mustard while Lucy searched for the scallops that had given the salad
its name. When they had all but finished, Pascal said, �I�m going to talk
openly � Perhaps I�m being rash, but I trust you.</p><p>�Why?�
asked Lucy, more inquisitive than gratified.</p><p>�Because
you mentioned Mr Snyman. No one could know that name who did not have a link to
the inner world of my family�</p><p>�You
are right.�</p><p>�And
you can�t tell me what it is?� he asked, mystified.</p><p>�One
day � soon, in fact.� Lucy thought of her grandmother and the swift,
merciless approach of death. �But not now� She glanced instinctively over the
river towards Hammersmith once more.</p><p>Pascal
said, �You�re so sure about Victor that I don�t know what to think. You see, I�ve
got two good reasons as to why you are wrong.</p><p>�And
they are?� invited Lucy</p><p>�First,
Mr Snyman was a close friend of both Jacques and Victor��</p><p>�I know�</p><p>�He�s
still alive; I grew up with him and he has no doubt that Victor would condemn
Schwermann if he was given half a chance. Victor�s problem, of course, is that
he was a collaborator. He can�t speak out without being accused himself� which
is why I am trying to reassure him.�</p><p>Lucy
thought: he really has no idea at all that it was Victor Brionne who betrayed
The Round Table. She said, �And what�s the second reason?�</p><p>�I have
a feeling it was Victor who wrote to me, giving me the name Nightingale.�</p><p>Jolted,
Lucy asked, �Why?�</p><p>�Because
the only other explanation is that it came from the individual or organisation
that helped him escape in the first place. I don�t see any reason why they
should undermine what they did.�</p><p>�They
could have regrets. �</p><p>�Possibly
But the letter was written to me, Jacques� own blood, and that suggests a
personal motive.�</p><p>�But
you wrote the article saying Brionne and Schwermann had found refuge in
Britain. You were the obvious person to contact. �</p><p>�Again,
possibly you�re right.� Pascal pouted doubt. �It�s far more likely that Victor
arranged to have it posted from France to cover his tracks.�</p><p>Lucy
pushed her salad to one side. She said, with polite impatience, �I can�t see
that it matters. Let�s suppose it was Brionne who wrote to you. It doesn�t
follow that he would give evidence against Schwermann in any trial.�</p><p>Pascal
looked with dismay across the river, to Hammersmith, to the rough area where
Lucy herself had gazed. �That is why I will do what I can to arrange the
meeting you want. �</p><empty-line/><p>As they left the veranda
and passed the debating lounge Lucy noticed a man by the door with a shock of
white hair and an amused, enquiring face, as if someone had just told him a
wonderful joke. A moustache and beard, also white, suggested both Gandalf and
Father Christmas: a dispenser of wisdom and toys. He gave Lucy a donnish nod as
if she were welcome to join his class.</p><p>Outside,
Lucy and Pascal shook hands and parted. She walked lightly to the Underground,
more quickly than usual, thinking how agreeable it was to have found a place
where you could argue for the hell of it and where people smiled at you for no
good reason.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Seventeen</strong></p><empty-line/><p>1</p><empty-line/><p>Anselm and the Prior of
Notre-Dame des Moineaux strolled over neat lawns between graceful horse
chestnuts to the memorial plaque on the medieval refectory wall. The
Gilbertines had taken over an old Benedictine Abbey in the seventeenth century.
And so it was that the same Rule had been read on the same spot for eight hundred
years.</p><p>�This
is where he was shot. We commemorate it every year.</p><p>A small
tablet of stone recorded the name of Prior Morel above an inscription taken
from the Prologue to The Rule: We shall persevere in fidelity to his teaching
in the monastery until death.</p><p>The
Prior was a short, stocky man with a rounded back, as if his spine were
strapped to a hidden tool of penance. He stood arched over his folded hands,
solemn and still.</p><p>�It was
a most simple operation,� said the Prior, taking Anselm by the arm and turning
away �Children were brought here in twos or threes during the day and placed in
the orphanage run by the nuns. We had our own printing press, turning out false
identification papers, baptismal certificates and the like. The children would
then move with couriers into the Occupied Zone and down to Switzerland,
hopefully to be reunited with their parents at some point in the future.
Frontier guides would take them over. As you know, it was tragically betrayed.�</p><p>�By
someone unknown?�</p><p>�Yes.
But whoever it was didn�t know very much. When the Gestapo came, no searches
were carried out. Not even the orphanage. They just shot the Prior.�</p><p>�Why
were the children smuggled here on their own?� asked Anselm, dreading the
answer.</p><p>�Adults
are hard to hide, and easily found, and children were liable to give away their
hiding place. But here in broad daylight, among others, their chance of
survival was higher. That is one of the terrible things about this whole
episode. The parents were desperate. They chose separation from their infants
because they were certain it was only a matter of time before they themselves
were arrested.�</p><p>�We�ve
no idea, have we, Father?�</p><p>�None
at all. And do you know what I find most moving? The knights of The Round Table
were students. It was the young saving the still younger from the adults.�</p><p>They
walked on, momentarily distracted by the growling engine of an old tractor.</p><p>�Unfortunately�
resumed the Prior, �there�s no one left from that time, so all we have are
stories handed on by monks with unreliable memories.�</p><p>�Do you
mind telling me?�</p><p>�Not at
all. Come, we�ll walk along part of the escape route. The railway line has gone
but it�s a pathway now It is a place charged with the actions of the past.�</p><p>They
left the Abbey grounds and took the lane to the abandoned station. On the
flanks stood endless regiments of vines, thickly woven over low hills, touching
the resplendent skies of Burgundy</p><empty-line/><p>�One of the problems,�
said the Prior, �was that the smuggling operation relied completely on trust.
All the knights knew each other. They knew this place. The risk of betrayal is
nowhere more grave than at one shared table.�</p><p>�Can
you tell me anything about Father Rochet?� asked Anselm.</p><p>�By all
accounts he was a most gifted man � well read, with a passion for medieval
literature � but his life here collapsed in disgrace.�</p><p>�How?�</p><p>�It has
never been substantiated, but it was said he formed � shall we say, an
attachment to a young girl in a nearby village. She died in childbirth and it
was said Rochet was the father. The rumour was not entirely fanciful. He had
apparently asked to be laicised, but he withdrew his application after the
death. He was moved out to a parish in the city � a very broken man. He
only came back to propose The Round Table. It is touching that he should later
lose his life saving children.�</p><p>In that
one dreadful sentence Anselm glimpsed an untold epic. He pursued the other
questions he had prepared. �How were Schwermann and Brionne known to the Priory
in the first place?�</p><p>�They
weren�t. Both men arrived as complete strangers.�</p><p>�And
yet they were concealed even after the execution of Father Morel,� said Anselm,
with the hopeless puzzlement of one gathering scattered jigsaw pieces.</p><p>�And
now we come to the most disturbing mystery of all.� The Prior recounted the
oral history carefully, making sure the terms used were accurate. �Father
Pleyon, the Prior of the day, decided both men would be hidden. All he would
say was that Schwermann had risked his life to save life.�</p><p>�Save
life?�</p><p>�Yes.�</p><p>�How?�</p><p>�Only
the Prior knew the answer to the riddle. But one thing is certain: whatever he
was told persuaded him that Schwermann and Brionne should be spared. He never
explained himself and died with his secret untold.�</p><p>Anselm
looked down at the black sleepers sunk deep into the path, all that remained of
the old railway line that had carried the children to Les Moineaux. He said, �I
assume the whole community knew about The Round Table � is that right?�</p><p>�There
was no other way Some of these children didn�t speak French. They were German.�</p><p>�How
many people would have known?� asked Anselm.</p><p>�About
sixty. But if you�re thinking one of them betrayed The Round Table, you�re
probably wrong. Remember, the Gestapo were ill-informed. If it was someone from
here the children would have been found, and the nuns hiding them would have
shared in the retribution.�</p><p>�I wasn�t
thinking anything of the sort,� lied Anselm.</p><p>�Well,
I do, occasionally So I wouldn�t blame you.</p><p>Their
conversation turned to lighter things: the �Ontological Argument�, the shortage
of vocations and the acting ability of Eric Cantona. Suddenly, the Prior
changed subject:</p><p>�Father
Anselm, you will appreciate the emergence of Schwermann has caused us
considerable anxiety. This Priory is revered as a place that served the spirit
of resistance. Every time an old man is exposed for crimes against humanity in
France I shiver. Is it him? Is he going to point to us? We have no explanation
to offer. And now it�s happened. As soon as he opens his mouth the Priory will
be drowned. Memories of the Occupation are raw and great stones are still being
turned over.� He paused, suddenly troubled. �We�ve already had one visitor.�</p><p>�Who?�
asked Anselm instinctively</p><p>�A
survivor, one of the children. He asked me a terrible question.�</p><p>�Yes?�</p><p>�He
said, �Could it be that one of Herod�s servants once rested within your walls?�
I told him I didn�t understand. Afterwards, I realised I should have said �No�
� because my confusion was a sort of admission. He was a most unnerving man.�</p><p>Anselm
pictured Salomon Lachaise posing a question to a man who could not answer
without discovering his own shame. �I�ve met him. He came to Larkwood.�</p><p>�Oh
Lord � us, and then you � he must know everything.�</p><p>�I don�t
think so,� said Anselm uncertainly �He told me he was the son of the Sixth
Lamentation.�</p><p>�After
the Five of Jeremiah?�</p><p>�Yes� I think he meant the Holocaust.�</p><p>They
walked in silence until the Prior said, �I hope you find Victor Brionne, for
the sake of my community and for the sake of Larkwood: He stopped, surveying
the treetops with shaded eyes. �I think you should talk to M�re Hermance,� he
said. �She was here at the time. But be warned. She�ll make you buy a box of
biscuits.�</p><empty-line/><p>2</p><empty-line/><p>Cathy Glenton had
persuaded Lucy to have a Turkish bath after a particularly tedious lecture on
the demise of the novel.</p><p>�It�s
an awful place,� she said, �run by two former wrestlers from Lancashire. A
husband and wife team.�</p><p>�What
do you do?� asked Lucy horrified.</p><p>�There
are three rooms, each getting hotter than the one before, and when you�ve
sweated yourself silly you lie on a table and one of the wrestlers washes you
down. Then you dive into a pool of freezing water. ��It sounds like hell.�</p><p>�It is
� but then comes paradise. You wrap yourself in a massive warm towel and
lie on a couch for as long as you like eating bacon sandwiches and sipping hot,
sweet tea. There�s nothing like it this side of the grave.�</p><p>They
were just about to leave Cathy�s flat when Lucy�s mobile rang. It was Pascal
Foug�res.</p><p>�Would
you be interested in having a minor role in the preparation of the trial?�</p><p>�Pardon?�
she replied, incredulous.</p><p>He went
on, �It�s not much, believe me. I�m a sort of liaison officer between the
lawyers here and those with an interest in the case back in France. It means I
have small practical jobs to do for the prosecution. I�m sure you could help� with a stapler, or something. Look,� he hesitated, �are you free now?�</p><p>�Yes,�
said Lucy with muffled joy She lowered the mobile and said, �I�m really sorry,
Cathy, but I�ll have to cry off.�</p><p>Cathy
nodded through her disappointment while Lucy sorted out a time and place with
Pascal. When she�d finished, Cathy said, �I hear the heavy tread of a man.</p><p>�Not
quite,� replied Lucy, acutely self�conscious.</p><p>�Name?�</p><p>�Pascal.�</p><p>�French?�</p><p>�Yes� but it�s not like that.�</p><p>�I know
It never is.�</p><p>�Truly�</p><p>�Does
he have a spare friend interested in a beautiful mind?�</p><p>�I�ll
ask.�</p><empty-line/><p>An hour later Lucy met
Pascal outside the National Portrait Gallery. Traffic swept behind them in
surges, down into Trafalgar Square. Crowds, maddened by maps and itineraries,
jostled on the pavement, looking for the next sight. Pascal took Lucy�s hand
and they stepped out of the bustle into the mute halls of captured faces. They
walked from room to room watched by Audrey Hepburn, Paul McCartney and lots
more. Talking in long snatches, they leaned towards each other, looking around.</p><p>�Are
you still a journalist?� asked Lucy</p><p>�Sort
of. After I found that memo I gave up my job on <emphasis>Le Monde. They </emphasis>give me
lots of freelance work so I survive. And you?�</p><p>�Student
� second time round.�</p><p>�Pushy
parents first time?�</p><p>�Sort
of.� She thought of Darren, who�d made that specific judgement with hostility,
noticing how from Pascal�s mouth the question carried the promise of
understanding. Without doubt the time would come when she would explain, but
not now She continued, �Pascal, I�ve been thinking about our last conversation.
I don�t understand why you want Brionne so much for the trial. What about all
the other evidence?�</p><p>Pascal
said, ominously, �This trial is going to be about what the victims remember as
much as what Schwermann did.�</p><p>They
left the gallery and joined the crowds walking round to Nelson�s Column. The
naval commander towered above them, safe, as they walked through a sea of fat,
scratching pigeons.</p><p>�Do you
ever wonder how Schwermann and Brionne got out of Paris in the first place?�
asked Lucy</p><p>�Frequently�</p><p>�I
mean, where did they go, and who would want to put them on the road with new
names?�</p><p>�No one
knows. One minute they�re both at Avenue Foch, then four months later they�re
in the hands of British Intelligence with new identities and a story that got
them into England. Sometimes I think of the Touvier case.</p><p>�What�s
that?�</p><p>�Basically
he was an old-school Catholic hidden for years after the war by his own kind.�</p><p>�A
collaborator?�</p><p>�Yes.
He was head of the Milice Intelligence Network for Savoy�</p><p>�Protected
by the Church?�</p><p>�It�s
more involved than that, but he was hidden in a monastery. So I do wonder in my
wilder moments if the Church could have been involved � but it�s so
unlikely Hiding a Frenchman, maybe, but an SS officer? That stretches even my
imagination.�</p><p>He
looked down at the demented scavenging of the birds and said, �Are you hungry?�</p><p>Half
and hour later they were eating at a small table in the crypt of St
Martin-in-the-Fields.</p><p>�Funny
place for a restaurant,� said Pascal.</p><empty-line/><p>3</p><empty-line/><p>The convent was situated
half a kilometre from the Priory. The orphanage had long since closed and the
school buildings were now a diocesan youth centre. Anselm had seen it all
before. Hordes of champing, over-sexed youths arriving in transit vans, closely
supervised by impossibly confident chaplains and teachers, all of whom deserved
the Croix de Guerre.</p><p>M�re
Hermance had worked in the laundry during the war. She was lodged upon a wicker
chair in the convent gift shop, recalling the good old days when religious life
was hard. Anselm had to drag her towards the subject of his visit.</p><p>�Oh,
yes, Father, it was a terrible time, terrible. I saw poor Prior Morel fall like
a rag doll. I waited for him to get up. There were three children hiding in the
orphanage.� She smiled, as only the very old can; intimating an acceptance of
things that once could not be accepted.</p><p>�Do you
remember the two men who stayed at the Abbey in 1944?� asked Anselm gently</p><p>�I do,
yes, but not much. In those days religious life was lived as it should be. You
didn�t talk to men unless you had to.�</p><p>Anselm
nodded in firm agreement.</p><p>�I
never spoke to either of them,� she said. �We were told it was as secret as the
confessional. We were used to that sort of thing. But I do remember one thing,
Father��</p><p>M�re
Hermance broke off to answer the phone. The shop was open from three to five� the biscuits were handmade � by the young ones with nothing better to
do � fifty francs � very well worth it � goodbye. She put the phone
down arid carried on as if no interruption had occurred: �When I came here as a
novice in 1937 there were thirty-nine sisters. The Prioress at the time was a
dragon. Her father had been in the army and ��</p><p>Anselm
listened patiently for ten minutes or so before he cracked and reminded her of
what she had been about to say .</p><p>�Oh
yes, that�s right. He came to the orphanage almost every day�</p><p>�Who
did?� pressed Anselm.</p><p>�One of
the young men we were hiding. He talked and played with four or five little
German boys and girls. Those were the last Jewish children to come here. Their
parents had fled Germany to France, only to be hunted all over again. They
saved their children and then perished. He was a good fellow to visit those
poor dears. One of them never spoke and had the deepest brown eyes you have
ever seen.</p><p>�Do you
remember which one came?�</p><p>The
phone rang again. The nun listened distractedly, once more delivering pat lines
on the quality of biscuits and the weakness of the young. She put the receiver
down. �As I was saying, the Prioress was a dragon��</p><p>�M�re
Hermance, the young man, do you recall which one?�</p><p>She
looked darkly into the past, into the presence of a banished fear. �I think it
was the German.�</p><p>Unfolding
a large starched handkerchief, she wiped her eyes. �It was a terrible time,
Father, a terrible, terrible time.�</p></section><section><empty-line/><empty-line/><p><strong>Chapter Eighteen</strong></p><empty-line/><p>1</p><empty-line/><p>Agnes sat by the kitchen
table, her hands limp upon her lap, palms open. Her head leaned forward
slightly and to one side, as if in a trance of concentration. It was, of
course, not quite that. Her posture was assuming a life of its own, pulling her
body slowly down, with Agnes quietly tugging the other way, her blue eyes
bright with resistance. She was still able to look after herself, but not for
much longer � Agnes was tired by evening and soon the slumping would encompass
the day Freddie knew it but had no idea what to do, given Agnes� refusal to
involve anyone skilled or trained in her care. By default, an interim system
had emerged to which Agnes did not object. Each evening a member of the family
took it in turns to drop by, to make sure everything was fine before she went
to bed. And Agnes cooperated not because she required their help but because
she knew they needed to come.</p><p>Sitting
opposite her, Lucy tipped the green beans out of the bag and began the ritual
of nipping and throwing, taking off the curled ends and putting the long
remaining stems into the waiting pan. Agnes watched.</p><p>�What�s
he like?� asked Agnes, deadly calm, her eyes following the deft movements of
Lucy�s fingers.</p><p>�Older
than me and younger than me at one and the same time. The past means as much to
him as the future, maybe more.</p><p>�You�ve
missed one,� said Agnes, pointing towards the pan with her head. Lucy retrieved
the rogue. The soft clipping of her nails, the patter in the pan, the ticking
of a clock in the hail suspended time�s nimble passing. The moment lay open,
unexplored, healing, inhabited by them alone. The stray cat, no longer stray
but ensconced and enthroned, idled by, surveying his subjects with transcendent
scorn.</p><p>�He�s
known Mr Snyman all his life.�</p><p>Lucy
glanced over to Agnes and met in her eyes the question, the plea. Lucy turned
away She would not provide the answer � no, Pascal did not refer to you� I�m sorry, but he didn�t seem to know that Jacques had had a son. Instead,
Lucy said, �Mr Snyman believes that Brionne would probably condemn Schwermann
if he got the chance.�</p><p>�Does
he?� asked Agnes, made alert. �Are you sure?�</p><p>�Yes.�</p><p>From
somewhere immeasurably cold she said, �Maybe he�s right.�</p><p>Stung
by her grandmother�s remark, Lucy pushed the pan across the table. Agnes lifted
a wavering spoon of salt from a bowl and let the grains spill into the water.</p><p>Lucy
said, �I�ve a small role to play in the trial. I will be there on your behalf.�
She would say nothing of her intention to confront Brionne with what she now
knew and compel him to enter the courtroom. Her grandmother would discover that
in the happening.</p><p>Agnes
nodded, unblinking, her mouth sloping to one side. It was a smile, against the
will of failing muscle and the tiny, dying engines of the nerves. Then she
breathed a sort of laugh, leaned back, her face averted, and said: �Victor was
no fool.�</p><p>Lucy
boiled water, mesmerised by the rage becoming steam. It vanished in the air, to
reappear upon the window, water once more, streaming down the pane, to be wiped
away by Agnes.</p><empty-line/><p>2</p><empty-line/><p>Anselm
returned to a sunny day in England. The sight of Larkwood pierced him. In a
flash he longed to hear the bells and find himself in the psalms that named
everything when he could not. At the entrance to the Priory, Father Andrew
said, �Schwermann�s grandson, Max, wants to see me tomorrow afternoon. I�d
like you to be there.�</p><p>�Of
course.</p><p>�Are
you all right?� The Prior glanced briefly sideways.</p><p>�Yes,
thanks.�</p><p>Funny,
Anselm thought wistfully, watching the Prior�s square back as he slipped
through a side door, this is want I�d wanted all along, to be involved in the
fray to be called upon, and now it�s happening it has somehow lost its savour.</p><empty-line/><p>Max
Nightingale was a painter. By which he meant, he said, someone who paints
pictures that few people buy but who continues to forsake career and financial
security in order to paint more pictures that might never be sold. He made
regular money working as a waiter or, when things became unbearable, smiling
over a cash till at McDonald�s. Anselm placed him at about twenty-seven. He had
close-cropped hair and held his head ever so slightly to one side, as if
anticipating a sudden slap. They were taking tea by Anselm�s favoured spot on
the south transept lawn. Warm sunshine fell over them. Max spoke as if language
was a clumsy tool, hesitating occasionally, his eye on a mental image that
defied representation in a sentence. But when he did name something it stood
out starkly, because of the unexpected angle of his observation.</p><p>�I said
to my grandfather � look, hundreds of thousands of Jews are being transported
across Europe to a small village in Poland. They won�t fit in.�</p><p>�What
did he say to that?� asked Father Andrew</p><p>�He
said, �Go to King�s Cross. Stay there for an hour or two, watching the trains
leave, one after the other. Then go outside and look at the people in the
Street, buying their newspaper, getting a taxi. Do you think they know the ones
on the trains will all be killed? Day after day?�� Max raised his hands as if
there was nothing else to say, knowing the explanation was somehow wanting.</p><p>Anselm
thought of London occupied by foreign troops, the city cordoned off into
sections while one ethnic group was arrested, packed into requisitioned buses
and taken to a railway station. What would he have thought in time of war,
watching the trains pull away into the night, always to the same destination?
A bee drifted lightly over untouched tea and sandwiches, while paper
serviettes fluttered in the breeze: the lazy motions of peacetime.</p><p>Max
said, �I�m not suggesting he didn�t know about the killing � I just find it
incredible, unimaginable.�</p><p>�The
incredible has a habit of disrupting the parts of our lives to which we�re most
attached,� said Father Andrew simply, adding, almost under his breath, �it�s
why I became a monk.�</p><p>�Did
that make it credible?� asked Max.</p><p>�Not
quite, but the old life became unimaginable.� Father Andrew took off his
glasses, revealing small red footprints on the sides of his nose. He polished
the lenses and put them back on. �All I�m saying is this: you have to be very
careful before you dismiss the unbelievable, if it taps you on the shoulder or
kicks you in the face.�</p><p>Max
beetled his brow and his eyes flickered. He said: �I�ve asked to see you
because he mentioned something else that I think you should know, which is all
the more unimaginable. It�s another kick in the face.�</p><p>He
looked frankly at Father Andrew, having caught him with his own words.
Involuntarily, Anselm saw the face of Monsignor Renaldi at the Cardinal�s
shoulder, expressionless, noncommittal, but waiting, eternally waiting.</p><p>�He
says he did the <emphasis>opposite </emphasis>of what�s alleged against him. But he won�t say
any more. He wants someone else to explain, someone who was there.�</p><p>�Who?�
asked the Prior.</p><p>�A
Frenchman called Victor Brionne, though he�s now called something else. We�ve
got a private detective on to it.� He glanced from monk to monk. �Apparently it�s
fairly easy if you know the name. And we do � it�s Berkeley�</p><p>�Max,�
said Anselm, confidentially, �do you mind telling us if and when he�s found?
Anything touching on the conduct of your grandfather is likely to have an
effect on the Priory in due course.�</p><p>�Yes� I�ll let you know�</p><empty-line/><p>3</p><empty-line/><p>Agnes and Lucy sat in the
gathering dusk, two bowls lying empty upon the table.</p><p>�When
will Wilma move in?� asked Lucy, sleepily</p><p>�When
she�s ready�</p><p>They
could just about hear each other breathing if they cared to listen.</p><p>�How
will she know when to come?�</p><p>�She�ll
just know People like Wilma have a very different sense of time. Appointments,
arrangements don�t mean anything. She doesn�t follow clocks. She just lives in
each day�</p><p>Lucy
rose and cleared the table. Agnes spoke out of the shade:</p><p>�Forget
Victor.�</p><p>�What
do you mean?� asked Lucy stopping arid looking down at her.</p><p>�Nothing.
It�s all right.�</p><p>Lucy
put out her arm and Agnes took it with both hands, as if it were a railing.
With a nod she dismissed further help, making her way towards the bathroom to
get ready for bed. She walked deliberately, touching now to the right and then
to the left, finding objects placed in position for the purpose. Lucy remained
in the kitchen, hearing the click of a switch and the faint run of water,
simple noises that begin and end the day; and, presumably, a life.</p><p>Lucy
looked up. Agnes stood motionless, like an apparition, framed by the doorway in
a long dressing gown and red furry slippers, a hand on each jamb. Evening
light, all but gone, traced out her nose, a parted lip; and to Lucy it was as
though Agnes had died and this was a final, wilful resurgence of flesh, a last
insistent request to see Lucy just one more time before she fluttered into
memory.</p><p>At that
moment the hall clock struck the hour. Brass wheels turned, meshing intricately
Time, no longer suspended, seemed to ground itself and move. They looked at one
another across a divide, hearing the slow, brutal counting from afar taking
slices off all that remained between them. Lucy and Agnes stood helpless,
waiting.</p><p>�Gran,
please don�t go,� said Lucy, in a voice from their quiet days in the back room
when everyone else had left them to it.</p><p>�I have
to, Lucy Death is like the past. We can�t change either of them. We have to
make friends with them both.�</p><p>Tears
filled Lucy�s eyes to overflowing. Thunder groaned far off to the east and the
room darkened abruptly, as though a great hand had fallen over the sun.</p><empty-line/><p>4</p><empty-line/><p>Storm clouds had quickly
gathered over Larkwood and by late evening large drops of rain threw themselves
in heavy snatches upon its walls. A wind was gathering strength, threatening to
wrestle old trees through the night.</p><p>Anselm
and Father Andrew sat either side of a great round window overlooking the
cloister. Anselm gave a pr�cis of all he�d learned since departing for Rome,
situating the nature of the task that had been entrusted to him � the finding of
Victor Brionne. The Prior listened intently</p><p>�A
pattern of sorts emerges,� said Anselm in conclusion. �Monsignor Renaldi can
only look to logic � the Priory must have known something of great importance,
outweighing whatever Schwermann and Brionne may have done, otherwise they
would never have helped them. And that is broadly supported by the oral
tradition of the Priory, which remembers Schwermann was hidden because of some
undisclosed noble conduct � something effectively repeated this afternoon by
his grandson, who got it from the mouth of the person most intimately
concerned: Father Andrew slowly repeated the troubling words, ��He risked his
life in order to save life� � it�s a crafted phrase, a jingle � it
disguises as much as it displays.�</p><p>�At
least it gives us some idea as to why the monks at Les Moineaux helped him
escape,� said Anselm.</p><p>�But
why does he want the secret brought out into the open by Victor Brionne? Why
not speak up for himself?�</p><p>�The
two of them belong together��</p><p>�As if
they are two parts of the same, torn ticket,� interjected the Prior. He added, �That
was quick footwork, by the way, to get Max Nightingale to tell us when they�ve
found him.�</p><p>Anselm
wasn�t sure if that was a compliment. The Prior went on: �So what do you do now
� wait?�</p><p>�Not
quite. A private detective can only open so many doors. Max�s candour is just
one string to my bow�</p><p>�You
have another?�</p><p>�Yes. I
think so.�</p><p>Father
Andrew fell into an abstraction and said, �Maybe one day they�ll make you a
Cardinal.�</p><empty-line/><p>Later that night Anselm
heard the bells for which he had longed; he sang psalms that named the motions
of his soul; but, to his faint alarm, he did not find himself in quite the same
place that he had left. Or rather, a slightly different person had come back to
Larkwood, not entirely known, even to himself, and he didn�t know why</p><empty-line/><p>5</p><empty-line/><p>Lucy sat in the warm
darkness of her flat wrestling with two emotions, each getting stronger, each
slipping out of control.</p><p>She was
losing her grandmother: the foundations of grief were being hewn out of rock.
But at the same time, in another part of her soul she was gaining something.
The fundamentals were already in place and she hadn�t noticed them in the
making. Perhaps they�d been built years and years ago. But the result was that
Lucy found herself intrinsically and terrifyingly receptive to Pascal
Foug�res.</p><p>The
phone rang. Reluctantly she lifted the receiver.</p><p>�It�s
me, Cathy�</p><p>�Hi��</p><p>�Well,
do you regret missing the Turkish bath?�</p><p>�No.�</p><p>�Ah.�</p><p>�Honestly,
he�s just an acquaintance. ��Where did you go?�</p><p>�For a
meal.�</p><p>�Where?�</p><p>�In a
crypt.�</p><p>�Sounds
like my sort. How did you meet him?�</p><p>�I�m
too tired to explain,� Lucy said, laughing for the first time that day</p><p>�I�ll
sweat it out of you. Give me a call.�</p><p>They
said goodnight and Lucy put the phone down with a sigh. As with all
misunderstandings, Cathy was on to something. Since meeting Pascal Lucy wasn�t
quite her old self, and she didn�t fully recognise who she was becoming.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Nineteen</strong></p><empty-line/><p>1</p><empty-line/><p>�Apollo adored the Sibyl
so he offered her anything she wished,� said Pascal, turning a beer mat round
in circles. A gathering of other conversations drifted from the debating room
out to where they sat on the veranda. Putney Bridge lay black against a
scattering of white and orange evening lights.</p><p>�And?�
said Lucy</p><p>�She
asked to live for as many years as she had grains of sand in her hand. He
granted her wish but she refused to satisfy his passion.�</p><p>�Sounds
like a good deal to me.�</p><p>�Not
entirely�</p><p>�Why?�</p><p>�She
forgot to ask for health and youth.�</p><p>�Ah.�</p><p>�So she
grew old and hideous and lived for hundreds of years.</p><p>�Doing
what?�</p><p>�Her
old job, writing riddles on leaves, left at the mouth of her cave.� He sipped
his drink. �That�s the part of the myth I like, the fragility of what she had
to say; words written on leaves, easily made incomprehensible if disturbed by a
careless wind.�</p><p>Lucy
could only think of Agnes, the sand all but gone. She said, �I understand her,
though, wanting to live so much.�</p><p>�Yes,
but life pushed on is always death pulled back. It comes. In a way there�s
something dismal about wanting to postpone what you can�t avoid.�</p><p>�But it
can come too soon.</p><p>�That�s
what the Sibyl thought.�</p><p>Lucy
admired his lack of complication � but with nostalgia: her own simplicity had
been mislaid. She had seen death at work, its industrious regard for detail,
and, like the men who dug up the roads, its preference for doing the job slowly</p><p>�I
think you�d get on with my grandmother,� she said.</p><empty-line/><p>They had met at Pascal�s
suggestion. He gave no reason; he just asked. So they sat down with no purpose
other than a shared inclination to know one another better. Leaving the Sibyl
behind, Lucy raised the key question:</p><p>�What
do your family think of you dropping journalism for all this?�</p><p>�Not
pleased at all.�</p><p>�Do you
mind if I ask why?� She had the sparkling enthusiasm of a specialist.</p><p>Settling
back, like a long-distance driver who knows the road, Pascal said, �It�s all
about guilt, really� � he flipped the beer mat � �even though none of us were
around at the time. To put it bluntly, the whole family ran off to the south,
leaving my great-uncle Jacques behind in Paris. Okay it was his choice, but it�s
an unpleasant fact. If they�d stayed with him, maybe they could have done
something after he was arrested.� He sipped his beer, thinking. �That�s
probably not true, but it�s one of those peculiar notions. Once thought, it won�t
go away They settled on the Swiss border and Jacques was deported to Mauthausen.
They survived. He didn�t. The lack of symmetry says it all. After the war they
made sure Jacques was remembered. It was all they could do. Schwermann and the
rest had vanished. So I grew up with a complex memory of remorse, pride and
what you might call unfinished business.�</p><p>But, as
Pascal explained, the family memory had become complicated by the political
career of his father, Etienne, and the complex mood in France during the 1960s.
Myths assembled after the war to smooth out the realities of Occupation �the
mix of resistance and cooperation � had come under attack. Heroes were
denounced, villains rehabilitated. And it was within this public struggle that
Pascal�s father had deftly trodden the political stage. He�d had considerable
ambition and a considerable problem: his father, Claude, had been a supporter of
Vichy and he couldn�t refer to Jacques� exploits without placing a spotlight on
collaboration and plunging his name into the maelstrom of conflicting views
about the past. So while Pascal had grown up with a memory of stolen
retribution, the official family line on war crimes had become one of merciful
forgetfulness. Let the past bury itself. Thus, when Paul Touvier was arrested
in the late eighties, Etienne had been for understanding the moral complexity
of the time, but the high-minded Pascal, then seventeen, had advocated judicial
retribution. After all, he�d been a French servant of the Reich. That row had
caused no lasting harm. For his parents it had been just one of the more
extensive entries in the Register of Differences filled out by Pascal as he
defined himself against them, made colourful by adolescence and by that fact
destined to fade back into unanimity once he�d grown up and seen things as he
should.</p><p>Pascal
did grow up, and things did fade, but, as always happens, far less than his
parents expected. He became a political journalist with a side-interest in
Vichy, producing one or two scoops about notorious figures who had lived
comfortable lives in post-war France undisturbed by their past. This was closer
to the family bone, and, looking back, it was only a matter of time before
Pascal�s research touched upon Jacques� life and, by default, upon his father�s
understanding of his prospects. It was Pascal�s career, however, that
flourished. Appointed as the Washington correspondent for <emphasis>Le Monde, </emphasis>he
moved to the United States, and that was when the door to his present life
opened. By chance he found the memo referring to Schwermann and Brionne. He
said, �After reading that I knew there was a good chance of finding them. It
was a moment of crisis, believe me.</p><p>That
moment took Pascal home to a bright Paris morning, the sort that could generate
a song. His mother was happily moving in and out of the salon, relieved to have
her boy at home again; father and son were enjoying the bashful pleasure of
shared manhood come too soon. Pascal spoke, knowing the coming cost, the loss
of amity: �I want to find him.�</p><p>Etienne
put down <emphasis>Le Monde, </emphasis>read with a new enthusiasm since his son�s elevation,
and stubbed out a cigar. Monique came in, buoyantly suggesting a walk in the park.
She withdrew, uneasily, at a signal from her husband.</p><p>�You
can�t,� he said.</p><p>That
command had a peculiar effect on Pascal, pushing him down the road. �I can.�</p><p>�You
mustn�t.�</p><p>�What
about must?�</p><p>Another
silence.</p><p>�Pascal,
France has suffered enough.�</p><p>�That�s
not the test.�</p><p>More
silence, with a chasm opening wide. Pascal�s father reached over, with both
hands: �I beg you,� he said with barely suppressed panic, �look at things with
older eyes, just for a moment, with the wounds of those who endured the Occupation.
Why do you think de Gaulle, of all people, reprieved the death sentence on
Vasseur and Klaus Barbie in the sixties? Why do you think d�Estaing honoured
P�tain at Douaumont in the seventies? Why did Mitterrand shake Kohl�s hand at
Verdun in the eighties? Because sometimes we cannot make a synthesis of the
past, and there comes a time when we have to <emphasis>forgive </emphasis>what we can, when
it is <emphasis>better </emphasis>to forget what cannot be forgiven. Your generation is
obsessed with the failures of your forefathers. Let them judge themselves. You
wouldn�t have done any better.�</p><p>�I�m
sure I wouldn�t, but that�s why an obligation rests on the next generation � to
expose the past for what it was. This is not just about Jacques. It�s about <emphasis>history.
</emphasis>Getting it right. The same year Barbie was convicted, Le Pen said the gas
chambers were a minor detail of the war. There�s a kind of forgetting we have
to stop.�</p><p>His
father, exasperated, said: �Pascal, I�m asking you to leave it be. Leave the
past alone.� Etienne went angrily to his study without waiting for a reply as
if parental censure was sufficient to deflect a disobedient son.</p><p>As with
most adult passions, they are born in childhood. The strength of Pascal�s
conviction had not come from his family as such but from their butler, Mr
Snyman. He�d known Jacques and had told Pascal all about The Round Table. For
Pascal he was a patriarch, the only survivor of the times. After his father
left the room, Mr Snyman slipped in.</p><p>�Did
you hear all of that?� asked Pascal.</p><p>�Yes.�</p><p>�What
would you do?�</p><p>�It�s
not what I�d do that matters; it�s what Jacques would do. If he could.�</p><p>�And
what�s that?�</p><p>Mr
Snyman took a step closer, his hands raised as if what he had to say was so
fragile it might break if not physically handed over. �He�d hunt him down.
Schwermann is one of those few people responsible for something that lies on
the other side of forgiveness. �</p><p>Pascal
went upstairs and knocked on the study door.</p><p>�Papa,
I�m sorry. I have to do this.�</p><p>�You�ll
regret ignoring my advice.� His father stood with his back to his son. With
profound disappointment he said, �You care more for the dead than the living.�</p><p>Monique
stood at the door, wavering between husband and son. She was crying.</p><p>Then
Pascal said something untrue, something he did not mean and which he bitterly
regretted afterwards. But it sounded good. �And you care more for political
preferment than the truth.�</p><p>They
had, of course, spoken since; and Pascal had said sorry, and his father had
said it didn�t matter, and his mother had run out to the patisserie. But it was
too late. Certain things, once said, can change at a stroke the interior
workings of love, leaving the outside architecture untouched. Perhaps, thought Lucy,
that was why Agnes had taken such deep refuge in silence.</p><p>Pascal
made contact with Jewish groups and Resistance organisations in Paris who
formed a consortium: the laborious process of gathering evidence began. The
anxiety of the investigators was that Schwermann had kept a low profile as far
as the paperwork was concerned. His name rarely appeared in print even though
sources demonstrated he must have been at certain meetings and received
particular memos. And no one knew the name under which he was hiding. Then
Pascal received an anonymous letter posted from Paris. He said, �It contained
one line: �The name you seek is Nightingale.� I thought it was a hoax but I
passed it on.</p><p>The
problem of building a case strong enough to secure a conviction, however,
remained a concern. It was while discussing this matter with Mr Snyman that
Pascal had been urged to find Victor. Mr Snyman had said:</p><p>�I knew
Victor. He was like a brother to Jacques. Things became difficult between them
when they fell in love with the same woman � I forget her name � the war
split them further � but now, after so many years, when Jacques is dead� I am sure he would speak out.�</p><p>Lucy
studied Pascal�s animated face with concealed horror: he seemed to know nothing
of Agnes. The narrative moved on, leaving Lucy stunned by the omission. The
allegations were formally laid with the Home Office. And, life being what it
is, no political discomfort came to trouble Pascal�s father. The lesion between
them lay open, through a fear that was never, in fact, realised.</p><empty-line/><p>A bell rang, urgent and
frantic, for last orders. Pascal and Lucy decided to leave. On their way out
Lucy caught the eye of The Don � as she�d named him � that warming fusion of
Gandalf and Father Christmas. As before, he bestowed a nod.</p><p>Standing
outside, Lucy said, �Brionne is not going to walk into a police station. It�s a
fond hope, nothing else.�</p><p>�I
know,� said Pascal with resignation. �We need a miracle.�</p><p>�I
thought you said we couldn�t mention God?�</p><p>�In
certain circumstances God has a habit of mentioning himself.�</p><empty-line/><p>2</p><empty-line/><p>Anselm�s confidence in
finding Victor Brionne lay not in his investigative powers, for he had none,
but in one of the more prosaic features of modern life: the proliferation of
countless documents with lists of names and addresses. The Inland Revenue, the
Department of Social Security, National Insurance, the National Health Service
Central Register, the Drivers Register, and more, beyond imagination. Three
things only were needed by an amateur in Anselm�s curious position: the name of
the person concerned; a contact in the police involved in the investigation of
a serious crime (which opened many closed doors); and a good reason why that
contact would reveal what they learned to the amateur.</p><p>Anselm
was relatively sure he possessed all three conditions. He knew the name;
instinct suggested DI Armstrong could be the contact; and her cooperation might
be forthcoming if its basis was the finding of a key witness for a major trial,
Anselm�s only request being to have the first interview The plan crystallised
almost by itself while he was still in Rome. And as it did so, Anselm�s
recognition of his own importance in the scheme of things expanded
proportionately, producing a sense of power that he tried to suppress but which
he acknowledged with a dark flush of pleasure.</p><empty-line/><p>3</p><empty-line/><p>Ordinarily Anselm had two
periods of manual work � one in the morning before Mass, the other in the
afternoon until Vespers. However, the Prior had agreed to release Anselm whenever
necessary to pursue anything to do with the task he had received from Cardinal
Vincenzi. That broad principle was stretched to encompass games of chess with
Salomon Lachaise at the guesthouse. But since his trip to Rome Anselm had found
it difficult to look his companion in the face � for he was now burdened with a
riddle: �Schwermann had risked his life to save life: And his task of finding
Victor Brionne now set them apart, for it was this man who would reveal the
meaning of the words.</p><p>They
sat either side of a table, black against white.</p><p>�No
talking,� said Anselm as they were about to start.</p><p>�But in
the beginning was the Word,� replied Salomon Lachaise.</p><p>�Indeed,�
said Anselm.</p><p>Salomon
Lachaise then sprinkled the early stages of play with abstract enticements � an
unworthy attempt, thought Anselm, to distract his opponent: �A violation of
language is a violation of God: (�Mmm�, said Anselm.) �� in hell there are no
words.� (�Mmm.�) �� and yet the silence of the Priory brings forth words of
praise.� (�And other things,� murmured Anselm.) �� the world will be
redeemed by words.� Anselm marked that one for future use. -</p><p>�Is it
not strange,� continued Salomon Lachaise on a fresh tack, �that God, on one
reading of Exodus, refused to disclose his name to Moses when he first revealed
himself?�</p><p>�Yes,�
said Anselm. He eyed the tight configuration of pieces. Each move seemed to
spell trouble but there had to be a way out.</p><p>�And is
it not stranger still that God should change the name of his servants to mark a
new beginning?�</p><p>Anselm
looked up sharply into a face of restrained curiosity. �What do you mean?�</p><p>�God
made the covenant with Abram and he became Abraham. Simon the fisherman became
Peter the rock. There are lots of examples.�</p><p>�I see,�
said Anselm, returning his attention to the battle.</p><p>�The
change of name obliterates their past, bestowing a blessed future.�</p><p>�That�s
a good point. I might use that one Sunday�</p><p>�And
when the Amsterdam synagogue expelled Spinoza for his ideas, they invoked God
to blot out his name under heaven.�</p><p>�That�s
interesting,� said Anselm genuinely</p><p>�So who
was it that dared to take the place of God and give that man across the lake a
new name, a new life?�</p><p>The two
men faced each other. A sensation of rapid foreshortening brought the gentle
gaze of Salomon Lachaise unbearably close to Anselm�s secret. They sat as
friends: one of them waiting patiently for judgement, the other, Anselm,
engaged in an enterprise that might absolve the need for a trial � hope and its
adversary at one table.</p><p>�That�s
another good point.� They were the only words Anselm could assemble that did
not require him to lie.</p><p>Salomon
Lachaise reviewed the state of play upon the board and, with a look of quiet
amusement, toppled his king. �Anselm of Canterbury, I resign.�</p></section><section><empty-line/><empty-line/><p><strong>Chapter Twenty</strong></p><empty-line/><p>1</p><empty-line/><p>It was a sensible
arrangement. At the back of the flat were two bedrooms, side by side, one of
which had French windows opening out on to the garden. That was where Agnes
slept. The other was for Wilma. They left their doors ajar at night.</p><p>Lucy
was staggered at Wilma�s cleanliness. For fifteen years she�d bustled from
Hammersmith to Shepherd�s Bush, to a drop-in centre by a church. There she
showered, took her breakfast and then came back to feed the birds in
Ravenscourt Park. She�d met Agnes while tailing a pigeon. A friendship had
grown, unknown to anyone in the family including Lucy. It was always that way
with Agnes. She had small, secret spaces in her life which were only discovered
by accident. Surprise questions were an act of trespass, so the family got used
to stumbling upon things and pretending nothing had been uncovered. And so it
was here. Wilma�s intimacy with Agnes passed without comment, even though a
first, brief association was sufficient to confirm that Wilma was pleasantly
and ever so slightly mad.</p><p>Agnes
now had a wheelchair but she would not sit mm it. She pushed it round the flat,
moving slowly and with relaxed deliberation as if negotiating an obstacle
course, smiling at little victories and wincing at scuffs upon the furniture.
The frontiers of her world were contracting and she rubbed against them. She
no longer went to the park, or along the river to watch the boats, but moved
from room to room, from chair to bed, and, whenever possible, out to the garden
among fresh green things.</p><empty-line/><p>Wilma was tidying her room
again when Lucy decided to mention the gun. She had been foraging in a cupboard
for something Wilma had put away when she�d touched the barrel. She�d left it
there, wrapped in a duster, with four corroded rounds of ammunition. The
incongruity of Agnes with a revolver could not pass without comment. This was a
secret space that had to be invaded, tactfully, as they sat in the back garden.</p><p>�A
French officer gave that to Arthur,� explained Agnes. �He brought it back,
along with his clock. They were his only souvenirs. I�d forgotten all about it.</p><p>�But it�s
illegal. It should have been handed in.�</p><p>�Take
it to the police after I�m dead,� said Agnes.</p><p>The
word struck Lucy like a back-handed slap. But to Agnes it was just another
sound. She said, �I�d like to go inside now�</p><p>They
returned slowly to the flat. For a long while Agnes jiggled her wheelchair at
the French windows, trying to get it over a ridge. Lucy watched from behind,
detesting her impulse to push past and move things along, to get away from this
constant, slow pageant of illness.</p><p>�I
expect you see rather a lot of young Foug�res,� said Agnes, leaning forward to
push.</p><p>�Not
really�</p><p>�I
suspect he rather likes you.�</p><p>�Stop
it, Gran.�</p><p>As they
passed Agnes� bureau by the door Lucy saw a sheet of cardboard. �What�s that?�</p><p>�An
alphabet card:</p><p>The
letters were written very neatly in lines of four, forming six columns.</p><p>Agnes
stopped and turned, her blue eyes alarmed as by the heavy approach of a new and
threatening machine. �When I can�t talk any more, I�ll point.�</p><p>They
looked at each other, helpless.</p><empty-line/><p>Every time Lucy saw Agnes
something happened to wound her memory. A gallery of imprints hung in
perpetuity. That evening joined the rest. She would for ever be able to see her
grandmother standing by a door, thin arms on a wheelchair, her eyes resting on
the alphabet.</p><empty-line/><p>2</p><empty-line/><p>Anselm was reading
Athanasius� <emphasis>Life of Anthony </emphasis>when the Prior knocked on his door. Anselm
had always enjoyed all that wrestling with demons for it struck him as a
powerful metaphor for aspects of his own inner life whose battles were fought
with fiends less easily discerned.</p><p>The
Prior had come to say that DI Armstrong had dropped by and, since it related to
Schwermann, would he deal with it. Anselm closed his book and went to the
parlour entrance. She was walking to and fro, preoccupied. After greetings were
exchanged, she said, �Father, there�s a couple of things I�d like to mention.
First, we�re going to interview Schwermann, I expect over several days. If the
community doesn�t mind, we�d prefer to bring all the kit and do it here rather
than take him to a station. Here�s a list of dates. We might not need them all.
It depends on what he says.</p><p>�Of
course, I�ll raise it with the Prior,� said Anselm, taking the sheet of paper.</p><p>DI
Armstrong hesitated. In Anselm�s experience, the point mentioned last in a
series was always the most important, and, if of a sensitive character, usually
introduced with reticence. �Would you like a short stroll in the grounds?� he
asked. �It�s quite reviving to look at someone else�s work.�</p><p>They
passed through an iron gate still swinging on one hinge since heaven knew when
and entered the majestic wilderness of a wet, half-kept garden.</p><p>�So
when are you going to take him off our hands?� invited Anselm, pointing the
question at the source of presumed discomfort.</p><p>�That�s
the second thing. It�s why I�m really here, as you�ve probably guessed. I could
have sent the interview dates by letter.�</p><p>�Yes,�
said Anselm knowingly, not having thought of it.</p><p>�Can I
speak in absolute confidence?�</p><p>�Yes.�</p><p>�Schwermann
is here to stay I know you were told it was only for the short term but nothing
is being planned to move him. I also know you were told it was unlikely any
charges would be laid but that was and is nonsense. Once the interviews are
over a decision will be taken, but the idea that he�ll just go home is
fanciful.�</p><p>�So if
and when he�s charged,� said Anselm, �the media will have another field day at
our expense.</p><p>�I
expect so, which brings me to what I really wanted to say�</p><p>They
walked in silence towards a bench by an open sloping shed. Finches and sparrows
skipped across the grass, their small heads jerking left and right, alert to
every movement of the wind.</p><p>Sitting
down, DI Armstrong said heavily �I can�t prove this, but I suspect the Priory
has been set up for a fall and I don�t know why�</p><p>�How?�</p><p>�Let me
put the whole thing in a wider context. If there is a trial, there will be a
colossal embarrassment factor for the government. Schwermann was interviewed in
1945 by a young British Intelligence officer, Captain Austin Lawson. As you
know, he went on to a life in politics and is now a Labour Peer. There is
something alarming and mystifying about the record of interrogation. Hardly
anything was written down. In fact, it contains no more than was repeated in
the memo found by Pascal Foug�res � I get the feeling Lawson only filled out a
report because he had to.�</p><p>�Maybe
he didn�t know what Schwermann had done.�</p><p>�That�s
possible. Not very much was known in the aftermath of the war, and Lawson was
young, twenty-four, so he could have been a bit na�ve. But I seriously doubt
it.�</p><p>�Why?�</p><p>�Because
he deliberately left out vital information � like the false names of
Schwermann and Brionne, where they got them from � and there�s no record of
an interview with Brionne at all, although he must have spoken to him. It�s as
though Lawson knew something and let them go. He wouldn�t have made the
decision, but it would have been upon his recommendation.�</p><p>�Is he
a Catholic?� asked Anselm suddenly</p><p>�As it
happens, he is. How did you know?�</p><p>�His
first name � it�s short for Augustine � just a guess.</p><p>�Why
ask?� said DI Armstrong. The voice contained stealth, patience, the tip of a
claw</p><p>�Nothing,�
said Anselm, shrinking, clasping at levity. �Idle, irrelevant curiosity. A
particularly Catholic sin. Sorry.�</p><p>DI
Armstrong seemed to wrestle with an unwelcome confusion. She cast an eye of
longing around the peaceful enclosure. Checking herself, she said, �The problem
for the Home Office is that they have no control. We do the investigation and
if there�s enough evidence there�s a trial. They couldn�t stop it if they
wanted to. So there�s a risk the whole mess will be brought out into the open.
And Schwermann wasn�t the only one. There were others.�</p><p>�.Why
do you think that Larkwood is being set up for a fall?�</p><p>�Milby
has to brief the Chief Constable every couple of weeks, and together they have
meetings with the Home Office because of the sensitivity of the case. Of course
the politicians can�t bring influence to bear, blah, blah, but I�m sure they�re
the ones who make �suggestions� about what is best for national security,
public relations and so on. And without wishing to smear my boss too much, he�s
rather susceptible to fixing things if there�s no other way�</p><p>�Drug
squad realism?�</p><p>�Yes,
he�s never quite left the back alleys. Anyway, right from the outset he was
encouraged, shall we say, to let Schwermann know we were on to him. Milby�s got
a few tame journalists � you know what it�s like, favours for favours � so he
tipped one of them off, a local hack. Then for some reason Schwermann came
here. Once we were informed, Milby let one of the nationals know�</p><p>�What
on earth for?�</p><p>�It�s
not his agenda. It must be the Home Office, and it seems to me they�ve done
what they can to make it look as though Schwermann enjoys the support of the
Church. It�s as though they have something on you that could be relevant to the
trial, but for political reasons they�re keeping it under wraps.�</p><p>DI
Armstrong paused. A fraction too long, thought Anselm, and he saw the ploy He
thought: she senses the Church may be involved but doesn�t know how, and she�s
hoping I�ll offer the answer. This was the true reason for her visit: she had
her own question and she�d slipped it in while making a disclosure, trying to
get a monk to open up when he was probably most vulnerable. Anselm approved
enormously of the technique and would have liked to crown it with success. But
he would have to dissemble, for he now understood completely why the government
were preparing to compromise Larkwood.</p><p>Schwermann
was bound to disclose during the trial that a French monastery had protected
him after the war and that British Intelligence had interviewed him and
released him, and that this would never have happened unless he�d been believed
to be innocent. And it was this very argument the government would adopt, with
a twist, should a conviction nonetheless ensue. The Home Secretary would say
those dealing with the matter at the time had been influenced, in great part,
by the moral authority of the Church, who, as it happens, had protected
Schwermann once more when his accusers named his crimes.</p><p>DI
Armstrong had finished what she had to say; but her finishing was expectant.
She looked at Anselm and he began his dissembling, impressed and saddened by
his own adroit paring of the truth.</p><p>�It
sounds as though the government would like a companion if, in the end, there�s
a public outcry, and who better than the Church. They would be the real target
of interest. �</p><p>�That�s
what I thought,� said DI Armstrong as if closing a line of enquiry. Anselm
sickened a little because her satisfaction presumed his honesty, and because he
was now going to exploit her trust of him.</p><p>�How
strong is the case?� he asked lightly by way of preamble.</p><p>�Difficult
to say I�ve interviewed the former Captain Lawson and he says he can�t remember
a thing, which I don�t believe. Most of the witnesses are elderly and
susceptible. The bulk of the case rests on documents and the interpretation of
what they mean � so it�s pretty finely balanced. If we could find Brionne,
assuming he�s still alive, then we might have some direct evidence, but he�s
vanished.�</p><p>Anselm
said, �When you came here, you asked if you could speak with absolute
confidence.�</p><p>�Yes?�</p><p>�Can I
now do the same?�</p><p>DI
Armstrong scrutinised Anselm�s face. �.Yes ��</p><p>�First,
don�t ask me any questions, because I am bound not to answer them. Second, I
promise that what I now ask can only serve the interests of justice, in its
widest sense.�</p><p>DI
Armstrong frowned, but nodded.</p><p>�I know
Victor Brionne�s new name. This is what I ask. If I give you the name, and you
find him, will you tell me where he is before you do anything and allow me to
talk to him first? After that he is all yours.</p><p>DI
Armstrong stood and moved away Anselm followed her gaze towards the bare window
arches of the old nave. Tangled streamers of vermilion creeper drifted lazily
where fragments of glass had once conspired to trap the sun for praise. The
swish of the leaves was like a faint pulse, or distant water on a beach of
stones. Turning back to Anselm she said, �All right. What�s he called?�</p><p>�Berkeley,
Victor Berkeley�</p><p>Anselm�s
bargain had come at a price he had not foreseen. She was taking not only him on
trust but also the world he represented, its history, its old stones, once
considered sacred without question.</p><empty-line/><p>Anselm walked DI Armstrong
to her car. He said, �Thank you for the warning. �</p><p>�It�s
nothing.�</p><p>They
walked a little further and Anselm, suspicious, said, �One other thing. Have
you any idea how Father Andrew knew in advance of our first meeting that Milby
had slipped a word to the Press about Schwermann?�</p><p>She
stopped, smiling broadly, suddenly young and no longer a police officer, simply
herself: �Yes. I told him.�</p></section><section><empty-line/><empty-line/><p><strong>Chapter Twenty-One</strong></p><empty-line/><p>Anselm frequently observed
that the fears he entertained turned out, in the end, to be groundless; but he�d
never learned the trick of disregarding new ones at their inception. Like the
man in the Parable of the Sower, Anselm invariably found himself unable to
protect the seeds from the rocks. A case in point was Victor Brionne, the
mention of whose name had only ever caused him to stumble.</p><p>Yet
again someone had come to Larkwood with something to say; yet again Father
Andrew had summoned Anselm to deal with it; and yet again the person concerned
had been brushed by the past, only this time it was simple. Delightfully
simple.</p><p>�He�s
in his mid�fifties, I�d say� said the Prior. �Altogether engaging. I�ve put him
in the parlour.�</p><p>They
walked down the spiral stairs leading from Anselm�s room to the ground floor.
Shafts of sunlight cut through slender windows like a blade. The monks passed
through light and dark in silence, to the low patter of their steps.</p><p>�He
wants to talk about Victor Brionne. I didn�t get his name.�</p><empty-line/><p>He had the poise of a
relaxed subject before a sculptor. His short hair was silvered throughout,
contrasting with vital and arresting eyes. He sat with one arm resting midway
upon a crossed leg.</p><p>�Father,
for reasons that will become clear, I�d rather not introduce myself. I�m in a
delicate situation which forces me to sneak around on tiptoe. �</p><p>Returning
a smile, Anselm said, �I�m intrigued.�</p><p>�What I
have to say is not particularly exhilarating, but it�s probably worth knowing.
You see, my mother knew Victor Brionne.�</p><p>Anselm�s
eyes widened. He focused afresh on the clean features, not unduly marked by
life�s capricious tricks, the black roll-neck pullover, the soft suede shoes.</p><p>�They
were very good friends. From what she said I think he would have liked to marry
her, otherwise I can�t think why she would have kept his name in mind.� He
laughed lightly easily �It�s one of our quirks, I suppose, that we all remember
the people we might have married.�</p><p>�Yes, I
know what you mean,� said Anselm.</p><p>�But it
wasn�t to be. He became a casualty of the war after all, through sheer bad
luck. He was struck by a falling chimney stack weakened by the Blitz. I can�t
understand the divine arrangement of things whereby a man could survive a world
war and then be killed by bricks tumbling out of the sky.�</p><p>�I
know,� mused Anselm sombrely �I�ve never yet been able to reconcile providence
with experience. But I keep trying.� He moved on, �Your mother met someone
else?�.</p><p>�Yes,
but she never forgot Victor. She can�t have imagined what his past involved. It�s
strange to think that my father could have been Victor Brionne, a man who
worked alongside a Nazi war criminal. Even so, none of us really know our
parents.�</p><p>Anselm
warmed to the reflective modesty of his guest and said, �Except, perhaps, when
they�ve gone.</p><p>�Yes,
and then it�s too late.�</p><p>They
smiled at one another as through opposite windows in parallel buildings.</p><p>The
visitor said, �I�ve told you this because I expect there must be plenty of
people who would like to find Victor, and, to speak plainly, neither I nor
anyone in my family particularly want to get involved. We live a peaceful life
far away from those times. My mother�s dead, so she can�t make a statement to
the police, and I wouldn�t relish tabloid attention on the little we know made
into a feast for the curious. Our link with the man was a very long time ago
and we�d like to leave it like that.�</p><p>�That�s
most understandable.�</p><p>�I
realise that keeping my name back must be unattractive,� said the visitor, �.but
it�s as an excess of caution, not distrust. Should anyone ever knock on our
door, and that�s possible, I�d like to know in advance that the Priory played
no part in the finding, however accidental it might be.�</p><p>�Yes, I
see what you mean,� said Anselm, thinking of Brother Sylvester whose progress
towards sanctity had left the discretion of the serpent well behind.</p><p>�As
long as you are obliged to house your guest, if I can put it like that��</p><p>�You
may; that�s exactly the situation��</p><p>�Then
this could be the place where those with a legitimate concern will come. So do
feel free to repeat what I�ve said, but I�d rather it was left unattributed.�</p><p>�I
understand.�</p><p>In
certain circumstances Anselm had a fondness for death. It tended to resolve all
manner of complications for the living, especially in families, though few were
prepared to admit it. But this was an example of the principle�s wider
application. The death of Victor Brionne might have caused grief elsewhere but
it simplified things enormously.</p><p>The
visitor stayed for Vespers and afterwards Anselm walked him to his car.</p><p>�I�ve a
long drive ahead.�</p><p>�I won�t
ask where to,� replied Anselm. At that moment his eye latched on to the
distinctive red lettering of <emphasis>The Tablet, </emphasis>a Catholic weekly lying by the
back window Anselm always read it cover to cover, after which he feigned
intimate knowledge of world and religious affairs. As the visitor slammed the
car door, Anselm, unable to restrain his curiosity, stepped closer �he�d
noticed the small white address label. He just caught Mr Robert B � and
then the vehicle crunched away across the gravel.</p><p>Anselm
waved farewell. It had been one of those encounters, all too short, that could
only end with pages left unturned. In the withdrawn life of a monk it wasn�t
every day that Anselm met someone like Mr Robert B. The vehicle moved slowly
and Anselm noted the stickers on the rear screen: �National Trust�, �Whitley
Bay Jazz Festival�, �Cullercoats RNLI� � each a snapshot of a life�s
enthusiasms.</p><p>Walking
back to the Priory, Anselm thought he wouldn�t say anything to DI Armstrong just
yet. Her research would confirm what he�d been told. The death of Victor
Berkeley would become public knowledge and he could write to Rome and let them
know that the old collaborator had been struck by bricks from heaven.</p><p>And
while he was smiling to himself, the one peculiarity of his conversation with
Robert B struck him. At no point had they mentioned the identifying feature of
the dead renegade: his false name, the name by which he must have been known.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Twenty-Two</strong></p><empty-line/><p>1</p><empty-line/><p>The idea of going to Larkwood
Priory came to Lucy late at night after she had been grilled by Cathy about �the
Frenchman� � an expression that, for Lucy included Victor Brionne. The next
morning Lucy forsook a lecture on the Romantic era and rang Pascal.</p><p>�I�ve
had an idea. It�s a one-off, but it might yield something.�</p><p>�Go on.�</p><p>�Wherever
Brionne might be, he is bound to know that Schwermann has claimed sanctuary at
Larkwood Priory There�s a chance he, too, might contact the monks. Either he�s
looking for somewhere to hide, or he may want to speak out but doesn�t want to
go to the police � there are all sorts of possibilities.�</p><p>The
line hummed lightly Pascal said, �It�s worth a shot.�</p><p>�I�ll
pick you up in the Duchess, a Morris Minor built and bought before we were
born.�</p><empty-line/><p>A monk called Father
Anselm led them to an unkempt herb garden and a table beneath an ancient
wellingtonia tree, talking of his schooldays in Paris. At the first natural
break Pascal said, �Father, let me say I for one haven�t swallowed the story
that the Priory has any sympathy for �Schwermann�s predicament� � I think that
was the phrase. I used to be a journalist so I recognise the musings of a hack
when I see them.�</p><p>�I�m
very grateful for that,� said Father Anselm, not, it seemed, entirely at ease. �It
would appear we live in a time when any swipe at the Church sounds credible,
which is probably the Church�s fault as much as anyone else�s.�</p><p>�Maybe,
but one of the first things I learned as a journalist was that if you set
anything down in print, however bizarre, it looks plausible.�</p><p>The
monk said, �Unfortunately some stories about the Church are both bizarre and
true.�</p><p>Turning
to the subject of their visit, Pascal said, �Father, Eduard Schwermann is one
of those alarming people who diligently went to work within a system of
killing as if it was a Peugeot factory. After that, someone hid him.�</p><p>The
monk seemed unsurprised at something that had always struck Lucy as
astonishing.</p><p>Pascal
continued, �There will be a trial, but it doesn�t follow that justice will be
done. Turning over the past is a bit like waking Leviathan. Anything can
happen, and sometimes it�s the innocent that get devoured.�</p><p>�I�ve
seen the devastation many times.�</p><p>�To
stop that happening we need someone who knew him and saw him at work.�</p><p>�Who?� The
question seemed artificial.</p><p>�A man
called Victor Brionne. That�s why we�re here. I know it�s unlikely but if he
makes contact with the Priory for any reason, will you urge him to come
forward? I�m not asking him to go to the police, just to talk with me and my
colleague in private.� Pascal nodded his head towards Lucy</p><p>The
monk leaned forward, his expression a miniature of regret and slight confusion.
�I used to be a lawyer,� he said, as if disclosing a forgiven sin, �so I know
how important a witness like Victor Brionne could be in a case such as this.
And, as it happens, someone did come here to talk about him, a man whose mother
had known him. But he came only to say that Brionne had died in an accident.
The man kept his anonymity because he didn�t want to get involved.�</p><p>�How
did he die?�</p><p>�He was
hit by a falling chimney stack.� The monk seemed to find his own reply
transparently unsatisfactory.</p><p>Pascal
frowned. �A falling chimney stack? Didn�t that strike you as convenient?�</p><p>�I had
no reason to doubt him.�</p><p>Lucy
sensed growing discomfort.</p><p>Pascal
said, sharply, �Did he know the name, the name he hid behind?�</p><p>The
monk paled.</p><p>�Did
the person mention the name?�</p><p>�I�m
afraid not.�</p><p>�So
there�s no way of confirming what you were told? Death produces more paper than
anything else.�</p><p>Lucy
glanced from Pascal to the monk, who now seemed slightly adrift from the
conversation. He looked up, as though to speak, when his mouth froze. Lucy
turned in the direction of his gaze and saw an elderly monk walking across the
grass with a young man about the same age as herself.</p><p>�Brother
Sylvester,� said Father Anselm weakly</p><p>�I knew
I�d find you hiding here,� said the old monk, waving over his companion. �This
is Max Nightingale. Used to be in the Scouts, you know�</p><empty-line/><p>2</p><empty-line/><p>Brother Sylvester�s
distinctive contribution to community life inspired two extreme reactions:
protective affection and a desire to kill. The ground in between was narrow and
easily traversed. Watching Sylvester potter back to the reception, halting here
and there to rub and smell herbs along the way Anselm stepped swiftly from the
first to the second.</p><p>As
Porter, it was one of Sylvester�s tasks to answer the telephone and take
messages. The considered view of all was that about half got through.
Therefore, Anselm had no idea Max Nightingale was coming, and Sylvester had now
airily brought him into contact with the man who had exposed his grandfather.</p><p>Pascal rose
stiffly saying, �Thank you for your time, Father. We�d better be going. If the
nameless visitor calls again, I�d ask him some more questions.� He walked
quickly after Brother Sylvester, followed by Miss Embleton.</p><p>�Is
that Pascal Foug�res?� asked Max.</p><p>�Yes,�
replied Anselm resignedly</p><p>Max
took a step, halted and then called out, �Hold on � just a second �
tell me about Agnes � and a child ��</p><p>The
young woman who�d said hardly anything throughout their short meeting turned
abruptly showing an involuntary flash of pain. She hurried past Foug�res and
out through the gate.</p><p>�I
showed my grandfather a cutting last week,� said Max, watching them part. �It
was about him, Pascal Foug�res. My grandfather hadn�t realised he was involved
in the group that had exposed him �� He blinked rapidly, half squinting, �The
next thing I know he�s walking back and forth � mumbling� and out
spills that name � as though he could see her there, in the room � I
barely heard him after that � but he said �child� as if he�d seen flesh and
blood.�</p><p>They
were alone, now, in a scented garden.</p><p>Max
said, �I asked him today what he meant and all he�d say was that Victor Brionne
knew the answer.�</p><p>Anselm
felt a sudden affiliation with the young man. They were both relying on the
missing Frenchman to make sense of strained loyalties.</p><p>�You
know, Father,� said Max, �I think we are in much the same position. My
grandfather planted himself here, behind these walls, and I sometimes wonder if
he took refuge in my childhood � another secluded place where questions don�t
have to be answered.� He looked blankly at traces of paint beneath his nails. �But
now I�ve grown up.</p><p>�Unfortunately�
said Anselm, �that is never more apparent than when we ask the first forbidden
question. Maybe that�s when we really cease to be children.� Thinking of the
young woman with the haunted eyes, Anselm went on, �I wonder who Agnes might
be?�</p><p>Max
said, �I get the feeling Pascal Foug�res doesn�t know � but the girl does.�
He made to go, saying with a tinge of disinterest, �I just came to let you know
there�s no sign of Victor Brionne as yet. �</p><p>�There�s
still time,� said Anselm hopefully �Something will have found its way on to
paper.</p><empty-line/><p>After Max had gone Anselm
devoted half an hour to John Cassian�s Sixteenth Conference, On <emphasis>Friendship. </emphasis>Putting
down the text at the bell for Vespers, Anselm was struck by an answer, on the
face of things, unrelated to his reading, even before he�d formulated the
question. Did Agnes know Victor? Yes, she did; she most certainly did. And they
had both known Jacques � an interesting fact that had escaped the family education
of Pascal Foug�res.</p><p>Anselm
shook his head, ruing the scheme of things that only allowed him to discover
great truths by accident.</p><empty-line/><p>3</p><empty-line/><p>They travelled in silence
for a mile or so. The roads were empty and the evening sun was beginning to dip
behind the darkening trees.</p><p>�Who�s
Agnes?� Pascal said.</p><p>A cold,
crawling sensation spread over Lucy�s scalp: it�s a fact, he�s never even heard
of her. Proudly vehemently, she said, �My grandmother.�</p><p>�And
the child?�</p><p>�Her
son.�</p><p>�The
father?� He�d guessed the answer: his own history, the redactor�s script, had
been torn in two.</p><p>Lucy
checked her mirror and pulled into a lay-by near a farm gate. The sun slipped
further down, a dying blaze. She said, �Jacques Foug�res, your great-uncle:</p><p>�What
happened to the boy?�</p><p>Lucy
couldn�t read his expression. Resentment and despair choked the words.</p><p>The
whole story would now tumble forth. Pascal wound down his window, pulling in a
slap of cold fresh air, and Lucy broke her promise to Agnes.</p><empty-line/><p>The late evening sky had
acquired a faint glamour, like the surface of the sea, deep but impenetrable.
Lucy drove into the advancing night, the obstacles that had lain between her
and Pascal floating all around � broken words on a rising wave, a swell made of
two rivers suddenly joined.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Twenty-Three</strong></p><empty-line/><p>1</p><empty-line/><p>Pascal rang Lucy on her
mobile while she was having lunch with her parents. Her father sat at the head
of the table; her mother had just left the dining room for the kitchen. The
opening bars of Beethoven�s Fifth, electrified and appalling, blared out from
Lucy�s pocket.</p><p>�Destiny,
I presume?� asked Freddie woodenly</p><p>Lucy
took the call.</p><p>�I
think a little miracle happened when we were at Larkwood Priory.�</p><p>�It
passed me by�</p><p>�Meeting
Max Nightingale.�</p><p>�You�re
joking.� She thought of him with revulsion. �I call that unfortunate. �</p><p>A long
moan of hopes betrayed floated out from the kitchen. As usual her mother was
battling with milk and powder, strong adversaries that would not be reconciled.</p><p>Pascal
said, �I don�t know why he threw that question in about your grandmother but he
hadn�t the faintest idea who she was.�</p><p>�That�s
not a miracle.�</p><p>�But if
he knows of her, he may well know of Victor Brionne � and his name.</p><p>Her
father realigned his plate, clinking it against a neatly laid dessert spoon.</p><p>Lucy
said, �But he�s not going to tell you, is he?�</p><p>�I�d
like to find out.�</p><p>�You�re
joking again.� Lucy sensed the future, predatory and inevitable.</p><p>�I�m
not. In a way he�s no different to you or me-Lucy spat, �How?�</p><p>�He�s
part of the aftermath. He�s not a criminal. I�d like to meet him, it�s just� right � and I couldn�t be bothered to work out why�</p><p>�I have
to go,� said Lucy The approval of her father flowered in a smile. Phone calls
during meals were not encouraged. It had been one of Darren�s specialities,
done on purpose.</p><p>The
call ended, and Lucy�s father said, �Dreadful things those. Who was that?�</p><p>�Just a
friend.� The barricade on her private life appeared. Her father scouted around
for an opening, looking for light between the slats: �How�s your study getting
along?�</p><p>�Not so
bad.� The phrase sealed a gap. Lucy had detected the true meaning beneath her
father�s question: �You made a hash of Cambridge so please don�t fail again.�
She thought: fail who? You or me? Who do you really think lost out in my
growing up? Shocked by her own charity she answered: we both did, terribly and
she suddenly wanted to touch him. She took her father�s empty plate and laid it
on hers. When were they ever going to forget the past? Why were they cursed to
remember everything?</p><p>Her
mother came into the room, hands on her hips, her face fallen: �I�m afraid there�s
lots of lumps in the custard.�</p><p>�Oh
God, not again,� said her father as he reached out for Susan�s hand.</p></section><section><empty-line/><empty-line/><p>2</p><empty-line/><p>Anselm drove Salomon
Lachaise to Long Melford, a town of Suffolk pink not far from Larkwood. Having
parked they walked into Holy Trinity Church, a huge construction more like a
cathedral, its magnificence built upon medieval piety and the wool trade.
Salomon Lachaise removed his heavy glasses, squinting with wonder at the
windows and the empty stone niches in the chantry, once the home of solemn
apostles. They passed through a churchyard to the Lady Chapel.</p><p>�This
was a school after the Reformation,� said Anselm, pointing to a children�s
multiplication table on the wall. Salomon Lachaise quietly studied the enduring
markings of long, long ago. He said, �It is a kind of mockery, but one cannot
survive without shame.� He pressed small hands deep into cardigan pockets,
making them bulge. �It is something I could never tell my mother.�</p><p>�Why?�</p><p>�Her
peace grew out of my being am ordinary boy doing his sums at school like all
the others.�</p><p>Anselm
said, �But why shame?�</p><p>�Because
you cannot escape the sensation that you have taken someone else�s place.� He
looked closely at the wall. �It�s like a debt to heaven.�</p><p>They
stepped outside, back into the churchyard. Salomon Lachaise said, �When I was a
boy my mother used to say that hell was the painless place where everything has
been forgotten. �</p><p>�That
doesn�t sound so bad.�</p><p>�It
couldn�t be worse.�</p><p>�Why?�</p><p>�Because
there�s no love. That�s why there is no pain.�</p><p>They
walked beneath a milky sky shot with patches of insistent blue. Anselm looked
up and asked, �Then what�s heaven?�</p><p>�An
inferno where you burn remembering all that should be remembered.�</p><empty-line/><p>3</p><empty-line/><p>Cathy and Lucy finally
made it to the Turkish baths. There were three rooms linked by arches. Each got
smaller and hotter than the one before. For twenty minutes they sat upon the white-tiled
seats of the first chamber. Steam swirled around them. Their heads slowly fell
under the weight of bone as strength drained away At a nod from Cathy they
moved into the next phase of affliction; when Lucy thought she could bear it no
more, Cathy gestured towards a small, empty compartment. None of the other
users had been in there. The heat was overpowering. Lucy slumped in a corner,
blinded by sweat, until she was so weak she could barely lift her limbs. Cathy
leaned against the wall, her eyes tightly closed. Through the burning fog Lucy
could just see the small scar upon the flushed cheek. It kept the lead, always
a fraction redder.</p><p>Cathy
slowly raised an arm, pointing to a swing-door adjacent to the entrance. �You
first,� she breathed.</p><p>Lucy
staggered back, blinking rapidly, her eyes swimming from the sting of salt. She
pushed through the door into a bright room by a small pool. Somehow she lay on
a table.</p><p>�That
was hell,� she said. �I�m never coming back as long as I live.�</p><p>�It�s
not over yet, love,� said a deep voice. A woman with thick muscles appeared,
armed with a huge lathered sponge. At its touch upon her toes Lucy howled. It
was too much. The lightest contact was like merciless tickling. Lucy shrieked
until she was hauled off and pushed towards a warm, gentle shower. When she emerged,
the woman with the muscles gave her a shove and Lucy toppled into the pool of
freezing water. When she surfaced she was ready to die. Death had lost its
sting.</p><empty-line/><p>Lying on a padded leather
divan, wrapped in a warm towel, Lucy had her first experience of transcendence.
By her side on a small table was a mug of hot, sweet tea and a bacon sandwich.
Cathy lay upon a parallel couch.</p><p>�I
believe in God,� said Lucy</p><p>�I�m
told a bishop died of a heart attack in a place like this.�</p><p>�No
better surroundings.�</p><p>�I don�t
think he made it to the pool.�</p><p>�He
coughed it on the table?�</p><p>�So it
seems.</p><p>�What a
way to go.</p><p>Cathy
reached for her sandwich and said, �Did you take my advice and invite the
Frenchman out?�</p><p>�I did,
actually,� replied Lucy</p><p>�Where
did you go?�</p><p>�A
monastery. �</p><p>Cathy
chewed thoughtfully �Before that you had a meal in a crypt.� She licked melted
butter off a finger. �Where to next time?�</p><p>�A pub,
I suspect. �</p></section><section><empty-line/><empty-line/><p><strong>Chapter Twenty-Four</strong></p><empty-line/><p>1</p><empty-line/><p>Lucy met Pascal on a wet
pavement outside Sibyl�s Cave on a Friday night. She said, �It�s seething.�</p><p>�We�ll
be all right: He rubbed his hands confidently, as if about to spin a couple of
dice down the felt. He winked and Lucy bridled. She couldn�t split the gesture
from scaffolds and whistling beery cheek. He said, �I have a good feeling about
this.�</p><p>Pascal
had obtained Max Nightingale�s phone number from Father Anselm. The meeting was
set up. Apparently he�d been keen. When Pascal had told Lucy she�d felt a
sharp, churning disgust. �Good,� she�d said.</p><p>Lucy
yanked at the pub door, releasing from the bright hallway a gasp of heat and
noise. The lounge was packed with competition, professionals loudly shedding
the pressures of work. They glanced into a small smoking room. Thick blue
swirls hung above the tables like belchings from so many garden fires. Empty
glasses stood in tight crowds. A young girl in a short black skirt pushed past
gripping a damp cloth. They forced their way towards the veranda entrance.
Pinned to a jamb was a forbidding notice: Private Party. Through the window
panel Lucy saw suits, legs crossed while standing, wine glasses pressed to the
chest: the boss was leaving. Pascal pulled her by the arm towards the debating
room.</p><p>The
appetite for argument was on the wane � young bloods were heading for the bar
or home, leaving disparate clusters of older men. Where were the women? thought
Lucy Her gaze shifted and she saw Max Nightingale sitting in a corner. On the
table was a black motorcycle helmet. It stared at Lucy and she thought of an
empty, severed head. They joined him, pulling up chairs.</p><p>�Who�s
Sibyl?� asked Max Nightingale. Lucy noticed dark grime beneath his nails: a
trace of his grandfather�s dirt. Catching her glance he said, �Paint. I�ve been
painting.�</p><p>�Papered
cracks?�</p><p>�No,
pictures.�</p><p>�Oh.�</p><p>�Sibyl?�
he repeated.</p><p>Pascal
said, �She�s the maim player in a tragic myth, a mystic who pushed off death
and spent centuries in a cave. She wrote out riddles on leaves but left them to
the mercy of the wind.�</p><p>Max
Nightingale stared back blankly �I thought she was the landlord.�</p><p>Lucy
laughed, against the will to scoff � she who hadn�t known either.</p><p>Pascal
said, �You asked a question at the Priory � about Agnes and a child. Where did
you get the name from?�</p><p>�My
grandfather.� He spoke frankly quickly</p><p>�Do you
know who she is?�</p><p>�No.�</p><p>Pascal
seemed to see suspicion and caution peeling away �I�d like to ask you a
question, but first I just want to say something.�</p><p>Max
Nightingale removed the helmet from the table. A space opened up, flat, ready
to be crossed. Lucy regarded it with horror.</p><p>Pascal
said, �We�ve been born on different sides of a nightmare, but it�s worth
saying � I�ve got nothing against you.</p><p>Max
Nightingale flinched. Then, recovered, he said, �Ask me your question. �</p><p>Lucy
heard a shuffle: standing almost over them was the man she called The Don.</p><empty-line/><p>2</p><empty-line/><p>Brother Sylvester must
have enjoyed one of his flashes of competence, for he managed to transfer a
telephone call from the switchboard to the extension where Anselm was to be
found. The shock of the feat momentarily distracted Anselm�s attention from DI
Armstrong�s words:</p><p>�We�ve
put all the evidence to Schwermann during the interviews. He said only one
thing, a quotation: �Zwei <emphasis>Seelen wohnen, ach! in meiner Brust.��</emphasis></p><p>�I�m
sorry, I can�t help you there. �</p><p>�I don�t
need help, thank you. It�s from Goethe�s <emphasis>Faust. </emphasis>Translates as �Two souls
dwell, alas, within my breast.� I think it�s am admission of sorts.�</p><p>�But it
won�t get you very far with a jury�</p><p>�I
realise that. Anyway, the investigation is over. We�re going to charge him
tomorrow with murder.�</p><p>�Joint
enterprise?�</p><p>�Yes.�</p><p>Anselm
had a premonition of what was to follow</p><p>�As for
Victor Brionne, or Berkeley, nothing has turned up. There are no records to
show that he ever lived or died, not under those names.</p><p>Anselm
thought back to the charming Robert B, legs crossed, confiding the little he
knew; coming to Vespers and taking his time in parting.</p><p>DI
Armstrong said, �Brionne has been a very cautious man. He must have changed his
name again � perhaps by deed poll, or simply by claiming his papers had been
destroyed: that would have been fairly easy for a refugee after the war. Either
way, there�s little chance of finding him. It is as though he never existed.�</p><empty-line/><p>3</p><empty-line/><p>�May I join you?� A warm
smile lit The Don�s face, among a shock of white hair, from his scalp down to
the beard. In his hand was a pint of beer. Without waiting for a reply he drew
up a chair and sat down.</p><p>�I
recognise you, actually,� he said, nodding to Pascal, �from the television.�</p><p>Max
Nightingale opened his mouth to speak but the stranger said, �Well, well, here
we are, four open minds round one table. There�s nothing we cannot question
and, as so often happens in the dialogues of Plato, our combined ignorance can
lead us to the truth. The blind can lead the blind after all.� He smiled
cheerily</p><p>�Look,�
said Max Nightingale, �we�re in the middle of something.�</p><p>�I�ll
join in.�</p><p>�I�m
sorry, but��</p><p>Pascal
interrupted: �Max, this is the debating room. I should have said � anyone
can participate �</p><p>�So,�
said the man with the white beard, looking amiably round the table, �what�s the
subject?�</p><p>Pascal
said, with strained patience, �We haven�t got one.�</p><p>�Then
let me oblige,� and rather too quickly he said: �My thesis is that getting hold
of the truth requires us to distinguish different kinds of narrative � symbol,
allegory, parable and the like. Now, one of the main problems is when one form
of discourse pretends to be another � myth or fable masquerading as fact.
Story dressed up as history. �</p><p>Max
Nightingale looked deeply bored.</p><p>The
stranger said, �Have any of you read the Narnia books?�</p><p>While
Pascal and Max Nightingale seemed irritated at the interruption, Lucy was
relieved. It was an interlude in a difficult meeting, that was all. Pascal
could ask about Brionne�s name after the discussion was over. There was no
rush. She said, �I�ve read them, several times. �</p><p>He
smiled winningly and cried, �But you haven�t tried talking to a lion, have you?
It�s just a myth about good and evil and the lion wins.</p><p>Lucy
noticed Pascal�s face darkening with a sort of expectation.</p><p>The
stranger said, �There�s no difficulty in that instance because there are no
facts, it�s just fiction. But what happens when fact and fiction mix?� He
raised his glass. �Let�s take the Holocaust, for example.�</p><p>Lucy
shivered at his serene manner, the use of charged language without reverence.</p><p>He
smiled, saying, �How much is fact and how much is fiction?�</p><p>�Let�s
go,� said Pascal, standing up.</p><p>�Am I
the voice of temptation in your wilderness?� he pouted.</p><p>Lucy
glanced at Max. He had paled and seemed unable to respond. She rose, picking up
her coat. The straps of her rucksack were tangled round her feet. Her purse
fell out, coins rolling under the table. A number of people close to them
turned at the noise. An old man nearby grimaced and pulled himself up, his head
inclined towards Pascal and his tormentor.</p><p>�Come
on,� snapped Pascal.</p><p>�Let�s
take the Schwermann trial, said The Don, supremely relaxed. �He might be
convicted. But who�ll question the old fairy tales?�</p><p>�Lucy,
please, come on,� said Pascal.</p><p>The old
man lumbered over and grabbed the Don�s shoulder, tugging at the cloth. He
shouted, �.I�ve had enough of you, clear off. Go on, get out. �</p><p>The Don
stumbled to his feet, his smile suddenly twisted with suppressed rage. �Get
your hands off me, you ignorant��</p><p>�I�m
not scared of y-your sort,� the old man stuttered, raising a shaking fist.</p><p>From
the other side of the room someone yelled, �Dad? What the hell � ?�</p><p>Max and
Pascal rose quickly, moving round the table. The old man pulled harder, his
fist drawing back. Suddenly, with a look of ecstasy, The Don swung his arm in a
sweeping, imperious arc and struck the old man across the face. At the same
time Pascal lunged forward, trying to come between the two men. Then Lucy
gasped. Pascal slipped and tumbled over. He spun to one side, falling. His left
arm caught the edge of a table, his body twisted and there was a sickening
thud. Pascal groaned, like one asleep, rolling his head from side to side. Both
arms lay limp upon the floor. Lucy covered her face, staring at him through
shaking fingers. A thin wail broke out of her that wouldn�t stop. She could
only see one of Pascal�s feet, the rest of him now surrounded by people on
their knees while others pushed tables and chairs to one side.</p><p>An
ambulance came. All Lucy could remember afterwards were the colours. Green
sheets, a red blanket, shiny chrome bars on the stretcher, yellow jackets and
pale, white faces. Someone took her hand. An arm went around her shoulder.
There was no sound any more, either from her or all around. It was as though
she was wrapped in great puffs of cotton wool, and she floated in a vacuum,
deep inside her head.</p><p>The
last thing she saw before being led outside into the night air was the place
where Pascal�s head had come to rest. A small but thick smudge of blood shone
at the base of a rather vulgar table leg, ornate metalwork curving down to a
small iron globe.</p><empty-line/><p>Lucy was brought home by a
woman police officer at three in the morning. Alone in her flat, still
surrounded by a heavy, numbing insulation, she saw a flashing light on her
answer machine. Her body moved towards it and pressed a button.</p><p>�It�s
me, Cathy,� drawled a voice into the darkness. �I tried you on your mobile
without success and I now confidently entertain certain suspicions. So, what
did you do this time? Bell-ringing? Call me sometime.�</p><empty-line/><p>4</p><empty-line/><p>Morning light danced
across the hills around Larkwood. Captivated, Anselm opened the windows of his
cell. He sat quietly, preparing himself for Lectio Divina, but started at a
distraction: footsteps moved swiftly on the corridor outside, growing louder.
It was peculiar because monastic comportment for bade anything that might
disturb the spirit of recollection, and it was unheard of at that hour, even in
the breach. A knock struck his door. Anselm rose, turning the handle with apprehension.</p><p>Brother
Jerome had a clutch of newspapers under his arm. It was his task to read
diverse reports and opinions from Left and Right and distil them into a
balanced news bulletin to be read out during lunch. He had evidently just
collected the papers from reception. Without saying anything he pointed to a
passage on the front page of a national. Pascal Foug�res had been taken to
Charing Cross Hospital, Hammersmith. He had died shortly afterwards from a
brain haemorrhage sustained during a fall. The accident had occurred, it
seemed, when he intervened in a quarrel about the last war. Police sources said
an investigation was under way</p><p>Anselm
shut his door and slumped on to a chair. With his mind�s eye he described
Leviathan rising out of a boiling sea, arching high into a red sky dripping
water like rain.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Twenty-Five</strong></p><empty-line/><p>The cottage on Holy Island
was more of a manor, having many rooms and a large, windswept garden leading
down to a stone wall built by hands that knew a craft fast becoming scarce.
Immediately beyond lay an intimate, curved shoreline of green and black
boulders, some round but others angulated despite the endless blandishments of
the sea. From the bathroom Victor could see the deep pink sandstone ruins of a
Priory, hollowed by wind and rain; from where he slept he looked out upon
Lindisfarne Castle, cut against a pale sky joined as one to the high crag from
which it rose, reaching out to the Northern Lights. Beyond lay Broad Stones
and, further, Plough Rock, and then the bare, flat, silent sea.</p><p>�You
should be safe here,� said Robert. They had walked to the north end of the
island, overlooking Emmanuel Head.</p><p>Victor
nodded.</p><p>�I told
him what you told me, that Victor Brionne died after the war; and I told him
what I told you, that someone else married my mother. I told him the truth. If
anyone comes asking questions about you, they�ll be told you�re dead.�</p><p>Victor
stood once more upon the lip of an abyss. There could be no further discussion.
It would have been better if Robert had not gone to the Priory, for he had
become a tiny link between Victor and whoever might still want to find him. But
he was trying to help his father and that was all that mattered. Robert wasn�t
to know that Victor had changed his name a second time. No one knew that, so
the chances of anyone looking for Victor Berkeley being led to Victor Brownlow
were remote. Perhaps he had been precipitate in disclosing anything to Robert
at all. Maybe he should have taken the risk and carried on as if nothing had
happened, living his life on the ground he�d laid over the past. But with
Schwermann unmasked, the desire to hide had been irresistible; and, despite the
burden of secrecy, he�d wanted to tell Robert at least who he had been, to let
Robert in, ever so slightly, on the scourge that had laid waste to his father.</p><p>Brownlow:
Victor liked the name and always had done. It had been an inspired choice.</p><p>They
turned and walked back, arm in arm, to �Pilgrim�s Rest�, Robert�s holiday
cottage. A cold sea wind, wet with spray hustled them along. And, with a
sadness first born when he was a boy Victor thought of Jacques, and now Pascal
Foug�res, whom he had never met and who had wanted to find him. They should
have been able to meet as friends and bridge the years, but a great gulf had
been fixed between them. Victor followed Robert through the garden gate and
thought angrily:</p><p>I could
never have helped Pascal Foug�res, even if he�d found me � that would only have
been possible if Agnes was alive. But she�s dead, as if by my own hand.</p></section><section><empty-line/><empty-line/><p><strong>Part Three</strong></p><p>�Now is the time for stripping the spirit bare,</p><p>Time
for the burning of days ended and done ��</p><p>(Laurence Binyon, �The Burning of the Leaves�, 1942)</p></section><section><empty-line/><empty-line/><p><strong>Third Prologue</strong></p><empty-line/><p>6th
January 1996.</p><empty-line/><p>The slow, physical
destruction was matched by an increased mental clarity, a loosening between
flesh and spirit. Agnes often felt a fluttering in her stomach, as though
something roped to a ground peg was trying to take off. She wondered if she was
going to be sick.</p><p>Agnes
had lain day after day and night after night upon her back, or on one side and
them the other, Wilma doing the dutiful, turning her this way and that. And
then came the ointment, and the jokes, for the bedsores. The job done, she was
left alone.</p><p>Agnes
never realised there was so much to contemplate in one room: the paint lifting
ever so slightly on the window frame, soon to be a soft curl pulling away from
the wood; the pattern of faint shadows changing imperceptibly with the movement
of the cloud, lighting little things with a barely noticeable difference. But
once Agnes had seen all there was to see she got very bored. And then, for no
apparent reason, she remembered how Merlin had taught Wart, the future King
Arthur, the art of seeing � by changing him into another animal. So Agnes
imagined herself as a bird, looking down from on high at the intricate mingling
of things, like a hunting kestrel afloat on a bearing wind.</p><p>She saw
the boat upon the Channel, bound for France, and her father staring anxiously
out to sea with a little girl by his side � a beautiful girl, standing on the
first rail, her hair adrift and her red coat about to be thrown leeward before
he could stop her or see the abandon upon her face. She saw Father Rochet
holding her boy in a parlour, just after the baptism, staring bravely through
those infant eyes to another place and another child. She saw Madame Klein by
the split boards of a cattle truck, pushing other mouths away from a thin
stream of air, standing on a fallen, wheezing mound. Agnes turned into her
pillow with a low moan and rose higher still, above the gathering wind. Through
the first swirls of evening mist she saw a light upon the Champs-Elys�es and a
young man behind a desk, checking address lists and the timings of the next day�s
work. His face was set hard. Down she swooped, faster and faster, over the
chestnut trees heavy with leaves, and into the room, through the slate-blue
iris and into his shivering optic nerve.</p><p>And
Agnes understood. She finally saw into Victor Brionne, the traitor. Slowly she
raised her hands, frail fingers extended and shaking. She could not speak. It
was too late to write anything now And she could no longer dictate.</p><p>Wilma
bustled through the door with a cup of ice cubes, a saucer and a teaspoon.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Twenty-Six</strong></p><empty-line/><p>1</p><empty-line/><p>The trial of Eduard Walter
Schwermann opened on a warm morning in the second week after Easter. Queues for
the public gallery stretched from the Old Bailey towards Ludgate. The Body
Public sat on canvas chairs nibbling sandwiches. Flasks of tea stood like
skittles on the pavement. Many in due course would be turned away when the
Porters informed them there were no storage facilities for their hampers.
Anselm, on his way to meet Roddy, was forced off the kerb. He crossed the
street and looked back at the noble inscription high upon the court wall: �Defend
the children of the poor and punish the wrongdoer.� Anselm gazed upon the
crowds and moved on, discomposed by the faint hint of carnival always
attendant upon the airing of other people�s tragedy</p><p>Two
weeks beforehand, Schwermann had moved out of Larkwood at six in the morning,
hidden among a loud convoy of vehicles and motorbikes. He would be held on
remand for the duration, Milby had said with yawning indifference. Schwermann�s
stay at the Priory had lasted a year. That same afternoon, Anselm and Salomon
Lachaise met at The Hermitage for a glass of port over a game of chess.
Reviewing their many matches, Anselm had been judged the overall winner,
although that did not reflect the distribution of talent between them. Luck, it
seemed, had played the better part. The ensuing match was a draw, each not
truly wanting to win. Salomon Lachaise had left the next day for London. He would
be staying in a small flat above Anselm�s former chambers, overlooking the main
square of Gray�s Inn and a short walking distance from the Old Bailey The offer
had come from Roddy on his last visit to Larkwood (while he didn�t believe in
God, he often came to the Priory just to �peep over the rim�). Such an offer,
from the old rogue�s mouth, meant no expenses would accrue. And thus the
subject of remuneration, always delicate for the recipient of kindness, was
quietly and happily dismissed.</p><p>Walking
briskly, Anselm turned his thoughts to what lay ahead. First, he�d arranged to
meet Roddy at chambers for a low-down on the principal players in the trial � a
taste of old times. Afterwards, however, Anselm would catch a train to Paris to
see the Foug�res family � for a more unpalatable task. Milby through DI
Armstrong, had suggested he might go on their behalf, given the unpleasant
legal realities that required sensitive explanation.</p><p>�I
think the boss is right,� DI Armstrong had said. �It would be better coming
from someone like you.�</p><p>Anselm
had agreed, but had found himself seizing the opportunity to request another
favour, made tawdry by a hint of bargaining: �I have something to ask of you.
It relates to Victor Brionne.�</p><p>�He�s
gone, I�m afraid.�</p><p>�Can I
have the same assurance as last time? If I tell you what more I know, will you
allow me a first interview?�</p><p>DI
Armstrong had looked Anselm directly in the face. �I don�t know what you�re
doing, Father, but you must have crossed a line, morally and legally I think
you should step back. Go home.�</p><p>�I�d
like to, but I can�t. I haven�t yet worked out where the line was.</p><p>�No,
Father, we all know where it is.�</p><p>�I�ve
said something very similar to other people in the confessional. I�ll never say
it again.�</p><p>�I can�t
forgive sins, you know that.�</p><p>�I give
you the same assurance as I did last time. What I am doing is in the interests
of justice.�</p><p>�All
right, go on.</p><p>�A man
came to see me. He told me Brionne died after the war. In a peculiar way
everything he said struck me as true � and it still does, even though I am sure
now it was false. Intuition tells me he�s related to Victor Brionne.� He�d
given the signposts he had remembered: Robert B, the <emphasis>Tablet </emphasis>subscription
and the rest. She�d written them down in a notebook, saying, �Father, you
really don�t have to make a deal with me. I�d do this even if you refused to go
and see the Foug�res family�</p><p>Anselm
had reddened under the reprimand, all the more so because he sensed DI
Armstrong no longer saw him in quite the same light. The monk wasn�t that
different after all.</p><empty-line/><p>Roddy was languidly
smoking a cigarette while studying a wall of closed files as if they were
strange objects uncovered by the Natural History Museum. He was dutifully
engaged in that old internal debate, the outcome of which was already decided:
to read or not to read?</p><p>�VAT
fraud,� he said by way of explanation. �I find the facts tend to get in the way
of a good defence. Good to see you.</p><p>He
turned away, chortling, and reached for Anselm�s hand. After covering gossip
about the latest string of inexplicable judicial appointments, Roddy moved on
to the Schwermann trial.</p><p>The
judge was a safe pair of hands: Mr Justice Pollbrook, known as Shere-Khan
because of his patrician vowels and his tendency to strangle weak arguments
while scratching his nose. Leading Counsel for the Crown was Oliver Penshaw �Terribly
mice chap, rather solemn, engaging bedside manner � which is probably why he�s
got the brief� but he�s far too decent. Has a tendency to let the witness go,
just when he should finish �em off.� Roddy turned to Anselm, adding, �.That�s
why they�ve given him Victoria Matthews as a Junior.�</p><p>�What�s
she like?�</p><p>�Young,
charming and, to the unsuspecting witness, apparently harmless. But that just
hides the knife. They�re a good team. Balanced. If Oliver has any sense he�ll
keep her wrapped up for any witness who might wreck his case.�</p><p>�What
about the Defence?�</p><p>�Henry
Bartlett, without a Junior. A small man with vast talent. He�ll choose two or
three cracking points and admit everything else. Short cross-examinations. By
the time the jury retire there�s a good chance they�ll only remember what Henry
chose to demolish.� Roddy drew deeply on his cigarette. �It�ll be an
interesting match. Have you got a ticket?�</p><p>�No,�
said Anselm from afar. The hunt, the chase, going in for the kill, the runners
and riders, hitting the crossbar, caught behind, nose-enders. It all sounded
rather distasteful now: the understandable levity of soldiers on the front
line.</p><p>Roddy
looked at his VAT files as one nudged by a conscience often ignored by more
astute experience. �I do hope your life of abstinence can be suspended for two
hours. We haven�t had lunch in years.�</p><p>�It
can, Roddy But keep it simple. I�ve a train to catch.�</p><p>�What
on earth are you expecting, old son?� said the Head of Chambers, his reputation
for moderation sorely offended.</p><empty-line/><p>2</p><empty-line/><p>A section of the court had
been set aside for survivors and their relatives. Old and young were side by
side. Lucy could not look upon them for long. Here, in this place, at this
time, they had a majesty at once subdued and harrowing. She wondered if there
was anyone else like her who could not take their proper place because of the
tangled weave of history.</p><p>With
that thought she found a seat beside a small man in his mid-fifties. He wore an
old cardigan with the stem of a pipe poking out of a side pocket and heavy,
thick-set glasses. He gave a nod of greeting as she sat down. Further along she
noticed Max Nightingale. She had not seen him since Pascal�s death, although he
had left his number with the police should she want to speak to him. She didn�t.
She felt she should, but could not do it. And she was too weary of spirit to
work out whether or not it was fair. Who cared what was fair after what had
happened? Fairness was a word for children, to ensure everyone got a turn.
Life, she had learned, was no playground.</p><empty-line/><p>The Defendant chose not to
be present while the submissions on Abuse of Process were advanced on his
behalf. The court was not occupied for long. Mr Justice Pollbrook slashed his
way through anticipated arguments and contrived courtesies with languorous
ease.</p><p>�Let�s
get on, shall we?� he said lazily, surveying the field of slain propositions.</p><p>The
jury were empanelled. The Defendant was summoned. Doors opened and banged. He
emerged flanked by guards, as if he had been drawn up from a hole in the
ground. His appearance astonished Lucy: she had expected to glimpse the shape
of evil but this man was no different from any other pensioner she had seen. A
dark grey suit and a slight stoop produced an effect of respectful
vulnerability. He stood, thumbing the hem of his jacket, while the indictment
was read out.</p><p>The
Defendant faced various counts of murder between 1942 and 1943. After each
charge was put to him he entered a plea, his eyes fixed above the judge to the
Crown Court emblem with its dictum: �Dieu et mon Droit.�</p><p>�Not
guilty.� The lingering guttural intonation had not quite been spent.</p><p>�Louder,
please.�</p><p>�Not
guilty.�</p><p>�Thank
you, Mr Schwermann. You may sit down,� said the judge in scarlet and black,
seated higher than all others among worn leather and panels of oak. From the
Bar below, paper rustled and bewigged heads turned and leaned, whispering among
themselves. Outstretched arms passed folded notes back and forth. The judge
opened a notebook and lifted his pen.</p><p>Amid a
silence the like of which Lucy had never heard before, Mr Penshaw rose to his
feet.</p><p>�Ladies
and gentlemen, my name is Penshaw I prosecute in this case, assisted by the
lady behind me, Miss Matthews. The gentleman on my left, nearest to you, is Mr
Bartlett. He represents the Defendant. My first task is to give you a summary
of the case against the accused.� Mr Penshaw rested his arms upon a small stand
in front of him, referring now and then to a sheaf of notes. �You are about to
try an ordinary man charged with an extraordinary crime. The state calls upon
you for one purpose: to decide his innocence or guilt. The Crown says he
devoted the best years of his early manhood to the systematic deportation of
Jews from Paris to Auschwitz. A three-day journey to the East in cattle wagons,
where they were gassed upon arrival or worked to death. You will listen to the
voices of those who survived, They will tell you of the terrible things they
saw, from which you will instinctively wish to turn away But you must not. You
will have to listen and look dispassionately upon the actions of this man,
whose crimes occupy one of the darkest chapters of history. And I�m afraid I
must tell you now it is with the massacre of innocent children that you will be
most concerned.�</p><p>Lucy
was lost to her surroundings. No one seemed to breathe or move. There was just
the calm evocation of a time long past, strangely alive to her as though it
were part of her own memory.</p><p>�SS-Unterscharf�hrer
Eduard Schwermann was posted to Paris in July 1940, a month after the city fell
into German hands and the Occupation began. He was twenty-three years of age
and a volunteer. For one of low rank, he was astonishingly close to the highest
echelons of his masters. Based in the Jewish Affairs Service of the Gestapo, he
was an aide to its chief, the personal representative of Adolf Eichmann. The
latter was Head of the Jewish Affairs office at Gestapo headquarters in Berlin,
eventually captured, tried and executed by the State of Israel in 1962. By the
end of the war, this small department had presided over the deportation of
seventy-five thousand, seven hundred Jews from France, most of them to
Auschwitz.�</p><p>For
economy the Crown had restricted the evidence against Schwermann to operations
in Paris during 1942. The case would focus on his participation in the
notorious �V�l d�Hiv� round-up (code-named �Vent Printanier�, or �Spring Wind�),
and the destruction of a smuggling ring whose purpose had been to save some of
the children likely to be arrested.</p><p>Mr
Penshaw went on to explain that at 4 a.m. on 16th July 1942, 888 arrest squads
broke into Jewish homes throughout the city. For two days, amid screams and
shouts, young and old were hauled through the streets to collection points.
Coaches, once used for public transport, took them away � either to the
V�lodrome d�Hiver, or to Drancy, an unfinished housing complex on the edge of
the city. Time and again these squads returned to the old Jewish quarter, whose
history stretched back to the Middle Ages and whose winding streets had been a
refuge since the Revolution. News of the round-up spread like fire. Panic set
in. Over a hundred people committed suicide. Paris watched, dumbstruck. No one
could have foreseen this aspect of Occupation � 12,884 people vanished,
including 4051 children.</p><p>In due
course, as the Defence formally admitted, families taken in the V�l d�Hiv
round-up were first sent to other internment centres in the Loiret, either
Pithiviers or Beaune�la� Rolande (known as the �Loiret Camps�), or Compi�gne.
There, the children were separated from their families before being transferred
to Drancy The parents were deported to Auschwitz. The children, all under
sixteen, later made the same journey and suffered the same fate. It was thought
300 or so may have survived.</p><p>In the
months prior to �Spring Wind�, rumours of a massive round-up spread throughout
Paris. A group of young French students, all roughly Schwermann�s age, decided
to act. Led by Jacques Foug�res, a smuggling ring known as The Round Table was formed,
linked to Jewish and other Resistance groups in the city. The aim was to
collect Jewish children from various �drop off� points in Paris and hide them
in monasteries outside the city. From there they would be taken to Switzerland.
It was am heroic and tragic effort. Heroic because they could never have
protected the thousands at risk; tragic because they were all captured in the
days before the round-up began.</p><p>So what
bearing did these events have upon the young German officer now brought before
the court in the autumn of his life? He was a member of the team that planned �Spring
Wind�; he stalked the rue des Rosiers and the rue des Blancs� Manteaux,
overseeing wave after wave of arrests; he supervised the final departure of
children from Drancy to Auschwitz. And as for The Round Table, he managed to
infiltrate its ranks and secured the arrest of each member, before they could
save any more children from the coming storm. The students were later
transported to Mauthausen concentration camp where they met their deaths. The
Jury would see the personal commendation Schwermann received from Eichmann,
congratulating him on this �achievement�.</p><p>Mr
Penshaw emphasised the importance of viewing these events in the harsh light of
the times. Hundreds of thousands of Jews had fled Germany during the 1930s,
driven out by violence and the repressive legal machinery of the State. Many
had sought refuge in France. But France fell, and within months of the Germans
setting up their administration in Paris, they moved against the Jews. A census
was ordered; businesses were seized; the first arrests took place in May 1941,
with further round-ups in August and December. Them, on 20th January 1942, at a
villa on the shore of the Wannsee, near Berlin, the Nazi government formally
decided the fate of all European Jews. A �Final Solution� was under way which
required the urgent �evacuation� of Jews �to the East�. Two months later, on
27th March 1942, the first trainload of victims left Paris for Auschwitz. The �evacuations�
had begun, and the mass killing of Jews deported from France would now get
under way</p><p>Mr
Penshaw concluded:</p><p>�The
Prosecution case against Schwermann is simply this: he was inextricably
involved in the machinery of death. And he must have known that execution or
serious harm awaited those who were deported to the camps. If you, the jury,
are sure this man was part of that enterprise then you must find him guilty of
murder in relation to each of the charges laid against him.�</p><p>Lucy
covered her face with her shawl and mumbled a sort of prayer to the ether: that
Victor Brionne would come forward; that Schwermann would be convicted; and that
Agnes would die in peace. Raising her head she looked to the man in the
cardigan beside her, and saw the thin tears streaming down his face.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Twenty-Seven</strong></p><empty-line/><p>1</p><empty-line/><p>Anselm left Mr Roderick
Kemble QC prostrate in a cab at Waterloo and hurried through the Eurostar
terminal, finding his seat a matter of minutes before the train lurched
forward.</p><p>He
gloomily skimmed a cutting on The Round Table Wilf had given to him. He�d shown
the text to Roddy who�d glanced over it while he ate, raising an aimless
question as to why Jacques was interrogated in the June when the ring was not
broken until the July With affection, Anselm had filled the Master�s glass. As
expected Roddy appeared not to have read the cutting. The June arrest had had
nothing to do with the events of the following month. Only a Silk of Roddy�s
standing could get away with that sort of blunder � and he did, frequently with
breathtaking aplomb.</p><p>Once in
Paris, Anselm took a room in a cheap hotel near Sacr� Coeur. The next morning
he set off for the Boulevard de Courcelles, near Parc Monceau, to the Foug�res
home, wondering how he was going to phrase the application of the law to the
death of their son.</p><p>All the
witnesses were agreed on the basic facts: the pensioner, Mr Ogden, had grabbed
the man with the white beard (Milby never named him. Instead he used a rather
coarse term of art) . The man with the beard had told him to let go, but Mr
Ogden had then drawn back his fist. So the other had struck out. At that point
Pascal Foug�res had slipped and fallen, banging his head. The terms of the
conversation prior to the altercation had also been agreed. But, as the
investigating officer repeatedly pointed out to the outraged witnesses,
nothing said by the man with the beard constituted a criminal offence. Milby
told Anselm that the police would have liked to nail him, ideally with a
manslaughter charge under the doctrine of transferred malice � on the
understanding that the backhand slap directed at Mr Ogden technically �shifted�
to Pascal. But that ignored the only compelling legal analysis: Mr Ogden was
the aggressor and the response of his victim was not an unlawful act. The brute
fact was that the terms of every other potential charge could not be stretched
to accommodate the offensiveness of the victim.</p><p>After
it became known that Pascal had died, the man with the white beard informed the
police that he would not insist on charges being laid against Mr Ogden.</p><empty-line/><p>2</p><empty-line/><p>Etienne was the son of
Claude Foug�res and the nephew of Jacques, the Resistance hero. After the war
the family had remained in the South � until the eighties when Etienne�s political
career rose from local to national level. That prompted the return to Paris.
The house had been rented out for nearly forty years, so it was a real
homecoming.</p><p>�And
then, just when things got back to where they were before the war, Pascal was
taken away</p><p>Anselm
gleaned this and more from the mumbling old butler who opened the great black
front door and took him slowly to a drawing room on the third floor.</p><p>Monsieur
and Madame Foug�res were subdued elegance itself, sitting apart on either end
of a pink chaise longue, their faces darkened by grief. Anselm moved gently
over the terrain of sympathy, explaining the predicament faced by the police
enquiry. To his surprise, they understood perfectly They made no complaint: no
sallies against the Law; no plea for a fairer world. They did not expect the
legal system to give them something it was not designed, and could not be
designed, to produce: a civic response proportionate to their loss. But while
he spoke Anselm observed, painfully the cleft that had opened between mother
and father. It was freshly cut.</p><p>�I
begged him not to go after that man. Begged him. But he would not listen,� said
Etienne.</p><p>Monique
Foug�res closed her eyes slowly, her hands cupped upon her lap.</p><p>�I wish
he�d left the past alone,� said Etienne. �It�s not a safe place while it
touches on the living.�</p><p>Madame
Foug�res lowered her head, speaking quietly �Tell me anything he said, Father,
anything at all. I want to imagine his voice.�</p><p>�We
only spoke about Schwermann � and someone called Agnes.�</p><p>Anselm
threw in the last half-truth as the door opened and the butler brought forth
tea. Etienne�s facial muscles had seized. The butler poured. Etienne reached
for a small cup.</p><p>�Agnes?�
he said, enquiringly</p><p>�Yes. I
got the impression she was once known to the family�</p><p>�No, I�m
afraid not.�</p><p>Anselm
thought: you�re lying. He said, �Apparently she had a child.�</p><p>�Pardon?�
said Etienne, an eyebrow raised, offering milk for the English palate.</p><p>�A
child.�</p><p>�I�m
sorry, no. As far as I know, Jacques never knew anyone called Agnes.�</p><p>Anselm
felt the warm trembling of success: we were talking about Pascal, not Jacques�</p><p>Monique
Foug�res looked at her husband across a void. The butler softly closed the
doors and the cleft between mother and father fell open wide.</p><empty-line/><p>3</p><empty-line/><p>By the great entrance cars
chased each other down the Boulevard de Courcelles. The butler stepped outside
with Anselm, his eyes towards the ornate gates of Parc Monceau. He said, �I
knew Agnes Aubret.�</p><p>Anselm
only just caught the words.</p><p>�I held
her child.�</p><p>The
raucous sound of children spilled out from the park, scattering through the
passing cars.</p><p>�Is she
alive?� The butler spoke as though he would die.</p><p>�I�m
not sure, but I think so. I�ve met a young woman who knows her.�</p><p>The
butler pushed his hand deep into his pocket and produced a tattered envelope.</p><p>�Father,
please, find out if she�s alive. Give her this. It�s from Jacques. He asked me
to get it to her after the war, if he was caught and she survived.�</p><p>Anselm
took the envelope.</p><p>�Say Mr
Snyman has borne it for fifty years.�</p><p>The
butler stepped back and the door swung shut. Anselm stood still, slightly
stunned. He took another walk through the park to calm himself. It was crawling
with children on their lunch break, arriving in cohorts from a nearby school.
He paused by the gates into Avenue Hoche. A group entered two by two, each
child wearing a white sash. And on the sash was the name of the school and a
telephone number so that not one of them could be lost.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Twenty-Eight</strong></p><empty-line/><p>The stout figure in the
witness box was dressed in black and wore round bottle-end glasses. She did not
require the interpreter and answered Mr Penshaw�s questions with a
disturbingly loud and deep voice.</p><p>�Your
name, please, Madame?� said Mr Penshaw �Collette Beaussart.�</p><p>�You
were born in Paris on 4th October 1918?� �Yes.�</p><p>�You
are now seventy-seven years of age?� �I am.�</p><p>�You
are a Knight of the Legion of Honour?�</p><p>�I am.�</p><p>�You
were decorated by General de Gaulle at the Invalides in 1946?�</p><p>�I was.�</p><p>�Please
confirm the following. You were a journalist and condemned the Nazi leadership
prior to the fall of France and afterwards. You were arrested on 18th February 1942.
You were deported. You are a survivor of Drancy, Auschwitz and Ravensbr�ck.�</p><p>�I am.�</p><p>Before
calling any evidence, Mr Penshaw told the jury he intended to present the first
witness, Madame Beaussart, out of chronological order so as to give them a
constant reminder of what the case was really about. �And so, ladies and
gentlemen, in the coming days when you are listening to bare, lifeless facts
about train timetables or the method used to fill in a deportation record,
remember well what Madame Beaussart will now relate.�</p><p>Lucy
listened with a sort of proprietorial desperation. She had recognised the name.
Collette Beaussart was the political prisoner Agnes had written about. They�d
both got typhus and saved one another through talking � about jam. This was
the woman who�d claimed Agnes was part of the group to which she belonged, the
politicals who were transferred to Ravensbr�ck. Lucy wanted to stand up, to
claim the witness as her friend. But a wall had been built. She would listen,
like everyone else; and watch her go, like everyone else.</p><p>Madame
Beaussart was twenty-four when the gates of Drancy closed behind her. She
witnessed the arrival of children taken in the V�l d�Hiv round-up, after
separation from their parents. She saw them depart for the East. �I saw them
come. I saw them go.�</p><p>The
courtroom was utterly quiet, save for Madame Beaussart and the soft scuffle of
pen upon paper. Lucy was on the edge of her seat.</p><p>�They
came in boxcars, all of them under thirteen or fourteen years, the youngest
just over a year or so. They were filthy their bodies covered with sores. Many
had dysentery. Attempts to clean them were futile. Some were seriously ill with
diphtheria � scarlet fever. One of them, naked, asked me why her mother
had left her behind. I said she�d only gone away for a while ��</p><p>Madame
Beaussart�s voice, loud, wavering, uncompromising, described the horrors of
trying to care for the abandoned.</p><p>�Like
the rest of the prisoners, they slept on dirty straw mattresses until their
time came to move on. Them their heads were shaved.�</p><p>At
dawn, Madame Beaussart and other internees brought the children from where they
lay to the courtyard. Some didn�t even have shoes. In groups of fifty they were
packed on to buses. Each bore the number of a freight carriage. A thousand left
at a time for the station at Bourget.</p><p>It was
Schwermann who, with others, supervised their departure.</p><p>�He
paced back and forth, impatiently, lists in hand, his face like stone, barking
orders. I can still see the children � and I hear now the engines that took
them away.�</p><p>Mr
Penshaw sat down.</p><p>�Madame
Beaussart,� said a yielding, compassionate voice. It was Mr Bartlett. He stood
perfectly still, rotating a pencil between his fingers. �Should you wish to sit
down at any time, please do not hesitate to ask his Lordship.�</p><p>�Thank
you, but no.�</p><p>�Could
you please describe what you can recall about the appearance of the camp at
Drancy?�</p><p>�I can
remember it all.�</p><p>�Then
choose the details which you remember best.�</p><p>�I said
I can remember everything, sir. I cannot forget:</p><p>�You
remember the armed guards?�</p><p>�They
were French, my own countrymen. ��The provision of electricity?�</p><p>�Almost
entirely lacking.�</p><p>�How
many prisoners to a room?�</p><p>�About
fifty:</p><p>�Sleeping
on what?�</p><p>�Bunk
beds, planks. Many slept on plain straw �</p><p>�If I
may say so, Madame Beaussart, your memory is without fault.�</p><p>Lucy glanced
at the judge, his head still, his hand writing down every word as it fell.</p><p>Mr
Bartlett picked up a sheet of paper. He seemed to hover over its contents, then
spoke in the same even, encouraging voice.</p><p>�Do you
recollect anything in particular about Mr Schwermann�s appearance?�</p><p>�He was
very handsome, with blond hair standing out against his black uniform.�</p><p>�Let me
test your memory again, Madame.� Mr Bartlett was smiling winsomely �Do you
recall the leather riding breeches?�</p><p>�Yes, I
do. They shone.�</p><p>Mr Bartlett
paused to look at the sheet of paper.</p><p>�You
would agree this form of dress was distinctive?�</p><p>�Oh
yes.�</p><p>�Idiosyncratic?�</p><p>�Yes.�</p><p>�Utterly
memorable?�</p><p>�Yes.�</p><p>�Almost
a caricature of a German officer, the sort of thing you�ve seen in the films?�</p><p>�No, not
in films. I don�t watch them. I can�t bear to. I have pictures of my own and
they�ve never gone away I cannot forget that man and what he did. Never, never,
never.</p><p>Madame
Beaussart covered her mouth.</p><p>�Would
you like a glass of water, Madame?�</p><p>She
nodded. And with shaking hands she tried to drink, spilling water over her
fingers.</p><p>The
judge put down his pen, saying, �Do take your time.�</p><p>�I�m
sorry,� she mumbled, �I�ve waited all my life for this moment.�</p><p>�We all
understand,� said the judge.</p><p>Mr
Bartlett waited until Madame Beaussart was ready to continue and them he handed
the sheet of paper to the usher, to be passed on to the witness.</p><p>�Would
you be so kind as to look at this photograph?�</p><p>The
witness took off her glasses and produced another pair from a small pouch.</p><p>�That
is the man you have been describing, isn�t it?�</p><p>Without
hesitation she replied, �Yes, that is him. Schwermann.�</p><p>�And of
that you are sure?�</p><p>�Yes.�</p><p>�His
appearance is etched in your memory?�</p><p>�Yes.�</p><p>�Look
again, Madame. Is there nothing that causes you to doubt your judgment? It was,
after all, over fifty years ago.�</p><p>�I will
never forget the man who forced those children on to the buses.�</p><p>Inching
towards the jury, Mr Bartlett said: �Madame Beaussart, you have been right
about everything you have told the court today Except in one important detail.
But let me make it plain, I do not challenge your candour. The man in the
photograph did supervise deportations from Drancy. He has already been
convicted by a German court, in a trial you were unable to attend because of a
serious illness from which, thankfully, you have recovered.�</p><p>Madame
Beaussart, bewildered, could not speak.</p><p>�You
have correctly identified someone else, not Mr Schwermann. I will supply the
details to the court in due course.</p><p>He sat
down, the flap of his silk gown disturbing loose papers laid out neatly on the
table before him.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Twenty-Nine</strong></p><empty-line/><p>1</p><empty-line/><p>Anselm got back to
Larkwood just after Vespers, in time for a brief conference with Father Andrew
before supper. They sat in the Prior�s study, looking out over the cloister
garth. It was a calm evening and long shadows lay on the neat grass like canvas
sheets of scenery fallen flat.</p><p>Father
Andrew asked, �How did they respond when you said the police were powerless?�</p><p>�With
inspiring equanimity. I�d prepared myself for bewildered anger.�</p><p>�Those close
to politics often understand better than most the limits of the law�</p><p>�There
was something between them though, coming I think from the mother, something
like an accusation. That is where the anger lay, the confusion. And by accident
I think I trespassed upon it:</p><p>�.Anselm,�
said the Prior dryly, �most of your accidents stem from intuition let loose.
What did you say?�</p><p>�We
were talking about Pascal and I mentioned Agnes, that she had had a child, and
I asked if she�d ever been known to the family�</p><p>�And?�</p><p>�The
mother said absolutely nothing but the father said Jacques never knew anyone
called Agnes � we weren�t talking about Jacques but he made the link.�</p><p>�And
you call that an accident?�</p><p>Anselm
remonstrated, �Not far off. My best cross-examinations were always by mistake.
I didn�t realise how clever it looked until it was done:</p><p>The
Prior smiled with faint indulgence. Anselm continued, �Anyway I then had a most
peculiar encounter with the butler. Throughout he pours the tea, sidles in,
says nothing, sidles out � but when he shows me the door he tells me he
knew Agnes and held her child. He then gives me a letter to deliver to Agnes
from Jacques, a letter he�d guarded since the war on the off-chance she
survived.�</p><p>The two
monks pondered in silence. Frowning, Father Andrew said, �It is clear from what
Max Nightingale said to you that his grandfather, somehow, knew both Jacques
and Agnes. In this whole tragic business they seem to be the only ones to have
reduced him to a state of panic. So they must have come across each other
during the war �� He rounded on Anselm: �What was that riddle you were told
about Schwermann at Les Moineaux?�</p><p>�That
he had risked his life to save life.�</p><p>The
Prior tilted his head as though straining to catch distant voices. His
glittering eyes vanished behind long creases � but whatever he�d sensed was
slipping out of reach.</p><p>The
bell rang for supper. Anselm said, �The strange thing is, how do Etienne
Foug�res and his wife come to know about Agnes and her child?�</p><p>They
rose and entered the corridor. The busy sound of other feet heading down to the
refectory echoed from a stairwell. The Prior replied, �Jacques� family must
have passed it on after his death� � he followed his insight through � �and in
due course Etienne told his wife � but they did not tell their son, Pascal
� a secret known by a paid servant, a butler � now, why�s that?�</p><p>Intuition
failed them both and they went into the refectory.</p><empty-line/><p>2</p><empty-line/><p>The evening meal was the
usual emetic blend of leftovers from the guesthouse. Anselm pushed something
purple around his plate. There would be no knowing what it had been in its many
previous lives. Afterwards, the community filed into the common room for recreation,
where Anselm joined Wilf in his usual corner by the aspidistra that no one
watered but yet miraculously never died. It was one of Wilf�s greatest
attributes that he used events in his life as a prompt for research into things
about which he knew nothing. After Schwermann�s arrival he had quietly buried
himself in reading about the Occupation and its aftermath. He liked to share
his findings and Anselm enjoyed his reported forays, marked as they were by the
wonder of David Bellamy having found a new snail in the garden.</p><p>�Wartime
creates its own unique moral dilemmas,� uttered Wilf with Delphic calm,
inviting a request for more disclosure.</p><p>�Why�s
that?� obliged Anselm.</p><p>�Well,�
said Wilf, gratified and settling back, �there�s the strange case of Paul
Touvier. A traditionalist Catholic but in the Vichy Milice. Pushed into it by
his father and a priest. So he�s French, policing the French for the Germans. �</p><p>�A
collaborator,� contributed Anselm obviously</p><p>�Indeed.
And his job was to combat the Resistance.�</p><p>�Not a
very devout thing to do.�</p><p>�Bear
with me, Father. For therein lies an interesting conundrum. The Resistance
assassinated the Vichy minister of information in 1944. The Germans wanted
reprisals. According to Touvier, they demanded the execution of a hundred Jews.
He says he bargained them down to thirty, and ordered the deaths of seven, at
Rillieux-la-Pape, as an appeasement to save the remaining twenty-three.�</p><p>�Where�s
the devotion in that?�</p><p>�Well,
there isn�t any of course. Only it set me thinking. Here is a man who will, in
due course, be convicted in absentia of treason. I don�t know any more about
him, and what he said was probably nonsense, but it occurred to me that it was
only those who collaborated who were in a position to bargain with the Nazis if
the opportunity arose. That is not, of course, a reason for collaborating. But
it suggests an interesting abstract principle: in certain situations, only
someone who�s lost himself can do the good deed, even though he can never make
atonement for what he has done.�</p><p>A
shared pause of reflection ensued. Wilf picked up a newspaper, found the
crossword and said: �Even so, I can�t for the life of me understand why Touvier
was hidden in a monastery.�</p><p>�Pardon?�
said Anselm.</p><p>Wilf
repeated his observation, frowning gravely at the first clue. �Fundamentalists,
apparently <emphasis>Int�gristes. </emphasis>Not our cup of tea.� A touch complicated, he
added, because Touvier had been pardoned by Pompidou. Ten years later he went
into hiding when it transpired he could still be prosecuted. He was eventually
convicted of the Rillieux murders in 1994, the first Frenchman to go down for
war-related crimes against humanity.</p><p>�Hideously
embarrassing for the Church when they caught him, of course,� pursued Wilf,
laying the paper on his lap, �if only because it dredged up the ecclesiastical
compromises of the past.� During the war, he said, the Church had been in a
very difficult position. P�tain and Vichy reintroduced support that had been
previously withdrawn by a viciously anti-clerical state. An alliance grew that
was far too cosy �It was all rather complicated.�</p><p>Slightly
uneasy, Anselm left Wilf to his crossword. As he got ready to clean the
refectory floor he all but heard another voice, whispering, and he saw the
luminous eyes of Cardinal Vincenzi:</p><p>�It�s
all rather complicated.�</p></section><section><empty-line/><empty-line/><p><strong>Chapter Thirty</strong></p><empty-line/><p>1</p><empty-line/><p>The court rose for the day
after Mr Bartlett had made his surprising announcement that followed the
completion of Madame Beaussart�s evidence.</p><p>�That
seems a good place to stop, gentlemen,� said Mr Justice Pollbrook.</p><p>Bile
stung Lucy�s gut and she thought bitterly: You�re right. There�s no point in
going on. It�s a mess; a bloody, senseless mess. Max Nightingale hurriedly
brushed by, his mouth set tight. The man in the cardigan beside her stood to
make way, his features relaxed as if by an expectation painfully fulfilled.
Lucy left the court in a sort of panic, as though the air had swollen with a
stench. She ran to St Paul�s tube station and shoved herself into the doorway
of a heaving train. Elbows, staking their claim, stiffened. The carriage door
slid shut, scraping across her back. I endure this, she thought, so that I can
give my grandmother a summary of �the day�s play�. That�s what one barrister
had called it.</p><empty-line/><p>The opening of the trial had
brought focus to Lucy�s life, lost since the death of Pascal. Struggling to
attend lectures, she had confided in her tutor, a man who seemed to apprehend a
fear she had not even mentioned: the prospect of dropping out of the course, a
second failure from which she might not recover.</p><p>He
referred Lucy to a college counsellor called Myriam Anderson. Talking helped to
a degree; but death, of all experiences, could only be accommodated through
further suffering, and entangled with that prospect was the certain death of
Agnes. These two events, one past, the other to come, lay like a frame on
either side of the trial, giving it shape. Myriam had said:</p><p>�It�s
tempting to separate life�s problems into miniatures � that�s when the trouble
starts. Your greatest asset is that you see the single canvas: Myriam watched
Lucy closely before saying, �Don�t rule out another death.�</p><p>�Sorry?�</p><p>�Another
death &#x2015; an outcome to this trial that defeats your hope.�</p><empty-line/><p>By the time Lucy reached
Hammersmith, the long shadows of evening lay as still as paint, losing depth
and shape as the light withdrew She pushed her key into Agnes� front door lock
and stepped inside, slipping on the wet tiles and crashing into the wall. Bloody
Wilma.</p><p>Agnes
could no longer speak or walk. A nurse came twice a week. Susan paid a visit
every other day As for Freddie, the monumental unease that had once kept him
apart from Agnes seemed to be crumbling, not at the edges but deep down in its
foundations. Lucy saw a pallor spread across his face whenever he came to
Chiswick Mall: he simply could not bear to witness the slow, tortured decline
that was received by Agnes with such shattering calm.</p><p>Lucy
crept down the dark corridor towards the thin band of orange light across the
floor. She stood at the door, pushing it silently ajar. Agnes lay completely
still. So still Lucy thought she had gone. Her heart raced. And then Agnes
lifted one arm, like an ailing Caesar at the games. Lucy approached and sat by
the bed.</p><p>�The
trial�s under way</p><p>A nod.</p><p>�We
heard from Madame Beaussart today the journalist you met in Auschwitz, the one
who dreamed about making jam and you dreamed about eating it. You wrote about
her.�</p><p>A nod.</p><p>�She
remembers almost everything.�</p><p>Lucy
could go no further.</p><p>Agnes
didn�t respond. Her face could not be read; only her eyes, and they were turned
to one side. Had she already heard the news � about the first witness for the
Crown abandoning the stand, exclaiming through her tears that she <emphasis>did </emphasis>remember
Schwermann? Had she heard about Mr Bartlett�s surprise announcement to the
court? These were things Lucy would not say, not to Schwermann�s most secret
victim, lying here unable to reply Agnes would discover them soon enough when
Wilma declaimed from <emphasis>The Times </emphasis>report next morning.</p><p>Agnes
moved her head towards the bedside table and her alphabet card. She had a
simple method. After pointing out the letters of a word, she paused and rested
her hand. Then she spelled out the next word. It was the lightness of her
wrist, moving like a conductor, and that pause, still fingers upon her breast
between measures, that broke Lucy down.</p><p>P-A-S-C-A-L</p><p>A long
pause followed: this introduced the subject she wanted to talk about, like a
heading.</p><p>T-R-Y</p><p>Pause.</p><p>T-O</p><p>Pause.</p><p>C-A-L-M</p><p>Pause.</p><p>T-H-E</p><p>Pause.</p><p>F-I-R-E</p><p>Pause.</p><p>W-I-T-H-O-U-T</p><p>Pause.</p><p>P-U-T-T-I-N-G</p><p>Pause.</p><p>I-T</p><p>Pause.</p><p>O-U-T</p><p>Pause.</p><p>Lucy
nodded gratefully, reaching out to meet the anxiety, the entreaty deep within
her grandmother�s blue eyes. Sensing the question that was trapped in Agnes�
head she added, �The college are being enormously helpful. They�ve told me to
take a few weeks off. They�re sure I can catch up.�</p><p>Agnes
touched Lucy�s arm, and then continued:</p><p>I-F</p><p>Pause.</p><p>V-I-C-T-O-R</p><p>Pause.</p><p>A-P-P-E-A-R-S</p><p>Pause.</p><p>I</p><p>Pause.</p><p>M-U-S-T</p><p>Pause.</p><p>S-E-E</p><p>Pause.</p><p>H-I-M</p><p>Pause.</p><p>B-E-F-O-R-E</p><p>Pause.</p><p>I</p><p>Pause.</p><p>D-I-E</p><p>Lucy
stroked her grandmother�s shaking hand. Agnes couldn�t point for long. Anguish
pulled down the corners of her mouth.</p><p>�Gran,
I think he�s gone for good.�</p><p>Agnes
shook her head.</p><p>H-E</p><p>Pause.</p><p>W-I-L-L</p><p>Pause.</p><p>T-U-R-N</p><p>Pause.</p><p>U-P</p><p>Lucy
lifted her grandmother�s hand again and smoothed the skin, as if to ease a deep
bruise, the wound that still believed an old friend might yet turn up to redeem
himself. So much of their relating had now been transferred to a meeting of
hands. It replaced the voluntary. silence that had once been a communion. Lucy
reached over and took the alphabet card. She had something to say that had
never been said:</p><p>I</p><p>Pause.</p><p>L-O-V-E</p><p>Pause.</p><p>Y-O-U</p><p>The
handle of the door turned and Wilma came in with the bowl of ice cubes, a
saucer and a teaspoon.</p><empty-line/><p>The vestibule floor was
dry and safe to walk upon when Lucy left. On the way out she walked past the
front room. It was no longer used. Agnes had left it for ever. The piano, the
television and the furniture stood waiting for joking removal men in white
overalls.</p><empty-line/><p>2</p><empty-line/><p>The morning after his
return from Paris, Anselm went to the library to write some letters, mindful of
Johnson�s observation that a man should keep his friendships in constant
repair. He had just sealed an envelope when Father Bernard, the cellarer, put
his head round the door. There was a telephone call for Anselm that had been
transferred by Sylvester to the kitchen. There was no point in trying to get
him to re-direct it. They both hurried down the stairs, habits flapping like
wide streamers on a kite that refused to get off the ground.</p><p>�The
call was from Detective Superintendent Milby enquiring how the visit to the
Foug�res family had transpired. Anselm explained, concluding with the ambiguous
remark, �I�m very glad I went.� Milby then transferred the line to DI Armstrong�s
extension.</p><p>�I
think we�ve found Victor Brionne,� were her first words.</p><p>�Good
God.�</p><p>�Not
exactly, others were involved. The person who came to see you was almost
certainly Robert Brownlow He�s fifty-five and lives on the north�east coast in
a place called Cullercoats. His father, Victor Brownlow, lives in London �
Stamford Hill. The place looks shut up and has been for months according to the
postman. The son, however, pays rates on a property on Holy Island, �Pilgrim�s
Rest�. We�ve had local police drive around in civvies and it looks like that�s
where he�s gone to ground.�</p><p>�I�ll
give you a ring as soon as I have spoken to him.�</p><p>�You
may as well tell him to contact me. He can�t go on running, not at his age.�</p><p>�I will.�</p><p>Anselm
fished out a pencil from his habit pocket and said, �I�ve another favour to
ask.�</p><p>�I hope
you�re not going to surprise me again, Father.�</p><p>�No,
this is different. Can I have Lucy Embleton�s telephone number? I�ve got a
letter for someone she knows.�</p><p>�Father,
since I came to Larkwood Priory I�ve met nothing but mysteries.�</p><empty-line/><p>Anselm walked back to the
library deep in thought and collected his correspondence, before strolling into
the village to post them. On the way he glimpsed a flaming red Fiat Punto with
a foreign number plate turning towards Larkwood. It was oddly familiar, but
Anselm applied himself to another pressing distraction. Something was nagging
at the back of his mind and he could not entice it forward. But he was
absolutely certain of one thing: the name Brownlow was familiar, and it went
back to his schooldays.</p><empty-line/><p>3</p><empty-line/><p>Lucy broke her journey
home by calling unannounced upon Cathy Glenton. They�d only spoken to each
other once since Pascal�s death, when Lucy rang to tell her what had happened.
After that Lucy had slipped out of circulation. A couple of messages on her
answer machine from Cathy had not been returned. But on leaving Chiswick Mall,
Lucy suddenly felt the urge to see her old friend.</p><p>The
door opened narrowly and Cathy peeped over a lock-chain. Lucy saw the white
cotton bathrobe and the towel turban around her head. �Is it too late?�</p><p>�Nope.�</p><p>They
shuffled into the kitchen. �So, what are you up to?� asked Cathy, producing two
bottles of beer from the fridge.</p><p>�Attending
a war crimes trial.�</p><p>�Why?�</p><p>�Long,
long story. I don�t want to talk about it.�</p><p>�Fine.
How�s your grandmother?�</p><p>�Dying
slowly I don�t want to talk about that either:</p><p>�Fine.�</p><p>Cathy
sat in the corner of the settee, her legs tucked beneath her. She stared into
the narrow green neck of the bottle and said, �I�m sorry, so sorry, for being
such a fool.�</p><p>�What
do you mean?� asked Lucy, kicking off her shoes. She sat against a wall.</p><p>�About
you and Pascal.�</p><p>�Oh,�
sighed Lucy with surprise, �forget it.�</p><p>�When
you didn�t call back I thought you were angry with me.</p><p>�No,
no,� replied Lucy with feeling, apologetic. �I just wanted to be morose on my
own. Now I want to be morose with you.�</p><p>�Fine.�</p><p>They
drank their beer. �It�s always the same,� said Cathy after a while. �You get to
our age and every now and then you recover the enthusiasm of childhood, but you
just get another slap across the face.�</p><p>Lucy
glanced over to Cathy and said, �You once told me you never think about the
past. That�s rubbish, isn�t it?�</p><p>�Yes.�</p><p>Suddenly,
without brutality, Lucy asked, �What happened with Vincent?�</p><p>�I
screwed up. Monumentally.�</p><p>�How?�</p><p>�It�s
astounding, looking back. I mean, he was really different. No interest in a
career, money, all that stuff; did lots of charity work, quietly; said great
things I wanted to write down � and I ended it.�</p><p>�Why?�</p><p>�One
day he got really, really smashed. We had a row about nothing � a wet towel
left on the floor � but he called me an ugly bitch.� She put her bottle
carefully on the floor. �The next day I started covering up the scar. He said
sorry, didn�t mean it, and so on � and then I realised what had happened: I�d
changed, just like that.� She clicked a thumb and finger. �I hadn�t realised my
self-confidence was so fragile. We sort of made up, but I steadily edged him
away All rather self-indulgent, really I heard the siren call of existential
meltdown, thinking it might give me added depths. I suppose I wanted him to
chase after me. But he took me at my word. I should have hung on to him.�</p><p>�Where
is he now?�</p><p>�Married
to some other divinity.�</p><p>�Cathy,
I�m sorry.� Lucy felt strangely ashamed of her own appearance.</p><p>�Don�t
be. The artwork�s only an interim measure. Inside I�m becoming a goddess that
soars over all flesh. There. Are you morose now?�</p><p>�Yes.�</p><p>�So am
I. Let�s play Snap.�</p></section><section><empty-line/><empty-line/><p><strong>Chapter Thirty-One</strong></p><empty-line/><p>1</p><empty-line/><p>Anselm got back from the
post office in time for lunch, which proved to be an unspeakable combination of
cold pasta and beetroot without any other benediction to hold them together.
Brother Jerome�s news bulletin was a helpful distraction, containing an
interesting item on the trial. Anselm determined to read the whole report once
he�d escaped from the refectory. Meanwhile, an agenda fell into place: he would
see Lucy Embleton and Salomon Lachaise the next day, before heading north to
confront Victor Brionne at the weekend � another cold prospect that now filled
him with dread. By Sunday night, after sending a fax to Cardinal Vincenzi, his
involvement in the whole affair would be over. After lunch Anselm spoke to the
Prior and received the necessary permissions. He then pinched the newspaper
from the library and made for his bench by the Priory ruins.</p><p>After
Bartlett had cross-examined Madame Beaussart, he�d surprised the court by
volunteering to disclose his client�s defence. As the judge had observed,
Schwermann was under no obligation to do so, but Bartlett had said he deemed it
right since �it could only assist the jury in this particularly difficult case�.
Not quite, thought Anselm. It was a ploy to get round the fact Schwermann had
not cooperated with the police. A �No Reply� interview always looked
suspicious, even if it did pay homage to Goethe. So Bartlett was making
Schwermann look as helpful as possible to the jury. And he must have chosen his
moment, having got the answers he needed from the witness. Showing Madame
Beaussart the photograph was a risky shot, but Bartlett must have noticed the
prosecution didn�t formally prove <emphasis>how </emphasis>she knew Schwermann. In the
absence of that foundation Bartlett had crept upon her warily, his instinct
for the kill growing warm.</p><p>Bartlett
had said that Schwermann had occupied a minor clerical post in the SS; had
never visited a concentration c&amp; and had never �witnessed any of the
horrific sights so forcefully described by the courageous lady whose testimony
we have just heard�. Schwermann admitted he knew the deportees were going to
Auschwitz but he believed this was a staging post on the way to Palestine, part
of a wider policy of forced emigration. And as for the smuggling ring, he
accepted that he brought to the attention of his superiors information that had
come into his possession, but he had no influence or insight into what would
happen to them afterwards. While there was no burden on the Defendant to prove
his innocence, in this particular case the Prosecution would be shown to
flounder without particulars, clutching at circumstantial evidence.</p><p>So that
was the strategy: four big points, just as Roddy had predicted � three overt
and one concealed. The first, a complete denial of ever having seen the
machinery of a death camp. Second, a sincere belief that �evacuation� meant
just what it said. And third, the fate of the smuggling ring had been handed
over to others. Technically, this meant Schwermann denied being part of a joint
enterprise whose object or possible outcome was death or serious harm. Bartlett
sensibly avoided stating his fourth argument because its inherently comic
properties undermined its force: the �I was only obeying orders� defence. But
Anselm knew the jurors would be led along by frequent references to Schwermann�s
youth, his lowly rank and the power of others. There would be no laughter and
the point would be forcibly made. It might even coalesce into pity.</p><p>Bartlett�s
disclosure, however, was alarming in other respects: there was no reference to
Les Moineaux and no mention of Schwermann having saved life rather than taken
it away The riddle remained an unexplained secret. Anselm had just turned to
the obituary pages in search of light entertainment when he heard a sober voice
at his elbow</p><p>�Father,
if we hadn�t shared the cup of plenty I�d think you were hiding from me.�</p><p>Anselm
blenched.</p><p>�I
thought I�d give my legs a big stretch, before hitting S�o Paulo. And I have a
few answers from the realm of Sticky Fingers.�</p><empty-line/><p>2</p><empty-line/><p>Lucy left the court half
an hour before the end of the morning session in order to meet Father Anselm,
the monk. She had been surprised to hear his voice on the telephone the night
before. He was coming to London and had an important matter to discuss with
her. He�d told her not to worry. They met outside St Paul�s Cathedral and sat
on the steps. Apparently it was something he�d often done when he�d been at the
Bar, taking a breather from a savaging at the Old Bailey �That court, �he said,
�was the scene of some of my more spectacular failures.</p><p>After a
moment�s reflection the monk said, �Lucy, I have a letter from a man who knew
Agnes Aubret. It was written during the war by Jacques Foug�res, the father of
her child, and given to this man for safe-keeping, to be delivered to Agnes if
she survived the war. He has asked me to deliver it to her. I believe you know
the Agnes I seek.�</p><p>�I do,
she�s my grandmother.� The rapid mix of nausea and wonder acted for the moment
like a sedative. She spoke with a calculation she did not possess. �She has
motor neurone disease. She can�t walk or talk but she understands everything.
Her inner life is all she has left. Can I ask who gave you the letter?�</p><p>�Mr
Snyman. I�m sorry, the name means nothing to me.</p><p>�He was
a Jewish refugee, from country after country. He played the cello, with my
grandmother at the piano. I�ve never heard her play but you can tell, once you
know, by the look of her hands � the fingers are long and beautiful and
they�re always reaching out for something.� Completely without warning she
started to cry, not tragic sobs, cracked cheeks and hissing valves, just
free-flowing water upon smooth ivory skin; water that would not stop, that she
did not want to stop, that she wanted to run for ever, down her face, her body,
and into the sea. �She was a member of The Round Table. She saved children but
lost her own. She survived Auschwitz and Ravensbr�ck and saved two other
children; one, my aunt, who died without being told, and the other, my father,
who still doesn�t know. Now she lies dying, unable to speak, unable to move;
she�s lost everything, everything, except her breath. Tell me, if you know,
because I don�t, why can�t <emphasis>she </emphasis>be given something, just this once,
before she dies?�</p><p>�I
suspect this won�t surprise you,� said the monk, �but there aren�t any
satisfactory answers to questions like that. In. a funny way all we can do is
listen. Can I give you some consolation?�</p><p>�Please
do.�</p><p>�The
best people I have ever met are the ones who�ve carried on listening.�</p><p>Lucy
thought of Agnes, often silent, always attentive in a way that was foreign to
all those around her.</p><p>�And
another is this,� said the monk. �If you keep listening, you still don�t get
any answers but more often than not the questions slip out of reach and cease
to be questions. The bad news is that it takes about ten years.</p><p>�Thanks.
And what about the ones that stay?�</p><p>�We�ve
a choice � either the whole shebang�s absurd � or it�s a mystery.�</p><p>Again
Lucy thought of Agnes, absurd to none, a mystery to anyone who knew her.
Rummaging for a handkerchief, her eyes swollen and smarting, she said, �I�ll
arrange a meeting for you with my grandmother, but it will have to be after the
trial. She�s entirely focused on its outcome. A letter from Jacques, now, could
overwhelm her.�</p><p>The
monk shuffled on the step. He said, �This weekend I hope to meet Victor
Brionne:</p><p>A
suffocating exhilaration rose and pressed against Lucy�s chest as she spoke: �I
must talk to him.�</p><p>�That
would be most unwise. If it became known that someone who had been observing
the trial had spoken to a key witness, all hell would let loose � or,
indeed, if I said anything to him on your behalf. You will have to let things
run their course.</p><p>Lucy
could only laugh. The trial itself had now silenced whatever she could have
said on Agnes� behalf. The displacement of Agnes was complete. She said, still
laughing hoarsely, �I had hoped to make sure Brionne told the truth about
Schwermann.�</p><p>The
monk�s face darkened. �Perhaps he will.�</p><p>�Take
it from me,� said Lucy miserably, �he won�t.�</p><p>Strangely
sad, and with compassion, the monk said, �If Victor Brionne gives evidence at
the trial, I hope he doesn�t disappoint you.�</p><p>Before
Lucy could remonstrate he changed the subject.� You must have found the death of
Pascal an awful shock.�</p><p>�I did.
I still do.� Lucy watched the busy pedestrians walking criss-cross on the
pavement below They�d finish work tonight and go for a drink, unwind and
complain about the boss or their mortgage; then they�d go home. �One of the
reasons he met Max Nightingale was to say he had nothing against him. Frankly,
I couldn�t see the point.�</p><p>Father
Anselm mused a little and said, �When I first became a monk, there was an old
member of the community, a dreadful chap, always cross, murmuring a lot as we
say in our way of life. When he was dying I went to see him and he said, �Anselm,
all that matters are tiny reconciliations. Be reconciled whenever you get the
chance.� At the time it struck me as rather sad, but later I wondered if he�d
made a discovery bigger than himself.�</p><p>Lucy
thought Pascal would have agreed. Herself? Yes, but not yet, some other time.
She said, �Have you any consolations for the grief�stricken?�</p><p>�No. Terrible
business. Nothing to recommend it whatsoever.�</p><p>�We�re
agreed.�</p><p>They
stood. �I have to go,� said the monk, �I�ve another appointment. You�re always
welcome to spend some time at Larkwood.�</p><p>�I�m
not sure I believe anything.�</p><p>�You
don�t have to.�</p><p>With
that he held out his hand, suddenly reserved. They shook, and then she watched
him disappear among the suits and briefcases.</p><empty-line/><p>3</p><empty-line/><p>Anselm slipped down a side
street to an Italian restaurant from which Roddy had been banned in 1975.
Salomon Lachaise was waiting for him. Anselm apologised for being late.</p><p>�How�s
the trial progressing?�</p><p>�This
morning we�ve had a specialist on Resistance operations in Paris telling us
about The Round Table. She�s thirty-eight, authoritative in relation to the
many documents of the period, but she wasn�t there. It is as I anticipated.
There are so few left from that time. Now is the era of the expert.�</p><p>Anselm
poured them each a glass of wine from a carafe. Salomon Lachaise said, �She
finished with an account of how Father Rochet and Jacques Foug�res died at
Mauthausen. It wasn�t, as for so many others, through the weight of stones in
the quarry, or by hanging, or by having the dogs set upon them. A guard beat
Father Rochet with a lash. Foug�res intervened. At gunpoint they were forced
onto the electric fencing. They walked arm in arm, watched by a silent,
starving crowd.�</p><p>The
delightful ritual of shared eating suddenly lost its simplicity.</p><p>�The
Defendant brought about the end of The Round Table,� said Salomon Lachaise, �although
we are not told how he learned of its work. His subsequent diligence attracted
a personal commendation from Eichmann; not, I think, an accolade I would send
home to my mother.�</p><p>�No,�
said Anselm.</p><p>�The
evidence is given with due ceremony,� said Salomon Lachaise. �The scribes bend
over their pages, writing down what is said as though nothing should be lost.�</p><p>The
waiter came with bread and then vanished, as if his job were done.</p><p>�But at
times I wonder if the evidence is just a palimpsest, and we�ll never find out
what�s lying beneath the words.�</p><p>A kind
of resentment burned Anselm�s stomach. He didn�t want to play a part in the
devastation of other people�s hope by being the one who forced Victor Brionne
into court. Unable to bear that thought he said, by way of distraction, �Have
you spoken to any of the other observers?�</p><p>�No.�</p><p>�There
are two young people, a man and a woman, who go every day� Anselm described
them.</p><p>�Yes, I
know who you mean. They sometimes sit either side of me.�</p><p>�You
sit between two extremes. They�ve even met privately, on the day Pascal
Foug�res was killed. The man is Max Nightingale, a grandson of the Defendant.�</p><p>Salomon
Lachaise stiffened and snapped his fingers. �I thought</p><p>I
recognised him. The lad was there in the woods, by the lake when you and I
first met �� He seemed caught off-guard by a kind of wonder.</p><p>�The
woman is the granddaughter of Agnes Embleton. She was a member of The Round Table.
She�s dying. Why no statement was taken from her defeats me.</p><p>�The
names of the smuggling ring were read out this morning. That one was not among
them.�</p><p>�At
that time she was called Aubret.�</p><p>Before
Salomon Lachaise could reply the raddled waiter reappeared, his eyes fixed on
the passing world outside the window He delivered, in something approaching a
song, what seemed like the entire contents of the menu. They listened with awe,
like a claque. When he�d finished Salomon Lachaise said, �Thank you very much
indeed, but I have to leave.� Turning to Anselm he said, regretfully, �The
court reconvenes in ten minutes.�</p><p>�It�s
my fault, I�m so sorry.</p><p>�No,
no. We will do this another time.� He bowed slightly and left, running as if
the building were on fire. Anselm surveyed the table, his appetite gone. He�d
chosen this restaurant because it had been a favoured place in his days at the
Bar when blessed by an accidental victory. He�d now brought to it a subtle type
of failure. That was not something to celebrate. With due ceremony he ate the
bread and drank the wine, and quietly slipped out.</p><empty-line/><p>4</p><p><emphasis/></p><p><emphasis/></p><p>Lucy sat in the public
gallery, absorbed by Father Anselm�s words. They repeated themselves in a
jumble, as though she were swiftly scanning radio stations, catching partial
trans-. missions. A letter from Jacques Foug�res � Mr Snyman � Victor
Brionne � Agnes � Pascal � death � reconciliation � and
that the evidence to come might disappoint her. It was an unusual thing to say,
reminiscent of what Myriam Anderson had said about another possible grieving,
over the death of a final hope. Her reflection was disturbed by a quiet cough.</p><p>�May I
introduce myself? We sit here every day, and we don�t even know each other�s
names. I am Salomon Lachaise.�</p><p>The
remark was addressed to both herself and Max Nightingale.</p><p>�I
thought you might like to join me for tea one afternoon.�</p></section><section><empty-line/><empty-line/><p><strong>Chapter Thirty-Two</strong></p><empty-line/><p>It struck Anselm as a
rather peculiar request, though not unprecedented. A guest had arrived
unannounced while he had been in London. He�d asked, in broken English, if
Anselm, and only Anselm, would hear his confession. He�d said he�d say who he
was afterwards. Brother Wilfred had left a note on Anselm�s door giving the
time arranged � 8.15 p.m., forty-five minutes before Compline.</p><p>Anselm
sat in the dark of the confessional, slightly uneasy He didn�t notice when the
faint grating noise began. It was dispersed by the vast, empty nave and seemed
to come from all around, but quietly, without definition, and yet coming
closer. The sound of feet moved swiftly over the polished tiles. The door to
the confessional opened. A man swore, stumbling on to the kneeler by the
grille. A fluid heaving of breath, curiously familiar, rose and fell. The
French voice jolted Anselm out of Larkwood on to a landing without a light:</p><p>�I
haven�t been in a confession box for nigh on fifty years.</p><p>�We
never got rid of them.�</p><p>�That�s
not what I meant.�</p><p>�Sorry.
Rather silly of me.�</p><p>�I�m
not here to confess my sins.�</p><p>�There
aren�t any others you can confess.�</p><p>�I�ve
come to reveal the sins of my church, and yours. And if you can still raise
your hands in absolution after I�m done, you�re a braver monk than me. I�d
rather leave it to God himself.�</p><p>�Father
Chambray,� exclaimed Anselm. �How on earth did you get here?�</p><p>�It
took a lot of planning, at my age and in my condition. I could not leave it any
longer. I�ve been following the trial and nothing of what I know has come out.
I�ll stay for a few days and then I�ll go home. First, I�ve got a question for
you. On your life, tell me: have they told you what happened in forty-four?�</p><p>�They?�</p><p>�Rome.�</p><p>�No.�</p><p>�Is
that why you came banging on my door?�</p><p>�Yes.�</p><p>Chambray
stopped to think. He mumbled, �Just as I thought��</p><p>Anselm
leaned towards the grille. �What are you here to say?�</p><p>�They
know, and they�ve kept it quiet, even as the trial has opened up what that
bastard did. But I told them. Everything. In forty-five.� Chambray pulled himself
off the kneeler and slumped back on a chair. Anselm squinted at the grill.
There was nothing but shadow, black as a pit. The breathing grew calmer.</p><p>�Now I�ll
tell you. Because you, too, have been duped.�</p><p>�How?�</p><p>�Wait,�
he snapped, coughing. He paused, settling back. �They came in the middle of the
night, towards the end of August 1944. We didn�t find out until the morning
Chapter. The Prior, Father Pleyon, said we were going to hide them both until
their escape from France was arranged. No explanations given.</p><p>A Nazi
and a collaborator. Imagine that. In a place that smuggled Jewish children
away from their grasping hands.�</p><p>A
shadow seemed to move in the darkness towards the grille. Chambray closer,
rasped, �To understand anything you have to look back � it�s the same here
�� The presence withdrew, leaving the harsh inflection of the last words.</p><p>�It
probably begins about 1930 with the election of a Prior, well before my time.�
He was tapping his fingers slowly against wood. �Priory lore had it down as a
spat between Father Pleyon and a dark horse, Father Rochet. One an old
aristocrat, the other a republican. Pleyon was known as �Le Comte� because he
was a popular confessor with a few well-known royalists, and Rochet was �Le
Sans-culotte� because he was &#x2015; always banging on about the Revolution,
Rights of Man and all that. It was a Priory tradition to have nicknames.�</p><p>Anselm,
sensing a softening with the opening of memory, asked, �What was yours?�</p><p>Chambray
chuckled. ��Le Parieur�, because I took bets on decisions made by the Prior.�</p><p>The
thinning laughter turned to rumbling breath, in and out, in time to the soft
tapping of old fingers. He found his thread:</p><p>�There
were two candidates: Le Comte was the favourite, with a simple but clever chap
called Morel as a rank outsider:</p><p>Anselm
knew the name. It lay engraved on a plaque on a Priory wall, commemorating an
execution yet to come.</p><p>�Things
turned nasty. Rochet took against Le Comte, which surprised no one because he
was from the other end of the pond. The shock was what he did. Everyone said
you had to be careful with Rochet.� The voice in the dark was confiding,
educating. �He had some wild ideas, but there was always something in what he
said. He saw connections in things most people missed. Read too much. So I�m
told, anyway And looking back on his opposition to Le Comte, he had a crazy
suspicion that could never have mattered. But then, ten years later, he was
shown to have been right. At the time they just thought Rochet had gone one
step too far.�</p><p>�What did.
he do?�</p><p>�He
disclosed that Le Comte had connections with Action Fran�aise and the Camelots
du Roi,� Father Chambray replied significantly</p><p>�I see,�
breathed Anselm appropriately</p><p>�Does
that mean anything to you?� His voice sharpened.</p><p>�Sorry,
no.</p><p>�Lord�� Chambray waited, gathering what patience he could find. �Extremists,
wanting a restoration of the monarchy, with Jews and Freemasons shown the door.
Rochet�s objection was that they represented the worst aspects of the Middle
Ages.�</p><p>�What
did he mean?�</p><p>�Well,
I wasn�t there, but he meant antagonism to the Jews. The story goes that in the
Chapter before the election Rochet said something like, �The Round Table of
Christ cannot have a man in the seat of honour who is not a brother to the
Jews.� And remember, the violence and the desecrations had already begun in
Germany Within a couple of years Hitler would be Chancellor. As I�ve said,
Rochet had a way of seeing things ��</p><p>�What
happened?� asked Anselm.</p><p>�Le
Comte became Prior. Rochet had gone too far � and Pleyon got his revenge.</p><p>Anselm
frowned in disbelief. Priors didn�t do things like that. But he listened.</p><p>�Within
the year a young girl from a nearby village died in childbirth. She never named
the father. Rumour said it was Rochet, and on the strength of that, so I was
told, Pleyon threw him out. He was sent to a parish in the capital.�</p><p>�Was
there anything to the rumour?�</p><p>�Well,
it seems he�d applied to leave the priesthood, but then changed his mind after
the death � Anyway, Pleyon got rid of Rochet � and the community ousted
Pleyon because a lot of monks thought the removal of Rochet was a settling of
scores. That�s when I came, under the new Prior, Father Morel.�</p><p>�So
what happened to Rochet?�</p><p>�We
next heard from him just before the fall of France, in early 1940. He addressed
us all in Chapter. I was only in simple vows but I was allowed to attend
because of what he intended to say That was the only time I met him. He wanted
to know if the Priory would join a smuggling ring to get Jewish children out
of Paris if the need arose. Who do you think had doubts?�</p><p>�Pleyon?�</p><p>�Exactly
All dressed up as reasonable enquiry, but there was little enthusiasm. Rochet
had foreseen that and he came prepared. Pleyon asked if the ring had a name. It
has, Rochet replied. What is it? asked le Comte. �The Round Table,� said
Rochet. It was a slap across the face from old Sans-culotte. Le Comte didn�t
have much to say after that. Prior Morel decided to join the scheme, we were
all bound to silence and the children began to arrive. And then, in 1942, the
pigs turned up and shot the Prior.�</p><p>�How
did they find out?�</p><p>�Wait,
I�m coming to that. After Morel�s death, Pleyon took over once more; it was a
crisis, he was a strong man. And I have to say,� the voice became lighter,
searching, as if assailed by unwelcome generosity, �he led the community with
enormous sensitivity. He was a changed man.�</p><p>�And he
was in place when Schwermann and Brionne arrived in 1944?�</p><p>�Yes.�</p><p>Chambray
had stopped his finger-drumming. He was tiring under the weight of memory. He
continued:</p><p>�After
the execution there was nothing we could do to find out what had happened. We
were in the Occupied Zone in the north; we had to wait until the war was over
before we could make any enquiries. The opportunity arose the day Schwermann
and Brionne turned up. We knew then that the Germans had fled Paris. I asked
Pleyon if I could go as a visiting curate to Rochet�s parish, to see what I
could find out. To my surprise he agreed. Arrangements were made with the Bishop
and I left a few days later. By the time I got back Schwermann and his dog had
gone, with new names taken from a song. This is what I found out.�</p><p>Chambray
shuffled in his seat, leaning closer to the grille.</p><p>�Rochet
was a loner. No one knew of his past as a monk. Adored by his parish. Some said
he drank � you know what I mean?�</p><p>�I do.�</p><p>�Many
of his friends were Jews, though none survived the war. The Resistance knew he
was up to something but had no idea what it was, so they distrusted him. A
Communist, they said. According to the Resistance, The Round Table was broken
in one day Most of the arrests took place simultaneously in the early afternoon
of fourteenth July Rochet was picked up in the evening, drunk. One of the ring,
Jacques Foug�res, was taken that night at his own home, even though his family
had already escaped. For some reason he stayed in Paris, as if waiting for
something or someone. No one knows.�</p><p>Anselm
did. He must have been waiting for Agnes Aubret. �The Resistance believed
Rochet was the traitor. You see, he�d known Brionne from before the war. So the
thinking was: Rochet told Brionne, who told Schwermann, and the Germans then
arrested Rochet once they�d swept the floor:</p><p>�But
why would he do it? He had no reason.</p><p>�Maybe
he lost his grip when drunk. Destroying everything around him, good and bad. It
happens. �</p><p>�Yes,
but I�m not persuaded. And I get the impression you�re not either.�</p><p>�I�m
just telling you what everybody else thought. I�ll tell you what I think in a
minute. I came back to Les Moineaux and told Pleyon everything. Oh, he was ill
at ease, especially when I told him I didn�t swallow the Resistance line on
Rochet. I said it must have been someone else. All he did was nod. He told me
he�d used diplomatic family connections to get Schwermann and Brionne into
England. But then, and mark this well, I was bound to secrecy I was not to
discuss what I knew or thought with anyone. He said he didn�t want speculation
about Rochet to divide the community again.�</p><p>�So if
it wasn�t Rochet, who was it?�</p><p>The
thick breathing rumbled as if it were far off, deep in a cave.</p><p>�Who
else could have sent them down the river?� asked Anselm quietly</p><p>The
reply came, drawn out, inexorably detached. �Pleyon. He betrayed The Round
Table.�</p><p>�That�s
too convenient, replied Anselm instinctively</p><p>�Think
about it.� Chambray�s voice rose, harder. �Why else would Schwermann and
Brionne come to Les Moineaux? None of us knew them. How did they know that they
would be safe, that the Prior would protect them? They came because they <emphasis>already
knew </emphasis>he was the one who had betrayed the ring. He was in their power. If he
did not do what they asked, they could reveal what he had done. And it was in
his interests to help them. He got them out of the country before the reprisals
got under way Don�t you see? Pleyon was a collaborator as well. He was saving
his own skin.�</p><p>Anselm
was captivated by the neatness of an argument he had failed to see. Chambray
continued:</p><p>�It all
makes sense. Pleyon was the one who showed Rochet the door all those years ago;
he was the one who had doubts about The Round Table scheme in the first place,
and when I got back to the Priory after my stint in Paris, he bound me to
secrecy �</p><p>�But
why should he bring about such a catastrophe?�</p><p>�He
didn�t want to. He didn�t realise what would happen. He thought they�d just get
a warning. But he was wrong. And after the shooting of Prior Morel he was a
changed man. Why?�</p><p>�Remorse?�
asked Anselm.</p><p>�Absolutely�</p><p>Chambray
was right. Anselm sensed the hardening of loose data into an intractable
judgment.</p><p>�So it�s
obvious now, isn�t it: Pleyon betrays the ring, thinking it will simply end the
scheme � but he hasn�t foreseen the firing squad. He becomes a humbled,
penitent man. But then, the war over, the two of them arrive, ghosts from his
past, reminding him of what he did, claiming him as their brother. He�s trapped
by what he�s done, and he uses his authority and influence to ensure they
escape justice.�</p><p>He�s
right, thought Anselm. That is the one explanation that meets all the
questions. But now there was another enquiry.</p><p>�You
said that Rome knew everything?�</p><p>�The
lot. I wrote it down in 1945, despite Pleyon�s order, and sent it to the Prior
General. He wrote back saying my report had been passed on to the Vatican. They
did nothing. Absolutely nothing. And then Pleyon died of a heart attack a year
or so later. I left the Priory in 1948 and haven�t been back since. I�ve never
left the Church but I sit on the edge, neither in nor outside. They�ll find my
body in the porch.�</p><p>Anselm
groaned, those last words having struck him a blow he so fully understood, for
there were many living on that line whom he would reach if he could.</p><p>Chambray
struggled to his feet and pushed his way out of the box.</p><p>�I�ll
leave you a copy of what I sent to Rome. You can read it for yourself.�</p><p>Anselm
called out, �Father, was it you who sent Schwermann�s false name to Pascal
Foug�res?�</p><p>The old
man rasped, �No � I never learned what it was � but I remember the song
� �A nightingale sang in Berkeley Square.��</p><p>The
breathing and shuffling moved slowly away, like that of a wounded animal, until
the nave echoed to the sound of its parting. Then there came the opening of a
great door, an implacable slamming from the in-rush of wind, and a silence
reaching out to the one who had gone.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Thirty-Three</strong></p><empty-line/><p>1</p><empty-line/><p>Having spent the afternoon
listening to an historian recount the exploits of The Round Table, Lucy left
the court and made her way to Chiswick Mall for a conference organised by her
father. On the tube she rehearsed the various interventions of Mr Bartlett,
most of which seemed to be largely insignificant. But they left the impression
of a man who cared about the detail, regardless of whether or not it helped his
client�s case. He was fair, judicious and yielding. He helped his opponent. He
helped the court. And no doubt the jury thought he was helping them in all his
little ways. Turning her mind from that, Lucy anxiously thought of the other
meeting proposed with such enthusiasm by Mr Lachaise as they had left the
court. Upon enquiry, Max Nightingale had said he was a painter. Mr Lachaise had
instantly suggested the three of them go together to see �Max�s work� on
Saturday afternoon. Lucy had been so completely unsettled by the innocence of
his manner that she could not bring herself to refuse. But that was another day
Tonight had to be endured first.</p><p>They
all sat in the front room. Doctor Scott, the Senior Social Worker, a Regional
Care Adviser from the Motor Neurone Disease Association, Freddie, Susan, Lucy
and Wilma.</p><p>�The
reason why we�re all here,� said Pam from Social Services, �is to discuss Agnes�
future.�</p><p>�She
hasn�t got one, � said Wilma.</p><p>Pam
blinked uncomfortably �We need to coordinate a care plan, to make sure Agnes is
empowered to face the future in her own way</p><p>Doctor
Scott winced. Freddie didn�t like it either, although probably for different
reasons. He had his own scheme and Lucy saw it at once, before he spilled out
his demands. He wanted professionals in (and, by implication, Wilma out). He
wanted volunteer visitors from the MND Association to come round every day He
wanted equipment loaned or bought. Anything and everything that would clean up
the messiness of dying, although that word was studiously avoided. Freddie
preferred to use convoluted expressions which, by their abstraction, focused
all the more sharply on the reality he could not bring himself to name.</p><p>A
potential structure of care (Pam�s phrase) was constructed. Freddie
enthusiastically endorsed all the proposals, perhaps not quite understanding
Pam�s reverent doxology that �empowerment was to do with having choices�.</p><p>The
package (Pam�s phrase) was taken through to Agnes. She listened as Pam
explained the options, Freddie making confirmatory interjections as she went
along. When she�d finished, Agnes nodded towards her bedside table. Wilma
fetched the alphabet card.</p><p>T-H-A-N-K-.Y-O-U</p><p>Pause.</p><p>V-E-R-Y</p><p>Pause.</p><p>M-U-C-H</p><p>Longer
pause.</p><p>I</p><p>Pause.</p><p>O-N-L-Y</p><p>Pause.</p><p>W-A-N-T</p><p>Pause.</p><p>W-I-L-M-A</p><p>Freddie
embarked upon an appeal for sense to prevail until professionally disengaged by
Pam using low-key techniques. Back in the sitting room, she translated what �empowerment
for choice� actually meant. Exasperated, but in control, Pam said, �It�s her
death, not yours. Let her go in her own way� She was unrelenting and
mercilessly firm.</p><p>Freddie,
confused, said, �You don�t understand. I just don�t want to see her suffer.� He
couldn�t stay to discuss it any further. Overwhelmed, lie left brusquely,
blinking quickly to mask the well of tears.</p><p>Pam
gave her number to Lucy, saying she could call her at any time, night or day, �given
what was to come�.</p><empty-line/><p>2</p><empty-line/><p>Mr Lachaise was already at
court when Lucy took her seat the next morning. So was Max, who now figured in
her head by his first name, an alarming mental shift that had occurred without
formal approval. Mr Lachaise offered them both a mint. Max took one; Lucy did
not.</p><p>Miss
Matthews, the Junior to Mr Penshaw, stood for the first time to �take� a
witness for the Crown. She called Doctor Pierre Vallon, an elderly French
historian now resident in the United States who had previously been based at
the Institut d�Histoire de Temps Pr�sent in Paris. He was slightly stooped,
with a kind, enquiring face. His hands held the witness box as if he were upon
the bridge of a ship. He wore a dark, limp suit and a fat bowtie.</p><p>Doctor
Vallon explained that historians were largely divided on almost every question
pertaining to the Occupation. After the armistice with Germany, he said, France
had been divided into two regions: the �Occupied Zone� in the north, under
direct German control, and the Unoccupied Zone in the south which was managed
by the new French government, based at Vichy The latter operated all
governmental institutions in both zones but were obviously subject to their German
masters. And it was at this early point that scholarly opinion began to divide.
The most sensitive issue was participation in the deportation of the Jews.
Crucially (for the purposes of the trial), the key question was whether those
involved knew that the Nazi project was murder on a massive scale. Doctor
Vallon believed that by 1943 many Vichy officials must have known what was
happening in the camps. As for someone in the Defendant�s position, an SS
officer based in Paris, there could be no significant doubt: such a one would
have known precisely what happened to the victims when the freight carriages
reached Auschwitz. SS memoranda expressly referred to the fact that the Jews
were to be exterminated.</p><p>At the
conclusion of Doctor Vallon�s Evidence-in-Chief, the court rose for lunch.
Cross-examination would begin at ten past two. Lucy quickly left the building
and paced the streets for an hour. Then she came back to her seat beside Mr
Lachaise, who again offered her a mint. Yes, please, she said.</p><p>�Doctor
Vallon,� said Mr Bartlett as he stood up, �are you familiar with the expression
�strong words�?�</p><p>�Yes.�
He looked puzzled by the curious question, as did the judge, as did the jury.</p><p>�I
suggest it is false. Words are weak. Do you agree?�</p><p>�Possibly;
I don�t follow you.�</p><p>Mr
Justice Pollbrook put down his pen, his baleful eyes resting on Mr Bartlett who
said:</p><p>�In the
mouth of one they disclose; in the mouth of another they disguise. Words cannot
resist corruption. Those who hear them can be easily deceived. Do you agree?�</p><p>�Mr
Bartlett,� interrupted Mr Justice Pollbrook indulgently, �are you leading us to
the pleasures of Wittgenstein?�</p><p>�Oh no,
my Lord, I very much doubt if that would assist the jury.�</p><p>�They
already look rather bemused, and I am among their number.�</p><p>�All
will become clear, my Lord, if I may continue.�</p><p>�Please
do.�</p><p>�I�m
most grateful.�</p><p>Mr
Bartlett then abruptly changed subject, the previous exchanges left suspended
in the memory as a tidy, distinct cameo. �Doctor Vallon, you told my learned
friend that in June 1942 Eichmann summoned his representatives from France,
Belgium and Holland to Berlin in order to plan the deportations. He wanted to
begin with France, is that right?�</p><p>�Yes.
It was to be a grand sweep across Europe, from West to East.� The academic
leaned forward, a fearless, authoritative stare fixed upon his interrogator.</p><p>�And
there had been a vast influx of Jews into France throughout the thirties, up to
the spring of 1940?�</p><p>�Yes.�</p><p>�Driven
out by Nazi terror?�</p><p>�Yes.�</p><p>�Doctor
Vallon, is it right to say that the parlance of the day distinguished between �Isra�lites�
and �Juifs�?�</p><p>�Yes.�</p><p>��Isra�lite�
was a relatively polite term describing French� born Jews who were �assimilated�?�</p><p>�Correct.�</p><p>�And �Juif�
had a pejorative overtone, referring to foreign-born Jews?�</p><p>�That�s
right.�</p><p>�The
distinction did not exist, of course, in the refined vocabulary of the German
authorities?�</p><p>�Absolutely
not. �</p><p>�That
said, would it be right to say Eichmann effectively exploited the distinction
in order to commence his programme of expulsion with as little protest as
possible?�</p><p>�Yes,
although I don�t know if he thought in those terms. He wanted to use the French
administrative machinery in the planned deportations, so he began with the
stateless Jews, the �migr�s, knowing that the relevant officials were reluctant
to pay their resettlement cost in France. �</p><p>�That
is a most unfortunate turn of phrase in the circumstances �</p><p>�I
meant no��</p><p>�Of
course, it was innocently used. However, Doctor Vallon, the innocence of
language is a subject to which we shall heavily return.� Mr Bartlett frowned,
looking at the jury. Then he said, �However, let�s stay with the word �resettlement�.
Do you accept that the cooperation of the Vichy authorities relied upon an
understanding that these Jews were being resettled in the East?�</p><p>�That
is too broad a question. At the highest level I don�t think reliance upon an
understanding came into it. Several Vichy officials were openly anti-Semitic,
and for them the removal of Jews from France needed little encouragement or
explanation.</p><p>Throughout
the various government departments that carried out the orders, however, there
were obviously shades of opinion and levels of knowledge.�</p><p>�Is it
fair to say that a substantial number of people � officials and members of the
public � were unaware of the killings, and believed that �resettlement� meant
just what it said?�</p><p>�Many
may have done so, yes, but only at the outset.�</p><p>�Subsequently,
did French cooperation, if that is the word, proceed in an untroubled fashion?�</p><p>�No.�</p><p>�Why?�</p><p>�The
general population were appalled by the mass arrests of 1942. Thereafter, State
anti-Semitism, which had prevailed through indifference or agreement, was
gradually undermined by civil resistance. Thus, when Eichmann wanted to move
against the French Jews, the authorities refused, no doubt wary of how the
public might respond. Official capitulation slowed down, under protest, and the
deportation programme floundered. By this stage, rumours of what �resettlement�
meant had begun to trickle through. Thousands went into hiding. By the end of
the war there were still two hundred and fifty thousand Jews in France. But the
scale of the killing was horrendous. A quarter of the Jewish population were
murdered.�</p><p>�My
Lord,� said Mr Bartlett, �may I suggest a short break? These are not easy
matters for the jury to hear.�</p><p>�Or
indeed any of us,� said Mr Justice Pollbrook. �Half an hour, ladies and
gentlemen.�</p><empty-line/><p>3</p><empty-line/><p>Lucy stood with Mr
Lachaise and Max outside the courtroom. Max had his hands thrust deep into his
pockets and was staring at the floor. Mr Lachaise said:</p><p>�What
we are hearing is a prelude to the argument for ignorance. It is
heartbreaking.�</p><p>Lucy
glanced at the small man with the ever�gentle manner, still wearing the same
cardigan. Who was he, beyond his name? She dared not ask. In a peculiar way he
frightened her. He spoke with chilling authority.</p><p>�In
1941 Radio Moscow revealed that Soviet Jews were being massacred by advancing
Nazi troops. In 1942 the BBC described large-scale transfers of Polish Jews
from ghettos to camps. Reports of mass extermination in places like Chelimno
got to London in May 1942. The Polish Resistance informed London about the
gassings at Auschwitz in March 1943. You cannot annihilate a people without the
world finding out.�</p><p>Max,
with his eyes still fixed on the floor, his shoulders pressed inwards, folding
into himself, suddenly whispered, harshly: �The Defendant is my grandfather. I�m
sorry. You can�t possibly want me anywhere near you � or to come to my
studio � I think it�s best if��</p><p>�I know
exactly who you are,� said Mr Lachaise in the same dry, authoritative voice. �And
I want to see your paintings.�</p><p>The
usher pushed open the door to the court and called everyone back. Mr Lachaise
took Max by the arm and Lucy followed.</p><empty-line/><p>4</p><empty-line/><p>Within
minutes Mr Bartlett had referred to the reports of killing described to Lucy
during the adjournment, some of which had not been publicised at the time of
receipt. He then said: �As regards the population in France, they may have come
across non-specific rumours that some people would not have believed?�</p><p>�Unfortunately�</p><p>�For
the rumours were incredible?� �That is part of the tragedy Yes.�</p><p>�Reasonably
rejected by any right-minded person?�</p><p>�Not
quite, Mr Bartlett. You appear to have missed the point I made before.
Cooperation floundered because there were others who <emphasis>did </emphasis>believe the
rumours.</p><p>�But
you do accept there was room for both positions �acceptance and rejection.�</p><p>�Of
course.</p><p>Mr
Bartlett stopped asking questions. Lucy sensed the turning of a lens, a
movement away from the last words to a sharpening of focus on what was about to
come next. He said: �Would you credit Mr Schwermann with the same beliefs and
suspicions as a French policeman aged twenty-three based in Paris?�</p><p>Doctor
Vallon all but laughed. �The proposition is offensive. He was part of the
machinery. He had daily contact with Eichmann in Berlin.�</p><p>�There
is no room for doubt?�</p><p>�In my
view, no.�</p><p>�None
whatsoever?�</p><p>�None.�</p><p>Lucy
felt deep unease. Doctor Vallon was only saying what Mr Bartlett expected him
to say</p><p>Mr
Bartlett said, �Would you be so kind as to consider Volume Seven, section A,
page two.�</p><p>Doctor
Vallon was handed a ring-binder. He found the page and gave a nod of
recognition.</p><p>�This
is a telex from Paris to Department IV B4 in Berlin, dated August 1942,� said
Mr Bartlett.</p><p>�It is.�</p><p>�From
Mr Schwermann?�</p><p>�Yes.�</p><p>�To
Adolf Eichmann?�</p><p>�Correct.�</p><p>�Please
tell the jury what this telex is all about.�</p><p>�It
reports that a thousand Jews had been transported from Drancy to Auschwitz.�</p><p>�Turn
the page, please. This is a memorandum referring to the same transport. What
does it record?�</p><p>�That
sufficient food for two weeks had been provided in separate trucks by the
French government. �</p><p>�This
was not an uncommon practice, Doctor Vallon, was it?�</p><p>�No,
but��</p><p>�Don�t
be grudging with the facts, Doctor Vallon; it is there in black and white.
Provisions were being sent with these passengers .</p><p>�I�m
not being grudging with the facts��</p><p>�This
is entirely consistent with resettlement, rather than extermination?�</p><p>Doctor
Vallon closed the folder and snapped, �None of the food was distributed. It was
taken by the guards at Auschwitz.�</p><p>Unperturbed,
Mr Bartlett said mildly, �Answer the question, please. The texts are consistent
with a perceived policy of emigration, and wholly inconsistent with a policy
of execution upon arrival, are they not?�</p><p>�As
words on a page, possibly�</p><p>�Don�t
scorn ordinary meaning, Doctor. These are words, not runes.</p><p>�I�m
well aware of that:</p><p>�Anyone
reading these documents could have understood them to reflect a policy of
resettlement outside France. Yes?�</p><p>�An
ignorant reader might think that fifty years after the event, but not the
author. I keep stressing to you, he was a part of the machinery. There are
other SS memoranda in these files which expressly state the Jews were to be <emphasis>ausgerottet
</emphasis>� eradicated.�</p><p>�Yes, I
know,� said Mr Bartlett in a measured, patient voice. �And none of them were
written by Mr Schwermann, were they?�</p><p>�No,
but��</p><p>�And
there is not a shred of evidence that Mr Schwermann ever read them?�</p><p>�Well,
we don�t know. �</p><p>�There
is no suggestion that he used such language himself?�</p><p>�Not as
such, but it is an obvious inference that he��</p><p>�Doctor
Vallon, we�ll leave the jury to do the inferring. Among this mass of
documentation there is not a single sentence that demonstrates Mr Schwermann
had explicit knowledge of extermination, is there?�</p><p>�There
isn�t a piece of paper that says so, no.</p><p>�And
there are lots of other pieces of paper that record very different terms to <emphasis>ausgerottet,
</emphasis>terms that we know Mr Schwermann read and used.�</p><p>Doctor
Vallon had guessed the next direction of attack. He said, �Yes, and they�re all
<emphasis>tarnung </emphasis>� camouflage.�</p><p>Mr
Bartlett opened a file. �Indeed,� he said warmly �Perhaps now is the time to
consider the innocence of language, whose ordinary use can so easily trap the
unwary, even the likes of yourself. Please turn to File Nine, page three
hundred and sixty-seven, and consider the words on the schedule.�</p><p>A clerk
brought the file to Doctor Vallon, who went on to agree that the German High
Command were extraordinarily concerned about the vocabulary to be used when
describing the process of deportation to Auschwitz. It was variously described
as <emphasis>Evakuierung </emphasis>(evacuation), <emphasis>Umsiedlung </emphasis>(resettlement) and <emphasis>Abwanderung
</emphasis>(emigration), or <emphasis>Verschickung zur Zwangsarbeit </emphasis>(sending away for
forced labour) . Even the architects and engineers at Auschwitz referred to the
gas chambers as <emphasis>Badeanstalte f�r Sonderaktionen </emphasis>(bathhouses for special
actions) . Their memoranda recorded the phrase in quotation marks. And, of
course, the entire apparatus of genocide was named <emphasis>die Endl�sung </emphasis>(the
Final Solution) .</p><p>Mr
Bartlett said, �The whole point of the exercise is to deceive the reader or
listener, is it not? Someone somewhere is expected to believe the surface
meaning?�</p><p>�Yes, I
accept that.�</p><p>�There
were three meetings held in Paris to plan the V�l d�Hiv round-up. Mr Schwermann
attended two of them. The understanding was that those arrested would be
deported �for labour service� � is that right?�</p><p>�Yes �
even though thousands of children would be taken.�</p><p>�Phraseology
that Mr Schwermann could reasonably have taken at face value?� pressed Mr
Bartlett.</p><p>�I have
already told you, he is one of the deceivers, not one of the deceived. He will
have seen other documents that refer to extermination.�</p><p>�Would
he? Do you always read the notes of the meetings you miss or avoid?�</p><p>�As a
matter of fact I do.�</p><p>�Do all
your colleagues?�</p><p>�No.
No, they don�t, actually�</p><p>�Thank
you, Doctor Vallon.�</p><p>Mr
Bartlett promptly sat down.</p><p>�That
is enough for today,� said Mr Justice Pollbrook with a weariness of having seen
it all before.</p><empty-line/><p>5</p><empty-line/><p>Lucy went to Chiswick Mall
and listened to the news with Agnes. There was a lengthy report on the evidence
of Doctor Vallon. Agnes listened impassively while Lucy broke ice cubes in a
saucer, feeding the melting fragments to her on a spoon. Agnes turned them over
in her mouth like boiled sweets, her eyes glazed as one hearing a dull story on
a wet afternoon.</p><p>Time
mocked the survivors, thought Lucy. Everyone who lasts long enough becomes an
end point in history, and then they must listen to others pass judgment upon
what they have not known. But even after all this time, could there be any
serious doubt? Schwermann must have understood the circumlocutions of his
masters, just as Pam had understood Freddie�s.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Thirty-Four</strong></p><empty-line/><p>1</p><empty-line/><p>In the natural course of
things, Father Andrew made many decisions, passed off as �suggestions�, that
Anselm was unable to fathom. One such was the proposal that Anselm �might� show
Father Conroy the North Country on the way to finding Victor Brionne. To Anselm�s
mind sightseeing did not blend with the task of confronting a fugitive
collaborator. But the �suggestion� had been made. There was some sense to the
proposal: it transpired that Con was writing another book after all (only this
time he intended to ignore its likely condemnation by Rome) . Frequent travel
to the library at Heythrop College, London, and hours of drafting at Larkwood
had worn him out. He needed a break.</p><p>And so,
on the day Lucy listened to the considered views of Doctor Pierre Vallon, the
two men left Larkwood first thing after Lauds. With Conroy at the wheel they
sped north, the skies getting wider and brighter, the horizon flatter and
longer. Anselm�s mind opened like a plain and he saw scattered here and there,
like totems, the outline of those who had recently crossed his path; and Conroy
sang wonderfully mournful songs to himself about a betrayed woman and her
abandoned child, a young father on a British prison ship and a ditty on violent
child abuse. You had to cry; you had to laugh.</p><p>Anselm
turned his mind to the conversation with Father Chambray the night before,
noting bitterly how apposite it was that the truth should finally have made its
way out in a confessional. Father Pleyon, a monk of Les Moineaux, had betrayed
The Round Table. Unforeseen executions had followed. And by an inexplicable,
almost comic quirk of circumstance, Father Pleyon had become the new Prior. Why
was it, thought Anselm, that chance so often assisted the wicked? Schwermann
and Brionne had been handed a lifeline just when they might have been brought
to justice: their accomplice had become the Prior and had lived long enough to
secure their escape.</p><p>But
Father Chambray had pieced together some fragments. He had read the signs. He
had told Rome and they had done nothing. And, in dismay, he had left his Priory
and his church, a priest for ever in a wilderness without sacraments.</p><p>�Con,�
said Anselm, �would you mind not singing for a moment?�</p><p>�All
right, so.�</p><p>�Tell
me again what Sticky Fingers told you.� Anselm had already been told, but he
wanted to place the little Conroy had found out in context now that he had
spoken to Chambray</p><p>Conroy
pursed his lips, thinking. �The Vatican Secret Archive holds two reports from
Les Moineaux, and both had been withdrawn by your man Renaldi in early April
1995.�</p><p>�Just
after Schwermann was exposed.�</p><p>�Aye.
The first was written by Chambray shortly after the end of the war.</p><p>Anselm
knew what it contained, and he would soon see a copy</p><p>�The
second was written a year or so afterwards by Pleyon, just before the Lord
called him to Himself. It was sent on to Rome by the new Prior with a note
saying the old skin didn�t get a chance to finish whatever he wanted to say</p><p>Anselm,
like Father Chambray, could now read the signs that had fallen into his hands.
He placed himself before an earnest, sincere Monsignor quietly watched by an
attentive Cardinal, each knowing the whole narrative set out by Chambray But
they had only disclosed the incomplete report of Pleyon, knowing it was the
beginnings of a self-preserving fiction. �I�m trying to protect the future from
the past,� the Cardinal had said.</p><p>Conroy
returned to his singing and Anselm slept. They lunched and then pressed on,
saying little. As late afternoon cloud gathered over the rolling Cheviot Hills,
Conroy pointed to the signpost directing them to Victor Brionne�s hideaway After
a few miles of empty, windswept road they reached a display board, informing
the unwary that Lindisfarne was a tidal island. They were just in time to cross
the narrow causeway before the cold, slate-blue sea crept over the sands and
cut them off from the mainland. By the time they had found their bed and breakfast,
booked by Wilf the night before, no one could reach or leave the island.</p><p>When
night fell, Anselm left his companion in the bar and wandered outside, over to
a cluster of solid monastic ruins, a fortress carved out of the sky. Standing
alone with the wind in his face, he joined himself to the Celtic monks who had
once gathered beneath brooding arches by a sea that ran to the ends of the
earth; he said the psalms of Compline, as they had once done, while the sharp
night enclosed him. Then he walked along a rocky shore towards a large house
with its windows lit, the curtains left open. A wooden plaque on a gatepost
bore the name �Pilgrim�s Rest�. Anselm leaned on the adjoining wall, concealed
by darkness, looking in upon a play of domestic contentment.</p><p>Robert
Brownlow sat at a piano. Adults and children, seemingly endless in number,
passed to and fro across the glass as if on a stage, each with a walk-on part.
Most were laughing, cans or cups in their hands, little boys and girls with
beakers spiked with straws, and no one seemed to notice the old man seated by
the window, looking out into the night as if he were alone.</p><p>That
must be Victor Brionne, thought Anselm, and none of his family realise he
carries a secret, except perhaps Robert. All available generations had gathered
for a bash, untouched by the trial in London that had never been more than
words in a news-. paper, remote but disturbing if read, destined to be thrown
out with the cold leftovers within a day or so. Anselm suffered a stab of grief
on their behalf, Was it really necessary to pull down what had been built over
fifty years? Should the little boy with the beaker have to lose the grandfather
he thought he had? Or go to school and hear whisperings or taunts? But then
Agnes Embleton was approaching death, unknown to the judicial process, a
forgotten victim. Lucy had once been a child with a beaker spiked by a straw
but she had not been spared by ignorance. The vindication of one family
entailed the destruction of another.</p><p>Anselm
turned away heavily, wishing dearly that he did not have a part of his own to
play: the awful role of the minor character who brings the news he does not
understand, whose brief speech shatters unsuspecting lives, and who then walks
off for a smoke in the dressing room. That would be Anselm�s contribution to
the Brownlow family history.</p><p>Brownlow
Again Anselm strained to recover a stirring at the back of his mind evoking a
pleasant sensation. It was a name he�d known as a boy</p><empty-line/><p>2</p><empty-line/><p>Max Nightingale�s studio
was a single room above a pet shop in Tooting. He said he lived elsewhere but a
camp bed stood folded in the corner next to a small fridge, a Primus, a wobbly
clothing rail and other innumerable signs of sustained habitation. Leaning
against each wall were canvases stacked three or four deep. The walls
themselves were covered with work in progress. Light swam among the colour. It
was extraordinarily peaceful.</p><p>Max was
self-conscious but seemed pleased to bring Lucy and Mr Lachaise into his
private place. He glanced easily at the walls as if they represented a quiet
gathering of his silent family, not one of whom had the capacity to cause acute
embarrassment.</p><p>Mr
Lachaise walked slowly past each canvas, his glasses off, his face peering at
the fluid marks of the brush, once wet, now caught glistening in time. He took
several steps back, replacing his glasses. �Quite wonderful,� he said, almost
to himself.</p><p>Max had
withdrawn to one end where an easel was angled against the light, beside a
table with jars and saucers huddled by a battered box. He kept away from Lucy,
though not obviously, rearranging brushes and tubes of paint. Turning round
she saw a painting hung upon the back of the door.</p><p>The
picture described the hint of a face, perhaps an open mouth crying out, amongst
swathes of gorgeous yellow and orange, breaking down in places to smatterings
of diaphanous brown and gold, lifted up, as it were, like tiny hands. It was
more a study in colour than shape, but the coincidence of lines suggested such
a fragile purpose that the viewer was compelled to impose a reading upon it.
Lucy understood its mood and wanted to run her fingers along the frail ridges
of paint.</p><p>She
said, �Does it have a title?�</p><p>��Sibyl�s
Cave�.�</p><p>Lucy
surveyed the vibrant, tragic beauty, unable to detach herself from its
activity.</p><p>�Would
you like it?� asked Max.</p><p>In her
taut mind she clutched at a refusal, but she wanted it. Lucy nodded quickly,
keeping her eyes on what she had seen.</p><empty-line/><p>3</p><empty-line/><p>Anselm rose at 5 a.m.,
having been unable to �sleep. He tried to say Lauds but a strong, invasive
melancholy scattered his powers of concentration. And yet his mind was deeply
attuned to the important task of the day He would neither eat nor drink nor
rest until it was over.</p><p>Conroy
emerged cheerily for breakfast, eating everything that was brought forth from
the kitchen. His irrepressible gathering in of all life�s moments � even
eating � raised Anselm�s spirits. The Prior had been right all along. It was a
good idea to show Conroy the North Country � for Anselm�s sake. He decided
to bring his companion with him for the confrontation, as long as the great
oaf didn�t tell any jokes.</p><p>Shortly
after ten, Anselm pushed open the gate to �Pilgrim�s Rest�. Conroy followed him
to the stone porch. The door was ajar. Voices drifted warmly from an unseen
room. Anselm immediately imagined a coffee pot, loaves of bread, jars and pots
upon a table, mingled morning greetings, children opening the fridge. He
knocked. A moment later the door swung back in the hands of a little girl with
large, enquiring eyes. And then Robert Brownlow appeared.</p><p>�Ah,�
he said lamely, the colour draining from his face. �You�ve made it for my wife�s
birthday�</p><empty-line/><p>Inside, they were
introduced to Maggie, Robert�s wife; and then two of their five children,
Francis and Jenny (with their respective spouses); and then the three
grandchildren. But not Victor. He was not in the room. Anselm and Conroy were
described as friends of Robert, who, throughout the entire charade, masked his
anxiety with near complete success. Only Maggie, with her tight folded arms,
betrayed a suspicion of insight. Then Robert led his guests to an upstairs room
and knocked on the door.</p><p>Is this
what a major war criminal looks like? thought Anselm. He wore various shades of
respectable green, with a tartan tie, the unmistakable appearance of good but
ill-fitting finds from tatty high street charity shops. His shoes were well
worn but neatly polished. Robert stood behind the armchair that swallowed up
the runaway</p><p>Now
that he�d found him, Anselm had no idea what to say Whatever enquiry Cardinal
Vincenzi expected Anselm to undertake, and whatever insinuated pressure
Renaldi hoped he would exert, was not going to happen. The meeting had its own
agenda. Anselm introduced himself and said:</p><p>�Schwermann
couldn�t hide for ever and neither can you. The police already know that you�re
here. Even if you say nothing to them, and Schwermann�s convicted, he�ll begin
an appeal. His legal representatives were looking for you and they�ll not let
you go once they know that you�ve been found. So if you�re going to hide, it�s
for the rest of your life. Is that what you want?�</p><p>The
gentle clunking of a trowel upon the rim of a plant pot rang from the garden.
Anselm glanced out of the window Maggie was helping one of the children plant a
flower.</p><p>�Victor,�
said Anselm, �I don�t know what happened in 1942 or 1944. Nobody does, except
Eduard Schwermann and you.�</p><p>He was
standing upon a worn rug, uncomfortably aware his calling in life transformed
any public reflection into a sort of sermon. He stepped off the thread
pedestal, saying, �There�s a jury empanelled in London to make a decision. They
sit there, day in day out, hearing evidence, mostly from people who weren�t
there. It�s a journey into memory with stumbling guides doing their best. But
you, Victor, are different. You know the answers. Schwermann believes that if
you enter the witness box, he�ll be acquitted. There are others who believe the
opposite; that you, and only you, can prove he is guilty. Only one side can be
right. I�m afraid I�m going to sound like a priest now, but the truth will out.
Hasn�t the time come to give the past a proper burial?�</p><p>Victor
Brionne�s face became mobile but his lips did not part. Deep down, thought
Anselm, he�s holding tightly on to something. Anselm wrote down DI Armstrong�s
name and number and placed it upon a sideboard. As he reached the door he
turned instinctively and said:</p><p>�You
knew Jacques Foug�res?�</p><p>�Yes.�
It was the only word he had spoken. His voice, in that one brief sound, disclosed
a grave, enduring ache.</p><p>�You
know he had a blood relative, Pascal Foug�res?�</p><p>He
nodded.</p><p>�A
young man who did everything possible to bring Schwermann to trial. Do you know
he wanted .to find you?�</p><p>There
was no response. Robert looked down upon Victor.</p><p>�Do you
know why?� Anselm pleaded. �Not to expose you, or blame you. But because he had
faith in the love of old friends. He believed that you would tell the truth.�</p><p>Victor
closed his eyes, averting his head from Anselm�s unrelenting words.</p><p>�He
died on the very night he met some friends to discuss your importance. Not for
himself, not for his own family, but for all those whose memories are being
scattered to the wind.� Anselm opened the door, his voice suddenly raised,
indignant and accusing: �Did Pascal die for nothing � absolutely <emphasis>nothing
</emphasis>at all?�</p><empty-line/><p>The house was empty when
they got downstairs. Walking down the path they could see the family way ahead,
ambling towards Lindisfarne Castle. Robert joined Anselm and Conroy at the
gate. He said, trembling, �Father, I meant what I said when we first met.
Victor Brionne died in 1945 as far as I�m concerned. Is it right to dismantle
their world?� He nodded over the wall, anxiously, at three generations becoming
specks in the distance.</p><p>�Is it
right to leave other lives in pieces?� replied Anselm. �I don�t pretend to have
the answer, Robert. I doubt whether your father knows. But he�s the one who has
to choose.�</p></section><section><empty-line/><empty-line/><p><strong>Chapter Thirty-Five</strong></p><empty-line/><p>1</p><empty-line/><p>Lucy took �Sibyl�s Cave�
home with her and placed it over the mantelpiece. For the rest of the weekend
she kept re�entering the room to look at it. In that hint of a face drawn by
the sweeping paint she saw Agnes, young and old, transcendent, aloft her
disappointment.</p><p>When
Lucy met Max and Mr Lachaise at court on Monday morning they all shook hands.
Something like ease was growing between them. This was all the more remarkable
because she (and presumably Max) had no idea as to who Mr Lachaise, their
convener, might be. There was a disarming quality to his simplicity, like dealing
with a child. Only he was nothing of the kind. He seemed older than anyone Lucy
had ever known. And she recognised in his every move a type of empathy,
something indefinable, that he held in common with her grandmother. She would
have liked them to have met.</p><empty-line/><p>As was now common
practice, the three of them sat in a row listening intently to the evidence
presented before the court. For the next couple of days Mr Penshaw called a
hotchpotch of witnesses to describe the nuts and bolts of organised murder. Mr
Bartlett asked few questions, confining himself to small errors of detail.</p><p>�In
fact, the first deportation from Le Bourget-Drancy comprised standard
third�class railway carriages, did it not?�</p><p>�Yes, I�m
sorry, you�re quite right. If it matters. �</p><p>�Precision
always matters,� said Mr Bartlett kindly</p><p>Bartlett
very occasionally gave a brief smile to the jury. After all, they�d been seeing
each other every day, listening to the same witnesses. Lucy felt an atmosphere
was developing between them. They were in this together, doing their level
best. One or two had begun to smile back at him. Was it courtesy or empathy?</p><p>Lucy
struggled to name a growing sensation. By some alchemy, Schwermann was almost
detached from the proceedings. The link between the young SS officer and the
elderly Defendant before them was peculiarly slender, the actions and
attributes of fifty years ago having to be fixed on an older, much changed and
hence different man. The passage of time itself had blurred not only the edges
of responsibility but the consequences of the crime. Several newspapers had
begun to question the propriety of the trial �so long after the events in
question�, those being the fleshiness of killing, the smell of filth and the
sound of fear. The younger man who�d been there was slipping out of reach; the
older chap seemed crucially disconnected from his own past.</p><p>One
radio programme debated �the age-old problem of Personal Identity�. If
Schwermann at seventy-six was not the <emphasis>same </emphasis>man he had been at
twenty-three could he be punished at all? Several newspapers explored the reach
of ethics within the law, proper and improper. And many perfectly reasonable
people from both sides of the fence appeared on <emphasis>Newsnight </emphasis>and within ten
minutes were fairly evenly savaged for their trouble. The Defendant had become
a �philosophico-legal� problem, as well as an alleged killer. Lucy absorbed all
the words, admiring the careful scrutiny of educated minds, but thinking all
the time of leaves � thousands upon thousands of them, wafted helplessly
into the air, no one knowing from where they had come or where they would go.</p><p>Watching
Mr Bartlett at work, Lucy thought that someone had to bring the
SS-Unterscharf�hrer back into the present, through the tangle of reasonable civilised
arguments, and put him in the dock � someone who had known him at the time.
And, apart from Agnes, there was only one person left.</p><empty-line/><p>2</p><empty-line/><p>Anselm and Conroy got back
to Larkwood late on Saturday night. They spoke in snatches on the way down,
each of them preoccupied by a vision of what would soon befall the Brownlow
family No wonder the prophets were such a miserable lot, said Conroy Glimpsing
the fulfilment of history, even a tiny flowering of righteousness; was not a
pleasant sight. It wasn�t all slaked thirst, free corn, oil and new wine. And,
unfortunately, getting the balance right between today�s children and the
wrongs of their parents was a task that went well beyond the remit of the Crown
Court.</p><p>Anselm
retired to his room on Sunday afternoon to write a report for Cardinal
Vincenzi. The text he produced was brief to the point of insolence. He set down
the facts: Brionne had been found; he might give evidence; its substance had
not been revealed. The whole was extended modestly with a few connecting
phrases. With a flourish of respectful obedience, Anselm signed his name.</p><p>Anselm
went down to the Bursar�s office, his report in hand. A fax machine and
photocopier stood side by side. On an opposite wall was a grid of pigeonholes,
one for each monk, a private depository for mail and handouts. Anselm faxed his
letter directly to Cardinal Vincenzi in Rome and the Papal Nuncio in London. He
had been instructed not to send a hard copy, so he placed the actual text in a
folder addressed to Father Andrew � for eventual lodging in the Priory
archives.</p><p>Turning
to leave, Anselm checked his mail. There was one envelope. It must have been
put there in the last hour or so for the pigeonhole had been empty after lunch.
Opening it, Anselm withdrew the report from Father Chambray. An attached note
from the author said he had gone to London en route to Paris that night. He
urged Anselm to visit him the next time he was in France. That was a welcome
gesture from a man on the boundary of things, a man who had once slammed a door
in his face.</p><p>It was
a flimsy text, a carbon copy on tracing paper. Anselm sat and read. It was all
as Chambray had recounted. The last page, however, went rather further than
their previous discussion.</p><p>Father
Pleyon secured the passage of Schwermann and Brionne to England through
personal diplomatic connections in Paris and London. Contact was made with a
new monastic foundation in Suffolk that had been established by a French
motherhouse shortly before the war. Schwermann would stay with the monks for a
month while alternative arrangements were made by the British authorities.</p><p>Anselm
put the report back in the envelope and glanced at the fax machine, thinking of
his own brief letter to Rome. Its readers would already know that Eduard
Schwermann first came to Larkwood Priory in 1945.</p><empty-line/><p>3</p><empty-line/><p>Reading other people�s
letters without permission was the sort of thing that Freddie considered
abhorrent. It was one of the many admonitions he had stressed when Lucy was a
child and he was laying out the benchmarks for upright living. Which of course
turned out to be ironic because he would dearly have loved to learn about his
daughter if she would but tell him, and she wouldn�t, and that left peeping at
her mail, which he never did, not even when Darren�s distinctive letters had
fallen upon the doormat and Lucy had left them open in her unlocked room. She
had done that on purpose, knowing he would want to look, and knowing that he
would not.</p><p>So it
was genuinely an accident when her father picked up a letter to Lucy from her
college tutor referring her to Myriam Anderson, the counsellor, and giving her
permission to miss lectures and tutorials for several weeks. It had fallen on
the floor, out of a coat pocket, while she was visiting her parents, and Lucy
had left for Brixton none the wiser. He gave it back to her, with an apology, a
day or so later at Chiswick Mall. They were standing in the hallway, just as
Lucy was about to leave. She took it, flushing, and answered the trapped
question he would not ask:</p><p>�I�ve
not dropped out.�</p><p>Freddie
studied her face for a long while. �But why, Lucy? What�s wrong?� She�d
expected anger, more of the old dashed expectations spilling forth like dirty
water. But that didn�t happen. For once, he seemed lost, unsure of how to keep
hold of the threads that linked him to his daughter. He raised his hands and
Lucy felt the lightest of pulls towards him. She said, quickly, �I had a friend
who died.�</p><p>The
telling seemed to leave him winded. He didn�t even know about the friend, never
mind the death. To her astonishment he came forward and put an arm around her,
drawing her head into his neck. Lucy could not remember when that had last
happened. She started crying, not for Pascal, not for Agnes, but for herself� and for her father.</p><p>�I�m
terribly sorry,� he said.</p><p>�So am
I.�</p><p>And
they both knew that their words went far deeper than a reference to recent
grief. They reached back, further than either of them could ever have intended
or imagined, deep into the unlit past.</p><p>As Lucy
pulled herself away, she met her father�s open gaze with dismay: how would it
ever be possible to tell him about the trial, about Agnes� notebook, and about
his very self?</p><empty-line/><p>Lucy attended court the
next morning and took her seat. She asked Max what he�d done the night before.
Waiting on tables, he said. How awful, she replied. Pays the rent, he
responded. Mr Lachaise polished his glasses reflectively, listening to their
quick, simple exchange.</p><p>The
barristers filed into court but, unusually, the jury were not summoned. Mr
Justice Pollbrook came on to the bench. Mr Penshaw rose to his feet:</p><p>�My
Lord, owing to a rather surprising development in this case, I fear it may be
necessary to have a substantial adjournment so that��</p><p>�How
long, Mr Penshaw?�</p><p>�At
least the rest of the day�</p><p>�You
can have this morning.�</p><p>�My
Lord, the development is significant, and I anticipate the need to serve
additional evidence upon my Learned Friend. He will need to consider it <emphasis>most
</emphasis>carefully�</p><p>There
was a pause. Mr Penshaw had spoken in Bar-code. The judge quickly scanned the
lawyers below</p><p>�Very
well. You can have until two-thirty tomorrow That�s a day and a half. Mr
Bartlett, any objections?�</p><p>�No, my
Lord, I�ve always enjoyed little surprises.�</p><p>�Court
rise.�</p><p>Lucy
thought, faster than she could order her mind: it�s Victor Brionne. He must
have decided to speak out. Why else would he have come out of hiding? Why else
would the Crown so enjoy expressing their concern for Mr Bartlett? He comes to
strike down his former master.</p><p>Suffused
with exultation, Lucy turned on Schwermann in the dock, but was stunned to see
his relief and the slight trembling of repressed emotion: the look of one who
has heard the soft approach of his saviour.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Thirty-Six</strong></p><empty-line/><p>1</p><empty-line/><p>Lucy returned to court
unable to forget the look of hope that had smoothed the anxious face of Eduard
Schwermann. But now, sitting in the dock, he looked to the public gallery with
growing agitation, directly towards the empty seat of Max Nightingale.</p><p>Mr
Lachaise was uncharacteristically wearied, like the front-runner who unexpectedly
limps to one side, unable to continue with the race. Another man, roughly the
same age as Mr Lachaise, caught Lucy�s attention, being a new observer among
what had become a familiar throng. He stood out not through that difference
but through the imprint of tension. His short silvered hair, neatly cut and
parted, suggested the boy as much as the man. She suspected that he was here
with Victor Brionne, who was about to give evidence on behalf of the
Prosecution.</p><p>When
Counsel were all assembled, the judge came on to the bench in the absence of
the jury</p><p>�My
Lord,� said Mr Penshaw, rising to his feet, �the adjournment has been of
considerable assistance. If I may briefly explain��</p><p>�Please
do.�</p><p>�An
individual came forward from whom it was thought a contemporaneous account of
events involving Mr Schwermann might be forthcoming. A statement was taken by
the police which your Lordship has no doubt seen.</p><p>�I
have.�</p><p>�There
is nothing deposed therein which adds anything of significance to the
Prosecution case. I do not propose to call the witness.�</p><p>The
judge languidly raised an eyebrow �Has Mr Bartlett seen the statement?�</p><p>�He
has.�</p><p>�Good.�</p><p>�My
Lord,� said Mr Penshaw �That completes the evidence for the Crown.�</p><p>�Mr
Bartlett, are you ready to proceed?�</p><p>�I am.�</p><p>�Call
the jury please,� said Mr Justice Pollbrook, turning a fresh page in his
notebook.</p><p>Desperate
and confused, Lucy grasped for an understanding of what had happened. How could
the Prosecution case come to an end without evidence from Victor Brionne? What
had he said to the police that was of so little value? As she threw the
questions like flints around her mind the jury returned to their seats, the
Crown closed their case and all eyes locked on to Schwermann who, at any
moment, would make his way from the dock to the witness stand. Mr Bartlett made
a few ponderous notes with his pencil. He sipped water. A collective
apprehension rapidly spread throughout the court. The judge patiently waited
and then, just as he opened his mouth to speak, Mr Bartlett suddenly rose,
saying:</p><p>�My
Lord, notwithstanding the usual practice of calling the Defendant first, in
this particular case I call Victor Brionne.�</p><p>�What?�
said Lucy, aghast.</p><p>Mr
Lachaise leaned towards her and said in a low, strong voice, �Do not worry.� With
an affection tainted by anger she thought: it�s always the powerless who are
most generous with their comfort.</p><p>Victor
Brionne walked through the great doors. The appearance of the man who had
haunted so many lives mocked expectation. He was wholly ordinary � shortish,
with a wide, laboured gait; owlish eyes, his skin dark and deeply lined � the
sort of man you�d meet in the market. He took the oath. His eyes avoided the
dock, and he turned only once towards the handsome man three or four seats
away from Mr Lachaise. Then he faced the jury.</p><empty-line/><p>Mr Bartlett constructed
Brionne�s Evidence-in-Chief like a master stonemason. Both hands held each
question and every expected answer was pressed slowly into position. He halted
work frequently, allowing facts to settle.</p><p>�Mr
Brionne, you worked with Eduard Schwermann between 1941 and 1944?�</p><p>�Yes.�</p><p>�You
are French by birth?�</p><p>�Yes.�</p><p>�You
joined the Paris Prefecture of Police in June 1941, at the age of twenty-three?�</p><p>�Yes, I
did.�</p><p>�You
were, however, not an ordinary policeman, in the sense that you were based at
the offices of the Gestapo.�</p><p>�That�s
right.�</p><p>�I
shall spare the jury an argument as to your status. Your place of work made you
a collaborator?�</p><p>There
was no reply Brionne�s lower jaw was gently shaking.</p><p>�I asked
if you were a collaborator. Please answer.</p><p>Very
quietly, Brionne replied, �Yes.�</p><p>�Louder,
please.�</p><p>�Yes. I
was a collaborator.� The words seemed to burn his mouth.</p><p>�Please
tell the ladies and gentlemen of the jury how you came to work with Mr
Schwermann. �</p><p>�I
spoke good German. I was transferred to an SS department within weeks because
they required a translator.�</p><p>�And
was that the extent of your �collaboration�?� queried Mr Bartlett, slightly
stressing the last word.</p><p>�It was
enough.�</p><p>�Mr
Brionne, I am now going to ask you some questions about an organisation known
as The Round Table. We understand Mr Schwermann was credited with uncovering
the smuggling operation. Did he ever tell you how he did it?�</p><p>�Not
exactly, no,� Brionne wavered. �All he said was that a member of the group had
told him everything.�</p><p>�Did he
say who this person was?�</p><p>�No.�</p><p>�Did
you enquire?�</p><p>�I didn�t,
no.</p><p>Mr
Bartlett�s voice was growing imperceptibly louder, imposing a sort of moral
force on to his questions. �Having discovered, or perhaps I should say, having
been presented with this information, what did Mr Schwermann do?�</p><p>�He
made a report to his superior officer.�</p><p>�And
the inevitable arrests followed?�</p><p>�Yes,
they did.�</p><p>�Do you
recollect the morning of the day the arrests took place?�</p><p>�I do.�</p><p>�Were
you alone?�</p><p>�No. I
was with Mr Schwermann.� �Please describe his demeanour.�</p><p>�He was
anxious, smoking cigarette after cigarette. �</p><p>Mr
Bartlett contrived mild surprise. �Let us be absolutely clear. Is this the day
The Round Table was shattered?�</p><p>�It
was.�</p><p>�A day
for which he would later receive the praise of Eichmann?�</p><p>�Yes,
that�s right.�</p><p>�It
should have been a time of excited apprehension for him, should it not?�</p><p>�Yes, I
suppose so.</p><p>�Have
you any idea, then, as to why he was so anxious?�</p><p>�No.�</p><p>�Let�s
see if we can find an answer. You knew Jacques Foug�res?� The barrister was
speaking quietly now.</p><p>�We
were the best of friends. The best �� He�d become a mourner in a dream.</p><p>�Mr
Brionne, did Jacques Foug�res have a child?� Lucy sat forward.</p><p>�Yes.�</p><p>�A boy
or a girl?� �A little boy.�</p><p>�Did
you know the mother?�</p><p>�Yes. Agues
Aubret.�</p><p>�By
reference to the racial regulations implemented by the Nazis, to which ethnic
group did she belong?�</p><p>�She
was Jewish.�</p><p>�And
the boy?�</p><p>�The
same. He was Jewish.�</p><p>�Even
though the father was a French Catholic?�</p><p>�Yes.�</p><p>�As far
as Mr Schwermann�s superior officers were concerned, the boy, if found, would
unquestionably have been deported?�</p><p>�Yes,
unless she had forged papers to conceal her Jewishness.� �Where is Agnes Aubret
now?� asked Mr Bartlett quietly �She perished. Auschwitz.�</p><p>Brionne
was unable to continue. His face shuddered repeatedly with such violence that
the judge suggested he might like to sit down, but Mr Bartlett pressed on
urgently:</p><p>�And
the boy, the boy; what happened to the boy?�</p><p>�He was
saved,� mumbled Brionne, turning quickly to the dock. �Mr Schwermann took the
child, before the arrests were carried out, and hid him with a good family.�</p><p>Mr
Bartlett followed through quickly and quietly, prompting fluid, hushed replies.</p><p>�How do
you know this?�</p><p>�I saw
it with my own eyes.</p><p>�How
often did the opportunity to act in this way arise?�</p><p>�Just
this once.</p><p>�He
seized it?�</p><p>�He
did.�</p><p>Lucy
could not bear it any more. She sidled hurriedly out of her row towards the
court doors as Mr Bartlett sat down and picked up his highlighter.</p><empty-line/><p>2</p><empty-line/><p>The folder was sealed as
if it were meant to survive the rough handling of a prying child. Max stared at
the unmarked surface, the bands of brown masking tape crossing each other like
planks in a garden fence. His fingers held the corners lightly, reluctantly,
as if the whole might dirty him.</p><p>Anselm
had brought Max to the table beneath the wellingtonia tree after he�d arrived
at Larkwood unannounced. A thick stubble dirtied his neck and cheeks. He said: �The
day my grandfather came here, he gave me this.� Max placed it on the table and
drew his hands away. �He told me �You�re the only person I can trust, you
always have been, but now it matters more than ever before. Keep this safe.
Show it to no one. If Victor Brionne is found then bring it to me immediately If
not, and I�m convicted, then I want you to burn it. But promise me this; do not
open it.��</p><p>Anselm�s
mind tracked back to Genesis and the instruction of the Creator: not to eat the
fruit of the tree that gave knowledge of good and evil. Schwermann had played
God with the same rash confidence that obedience would be rendered. Max
continued: �Yesterday, the Prosecution asked for an adjournment. In my guts I
knew it was because Brionne had turned up. I�ve just heard a news bulletin. I
was right. The Prosecution have closed their case. As we sit here, Brionne is
giving evidence on my grandfather�s behalf. I�m meant to have brought this to
court� � he pointed at the folder � �but I can�t, not without knowing what�s
inside.� He pushed it towards Anselm. �I can�t open it. I�ve brought the one
part of him he did not bring to Larkwood.�</p><p>Somewhere
out of sight, one of the brothers was at work making one of the songs of
spring: the unhurried scrape of sandpaper on outdoor timber, a preparation
before the laying of paint. Anselm took the folder and carefully pulled it
apart. He withdrew three documents held neatly together by a paper-clip. Laid
on the table, their corners lifted lightly in the breeze.</p><p>The
dull blue ink had the slight blurring characteristic of print from an old
typewriter. Anselm signalled to Max to come closer, to see for himself.</p><p>The
first was headed �Drancy�Auschwitz�. It carried a list of numbered names and
was evidently a deportation register. Before Anselm could scan the entire page
his eyes alighted upon a single entry:</p><empty-line/><p>4.
AUBRET, Agnes 23.3.1919 Fran�aise</p><empty-line/><p>The
lower right-hand corner had been signed by Victor Brionne � representing,
presumably, either the compilation of the list or confirmation of its
execution. Anselm turned it over and saw the faded smudge of ink around the
indentations of lettering: the list had been typed upon a carbon sheet. This
was the original. Somewhere there was a duplicate. It was an irrelevant detail
that nonetheless attached itself to Anselm�s concentration.</p><p>Anselm
turned to the second document. It was another Drancy-Auschwitz convoy list, a
block of names. The dates of birth caught his eye. He stared at distant trees,
carrying out a spontaneous horrified calculation. They were all children. Each
was marked off as though safely accounted for on a last school trip. And there,
near the top of the page, Anselm saw what he half expected to see: a boy called
Aubret, aged fifteen months, French, and in the margin a broad, unwavering
tick. Again, the paper was signed by Victor Brionne. Instinctively he glanced
at its back. Curiously, the page was clean, without the marks of carbon.</p><p>Anselm
turned quickly to the third sheet. It was an SS memorandum dated 8th June 1942
and appeared to be an interrogation record. Although Anselm could not
understand German, the term �Judenkinder� was nauseatingly clear. There was a
sub-heading in French within quotation marks, �La Table Ronde�. Beneath it was
a list of names, roughly a dozen, two of which he recognised: Agnes Aubret and
Jacques Foug�res. The bottom of the page carried the signature of Victor
Brionne. He turned it over. Once more it was clean, an original text.</p><p>Anselm�s
pulse raced in disgust. He put the documents back in the folder. The questions
sprang forward: why had Schwermann kept these at all � and why had he
retained original records, leaving behind a duplicate only in the case of Agnes
Aubret?</p><p>�Max,�
said Anselm. �Your grandfather has prepared for this trial, right from the
start, even before he knew the outcome of the war. These show that Brionne was
involved in the betrayal of The Round Table and the deportation system � with
those papers you hold your grandfather�s life in your hands.�</p><p>Max was
blinking rapidly He said in a detached, failing voice, �He must be blackmailing
Brionne. Whatever Brionne is saying to the court will be a fairy tale �
agreed between them fifty years ago.</p><p>�I�m
afraid you�re right.�</p><p>The
soft song of spring played on: the scraping over dry, rough wood. Max bit his
lip and said, �Before I go to the police � I�ll have to prepare my family, my
mother �</p><p>�Would
you like me to come with you?� asked Anselm.</p><p>�Yes.�
The word was barely spoken.</p><p>Anselm
didn�t want to say what was pressing upon his mind but he had no choice:</p><p>�Max, I
don�t want to make things worse but there isn�t much time � you need to speak
to the police as soon as possible. The Prosecution will need what you now
possess.�</p><empty-line/><p>3</p><empty-line/><p>�Mr Brionne,� said Miss Matthews
stonily, �you have been very public-spirited, coming forward, it would seem,
without any outside compulsion.�</p><p>Lucy
had slipped back through the court doors to find Mr Penshaw seated and the
young woman barrister on her feet.</p><p>�Tell
me,� said Miss Matthews with curiosity, �when did you first discover the
Defendant had taken refuge in a monastery?�</p><p>�On the
news.</p><p>�That
would be April of 1995, a year ago,� calculated the barrister. �And you made no
effort to contact the police?� She firmly drew out each word.</p><p>Brionne
turned to the judge, as if for help. Mr Justice Pollbrook stared back
dispassionately</p><p>�When
did you first discover the Defendant had been formally <emphasis>arrested?�</emphasis></p><p>�I� I�m not sure, perhaps it was � er �� �Let me help you. On the news?�</p><p>�Yes,
that�s right.�</p><p>�That
was in mid-August 1995, four months later?� �All right, yes.�</p><p>�Yet
you made no effort to contact the police. Why?� Once again Brionne floundered,
like a man with a map he could not understand.</p><p>Miss
Matthews pressed remorselessly forward. �When did you learn the Defendant had
actually been <emphasis>charged </emphasis>with murder?�</p><p>�I
think it was the next month.�</p><p>�You
are right. Yet you made no effort to contact the police. Why?�</p><p>�I can�t
explain ��</p><p>�Why
not? It strikes me that you have closely followed this case from the day the
Defendant fled his home to the day this trial commenced. Is that so?�</p><p>�I
have, yes.�</p><p>�Yet it
is only at the last hour you come riding into court to tell us what you know Why
now?�</p><p>Brionne
lowered his head, unable or refusing to answer. Miss Matthews patiently leafed
through some papers. She looked up and said without a trace of sympathy:</p><p>�Are
you frightened of someone, Mr Brionne?�</p><p>Still
there was no response.</p><p>�Mr
Schwermann, perhaps?�</p><p>Brionne
became totally still. He held on to the sides of the witness box, controlling
his breathing. But he would not speak.</p><p>�All
right, Mr Brionne, if you won�t reply we�ll move on, said Miss Matthews
contentedly �When you finally presented yourself to the police a few days ago,
after the trial had begun, you related only one great incident of heroism on
the part of the Defendant. Is that right?�</p><p>�Yes.�</p><p>�Nothing
about round-ups, internment centres, deportations or death camps. Correct?�</p><p>�That�s
right.�</p><p>�Just
one, brief, glittering moment when a boy�s life was spared, like Moses against
the orders of Pharaoh?�</p><p>Lucy
wanted to cry out: pick up the convoy sheets in front of you. The boy�s name
must be there. Please, please, look now</p><p>�I�m
sorry but it�s the truth,� Brionne said purposefully.</p><p>�Is it
indeed?� Miss Matthews suddenly shifted direction to the dirty underside of the
rescue story. Mr Bartlett showed no trace of surprise.</p><p>�You
proclaim he saved a boy from certain death at Auschwitz?�</p><p>�That�s
what I�ve said.�</p><p>�Then
tell me this. Can this jury safely conclude that SS-Unterscharf�hrer Schwermann
knew �deportation to the East� meant one thing, and one thing only: brutal
execution?�</p><p>Brionne
started, caught off-balance by the question.</p><p>She�s
trapped him, thought Lucy as Miss Matthews said, with icy detachment:</p><p>�Either
the Defendant separated a boy from his mother for no reason, or he knew about
the machinery of death. Which is it?�</p><p>Without
forcing a reply the interrogator drew a slow line across a page, watching him
all the while. Then she sat down, leaving Brionne with his head bowed.</p><p>Lucy
smiled to herself, her heart racing. Miss Matthews had learned a neat ploy from
Mr Bartlett: the strange power of a well-placed, otherwise empty gesture.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Thirty-Seven</strong></p><empty-line/><p>1</p><empty-line/><p>The curved timber-frames
and weatherboards of the cottage would have been simply captivating but for the
wide splattering of red paint. It had soaked into the wood and plaster and
would not be hidden, despite attempts to scrub it away This was the home of
Sylvia Nightingale, lying by the banks of a river that ran through
Walsham-le-Willows, a village thirty miles or so from Larkwood. Anselm drove
there on a Friday morning, the day after his meeting with Max, the folder of
documents on the seat beside him.</p><p>Before
leaving Anselm had thought of making photocopies but didn�t. The notion of
duplicating the names of the dead seemed somehow irreverent, an act of
trespass. Listening to the radio during the short journey, Anselm learned the
court would not be sitting until the afternoon owing to Bartlett having asked
for time to confer with his client. That, thought Anselm, was an answer to a
prayer he had not made. Once the ordeal of the morning was over, he, or the
family could call the police, and that would prompt another more significant
adjournment.</p><p>Max had
already arrived when Anselm was shown into the cluttered, homely sitting room.
The daubing had occurred two nights ago, explained Mrs Nightingale. It didn�t
reflect the attitude of the community for it was almost certainly the act of an
outsider. Probably drunk, just a one-off, the police had said, trying to bring
reassurance to the terror thrown upon the victim. Their words had brought no
comfort. Fear had settled into a rigid mask. She was heavily made up, a crafted
brave face, displaying everything she wanted to hide. Rebuffing words of
sympathy from Anselm, she was an absurd, pitiable folly of strength. Her hair,
wound into a bun, had begun to slip free. The comfortable disarray of things in
the lounge suggested the unexpected suspension of a busy life.</p><p>�Charity
work,� she said, pointing towards a pile of leaflets, �until they said it was
better if I didn�t help any more. I�ve become an embarrassment. �</p><p>The
three of them sat as a triangle, reminding Anselm of a parish visit after a
death but before the funeral. He explained, as sensitively as he could, the
issues faced by the court, concluding with the revelation that Max had been
entrusted with a folder of crucially important documents. Mrs Nightingale
looked at her son, astounded, becoming angry.</p><p>�Why
didn�t you say anything, to me at least?�</p><p>Max
said, �He made it sound as though the truth could only come out if no one knew
anything about his secret.�</p><p>�Listen
to yourself, that�s utter nonsense.</p><p>�I know�</p><p>�Then
why the hell did you � Oh Max.� She looked aside, away from her son, with a
look of total understanding.</p><p>�Mrs
Nightingale,� said Anselm. �These papers demonstrate that your father prepared
himself for this trial as soon as the war came to a close. He kept a record of
one man�s betrayal, a disclosure that was made to him. That man gave evidence
yesterday in your father�s defence. He must have done so under duress, to save
himself. Nothing he said can be relied upon.</p><p>Mrs
Nightingale stared at the carpet, her eyes brightening with resentment.</p><p>�There
are other records,� said Anselm reluctantly She looked up. �They list the names
of adults and children sent to Auschwitz.�</p><p>�No,�
she said, shortly �No.� She used the word as if it were a racket, knocking back
what she had heard, a slam past her opponent.</p><p>�It�s
true, Mum, I�ve seen them,� said Max.</p><p>�Shut
up, you,� she snapped. �Let me see.� She threw out her hand aggressively
towards Anselm.</p><p>Anselm
withdrew the three sheets of paper and handed them to Mrs Nightingale. She
looked over each of them erratically scanning up and down, flipping from one to
the other, incapable of measured scrutiny her face becoming moist. �What do
you want me to do?� she asked, for the first time transparently unprotected,
her anger subsiding into dread.</p><p>�Absolutely
nothing,� replied Anselm reassuringly �The police will handle everything.�</p><p>�The
police?� she said with the specific, tragic astonishment that is the last
defence of those who cannot face the obvious. She sat rigid on the edge of her
seat. �Have you any idea what this has meant for my family, for Max, for me?�
Her voice rose eerily. �How do you know what these mean anyway?� She flapped
the papers in the air, like rags. �Who the hell are you to tell me what has to
be done? We�re the ones who have to live afterwards, not you �� Standing
up, she raised the flimsy sheets before her eyes, crumpling their edges in her
grip. She shook the papers back and forth, as if they were the smooth, indifferent
lapels of circumstance; she let her despair loose into her hands, a groan
breaking out of her mouth.</p><p>Anselm,
scared by the unravelling emotion, sprang forward to retrieve the documents,
now slightly torn. In an instant he saw the dainty bracelet and rings: old
gifts, keepsakes of a lifetime, intimating the vast expanse of all she held
dear, brought down in public ruin without warning, without having done anything
to deserve the advent of shame. She stepped back, pulling her arms apart. In
the tearing that followed they all stood still, each suddenly horrified. She
walked hastily out of the room. Anselm looked at the few remaining shreds on
the floor, hearing the swift striking of a match in another room.</p><p>Mrs
Nightingale walked back into the room with the unsettling equanimity that
might come after a righteous killing.</p><p>�I�m
terribly sorry.� Her voice was light and fresh, as if from another woman. She
sat down, smoothed her skirt and wept.</p><p>Anselm
let himself out. As he walked away from the cottage he turned and saw the
mother held in the arms of her son.</p><empty-line/><p>Anselm drove quickly back
to Larkwood. He would have to see Father Andrew urgently, given what he had
learned from the documents, and what had just happened to them in the hands of
someone who could not face what they contained. Sylvester reminded him the
Prior was away for two days at a conference, but he�d mislaid the contact
number. Anselm left him thumbing scraps of notepaper and sought out Gerald, the
sub-Prior. Father Andrew was tracked down and he arranged to return to Larkwood
the next night.</p><p>Anselm
went to his room and tried to be still, knowing the trial was moving towards an
ending but that he alone possessed all the keys to its resolution.</p></section><section><empty-line/><empty-line/><p>2</p><empty-line/><p>The court reconvened on
Friday afternoon. Lucy greeted Mr Lachaise, who again seemed deeply tired. Both
of them commented on the absence of Max. The light conversation was a foil to
manage the strain of waiting. For that afternoon, without doubt, Schwermann
would give evidence. Lucy felt like one of those Spartan warriors on the eve of
Thermopylae, ambling up and down, naked, waiting for the onslaught to begin.
According to Thucydides they intimidated their enemy by leisurely combing their
long hair. She had done the same thing that morning. She would watch Schwermann�s
performance looking her best. He would not leave her beaten and dishevelled.</p><p>When
all the main players were in position, the jury were summoned. Mr Bartlett bade
them good afternoon and said, �My Lord, the following is a statement that has
been agreed by the Crown. It has been furnished this morning by the legal
representatives of Etienne Foug�res.�</p><p>Mr
Bartlett read out the text: �I confirm Agnes Aubret had a child by Jacques
Foug�res. As far as we know, both Aubret and the child met their deaths in
Auschwitz. My family are ignorant of the conduct ascribed by Victor Brionne to
Eduard Schwermann.�</p><p>�A
model of brevity, if I may say so,� said Mr Justice Pollbrook with approval.</p><p>�Indeed
it is.�</p><p>�Mr
Bartlett, have you checked the deportation records?�</p><p>�I
have.�</p><p>�Is
there any reference to Agnes Aubret?�</p><p>�Yes.
For your Lordship�s note, she was deported on the twenty-fourth of August 1942.
The text can be found in File Q, page one hundred and seventy-nine.�</p><p>�I�d
like to see the original, please.�</p><p>The
master file was retrieved by Mr Penshaw, who opened it at the relevant place.
It was handed to an usher who gave it to Mr Justice Pollbrook. He leafed
through pages on either side and then said, �The actual text to which I have
been referred is a carbon copy. What happened to the original?�</p><p>�No one
knows, my Lord,� said Mr Bartlett with polished regret. �Perhaps it was damaged
in an accident.�</p><p>Mr
Justice Pollbrook studied the file again. He said, �All the names of the
victims have been ticked off, to confirm they were accounted for, but there is
a blank space at the bottom where the supervising officer�s signature should be
found. Why is that?�</p><p>�My
Lord, I have no idea. What you have before you is the original file retrieved
after the war. There is nothing else. The relevant text remains a
contemporaneous document.�</p><p>�Thank
you,� replied Mr Justice Pollbrook uneasily. Abruptly suspiciously, he said, �Did
you look for the child as well?�</p><p>�I did.
There is no mention of him whatsoever.� Quietly his eye on the jury, Mr
Bartlett added, �It seems, my Lord, that the records confirm everything Victor
Brionne recounted to the court. Aubret was deported. The child was not. �</p><p>The
judge blinked slowly and, with an expression of profound disdain, said, �I
thought you might say that.�</p><p>Mr
Bartlett bowed slightly with his head. He then said, �My Lord, having had the
benefit of a conference with my client this morning, and in the light of the
document I have just read out, I do not propose to call Mr Schwermann to give
any evidence in his own defence.�</p><p>A great
sigh swept through the court. After its subsidence, Mr Bartlett continued, �I
am confident this jury already knows the direction in which their conscience
must take them. The case for the Defence is closed.�</p><p>Lucy
turned to Mr Lachaise who, throughout the trial, had become a quiet source of
steadiness, especially when reason saw no room for hope. But for the first time
he slumped forward, his gentle face pale and drained of emotion.</p><empty-line/><p>Mr Justice Pollbrook
adjourned the case, allowing time for Counsel to prepare their speeches and him
his Summing-Up. By the time the judge had finished his remarks to the jury Mr
Lachaise had recovered his customary self�possession. He suggested they have a
coffee and a biscuit. Sitting in a small caf� off Newgate Street Lucy said, �Why
isn�t he going to defend himself?�</p><p>�It�s
far too dangerous,� said Mr Lachaise. �If he was cross-examined, his present
position, however precarious, could only be harmed. He is on a knife-edge,
illustrated by the rather good point made by Miss Matthews � he either
separated a boy from his mother for no reason or he knew what was going on at
Auschwitz but managed to save a single life. I hadn�t thought of that before.�
He looked exhausted again, but continued, �Of course, the second alternative is
not a defence. If true, it�s a plea for sympathy against the enormity of what
he must have done. With a jury, pity is a sticky sweet. It�s often savoured
over justice.�</p><p>Lucy
asked, �Are you a lawyer?�</p><p>�No,
but I grew up alongside a wonderful man called Bremer � the family solicitor �
and he passed on to me the maxims of his craft. I have made them my own.</p><p>�Mr
Lachaise,� said Lucy tentatively probing the inscrutable expression on his
face. �My grandmother was a member of The Round Table, and that explains me.
But can I ask, why are you here?�</p><p>His
large eyes glistened behind the heavy spectacles. Lucy could only fractionally
recognise the meaning of his smile: it had something to do with misfortune. Mr
Lachaise said: �You may ask me any question under the sun, but not that one.�
His voice dwindled to a whisper: �I do not know the answer.</p><empty-line/><p>3</p><empty-line/><p>Lucy left the court and
went straight to Chiswick Mall. She found Agnes apparently sleeping. Her arms
lay by her side upon white sheets; her face was still, the mouth slightly drawn
at the sides; she seemed not to breathe. Lucy watched, her heart beginning to
beat hard upon her chest. She touched her grandmother�s wrist: it was cool,
the skin shockingly close to the bone. Lucy spoke, as hope fled, �Gran ��</p><p>Agnes
opened her eyes. Her face seemed to change, a minute animation suggesting
pleasure. Lucy drew up a chair and sat down. Relief loosened her limbs and she
wanted to sob. Holding her grandmother�s hand she said, �It�s almost over.</p><p>Agnes
blinked deliberately. Lucy knew � she sensed it from years of knowing her
grandmother � that Agnes wanted to laugh. Yes, she would have said, it is
almost over. Soon I�ll be dead.</p><p>Wilma
came through the door. It was the usual time for reading out loud, something
Lucy had done years ago when she was much younger and they would sit together
in the fading light. It was a pastime that had been resumed by Wilma and she
sat down and opened a pamphlet of poems.</p><p>��The
Burning of the Leaves�, by Laurence Binyon,� Wilma said.</p><p>Lucy
turned away, unable to watch the intimacy that had once been hers being played
out with someone else. She fixed a stare upon the wall, shutting off her ears
to the sound. But Wilma�s hushed voice gathered strength and pushed aside her
defences:</p><empty-line/><p>��Now is the time for
stripping the spirit bare,</p><p>Time for the burning of days
ended and done,</p><p>Idle solace of things that
have gone before:</p><p>Rootless hope and fruitless
desire are there;</p><p>Let them go to the fire,
with never a look behind.</p><p>The world that was ours is a
world that is ours no more.</p><empty-line/><p>Agnes
raised her right hand off the counterpane. At the signal Wilma stopped. She
closed the pamphlet and left the room. The clean net curtains fluttered. Agnes
gestured with her fingers for Lucy to come nearer. She did. The fingers said
closer. Lucy bent down, almost touching the skin of her grandmother�s face.
Agnes barely moved but Lucy received the faintest touch of a kiss.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Thirty-Eight</strong></p><empty-line/><p>�Give me the whole mess in
order,� said Father Andrew It was a cold wet night and a fire had been� lit in
his study. The stubborn wood cracked and spat at the lick of the flames.
Anselm and his Prior sat close to the grate on creaking chairs. Flashes of
orange light danced upon their concentration.</p><p>�It
began with resentment,� said Anselm. �Perhaps it goes back earlier, to the sort
of differences of background and opinion we have here at Larkwood. But it�s
simple enough: Pleyon had his nose put badly out of joint by Rochet on more
than one occasion. Events conspired so that Pleyon got his chance to have the
final swing back. If what I�m told is right, it seems Pleyon may have been an
anti-Semite, and that spurred his attempt to pull down Rochet. He betrayed The
Round Table to Victor Brionne, who then told Schwermann. �</p><p>Father
Andrew listened, his bright eyes chasing the whirl of sparks. He said, �How do
you know Pleyon had any contact with Brionne?�</p><p>�I don�t.
It�s just an assumption. There�s no other explanation for the facts.�</p><p>�How
did either or both of them know all the names?�</p><p>�I�m
not sure. I�ve a suspicion Pleyon only knew of Rochet, and perhaps one or two
others, but that Brionne already knew the rest from before the war.�</p><p>Father
Andrew gazed into the fire and said playfully �What a coincidence that they
should meet, each with a reason of their own to bring down their former friends.�</p><p>�Tragedy
often arises out of coincidence,� replied Anselm defensively trying to be wise.</p><p>�I
suppose the pieces fit.�</p><p>�The
assumptions are confirmed by what happened next.�</p><p>�Proceed.�
The Prior seemed not to be taking Anselm altogether seriously.</p><p>�When
the war ended the two runaways knew where to turn � Les Moineaux, and fortune
had conveniently lodged Pleyon in the Prior�s seat. He arranged their escape,
planning to tell Rome a fairy tale about deceptive appearances to cover his own
misdemeanour. But he died before he could really sink his teeth into the lies.
As it happens, Chambray had already told Rome the full story � which includes
the fact that Schwermann was passed on to us� � Anselm glanced at his Prior: no
emotion disturbed the attentive calm � �and they did absolutely nothing.�</p><p>Father
Andrew raised his hands to the flames and said, �Tell me about the papers that
were torn up by that poor woman.</p><p>Anselm
described what he had seen � the list setting out the knights of The Round
Table and the two deportation records, all signed by the man Anselm had urged
to give evidence. He said, �It seems Schwermann was a forward thinker. In the
event that Germany lost the war he kept those documents so he could blackmail
Victor Brionne.�</p><p>�Compelling
him to do precisely what?�</p><p>�To
testify that Schwermann saved someone when he got the chance � to give a
handle for doubt � for pity.�</p><p>The
Prior reached for a poker and jabbed the embers. With a hiss flame rushed upon
exposed wood. Shadows twisted and shivered. He said, �And what do you say Rome were
doing when they sent you off to find Victor Brionne?�</p><p>�When
Schwermann came back to Larkwood it was like a signal, a threat � he could
expose Rome as he had been exposed. That would mean everything Chambray had
told them would come out into the open. It appears Rome glimpsed a solution
based upon simple cause and effect � if Schwermann was reprieved, the face of
the Church would be saved.�</p><p>�It has
to be said,� observed Father Andrew, raking with the poker once more, �Rome is
often more concerned about her complexion than her conduct.�</p><p>�In
this case, if you�ve seen both, it�s pretty unattractive, said Anselm. Dismay
at the calculating betrayal of his trust had settled into a judgment. �They
seem to have thought that if Brionne gave evidence there was a good chance he
would absolve his former master, if only to protect himself. All they needed
was someone to prompt him to come forward. So they used me� � he remembered
standing in the cold, looking into �Pilgrim�s Rest� at the children with their
beakers � �and there�s a grim irony in all this��</p><p>�Which
is?�</p><p>�I
suspect Brionne was hiding not just for his own sake but also to spare his
family There was no point in devastating them for the price of a lie. But I
pushed him and now it�s been told.�</p><p>The
fire crackled quietly, sucking in the darkness of the room. Father Andrew said
simply. �You <emphasis>have </emphasis>been thinking hard.� The two monks sat joined in
contemplation: Anselm rehearsing the future; the Prior � what was he doing?
Anselm sensed he was listening to the past.</p><p>Anselm
said, �I will have to go to the police.�</p><p>�Perhaps.�</p><p>�And it
will all come out.�</p><p>�Perhaps.�</p><p>�And
Larkwood, Les Moineaux, Rome; contempt will fall upon us all like rain.�</p><p>�Perhaps.�
Father Andrew�s chair scraped across the flags and he moved thoughtfully to the
window overlooking the cloister, the heart of the monastery, concealed by the
wet night. The firelight flickered on the glass. Father Andrew raised an arm
and wrote a name slowly upon the condensation. It read: �Agnes�. Hairline
streams of water faltered down the pane from each letter. He said, �Something
tells me you should first go back to Victor Brionne.�</p><p>�Why?�
asked Anselm.</p><p>�Because
I am struck by the one thing you have not mentioned tonight: he believes Agnes
to be dead, but you know she�s alive.�</p></section><section><empty-line/><empty-line/><p><strong>Chapter Thirty-Nine</strong></p><empty-line/><p>1</p><empty-line/><p>Lucy�s parents had
arranged to collect their daughter on Sunday morning on their way back from a
short break in Canterbury. Father, mother and daughter would then go to Chiswick
Mall for an afternoon with Agnes.</p><p>The
doorbell tore through the air twice. It was a buzzer more suited to the
requirements of the fire brigade. Lucy could not hear the electric shriek
without thinking urgency stood panting on the street. Her mother peeped her
head round the door, eyelids aflutter. She stepped inside, commenting on
Grandpa Arthur�s clock as if he were there, nodding, on the wall. Her father
followed, handing Lucy a mug with a picture of a cathedral on its surface. �From
the gift shop,� he said.</p><p>�Lovely
glass,� said Susan, turning round, �makes you think.�</p><p>Lucy
snipped the door shut. When she joined them a moment later her mother was
discreetly checking for dust; her father stood before �Sibyl�s Cave�.</p><p>�It�s
absorbing,� he said. Lucy joined him; their eyes met and she understood. His
daughter had a life of her own, choosing pictures, banging nails into walls,
all the little things unknown to him.</p><p>�Where
did you find it?� he asked cheerily</p><p>�A
friend gave it to me.� The first two words almost dried her mouth. She did not
expect to describe Max Nightingale in those terms, but having done so it could
not be withdrawn. Instantaneously she thought of Pascal, the last time they�d
met, and the old monk, known to Father Anselm, who�d died saying all that
mattered were insignificant reconciliations.</p><p>�He�s
very generous,� said Susan, adding, as if she�d peered inside an envelope, �assuming
he�s a he.�</p><p>�You�re
right, said Lucy reaching for her coat. She moved into the hall, to a safe
distance. �He�s a painter.�</p><p>�An
artist,� called Susan encouragingly. �How lovely�</p><empty-line/><p>2</p><empty-line/><p>In times of joy or
profound uncertainty Anselm always retreated to the small lake at the end of
the bluebell walk, roughly halfway between the Priory and the Convent. He
brought Conroy with him, who�d reached an impasse in the writing of his book.
For a moment they looked across in silence towards the middle of the lake,
where a stone statue of the Virgin Mary, smoothed by years of wind and rain,
rose from the water, her arms open in endless submission. They climbed into a
rowboat by a failing wooden landing stage and pushed off, to low groans from
the black-green timbers.</p><p>The
events of the previous year had increasingly brought to Anselm�s mind Tennyson�s
�Morte d�Arthur�, large sections of which had been mercilessly thrust upon him
at school. The lines often came back, like snippets of song, cuttings in the,
mind. Looking at the shining levels of the lake Anselm said, �Sometimes I think
of Sir Bedivere charged by his dying king to throw Excalibur into the place
from whence it came.�</p><p>Conroy
took his bearings and began a steady pulling of the oars.</p><p>�He can�t
obey Twice he lies. First, because he�s dazzled by its beauty. Next, because he
asks a cracking good question: �Were it well to obey then, if a king demand an
act unprofitable against himself?��</p><p>Conroy
nodded knowledgably</p><p>�So he
lies. �What did you see or hear?� asks Arthur. �Just ripples and lapping.� But
the king knows the answer isn�t true. He�s waiting anxiously for something
outside the usual order of things.�</p><p>The
oar-blades cut the surface of the lake.</p><p>��I�ll
rise and kill you with my hands if you fail me this last time,� the king says,
and the well-trusted knight runs for his very life to the shore and, with eyes
shut, flings Excalibur far into the night. He�s obeyed but expects his old lie
to come true. But something undreamed-of happens, at the very last moment. �</p><p>They
were nearing the middle of the lake.</p><p>�When
he looks again, an arm clothed in white samite rises from the water and catches
the hilt. Thrice it�s brandished, and drawn gently beneath the mere.�</p><p>Conroy
rested and scratched his thick arms.</p><p>�Overwhelmed,
Bedivere runs back to tell the king what he�s seen. There the king lies, among
the stones of a chapel ruin. He�s lost everything he cared about in this life.
The Round Table is no more; its knights, man by man, having fallen under the
sword. But the dream for which he hoped and waited has happened. The hand that
gave him the sword has taken it back. His life has meaning. He does not die
bewildered.�</p><p>Conroy
pulled the oars through their locks, letting the boat gently turn and drift as
it pleased.</p><p>�I�ve
always had a soft spot for Sir Bedivere,� said Anselm. �He�s a bemused English
empiricist, ill at ease with mysticism. And, rather unfairly he gets his head
bitten off for keeping his feet on the ground:</p><p>Conroy
made a pillow from his jumper, lodged it in the prow and lay back.</p><p>Anselm
said, �As a boy I often used to wonder how Arthur would have died if Bedivere
had come back and said, honestly this time, �Truly I saw nothing but water
lapping on the crag. She did not come.</p><p>A
slight wind threw ripples upon the lake, chasing shadows and reflections into a
dark shiver. The boat turned in circles. Conroy was lying back, legs
outstretched and arms crossed upon his chest. Unnoticed, the oars quietly
slipped from their locks and bobbed away</p><p>��And
God fulfils himself in many ways�,� cited Conroy</p><p>�Where�s
that from?� asked Anselm.</p><p>�The
same poem; part of the old king�s final testament, just before he dies as I�d
like to die.�</p><p>�How�s
that?�</p><p>Conroy
sat up, his face alight, mischievous. �In the arms of three beautiful weeping
women.</p><empty-line/><p>3</p><empty-line/><p>Lucy and her parents sat
at a table playing Scrabble in the small courtyard garden of Chiswick Mall.
Agnes, propped up, watched from her bed through the open French windows.</p><p>Susan
glared at the row of letters on her stand. Lucy leaned back to sneak a look: Q,
F, X, L, B � She turned away, gratified. Her mother was choking without
vowels. The game produced in Lucy a ruthless competitive urge that permitted
minor infractions of the rules. It was her father�s turn. He put the small
tablets carefully on the board:</p><p>Y-A-W</p><p>�That�s
not a word,� said Susan petulantly</p><p>�Is
that a challenge?� replied Freddie, his hand on the dictionary as if it were a
gun.</p><p>�No.�</p><p>Lucy
studied her own predicament: Z, Q, K, 0, 5, 0, A. It was hopeless. �Would
anyone like some tea?�</p><p>Her
mother nodded fiercely.</p><p>Lucy
passed through the French windows and sat by her grandmother�s side. She leaned
forward and said, �What do you make of this lot?� She recited her letters.
Agnes thought for a moment while Lucy retrieved the alphabet card from the side
of the bed. Agnes replied:</p><p>Z-O-O-K-S</p><p>Lucy
said, doubtfully, �Are you sure?�</p><p>Agnes
nodded with her eyelids.</p><p>�Thanks.�</p><p>Lucy
went into the kitchen and put the kettle on. A noise behind startled her. It
was her father.</p><p>�Anything
wrong?� she asked innocently</p><p>�Lucy,�
he said gravely �I saw you on the news, in the back-ground, coming out of a
court �</p><p>Lucy
thrust both hands into her hair, disarranging the carefully placed grips and
clips. Her father struggled to continue. �It�s to do with Gran, isn�t it?�</p><p>�Yes,�
said Lucy not curtly or reluctantly but with mercy.</p><p>�She
knows that Nazi bastard, doesn�t she?�</p><p>�Yes, Dad,
she does.�</p><p>�My
God.� He arranged his tie and rubbed an eyebrow, saying, �Will I ever know what
happened?�</p><p>Without
reflection but with something approaching passion, Lucy said, �Yes, you will, I
promise, but it can�t be now�</p><p>�All
right.� He spoke like a beggar on the street promised a sandwich instead of
money. The reversal of power stung. She filled the pot with steaming water.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Forty</strong></p><empty-line/><p>1</p><empty-line/><p>Mr Penshaw began his
speech on the Monday morning with an ordered but piecemeal presentation of bare
facts, in themselves not particularly startling. But something unstated imperceptibly
emerged which, once before the mind of the court, grew minute by minute until
Mr Penshaw named it with contempt.</p><p>�It
takes an effort of charity to concede a man could play his part within the
apparatus of mass murder and not know the dreadful end towards which his
efforts were engaged.�</p><p>Mr
Penshaw turned quizzically to the dock, bringing the eyes of the jurors on to
Schwermann.</p><p>�Is it
conceivable that an impressionable young man could be left in any doubt as to
the fate of the children that passed through his hands? Is it credible that an
intelligent young man could grind out euphemisms without knowing the terrible
truth they concealed?�</p><p>He
paused, returning his gaze to those whose task it was to answer the questions.</p><p>�No, he
could not. And how do we know? Because of Victor Brionne. The penitent
collaborator, the knight errant, the best friend of Jacques Foug�res.�</p><p>Two
others were conjured into the courtroom. The jury would think of Agnes Aubret,
who died at Auschwitz, and her little boy who was held back from the pit. Lucy
could have wept. It was literally the other way round.</p><p>�If the
Defendant intervened then he did so for reasons we will never know, and to
spare this child a dreadful killing which he knew was prepared for him, like so
many others, at the end of a railway line.�</p><p>Mr
Penshaw had almost finished. He put his text aside and spoke with growing
anger. �There is only one conclusion you can draw With all his senses and
faculties attuned, this man wilfully played his part in a scheme that was grand
to the twisted dreams of its architects, unthinkable in its proportions,
purpose, and consequences, and whose victims now call out for justice. Do not
forget them when you retire to make your decision.</p><p>Mr
Justice Pollbrook thought that a good place to stop for twenty minutes.</p><empty-line/><p>2</p><empty-line/><p>Anselm tried several times
to contact DI Armstrong. His calls were not returned, so he left a message �
that she should phone him urgently regarding a personal matter. Immediately
afterwards he left for London, driven by Conroy. It had been arranged that
they would lodge at St Catherine�s, an Augustinian house near the Old Bailey As
they passed through the gates of Larkwood, Anselm took a last glimpse of the
monastery, its countless roofs folding in upon the other like so many russet
wings, and he felt an aching as he�d only known when he used to depart for his
old life at the Bar.</p><p>The
Prior of St Catherine�s provided large iron keys, fashioned, it seemed, in the
Middle Ages, and the next morning Conroy set off for the library at Heythrop
College. Anselm removed his habit and walked briskly to the court. The Press,
burdened by large bags bulging with lenses, were already circling the entrance.
The big kill would come after the verdict. For the moment they were taking pot
shots at the herd with an intimidating languor. Anselm nipped past, unnoticed,
and entered the ancient hall he�d known so well before he was a monk. At a
reception desk enclosed in thick glass he asked for either Detective Inspector
Armstrong or Detective Superintendent Milby After a long wait a smartly dressed
WPC came to see him. She said:</p><p>�I�m sorry,
both of them are involved in another case. I don�t think they�ll be here until
tomorrow Can I take a message?�</p><p>�No, I
really need their help now, it�s urgent �� He�d forgotten that criminal
activity was rarely adjourned during a trial.</p><p>�Can I
help?�</p><p>�Well,�
he faltered, �I want the home address of Victor Brionne.�</p><p>The WPC�s
face hardened, as before a crude sham. �That is not our job.� She began to walk
away.</p><p>Anselm
grabbed her arm. �I�m not from the Press, really I�m a monk, a priest ��</p><p>The WPC
turned, casting a sceptical, tired eye over Anselm�s cords and jumper. �I�ll
take a message, that�s all.� For a joke she added, �All right, Father?�</p><p>Once
more Anselm left his number for DI Armstrong, saying it was urgent. On his way
out he stopped, arrested by the motto beneath a crest on the wall: �Domine
dirige nos� � Lord direct us. Dirige, reflected Anselm, the Latin root of �dirge�,
a lament � and also the first word of Matins in the Office of the Dead.</p><empty-line/><p>3</p><empty-line/><p>The outstanding feature of
Mr Bartlett�s speech was as much its length as its content. He spoke for no
more than a minute.</p><p>�Ladies
and gentlemen, I think we know each other well enough by now for me to be brief.
You�ve heard the evidence. You know it as well as I do. I shall say nothing
about it whatsoever. But forgive me if I draw one small point to your attention.
Many of you may already be troubled by its significance.�</p><p>Mr
Bartlett had an unnerving posture, a mix of the ornithologist and hunter: very
still, watching for hours at a time, fascinated by what he saw, but ready to
kill. He moved a few steps along the Bar towards the jury, away from his �hide�,
his body relaxed, becoming Henry the man, not Bartlett the Silk.</p><p>�You
cannot convict this man of being involved in a joint enterprise of murder. The
edifice constructed by the Crown will not stand. Against others, yes, but not him.�
He leaned back against the bench, sitting on his hands. �The cornerstone is missing,
it belongs to a different building. And you possess it. It was retrieved by
Victor Brionne. In August 1942, a young German officer got one chance to save
one boy a Jewish boy. A boy who became a man, and who, as we sit here, probably
still lives and breathes, and will never know that he does so because of Eduard
Schwermann. �</p><p>Lucy
looked blankly at the line of files in front of Mr Bartlett. One of them should
have contained the deportation records for Agnes� son, but for some reason it
wasn�t there. It was the final obliteration. He hadn�t even survived on paper.</p><p>Mr
Bartlett moved back to his usual place, back into the courtroom, into the
contest.</p><p>�These
were dark, unimaginable times, far from the comfort of this courtroom. Ask
yourselves: if he saved one Jewish child, would he have chosen to harm a hair
upon the head of any other?�</p><p>He
looked at the jury with such a hard stare of enquiry that Lucy thought for an
awful moment someone might answer out loud. Then he said, like a command, �No,
he would not. Eduard Schwermann was, in his own way a member of The Round
Table, only they never knew it. Ladies and gentlemen, set this man free.�</p><empty-line/><p>Mr Justice Pollbrook began
his Summing-Up of the evidence, his voice crisp and dry. After a few sentences
Lucy heard the deep whispering of Mr Lachaise close to her ear: �I think we
need a little drink.�</p><p>They
found a wine bar and took two stools by the window Mr Lachaise ordered half a
bottle of Brouilly</p><p>�I
trust you are well?� he enquired paternally.</p><p>�No.�</p><p>�Neither
am I.�</p><p>�Cheers.�</p><p>They
sipped a disconsolate communion. Lucy said:</p><p>�I
simply cannot understand Mr Bartlett�s last remark � about saving one child and
therefore not choosing to harm another. It�s rubbish.�</p><p>Mr
Lachaise turned his glass in small, tight circles, bringing the wine up to the
rim. �It is rhetoric, not logic. Words well used. It is also deliberately
ambiguous. To save a child means opposition to the system of killing, at least
in that one instance. But it also means knowledge of the system that claimed
the lives of all the others � and, given his participation in what happened,
that should be enough to convict him. Mr Bartlett, however, is gambling that
the ambiguity will tilt in his client�s favour. �</p><p>�But
why should it? If The Round Table knew what �resettlement� meant, so did
Schwermann,� said Lucy</p><p>�I know.
And so does Mr Bartlett. That is why he has done what every advocate does with
a strong point that can�t be refuted.�</p><p>�What�s
that?�</p><p>�He�s
ignored it, as if it wasn�t there. In its place he�s planted a seed of pity for
an unsung hero.�</p><p>�But
the jury can�t fall for that.�</p><p>Mr
Lachaise shook his head. �Sometimes, we all like to think the right answer can
only be found by making the most difficult decision, the one we�re at first
inclined to reject. It shows we took the matter seriously. My dear old mentor,
Mr Bremer, used to say nothing more than pity serves to tip the balance.�</p><p>�I hope
he�s wrong.�</p><p>�So do I.�</p><p>He
expressed agreement with such feeling that Lucy looked up, and she was shocked
to see the awesome distress upon his face.</p><empty-line/><p>4</p><empty-line/><p>By early evening DI
Armstrong had still not returned Anselm�s message. Idle waiting seemed an
offence against the circumstances. He fidgeted anxiously in his room,
rehearsing the future. What if Agnes� being alive made no difference to Victor
Brionne � and he refused to go to the police voluntarily? A yawning hole
seemed to open before him, all the more frightening because Anselm had already
decided to fall into it. It was not helpful to see the expanding dimensions
beforehand. Without thinking, Anselm picked up the telephone and rang Salomon
Lachaise.</p><p>They
met at the same restaurant as before, sat at the same table and were served by
the same waiter. The repetition of the past had the mark of ceremony and under
its weight Anselm disclosed to his companion everything he had concealed on the
last occasion: including his own role in finding Victor Brionne.</p><p>�I am
deeply sorry � I presented one person to you when in fact I was another.�</p><p>�That
is true of all of us,� replied Salomon Lachaise. �Sometimes it cannot be avoided.
You do not need my forgiveness, but you have it.� He fixed Anselm with a
piercing gaze and said, �Are you really prepared to go to the police and bring
down your own life, the reputation of your church, your community?�</p><p>�Yes.�
He was embarrassed by the simplicity of his reply.</p><p>Salomon
Lachaise removed his heavy framed spectacles, revealing the vulnerable skin
kept behind thick glass. He said, �Anselm, go to see Victor Brionne, by all
means. And deliver the message to Agnes Aubret. But promise me two things.�</p><p>�Of
course.</p><p>�First
do nothing else until after the case is over��</p><p>�But��</p><p>�Promise
me.� His voice ground out the words.</p><p>�All
right.�</p><p>�And
secondly,� he said, �please put your habit back on. To me you�re a monk to the
core � and appearances matter.�</p><empty-line/><p>Anselm got back to St
Catherine�s to find a message pinned to his door: DI Armstrong had rung and
would meet him on Thursday evening at 5 p.m. on the steps of St Paul�s. She
could see him no earlier because of a murder enquiry. Anselm entered his room
and immediately lifted his habit off the bed and smuggled himself into its
folds. He then tiptoed down to the oratory on the first floor. Sitting in the
dark, he could not escape the sensation that Salomon Lachaise had already known
a great deal of what he had said, but one question in particular returned again
and again: why had he forbidden Anselm to act to his detriment when it was
required by what he had done and what he knew? Anselm�s imagination was perhaps
too easily excited, but he sensed his mysterious friend was about to cast an
appalling light upon the tragedy that had engulfed him.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Forty-One</strong></p><empty-line/><p>1</p><empty-line/><p>Mr Lachaise rang Lucy and
suggested they meet for lunch in Gray�s Inn Gardens at half past one. He did
not propose to attend the end of the Summing-Up. Neither did Lucy at least not
all of it. The slow treading-over of the evidence was an unbearable form of
waiting.</p><p>The gardens
lay off Theobald�s Road, neatly circumscribed by mansions of the law, elegant
screens of pale magenta brick with regular white-framed windows like rows of
pictures. Lucy strolled along a narrow passage into Field Court, a tight enclosure
adjacent to an ornate pair of wrought-iron gates, resting between two pillars.
Surmounting each was a fabulous beast with the head and wings of an eagle. She
paused to study the strange, seated guardians. They threatened to suddenly
move, relinquishing stone; to slink, warm-breathed, off their pedestals and
wreak wrath and mercy upon High Holborn. What did they protect? Nothing. Whom
did they save? No one. When would the day of reckoning come? Never. What were
they other than dismal protestations at the absence of angels?</p><p>Lucy
passed between them into the gardens. A lane of polished gravel unrolled
between short trees, plump courtiers on afternoon parade. Benches, set well
apart, secured leisure with privacy. Upon one of them sat Mr Lachaise, talking
earnestly to Max Nightingale.</p><p>They
did not hear her approach. Lucy sidled to the edge of the path, in line with
the bench, reducing the chance of being seen. She harboured a not altogether
irrational suspicion that Mr Lachaise had met Max first on purpose. As she drew
near, she heard his distinctive, appealing voice say:</p><p>�Regardless
of what you have said, do as I ask. Do nothing. Rest assured, there is no need.�</p><p>Then,
unfortunately she was seen. However, the conversation ran on in an entirely
innocent fashion, which rather disappointed Lucy. She had liked the idea of
consecutive meetings, up�turned collars and secret conversations. Mr Lachaise
continued talking as he beckoned Lucy with his hand:</p><p>�You
might think your paintings are not especially good, but I�m confident my colleagues
will come to another conclusion. As I have said, leave it all to me. The
University will issue the invitation; after that it�s all very simple. Ah, Lucy
do join us.</p><p>Lucy
shook Max�s hand. Seeing him outside the courtroom lit his absence from the
trial as a sort of failure, as though he�d left her and Mr Lachaise on the
front line. How peculiar, she reflected. He�s from the other side.</p><p>�I�ve
brought along some very Jewish provisions, said Mr Lachaise, opening a large
plastic bag. �It�s always bitter or sweet � I�ll explain as we go along.�</p><p>They
ate sitting in a line, passing curious things from one to the other.</p><p>�It�s
rather like <emphasis>Waiting for Godot,� </emphasis>said Lucy.</p><p>�Except
this time,� announced Mr Lachaise, �he might come after all, just when he�s not
expected.�</p><empty-line/><p>2</p><empty-line/><p>At 2.30 p.m. the gardens
closed and, politely expelled, they strolled back to Field Court. Mr Lachaise
left them standing at the gates between the two indifferent protectors.</p><p>In the
absence of their intermediary, Max shifted: not clumsily, but though a refined
guilt. Lucy saw its trim, its shine, the self-loathing that came from an
organic relation to evil. A giddy sense of authority unsettled her balance,
like a rush of blood. She could leave him bound, if she wanted. A delicious
splash of something wholly foreign touched her lips. Her tongue tasted malice.
She recoiled from herself and said, �Max, to me you are Nightingale, not
Schwermann. There�s a big difference.�</p><p>�It�s
just paper over cracks.�</p><p>Lucy
winced at the deliberate use of her words. �I should never have said that. I�m
sorry.�</p><p>�Don�t
say that to me, of all people.�</p><p>�I mean
it. We�re all cracked, covered in paper. I�m no different. There�s nothing
wrong with being ordinary.�</p><p>As they
walked out of Field Court, away from the ornate garden protected by myths, Max
said, �I won�t be coming to the rest of the trial.�</p><p>�Why?�</p><p>�I know
he�s guilty.�</p><p>�How?�</p><p>�I
suppose I�ve known all along,� he said, �but I never suspected that he�d
entrusted me with the proof of his guilt.�</p><p>Lucy
understood that elaboration would not come and that it lay in the past � given
to Mr Lachaise while she stood contemplating the avenging, lifeless stones.</p><p>�I�m
glad you liked the picture,� he said, backing away.</p><p>�I love
it,� replied Lucy.</p><p>A
half-smile broke his face. Something had been achieved. Lucy held out her hand.
�I�ll be off then,� said Max as they shook. It was as much goodbye as a
settlement of the past. Lucy watched him leave, threading his way against a
stream. Symbolically self-consciously as in the final cut of a film, she waved
at the back of his head as he vanished among a multitude.</p><empty-line/><p>3</p><empty-line/><p>Lucy arrived at the Old
Bailey, just in time to catch the learned judge�s final remarks. There was
standing room only.</p><p>�It
should be noted,� said Mr Justice Pollbrook evenly, �that for fifty years no
student of the times knew that Jacques Foug�res had a child. This is now
admitted by the family and perforce by the Crown. Why it should ever have been
concealed in the first place escapes my imagination, but that need not trouble you.
The important fact is that the detail came from Mr Brionne.� He examined the
jurors dispassionately �If you are satisfied that having told one significant
truth the rest of his evidence can also be believed, then you are entitled to
infer the boy in fact, survived solely because of the conduct of the Defendant.
If that is your conclusion, then you are left with the anomaly upon which Mr
Bartlett seeks to rely � that it would indeed be strange for the Defendant to
have pledged himself to an enterprise that involved the death or serious harm
of other children. However, ladies and gentlemen, let me say this.� Mr Justice
Pollbrook stared hard at the jury. �In my long experience, people can be very
strange indeed. Look at your own families. How many of them leave you baffled
at every turn? No, you must ask yourselves a different type of question
altogether: if you are sure of what the Prosecution allege, you must find the
Defendant guilty. If you are not sure, you acquit.�</p><p>The
judge then went through each count on the indictment, giving a series of
questions designed to determine whether or not the Defendant was guilty � of
the �if you decide A, then 13 must follow� variety. When he had finished, the
judge closed his red book and removed his glasses, saying, �Down whichever
avenues your reflections may lead you, please remember this. The ground of
suspicion belongs to the Defendant.�</p><p>The
jury then retired, bound by a promise to consider what justice was required
according to the evidence. Mr Justice Pollbrook said at this stage he only
wanted a verdict upon which they were all agreed.</p><p>There
was no mistaking it, thought Lucy as she left the court. Whatever the judge had
said about the abstract requirements of the law, Schwermann�s innocence or
guilt was going to turn on what the jury thought about the strange story of a
child, believed by them all to be still alive, known by Lucy and Agnes to be
dead.</p><empty-line/><p>4</p><empty-line/><p>As arranged, Anselm met DI
Armstrong on the steps of St Paul�s.</p><p>�Coffee?�
asked Anselm.</p><p>�No,
thanks. How can I help?�</p><p>Anselm
could not but note the perfunctory, professional courtesy.</p><p>�I
would like to speak to Victor Brionne.�</p><p>�So I�m
told.�</p><p>�It�s
important.�</p><p>�You
said as much last time. �In the interests of justice, in its widest sense�, I
think you said:</p><p>�I did.�</p><p>�That�s
not what happened in the courtroom.�</p><p>�I know�</p><p>�Father,
don�t you think your meddling has done enough damage? There�s a chance that
rubbish from Victor Brionne could lead to an acquittal. Are you aware of that?�</p><p>Anselm
blazed with humiliation. �I promise, I had no idea what he was going to say.</p><p>�Your
promises are not entirely straightforward, I�m afraid.�</p><p>�But
this time I know what I�m doing. Before I was in the dark.�</p><p>�As was
I, and still am. I don�t want to be enlightened. Here�s the address and
telephone number.� She handed him a piece of paper. It had been written down in
advance.</p><p>�Thank
you.</p><p>�Father,
I�m sorry to say this but I�m giving it to you not because I trust you, but
because it�s a matter of public record. He�s in the telephone book.�</p><p>Anselm
put the note in his pocket, his head bent, unable to face his accuser. When he
finally did so, DI Armstrong had already turned around. He stood, emptied,
watching her walk down the steps away from him.</p><empty-line/><p>5</p><empty-line/><p>Anselm returned to St
Catherine�s and rang Victor Brionne.</p><p>�I
think we ought to have another talk.�</p><p>�Why?
As a result of our last conversation, I came to the court. Now, after my
performance, I have lost my son. I don�t think you and I have anything else to
say to one another.�</p><p>�I want
to talk about Agnes Aubret.�</p><p>�What�s
the point? Your curiosity has too high a price.�</p><p>�She�s
alive.�</p><p>�No,
she�s not,� he barked. �I should know.�</p><p>�Victor,
I know her granddaughter. Agnes survived. She is here in London. I will be
seeing her within the next few days with a message from Mr Snyman.�</p><p>The
line went deathly quiet. Anselm could hear the intake of breath.</p><p>�Snyman?�</p><p>�Yes.Victor,
listen to me. Agnes is seriously ill. She will soon die. Now is the time to let
out what you�ve kept back for fifty years.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Forty-Two</strong></p><empty-line/><p>1</p><empty-line/><p>The jury reconvened at
9.30 a.m. on the Friday. Throughout the passing hours Lucy and Mr Lachaise sat
on the bench as if awaiting the ministrations of a dentist. By way of
distraction Lucy described the miniature glories of the Duchess who, at that
moment, was probably holding her own court in Chiswick Mall. Lucy had parked
the old girl there in anticipation of the verdict � a verdict Lucy would
probably bring to Agnes that evening. No decision had been reached by
lunchtime. Lucy walked the streets. She kept moving, tiring her limbs, until it
was time to get back to the Old Bailey.</p><p>At 2.30
p.m. the jury indicated through the usher that they had a question. Counsel,
solicitors and the Defendant were called into court. Mr Justice Pollbrook came
on to the bench. The jury were summoned. The foreman passed a note to the usher
who gave it to the judge. He opened a sheet of paper, read it and handed it
down to Counsel. The note was passed back to the judge who read it out loud:</p><p>�We
would like to hear some evidence from the person who took the child saved by
the Defendant. Can this be arranged?�</p><p>Turning
to the jury, Mr Justice Pollbrook said, �Ladies and gentlemen, you must not
allow yourselves to be distracted by speculation upon evidence that might have
been presented to you. Your task is simply this: to decide the case on the
evidence you have heard and nothing else.�</p><p>As
everyone traipsed out Lucy turned to Mr Lachaise and said, �They�ve decided he
saved a child and they think it matters.�</p><p>�Like I
said, pity is a sticky sweet,� he replied. �I�ve tasted it myself.�</p><empty-line/><p>2</p><empty-line/><p>Anselm stood facing the
home of Victor Brionne. Through the window he could only see books, from floor
to ceiling on every wall. He knocked on the door. It opened. A rounded back
split by braces receded. Anselm stepped in, along a dark corridor. A small
square of greasy daylight hung suspended at the top of the stairs, behind a
half-closed toilet door.</p><p>�Take a
seat,� said Victor Brionne, pointing.</p><p>They
sat in worn, charity shop chairs. A faded burgundy carpet lay in rucks, its
pattern now barely distinguishable. Anselm�s eye caught the glint of glass,
from a wine bottle, standing close to Victor�s chair like a furtive intruder.
Anselm�s keys bit into his thigh. He fished them out and put them on the
armrest.</p><p>�If
Agnes survived, it�s a miracle,� Brionne said.</p><p>�She
survived.�</p><p>Brionne
ran a finger along one of the deep creases spreading beneath his large dark
eyes. Quietly astonished, he said to himself, �If only I had known � all
these years ��</p><p>�What
difference does it make?� asked Anselm.</p><p>�What
difference?� Brionne laughed, pulling out a cigarette from a crumpled packet.
He struck a match. The flame hissed, lit his face and died. �I was there when
Rochet asked us to be knights of a Round Table of forgotten chivalry, and they
all said, �Yes, yes, bring us our bows of burning gold, our arrows of desire,
our shields��� He stopped, trying to make out lost faces in the middle
distance. �Except for me. I asked why.� He turned to Anselm. �I could not see
the poetry in self-destruction.� Blue smoke swirled over his face.</p><p>�I went
to see Rochet after the first round-up. He said it was just the beginning.
Soon, they�d all be swept away It would be a Babylon the like of which the
world had never seen. There would be no weeping by any rivers, no Exodus. I don�t
know what came over me. I said I�d join the police.�</p><p>Anselm
felt heat in a room with no fire.</p><p>�They�d
carried out the arrests, so where better place to go? We�d know in advance what
the Germans were up to.�</p><p>�What?�
exclaimed Anselm.</p><p>Brionne
seemed not to hear. �Why did I do it? I didn�t think about it at the time, but
it was for Agnes: He drew deeply on his cigarette. �I had entertained what
nineteenth-century novelists call �hopes�. They were dashed in
nineteenth-century fashion when I learned she was carrying Jacques� child. She
told me a few months before I went to see Rochet. Somehow the two are linked:
the end of my great expectations and me doing something that I knew would command
her undying admiration, if ever she found out. There was a poetic symmetry in
the self-sacrifice.�</p><p>Brionne
got up and walked out of the room. He came back with a small, foxed black and
white photograph with creased corners. He handed it to Anselm.</p><p>�That�s
her. I took it in 1936.�</p><p>She had
long, straight hair, and had been caught in time as she threw the lot over her
shoulder. In the shadow beneath, her mouth was slightly open, her eyes creased
with � what was it? Self-consciousness, confidence, suppressed exhilaration
� it was all of them and more, the gifts that come just before the parting of
youth. Behind stood a young man, serious, his gaze fixed on Agnes �
possessive, and wanting to be possessed.</p><p>�That�s
Jacques.� Brionne held out his hand for the photograph. �So I joined up and
got transferred to Avenue Foch, because of my German. At the time I thought it
was the hand of God. Now? I�m not so sure. That was where I met Schwermann.�</p><p>Brionne
dragged the bottle a few inches across the carpet, into better reach, and
poured wine into a stained mug.</p><p>�He was
ordinary to look at. The evil ran through his mind. He poisoned himself with
pseudo-scientific pamphlets against the Jews. He underlined phrases and ticked
margins: He drank, the cigarette locked between two fingers. �Anyway Rochet
decided he would be my sole contact. My code name was �Bedivere�, and it was
known only to him and the Prior of Les Moineaux and his council. If I needed to
run, they�d protect me. So, there I was, at the heart of things. I hadn�t been
there long when �Spring Wind� was planned, though nothing had been worked out
for the children. I told Rochet.� Brionne grimaced. �So many could have been
saved if we hadn�t been betrayed.�</p><p>�Who
by?� asked Anselm quietly.</p><p>Brionne
raised a hand, beseeching patience. �The strange thing was that Schwermann
changed after The Round Table was broken. He abandoned his pamphlets. To this
day I don�t know why, but I believe it had something to do with the arrest of
Jacques in June 1942.�</p><p>Anselm�s
memory spun back to that lunch with Roddy when the old sot had pointed out how
odd it was that Jacques had been arrested in the June but the smuggling ring
hadn�t been broken until the July. He asked, �What happened?�</p><p>�He�d
been demonstrating after the Jews had been forced to wear a star � outside the
building where I worked. He was picked up and Schwermann was told to give him a
scare, so a French speaker wasn�t needed. Anyway Jacques spoke reasonable
German, thank God. If Schwermann had needed me my cover would have been blown �
which nearly happened when Rochet rolled in, demanding to see Jacques. He was
hauled off, slapped about a bit and thrown out. Ten minutes later Agnes turned
up, asking for me � I couldn�t believe it, I thought the game was up. So
there we are in the corridor � will I help, she asks, for old times� sake? Then
Schwermann appears out of nowhere. He�s staring at me, and her, and I can�t
think why � he doesn�t speak French � he�s meant to be giving Jacques the
once-over. So I try to say to her, with my eyes, �Not here, not now, I�ll do
what I can.�� He gulped more wine. �She didn�t understand.�</p><p>Brionne
reached down beside his chair and pulled up the bottle, resting it upon the arm
of his chair. The cigarette, unsmoked, had grown to a long finger of ash.</p><p>�Schwermann
went back to work, but afterwards he wanted to know about her. Who was she? Did
she know Foug�res? No, just an old tart, I said. But I was worried. I found her
a few days later and told her to keep away from Rochet and Jacques, for which
she gave me a smack across the face.� He filled the mug, spilling wine on to
his wrist; the ash broke and fell.</p><p>�Then,
one morning, a month later, Schwermann told me he was going to lift a
Frenchwoman in the eleventh arrondissement that afternoon and he wanted me to
be there. On his desk was a file. After he�d gone, I looked. There was a report
to Eichmann and an interrogation record � a handwritten draft and a typed copy
� with all the names of the ring set down, spilled within minutes of being
slapped about. He�d told them everything.�</p><p>�Who
had?� blurted out Anselm. Brionne stared ahead, smoke pricking his nostrils and
eyes, the desperation of the moment fresh upon him.</p><p>�I took
the handwritten draft, gambling it wouldn�t be missed. I didn�t have much time.
I only had three travel passes, forged by Rochet�s contacts. I dated them and
set off. Rochet himself was out. So I went to Anton Foug�res. He wouldn�t see
me because I was a collabo. So I handed the paperwork to Snyman, who�d answered
the door, along with the passes so they could use the trains. There was nothing
else I could do. By nightfall The Round Table was shattered.�</p><p>Brionne
closed his eyes as a heavy silence cramped the room. �I didn�t know we were
going to arrest Agnes until we got there, because I thought she was still at
Parc Monceau. The flat door was broken open from when they�d come for Madame
Klein. We sat there and waited. I can�t describe the rest.� He smoked,
repeatedly drawing in thick draughts. �We took her child and she screamed at
me, a scream that pierces time. Then Schwermann knew I was involved in The
Round Table. I never saw Agnes again. That is my last memory of her. A nurse
took the boy to an orphanage.�</p><p>Brionne
became eerily still, as though he�d quietly died. He said, �Three days later,
he called me in. He placed the typed interrogation record on the left side of
his desk, disclosing all the names of The Round Table. Then he produced two
convoy deportation lists for Auschwitz, each with a string of names � including
Agnes and her child. At the bottom was a space to be signed by the supervising
officer, the one who ticks them on to the cattle truck. He put those on the
right-hand side. �Sit down,� he said. �You have a choice.�</p><p>�I sat
down. �If you sign these documents,� he said, �you may keep the child. If you
refuse he will see Auschwitz, and you will be shot.�� Victor stared at the
bottle on the floor, now almost empty. �I signed everything.� A thin laugh
expelled a gust of smoke. �The irony of it struck me at the time: by writing my
name I became the one who had betrayed The Round Table, just after I�d removed
the proof that it was someone else�remember? I�d just given the draft to
Jacques �father, Anton Foug�res.� He drained his mug in long gulps. �One thing
happened next that I have never forgotten � I heard him being sick in the
toilet. I collected the boy from an orphanage that afternoon and took him home
to my mother. He was one of nine. The other eight were deported the next day. I
cannot tell you what it was like to walk away with one of them.�</p><p>�Robert?�</p><p>�Yes.�</p><p>�Robert
is Agnes� son?�</p><p>�Yes.�
Brionne placed a shaking hand over his face. �Schwermann supervised the
departure of the convoy that took Agnes away. Afterwards, he kept the original
list signed by me and placed an unsigned duplicate on file. As for Robert, he
did the same thing, covering the deportation himself so that no questions were
asked as to the child�s whereabouts. The only difference was that no duplicate
list was made. To tie the knot, he got a friend at Auschwitz to mess about with
their records to make them consistent.�</p><p>�Why?�</p><p>�He
told me that if the Germans lost the war, the public records would confirm that
he�d saved a child when he�d got the chance.�</p><p>�So
what?�</p><p>�I said
that � and he replied that if ever he had to fight for his life, it could
be the one thing that might save him from the gallows.�</p><p>Brionne
left the room. Anselm heard him swill his face in a rush of water. He spoke
from the kitchen, coming back to his worn chair. �He read a lot of Goethe. <emphasis>�Du
musst herrschen und gewinnen, oder dienen und verlieren,� </emphasis>he told me later.
�You must either conquer and rule or lose and serve.� A very German apology.
For the rest of the time I knew him he sweated profusely.�</p><p>The
enormity of Anselm�s wilful credulity towered over him. He�d guessed Schwermann
was blackmailing Brionne because of the documents given to Max, but that didn�t
mean Brionne had done anything to induce the blackmail. It was simple logic.</p><p>�From
then on, he often used to say <emphasis>�Zwei Seelen wohnen, ach! in meiner Brust.� </emphasis>I
was part of him and he was part of me, two souls dwelling within one breast. I
was the one who would have to tell the tale of his heroism. I was the one who
could procure his escape, using The Round Table structure to his advantage.
And, in due course, I did. When it became clear the war was over, I took him to
Les Moineaux.�</p><p>�But
neither of you were known to the community,� said Anselm.</p><p>�Father,
just because they did not know me does not mean I did not know them. I told
Father Pleyon, the Prior, that I was �Bedivere� and I was welcomed. And then I
had to put that saintly man in the same position Schwermann had put me, which
was ghastly because he had been the monk responsible for running the operation
at the Priory.�</p><p>�Father
Pleyon?�</p><p>�Yes.�</p><p>Anselm
remembered Chambray referring to the doubts raised by Father Pleyon when the
smuggling operation was first put to the community, and he saw at once the wise
stewardship of Prior Morel � he had given the main job to a man with his eyes
on the risks, rather than the enthusiast. And then Anselm glimpsed something he
had never considered � he remembered Father Pleyon�s report to Rome � it
was Pleyon who had ensured that Rochet met the Foug�res family�</p><p>�I told
him if he couldn�t hide us, yes, a Nazi would be caught and hanged. But so
would I. And the boy Schwermann had spared would learn the terrible truth about
his own history. But if he assisted our escape, well, the child would be
spared, a second, final time. The boy would grow, freed from the past, and some
good would be salvaged from so much evil. And Schwermann? He would have been
saved for the sake of a child, the least in this life but the greatest in the
Kingdom. There was poetry in that. Father Rochet would have liked it.� Brionne
lit another cigarette. He passed one to Anselm.</p><p>�Father
Pleyon asked if he could write a report to Rome, explaining what had happened.
I agreed. Robert was hidden in the convent as a refugee and I saw him every day
until our passage was prepared for England.�</p><p>Anselm
gave a moan of self-recrimination. Father Chambray had misunderstood every
detail and Anselm had devoured the conclusions, principally because Rome had
tried to hide them.</p><p>Brionne
said, �When Schwermann was recognised on a train, as we were leaving Paris, he
led them to me, one carriage further along. I was interviewed by a young
officer, much the same age as me. I looked him in the eye and told him the same
thing: Schwermann would hang, but what about the boy sitting on the bench
outside? He was a brave man. He let us go.</p><p>The
young Captain Lawson who could not remember anything when pressed by DI
Armstrong, thought Anselm.</p><p>�I
built a new life for Robert,� said Brionne. �He married, had children � but I
was always waiting for Schwermann to be exposed, because I knew he�d come
looking for me.�</p><p>�So you
went into hiding when he turned up at Larkwood Priory?� asked Anselm.</p><p>�Yes.
And I would have stayed there if you hadn�t asked me if Pascal Foug�res had
died for nothing.�</p><p>�But
Victor, why didn�t you reveal what had happened?�</p><p>�I
wanted to, but when I stood there, in the witness box, I couldn�t do it. I
looked at Schwermann. I looked at the survivors. And I looked at Robert. I hadn�t
been able to tell him anything before seeing the police. How could I explain to
him that I�m not his father? How do I prove that I didn�t put his mother on the
train for Auschwitz? That I didn�t betray all her friends, and my own? Only
Father Rochet knew I�d been a secret member of The Round Table and he�s dead.�</p><p>�But
Robert knows you, loves you; he would have believed you.</p><p>�Father,
you forget something.� His voice was steady uncompromising, detached. �I was
trapped as a collaborator for the rest of the war. It was the price for Robert�s
survival. I couldn�t tell him that. So when I took the oath in court, I told
the truth, even though no one understood the actual meaning of what I said. It�s
contemptible.�</p><p>The
swift consumption of wine had taken its toll. Brionne licked his lips; his head
began to loll, suddenly dropping now and again off its axis. He spoke as though
about to weep. �And the irony of it is that afterwards, when I stood with
Robert in the street, I knew I�d lost him because he thought I�d lied.� He let
out a great sigh. �And all the while Agnes, his mother, my dear friend, was
alive, here in London, and I could have condemned Schwermann in her name � It
is too much, too much ��</p><p>Appalled
by the plundering self�sacrifice, Anselm said, �After all you have suffered,
you can restore to Agnes her son. You have raised him from the dead. I will
speak to Robert.� He walked over and kneeled by Brionne�s chair, Taking the
wine bottle out of his hand he said, �Victor, who betrayed The Round Table?�</p><p>�Oh
Father,� he said mournfully �do I have to say it out loud?�</p><empty-line/><p>3</p><empty-line/><p>At 4.17 p.m. the waiting
was over. Everyone returned to court: Counsel, solicitors, observers, the Press
and, of course, Eduard Schwermann. When all were comfortably seated, Mr Justice
Pollbrook came swiftly on to the Bench. Lucy, sitting beside Mr Lachaise,
watched the string of jurors file into their seats. They all looked guilty. The
clerk stood up with his litany of questions. The foreman stood up, ready to
deliver her nervous replies. After each answer was given, the clerk repeated
the words verbatim, to remove all possible doubt. The foreman confirmed the
repetition.</p><p>They
had reached unanimous verdicts on all counts.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Forty-Three</strong></p><empty-line/><p>1</p><empty-line/><p>The foreman was a young
woman in her mid-thirties, wearing narrow glasses that insinuated bookish
gravity. She wore black but her skin was paper-white. Upon hearing the first
verdict, Lucy lost all memory of the previous questions and replies; they were
swallowed up by her final, irrevocable judgment:</p><p>�Not
guilty.�</p><p>The
tidy phrase was hardly spent before a most awful collective gasp arose from
one side of the courtroom. The survivors and their relatives who had watched
the whole process of the trial, mute but concentrated, broke out in an agony of
protest. Lucy released a shuddering sound, horribly similar to a laugh. She
turned to Mr Lachaise. He sat still, with a repose wholly alien to the moment.
His hand reached out to Lucy�s. They were joined like father and daughter.</p><p>The
other counts on the indictment were read out. Each received the same verdict: �Not
guilty.�</p><p>Lucy
sat in a trance out of time, hearing words but unable to link them coherently.
She could not dispel the image of Agnes, lying absolutely still, defenceless,
consumed by silence. Everyone stood as Mr Justice Pollbrook left the Bench. And
then from all around came echoing shuffles and bangs as though the court was
being dismantled by stagehands impatient for home. The clatter became erratic,
less insistent, and then faded.</p><p>�Excuse
me, it�s time to go.</p><p>�I�m
sorry?� said Lucy stirring. The court and public gallery were empty, except for
herself and Mr Lachaise. She was still holding his hand.</p><p>�It�s
time to go. I have to lock up,� said the usher, pointing like a curator towards
the door.</p><p>Lucy
stood. Mr Lachaise withdrew his pipe and thumbed the bowl reflectively.</p><p>�You
can�t use that in here,� said the usher officiously.</p><p>�Indeed
not. It�s just an old habit to occupy the hands.� With a warm glance he said, �Go
now, Lucy. �</p><p>She had
always liked his accent and the engaging depth of his voice, like churning wet
gravel. As she pushed open the swing doors she heard him ask:</p><p>�Would
you be so kind as to do me a small favour �?�</p><p>Then
they closed.</p><p>Standing
in Newgate Street, the presence of Agnes all around, suffusing metal, stone and
cloud, Lucy hailed a taxi. �Hammersmith,� she said woozily</p><empty-line/><p>2</p><empty-line/><p>Anselm left Victor
Brionne, knowing he would continue to drink but knowing there was little he
could do to hold him back. Victor � he could call him nothing else � had urged
Anselm to tell Agnes about Robert. It was a secret that could not be withheld
from the little time she had remaining.</p><p>Anselm
left shortly before 5 p.m. He dropped into a newsagent, drawn by the blaring of
a radio from behind a curtain over the back room. He leafed through a paper,
waiting for the news on the hour. The shock verdict delivered in the trial led
a series of other items, culminating in the shock transfer of a football
player. Two shocks, one at either end.</p><p>Anselm
walked out, dazed, and looked around. It was a lovely dusty, sunny day and
there were children playing in the street.</p><empty-line/><p>3</p><empty-line/><p>The front door was
slightly ajar. Wilma must have popped out. Lucy walked purposefully through to
Agnes� room. She kissed her forehead. It was warm and smooth, scented by baby
oil �one of Wilma�s gentle ministrations. Lucy took both of her grandmother�s
hands and said, �Gran, they�ve set him free. It�s all over.�</p><p>For a
while Agnes did not respond. Her eyelids blinked slowly. Then her head swung to
one side, arching backwards. From her mouth, stretched open, came a thin
squealing exhalation of air that Lucy thought would never end.</p><p>In one
scalding flash Lucy saw the snapshots of a lifetime �the catastrophic loss of a
child; the death camps; the rescue of Freddie and Elodie, crowned with failure;
the cost of silence; a remorseless, stripping illness; exclusion from the
trial; and finally when there was little left to take away the vindication of
the man she could, but would not, condemn.</p><p>The
front door snapped shut. Wilma was back.</p><p>Lucy, completely
detached from her actions, not fully knowing what she was doing, opened the
bedside cupboard, searching for the revolver wrapped in a duster. She placed it
with the four rounds of ammunition in her rucksack. Agnes, still trapped in a
silent howl, tried to clutch at Lucy her head flopping from side to side.</p><p>�Don�t
worry, Gran. I know what I�m doing. This is for Victor Brionne. I�m not going
to get into any trouble,� said Lucy calm and reassuring, like a nurse.</p><p>�Would
you mind explaining what is going on, madam?� said Wilma from the wings.</p><p>Lucy
ran out, sweeping up the keys for the Duchess.</p><empty-line/><p>4</p><empty-line/><p>The radio from the
newsagent blasted out an old Elvis hit about a woman, impolitely called a hound
dog, who cried incessantly Anselm set off for Manor House tube station, the
singer�s name having reminded him of a confession he�d once heard. The unseen
face behind the grille had leaned forward, saying darkly fearfully �Do you
realise, Father � Elvis is an anagram for �Lives� � but also��� Evils�
� the fiend is everywhere.� Anselm had said �God is �dog� spelt backwards� the hound of heaven will protect you.� And the man had gone away healed.</p><p>Upon an
impulse, Anselm patted his right-hand pocket, perhaps because it was lighter
than it had been. The iron keys to St Catherine�s. He�d left them on the
armrest. Irritated, he began to retrace his steps. But there was no rush:
Victor was going nowhere.</p><empty-line/><p>5</p><empty-line/><p>Lucy had written down
Victor Brionne�s address as he gave it with wavering self-pity to the court. Holmleigh
Road, Stamford Hill. The words had mesmerised her, for they signified a home
and garden � providing a life free of care on the other side of escape. She
parked a few doors down, her eye on the neatly painted window frames. Night
settled upon her conscience. She opened her bag and unrolled the duster. She
pushed open the chamber and fed in the cartridges. Her hands moved quickly
professionally. She watched them, marvelling at their adroit purposefulness,
their separation from her. She walked at a pace, before the light came back and
she lost her nerve. Reaching the door, she struck it hard three times. It swung
slowly back. Brionne appeared, slightly swaying on his feet.</p><p>�Yes?�</p><p>�I am
the adopted granddaughter of Agnes Aubret. I want to talk to you.</p><p>He
stared at her through maudlin tears. �What�s your name?�</p><p>�Lucy
Embleton.�</p><p>�Come
in, but ignore the mess. I�m just beginning a bad patch.�</p><p>She
hated the lurching intimacy of drink, the promise of unwanted confidences. And
she hated him. She said, �That doesn�t bother me.�</p><p>�You�re
very kind,� he replied, retreating into the gloom. �Would you like some tea?�</p><p>�No,
thank you,� said Lucy, shutting the door and flipping down the lock. �I won�t
be staying that long.�</p><empty-line/><p>6</p><empty-line/><p>Anselm rounded the corner,
back into Holmleigh Road. The verdict lay upon his mind, pressing down like a
migraine. By a low wall a cluster of young Hasidic Jews, bearded men in black
suits and wide hats, stood talking animatedly; inside a house, Anselm glimpsed
a number of women gesticulating.</p><p>Passing
quickly round them, not wanting to hear their conversation, Anselm moved on
towards Victor�s home, further up the road.</p><p>As he
approached the gate through which he had passed only a short while before,
Anselm heard a voice from behind:</p><p>�Excuse
me, Father, but could you spare a word ��</p><empty-line/><p>7</p><p><emphasis/></p><p><emphasis/></p><p>�I know exactly what you
did to Agnes,� said Lucy at length. Brionne nodded.</p><p>�I know
what you did to her child.� He nodded again, his eyes widening.</p><p>�And I
know what you did at the trial.�</p><p>He
moved towards a bottle and back, seeing it was empty.</p><p>�Agnes
will die within the month. I would like you to die first.�</p><p>�How
would you like me to oblige?�</p><p>�I have
a gun.</p><p>�That
was very thoughtful of you.�</p><p>Lucy
opened her bag and took out Grandpa Arthur�s revolver. She cocked the hammer. �It�s
already loaded.�</p><p>�Do you
propose to do it yourself?�</p><p>�No.�
She stretched from her seat and handed it to Brionne. �I intend to sit here
telling you every detail I know about Agnes, everything I know about my father,
and everything about myself � and I will go on until you either shoot me or
yourself.�</p><p>Brionne
held the gun with a look of dark, drunken fascination. Gingerly he raised the
barrel, his eyes glazed and black. He bit a cracked lip and a spurt of blood
ran on to his chin.</p><p>�I suggest
you go now.�</p><empty-line/><p>8</p><empty-line/><p>�Father,� said a thin
woman, walking down the path from an open front door, �I saw you passing and,
well, I wondered if you could say a prayer for a special intention.� She wore a
head-scarf and florid apron, the combination redolent of wartime courage: wives
on their knees scrubbing doorsteps, despite the nightly visits of German
bombers.</p><p>�Of
course,� said Anselm, retracing a few steps. Every street was the same, he
thought: hidden behind each small facade was a universe of disappointment and
hope.</p><p>�We don�t
see <emphasis>our kind </emphasis>here very often,� she said, nodding significantly at Anselm�s
habit and tilting her head down the road towards the other kind.</p><p>�I see,�
said Anselm. A bitter, foreign urge to slap the bony face warmed him like a
flush of blood.</p><p>�I�m
Catholic, of course, like your good self.�</p><p>�I�m
sorry but I�m an Anglican,� lied Anselm, his hand rising, the palm open; he put
it on the gate.</p><p>�Oh,�
she replied, discomfited, pushing stray dyed hairs under the scarf�s fold. �That
must be nice.�</p><p>�It is.�</p><p>�Lovely
Well, then.�</p><p>�You
have a special intention?�</p><p>�Well,
I won�t trouble you, it�s just one of the family playing up � won�t go to
Mass � not a problem for your sort �</p><p>Anselm
heard the clip of a gate and looked round. To his amazement there was Lucy
wavering on the pavement, her hands loose by her side. He ran, exclaiming, �Are
you all right? What are you doing here?�</p><p>Dreamily
Lucy looked aside to the bay window Anselm swiftly followed her drugged gaze:
towards Victor, swaying uncertainly the barrel of a gun pointing at his face. Anselm
rushed for the door, throwing his full bodyweight against the lock. He bounced
back, mocked by strength. Wildly he struck it again, as though its tongues and
grooves had given out all the needless griefs he�d ever known. And then,
across a pause in the hammering, came a deafening short crack. Lucy cried out,
like at a birth. Anselm held his breath until the tightness in his chest pushed
out an oath. The woman in the apron and scarf scampered indoors to ring the
police.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Forty-Four</strong></p><empty-line/><p>1</p><empty-line/><p>The provision of an
ambulance for Victor Brionne struck Anselm as incongruous given the
circumstances. Standard procedure, said Detective Superintendent Milby with
disinterest, dropping the gun into a plastic sample bag. He handed it to a
colleague who stored it with the damaged book. �All in a day�s work,� he added,
surveying the waste of Victor Brionne�s life. Empty bottles, scatterings of
fag-ash and an open packet of broken biscuits lay upon the floor.</p><p>�Pig,�
said Milby</p><p>An
officer bending over an armchair recovered a set of keys, holding them up like
a fish at the market.</p><p>�Ah,
they�re mine actually� said Anselm.</p><p>The
Detective Superintendent scrutinised his old adversary but let the puzzle pass.
He said, �Any chance of a favour?�</p><p>�Depends.�</p><p>�The
girl wants someone to explain to her grandmother what�s happened. Bit unwell
apparently. More your scene than mine.</p><p>�What�s
going to happen to her?� asked Anselm flatly gesturing towards Lucy</p><p>�Firearms.
You know the game.�</p><p>�Favours
sometimes have a price.</p><p>�You
should have been in the Drug Squad.�</p><p>Anselm
urged the arresting officer to contact DI Armstrong, to ask if she would visit
Lucy at the station. And then he accepted the offer of a lift to Chiswick Mall
in a Detective Superintendent�s carriage.</p><empty-line/><p>Anselm spoke assurances to
Agnes.� trying to assuage her trapped anxiety. He pulled his chair closer to
the bed so as to read the alphabet card, but then the housekeeper entered
pushing a television on a small serving trolley.</p><p>�Vicar,
now is not the time to speak of The Last Things,� she admonished. �You may
preach, but after the news.</p><empty-line/><p>2</p><empty-line/><p>Lucy sat on a bench
opposite the Custody Sergeant�s desk, waiting to be processed. Beside her sat
Father Conroy summoned at Father Anselm�s request.</p><p>�At
least you didn�t pull the trigger,� said the priest.</p><p>�Would
it have made any difference?�</p><p>�I was
never that good at moral theology. But I do know about people who send other
people to prison, and they think there is a difference. �</p><p>The declaration
carried a weight. With the peculiar acuity that comes with anxiety, Lucy asked,
�Have you been to prison?�</p><p>�Yes.�
He scratched the hairs on his thick arms. �Several times.�</p><p>A
liberating curiosity surfaced over the panic. �What for?�</p><p>�Working
with street kids in S�o Paulo.�</p><p>�You
got locked up for that?�</p><p>�It�s a
touch more involved, so, but you can�t make a home for those little divils
without upsetting people.�</p><p>The
arresting officer summoned Lucy with a flick of his finger. Her pockets were
emptied and she signed forms that she didn�t read.</p><p>�Now,
get your dainty skates on,� said the Custody Sergeant. A waiting WPC took Lucy
firmly by the elbow and escorted her down a colourless corridor to a cell. The
heavy blue door slammed into position. Keys turned and jangled. The square
peephole opened and banged shut. And, to the echo of withdrawing footsteps,
Lucy started to cry.</p><empty-line/><p>The lock rattled as iron
turned on iron. The door opened and DI Armstrong entered the cell. She sat on a
chair fixed to the wall and said: �You have been extraordinarily stupid.�</p><p>Lucy
lifted her hands helplessly as if she didn�t understand what she had done. She
continued to cry, increasingly terrified by the working out of the legal
process upon her.</p><p>DI
Armstrong said, �I�ll do what I can to smooth things for you but my hands are
tied. You are in serious trouble.�</p><p>Lucy
nodded, grateful for the promise of a friend, however useless, within the
system that would judge her.</p><p>�There�s
been a development in the Schwermann trial,� DI Armstrong said, letting
compassion slip out � evidently divining Lucy�s undisclosed interest in the
verdict. �I don�t know what has happened but I expect it will be on the news.
You can watch it with me. That <emphasis>is </emphasis>something I can do for you.�</p><empty-line/><p>3</p><empty-line/><p>After the fanfare of
headlines and solemn bells, the picture shifted to live coverage of the lead
story at the Old Bailey</p><p>Lighting
stands and trails of wiring flanked the court entrance. Banks of cameras and
boom microphones like slender cranes arched over metal railings on either side.
Police officers in fluorescent yellow safety jackets stood at prescribed
intervals around a pool of harsh, consuming light. High above the doors was the
inscription read by Anselm at the outset of the trial: �Defend the children of
the poor and punish the wrongdoer.�</p><p>A home
affairs correspondent explained that after his sensational acquittal
Schwermann had been escorted back to the cells, where a discreet exit had been
planned. However, as he was about to depart an unidentified male had presented
himself to court staff, seeking an urgent interview on what was understood to
be a private matter. Upon hearing the name of the man concerned, Schwermann had
consented to a meeting.</p><p>�One
thing we do know is that the consultation is over,� said the reporter. �We�re
expecting them to emerge through these doors behind me at any moment. We
understand this individual may well be a survivor who � in fact, there�s
some movement ��</p><empty-line/><p>The reporter shifted to
one side as the court entrance jolted and opened, casting black, cutting
shadows across the walls. A small man stepped out, shielding his eyes.</p><p>Lucy
recognised the gentleman who�d sat beside her in the public gallery day after
day giving her encouragement when it had no rational foundation; the man who
had become a friend, Mr Salomon Lachaise. He moved to one side as Schwermann
made his way forward. Microphones on angled poles followed him, clawing through
the air at his neck and back.</p><p>Schwermann
stood on the pavement, transfixed by the light, one hand nervously feeling the
lower hem of his jacket. The camera position shifted closer, revealing Max
Nightingale behind a policeman, his fists pushed deep into the pockets of his
jacket.</p><p>Questions
shot out from all sides, making it impossible to hear what was being said
except for the constant repetition of Schwermann�s name. Salomon Lachaise
looked on from a step � to Anselm�s eyes as if from a judgment seat; to Lucy
all of a sudden a man in mourning. When Schwermann looked up from the floor to
the cameras the questions abruptly ended.</p><p>Salomon
Lachaise stepped back into shadow as Schwermann spoke:</p><p>�This
court has released me and declared me innocent. Before the eyes of the whole
world I committed no crime.� He started to laugh, his face contracted with pain
as if gripped by a spreading cramp. �I started the war as one person, came to
Paris � and overnight I became someone else � but I carried on doing what
I�d done before.� Small explosions of flashlight struck his face as though he
were standing by a crackling, angry fire. �I admit I didn�t cry �stop�� but
I did do something worthwhile � and it gave me a reason to live � a
reason to escape � a reason to fight this trial. All I want to say is this
��</p><p>Max
Nightingale shifted his stance from behind the policeman to get a clearer view
of his grandfather.</p><p>�Victor
Brionne told the truth � but even he didn�t know what he was saying ��
Schwermann fell into a menacing, private fascination. The fine, smooth
clattering of the cameras grew faster and louder; sheets of instantaneous flame
danced and died, one after the other. Quietly, remonstrating with the light, he
said, �A boy was saved.�</p><p>His
right hand shakily fingered his jacket hem. Eyes wide, like a painted toy he
said, �Hasn�t that made a difference?�</p><p>Eduard
Walter Schwermann suddenly fell to his knees. The face of Salomon Lachaise
moved into the light. A policeman lunged a step and halted, confused, as
Schwermann, lifting the lower flap of his jacket, pulled at the inside lining.
He fished something out and put it in his mouth, closed his eyes, bit and
dropped like a marionette whose strings had been severed with a single cut.</p><p>As the
commotion unfurled, the discerning viewer could easily see the diminutive
figure of Salomon Lachaise in the background, walking heavily away from the
pandemonium, into the shadows and out of sight.</p><empty-line/><p>4</p><empty-line/><p>Wilma unplugged the
television and left the bedroom. The door clipped shut. For a long while Anselm
tried to read the motionless face of the woman waiting to die. Nothing moved.
There was just a slow blinking and then a welling-up of tears that ran into the
soft creases of her skin.</p><p>Now was
as good a time as any, thought Anselm. On this day of death there should be
powerful words about life. He cleared his throat. �Agnes, I have something to
tell you.�</p><p>She
raised a finger off the bedspread.</p><p>�I know
you had a son, Robert, and that he was taken away from you.</p><p>She
reached for his hand.</p><p>�You
have lived as though he were dead.�</p><p>She
turned her head, applying the lightest of pressure to Anselm�s fingers.</p><p>�Victor
did not betray you. He took your boy and protected him. I have met Robert. He
is very much alive.�</p><p>Agnes
suddenly raised herself from the bed, startling Anselm, and rasped out a thick
sound of pain or wonder. She fell back, gripping Anselm�s hand. Her mouth moved
round the shape of words but nothing broke into sound.</p><p>Anselm
said, �He�s tall.� A squeeze.</p><p>�In
comparison to me, moderately handsome.� A squeeze.</p><p>�I
understand he�s a prodigy on the piano.�</p><p>A
frail, lingering squeeze.</p><p>�He�s
married to a charming woman. She�s called Maggie.�</p><p>Her
strength had gone; her fingers lay warm and still within Anselm�s hands.</p><p>�They
have five children. Some of them are married and they, too, have children.
Agnes, you are not only a mother � you are a grandmother and a
great-grandmother.�</p><p>Her
lips pursed into a loop, her eyes wide and swimming. Somehow the years were
stripped back and Anselm sensed the ambiance of youth, captured by Victor
Brionne in the photograph seen earlier that afternoon. He immediately
recognised her for who she was, and who she had become; they were one and the
same.</p><p>Wilma
bustled in, carrying a teaspoon, a saucer and a bowl of ice cubes.</p><empty-line/><p>5</p><empty-line/><p>Lucy was taken back to her
cell. Half an hour later the heavy door swung open with a bang. Lucy was waved
out by an impatient hand and taken to the Custody Sergeant�s desk. Father
Conroy was still there, beside DI Armstrong, who said: �The Detective
Superintendent says you can go home. You�re bailed for a week. When you come
back there�ll be an interview After that you may be charged.�</p><p>Lucy
collected her personal belongings, signed more forms and Father Conroy led her
outside. On the street he said, �Come on, I�ll drive you home.�</p><p>As he
pulled away into a stream of traffic, Lucy said evenly:</p><p>�They
both deserved to die.�</p><p>�Say
that to Father Anselm.�</p><p>�Why?�</p><p>�He�s
always full of surprises.�</p><p>�About
what?�</p><p>�Convincing
appearances.</p><p>They
did not speak for the rest of the journey Father Conroy dropped her in Acre
Lane.� near her flat. As Lucy stepped on to the pavement he said, �Nothing�s
what it seems, you know Don�t worry.</p><p>Out in
the cold she walked hurriedly to her door, fighting a growing sense of having
stained herself by wanting to savour revenge, because she hoped Agnes had seen
the news and felt the same: that she too had sought pleasure in watching the
keeper of the flame extinguish himself.</p></section><section><empty-line/><empty-line/><p><strong>Part Four</strong></p><p>�They will come again, the leaf and the flower, to arise</p><p>From
squalor of rottenness into the old splendour ��</p><p>(Laurence Binyon, �The Burning of the Leaves�, 1942)</p></section><section><empty-line/><empty-line/><p><strong>Fourth Prologue</strong></p><empty-line/><p>Agnes could no longer lift
her arms or head, but her fingers moved and she could still use the alphabet
card if everything was held in place. There were still some things that had to
be said.</p><p>She was
fed by drip now, procured by Freddie when he insisted that his mother would not
die in a hospital bed but in her own home. Everyone diligently fussed over her
needs, not realising that Agnes didn�t care, knowing nothing of the carnival
that raged out of sight.</p><p>For
within her the heavens were lit by repeated explosions of fireworks, with every
shade of blue and green and yellow and red, splintering into trillions of
gleaming particles against a vast stream of silver, dancing stars. They fell as
a shower upon her raised head, on to her lashes, balancing precariously on each
curved, counted hair before tumbling joyously over into the abyss beneath,
where she would soon follow after the reunion with Robert that would surely
come. She had entered upon a timeless, enduring, secret benediction.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Forty-Five</strong></p><empty-line/><p>1</p><empty-line/><p>The reliability of a
wartime revolver after decades in a cupboard was literally a hit and miss
affair. Unlike capsules of potassium cyanide. Which struck Anselm as a happy
imbalance in the scheme of things, given Lucy�s misguided attempt to provoke
Victor�s suicide.</p><p>It
transpired that Victor had had no intention of killing himself at all. Like all
men who have known grave dependence on alcohol, he had a certain clarity of
mind that was sharpened when drunk. And so, confronted with a young woman
whose level of foolishness reflected the degree of her distress, he�d thought
it prudent to accept the offered gun. After Lucy had gone he�d pointed the
barrel at his face, looking into the dark, narrow hole. It had been, he said, a
sort of playing, an acting out of the preliminary steps to an oblivion that had
its attractions but which he would not choose. How could he? No matter what
personal suffering he had endured, no matter the scale of moral compromise,
there was Robert, the children and the grandchildren. They rose like flowers
from the catastrophe of his life, and their splendour, however circumscribed,
had a fragile, redemptive quality. He lived for them. And now, Victor had
learned that they lived for Agnes.</p><p>And
yet, but for the protecting hand of luck, Victor would have shot himself. Upon
lowering the barrel, the hammer suddenly discharged, held back (it turned out)
by a hairline trigger. The round went off, destroying a rare copy of Doctor Johnson�s
dictionary that had cost Victor most of his retirement lump sum.</p><p>Victor
was kept in hospital overnight, on account of his bitten lip and presumed
shock, and released the next morning, whereupon Anselm paid him a welcome visit
at home.</p><p>�As I
told you before,� said Victor, �I had always seen the irony of my predicament �
on paper, I was the one who had betrayed The Round Table. So when I came to
England I decided to set the record straight, if you will forgive the
expression. The idea came to me when I was wondering how I might conceal my
identity still further. I decided to change my name a second time. What name? I
thought.�</p><p>�Brownlow?�
interjected Anselm with a faint, querying smile.</p><p>�The
man who rescued Oliver Twist,� replied Victor. For him it was an old joke, lame
but enduring, a sniff at adversity.</p><p>�Of
course,� snapped Anselm. �I knew I recognised it.�</p><p>Abandoning
the advantages his education and talent would have brought him, Victor then
chose factory work as a long-term hiding place. For most of his employed life
he stood by a conveyor belt putting lids on jars of mustard. He saved what he
could for Robert�s precocious talent at the piano. He met Pauline, his
wife-to-be, at a church fair bookstall. Nature ran its course and she became a
mother to Robert, but he was old enough to remember her coming into his life.</p><p>�When
he was old enough to understand, I told him his real mother had died during an
air raid. Disasters are always convincing.�</p><p>For
twenty-six years Pauline had been his strength, the woman to whom he confided
all that had happened. When she knew she was going to die from a rare kidney
complaint she wrote Victor a letter, to help him after she had gone. But they
were lifeless words, shapes in ink. He used to stare at them, trying to summon
up the voice that had once spoken to him, her passion, her belief in him, her
constant forgiveness for the wrongs of which he was a part. He�d been to
confession.</p><p>�He
gave me absolution,� Victor remembered, �but he refused to give me a penance.
Keep talking to Pauline, he said. And I did. But her kidneys packed up and she
died. That�s when I started drinking.�</p><p>All the
family thought it was grief, which was true, but it was also the other burden
he could no longer carry alone. He attended an expensive rehabilitation
programme sorted out by Robert and found it completely humiliating � not
because he was proud but because he could not disclose the reasons for his
collapse.</p><p>�They
thought I was �avoiding the pain required to face the truth about myself�. I
found that judgment distinctly unpalatable. It was, as with so much of my
life, a hideous misunderstanding.�</p><p>They
sat in silence until Anselm rose. He had a train to catch.</p><p>�Robert
will have to be told everything,� Victor said, exhausted. �Difficult as that
might be, the thought of it done is like � an accomplishment.�</p><p>�I have
already arranged to see him,� said Anselm.</p><p>Cautiously,
reflectively. Victor said, �It�s all been an inexplicable mix of misfortune and
luck. But since I�m a religious man, I look to Providence. Only that rather
complicates things, don�t you think? Because there�s no accounting for the
graces received, set against what went wrong, without hindrance, for so long.�</p><p>Anselm
didn�t have a reply for that particular observation.</p><empty-line/><p>2</p><empty-line/><p>Lucy met Father Anselm on
the forecourt of Liverpool Street Station. She had wanted to see him before he
went back to Larkwood Priory, to say thank you, and had duly rung him at St
Catherine�s the night before. The monk stood behind his suitcase like one of
those carved statues on the front of a cathedral, observing the passing world
on its busy way to somewhere important. He saw her and raised a hand.</p><p>Lucy
said, �I�m told it�s because of you I�m not going to be charged.�</p><p>�That�s
not strictly true,� replied the monk. �Detective Superintendent Milby and I go
back a long way He�d never have put you through the system if he could help it.
But what you did was remarkably daft, wasn�t it?�</p><p>�At the
time I was watching myself,� said Lucy. �It was as though the whole episode was
part of a play and once I�d started writing the script I couldn�t stop. At last
I was in control. I could choose the ending. But it was unreal. I just wanted
to rehearse what it would be like and see it through to the end.� She felt
again the queasy warmth of guilt passed by �Detective Inspector Armstrong told
me that, once cocked, the trigger was so light it could have gone off in my
hand without me even touching it.�</p><p>�And
you would have killed the last knight of The Round Table,� said Father Anselm, �the
man who saved Robert. It doesn�t bear thinking about.� The monk went on to give
a short account of Victor�s true position in the weave of events. Horrified at
the magnitude of her error, humbled and ashamed, Lucy said, �Someone must have
been looking after me.�</p><p>�I know
what you mean,� replied the monk pensively �That is a phrase upon which to
ponder.� He glanced at the departure board. �I�m afraid I have to go.</p><p>Lucy
walked with him along the platform. �I must tell my father who he is.�</p><p>�Yes
� and I must tell Robert Brownlow whose son he is.�</p><p>Lucy
felt the first stirrings of an idea that she knew would fulfil itself. She had
a sense of festival, streamers, a family outing. Father Anselm stopped by the
train door and said: �Did you know that Salomon Lachaise was saved by The Round
Table?�</p><p>�No.�
She thought of the gentleman who had become her friend, having at one definite
point in the course of the trial sought her out, along with Max Nightingale. �And
yet he didn�t sit with the other survivors.</p><p>The monk
looked at her curiously �How strange. I didn�t realise that ��</p><p>Lucy�s
idea took a firm shape:</p><p>�I�d
like to bring all these people together, before my grand-mother dies. They all
belong in the same room.</p><p>Surprised
agreement lit the monk�s face.</p><p>She
said, �Would you come.� Father?�</p><p>�Thank
you, and remember � I�m also a messenger from the past.�</p><p>A
messenger: somehow, despite the long, unrelenting conspiracy of misfortune, a
letter had been passed on, as by runners at night, despite the guns, despite
the wire. It would be brought to Agnes just before she died.</p><p>A man
in a tired uniform appeared, urging stragglers to get on board. The one
remaining question fell from her lips as the door began to swing on its dirty
hinge: �I wonder what Mr Lachaise said to Schwermann ��</p><p>�Yes, I
wonder,� replied the monk.</p><p>The
door banged shut. A loud whistle soared over the carriages. The train heaved
forwards, clattering on the rails. The man in uniform walked quickly past, his
job done. And Father Anselm, his face framed by a grimy square of glass, moved
away.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Forty-Six</strong></p><empty-line/><p>Salomon Lachaise said he
wanted to come to Larkwood. He needed some time to be alone and asked if he
might stay at The Hermitage. The Prior granted his permission. For three days
the Priory�s guest wandered in the woods, along the stream and round the lake.
Then, one morning, Anselm found a note in his pigeonhole. Salomon Lachaise
would welcome a visit.</p><p>Anselm
walked quickly through the fields after lunch. About two hundred yards from The
Hermitage was a narrow wooden footbridge, without railings, spanning the stream.
The small man sat upon the timbers. Silently, Anselm joined him. Their legs
hung loose over the edge.</p><p>Salomon
Lachaise said, �Do you remember, before the end of the trial, saying you had
been one person with me while all the while you were another?�</p><p>�Yes.
You replied that that was true of all of us.�</p><p>�Your
memory serves you well.�</p><p>�I
wondered what you meant. �</p><p>�I�m
not sure I�ll ever be able to explain. But I will try. You know that I learned
early on in my life that I was one of the few who had escaped � that my whole
family had been taken away. I kept the memory of their names alive. I told you
that I found peace in scholarship, that I owed the outset of my academic life
to a survivor.�</p><p>�Yes.�
I remember.�</p><p>For a
short while Salomon Lachaise pondered the rush of water beneath his feet. He
said, �My life changed on a bright, cold morning just after a lecture on feudal
iconography I walked into the common room at the University and picked up a
newspaper. A journalist had discovered that � that man � had found refuge
in Britain after the war.�</p><p>�Pascal
Foug�res was the author?�</p><p>�Yes. I
decided to contact him, and told my mother. No, she said, dear God, no. Leave
the past alone. I turned to Mr Bremer � I told you about him when we first met
� the lawyer who had become my guide. He, too, had seen the article. He, too,
advised me to get on with my life � to forget what I had read.�</p><p>�Did
you?�</p><p>�No.�</p><p>Salomon
Lachaise proceeded in a low monotone. �I went to see Mr Bremer. I told him my
mind was made up; I was going to join myself to those who were seeking that
man. I asked for his support before I told my mother.�</p><p>�You
received it?�</p><p>�No. It
would be right to say he lost his professional detachment.�</p><p>�Why?�</p><p>�The
article we had both read gave the name of the small town that man had come from
�Wissendorf � Mr Bremer recognised it from his dealings with the lawyer
retained by my benefactor. He made what I think is called a reasonable assumption
of fact. My refusal to heed his advice forced him to tell me that the German
lawyer acting on behalf of the �survivor� was the family solicitor for �
that man.�</p><p>�Schwermann
was the � survivor?� asked Anselm, aghast at the appropriation of the word.</p><p>�Yes.
And to think � I made my name in a field of learning that is known as the age
of patronage.�</p><p>Salomon
Lachaise watched his dangling feet, carefully trailing the soles of his shoes
against the heavy pull of water. Blackened silver spurted either side at every
sweeping touch.</p><p>Anselm
said, tentatively �Why you?�</p><p>Very
slowly Salomon Lachaise said, �I was the last child saved by The Round Table,
taken to safety by Agnes Aubret just before her arrest.�</p><p>Anselm
turned and scrutinised the face of his companion. It was a miracle of calm, a
screen of chalk that would fall into powder if touched. Uncomprehending, Anselm
said, �He must have seen your existence as a salving of conscience.�</p><p>�My
entire academic life rests upon contamination. Everything 1 have achieved rises
from poison, bright flowers out of filth. I shall never practise my art again.</p><p>Anselm
struggled to remonstrate, �But surely �� He floundered, lacking
conviction, for he knew that the most costly decisions are often not made � they
happen.</p><p>�I did
not contact Foug�res and my mother thought that I had taken her advice. Shortly
afterwards she died, peacefully. And while that brought grief, it set me free.�</p><p>�To do
what?� Anselm had sensed something specific � something crucial.</p><p>�Mr
Bremer was a meticulous man, a keeper of detailed records which he never
destroyed. By chance there had once been an error in the transfer of funds from
the solicitor in Germany. to him. In sorting out the tangle he�d learned the
name of the client. At my request he dug out his old papers and there it was� Nightingale.�</p><p>�And
you passed that on to Pascal Foug�res?� asked Anselm.</p><p>�Yes. When
that man claimed sanctuary.� I took early retirement and followed his route of
escape, from Paris to Les Moineaux. I had an inkling he�d somehow taken the
same route as my mother. Then I came here, to Larkwood. After that it was a
matter of waiting for the outcome of the trial.� He breathed deeply, like one
bent over.� preparing to heave a rock to one side. He said, �I waited for him
to speak, to hear what he had to say to those he had robbed. But in the end he
said nothing, and they freed him. He was exactly what he appeared to be, only
the jury had a doubt. The moment I�d waited for had come � and I did not want
it. I told an usher I wanted to see him and I gave my name.</p><p>Again
he ran his feet upon the surface of the stream, watching the sweeping cuts in
the silvery rush, opened up, now closed, then opened up again. Salomon Lachaise
described how he was shown through to a room rather like a post office counter.</p><p>A
window of thick glass lay seated in the wall. Beneath, on each side, was a wide
sill � a table passing through the divide � and a chair.</p><p>�A door
opened and suddenly there he was. For a long while I just looked at him, each
line upon his face, the nails upon his fingers. He raised a hand, putting it
against the glass.�</p><p>Schwermann
had spoken first across the divide:</p><p>�I didn�t
realise it was you, in the woods ��</p><p>�Yes.�</p><p>�I can
hardly believe that you are here, that you have come. Gratitude and fearful
wonder loosened his drawn features.</p><p>�Yes, I
have come.</p><p>�How
did you find out?�</p><p>�I am
here, that is all that matters.�</p><p>�I
managed to save you, do you know that?�</p><p>�Yes, I
do.�</p><p>�After
I got away and had enough money I had you traced.� I gave what I could, I�ve
followed your success �� The appeal sought recognition, appreciation.</p><p>�Yes, I
understand that.�</p><p>�I�ve
had a family � a daughter � a grandson, but through all these years I
have never forgotten you � I have thought of you, wondering how you have
grown.</p><p>�Yes, I
am sure.</p><p>�You
were one of the reasons my life was worth anything.�</p><p>�Yes.�</p><p>�And
now, when all the others have gone, it is you that has come to see me � I
am overwhelmed ��</p><p>Perhaps
it was the crippling tension of the moment, perhaps it was his saturation in
culture, but in a flash Salomon Lachaise suddenly remembered a devastating
passage from Virgil�s <emphasis>Aeneid, </emphasis>where Aeneas towers triumphant over the
fallen Turnus, a man of great strength, having defeated him in single combat;
Aeneas raises his sword to carry out the execution, but Turnus pleads for his
life, for the sake of his father; Aeneas checks the fall of his arm and
hesitates � but then his eye catches the belt of Pallas, a trophy upon the
shoulder of Turnus � Pallas, his dearest friend, slain without mercy �</p><p>Salomon
Lachaise said, his voice cracked and low: �What of the others, my mother�s
family the thousands, the sons and daughters��</p><p>�There
was nothing I could do.�</p><p>�You
did a great deal:</p><p>The old
man wheedled, as if for the hundredth time, �I had no choice.�</p><p>�Yes,
you did. You have forgotten too much.�</p><p>�Please,
Salomon, listen � can�t you forgive �� The pleading became a wail.</p><p>�I do
not have that power. And neither does God. It belongs to those you abandoned.
Now hear me.</p><p>Schwermann
became instantly still, as though his heart had ceased to beat. He simply
breathed, a functioning suddenly foreign to his waiting, expectant body Salomon
Lachaise stood up and said: �I raise in my hands the dust from which you were
made and I cast it to the wind. May you never be remembered, either under the
sun or at its setting.�</p><p>He
turned away from the dividing glass. And from the prisoner on the other side,
soon to be freed, came the sound of a withered, resentful moan.</p><empty-line/><p>Salomon Lachaise had
finished speaking. The wild chase of water beneath their feet grew loud. Anselm
repeated what he�d read in the papers:</p><p>�The
police found capsules in two of his jackets, sewn into the same corner below
the left pocket, with a loose thread ready to be pulled when needed.�</p><p>�So I
understand.�</p><p>�Presumably
they were taken out and put back after every visit to the dry cleaner�s.�</p><p>�Yes, I
expect you are right.�</p><p>Anselm
thought of the private ritual, the unpicking and the sewing up over the years,
the constant preparedness to escape a judgment imposed by anyone other than
himself. Before Anselm could pursue his reflections, Salomon Lachaise said,
with closing authority: �I shall never talk of him again.�</p><p>As at a
signal, they both clambered on to their knees and stood, Anselm helping his
companion gain balance. Strolling back to The Hermitage, Anselm said, �What
will you do now?�</p><p>�Travel.
I want to keep moving. I have no commitments, no dependants.�</p><p>�You�ll
remain in Geneva?�</p><p>�Yes.
As much as I have left the University, it remains something of a home. Anyway�
� he smiled brightly � �I intend to arrange a small exhibition of young Max�s
paintings. Have you seen them?�</p><p>�No.�</p><p>�You
should. They possess alarming innocence. I shall try to use the ignominy of his
background to his advantage. Otherwise it will remain a curse.</p><p>�That
is kind.�</p><p>�Nothing
done for pleasure is kind.�</p><p>They
reached The Hermitage shack, and Anselm made to amble back to the Priory. Pointing
at the open door, Salomon Lachaise said, �Can you join me for a final glass of
port? I never go anywhere without a bottle.�</p><p>They
sat on wobbling wooden chairs, sipping in silence, until Anselm said, �Would
you like to meet Agnes Aubret?�</p><p>Salomon
Lachaise, with tears in his eyes, could not reply.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Forty-Seven</strong></p><empty-line/><p>1</p><empty-line/><p>Lucy met her father in the
noble gardens of Gray�s Inn. As they entered, she pointed at the stone beasts
on the gate columns. �Griffins,� said her father knowledgably. �Protectors of
paradise. Don�t they teach you anything about myths these days?�</p><p>His
suit was crafted to his body immaculately creased and cut. In his own world,
thought Lucy he was powerful and successful and wore the uniform of esteemed
competence. When they found a bench, he dusted off dry particles of nothing
with the back of a hand. Sitting like two lone strays at a matinee, each with
their legs crossed, Lucy began the stripping of her father.</p><p>�Dad,
none of us are who we think we are.�</p><p>Her
father, enjoying a tease, replied, �And I suppose no one else is who we think
they are.</p><p>�No,
quite right.� She cut through the smart cloth of known appearances to the soft
epidermis. �It�s true of Gran� � he looked suddenly wary � �and it is
especially true of you.</p><p>Lucy
explained to her father how he had been saved from Ravensbr�ck by Agnes, that
he was born of unknown, murdered parents, from an unknown place, that they were
buried no one knew where. And she told him Agnes was the mother of a son whom
she�d lost, a son who had been found. He listened, entranced and dismayed,
fingering the constricting knot of his tie. When Lucy had finished he sat
stunned, as though waiting for the lights to come on in a theatre, the only one
left in a curved, empty stall.</p><p>�Do you
know,� he said faintly �I think she nearly told me once.</p><p>�When?�</p><p>�Years
and years ago � before the rot set in � I was fifteen or sixteen and I
gave her a mouthful about her silence� � again he reached for his restricting
collar � �I said she�d never cared, not even when I�d fallen as a boy and cut
my knee.�</p><p>�What
did she say?� asked Lucy</p><p>Her
father sat upright, the movement of feet scuffing a gleaming shoe. He wiped his
dry lips with a handkerchief and said, �Nothing, actually at first. But her
face crumpled � in a way that 1 have never been able to forget � and
just when I thought she was going to tell me something she was gone, into
herself ��</p><p>�She
didn�t speak?�</p><p>He
nodded, his face flushed and shining. �She said, �Oh Freddie, say anything
about me but not that, not that:� He joined his hands in hopeless, abject
supplication. �God, I have to see her � I have to tell her I�m sorry ��</p><empty-line/><p>The gardens of the Inn
were due to close, their lunchtime access about to be withdrawn by edict of the
Honourable Benchers. Like a stream of obedient refugees, young and old started
threading their way towards the ornate gates. Lucy and Freddie followed suit.
They walked back the way they had come, changed from who they were when they�d
entered.</p><p>�I had
always thought, in some obscure way she did not want me.</p><p>These
were words Lucy could hardly bear to hear. She looked down, fastening her
attention on the measured crunching of fine gravel.</p><p>�In one
sense, I suppose that is true �</p><p>Lucy
lowered her head further, her chin discovering a necklace given to her by him
on her tenth birthday. She pressed hard against the warm gold chain as he
spoke:</p><p>�Isn�t
life bloody awful sometimes. She could never have told me when I most wanted to
know because I would not have understood. And now that I am old enough to
understand she can�t tell me.�</p><p>Lucy
forced the tiny links into the skin of her neck. He said:</p><p>�I�d
give anything to go back to that moment when her face fell, to tell her I didn�t
mean it � but that is part of the hell � I did mean it � I did. I just
wish I�d never said it. Unfortunately we have to live with what we�ve said, as
well as what we�ve done.�</p><p>Reaching
the gates, Lucy looked up. It seemed her father had aged, but the lines through
his skin were yielding, well drawn. He was like a man who�d been well treated
by an indulgent parole board. Yes, they would recommend his release; but so
many years of imprisonment had passed that the spout within for exhilaration
had rusted, clogged. They all watched him in a line, waiting for the bursting
forth. He could only smile, shake hands, bow � mutter thanks.</p><p>He
faced Lucy and said plainly, �There�s still enough time left to make a
difference, don�t you think?�</p><p>�Yes.�</p><p>They
walked out into Field Court and the gates of paradise politely closed. Her
father kissed her goodbye. Strange, thought Lucy: it was only since she�d told
her father about the death of Pascal that intimacy of the kind they each
wanted, had been restored between them. Glancing up at a mute griffin, Lucy
could have sworn she saw the little beast breathe.</p><empty-line/><p>2</p><empty-line/><p>Anselm left Salomon
Lachaise to the solitude of Larkwood and took a train to Newcastle. From there
he took the rattling Metro to the coast where Robert Brownlow lived.</p><p>Anselm
had made the arrangement with Maggie, who opened the door before he could
knock. She led him anxiously to the foot of the stairs. Anselm told her not to
worry and went up to join Robert in the lounge.</p><p>They
stood at the window, looking out on Cullercoats Bay Down below on the beach was
little Stephen, heaping sand with his father, Francis.</p><p>�Francis
is my eldest,� said Robert. �Over there is Caroline, his wife, with the recent
addition, Ian. He�s eleven months.� A woman, evidently not used to the rigours
of a sunny North-East afternoon, sat wrapped in an overcoat by an outcrop of
rocks. The round, covered head of an infant protruded between the raised
lapels.</p><p>�I�ve
got four other children. Two are married, both of them have kids. Altogether we
come to thirteen. And now we re in pieces.�</p><p>They
watched two generations shivering on the sand.</p><p>�Robert,�
said Anselm, �you told me when we first met that Victor had died after the war:</p><p>�As far
as I was concerned, he had. That man was not my father. Victor Brownlow was. At
least, that is what I wanted to believe, for their sake,� he nodded towards the
beach, �and for mine. But now, after watching him in court defending that man,
it�s the other way round. My father has died and I find myself the son of
Victor Brionne.�</p><p>Unseen
by his father, little Stephen had begun to undress, his face set towards the
frozen sea. Stephen�s mother, permanently alert, shooed her husband away back
to his charge.</p><p>Anselm
chose his words carefully. �Part of what you have said is true. Your father is
dead.�</p><p>Robert
turned, his brown eyes puzzled, not quite meshing with the bite of the words.</p><p>Anselm
continued, �As you say, Victor Brionne is not your father. Nor is he now. He
never was.</p><p>�What
do you mean?� asked Robert.</p><p>�You
are the son of Jacques Foug�res.�</p><p>Robert�s
mouth fell slightly apart; he roughly drew a hand across his short, neat hair. �The
man mentioned in the trial?�</p><p>�Yes.�</p><p>�Who
had a child by Agnes Aubret?�</p><p>�Yes.�</p><p>�I am
that child?�</p><p>�Yes,
Robert, you are.</p><p>He
moved away from the light of the window, unsteadily towards a chair. Sitting
down cautiously, he said, �Agnes Aubret � my mother?�</p><p>�Yes.�</p><p>�Who
died in Auschwitz?� His eyes began to flicker. He coughed, lightly</p><p>�No.
Robert, she is alive. She survived. She lives in London. She is very ill and
will soon die.�</p><p>�My God.�</p><p>�It is
a long and involved story,� said Anselm, moving to</p><p>Robert�s
side, �and Victor will tell you everything. All I want to say is this. You are
alive today because he saved you. The price he paid was horrendous and he�s
been paying ever since.�</p><p>�Tell
me a little more, anything �</p><p>Anselm
briefly gave the outline of Victor�s chosen path, with its unforeseen penalty,
and his further choices.</p><p>Fearful,
like one trapped in the sand, the tide approaching, Robert said, �I�ll have to
relive my whole life, right from the beginning, find myself � seek out� my father � seek out Victor.� He stumbled over the changing references
within simple words .</p><p>Anselm
replied quickly with gentle insistence, �Robert, begin that journey with your
mother; she already knows � and let Victor be your guide.�</p><p>Robert
walked to the door and called out faintly �Maggie, come here, please ��</p><p>She
came running up the stairs. As she entered the room Robert weakly extended his
arms. She clasped his neck, exclaiming, �What�s happened, Robert? Tell me, tell
me.�</p><empty-line/><p>Anselm strode outside into
a sudden blustering, the long exhalations of the sea. Beneath a cupola of
unremitting light he passed through a gate and found a cliff trail skirting the
bay. He walked, his face averted to the wind, until, at a midpoint, he turned,
squinting, and looked back: there was the house, etched into hard, shapeless
cloud, the windows punched small and black; and there, below, on the beach, was
little Stephen with tousled blond hair, piling up the wet sand � the carefree,
joyous great-grandson of Agnes Aubret and Jacques Foug�res.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Forty-Eight</strong></p><empty-line/><p>1</p><empty-line/><p>The day before Agnes�
first and last reunion with her family it rained: a bombarding, cruel
inundation that bled the sky. Bloated cloud hung low, shrouding high-rise flats
and sharp steeples. For once Lucy didn�t want to be on her own. She rang Cathy
and asked if she could stay the night.</p><p>Lucy
took the tube to Pimlico and dashed through the puddles, her head bent into her
chest. By the time she got to Cathy�s flat she was drenched. After a bath, she
wrapped herself in a large, warmed towel. When she padded into the sitting room
she saw takeaway cartons lined up on a tray Cathy looked up and said, �Mongolian.
Honestly�</p><p>Lucy
noticed the absence of make-up. Cathy looked younger, like she�d been at
Cambridge but without the confident aggression. Outside, the rain thumped upon
dull, empty pavements; and, as the night fell, Lucy told Cathy what would
happen the next day. Cathy listened, moving food around her plate with tiny
flicks of a fork. It was in the telling that Lucy had another idea. While they
were preparing for bed, she stuck her head around the bathroom door and said, �Would
you like to meet someone?�</p><p>�Who?�</p><p>�A man.�</p><p>�I need
a bit more than that.�</p><p>�He
knows how to use a pallet knife.�</p><p>�Set it
up.�</p><p>Lucy
lay awake, longing for the wind and rain to be reconciled, or at least to put
off their fight for another day. The weather was going to wreck the plans for
the morrow. While she worked out an alternative strategy sleep crept upon her
by surprise. When Lucy woke the next morning, weak sunshine stole between a gap
in the curtains and lit the wall with a shaft of subdued flame. Throwing open
the window, she listened with gratitude to the silent work of heat upon water,
a union that always recaptured the first freshness of things.</p><p>After
breakfast, Lucy abandoned the trousers and top she�d bought the day before and
dressed in one of Cathy�s smart conversation-stoppers: a navy blue dress with
hand-painted enamel buttons. Standing on the doorstep Cathy warned, �If you
stain that, I�ll weep.�</p><p>Lucy
caught a glint of tears.</p><p>�I hope
everything goes fine,� Cathy said.</p><empty-line/><p>2</p><empty-line/><p>Freddie had organised the
reception at Agnes� flat. A trellis table was set up in the back courtyard,
covered with plates, laden trays, glasses, plastic cups, bottles of Bollinger,
Manzanilla and ghastly fizzy drinks for children. It was lavish, and Wilma said
he�d gone mad. The guests arrived for two o�clock: Salomon Lachaise; Victor Brionne;
Robert and Maggie Brownlow, with their five children, and their children;
Father Anselm; and Father Conroy who moved round the living room quietly
spinning threads among them all.</p><p>Stepping
slightly forward, Lucy gave words of welcome and then abandoned everything she
had planned to say Instead she said, �I would simply like to remember the names
of those who, for reasons we all know, cannot join us.� She raised her glass,
speaking with unaffected ceremony.� Father Rochet and Madame Klein � Jacques
Foug�res and all the knights of The Round Table � Father Morel � Father
Pleyon � Grandpa Arthur � Pascal Foug�res �� Lucy turned
instinctively to her father, willing him to take the torch.</p><p>�And I
thank heaven, said Freddie, moving towards the open door, within earshot of
Agnes, �that among us there is someone who almost lost herself saving others. Friends,
to my mother.�</p><p>They
all sipped in silence. Unseen by all save Lucy Wilma deftly wiped a surface.
After the toast, parents surreptitiously produced toys, strategically laying
them on the ground like bait to trap wild beasts.</p><p>The
plan was this: each guest, after seeing Agnes, would knock on the door through
which they had come, as a signal to the next, and then go out into the back garden
through the French windows. The drawing of a single curtain secured privacy for
each meeting. When he was ready Lucy took Salomon Lachaise to Agnes.</p><p>The
small man was dressed in an elegant suit with new shoes. He walked stiffly his
hands meshed. Lucy led him through the open door and then withdrew, watching
his reverent approach. She heard his deep, compassionate voice:</p><p>�Madame
Embleton, we have met once before, when I was a boy��</p><p>Lucy
shut the door. For a moment she stood still, straining to catch a word, as
Agnes had once done with Madame Klein and Father Rochet. Then she turned away
as his voice rose.</p><p>She
came back to the living room exhausted, and marvelled at the smooth
ministrations of Father Conroy. After a while there came a faint knock, and Lucy
threw a glance at Father Anselm.</p><empty-line/><p>3</p><empty-line/><p>Agnes was elevated by
pillows with the alphabet card on her lap. The drip stood tall, like a hiding
guard, its tubes and bags clothed by a flag of linen. She wore a green silk
blouse and red cashmere cardigan. The colours threw a faint diaphanous sheen on
to the skin around her neck. Illness, resplendent and spoiling, could not take
away her radiance. There were two chairs by the bed, with a vase of flowers on
the table. Beside the vase lay a small school notebook. A light breeze gently
flapped the curtain upon the open French window like bunting on a seaside
stall.</p><p>Agnes�
blue eyes fixed on Anselm. Emotion pierced his throat and he swallowed hard
against a blade. Deathbed scenes, he thought; the last chance to say something
sensible, something honest, to wrap it all up. But not here, not now He
shuddered: this wasn�t death; that had been and gone, long ago, routed; this
was life. He sat down, shaking, and took out a brown, brittle envelope. Lucy
sat beside him as he withdrew a single sheet of paper.</p><p>�Agnes,�
he began, �I was handed this by Mr Snyman. He told me Jacques had given it to
him before he was arrested, hoping it might be brought to you if, by some
unimaginable chance, you survived the coming night.�</p><p>Through
a simple dilating movement of the eyes, Agnes told him to read. Her breathing
began to catch hesitantly; fine, curved lashes slowly fell, remaining shut. At
the raising of a single, trembling finger, Anselm began reading, in French:</p><empty-line/><p>�April�s tiny hands once captured Paris</p><p>As you once captured me: infant Trojan</p><p>Fingers gently peeled away my resistance</p><p>To your charms. It was an epiphany</p><p>I saw waving palms, rising dust, and yes,</p><p>I even heard the stones cry out your name, Agnes. �</p><empty-line/><p>Anselm
paused at the end of the first verse. He looked over to Agnes. A faint pulse
jerked behind her eyelids. Anselm resumed reading:</p><empty-line/><p>�And then the light fell short.</p><p>I made a pact with the Devil when the</p><p>�Spring Wind� came, when Priam�s son lay bleeding</p><p>�On the ground. As morning broke the scattered</p><p>Stones whispered �God, what have you done?� and yes,</p><p>I betrayed you both. Can you forgive me,</p><p>Agnes?�</p><empty-line/><p>At the
words of confession she opened her eyes. Inflections of shadow seemed to move
beneath her skin like passing cloud. Agnes lifted her hand to one side,
exposing the white, soft palm. She turned to Anselm, who understood. He placed
the letter on the bed and her hand lay tenderly upon it as though it were
flesh.</p><p>After a
long moment Agnes looked to Lucy who walked around Anselm to pick up the second
school notebook from the bedside table; then she reached for the alphabet card
and placed it in position. Agnes said:</p><p>F-A-T-H-E-R</p><p>Pause.</p><p>P-L-E-A-S-E</p><p>Pause.</p><p>W-I-L-L</p><p>Pause.</p><p>Y-O-U</p><p>Pause.</p><p>G-I-V-E</p><p>Pause.</p><p>T-H-I-S</p><p>Pause.</p><p>T-O</p><p>Pause.</p><p>M-R</p><p>Pause.</p><p>S-N-Y-M-A-N</p><p>Anselm
took the notebook offered to him by Lucy.</p><p>Agnes
continued:</p><p>W-I-L-L</p><p>Pause.</p><p>Y-O-U</p><p>Pause.</p><p>B-U-R-Y</p><p>Pause.</p><p>M-E</p><p>Pause.</p><p>A-F-T-E-R</p><p>Pause.</p><p>I-M</p><p>Pause.</p><p>D-E-A-D</p><p>Through
his teeth, Anselm said, �Of course.�</p><p>A-N-D</p><p>Pause.</p><p>N-O-T</p><p>Pause.</p><p>B-E-F-O-R-E</p><p>There
was something about the fall of light upon her lips that suggested a smile:
with joy sorrow, acquiescence, loss, gratitude and farewell: each transparent
inflection inhabiting the other. Anselm moved to the French windows and stepped
outside, all but overcome by a stifled impulse to shout. He faced a small lawn
in a courtyard garden that trapped sunlight between high, brick-red walls. On
the far side, like someone lost, stood Salomon Lachaise, distraught.</p><empty-line/><p>4</p><empty-line/><p>Lucy left Father Anselm
and returned to the living room; then Robert and Victor followed her down the
short, narrow passage back to the half-open door. She stood aside to let them
pass. Victor walked closely behind Robert, one arm round his waist, a hand upon
his shoulder: a faithful mentor guiding a nervous prot�g� on to the stage at
prize-giving � a boy frightened of applause, its roar, its power to dismantle
what had been built in secret.</p><p>The
door swung open at Robert�s touch. On entering, Victor covered his mouth,
defeated, and said, �Agnes, je te pr�sent � ton fils��</p><p>Lucy
stood transfixed by a miracle greater than any of the old school stories �
manna in the desert, water from a rock or the parting of any waves � Agnes
slowly raised her head and neck fully off the pillow In answer to the call, her
face turned towards her son. As Lucy backed away astounded, she heard what to
many might have been a sigh, a sudden loud breathing, at most a gathering of soft
. vowels, but to her it carried the unmistakable shape of a name not uttered in
fifty years: �Robert!�</p><empty-line/><p>5</p><empty-line/><p>After all the family had
passed through to Agnes, Lucy stood alone by her grandmother�s bed, looking out
through the open French windows. The thick, polished glass flashed in the sun,
catching dark reflections of red brick; people, young and old, talked casually
a hand in a pocket, a schooner twinkling; and tumbling upon the grass were the
children, dressed in yellow and blue and green. Agnes gazed out upon them all.
Lucy took in the drip and its serpentine tubing, sliding along the starched sheets
to the back of a hand, its teeth hidden by cotton wool and a clean strip of
antiseptic plaster. She ran her eye up her grandmother�s arm to her captivated
face. Lucy tried to stamp down the heat of unassailable joy the wild fingers of
fire: surely this was a time for kicking down the walls. But she couldn�t
summon the rage: it lay dead in a yesterday. .</p><p>Lucy
kissed her grandmother�s forehead and then slipped outside towards the front
garden, separated from the house by a quiet avenue. Crossing the road, she saw
Father Anselm leaning on a wall, looking at the river. He must have nipped out
the back way from the courtyard. Lucy thought she saw faint blue spirals of
smoke rising by his head. But no, she concluded, a monk would never have a
cigarette.</p><empty-line/><p>They both leaned on the
wall, watching boys pull oars out of time.</p><p>Lucy
said, �I�ve waited all my life for what�s happening now, although I never knew
it.�</p><p>Father
Anselm flicked something from his fingers.</p><p>�I
could never have planned it,� she continued, �because so much was hidden �
but even if I�d known all there was to know, there was still no thing I could
do � nothing I could say. We�re all so helpless.�</p><p>They
were both quiet, listening to the tidal lapping of the river. Lucy went on:</p><p>�I�ve
tried � several times � to talk through the mess I did know about, to unravel
the misunderstandings, but that usually made things worse. And yet, now, the
words work � as if they�ve come to life.�</p><p>The
water rippled across the stones below, endlessly smoothing them.</p><p>Father
Anselm said, �There is a kind of silence that always prevails, but we have to
wait.�</p><p>They
both turned and walked back to the house. Lucy said, �I�m going to introduce
Max Nightingale to an old girlfriend of mine. I suspect they�ll get on.�</p><p>�Someone
did that to me once,� said the monk, smiling, �and look what happened.�</p><p>Lucy
laughed. �It can�t do any harm then.�</p><p>�No,�
said the monk, �I get the feeling we�re all on the other side of harm.�</p><p>�For
now�</p><p>�That�s
good enough.�</p><p>By the
front door they heard soft undulations with a gentle melody rising like a song.</p><p>�That
must be Robert,� said Father Anselm, stopping. �Do you know what he�s playing?�</p><p>�Yes,
it�s my Gran�s favourite piece of Faur�,� replied Lucy deeply moved. ��Romance
sans parole�.�</p><p>��A love
song without words�,� said the monk.</p><p>�Oh
God,� exclaimed Lucy, �every time I see you I cry.</p><p>And the
reserved monk took her arm in his and held it tight.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Forty-Nine</strong></p><empty-line/><p>1</p><empty-line/><p>Anselm stood awkwardly
facing Conroy on the forecourt to the Priory. His sabbatical was over. He�d
finished his book and found a publisher with an appetite for trouble, and now
the big man was heading back to Rome. After handing the manuscript over to his
Order�s censors, he�d catch a flight home to S�o Paulo and his children.</p><p>They
shook hands, Anselm wincing at the grip. Conroy compressed himself into the
driving seat and wound down a window</p><p>�I�ll
wend my way so.</p><p>�Come
back.�</p><p>�Sure,
I�m taking something of the place with me.�</p><p>�And
you�re leaving something of you and your work behind.�</p><p>�Pray
for my kids.�</p><p>Anselm
waved and the chariot of fire left Larkwood.</p><empty-line/><p>After Compline that night,
when the Great Silence was under way, Father Andrew led Anselm out of the
cloister and into the grounds, suggesting a walk.</p><p>They
talked over all that had happened under a fading sky then idled down the
bluebell path towards the Priory. The woods on either side lay deep in silence,
restraining a cool, brooding presence. A solitary owl cried out somewhere near
the lake.</p><p>�Almost
without exception, I misunderstood everything, said Anselm, his feet scuffing
bracken and loose, dry twigs. �The list of misjudgements is too long to
enumerate � all from prejudice, loose-thinking, fancy. But I�m not
altogether sure Holy Mother Church helped me on my way.</p><p>Father
Andrew stepped into the woods, foraging among the undergrowth. He re-emerged
with a long quirky branch that must have fallen in the winds. The Prior smiled
and swung the stick at the raised heads of winsome dandelions, a boyhood
pastime that had come back in older years. He said, �She has a frail face, made
up of the glorious and the twisted.�</p><p>Anselm
said, �I still don�t know what Rome was really up to.</p><p>The
Prior, harvesting, made a heavy, sweeping swish with his stick.</p><p>Anselm
continued, �The Vatican had two reports about what happened at Les Moineaux,
one of them, damning, from Chambray � the other, from Pleyon, apparently
exculpatory � only it was never finished. So Rome couldn�t have known what
Brionne would do when I found him and pushed him into court. He might have
filled out the exculpation � which happened to be true � or he might have
lied to protect himself. Either way, the face of the Church would have been
saved. It�s not particularly inspiring.�</p><p>�Like I
said� � the Prior looked around for something else to reap � �at times the face
we love takes a turn, so much so that we might not recognise what we see. And
yet, there is another explanation.�</p><p>�Which
is?�</p><p>�Rome
trusted the reputation of Pleyon over the words of Chambray�</p><p>Anselm
frowned with concentration as the Prior continued, � and remember, they
went to Chambray first, before they spoke to you, and he told them to get lost.
His mind had been made up fifty years earlier.�</p><p>The
Prior and his disciple slowed to a standstill. The owl, high now in the sky
cried again. An early silver moon hung over the Priory in a weakening blue sky
Anselm sat on the stump of a tree, cut down by Benedict and Jerome after the
last year�s storms. The Prior, standing, looked at him directly and said, �And
what about you?�</p><p>It was
a typical question from him. It was so wide in compass that anything could be
caught in its net. The Prior always threw such things when he had something
specific in mind. Anselm said, �I lost myself, and I don�t know when it
happened � I lost my hold on Larkwood.�</p><p>�It
usually happens that way� said the Prior. �There�s rarely a signpost where the
roads divide.� He lopped a clump of ferns. �Have you found your way back?�</p><p>Anselm
looked down the path to the monastery, barely discernible from the trees. �No,
I haven�t.�</p><p>�Good,�
said Father Andrew, delivering yet another whack.</p><p>The
Prior, as was so often the case, seemed to see things not on view Anselm said, �I
think in an obscure way I might have arrived� � he had a sudden thought � �helped
on my way by Salomon Lachaise � the scale of his suffering.�</p><p>The
Prior rested both hands on his stick, looking quizzically at his son.</p><p>�I can�t
tell you the route. But I�ve arrived with something like � tears in my
soul.�</p><p>The
Prior�s gaze grew penetrating. Anselm said, �Millions died from hatred, beneath
a blue sky like the one over Larkwood this afternoon � almost by chance,
someone like Pascal is trodden underfoot like an ant, along with countless
others. And yet, against that, the life of Agnes Embleton is resolved, as if
there is a healing hand at work that cannot be deflected from its purpose. I
just can�t make sense of it, other than to cry.</p><p>The
Prior said, �You never will understand, fully; and in a way you mustn�t. If you
do, you�ll be trotting out formulas. That will bring you very close to
superstition. It can be comforting� � he struck out at the air � �but it won�t
last.�</p><p>Walking
over to Anselm, the Prior thought for a while, leaning his back against a tree.
His silver eyebrows, thick and untrimmed, for once looked incongruous on a face
so devoid of guile. He said, �Those tears are part of what it is to be a monk.
Out there, in the world, it can be very cold. It seems to be about luck, good
and bad, and the distribution is absurd. We have to be candles, burning between
hope and despair, faith and doubt, life and death, all the opposites. That is
the disquieting place where people must always find us. And if our life means
anything, if what we are goes beyond the monastery walls and does some good, it
is that somehow, by being here, at peace, we help the world cope with what it
cannot understand.�</p><p>Father
Andrew touched Anselm�s shoulder and together they headed down the last quarter
mile to the Priory. It had suddenly turned cold, and the glittering lights in
the distant windows carried a summons to warmth. Their feet fell softly on the
path. The evening light slipped further behind the trees and the moon grew
strong. Slightly to the east was the lake, like a black pool, and out of sight
the Old Foundry.</p><p>Anselm
said, �Schwermann just stood there, before the world, saying he�d done
something good among all the evil. He waved it in the air as if it were the
winning number in the lottery, a ticket to absolution.�</p><p>Father
Andrew replied, quietly �There might just have been a trace of love in it.�</p><p>�Is
that enough to redeem a man?�</p><p>�God
knows.�</p><p>�It�s
terrifying, but do you think a man could so blot out his own life that he can�t
be saved?�</p><p>�No, I
don�t �� he flung the branch into a pool of shadow � �but something frightens
me far more. There might come a point where someone could choose hell rather
than acknowledge fault and accept the forgiveness of God.�</p><p>They
reached Larkwood Priory and the two monks pushed open the great gate, leaving
the breathing woods to the coming night.</p><empty-line/><p>2</p><empty-line/><p>Lying in bed that night,
waiting for <emphasis>Sailing By, </emphasis>Anselm involuntarily returned to his earlier
reflections. He thought of Pascal and a brutal irony: an accidental consequence
of his death was that Agnes was eventually reunited with her son. If Pascal
hadn�t died, Victor might never have come forward to give evidence � if he
hadn�t given any evidence, Anselm would never have discovered that Victor
believed Agnes was dead � it was only when Victor realised she was alive
that the whole truth came out �</p><p>And,
going back further, if Pascal hadn�t died then Anselm would never have gone to
France and mentioned the name of Agnes to Etienne Foug�res as the butler poured
the tea, and discovered that Etienne knew about her, and Robert, and that his
family had kept a secret for fifty years � That jarred on him now, as it
had jarred on him then, but suddenly <emphasis>Sailing By </emphasis>began.</p><p>Instantly
Anselm was in the crow�s-nest of a great dipping schooner, high above the
decks, with the scurrying crew in black and white below The spars creaked and
groaned and the sails strained against their ropes. Sunlight flashed upon
cerulean waves and in the distance thick green foliage burst from the pale
sands of a small island. It was a vision that suggested itself every time the
music came on and Anselm blissfully surrendered himself to its charms,
shutting down the engine of his thinking. However, with his thoughts attuned to
the past, a window to his mind was left ajar. Just before he sank beneath the
waves he heard a small voice, a little idea. He woke, knocking his radio on to
the floor in excitement. This was one thing he had got right.</p></section><section><empty-line/><empty-line/><p><strong>Chapter Fifty</strong></p><empty-line/><p>The old butler led Anselm
across the Boulevard de Courcelles towards a side entrance to Parc Monceau.
They walked along a path until they reached one corner, near a monument to
Chopin. Beside it was a play area with climbing frames and a sandpit, reserved
for the under-threes. Stray fallen leaves skipped with each flick of the wind.</p><p>�That
is where Madame Klein used to live,� said Mr Snyman, pointing to an elegant
apartment building directly overlooking the grounds. Defined in those terms,
the place appeared instantly hollow, its walls damp. �That is where Agnes
learned the piano � it is where I first met her.�</p><p>They
sat down on a bench near a flourishing lime tree. The grounds were deserted, as
if the usual strollers had been carted off. Within the hour, at lunchtime, it
would fill up again and then the noisy play would rattle over the ornate
fencing and fight with the rumble of the traffic.</p><p>�She�s
dead?� asked Mr Snyman.</p><p>�Yes.�</p><p>�Peacefully?�
There was almost a prayer in his voice.</p><p>�Very
much so.</p><p>Eventually
Agnes had been taken to hospital. The final stages of life could not be handled
very well so an ambulance was called. Death popped by while Agnes was lying on
a trolley in a corridor, her hand held reassuringly by a nurse. Lucy had run to
a pay phone to tell her father. When she�d got back Agnes had gone. The nurse
had said she�d smiled. A few days later, Anselm had buried Agnes beneath sleet
and rain in the presence of her family.</p><p>�I
would dearly have liked to have been there,� said the old butler.</p><p>�I
remembered you.�</p><p>�That
is something.� After a subdued pause he asked, �How did you find out about me?�</p><p>�It
came as I was falling asleep,� Anselm replied. �But there are reasons. I just
didn�t join them together properly. It was you who needed to escape, not your
family. And yet they fled without you. There were other marks in the sand, like
not coming back to Paris until no one could recognise you, and prodding Pascal
to find Victor. And more. I didn�t understand them until I�d already guessed
what they meant:</p><p>Anselm
regarded the broken man with compassion. He would be a servant to the past
until the day he died. It was his only home, and he was not welcome there.</p><p>The old
butler stared deep into memory. �I got back to the house after Victor had gone,�
he said. �My father showed me the record of betrayal. I sometimes think he must
have slapped me across the face. But he didn�t. I had condemned them all to
death. But he understood. He knew I didn�t mean to be so weak.� He paused. �Please,
can we walk? My limbs stiffen up unless I move. I may as well tell you what I�ve
kept to myself since Agnes was taken away from me, with my only son.</p><p>They
walked side by side as Jacques Foug�res spoke. Anselm listened, appalled.</p><p>�There
were only three passes. We had minutes to decide what to do. �Go!� shouted
Snyman, �use my papers.� They�d been forged by some friends of Father Rochet,
making him a Foug�res, my brother. �When they come, I�ll say I�m you. At least
it will buy time. For God�s sake, go now! I�ve nothing to live for but you have
a son, you have Agnes.��</p><p>Jacques�
voice grew strong. �I said it wouldn�t work, because our identity cards had a
photograph. He shouted again, �Go! Forget the detail � take all my other
papers � if you have to, produce my birth certificate � but take the
chance, go, now!� I have thought of Franz � that was his first name �
every night since � sitting in our house, alone, waiting for them to come,
knowing that he would die and I would live.�</p><p>And
Anselm thought of Mr Snyman at Mauthausen, defending Father Rochet from the
brutality of the guards, another honour that had devolved on to Jacques
Foug�res, the Resistance hero.</p><p>�We
rushed out of Paris. At one point a Gestapo official checked my father�s
papers, then my mother�s, and when it came to me a distraction occurred and he
waved us on. I didn�t care about my luck, I just hoped that Agnes would be
safe, that Schwermann would keep to his side of the bargain.�</p><p>Dense
clouds over Anselm�s mind began to lift, pushed by a quiet breeze. �Bargain?�</p><p>�Yes. I
trusted him. I had to, once he put forward his proposal.�</p><p>�What
proposal?�</p><p>�It all
happened on the day I was arrested for wearing the Star. I walked up and down
Avenue Foch, wanting to goad Victor. If they picked me up I expected a few days�
detention, nothing more. They dragged me in after fifteen minutes and threw me
into a room with no windows. The walls were stained with blood that had hit the
plaster and dried in thick clumps, with long streams running to the ground.
There were bits of skin and hair trapped in the mess. It stank. I couldn�t stop
myself shaking, my arms, my legs, the lot. I started to cry. Then Schwermann
came in with two others. They took down my trousers and tied me to a chair. The
other two left and it was just him and me. There were screams echoing down the
corridor.�</p><p>Jacques
pulled air through his nose in slow heaves, as though labouring up a great
slope. They turned past a kiosk selling fresh ground coffee, the aroma warm on
the air. In front of them stood a delicate colonnade skirting a small lake. Its
grace stung Anselm�s eyes.</p><p>�Schwermann
took out his pistol and forced open my mouth, resting the end of the barrel on
my front teeth. I was so scared I wet myself and started blabbing nonsense
about The Round Table, as if the disclosure of anything would save me. He put
his gun away and listened with wide, hard eyes. I calmed, spilling everything
out � even Robert�s existence. He asked lots of questions, telling me not
to worry. He was elated. Then he left the room for about half an hour. When he
came back he had a proposal.</p><p>�Schwermann
told me he wanted to smuggle a mother and child out of France. If I helped him,
he would spare Agnes and me and Robert. The others would be arrested, of
course, but they�d only get hard labour. So I agreed. But I told him I could
only guarantee the child, because I didn�t have false papers for the mother,
but that if she could get to Les Moineaux the monks would sort everything out.�</p><p>Through
the corner of his eye, Anselm caught sight of a grotto, and flowerbeds,
immaculately kept. He turned away to Jacques and asked, �Did Father Rochet
help?�</p><p>�I
couldn�t involve him because he�d ask too many questions� ����� he cleared his
throat � �so I thought Agnes could be the courier, using her own papers for the
child.�</p><p>�Why
her?�</p><p>He
spoke the scalding words: �Because she was the only one who wouldn�t ask me
why.�</p><p>They
paused at the water�s edge. The sound of children at play floated high on a
light wind.</p><p>Jacques
said, simply �Looking back, he was planning how to save the mother. It was
obvious and I never guessed � and I set the run up � just for the
child.�</p><p>Their
footsteps crunched on the tiny stones underfoot as they jointly meditated on
the simple anatomy of betrayal. And Anselm reflected once more upon his
capacity to misunderstand. Schwermann, when speaking to the cameras, had not
been talking about Robert Foug�res and his blackmail of Victor. There had been
someone else.</p><p>�He�d
fallen for a French girl and had had a child,� said Jacques dryly. �Only she
turned out to be Jewish when the regulations were looked at more closely. He
knew that in time she and her son would be finished. And then, by chance, I
cropped up with an unexpected lifeline. So he saved them, leaving the remainder
of her family to rot. The rest, Father, I think you know He did not keep his word.�</p><p>�What
happened to the boy�s mother?� asked Anselm gravely.</p><p>�I
thought you knew That was part of the proposal Schwermann kept to himself. When
Agnes was arrested he took her papers, all of them. That enabled his girlfriend
to obtain a new identity card in Agnes� name. How do I know? On leaving Paris
we went to my brother Claude�s home near the Swiss border. He still had links
with the Resistance around Fernay Voltaire and Gex because he�d been part of
The Round Table network � although he concealed it by vocal support for Vichy So,
my parents assumed a new role, finding placements for Jewish refugees and
helping them to cross over. One day a woman claiming to be Agnes Aubret
arrived. She�d made it to Les Moineaux, where the monks had arranged her
journey to Gex. She stayed with us for three days. I made an excuse and stayed
away until she was gone � it was unbearable. As far as I know, she was reunited
with her child. I�d like to go home now</p><p>Bringing
together what he had learned from Victor and Jacques, Anselm now finally
understood what had happened in 1942.</p><p>Schwermann
had fallen in love and had a child; a child that would be caught by the net � a
net he would throw Then, by chance, he learned about The Round Table � and
the existence of another mother and child � Agnes and Robert. That was in June
1942. By July Schwermann had planned with pitiless calculation the resolution
of his dilemma: he forced Jacques to arrange the smuggling of his own child to
safety, through Agnes, and only then was The Round Table broken. He arrested
Agnes himself � having planned all along to take her identification papers so
that the mother of his child could also escape. But that left Robert abandoned
� so Schwermann allowed Victor to keep the child on the condition he
incriminated himself to such an extent that he was trapped, and if the need
ever arose for Schwermann himself to avoid capture he could compel Victor to
use his connections at Les Moineaux. And then Anselm remembered: when the
Gestapo came to Les Moineaux only Prior Morel was shot. There had been no
search of the convent, where Schwermann�s child lay concealed. The
infrastructure of escape had been left intact for the woman he loved.</p><p>Anselm
and Jacques turned and retraced their steps back to the Foug�res residence.
Jacques explained how the Resistance in Paris, mindful of his parents� service
to the cause, concealed suspicions of Jacques� treachery when Father Chambray
came asking too many questions. They were content to point the finger at Father
Rochet since they�d despised him as a drunkard communist. Jacques� identity as
Mr Snyman became a form of exile, which his father, to his dying day eased with
compassion. Thereafter it was a secret, binding those in the family who had to
know After the death of his father he lived with Claude, and when Claude died
he joined Etienne � shortly before Pascal was born.</p><p>The
myth of Jacques� death at Mauthausen had bountiful consequences for the public
reputation of his descendants. Keeping the story going led to accidental and
conscious elaboration. By the early seventies, when Pascal was asking questions,
Jacques had become the founder of The Round Table. Father Rochet, Madame Klein
and all the others became bit-players in someone else�s drama.</p><p>�You
know, I think Mr Snyman � Franz � secretly loved Agnes.� and he saved
me for her sake. They played a lot of duets together, her at the piano and him
with a cello.� He paused, as if slipping back to that candle-lit drawing room,
the darkness hard upon the windows. �You had to be there to know what it was
like, listening to them in a room full of people who were all hunted and
homeless. The melodies have got louder as I have got older, all of them now a
single, crushing lamentation.�</p><p>They
reached the great black door and Jacques inserted his key. �There�s often not
much forgiveness in this life, you know, Father.�</p><p>�Yes, I
know�</p><p>With
his rounded back to Anselm, the old man said, �Robert has a family?�</p><p>�Yes.�</p><p>�Children?�</p><p>�Yes,
and grandchildren.�</p><p>Jacques
Foug�res did not turn; he laid his head upon the door. Anselm said, �I�m sure I
could arrange a meeting �</p><p>The
quiet voice said in reply �No, Father, leave them in peace. To them I�m a dead
man. It�s better that way.�</p><p>Anselm
drew out the school notebook from his plastic bag and handed it to Jacques. �Agnes
wanted Mr Snyman to have this. She gave it to me after I�d read out your poem.
I�m deeply sorry it�s not for you.�</p><p>The old
butler pushed at the door as though it were made of lead.</p><p>�Perhaps
it doesn�t matter why� said Anselm desperately, �but you still helped save a
boy Schwermann�s son.</p><p>Alert
with melancholy the butler said, �I�ve often thought of him � growing into
a man � while I believed Robert had been thrown away.</p><p>Anselm
prickled with apprehension. He pictured a small man with haunted, penetrating
eyes � the centre of a trinity � on his left, Lucy the adopted
granddaughter of the woman who saved him; to the right, Max, his own blood. �Do
you remember his name?�</p><p>�Oh yes
� Lachaise � Salomon Lachaise.�</p><p>The
butler stepped inside, extending his hand. Anselm grasped it and said, �Jacques,
that boy grew to be the man who avenged you.</p><p>The
butler smiled a farewell and the door snipped into its lock.</p><empty-line/><p>Beneath a pale sun without
heat, Anselm wandered back into Parc Monceau, back to the quiet spot opposite
the former home of Madame Klein, and sat on a bench just beneath what was once
her window</p><p>He
thought of Salomon Lachaise: had he known that Schwermann was his father? His
mother hadn�t told him. It was a secret too painful to disclose. Involuntarily
Anselm suddenly recalled their first meeting, when he�d seen the small dark
figure by the lake, cut out against the sky Salomon Lachaise had said, �I�ve
come to look upon the father of my grief,� and then, moments later, he�d fallen
on his knees before a man, a first meeting with a stranger, exclaiming, �I am
the son of the Sixth Lamentation.� Then Anselm remembered his friend�s
description of his mother, poring over the photographs of their lost family by
candlelight with never a passing reference to the father he�d never known �
the man whose name he�d never once mentioned in Anselm�s presence. She had kept
her secret, somehow, but Salomon Lachaise had eventually divined its shape� perhaps when she, struck with terror, had begged her son to leave the past
alone after he�d announced his intention to help track down the man whom she
knew to be his father. Yes � for sure � Salomon Lachaise had known� and he�d waited until the final moment before issuing a condemnation that
only he could give.</p><p>Anselm
looked around, ready to cry The calm of Parc Monceau had been chased away by
children; irrepressible, joyful, not yet hating school. Two or three darted
past him, trails of sand falling from cupped fingers. His eye picked out the
approach of a young woman aged about twenty-three or four. She glanced at her
watch and lifted high a small bell, the kind Anselm had once seen round the
necks of goats in Provence. She rang it vigorously releasing a thin tinkling
heard more by its pitch than its volume. At the signal, other teachers casually
appeared and ushered their urchins into a line of twos. Each child held the
tail of the coat in front, forming a train. When the counting was over they
were led off, singing a song that vanished on the wind.</p><p>After
they had gone, Anselm rose and walked slowly after them, out through the
ornamental gates and into the empty street.</p></section><section><empty-line/><empty-line/><p><strong>Epilogue</strong></p><empty-line/><p>�I saw the Sibyl at Cumae�</p><p>(One said) �with mine own eye.</p><p>She hung in a cage, and read her rune</p><p>To all the passers-by</p><p>Said the boys, �What wouldst thou, Sibyl?�</p><p>She answered, �I would die.��</p><p><emphasis>(Petronius: </emphasis>�Satyricon�, translated by</p><p>Dante Gabriel Rossetti)</p></section><section><empty-line/><empty-line/><p>The second
notebook of Agnes Embleton.</p><p>Written
out by Miss Wilma Harbottle.</p><empty-line/><p><emphasis>Dear Jacques</emphasis></p><p><emphasis>�Night and day I have lived among the tombs, cutting myself on
stones.�</emphasis></p><p><emphasis>Do you remember that? Father Rochet said it, laughing, and he added,
�No, I�m not afraid of dying.�</emphasis></p><p><emphasis>It was the day we were all called together to set The Round Table in
motion. Father Rochet said if anyone was caught they were to blame him. I was
worried on his account, about what they might do, and he just laughed. And
afterwards you said he was the sort of chap who would cave in under pressure.
Do you remember?</emphasis></p><p><emphasis>Now that I�m dying, I can see lots of things far more clearly than I
ever did before. When all the faces of my youth started coming back, I looked
far yours. You didn�t come. That�s what first set me thinking. And something
tells me you�re still alive.</emphasis></p><p><emphasis>I have spent over half my life revisiting July 1942, always
believing you and I, and our oldest friends, were betrayed by Victor. But, as I�ve
said, I started seeing things differently. It wasn�t Father Rochet who caved
in, was it? It was you.</emphasis></p><p><emphasis>Did it happen when you were picked up for wearing that Star of
David? I never sensed the link before, between your arrest that June and the
breaking of The Table in July. But as this note is being written, they�re
preparing to put Schwermann on trial. Everything I hear moves from your arrest
to the betrayal a month later as if they were unconnected, yet it�s obvious to
me now that they were. I�ve looked back again. As usual, you organised the run.
All the others were picked up in the afternoon, except for you. When I got out
of Ravensbr�ck I was told you stayed at home after your family had gone. Why?
Not for me. I was already in La Sant� prison. Did you hang around so the
Germans could find you easily? I don�t think so. No, something went badly wrong
on that terrible day and it has something to do with that last run. So,
Jacques, if anyone waited patiently for the knock upon the door that night it
wasn�t you. Surely it wasn�t Franz </emphasis>� <emphasis>Mr
Snyman?</emphasis></p><p><emphasis>You had a hand in my dying, and our little Robert�s. You didn�t mean
to, or want to. And if you have lived, as I believe you have, it has been no
life. If 1 could see you again I�d kiss you and tell you what you must
desperately want to hear. Instead, I raise these old hands of mine: may God
protect you, always; and forgive you, as I do now.</emphasis></p><p><emphasis/></p><p><emphasis>Agnes</emphasis></p></section><section><p><emphasis/></p><empty-line/><p><emphasis/></p><p><emphasis/></p><p><strong>Author s Note</strong></p><empty-line/><p>This novel weaves fact and
fiction. The historical framework of the trial and the details of life in Paris
during the Occupation are all (I hope) accurate. The V�l d�Hiv round-up
occurred as described but I could not replicate the horror of what actually
transpired.</p><p>The
progress of judicial retribution after the war causes pause for thought. It was
not until 1980 that Herbert Hagen, Kurt Lischka and Ernst Heinrichsohn, three
Nazis closely involved in the deportation of Jews from France, were brought
before a court in Cologne. Only two out of the thirty or so convicted in their
absence by the French authorities had served a sentence (Karl Oberg and Helmut
Knochen). Numerous alleged war criminals settled in Britain, but legislation
enabling prosecutions to take place was not passed until 1991 (the War Crimes
Act) . Three hundred and seventy-six suspects were investigated. A third of
them were dead, and twenty-five were innocent. The first trial took place in
1995 after a �5.4m investigation and collapsed due to the defendant�s ill
health. A second (and probably the last) prosecution was concluded in 1999.
Anthony Sawoniuk was convicted of murdering two Jewish women in 1942. The name
of one was unknown.</p><p>The
reader wanting to better understand the previous paragraph, and the purging of
Nazi Germany in general, could profitably consult <emphasis>Blind Eye to Murder </emphasis>by
Tom Bower, cited below.The Round Table did not exist, although monasteries
throughout France were involved in similar activities. The idea was prompted by
an event in the life of my mother, Margaretha Duyker. As part of a smuggling
operation she took an infant by train out of Amsterdam to Arnhem but was
arrested by the Gestapo. The child was taken away. She was imprisoned and
eventually released. She died of motor neurone disease in 1989.</p><p>The
Gilbertines never came to France. That is an invasion of my own making. They
were the only English-born religious order and did not survive the Dissolution.
At their foundation, the monks (canons, to be precise) followed The Rule of
Saint Augustine and the nuns that of Saint Benedict. For simplicity I have
opted for the latter.</p><p>For the
purposes of the plot I have taken small liberties with the manner in which
deportation records and other formal documents were compiled during the
Occupation of France. I have rather ignored the security arrangements of the
Old Bailey.</p><p>The
facts in this novel were harvested from a variety of sources that traverse this
tragic period of French history. It would be impractical to list them all but I
record my debt to the following:</p><empty-line/><p><emphasis>Blind
Eye to Murder, </emphasis>Tom Bower (Warner Books, 1995)</p><p><emphasis>Die
Endl�sung der Judenfrage in Frankreich, </emphasis>(Dokumentationszentrum
fur J�dische Zeitgeschichte CDJC Paris, Deutsche Dokumente 1941�1944),
Heransgegeben von Serge Klarsfeld, Rechtsanwalt (Published 1977)</p><p><emphasis>France:
The Dark Years, 1940�1944, </emphasis>Julian Jackson (OUP,
2001)</p><p><emphasis>French
Children of the Holocaust: A Memorial, </emphasis>Serge
Klarsfeld, (New York University Press, 1977)</p><p><emphasis>The
Holocaust, The French, and the Jews, </emphasis>Susan Zuccotti
(BasicBooks, HarperCollins, 1993)</p><p><emphasis>Le
Syndrome de Vichy: De 1944 a nos jours, </emphasis>Henri
Rousso, (Editions du Seuil, 1990)</p><p><emphasis>Occupation,
The Ordeal of France, 1940- 1944, </emphasis>Ian Ousby (John
Murray (Publishers) Ltd, 1997)</p><p><emphasis>Paris
after the Liberation: 1944�1949, </emphasis>Antony Beevor and
Artemis Cooper (Hamish Hamilton, 1994)</p><p><emphasis>Pope
Pius XII and the Holocaust, </emphasis>edited by Carol Rittner
and John K. Roth (Continuum by arrangement with University of Leicester, 2002)</p><p><emphasis>The
Sacred Chain: A History of the Jews, </emphasis>Norman F
Cantor (HarperCollins, 1995)</p><p>The
evidence of Mine Marie-Claude Vaillant-Couturier, given at Nuremburg, 28th
January 1946</p></section><section><empty-line/><empty-line/><p><strong>About
the Author</strong></p><empty-line/><p>William Brodrick was in
religious life but left before his final vows. He worked with homeless people
and then became a barrister.</p></section></body><binary id="cover" 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</binary>
</FictionBook>