<?xml version="1.0" encoding="utf-8"?><FictionBook xmlns="http://www.gribuser.ru/xml/fictionbook/2.0" xmlns:l="http://www.w3.org/1999/xlink"><description><title-info><genre>antique</genre><author><first-name>Anne</first-name><last-name>Perry</last-name></author><book-title>Bethlehem Road</book-title><coverpage><image l:href="#cover"/></coverpage><lang>eng</lang></title-info><document-info><author><first-name>Anne</first-name><last-name>Perry</last-name></author><program-used>calibre 0.8.48, fb2cut 2.5.4, fb2cut 2.6.2</program-used><date>2.5.2012</date><id>71cc7a53-b93c-42b4-aa15-1decb8838dec</id><version>1.0</version></document-info></description><body><section><p><strong>BETHLEHEM ROAD by Anne Perry</strong></p><p><strong/></p><p><strong>Scanned by Aristotle</strong></p><p><strong/></p><p><strong/></p><p><strong>Hetty </strong><emphasis>stood at the edge </emphasis>of Westminster Bridge
and stared across the dark roadway at the man lounging rather awkwardly against
the beautiful three-headed lamppost on the far side. A hansom cab passed
between them<sub>?</sub> clattering northwards over the great span towards the
Houses of Parliament on the far side, and the newly installed electric lights
like a row of golden moons along the Victoria Embankment.</p><p>The man had made no move
since she had come. It was after midnight. Such a well-dressed gentleman, with
his silk hat and white evening scarf and the fresh flowers in his buttonhole,
would hardly be lounging around here waiting for an acquaintance! He must be a
likely customer. What else would he stand here for?</p><p>Hetty sauntered over to him,
swishing her gold skirts elegantly and cocking her head a little to one side.</p><p>"Evenin' ducky! Lookin'
fer a little comp'ny, are yer?" she asked invitingly.</p><p>The man made no move at all.
He could have been asleep on his feet, for all the notice he took of her.</p><p>' 'Shy, are yer?'' she said
helpfully-some gentlemen found 1</p><p>themselves tongue-tied when
it came to the point, especially if it was not their habit. "Don' need ter
be," she went on. "Nothin' wrong in a spot o' friendship on a cold
night. My name's 'Etty. Why don't yer come along wiv me. 'Ave a nice tot o'
gin, an' get ter know each other, eh? Don' corst much!''</p><p>Still the man neither moved
nor spoke.</p><p>" 'Ere! Wot's wrong wiv
yer?" She peered at him, noticing for the first time that he was leaning
back in rather a strained position, and that his hands were not in his pockets,
as she would have expected at this time of a spring night in such chill, but
were hanging by his sides. "Are yer sick?" she said with concern.</p><p>He remained motionless.</p><p>He was older than he had
looked from the far side of the road, probably into his fifties; silver-gray
hair caught the lamplight, and his face had a blank, rather wild stare.</p><p>"You're soused as an
'erring!" she exclaimed with a mixture of pity and disgust. She
understood drunkenness well enough, but one did not expect it from the gentry,
not in so public a street. "You better go 'ome, before the rozzers get
yer. Go on! Yer can't spend all night 'ere!" No custom after all! Still,
she had not done badly. The gentlemen on the Lambeth Walk had paid handsomely.
"Silly ol' fool!" she added under her breath to the figure against
the lamppost.</p><p>Then she noticed that the
white scarf was round not only his neck but round the wrought iron decorative
fork of the lamppost as well. Dear God-he was tied up to it-by his neck! Then
the hideous truth struck her: that glassy stare was not stupor, it was . . . <emphasis>death.</emphasis></p><p>She let out a shriek that
cut through the night air and the deserted road with its beautiful lamps and
triple pools of light and shot up into the empty void of the sky above. She
shrieked again, and again, as if now she had started she must continue on and
on until there were some answer to the horror in front of her.</p><p>At the far side of the bridge
dim figures turned; another 2</p><p>voice shouted and someone
began to run, footsteps clattering hollowly towards her.</p><p>Hetty stepped back away from
the lamppost and its burden and tripped over the curb, falling clumsily into
the road. She lay stunned and angry for a moment. Then someone bent over her,
and she felt her shoulders lifted.</p><p>"You all right,
luv?" The voice was gruff but not ungentle, and she could smell damp wool
close to her face.</p><p>Why had she been so stupid?
She should have kept quiet and gone on her way, left some other fool to find
the corpse! Now a little knot of people was gathering round her.</p><p>"Gawd!" someone
squealed in sudden horror. " 'E's dead! Dead as a mackerel, poor
beggar!"</p><p>"You'd better not touch
him." This was an authoritative voice, quite different in tone, educated
and self-confident. "Someone send for the police. Here, you go, there's a
good chap. There should be a constable along the Embankment."</p><p>There was the sound of
running feet again, fading as they drew farther off.</p><p>Hetty struggled to stand up,
and the man holding her hoisted her with good-natured concern. There were five
of them, standing shivering and awed. She wanted to get away, most particularly
before the rozzers arrived. Really, she had not used the wits she was born with,
yelling out like that! She could have held her tongue and been half a mile
away, and no one the wiser.</p><p>She looked round the ring of
faces, all shadows and eerie highlights from the yellow lamps, breath making
faint wisps of vapor in the cold. They were kindly, concerned-and there was no
chance whatsoever she could escape. But she might, at least, get a free drink
out of it.</p><p>"I've 'ad an 'orrible
shock," she said shakily and with a certain dignity. "I feel all cold
an' wobbly like."</p><p>Someone pulled out a silver
flask, the light catching on its scrolled sides. It was a beautiful thing.
"Have a sip of brandy?"</p><p>3</p><p>' 'Thank you, I fai sure.''
Hetty took it without protestation and drank every drop. She ran her fingers
over it, tracing the engraving, before reluctantly handing it back.</p><p>Inspector Thomas Pitt was
called from his home at five minutes past one in the morning, and by half past
he found himself standing at the south end of Westminster Bridge in the
shivering cold looking at the corpse of a middle-aged man dressed in an
expensive black overcoat and a silk hat. He was tied by a white evening scarf
round his neck to the lamppost behind him. His throat had been deeply cut; the
right jugular vein was severed and his shirt was soaked in blood. The overcoat
had hidden it almost entirely; and the folded scarf, as well as holding him up
and a trifle backwards so the stanchion of the lamp took some of his weight,
had also covered the wound.</p><p>There was a group of half a
dozen people standing on the far side of the bridge, across the road from the
body. The constable on duty stood beside Pitt with his bull's-eye lantern in
his hand, although the streetiamps provided sufficient light for all that they
could do now.</p><p>"Miss 'Etty Milner
found 'im, sir," the constable said helpfully. "She said as she
thought 'e were ill, an' inquired after 'is 'ealth. Reckon more like she were toutin'
fer 'is business, but don't suppose it makes no difference, poor devil. 'E's
still got money in 'is pockets, an' 'is gold watch 'n chain, so it don't look
as if 'e were robbed."</p><p>Pitt looked again at the
body. Tentatively he felt the lapels of the coat, taking off his own gloves to
ascertain the texture of the cloth. It was soft and firm, quality wool. There
were fresh primroses in his buttonhole, looking ghostly in the lamplight, with
the faint wisps of fog that drifted like chiffon scarves up off the dark
swirling river below. The man's gloves were leather, probably pigskin; not
knitted, like Pitt's. He looked at the gold-mounted carnelian cuff links. He
moved</p><p>4</p><p>the scarf aside, revealing
the blood-soaked shirt, studs still in place, and then let it <emphasis>fail </emphasis>again.</p><p>"Do we know who he
is?" he asked quietly.</p><p>"Yes sir." The
constable's voice lost some of its businesslike clarity. "I knows 'im
meself, from bein' on duty round 'ere. 'E's Sir Lockwood 'Amilton, member o'
Parliament. 'E lives somewhere souf o' the river, so I reckon as 'e was goin'
'ome after a late sittin', like usual. Some o' the gennelmen walks of a fine
night, if they lives close, an' a lot o' them do, wherever they're a member
for.'' He cleared his throat of some impediment, perhaps cold, perhaps a
mixture of pity and horror. "Could be some town the other end of the
country. They 'as to 'ave a place in town w'en the 'ouse is in session. And o'
course them as is 'igh in government 'as ter be 'ere all the time, 'cept fer
'olidays and the like."</p><p>"Yes," Pitt smiled
bleakly. He already knew the customs of Parliament, but the man was trying to
be helpful. It was easier to talk; it filled the silence and drew one's mind
from the corpse. "Thank you. Which one is Hetty Milner?"</p><p>" 'Er over there, with
the light-colored 'air, sir. T'other girl's in the same line o' business, but
she isn't got nothin' ter do with this. Just nosy."</p><p>Pitt crossed the road and
approached the group of people. He looked at Hetty, noted the painted face,
hollow in this harsh lamplight, the low neckline of her dress, the fair skin
which would be coarse in a handful of years, and the cheap, gaudy skirts. They
were torn from when she had stumbled off the curb, showing slender ankles and a
fine leg.</p><p>"I'm Inspector
Pitt," he introduced himself. "You found the body tied up to the
lamppost?"</p><p>"Yeah!" Hetty did
not like the police; it was an occupational hazard that her associations with
them had all been to her disadvantage. She had nothing against this one in
particular, but she must do what she could to rectify her earlier stupidity by
saying as little as possible now.</p><p>"Did you see anyone
else on the bridge?" he asked. 5</p><p>"No."</p><p>"Which way were you
going?"</p><p>" 'Ome. From the
souf."</p><p>"Over towards the
Palace of Westminster?"</p><p>She had a suspicion he was
laughing at her.' 'That's right!''</p><p>' 'Where do you live?''</p><p>"Near the Millbank
Prison." Her chin came up. "That's close on to Westminster, in case
as you dunno!"</p><p>' 'I know. And you were
walking home alone?'' There was nothing sardonic in his face, but she looked at
him disbe-lievingly.</p><p>"Wot's the matter wiv
yer? You daft or suffink? Course I was alone!"</p><p>"What did you say to
him?"</p><p>She was about to say who?
and realized it would be pointless. She had just virtually admitted she was
there plying her trade. Bleedin' rozzer had led her into saying that!</p><p>"Asked 'im if 'e was
ill." She was pleased with that answer. Even a lady might ask after
someone's health.</p><p>"So he looked
ill?"</p><p>"Yeah-no!" She
swore under her breath. "All right, so I asked 'im if 'e wanted a spot o'
comp'ny." She twisted her face in an attempt at sarcasm. " 'E didn't
say nuffin'!"</p><p>' 'Did you touch him?''</p><p>"No!Iin'tnothief!"</p><p>"And you're sure you
saw no one else? Nobody 'going home'? No tradespeople?"</p><p>"At this time o' night?
Sellin' wot?"</p><p>"Hot pies, flowers,
sandwiches."</p><p>"No I didn't; just a
cab as passed wivout stoppin'. But I didn't kill 'im. I swear by Gawd, 'e were
dead w'en I got 'ere. Why would I kill 'im? I in't crazy!"</p><p>Pitt believed her. She was
an ordinary prostitute, like countless thousands of others in London in this
year of grace, 1888. She might or might not be a petty thief, she would</p><p>6</p><p>probably unwittingly spread
disease and herself die young. But she would not kill a potential customer in
the street.</p><p>"Give your name and
address to the constable," he said to her. "And make it the truth,
Hetty, or we'll have to come looking for you, which would not be good for
trade.''</p><p>She glared at him, then
swung round and walked over to the constable, tripping again on the curb but
this time catching herself before she fell and continuing with her chin even
higher.</p><p>Pitt went over to the other
people and spoke to them, but none had seen anything, having come only when
they heard Hetty's screams. There was nothing more he could do there, and he
signaled to the mortuary carriage waiting at the far end of the bridge that it
could come and remove the body. He had looked carefully at the scarf: the knot
was such as anyone would tie without thinking, one end over the other, and then
again. The man's weight had pulled it so tight it could not be undone. He
watched them cut it with a knife and lower the corpse, then put it gently in
the carriage, which drove away, a black shadow against the lights, clattering
across the bridge and turning under the great statue of Boadicea in her chariot
with the magnificent horses, and right along the Embankment till it disappeared.
Pitt went back to the constable and the second uniformed man who had arrived.</p><p>Now came the duty that Pitt
hated more than almost any other, except perhaps the final unwinding of the
solution, the understanding of the passions and the pain that produced tragedy.
He must go and inform the family, watch their shock and their grief and try to
disentangle from their words, their gestures, the fleeting emotions on their
faces any thread that might tell him something. So often it was some other pain
or darkness, some other secret that had nothing to do with the crime, some ugly
act or weakness that they would lie to protect.</p><p>It was not difficult to
discover that Sir Lockwood Hamilton</p><p>7</p><p>had lived at number
seventeen Royal Street, about half a mile away, overlooking the garden of
Lambeth Palace, the official London residence of the Archbishop of Canterbury.</p><p>It was hardly worth seeking
a cab; it would be a short walk, and on a clear night very pleasant-no doubt
that was what Lockwood Hamilton himself had thought when he left the House. And
it would give Pitt time to think.</p><p>Ten minutes later he was
standing on the step rapping with the brass knob on the fine mahogany door. He
waited several moments, then rapped again. Somewhere in the attics a light came
on, then one on the second floor, and finally one in the hallway. The door
opened, and a sleepy butler in hastily donned jacket blinked at him, realized
he was a stranger, and drew breath to be indignant.</p><p>"Inspector Thomas Pitt,
of the Bow Street Station," Pitt said quickly. "May I come in?"</p><p>The butler sensed a certain
gravity, perhaps a shadow of pity either in Pitt's face or voice, and his
irritation dissolved.</p><p>"Is something wrong?
Has there been an accident?"</p><p>"I'm sorry-it is more
distressing than that," Pitt replied, following him in. "Sir Lockwood
Hamilton is dead. I would omit the circumstances if I could, but it will be in
the morning newspapers, and it would be better if Lady Hamilton were prepared
for it, and any other members of the family."</p><p>"Oh-" The butler
gulped, took a moment to gain his composure while all sorts of horrors raced
through his mind, scandals and disgrace. Then he straightened himself and faced
Pitt. ' 'What happened?'' he said levelly, his voice very nearly normal.</p><p>"I am afraid he was
murdered. On Westminster Bridge."</p><p>"You mean . . . pushed
over?" The man's face registered disbelief, as though the idea were too
ludicrous to credit.</p><p>' 'No.'' Pitt drew a
breath.''He was attacked with a razor, or a knife. I'm sorry. It will have been
very quick, all over in a moment, and he will have felt very little. I think
you had</p><p>8</p><p>better have her maid call
Lady Hamilton, and prepare some restorative; a tisane, or whatever you think
best."</p><p>' 'Yes-yes sir, of course.''
The butler showed Pitt into the withdrawing room, where the embers of the fire
were still glowing, and left him to turn up the gas lamps and find a seat for
himself while he set about his unhappy task.</p><p>Pitt looked round the room;
it would tell him something of the people who lived here and made it their home
while Parliament was sitting. It was spacious, far less cluttered with
furniture than was the fashion. There was less fringing on couches and chairs,
fewer hanging crystals on the light fixtures, no antimacassars or samplers, no
family portraits or photographs, except one rather severe sepia tint of an elderly
woman in a widow's white cap, framed in silver. It was at odds with the rest of
the room, a relic of another age. If this was Lady Hamilton's choice of decor,
then the woman might be Sir Lockwood's relative, perhaps his mother.</p><p>The pictures on the walls
were cool, romantic, after the style of the Pre-Raphaelites; women with
enigmatic faces and lovely hair, knights in armor, and twined flowers. On the
decorative tables by the wall there were pewter ornaments of considerable age.</p><p>It was ten minutes before
the door opened and Lady Hamilton came in. She was of above average height,
with interesting, intelligent features which in her youth had probably had a
certain loveliness. Now she was in her middle forties, and time had taken the
first bloom from her skin and replaced it with marks of character which to Pitt
were far more appealing. Her dark hair was coiled in the hastiest of knots at
the nape of her neck, and she wore a dressing robe of royal blue.</p><p>She made an immense effort
to remain dignified. "I understand you have come to tell me that my
husband has been killed," she said quietly.</p><p>"Yes, Lady
Hamilton," Pitt answered. "I am extremely sorry. I apologize for
distressing you with the details, but I</p><p>9</p><p>believe you would prefer to
hear them from me, rather than from the newspapers or from other people."</p><p>She paled so markedly he was
afraid for a moment she might collapse, but she drew in her breath and let it
out very slowly, managing to retain her composure.</p><p>"Perhaps you should sit
down?" he suggested. He held out his hand, but she ignored it and made her
way to the couch, indicating that he be seated as well. Her fists were clenched
and shaking where she held them in her lap, to hide them from him, and perhaps
from herself.</p><p>"Pray proceed,"
she instructed him.</p><p>He felt her pain and was
powerless to do anything but add to it.</p><p>"It appears that Sir
Lockwood was walking home after a late sitting of the House of Commons,"
he continued. "When he reached the south end of Westminster Bridge he was
attacked by someone with either a knife or a razor. He sustained only one
injury, in the neck, but it was fatal. If it can be of any comfort to you, he will
have felt only the briefest instant's pain. It was extremely rapid."</p><p>"He was robbed?"
She spoke only to maintain the show of composure she was fighting so hard to
keep.</p><p>"No, it would appear
not-unless he carried something we don't know of. He still had his money, watch
and chain, and cufflinks. Of course, the thief may have been interrupted before
he could take anything. But that does not seem likely.''</p><p>"Why-" Her voice
broke; she swallowed. "Why not?"</p><p>Pitt hesitated.</p><p>"Why not?" she
repeated.</p><p>She would have to know; if
he did not tell her, someone else would, even if she refused to read the
newspapers. By tomorrow it would be all over London. He did not know whether to
look at her or away, but to avoid her eyes seemed cowardly.</p><p>' 'He was propped up against
a lamppost and tied to it by 10</p><p>his neck scarf. No one who
was interrupted would have had time to do such a thing.''</p><p>She stared at him
speechlessly.</p><p>He pressed on because he had
no choice. "I must ask you, ma'am, if Sir Lockwood had received any
threats that you were aware of. Had he any rivals in office, or business that
might have wished him harm? This may have been done by a lunatic, but it's
possible that it was someone who knew him."</p><p>"No!" The denial
was instinctive, and Pitt had expected it. No one wished to think such an
atrocity could be anything but random fate, an accident of mischance in time
and place.</p><p>"Did he often walk home
after a late sitting?"</p><p>She collected herself with
difficulty. He could see from her eyes that her inner vision was on the bridge
in the darkness, imagining the horrific act. "Yes-yes, if the weather was
pleasant. It takes only a few minutes. It is well lit- and-"</p><p>"Yes, I know, I walked
it myself. So many people might well have expected that sooner or later he
would do so."</p><p>"I suppose they might,
but only a madman would ..."</p><p>' 'Jealousy,'' Pitt said,'
'fear, greed can strip away the normal restraints and leave naked something
that is not unlike a kind of madness.''</p><p>She made no reply.</p><p>"Is there anyone you
would like me to inform?" he asked gently. "Any other relatives? If
we could save you distress ..."</p><p>"No-no thank you. I
have already had Huggins call my brothers." Her face tightened, a strange,
bleak, wounded look. "And Mr. Barclay Hamilton-my husband's son by his
first marriage.''</p><p>"Call. . . ?"</p><p>She blinked, then realized
the meaning of his question. "Yes, we have one of those telephones. I
don't care for it much myself. I think it is a little uncivil to be speaking to</p><p>11</p><p>people when you cannot see
their faces. I prefer to write if a visit is not possible. But Sir Lockwood
finds-found it convenient," she corrected herself.</p><p>"Did he keep any
business papers here in the house?"</p><p>"Yes, in the library. I
cannot see that they would be of any use to you. There is nothing of a
confidential nature. He did not bring those home."</p><p>"Are you certain?"</p><p>"Quite certain. He told
me so on several occasions. He was Parliamentary Private Secretary to the Home
Secretary, you know. He knew how to be discreet."</p><p>At that moment there was a
noise hi the hallway. The front door opened and closed, and two men's voices
were plainly audible above the butler's murmured protestations. Then the
withdrawing room door swung wide and one of the men stood in the entrance, his
silver hair gleaming in the lamplight, his handsome face with its powerful
nose and sweeping brow now strained and bleak with shock.</p><p>"Amethyst, my
dear." He came in, ignoring Pitt, and placed his arm round his sister.
"This is appalling! I cannot tell you how I grieve for you. We shall do
everything we can to protect you, of course. We must avoid a lot of stupid
speculations. It might be less disagreeable for you if you were to leave London
for a little while. You are welcome to stay at my home in Aldeburgh if you
wish. You will have privacy there. A change, a little sea air." He swung
round. "Jasper, for heaven's sake, don't stand there! Come in. You've
brought your bag with you; haven't you anything to help?"</p><p>"I don't want anything,
thank you," Lady Hamilton replied, hunching her shoulders a little and
turning away from him. "Lockwood is dead-nothing any of us do will alter
that. And thank you, Garnet, but I won't go away yet. Later perhaps."</p><p>Garnet Royce turned finally
to Pitt.</p><p>' 'I assume you are from the
police? I am Sir Garnet Royce, 12</p><p>Lady Hamilton's brother. Do
you require her to remain in London?"</p><p>' 'No sir,'' Pitt said
levelly. * 'But I imagine Lady Hamilton is anxious to assist us as much as
possible in catching whoever is responsible for this tragedy."</p><p>Garnet regarded him with
cold, clear eyes. "I cannot imagine how. She is hardly likely to know
anything about whatever lunatic did this. If I can persuade her to leave London,
can I assume you will not make yourself objectionable?" There was a plain
warning hi his voice, the voice of a man used to having not only his orders but
his wishes obeyed.</p><p>Pitt met his gaze without a
flicker.' 'It is a murder inquiry, Sir Garnet. So far I have no idea at all who
is responsible, or what motive there can have been. But as Sir Lockwood was a
public figure of some note, it is possible someone bore him an enmity for
whatever reason, real or imagined. It would be irresponsible to come to any
conclusions so soon."</p><p>Jasper came forward, a
younger, less forceful version of his brother, with darker eyes and hair and
with none of the magnetism. "He's quite right, Garnet." He put his
hand on his sister's arm. "You'd best go back to bed, my dear. Have your
maid make a tisane of this.'' He proffered a small packet of dried herbs.
"I'll come by again in the morning."</p><p>She took the packet.
"Thank you, but you need not neglect your usual patients. I shall be
quite well. There will be much to do here: arrangements to make, people to
inform, letters and other business to see to. I have no intention of leaving
town now. I suppose later-afterwards-I may be glad to go to Aldeburgh. It is
considerate of you, Garnet, but now, if there is nothing more . . . ?" She
looked question-ingly at Pitt.</p><p>"Inspector Pitt,
ma'am."</p><p>"Inspector Pitt, if you
would excuse me, I would prefer to retire."</p><p>13</p><p>"Of course. Will you
permit me to speak again to your butler tomorrow?''</p><p>"Naturally, if you feel
it necessary." She turned and was on her way out when there was another
sound in the hall and another man appeared in the doorway, slender and dark,
very tall, perhaps ten years younger than she. His face was pinched with shock
and his eyes had the wide, white-rimmed staring look of someone under a great
strain.</p><p>Amethyst Hamilton froze,
swaying a little, and every vestige of color left her skin. Garnet, a step
behind her, put out his arms, and she made an ineffectual brushing movement to
get rid of him, but her strength failed.</p><p>The young man also stood
rigid, struggling to control some deep emotion that threatened to overwhelm
him. There was pain in the set of his mouth; his face had a numb, almost broken
look. He tried to form some sentence appropriate to the situation and could not.</p><p>It was she who commanded
herself first.</p><p>"Good evening,
Barclay," she said with a supreme effort. "No doubt Huggins has told
you about your father's death. It was considerate of you to come, especially at
this hour. I am afraid there is nothing to be done tonight, but I thank you for
your presence.''</p><p>"Accept my
condolences," he said stiffly. "If there is any assistance I can
give, please allow me. People to inform, business affairs-"</p><p>' 'I shall make all the
arrangements,'' Garnet put in. Either he was unaware of the young man's
emotion, or he wished to ignore it. "Thank you. Naturally I shall keep you
informed. ''</p><p>For a long moment no one
moved or spoke. Jasper looked helpless, Garnet perplexed and impatient,
Amethyst close to collapse, and Barclay Hamilton so tortured by anguish that he
had no idea what to say or do.</p><p>Then at last Amethyst
inclined her head with a courtesy 14</p><p>so chill, in other
circumstances it would have been blatantly rude.</p><p>"Thank you, Barclay. I
am sure you must be cold. Huggins will bring some brandy, but if you will
pardon me I will retire."</p><p>"Of course. I-I-"
he stammered.</p><p>She waited, but Barclay
found nothing further to say. In silence she passed him and with Jasper at her
elbow walked out into the hall. They heard her footsteps on the stairs and
dying away across the landing.</p><p>Garnet turned to Pitt.
"Thank you, Inspector, for your . . . civility," he said, choosing
the word carefully. "Now I assume you have inquiries to make; we will not
detain you. Huggins will show you out."</p><p>Pitt remained where he was.
"Yes <emphasis>sir, 1 </emphasis>do have inquiries to make, and the sooner they are
begun the better my chances of success. Perhaps you could tell me something
about your brother-in-law's business interests?"</p><p>Garnet's eyebrows rose in
incredulity. "Good God! Now?"</p><p>Pitt held his ground.
"If you please, sir. It would then make it unnecessary for me to trouble
Lady Hamilton tomorrow morning.''</p><p>Garnet looked at him with
growing contempt. "You cannot possibly imagine some business associate of
Sir Lockwood's would commit such an outrage! You should be combing the streets,
looking for witnesses or something, not standing here warming yourself by the
fire and asking damn-fool questions!"</p><p>Pitt remembered the shock
and perhaps grief that must be afflicting him, even if for his sister rather
than himself, and his temper dissolved. "All that has been begun, sir, but
there is only a certain amount that we can do tonight. Now, can you tell me
something about Sir Lockwood's career, in business and in Parliament. It will
save time, and the unpleasantness of having to ask Lady Hamilton
tomorrow."</p><p>15</p><p>The irritation smoothed out
of Garnet's face, leaving only tiredness and the dark, smudged shadows of
exhausting emotion.</p><p>"Yes-yes, of
course," he conceded. He took a breath. "He was member of Parliament
for a country constituency in Bedfordshire, but he spent nearly all his time in
London; he was obliged to when Parliament was sitting, and he greatly preferred
city life anyway. His business was fairly commonplace: he invested in the
manufacture of railway carriages somewhere in the Midlands, I don't know where
precisely, and he was a senior partner in a firm dealing in property here in
London. His chief associate is a Mr. Charles Verdun, whose address I cannot
give you, but no doubt it will be simple enough for you to find.</p><p>"His Parliamentary
career is a matter of record. He was successful, and all successful men make
enemies, even if mainly of those less able or less fortunate, but I was unaware
of Sir Lockwood's having any of violent disposition or unbalanced mind."
He frowned, staring past Pitt towards the closed curtains at the window, as if
he would see beyond them. "Of course there is a certain instability in
some quarters at the moment, among a section of the community, and there are
always those ready to foment dissatisfaction and attempt to gratify their
desire for power by exploiting restless people with little moral sense or
knowledge of their own best interests. I suppose this could be political-the
work of some anarchist, either acting alone or as part of some conspiracy.'' He
looked at Pitt.' 'If it is, you must apprehend them rapidly, before we have
panic in the streets, and all sorts of other elements seize their opportunity
to create civil unrest. I don't suppose you know fully how very serious this
could be? But I assure you, if it is anarchists, then we have grounds for grave
concern, and it is our duty, those of us with sense and responsibility, to take
care of those less fortunate. They rely upon us, as they have a right to.
Inquire of your superiors and they will confirm to you that I am correct. For
the good</p><p>16</p><p>of everyone, this must be
stopped before it goes any further."</p><p>These thoughts had already
crossed Pitt's mind, but he was surprised that Garnet Royce was aware of the
unrest in the vast slums and docklands of the East End, and the whispers of
riot and revolution over the last few months. He had thought Parliament largely
blind to such things. Certainly reform was hard and slow, but perhaps that was
not what was desired by the agitators Royce was referring to. There was no
power to be gained from a satisfied people.</p><p>' 'Yes sir, I am aware of
the possibilities,'' he replied.' 'All our sources of information will be
tried. Thank you for your help. Now I shall return to the police station and
see if anything further has been learned, before I report the matter to Mr.
Drummond."</p><p>"Is that Micah
Drummond?"</p><p>"Yes sir."</p><p>Garnet nodded. "Good
man. I'd be obliged if you would keep me informed, for Lady Hamilton's sake as
well as my own. It is a very dreadful business."</p><p>"Yes sir. Please accept
my condolences."</p><p>"Civil of you. Huggins
will show you to the door."</p><p>It was dismissal, and there
was no point in trying to pursue anything further here tonight. Barclay
Hamilton, white-faced and drained of all vitality, sat on the couch as if
drugged, and Jasper had come downstairs again and was in the hall waiting until
he could decently leave. He could prescribe sleeping drafts, tisanes for the
nerves, but he could not alleviate the grief or the inevitable pain that would
come with the morning when the first numbness had worn off.</p><p>Pitt thanked them and walked
out into the hall, where the butler, still with his jacket a trifle crooked and
his nightshirt tucked into his trousers, gave a sigh of relief and let him out</p><p>with barely a word.</p><p>* * *</p><p>17</p><p>There were no hansoms about
at this hour, and Pitt walked briskly back, turning left down Stangate Road to
Westminster Bridge Road, across the bridge itself and past the statue of Queen
Boadicea, the huge tower of Big Ben to his left, and the gothic mass of the
Houses of Parliament. On the Embankment he found a cab to take him to the Bow
Street Police Station, just off the Strand. It was a little before three
o'clock in the morning.</p><p>The duty constable looked up
and his face took on an added gravity.</p><p>"Any reports?" Pitt
asked.</p><p>"Yes sir, but nothin' a
lot o' use so far. Can't find no cabby, not yet. Street girls in't sayin'
nothin', 'cept 'Etty Milner, an' she can't 'zactly take it back now. Reckon as
she would if she could. Got one gent as said 'e walked over the bridge abaht
ten minutes afore 'Etty yelled, and there weren't nobody 'angin' on the
lamppost then, as' 'e remembers. But then o' course 'e prob'ly weren't lookin'.
'Nother gent abaht the same time said 'e saw a drunk, but took no notice. Don't
know if it were poor 'Amilton or not. An' o' course Fred sellin' 'ot pies down
by the steps to the river, but 'e 'adn't seen no one, 'cause 'e's the wrong end
o' the bridge.''</p><p>"Nothing else?"</p><p>"No sir. We're still
lookin'."</p><p>"Then I'll kip down in
my office for a couple of hours," Pitt replied wearily. There was no point
in going home. "Then I'll go and see Mr. Drummond."</p><p>"Want a cup o' tea,
sir?"</p><p>"Yes, I'm
perished."</p><p>"Yes sir. It in't goin'
ter get no better, sir."</p><p>"No, I know that. Bring
me the tea, will you."</p><p>"Right you are, sir.
Comin' up!"</p><p>At half past six Pitt was in
another cab, and by quarter to seven he stood in a quiet street hi
Knightsbridge, where the spring sun was clear and sharp on the paving stones
and the</p><p>18</p><p>only sounds were those of
kitchen maids beginning their breakfast preparations and footmen collecting
newspapers to be ironed and presented to their masters at table. Fire grates
had long since been cleaned out, blacked, and relit and carpets sanded and
swept so that they smelled fresh.</p><p>Pitt climbed the steps and
knocked on the door. He was tired and cold and hungry, but this news could not
wait.</p><p>A startled manservant opened
the door and regarded Pitt's lanky disheveled figure, clothes askew, knitted
muffler wound twice round his neck, unruly hair too long and ill-acquainted
with barbers' skill. His boots were immaculate, soft leather, highly polished,
a present from his sister-in-law, but his coat was dreadful, pockets stuffed
with string, a pocketknife, five shillings and sixpence, and fifteen pieces of
paper.</p><p>"Yes sir?" the man
said dubiously.</p><p>"Inspector Pitt from
Bow Street," Pitt told him. "I must see Mr. Drummond as soon as
possible. A member of Parliament has been murdered on Westminster
Bridge."</p><p>"Oh." The man was
startled but not incredulous. His master was a senior commander of police, and
alarms and excursions were not uncommon. "Oh yes, sir. If you'll come in
I'll tell Mr. Drummond you are here."</p><p>Micah Drummond appeared ten
minutes later, washed, shaved and dressed for breakfast, albeit somewhat
hastily. He was a tall, very lean man with a cadaverous face distinguished by
a handsome nose and a mouth that betrayed in its lines a quick and delicate
sense of humor. He was perhaps forty-eight or forty-nine, and his hair was
receding a trifle. He regarded Pitt with sympathy, ignoring his clothes and
seeing only the weariness in his eyes.</p><p>"Join me for
breakfast." It was as much a command as an invitation. He led the way to a
small hexagonal room with parquet flooring and a French window opening onto a
garden where old roses climbed a brick wall. In the center of the room a table
was set for one. Drummond swept some of the con-</p><p>19</p><p>diments aside and made room
for another setting. He pointed to a chair and Pitt drew it up.</p><p>"Did Cobb have it
right?" Drummond sat down and Pitt did also. "Some member of
Parliament has been murdered on Westminster Bridge?"</p><p>"Yes sir. Rather
macabre. Cut the poor man's throat and then tied him up to the last lamppost on
the south side."</p><p>Drummond frowned.' 'What do
you mean, tied him up?''</p><p>"By the neck, with an
evening scarf."</p><p>"How the devil can you
tie somebody to a lamppost?"</p><p>"The ones on
Westminster Bridge are trident-shaped," Pitt replied. "They have
ornamental prongs, a bit like the tynes of a garden fork, and they're the right
height from the ground to be level with the neck of a man of average build. It
was probably fairly simple, for a person of good physical strength."</p><p>"Not a woman,
then?" Drummond concentrated on his inner vision, his face tense.</p><p>Cobb brought in a hot
chafing dish of bacon, eggs, kidneys, and potatoes and set it down without
speaking. He gave each man a clean plate and then left to fetch tea and toast.
Drummond helped himself and offered the server to Pitt. The steam rose
deliciously, savory, rich, and piping hot. Pitt took as much as he dared
consistent with any kind of good manners and then replied before he began to
eat.</p><p>"Not unless she was a
big woman, and unusually powerful."</p><p>"Who was he? Anyone in
a sensitive position?"</p><p>"Sir Lockwood Hamilton,
Parliamentary Private Secretary to the Home Secretary."</p><p>Drummond let out his breath
slowly. He ate a little more before speaking. "I'm sorry. He was a decent
chap. I suppose we have no idea yet whether it was political or personal, or
just a chance robbery gone wrong?"</p><p>Pitt finished his mouthful
of kidney and bacon. "Not yet, but robbery seems unlikely," he said.
"Everything of value-</p><p>20</p><p>watch and chain, keys, silk
handkerchief, cuff links, some nice onyx shirt studs-was still on him, even the
money in his pockets. If someone meant to rob him, why would they tie him up to
a lamppost beforehand? And then leave before anyone even raised an alarm?"</p><p>"He wouldn't,"
Drummond agreed. "How was he killed?"</p><p>"Throat cut, very
cleanly, so probably a razor, but we haven't got the surgeon's report
yet."</p><p>"How long had he been
dead when he was found? Not long, I imagine."</p><p>"A few minutes,"
Pitt agreed. "Body was warm-but apart from that, if he'd been there
longer, someone would have seen him sooner."</p><p>"Who did find
him?"</p><p>"Prostitute called
Hetty Milner."</p><p>Drummond smiled, a brief
humor lighting his eyes, then dying immediately. "I suppose she tried to
solicit a little business-and found her prospective client was a corpse."</p><p>Pitt bit his lip to hide the
shadow of a smile. ' 'Yes-which was a good thing. If she hadn't been so
startled she wouldn't have screamed; she'd have collected herself and walked
straight on, and we might not have known about him for a lot longer."</p><p>Drummond leaned forward, all
the irony gone from his features, a thin line of anxiety between his brows.
"What do we know, Pitt?" he asked.</p><p>Briefly Pitt summarized for
him the events on the bridge, his visit to Royal Street, and finally his return
to the station.</p><p>Drummond sat back and wiped
his lips with his napkin. ''What a mess,'' he said grimly.' 'The motive could
be almost anything-business or professional rivalry, political enmity,
anarchist conspiracy. Or it could be the work of a random lunatic, in which
case we may never find him! What do you think of a personal motive: money,
jealousy, revenge?"</p><p>"Possible," Pitt
answered, remembering the widow's 21</p><p>stricken face and her
gallant struggle to maintain composure, the cool civility between her and her
stepson that might cover all manner of old wounds. "Very ugly. It seems a
bizarre way to do it."</p><p>"Smacks of madness,
doesn't it," Drummond agreed. "But perhaps that doesn't mean
anything. Please God we can settle it soon, and without having to go into
family tragedies."</p><p>"I hope so," Pitt
agreed. He had finished his breakfast, and in the warm room he was
overwhelmingly tired.</p><p>Cobb came in with the
newspapers and handed them wordlessly to Drummond. Drummond opened the first
and read from the headlines, " 'Member of Parliament Murdered on
Westminster Bridge,' " and from the second, " 'Shocking Murder-Corpse
on the Lamppost.' " He looked up at Pitt. "Go home and get some
sleep, man," he ordered. "Come back this afternoon when we have had a
chance to find a few witnesses. Then you can start on the business associates,
and the political ones." He glanced at the papers on the table. "They
aren't going to give us much time."</p><p><emphasis>charlotte
pitt had not </emphasis>yet heard about the murder on Westminster Bridge, and at the
moment her mind was totally absorbed in the meeting she was attending. It was
the first time she had been part of such an assembly. Most of those gathered
had little in common with each other, except an interest in the representation
of women in Parliament. Most had no thought beyond the wild and previously undreamed
of possibility that women might actually vote, but one or two extraordinary
souls had conceived the idea of women as members of that august body. One woman
had even offered herself for election. Of course, she had sunk with barely a
trace, a joke in the worst taste.</p><p>Now Charlotte sat in the
back row of a crowded meeting hall and watched the first speaker, a stout young
woman with a strong, blunt face and red hands, as she got to her feet and the
muttering gradually fell to silence.</p><p>"Sisters!" The
word stuck oddly on such a mixed company. In front of Charlotte a well-dressed
woman in green silk hunched her shoulders a little, withdrawing from the touch
and the association of those she was forced to be so</p><p>23</p><p>close to. "We're all
'ere for the same reason!" the young woman on the platform continued, her
voice rich, and hardened with a strong northern accent. ' 'We all believe as
'ow we should 'ave some say in the way our lives is run, wot laws is made an'
oo makes 'em! All kinds o' men get a chance to choose their members o'
Parliament, an' if 'e wants to get elected, that Member 'as to answer to the
people. 'Alf the people, sisters, just 'alf the people-the 'alf that's
men!"</p><p>She went on speaking for
another ten minutes, and Charlotte only half listened. She had heard the
arguments before, and in her mind they were already irrefutable. What she had
come for was to see what support there was, and the kind of women who were
prepared to come from conviction rather than curiosity. Gazing round at them as
discreetly as she could, she saw that a large number were soberly dressed in
browns and muted tones, and the cut of their coats and skirts were serviceable
but not smart, designed to last through many changes of fashion. Several wore
shawls pulled round their shoulders for warmth, not decoration. They were
ordinary women whose husbands were clerks or tradesmen, struggling to make
ends meet, perhaps striving after a little gentility, perhaps not.</p><p>Here and there were a few
who were smarter; some young with a touch of elegance, others matronly, ample
bosoms draped with furs and beads, hats sprouting feathers.</p><p>But it was their faces that
interested Charlotte most, the fleeting expressions chasing across them as they
listened to the ideas that almost all society found revolutionary, unnatural,
and either ridiculous or dangerous, depending on their perception of any real
change awakening from them.</p><p>In some she saw interest,
even the glimmer of belief. In others there was confusion: the thought was too
big to accept, required too great a break with the inbred teaching of mother
and grandmother, a way of life not always comfortable but whose hardships were
at least familiar. In some there was already derision and dislike, and the fear
of change.</p><p>24</p><p>One face held Charlotte's
attention particularly, round and yet delicately boned, intelligent, curious,
very feminine, and with a strong, stubborn jaw. It was the expression which
drew Charlotte, a mixture of wonder and doubt, as though new thoughts were
entering the woman's mind and enormous questions arose out of them instantly.
Her eyes were intent on the speaker, afraid lest she lose a word. She seemed
oblivious of the women packed close to her; indeed, when one jostled against
her and a feather from a rakish hat brushed her cheek she did no more than
blink without turning to see who the offender might be.</p><p>With the third speaker, a
thin, overearnest woman of indeterminate age, the hecklers began. Their voices
were still moderately good-natured, but their questions were sharp.</p><p>"Yer sayin' as women
knows as much abaht business as men? That don't say much fer yer man, then, do
it?"</p><p>"That is if yer 'as
one!" There was a roar of laughter, half raucous, half pitying: a single
woman was in most eyes a sad object, a creature who had failed in her prime
objective.</p><p>The woman on the platform
winced so very slightly that it might even have been Charlotte's imagination.
She was used to this particular taunt and had grown to expect it.</p><p>''You have one?" she
flung back with certainty blazing in her face. "And children, do
you?"</p><p>"Sure I 'ave! Ten of
'em!"</p><p>There were more shouts of
laughter.</p><p>"Do you have a maid,
and a cook, and other servants?" the woman on the platform asked.</p><p>"Course I don't!
Wotcher think I am? I 'ave one girl as scrubs."</p><p>"Then you manage the
household yourself?"</p><p>There was silence, and
Charlotte glanced at the woman with the remarkable face and saw that already
she understood what the speaker was intending. Her face was keen with
appreciation.</p><p>"Course I do!"</p><p>25</p><p>"Accounts, budgeting,
the purchase of clothes, the use of fuel, the discipline of your ten children?
Seems to me you know a great deal about business-and people. I daresay you are
a pretty good judge of character too. You know when you are being lied to, when
someone is trying to give you short change or sell you shoddy goods, don't
you?"</p><p>"Yeah ..." the
woman agreed slowly. She was not yet ready to concede, not in front of so many.
"Don't mean I know 'ow ter run a country!"</p><p>"Does your husband?
Could he run a country? Could he even run your house?"</p><p>"Isn't the same!"</p><p>"Does he have a
vote?"</p><p>"Yeah, but-"</p><p>"Isn't your judgment as
good as his?"</p><p>' 'My dear good woman!''
another voice burst in, rich and piled with scorn, and heads turned towards the
wearer of a plum-colored hat. "You may be very proficient at buying enough
potatoes to feed your family and assessing the cost any given week; I don't
doubt you are. But that is hardly on the same level as choosing a Prime
Minister!"</p><p>There were giggles of
stifled mirth, and someone called out, "Hear, hear," in agreement.</p><p>' 'Our place is in the
home,'' the woman with the plum hat continued, gathering momentum.
"Domestic duties are among our natural gifts, and as mothers, of course we
know how to discipline our children-such instincts awake in us when we bear our
young. It is God's order of the world. But our judgments on matters of high
finance, foreign affairs, and concerns of state are utterly hopeless. Neither
nature nor the Lord designed us to meddle in such things, and we rob ourselves
and our daughters of our proper place, and the respect and protection due us
from men, if we try to go contrary to it!"</p><p>There were more murmurs of
approval, and a sprinkling of tentative applause.</p><p>26</p><p>The woman on the platform
was exasperated at the irrelevance of the argument. There were spots of color
high on her thin cheeks.' 'I am not suggesting you become a Minister of
State!" she said sharply. "Only that you have as much right as your
butler or your poulterer has to choose who shall represent you in the
Parliament of your country! And that your judgment of character is probably
just as competent as theirs!"</p><p>' 'Oh! You impertinent
creature!'' The woman in plum was quite outraged; her face colored darkly and
her rather heavy jowls shook as she raced through her mind for words scalding
enough to satisfy the occasion.</p><p>"You are quite
right!" Suddenly the woman who had drawn Charlotte's attention broke the
silence. Her voice was husky and pleasant; both her diction and her poise
revealed she was of considerable breeding. "Women's judgment of character
is quite as good as men's; on the whole, I think very often rather better. And
that is all that is required to have a useful opinion as to who should represent
one in Parliament!"</p><p>Everyone in the cramped hall
swung round to look at her, and she blushed with slight self-consciousness, but
it did not prevent her continuing.</p><p>"We are bound by the
laws; I think it is only proper that we should have some say as to what they
shall be. I-"</p><p>"You are quite wrong,
madame!" A deeper voice cut across her, the rich contralto of a very large
woman with jet beads across her bosom and a fine mourning brooch on her lapel.
"The law, framed by men whom you so despise, is our finest protection! As
a woman you are guarded by your husband, or should you be single, your father;
he provides for your needs both spiritual and temporal; he exercises his wisdom
to gain what is best for you, without the least exertion on your part; he undertakes
your well-being; should you transgress or fall into debt, it is he, not you,
who answers</p><p>27</p><p>the magistrates and must
satisfy your creditors. It is only just that he should also frame the laws, or
elect those who do!"</p><p>"Stuff and
nonsense!" Charlotte said loudly. She could contain herself no longer.
"If my husband falls into debt, I shall be just as hungry as he is; if I
commit a crime, the general public may look down upon him, but it is assuredly
I who shall go to prison, not he! And if I kill someone, it is I who will
hang!"</p><p>There was a sharp collective
intake of breath and a little hiss of surprise at such unnecessary coarseness
of reference.</p><p>Charlotte was not deterred:
she had intended to shock, and the feeling of success was quite exhilarating.</p><p>"I agree with Miss
Wutherspoon-women's judgment of character is easily as good as men's. What
could be more important in your life than who you marry? And upon what basis
does a man choose, if left to himself?"</p><p>"A pretty face!"
someone answered sourly.</p><p>Someone else gave a reply a
good deal less refined, and raised a loud laugh.</p><p>"Beauty, charm, a
winning way," Charlotte answered her own question before the purpose of it
was lost. ' 'Often upon flattery, and the color of her eyes, or the way she has
of laughing. A woman chooses a man who can provide for her and her children.''
Here she winced at her duplicity, she who had chosen Pitt entirely because he
intrigued her, charmed her, frightened her with his directness, made her laugh,
fired her with his anger at injustice, and because she both loved and trusted
him. The fact that he was socially and financially a disaster, and likely to
remain so, had not weighed an ounce with her. But she knew unquestionably that
most women had more sense. She sailed on regardless both of that, and of her
earlier infatuation with her brother-in-law Dominic, for which she did blush,
but it was lost under the high color of her zeal. The principle was right.</p><p>"Men may go on all
manner of adventures and brave the result, come what may, but most women will
look to the</p><p>28</p><p>outcome of a thing, knowing
that their children must eat and be clothed, that there must be a safe home for
them not only today and tomorrow, but next year and ten years from now! Women
are less reckless." She thought of all the wise and brave women she had
known, discounting the idiotic tilings she had done herself, and the risks both
she and Emily had taken. "When all the shouting and the heroics are over,
who is it that will tend the sick, bury the dead and start over? Women! Our
opinions should count, our judgment of a man's honesty and worth to represent
us should weigh in the balance too."</p><p>"You're right!"
Miss Wutherspoon cried from the platform. "You're absolutely right! And
if Members of Parliament had to account to women as well as men to get
elected, there wouldn't be the injustices there are now!"</p><p>"What injustices?"
someone demanded. "What does a good woman need that she does not
have?"</p><p>"No natural woman wants
to expose herself to ridicule," the woman in the plum-colored hat said
loudly, her voice rising with increasing indignation, "by parading for
people to accept or reject her, pleading with them to listen to her, choose
her, believe in her opinions or trust her judgment in affairs she knows nothing
about! Miss Taylor is a laughingstock, and far from being a friend to women,
she is our worst enemy. Not even Dr. Pankhurst would be seen in public with
her! Standing for Parliament, indeed! Next thing you know we'll become
harridans, like that miserable Ivory woman, who has abandoned all semblance of
decency and restraint which is essential to a woman and all that is precious to
society-indeed to civilization!"</p><p>There were several cries of
approval and even louder hisses and expostulations of outrage. Some even demanded
that the traitors to the cause should leave and go back to their nurseries, or
whatever other confining place they usually inhabited.</p><p>A stout woman in bombazine
raised an umbrella, unfor-29</p><p>tunately catching the
ferrule of it in an elderly housemaid's skirts. There was a hiccup and a shriek
of alarm. The housemaid, thinking she was being assaulted for her abuse of the
lady in the plum hat, whisked her handbag round and landed it soundly on the
head of the woman in bombazine, and the resulting melee had very little to do
with the exercise of privilege or responsibility, and even less to do with
Parliament.</p><p>Having no wish to become
involved in a brawl, Charlotte withdrew. She was only a few yards outside the
hall via the rear exit when she saw the woman whose face had drawn her
attention. She was standing quite close, unaware of Charlotte, her attention
caught by a hansom drawn up at the curb. The woman had her back to Charlotte
and was arguing fiercely with a slim, elegantly dressed man whose fair hair
shone almost white in the sun. He was obviously extremely annoyed.</p><p>"My dear Parthenope,
this is both unseemly, and to be frank, a trifle ridiculous. You are letting me
down by even being seen in such a place, and I am distressed that you should
not have realized it!"</p><p>Charlotte could not see the
woman's face, but her voice was thick with a confusion of emotions.</p><p>"I am tempted to make
the obvious answer to excuse myself, Cuthbert, and say that no one there knew
who I was. But that is irrelevant."</p><p>"Indeed it is! The
risk-"</p><p>But she cut him short.
"I am not talking about the risk! What if I am known to care that women
should be represented in Parliament?"</p><p>"Women are
represented!" He was exasperated now, and there was a flash of impatience
in his face. "You are excellently represented by the present members of
the House! For heaven's sake, we don't legislate simply for ourselves! Who on
earth have you been listening to? Have you seen that wretched Ivory woman
again? I most specifically told you</p><p>30</p><p>that I did not wish it! Why
do you insist on disobeying me? The woman is a virago, a miserable, unbalanced
creature who embodies everything that is most to be deplored in a woman."</p><p>"No I have not seen
her!" Parthenope's voice was low, but it now held an intensity of anger.
"I told you I would not, and I have not! But I shall not stop listening to
what people have to say about women one day obtaining the franchise."</p><p>"Then listen at home;
read articles, if you must-although it will never happen. It is quite unnecessary
and unsuitable. Women's interests are very well cared for now, and all women
with any sense are fully aware of it!"</p><p>' 'Indeed!'' Her voice grew
harder, and high with sarcasm. "Then I have little sense! Only that which
is required to govern a household of eight servants, see to the accounting,
maintain discipline and good order and fellowship, raise and teach and nurse my
children, entertain our business and parliamentary friends and provide them
with fine meals in charming surroundings, and always see that no one is offended,
embarrassed, excluded, or paired with someone unsuitable, and to keep the
conversation charming, witty but never offensive, and never, never boring! And
naturally always to look beautiful while doing all of this! I am sure that
does not make me competent to decide which of two or three candidates should
represent me in Parliament!"</p><p>The fair-haired man's face
was tight and his blue eyes blazed.' 'Parthenope! You are becoming absurd!'' he
hissed. "I forbid you to stand out here and argue this in public any
longer. We are going home, where you should have been all the time!"</p><p>' 'Of course.'' Still she
did not shout, but her whole body was rigid with fury. ' 'Perhaps once you have
me there you would care to lock the door."</p><p>He put out both his hands
and held her arms, but she did not yield in the slightest.</p><p>31</p><p>"Parthenope, I have no
desire to curtail your pleasures or to be harsh with you. For heaven's sake,
you know that! And you are excellent-no, brilliant-at running the house. I have
always said so, and I am profoundly grateful for all you do. You are a perfect
wife in every way-" He could see he was still losing; she did not want
flattery, not even acknowledgment. "Damn it, madame, you are not
selecting a housemaid! At that you are unequaled, but choosing a member of
Parliament is utterly different!"</p><p>"Indeed?" Her
eyebrows rose sharply. "Pray how? Would you not wish your Member of
Parliament to be honest above question, of sound moral character, discreet
about what he knows that is confidential, loyal to his cause, and competent in
the skills of his job?''</p><p>"I don't want him to
dust the furniture or peel the potatoes!"</p><p>' 'Oh Cuthbert!'' She knew
she had won the argument, and lost the issue. He had not changed his mind in
the slightest, nor was he likely to. His urgency was still all bent on getting
her to climb into the cab and leave the areaway before someone came who might
recognize one of them. Reluctantly she yielded and allowed him to hand her up.
Charlotte saw her sensitive, stubborn face for a moment as she turned on the
step, and the confusion in it; the new ideas could not be extinguished, nor
could the old loyalties be denied. Parthenope looked at her husband with a
sharp, unresolved anxiety.</p><p>Then he climbed up beside her
and pulled the door shut, leaving Charlotte to come out of the shadows and walk
along the footpath as if she had only this moment come out of the exit.</p><p>3</p><p><strong>J3y </strong><emphasis>midafternoon pitt was </emphasis>back in Bow Street.
It was one of those vivid spring days when the air is sharp and the sun falls
clean and pale on the pavement stones, and there was still a tingle of coldness
in the wind, keen-edged and bringing a smell of dampness up from the river. A
string of carriages clattered by along the Strand, harnesses polished and
jingling, horses stepping high, and the crossing boys swept up behind them,
cleaning away the droppings. A barrel organ churned out a popular music hall
song. Somewhere out of sight a street vendor called his wares-"Hot plum
duff, hot plum!"-and gradually his voice faded away as he moved towards
the embankment. A newspaper boy was shouting his "extra"-" '
'Orrible Murder on Westminster Bridge! M.P. Dead-Throat Cut!' "</p><p>Pitt climbed the steps and went into the station. It was a
different sergeant on duty, but he had obviously been fully caught up on the
case.</p><p>"Arternoon, Mr. Pitt," he said cheerfully. "Mr.
Drum-mond's in 'is office. Reckon there's a bit in-not much. Found a cab or
two, for wot it's worth.''</p><p>33</p><p>"Thank you." Pitt
strode past him and into the corridor, which smelled of clean linoleum, a
comparatively new invention. He went up the stairs two at a time and knocked
on the door to Drummond's office. His memory went back to a few months ago,
when Dudley Athelstan had occupied it. Pitt had found Athelstan pompous and,
with the insecurity of the socially ambitious, never sure which master to
serve. Athelstan had resented Pitt's impertinence, his untidiness- but above
all his impudence in marrying Charlotte Ellison, so much his social superior.</p><p>Drummond was a totally
different man, having sufficient family background and private means not to
care about either. He called his permission to enter.</p><p>"Good afternoon,
sir." Pitt looked round the room, full of mementos of past cases, many of
which he had worked on himself; tragedies and resolutions, darkness and light.</p><p>"Come in, Pitt.''
Drummond waved him towards the fire. He fished among papers on his desk, all
handwritten in copperplate of varying degrees of legibility. "Got a few
reports, nothing very helpful so far; a cabby crossing the bridge who noticed
nothing at a quarter past midnight, except perhaps a prostitute at the north
side, and a group of gentlemen coming up from the House of Commons. Hamilton
could have been one of them; we'll have to ask around tonight when the House
rises. No good looking now. We'll find out which members live on the south side
of the river and might have gone home that way. Got a man on it now."</p><p>Pitt stood by the fire, the
warmth delicious up the backs of his legs. Athelstan always used to monopolize
it.</p><p>' 'I suppose we have to face
the remote possibility it was one of his colleagues?" he said with regret.</p><p>Drummond looked up sharply,
instant disagreement on his face. Then reason overtook distaste. ' 'Not yet,
but it may have to be considered," he conceded. "First we'll look at
personal or business enemies and-God help us-the possibility it was some
lunatic."</p><p>34</p><p>"Or anarchists,"
Pitt added glumly, rubbing his hands down the back of his coat where the fire
warmed it.</p><p>Drummond regarded him, a
bleak and not unsympathetic humor in his eyes.' 'Or anarchists,'' he agreed.'
'Unpleasant as it is, we had better pray it is personal. Which is the line you
must pursue today."</p><p>' 'What have we so far?''
Pitt asked.</p><p>"Two cabbies, the one
at a quarter past midnight who noticed nothing, one at approximately twenty
past, seen by Hetty Milner, who also says he saw nothing; but since Hetty saw
him immediately before she spoke to Hamilton, that doesn't mean much. Poor
devil must have been there then, possibly before. But it shouldn't be hard to
establish what time he left the House, so we have a space of twenty minutes or
so. Might help with determining where suspects were, but I doubt it: if it was
family they may well not have committed the crime personally." He sighed.
"We'll probably be looking at movement of money, bank withdrawals, sales
of jewelry or pictures, acquaintances of unusual nature." He rubbed his
hands over his face wearily, only too aware of the closing of ranks that
scandal inspired among the upper classes. "Look into his business affairs,
will you, Pitt? Then you'd better see what political matter he was involved
with. There's always Irish Home Rule, slum clearance, poor law reform-heaven
knows what else someone might feel violent about."</p><p>"Yes sir." It was
what he would have done anyway. "I suppose we've got someone checking on
all the known agitators?"</p><p>"Yes, all that is being
done. At least we've got only a narrow space of time to cover. Might get
something from the other people who came running when Hetty Milner screamed. So
far they've given us nothing useful, but memory does sometimes dredge up a
face or a sound afterwards, something seen out of the corner of the eye."
Drummond pushed forward a sheet of paper with a name and address on</p><p>35</p><p>it. "That's Hamilton's
business partner. You could start with him. And Pitt. . ."</p><p>Pitt waited.</p><p>"For heaven's sake be
tactful!"</p><p>Pitt smiled. "I assume
that is why you chose me for the case-sir."</p><p>Drummond's mouth quivered.
"Get out," he said quietly.</p><p>Pitt took a hansom along the
Strand, Fleet Street and Lud-gate Hill past St. Paul's and up to Cheapside,
along Cheap-side and down Threadneedle Street past the Bank of England to
Bishopsgate Street Within and the offices of Hamilton and Verdun. He presented
his card, an extravagance he had indulged in a while ago and indeed found
useful.</p><p>" 'Inspector Thomas
Pitt, Bow Street,' " the clerk read with patent surprise. Policemen did
not carry calling cards, any more than did the ratcatcher or the drain man.
Standards had declined appallingly lately! What was the world coming to?</p><p>"I would like to speak
with Mr. Charles Verdun, if I may," Pitt continued. "About the death
of Sir Lockwood Hamilton."</p><p>"Oh!" The clerk
was considerably sobered-and a little elated, in spite of himself. There was a
certain grisly glamor in being connected with a famous murder. He would tell
Miss Laetitia Morris all about it this evening, over a glass of stout at the
Grinning Rat. That should make her sit up and take notice! She would not find
him boring after <emphasis>this. </emphasis>Harry Parsons would not seem half so interesting
with his common bit of embezzlement. He looked at Pitt.</p><p>"Well if you wait 'ere,
I'll see what Mr. Verdun says. 'E don't see people just for the askin', you
know. Perhaps I could tell you somethin'? I saw Sir Lockwood reg'lar. I 'ope
you're well on your way to catchin' the criminal what done this. Per'aps I saw
'im-without knowin', like?"</p><p>Pitt read him like one of
the clerk's own copperplate led-36</p><p>gers. "I shall know
better what to ask you after I've seen Mr. Verdun."</p><p>"Course. Well I'll go
and see wot 'e says." And dutifully the clerk retired, to come back hi a
few moments and usher Pitt into a large untidy room with a good fire, which was
smoking a little, and several armchairs in green leather, comfortable and
polished to a shine by use. Behind an antique and battered desk piled with
papers sat a man of anything between fifty and seventy, with a long face,
tufted gray eyebrows, and a benign and whimsical expression. He composed his
features into an expression of suitable gravity and waved his hand towards a
chair, inviting Pitt to sit down. Then he wandered over himself, took a look at
the fire, and swung his arms round as if to dispel the smoke.</p><p>"Damn thing!" He
glared at it. "Can't think what's the matter with it! Maybe I'd better
open a window?"</p><p>Pitt prevented himself from
coughing with difficulty and nodded his head. "Yes sir. A good idea."</p><p>Verdun strolled back behind
the desk and yanked on the lower half of the sash window. It shot up with a
thump, letting in a gust of cool <emphasis>air.</emphasis></p><p>"Ah," he said with
satisfaction. "Now, what can I do for you? Police fellow, eh? About poor
Lockwood's death. Shocking thing to happen. I suppose you Ve no idea who did
it? No, you wouldn't have-too soon, eh?"</p><p>' 'Yes sir. I understand Sir
Lockwood was in business partnership with you?"</p><p>"Yes, in a manner of
speaking." Verdun reached for a humidor and took out a cigar. He lit it
with a spill from the fire and blew out a smoke so pungent it made Pitt gasp.</p><p>Verdun mistook his
expression entirely.</p><p>"Turkish," he said
with satisfaction. "Have one?"</p><p>Camel dung, Pitt thought.
"Very kind of you, but no thank you, sir," he replied. "In what
manner of speaking, sir?"</p><p>"Ah." Verdun shook
his head. "Wasn't in here much. 37</p><p>Keener on his politics-had to be. Parliamentary Private Secretary,
and all that. One has a duty."</p><p>"But he had a financial interest in the company?" Pitt
persisted.</p><p>"Oh yes, yes. You could say that."</p><p>Pitt was puzzled. "Was he not an equal partner?" His
name had been first on the plate outside the door.</p><p>"Certainly!" Verdun agreed. "But he didn't come
here more than once a week at most, often less.'' He said it without the
slightest resentment.</p><p>"So you do most of the work?" Pitt asked. He wanted to
be tactful, but with this man it was difficult. Obliqueness seemed to be
misunderstood altogether.</p><p>Verdun's eyebrows shot up. "Work? Well, yes, I suppose so.
Never thought of looking at it like that. Fellow's got to do something, you
know! Don't like hanging around clubs with a lot of old fools talking about
cads, the weather, who said what, and how everybody dresses-and who's having an
affair with whose mistress. I always find it too easy to see the other chap's
point of view to get heated about it.''</p><p>Pitt hid a smile with difficulty.' 'So you deal in property?'' he
prompted.</p><p>"Yes, that's right," Verdun agreed. He puffed at his
cigar. Pitt was profoundly glad the window was open; it really smelled
appalling. "What's this got to do with poor old Lockwood being killed on
Westminster Bridge?" Verdun went on, puckering up his face. "Don't
think it was over some property deal, do you? Hardly seems likely. Why should
anybody do that?"</p><p>Pitt could think of several reasons. He would not be the first
slum landlord to charge exorbitant rents and cram fifteen or twenty people into
one damp and rat-infested room. Nor would he be the first to use his properties
as brothels, sweatshops, and thieves' kitchens. There was the possibility Hamilton
had been doing this and had been killed for revenge or from outrage-or that
Verdun had done it, and when</p><p>38</p><p>Hamilton found out and
threatened to expose him, Verdun killed him to keep him silent.</p><p>Or it might simply have been
someone acting out of fury at having been evicted from a home, undersold, or
beaten to a lucrative deal. However, Pitt did not speak any of these thoughts
aloud.</p><p>"I imagine there's a
good deal of money involved," he said instead, as innocently as he could.</p><p>"Not a lot,"
Verdun replied candidly. "Do it to keep busy, you know. Wife dead twenty
years ago. Never felt like marrying again. Couldn't ever care for anyone as I
did for her. ..." For a moment his eyes were gentle, faraway, seeing some
past happiness that still charmed him. Then he recalled himself. "Children
all grown up. Got to do something!"</p><p>"But it brings a good
income?" Pitt looked at the quality of Verdun's clothing. It was shabby,
worn into comfort, but his boots were excellent, and the cut of his jacket
Savile Row, his shirts probably Gieves and Son. He did not look fashionable;
he looked as if he was sufficiently sure of himself and his place in society
that he did not need to. His was old money, quiet money.</p><p>"Not terribly,"
Verdun interrupted Pitt's thoughts. "No need. Hamilton made his income
from something to do with railway carriages, in Birmingham or somewhere like
that."</p><p>"And you, sir?"</p><p>' 'Me?'' Again the wispy,
tufted eyebrows shot up, and the round gray eyes beneath were bright with irony
and suppressed humor. "Don't need it; got enough. Family, you know."</p><p>Pitt had already known it;
in fact he would not have been surprised had there been an honorary title
Verdun declined to use.</p><p>There was a rattling
outside, a steady arrhythmical clatter.</p><p>"You can hear it!"
Verdun said quickly. "Horrible contraption! A typewriter, if you please!
Got it for my junior</p><p>cleric-boy can't write so
anyone but an apothecary can read it. Hideous thing. Sounds like twenty horses
sliding round a cobbled yard."</p><p>"Would you mind giving
the police a list of your property deals in the last twelve months, Mr.
Verdun?" Pitt requested, biting his lip. He was predisposed to like this
man, but his mild, slightly vague manner might hide far uglier passions. Pitt
had liked people before and discovered them to be capable of killing. "And
anything proposed for the future," he added. "It will be treated with
as much confidence as possible."</p><p>"My dear fellow, you'll
find it excessively tedious. But if you like. Can't imagine you'll catch
Lockwood's killer in the list of semidetached houses hi Primrose Hill, Kentish
Town, or Highgate, but I suppose you know what you're doing."</p><p>The neighborhoods he
mentioned were all respectable suburban areas. "What about the East
End?" Pitt asked. "No properties there?"</p><p>Verdun was quicker than Pitt
had thought. "Slum landlords? Suppose you were bound to think of that.
No. But you can look through the books if you feel it's your duty."</p><p>Pitt knew it would be
pointless, but a clever auditor might find some discrepancy that would point to
other books, other deals-even embezzlement? He profoundly hoped not. He would
like Verdun to be exactly what he seemed.</p><p>"Thank you, <emphasis>sir. </emphasis>Are
you acquainted with Lady Hamilton?"</p><p>"Amethyst? Yes,
slightly. Fine woman. Very quiet. Imagine there's some sadness there; no
family, you know. Not that Lockwood ever mentioned it-very fond of her. Didn't
say much, but it was there. Knew that. Do, if you've ever cared for a woman
yourself.''</p><p>Pitt thought briefly of
Charlotte at home, the warmth and the heart of his own life.
"Indeed." He seized the opportunity the subject of family offered
him.' 'But there is a son by Sir Lockwood's first marriage?"</p><p>40</p><p>"Oh, Barclay, yes. Nice
fellow. Didn't see much of him. Never married-no idea why.''</p><p>"Was he close to his
mother?"</p><p>"Beatrice? No idea.
Didn't get on with Amethyst, if that's what you mean."</p><p>"Do you know why?"</p><p>"No idea. Might have
resented his father marrying again, I suppose. Bit silly, I always think.
Should have been pleased for him he was happy, and Amethyst certainly made him
an excellent wife. Supported him in his career, entertained his friends with
skill and tact, and kept an excellent house. In fact I would say he was happier
with her than with Beatrice.''</p><p>"Maybe Mr. Barclay knew
that, and resented it on his mother's behalf," Pitt suggested.</p><p>Verdun's face dropped.
"Good heaven's, man, you're not going to suggest he waited twenty years,
then suddenly one night crept up behind his father on Westminster Bridge and
cut his throat for it, are you?"</p><p>"No, of course not."
It was preposterous. "Is Mr. Barclay Hamilton reasonably well provided for
financially?"</p><p>' 'Happen to know that:
inherited from his maternal grandfather. Not a lot, but comfortable. Nice
house in Chelsea-very nice. Near the Albert Bridge."</p><p>"I suppose you have no
idea if there's any rival or enemy who might have wished Sir Lockwood harm? Any
threats you know of?"</p><p>Verdun smiled. "I'm
sorry. If I did I should have mentioned it, distasteful as it is. After all,
you can't have chaps running around killing people, can you!"</p><p>"No sir." Pitt
stood up. "Thank you for your help. If I may look at those records of
yours? The last year or so should be sufficient."</p><p>''Of course. I'll have
Telford make a copy for you on that awful contraption, if you like. Might as
well do something</p><p>useful on it. Sounds like a
hundred urchins in hobnail boots!''</p><p>* * *</p><p>41</p><p>It was quarter past six when
Pitt was finally ushered into the Home Secretary's office in Whitehall. It was
very large and very formal, and the officials in their frock coats and wing
collars made it plain that it was a considerable favor granted in extraordinary
circumstances that Pitt was even allowed across the threshold, let alone into a
Cabinet Minister's private office. Pitt attempted to straighten his tie, making
it worse, and ran his fingers through his hair, which was no improvement
either.</p><p>"Yes, Inspector?"
the Home Secretary said courteously. "I can give you ten minutes. Lockwood
Hamilton was my Parliamentary Private Secretary, and very good at it, efficient
and discreet. I am deeply sorrowed by his death."</p><p>"Was he ambitious,
sir?"</p><p>"Naturally. I should
not promote a man who was indifferent to his career."</p><p>"How long had he held
the position?"</p><p>"About six
months."</p><p>"And before that?"</p><p>"A backbencher, on
various committees. Why?" He frowned. "Surely you don't think this
was political?"</p><p>"I don't know, <emphasis>sir. </emphasis>Has
Sir Lockwood been involved in any issues or legislation that might arouse
strong feelings?"</p><p>"He hasn't proposed
anything. For Heaven's sake, he's a Parliamentary Private Secretary, not a
minister!"</p><p>Pitt realized he had made a
tactical error. "Before you appointed him to this position, sir," he
went on, "you must have known a considerable amount about him: his past career,
his stand on important issues, his private life, reputation, business and
financial affairs ..."</p><p>' 'Of course,'' the Home
Secretary agreed somewhat tartly. Then he realized Pitt's purpose. "I
don't think I can tell you anything of use. I don't appoint men I consider
likely to be murdered for their private lives, and he wasn't important enough
to be a political target."</p><p>"Probably not,
sir," Pitt was forced to agree. "However, 42</p><p>I would be neglecting my duty if I didn't look at all the
possibilities. Someone unbalanced enough to think of murder as a solution to
their problems may not be as rational as you or I."</p><p>The Home Secretary gave him a sharp glance, suspecting sarcasm,
and he did not like the impertinence of Pitt's equating a Cabinet Minister
with a policeman in an estimate of rationality, but he met Pitt's bland blue
stare and decided the matter was not worth pursuing.</p><p>"We may be dealing with the irrational," he said coldly.
"I hope so most profoundly. Any society may be subject to the occasional
lunatic. A family or business crime would be unpleasant, but it would be a
nine-day scandal, forgotten afterwards. Immeasurably worse would be some
conspiracy of anarchists or revolutionaries who were not after poor Hamilton in
particular but bent on generally destabilizing the government and causing alarm
and public outcry." His hands tightened imperceptibly. "We must clear
up this matter as soon as possible. I assume you have all available men on
it?"</p><p>Pitt could see his reasoning-and yet there was a coldness in him
that Pitt found himself disliking as he stood there in the elegant and
well-ordered office, which smelled faintly of beeswax and leather. The Home
Secretary would prefer a private tragedy with all its pain and ruined lives to
an impersonal plot hatched by hotheads dreaming of power and change in some
back room, and he felt no compunction about saying so.</p><p>' 'Well?'' the Home Secretary demanded irritably. "Speak up,
man!"</p><p>"Yes sir, we have. You must have considered other men for the
position of your Parliamentary Private Secretary, as well as Sir
Lockwood?"</p><p>"Naturally."</p><p>"Perhaps your secretary would give me their names." It
was not a question.</p><p>43</p><p>"If you think it
necessary." He was reluctant, but he took the point. "Hardly a
position a sane man kills to achieve."</p><p>' 'What sort of position
would a sane man kill to achieve, sir?'' Pitt asked, his voice as devoid of
expression as he could manage.</p><p>The Home Secretary shot him
a look of chill dislike. "I think you must look outside Her Majesty's
government for your suspect, Inspector!" he said acidly.</p><p>Pitt was unruffled: it was
faintly satisfying that their dislike was mutual. "Can you tell me Sir
Lockwood's views on the most contentious current issues, sir? For example, Home
Rule for Ireland?"</p><p>The Home Secretary pushed
out his lower lip thoughtfully, his irritation submerged. "I suppose it
could be something to do with that, not directed at poor Hamilton so much as at
the government in general. Always an issue that raises heated emotions. He was
for it, and fairly outspoken. Though if people were going to murder each other
because they disagreed over the Irish question, the streets of London would
look like the aftermath of Waterloo."</p><p>"What about other
issues, sir? Penal reform, the poor laws, factory conditions, slum clearance,
women's suffrage?"</p><p>"What?"</p><p>"Women's
suffrage," Pitt repeated.</p><p>"Good God, man, we've
got some strident and misguided women who don't know where their best interests
lie, but they'd hardly cut a man's throat just to make a plea for the franchise
to be extended!"</p><p>' 'Probably not. But what
were Sir Lockwood's opinions?''</p><p>The Home Secretary was about
to dismiss the subject but seemed grudgingly to realize that it was as valid as
any other possibility so far raised.' 'He wasn't a reformer,'' he replied.
"Except in the most moderate terms. He was a very sane man! I wouldn't
have had him as my P.P.S. if I didn't trust his judgments."</p><p>44</p><p>"And his reputation in his personal life?"</p><p>"Impeccable.'' The briefest of smiles flickered across the
Home Secretary's face. "And that is not a diplomatic answer. He was
extremely fond of his wife, a very fine woman, and he was not a man to seek . .
. diversions. He had little art of flattery or trivial conversation, and I
never observed him to admire another woman."</p><p>Having met Amethyst Hamilton, Pitt did not find it hard to
believe. Charles Verdun had said the same.</p><p>"The more I hear of him, the less does he sound like a man to
have inspired a personal hatred violent enough to incite murder." Pitt had
a faint satisfaction in seeing the Home Secretary's appreciation of the turn of
his argument, little as he liked it.</p><p>"Then you had better pursue whatever evidence you have and
look into all the agitators and political groups we know of," he said
grimly. "Keep me informed."</p><p>"Yes sir. Thank you."</p><p>"Good day to you." He was dismissed.</p><p>The House of Commons was still sitting; it was too early to
attempt to retrace Hamilton's steps the night before. Pitt was cold and hungry
and knew little more than when he had left his home that afternoon after a
snatched few hours of sleep. He would go back to Bow Street and have a sandwich
and a mug of tea and see if there was any news from the constables out pursuing
witnesses.</p><p>But when he reached the station the duty sergeant told him that
Sir Garnet Royce, M.P., had called to see him.</p><p>"Bring him to my office," Pitt replied. He doubted it
would be a helpful visit, but he owed the man the courtesy of seeing him. He
pushed some papers off the second chair to make room for Royce to sit down if
he wished and went behind his desk, glancing to see if there were any messages
or new reports. There was nothing except the pile of house transactions from
Verdun, with a note from one of the offi-</p><p>45</p><p>cers specializing in fraud,
saying that as far as he could see they were exactly what they appeared to be;
there was nothing to be deduced from them except that the firm conducted
fairly efficient dealings in domestic property in several agreeable suburbs.</p><p>There was a knock on the
door, and a constable showed in Garnet Royce. He was smartly dressed in a
velvet-collared coat and carried a silk hat, which he put on the table. He was
an imposing figure in this very ordinary gaslit office.</p><p>"Good evening,
sir," Pitt said curiously.</p><p>"Evening, Inspector."
He declined the chair. He was still holding a silver-headed cane, and he turned
it restlessly in his strong hands as he spoke. "I see the newspapers have
made headlines of poor Lockwood. Suppose it was to be expected. Distressing for
the family. Makes it hard to manage affairs with any dignity; lot of idle
people hanging around like ghouls, people one barely knows trying to scrape an
acquaintance. Disgusting! Brings out the best and the worst in people. You'll
understand my distress for my sister."</p><p>"Of course, sir."
Pitt meant it.</p><p>Royce leaned forward a
little. "If it was some random madman, as seems much the likeliest thing,
what are your chances of apprehending him, Inspector? Answer me hon- I estly,
man to man."</p><p>Pitt looked at his face: the
power in the sweep of nose and cheek, the wide mouth and sloping brow. It was
not a sensitive face, but there was strength and intelligence in it. |</p><p>"With luck, sir, quite
fair; without a witness of any sort, I and if the man doesn't attack anyone
else, not great. But then P if he is a madman, he will continue to behave in a
way to draw attention to himself, and we will find him.''����������������
k</p><p>"Yes. Yes of
course." Sir Garnet's hands closed on the * cane. "I suppose you have
no ideas as yet?"</p><p>"No sir. We're working
through the obvious possibilities: business rivalry, political enemies."</p><p>' 'Lockwood was hardly
important enough to earn political 46</p><p>enemies." Royce
frowned. "Of course, there were a few people who lost promotions because
he gained them, but that's what one expects, for heaven's sake. It's true of
anyone in public life."</p><p>"Was there anyone who
might have taken it especially hard?"</p><p>Royce thought for a moment,
searching his memory. "Hanbury was pretty upset over the chairmanship of a
parliamentary committee several years ago and seems to have held something of
a grudge. And they quarreled over Home Rule-Hanbury was very much against it,
and Lockwood was in favor. Rather felt he'd let the side down. But one doesn't
commit murder over such things."</p><p>Pitt regarded the other
man's face in the lamplight. There was no shadow of double-mindedness or
deception in it, no irony, no humor. He meant exactly what he said, and Pitt
was obliged to agree with him. If the motive for murder was political, it lay
in something far deeper than any issue they had touched on yet; it was a
rivalry or a betrayal more personal, far more bitter than the question of Irish
Home Rule or social reform.</p><p>Royce took his leave, and
Pitt went upstairs to see Micah Drummond.</p><p>"Nothing of much
use." Drummond pushed a pile of papers across his desk towards Pitt. He
looked tired, and there were dark patches under his eyes where the skin was
thin and delicate. This was only the first day, but already he had felt the pressure,
the anger of the people as horror turned to fear, and the alarm of those in
power who knew the real danger.</p><p>"We've narrowed down
the time," he said. "He must have been killed between ten to
midnight, when the House rose, and twenty past, when Hetty Milner found him. We
ought to be able to cut it down further when we talk to the members when the
House rises tonight."</p><p>"Did we find any street
vendors who'd seen him?" Pitt 47</p><p>asked. "Or any who'd
been around that area and hadn't seen him, which would narrow things down?"</p><p>Drummond sighed and shuffled
through the papers. "Flower seller said she didn't see him. She knows him,
so I presume she's fairly reliable. Chap who sells hot pies on Westminster
steps, Freddie something, but he saw nothing useful: half a dozen men, any one
of whom could have been Hamilton, but he can't swear it. Distinguished-looking
fellow in good dark coat and silk hat with a white scarf, average height, gray
at the temples-the streets round the bridge are crawling with them when the
House rises!"</p><p>"Of course, it may not
be Hamilton they were after," Pitt said quietly.</p><p>Drummond looked up, his eyes
hollow and anxious.' 'Yes, I had thought of that. God help us, if he was after
someone else where do we even begin? It could be almost anyone!"</p><p>Pitt sat down on the
hard-backed chair in front of the desk, "If it is a random attack against
the government, and Hamilton just happened to be the one,'' he said,' 'then it
must be anarchists or revolutionaries of some sort. Don't we have some
knowledge of most of these groups?''</p><p>"Yes." Drummond
fished out a sheaf of papers from a' drawer in the desk. "AndI've got men
looking into it, trying to trace the activities of known members of all of
them. Some want to do away with the monarchy and set up a republic, others want
total chaos-they're fairly easy to spot: usually just hotheaded talk in pubs
and on street corners. Some are foreign-inspired, and we're chasing those as
well." He t sighed. "What have you found, Pitt? Is there anything
per- F sonal?"</p><p>"Not so far, sir. He
seems to have been an unremarkable man, successful in business, but I can't
find anything to inspire hatred, much less murder. His partner Verdun is a civilized,
moderate man who deals in suburban properties, more<sup>; </sup>for something
to do than for profit.''</p><p>Drummond's face showed
imminent criticism.���������������� <emphasis>,</emphasis></p><p>48</p><p>"I've got the
accounts," Pitt said quickly. "There's nothing shown except ordinary
property transactions in respectable residential areas. If they're dealing in
slum properties as well, they have a perfect set of alternative books."</p><p>"Likely?" Drummond
asked.</p><p>"Not in my
opinion."</p><p>' 'Well, have someone look
up Verdun and see if he is what he says. See if he gambles, or keeps
women."</p><p>Pitt smiled grimly. "I
will, but I'll lay any odds you like that he doesn't."</p><p>Drummond's eyebrows rose.'
'How about your job? Would you lay that? And mine, if we don't clear this
up."</p><p>"I don't think we'll do
it through Charles Verdun, sir."</p><p>"What about political
motive? What did the Home Secretary say?"</p><p>Pitt summed up what he'd
learned from Hamilton's superior, watching Drummond's face gradually fall.</p><p>' 'A random victim?'' he
mused unhappily.' 'Mistaken for someone else, someone more important? God, I
hope not; that would mean the murderer might try again!"</p><p>"Back to
anarchists," Pitt said, rising. "I'd better go and see what I can
find out as the members leave the House of Commons-who spoke to Hamilton last,
what time, and if they saw anyone approach him."</p><p>Drummond pulled out a gold
watch from his waistcoat. "You might have a long wait."</p><p>Pitt stood in the cold at
the north end of Westminster Bridge for over an hour and a half before he saw
the first figures coming out of the House of Commons and turning towards the
river. By then he had eaten two hot pies and a plum duff, watched innumerable
courting couples walk arm in arm along the embankment and two drunks singing
"Champagne Charlie" out of time with each other, and his fingers were
numb.</p><p>"Excuse me, sir?"
He stepped forward. 49</p><p>Two members stopped, scowling
at being accosted by a stranger. They noted his bulging pockets and woolen
muffler and made to walk on.</p><p>"Bow Street Police,
sir," Pitt said sharply. "Inquiring into the murder of Sir Lockwood
Hamilton.''�������������������� '</p><p>They were shaken, reminded
forcibly of something they had preferred not to consider. "Fearful
business," one said. "Fearful!" the other echoed him.</p><p>"Did you see him
yesterday evening, sir?"</p><p>"Ah, yes, yes I did.
Didn't you, Arbuthnot?" The taller turned to his companion. "Don't
know what time it was. As we were leaving."</p><p>"I believe the House
rose at about twenty minutes past eleven o'clock," Pitt offered.</p><p>' 'Ah yes,'' the stockier
and fairer man agreed. ''Probably so. Saw Hamilton as I was leaving. Poor
devil. Shocking!"</p><p>"Was he alone,
sir?"</p><p>"More or less; just
finished speaking to someone." The man's eyes looked blank, benign.
"Sorry, don't know who. One of the other members. Said good night, or
something of the sort, and walked off towards the bridge. Lives on the south side,
you know."</p><p>"Did you see whether
anyone followed him?" Pitt asked.</p><p>The man's face looked
suddenly pinched as the reality hits him. It ceased to be an exercise in
memory. A vivid picture forced itself on his inner mind; he realized he had
witnessed what was about to become a murder. His years of composure and
self-confidence fled, and he saw the vulnerability of the lone man on the
bridge, stalked by death, as if it were his own. "Poor devil!" he
said again, his throat tight, his voice constricted. "I rather think
someone did, but I haven't the slightest idea who. It was just the impression
of a figure, a, shadow as Hamilton started off across the bridge past the i
first light. I'm afraid rather a lot of us walk home on a decent night, if we
live close by. Some took carriages or cabs, of</p><p>50</p><p>course. Late sitting, rather
a bore. I wanted to get home and go to bed. I'm sorry."</p><p>"Any impression of the
shadow, sir? Size, manner of walking?"</p><p>"I'm sorry-I'm not even
sure I saw it. Just a sort of movement across the light. . . . How
frightful!"</p><p>"And you, sir?"
Pitt turned to the other man. "Did you see Sir Lockwood with anyone?"</p><p>"No-no, I wish I could
help, but it was all rather more an impression than anything. Don't see a
chap's face under the light and you don't really know-just an idea-pretty dark
between the lamps, you know. I'm sorry."</p><p>"Yes, of course. Thank
you for your help, sir." Pitt inclined his head in a salute and passed on
to the next group of men, already beginning to leave either in carriages or on
foot.</p><p>He stopped half a dozen
others, but learned nothing which enabled him to do more than narrow the time
more exactly. Lockwood Hamilton had set off across Westminster Bridge at
between ten and twelve minutes past midnight. At twenty-one minutes past, Hetty
Milner had screamed. In those nine or eleven minutes someone had cut Hamilton's
throat, tied him to the lamppost, and disappeared.</p><p>Pitt arrived home just
before midnight. He let himself in with his key, and took his boots off in the
hall to avoid making a noise as he crept along to the kitchen. There he found
a dish of cold meat on the table, with fresh homemade bread, butter, and
pickles set out, and a note from Charlotte. The kettle was to the side of the
hob and only needed moving over, the water in it hot already. The teapot was on
the stove, and beside it the tea caddie, enameled and painted with a picture of
flowers, and a spoon.</p><p>He was halfway through his
meal when the door opened and Charlotte came in, blinking in the light, her
hair round her shoulders in a polished cascade like mahogany in the</p><p>51</p><p>firelight. She wore an old
dressing robe of blue embroidered wool, and when she kissed him he caught the
scent of soap and warm sheets.�������������������������������������������������������������
i</p><p>' 'Is it a big case?'' she
asked.</p><p>He looked at her curiously:
there was none of her usual sharp inquisitiveness, her scarcely masked desire
to meddle-at which she had at times proved remarkably successful.</p><p>' 'Yes-murder of a Member!''
He answered, finishing the last slice of his bread and pickle. He did not feel
like telling her the grim details, for tonight he wished to put it from his
mind. �</p><p>She looked surprised, but
far less interested than he had expected.' 'You must be very tired, and cold.
Have you made any progress?" She was not even looking at him, pouring
herself a cup of tea. She sat down at the kitchen table opposite. Was she
being superbly devious? If so, it was not like her: she knew she was very bad
at it.</p><p>"Charlotte?"</p><p>"Yes?" Her eyes
were dark gray in the lamplight, and apparently quite innocent.</p><p>"No, I haven't made any
progress."</p><p>"Oh." She looked
distressed, but not interested.</p><p>"Is something
wrong?" he asked with sudden anxiety.</p><p>"Have you forgotten
Emily's wedding?" Her eyes widened, and suddenly he recognized all her
emotions, the excitement, the concern that everything should be well, the
loneliness at the thought of Emily's going away, the whisper of envy for the
glamor and the romance of it, and the genuine happiness for her sister. They
had shared much together and were closer than many sisters, their different
personalities complementing each other rather than being cause for misunderstanding.</p><p>Pitt put out his hand and
took hers, holding it gently. The very gesture was an admission, and she knew
it before he spoke.</p><p>52</p><p>"Yes I had forgotten-not the wedding, but that it was Friday
already. I'm sorry."</p><p>Disappointment passed over her face like the shadow of a cloud.
She mastered it almost immediately. "You are coming, aren't you,
Thomas?"</p><p>He had not been sure until that moment that she really wanted him
to. Emily had originally married far above even their parents' very comfortable
aspiring middle-class social position, becoming Lady Ashworth, with status and
very considerable wealth. Recently widowed, she now proposed marrying Jack
Radley, a gentleman of undoubted good breeding but who had no money at all.
Charlotte had done the unspeakable and married a policeman, socially on much
the same level as the ratcatcher or the bailiff!</p><p>The Ellisons had always treated Pitt with courtesy. In spite of
her sharply reduced circumstances and the loss of all her previous social
circle, they knew Charlotte was happy. Emily gave her cast-off gowns, and now
and again new ones, and she bought them both handsome presents as often as tact
allowed and shared with Charlotte the exhilaration and the tragedy, the danger
and triumph of Pitt's cases.</p><p>But still Charlotte might have been secretly relieved if he were
unable to attend the wedding, fearing condescension on the one hand, his social
gaffes. On the other, the differences between her former world and his were
subtle but immeasurable. He was unreasonably glad that she wanted him there;
he had not realized how deep his suppressed hurt had been, because he had
refused to look at it.</p><p>' 'Yes-at least for a while. I may not be able to stay long.''</p><p>"But you can come!"</p><p>"Yes."</p><p>Her face relaxed and she smiled at him, putting her hand over his.
"Good! It will matter so much to Emily, as well as to me. And Great-aunt
Vespasia will be there. You should see my new dress-don't worry, I haven't been
extravagant- but it really is special!"</p><p>53</p><p>He relaxed at last, letting go all the knots inside him as the
darkness slid away. It was so ordinary, so incredibly trivial: the shade of a
fabric, the arrangement of a bustle, how many flowers on a hat. It was
ridiculous, immensely unimportant-and sane!</p><p>I</p><p>54</p><p><emphasis>�itt left at about half </emphasis>past seven the next
morning, and Charlotte swept into action as soon as he was out of the door.
Gracie, her resident maid, took care of everything in the kitchen, including
getting breakfast for Jemima, now aged six and very self-possessed, and
Daniel, a little younger and desperately eager to keep up. There was a
tremendous air of excitement in the house, and both children were far too aware
of the importance of the day to sit still.</p><p>Charlotte had their new clothes laid out on their beds: cream
frills and lace for Jemima, with a pink satin sash, and a brown velvet suit
with a lace collar for Daniel. It had taken over an hour's persuasion and
finally a downright bribe- that next time they rode on the omnibus he would be
able to pay his own bright penny fare to the conductor- to convince him that he
was going to wear this!</p><p>Charlotte's dress had been specially made for her, something she
had taken for granted before her marriage. Now she usually made her gowns
herself, or adapted them from ones given her by Emily or on rare occasions by
Great-aunt Vespasia.</p><p>55</p><p>But this was magnificent,
the softest crushed plum-colored silk, low cut at the front to show her throat
and fine shoulders and just a touch of bosom, fitted at the waist, and with a
bustle so exquisitely feminine she felt irresistible merely at the sight of it.
It swished deliciously when she walked, and the shade was most flattering to
her honey-warm skin and auburn hair, which she had polished with a silk scarf
until it shone.</p><p>It took her an hour and several
unsuccessful attempts to dress, curl, and pin it exactly as she wished, and to
assure that her face was improved in every way possible, short of anything
which could actually be called "paint." Paint was still a cardinal
sin in society and only indulged in by women of the most dubious morality.</p><p>When another thirty minutes
had been taken up in minor adjustments to the children's clothing and Jemima's
hair ribbons, she finally put on her own gown, to the breathless squeals and
sighs of the children and the intense admiration of Gracie, who could hardly
contain herself for delight. She was on the edge of the most total romance; she
had seen Emily many times and thought her a real lady, and she would hang on
every word when her mistress returned and told her all about the wedding. It
was better than all the pictures in <emphasis>The Illustrated London News, </emphasis>or even
the most sentimental songs and ballads she heard cried in the street. Not even
the penny dreadfuls she read by candlelight in the cupboard under the stairs
could match this-after all, those were people she had never met, or cared
about.</p><p>Emily sent a carriage for
them on the chime often o'clock, and by twenty minutes past, Charlotte, Jemima,
and Daniel alighted at St. Mary's Church, Eaton Square.</p><p>Immediately behind her,
Charlotte's mother, Caroline Ellison, stepped out of her carriage and signaled
her coachman . to continue and find a suitable place to wait. She was a handsome
woman now in her middle fifties and wearing her widowhood with vigor and a new
and rather daring sense of</p><p>56</p><p>freedom. She was dressed in golden brown, which suited her
admirably, and a hat nearly as splendid as Charlotte's. Holding her hand was
Emily's son Edward, now Lord Ashworth in his father's stead, wearing a dark
blue velvet suit, his fair hair combed neatly. He looked nervous and very sober
and held onto his grandmother's hand with small, tight fingers.</p><p>Behind them, helped discreetly by a footman, came Caroline's
mother-in-law, well into her eighties, making the most of every twinge and
infirmity, her bright black eyes taking in everything, and her ears with their
pendulous jet earrings highly selectively deaf.</p><p>"Good morning, Mama," Charlotte kissed Caroline carefully,
so as not to disarrange either of their hats. "Good morning,
Grandmama."</p><p>"Think you're the bride?" the old lady said sharply,
looking her up and down. "Never seen such a bustle in all my life! And
you've too much color-but you always had!"</p><p>"At least I can wear yellow," Charlotte replied, looking
at her grandmother's sallow skin and dark gold gown and smiling charmingly.</p><p>"Yes you can," the old lady agreed with a glare.
"And it's a pity you didn't-instead of that! What do you call it? No color
I ever saw before. Well, if you spill raspberry fool on it no one will ever
know!"</p><p>"How comforting," Charlotte said sarcastically.
"You always did know the right thing to say to make a person feel
comfortable."</p><p>The old woman bent her head.' 'What? What did you say? I don't
hear as well as I used to!" She picked up her ear trumpet and placed it
ostentatiously near her hand so it would be ready for instant use to draw
attention to her infirmity.</p><p>' 'And you were always deaf when you chose to be,'' Charlotte
replied.</p><p>"What? Why can't you stop mumbling, child!"</p><p>"I said I would call it rose." Charlotte looked straight
at her.</p><p>57</p><p>' 'No you didn't!'' the old
lady snapped.' 'You've got above yourself since you married that torn-fool
policeman. Where is he, anyway? Didn't care to bring him into society, eh? |
Very wise-probably blow his nose on the table napkins and not know which fork
to use!''</p><p>Charlotte remembered again
how intensely she disliked her grandmother. Widowhood and loneliness had made
the old woman spiteful; she commanded attention either by complaining or by
attempting to hurt those around her.</p><p>Charlotte ceased looking for
an adequately cutting reply. I "He's working on a case, Grandmama,"
she said instead. "It is a murder, and Thomas is in charge of the
investigation, <emphasis>k </emphasis>But he will be here for the ceremony if he can.''�����������������
1</p><p>The old lady sniffed
fiercely. "Murders! Don't know what the world's coming to-riots in the
streets last year. 'Bloody Sunday' indeed! Even housemaids don't know how to
behave themselves these days; lazy, uppity, and full of impertinence. You live
in sad times, Charlotte; people don't know their place anymore. And you haven't
helped-marrying a policeman, indeed! Can't imagine what you were thinking of!
Or your mother either! Know what I'd have said if my son had wanted to marry
the parlormaid!''���������� ����������������������������|</p><p>"So do I!" said
Charlotte, finally letting go of her temper. "You'd have said, 'Lie with
her by all means, as long as you're discreet about it, but marry someone of
your own social class, or above-especially if she has money!"����������
|</p><p>The old lady picked up her
cane as if she would have rapped Charlotte across the legs with it; then,
realizing her granddaughter would barely feel it through the weight of her
skirts, she tried to think of a verbal equivalent-and failed.</p><p>"What did you
say?" she snapped in defeat. "You mumble dreadfully, girl! Have you
artificial teeth or something?"</p><p>It was so ludicrous
Charlotte burst into laughter and put her arm round the old lady, astonishing
her into silence.</p><p>They had just got inside the
church and were being ushered to their seats when Lady Vespasia Cumming-Gould
ar-</p><p>58</p><p>rived. She was Charlotte's
height, but slender now to the point of gauntness, and stood ramrod stiff,
dressed in ecru-colored lace over coffee satin, with a hat of such rakish elegance
that even Caroline gasped. She was over eighty; she had stood at the top of the
stairs as a girl and peeped through the banisters as the guests arrived in her
father's house to dance the night away after the news of the victory of Waterloo.
She had been the most startling beauty of her day, and her face, although
imprinted with time and tragedy, still held the grace and proportion of
loveliness that nothing would mar.</p><p>She had been the favorite
aunt of Emily's late husband, and both Emily and Charlotte loved her deeply. It
was an affection which she returned, even defying convention enough to include
Pitt, not caring in the slightest what other people thought of her for
receiving a policeman in her withdrawing room as if he had been a social entity,
and not one of the less desirable tradesmen. She had always had both the rank
and the beauty to disregard opinion, and as she got older she used it
shamelessly. She was a keen reformer of laws and customs of which she did not
approve, and she was not averse to meddling in detection whenever Charlotte and
Emily provided her with the opportunity.</p><p>Church was not the place for
greetings; she merely inclined her head minutely in Charlotte's direction and
took her seat at the end of the pew, waiting while the other guests arrived.</p><p>The groom, Jack Radley, was
already at the altar, and Charlotte was beginning to feel anxious when at last
Pitt slipped into the pew beside her, looking surprisingly smart and holding a
black silk hat in his hands.</p><p>' 'Where did you get that?''
Charlotte whispered under her breath, in a moment of alarm as to the expense of
such a thing he would never use again.</p><p>"Micah Drummond,"
he answered, and she saw the appreciation in his eyes as he saw her gown. He
turned and</p><p>59</p><p>smiled at Great-aunt
Vespasia, and she bent her head graciously and slowly dropped one eyelid.</p><p>There was a buzz of
excitement, then a hush, and the organ changed tone and became magnificent,
romantic and a little pompous. In spite of herself Charlotte turned to gaze
backwards to see Emily framed by sunlight in the arch of the church doorway,
walking slowly forwards on the arm of Dominic Corde, the widower of their elder
sister Sarah. A host of memories came flooding back for Charlotte: Sarah's
wedding, the turmoil of her own emotions in those early years when she had
imagined herself so terribly, hopelessly in love with her brother-in-law
Dominic; Charlotte herself walking up the aisle on her father's arm to stand by
Pitt at the altar. She had been certain then that she was doing the right
thing, despite all the mounting fears, the knowledge she would lose many
friends and the security of position and money.</p><p>She was still sure it was
right. There had been hardships, of course, things she would have considered
drudgery eight years ago. Now her world was immeasurably wider, and she knew
that even on a policeman's pay, with a little allowance of her own from her
family, she was by far one of the world's most fortunate souls. She was seldom
cold and never hungry, nor did she lack for any necessity. She had known a
multitude of experiences, but never tedium, never the fear that she was wasting
her life in useless pursuits, never the endless hours of embroidery no one
cared about, the painting of different watercolors, the deadly calls, the
dreadful tea parties full of gossip.</p><p>Emily looked marvelous. She
was wearing her favorite water green silk, set against ivory and embroidered
with pearls. Her hair was perfectly dressed, like a pale aureole in the
sunlight, and her fair skin was flushed with excitement and happiness.</p><p>Jack Radley had no money and
probably never would have, nor a title; Emily would cease to be Lady Ashworth,
and it</p><p>60</p><p>had cost her a moment's
regret. But Jack had charm, wit, and a remarkable ability for companionship.
And since George's death he had proved he had both courage and generosity of
spirit. Emily not only loved him, she liked him enormously.</p><p>Charlotte slipped her hand
into Pitt's and felt his fingers tighten over hers. She watched the ceremony
with happiness for Emily and no shadow of anxiety for the future.</p><p>Pitt was obliged to leave
almost as soon as the formal part of the ceremony was over. He remained only
long enough to congratulate Jack, kiss Emily, and greet Caroline and
Grand-mama, and Great-aunt Vespasia in the vestry.</p><p>"Good morning,
Thomas," Vespasia said gravely. "I am delighted you were able to
come."</p><p>Pitt clutched Micah
Drummond's hat and smiled back at her.</p><p>"I am sorry for having
been so late," he said sincerely, "and for having to leave in such
haste."</p><p>"No doubt a pressing
case." She raised her fine silver eyebrows.</p><p>"Very," he agreed,
knowing she was curious. "An unpleasant murder.''</p><p>"London is full of
them," she replied. "Is it of personal motive?"</p><p>"I doubt it."</p><p>' 'Then a thankless task for
you, and requiring little of your peculiar skills. No social issue, I
presume?"</p><p>"None so far. It looks
to be merely political, or perhaps the work of a random madman.''</p><p>"An ordinary violence,
then."</p><p>He knew she was vaguely disappointed
that there was no opportunity for her to meddle, even vicariously through
Charlotte or Emily; he knew also that she did not wish to admit it.</p><p>"Very pedestrian,"
he agreed soberly. "If that is what it proves to be."</p><p>61</p><p>"Thomas-"</p><p>"Excuse me,
ma'am." And with a little bow he smiled once more at Emily, turned, and
walked briskly away, through the church gateway and down Lower Belgrave Street
towards Buckingham Palace Road.</p><p>A small reception was to be
given in one of the town houses in Eaton Square by a good friend of Emily's,
and after a few more moments they all walked across the street in the sun,
first Emily on Jack's arm followed by Caroline and Edward, then Charlotte and
her children. Dominic offered his arm to Great-aunt Vespasia, and she accepted
it graciously, although her mind was still on the retreating figure of Pitt.
Grandmama was escorted, grumbling all the way, by a close friend of the groom.</p><p>It was the beginning of a
new stage of life for Emily.</p><p>Then Charlotte suddenly
thought of the women in the public meeting, some so outrageously complacent,
so sure of their comfort, their unassailable positions, others risking derision
and notoriety to fight for a cause that was surely hopeless. How many had once
been brides like this, full of hope and uncertainty, dreaming of happiness,
companionship, safety of the heart?</p><p>And how many had ended a few
short years later like the woman Ivory they had spoken of with such
disdain-fighting for redress, a byword for unhappiness?</p><p>She had barely mentioned
that meeting to Pitt, there had been so much else to think of, but it was there
at the back of her mind.</p><p>This was different, though.
Emily was in love, the radiance of her face mirrored that-but she had never
been naive, never lost sight of the practical in all the romance.</p><p>Charlotte smiled as she
recalled their girlhood, the long hours spent talking of the futures they
planned, the gallant and handsome men they would find. It was Emily who never
completely let go of reality, even at twelve with her hair in pigtails and a
white starched pinafore over her dress. Emily</p><p>62</p><p>always kept one toe on the ground. It was Charlotte whose dreams
took flight and soared from the world!</p><p>Champagne was poured, toasts were made, there were speeches and
laughter, and Charlotte joined in, happy for Emily, delighted by the glamor and
the romance, the lights and glasses, the flowers with their heady perfume, the
rustle of taffeta and silk.</p><p>She put a few tiny pastries on a plate and took them over to her
grandmother sitting on a chair in the corner.</p><p>The old lady took them, surveyed them carefully, and picked out
the largest. "Where did you say they were going?" she asked.
"You told me, and I forgot."</p><p>"Paris, and then a tour of Italy," Charlotte replied.
She tried to keep the envy from her voice. She herself had had only a long
weekend at Margate, and then Pitt had had to go back on duty, and she had spent
the next month moving into the first tiny house, with rooms smaller than the
maids' quarters in her family home. She had had to learn to manage for a month
on money she would previously have spent on one gown, and how to cook, where
she once would have instructed the kitchen staff. It did not matter, really,
but she would have loved just once to sail off in a ship, to visit foreign
places, dine splendidly, not so much for the food but for the romance of it!
She would like to see Venice, to drift on a canal by moonlight and hear the
gondoliers singing across the water; to see Florence, that city of great
artists, and walk among the ruins of Rome dreaming of the grandeur and glory of
great ages past.</p><p>"Very nice," Grandmama agreed, nodding her head.
"Every young girl should do it some time in her life, the earlier the
better. A civilizing influence, as long as it is not taken too seriously. One
should learn about foreigners, but never imitate them.''</p><p>"Yes Grandmama," Charlotte said absently.</p><p>"Of course you wouldn't know that!" the old lady went 63</p><p>on. "I don't suppose you'll ever see Calais, never mind Venice
or Rome!"</p><p>It was true, and this time Charlotte had no heart to answer.</p><p>"Told you that before," the old woman added vindictively.
"But you never listen. Never did, even as a child. But you've made your
bed, and you must lie in it."</p><p>Charlotte stood up and went to Emily. The formal part of the
celebration was over, and she and Jack were preparing to leave. She looked so
happy Charlotte felt tears in her eyes as the emotions churned inside her, joy
for Emily at this moment and relief for the shadows that were past, the grief
and the mourning, the terror as suspicion had hemmed her in, hope for the years
ahead, envy for the adventures and the shared laughter, the new sights and the
glamor.</p><p>She put her arms round Emily and hugged her.</p><p>"Write to me. Tell me of all the beautiful things you see,
the buildings and the paintings, the canals in Venice. Tell me about the
people, and if they're funny or charming or odd. Tell me about the fashions and
the food, the weather- everything!"</p><p>"Of course! I'll write a letter every day and post them when
I can," Emily promised, tightening her own arms round Charlotte.
"Don't get into any adventures while I'm gone, or if you do, be
careful!" She held her sister a little tighter. "I love you,
Charlotte. And thank you for being there, all the time, ever since we were
little." Then she was on her way, clinging to Jack's arm and smiling at
everyone, her eyes full of tears, her gorgeous dress sweeping and rustling.</p><p>Several days passed by, with Pitt pursuing every avenue in the
investigation of the murder of Sir Lockwood Hamilton. The details of his
business were checked more thoroughly, but the accounts of the firm's property
purchases and sales yielded nothing more than they had at first glance. Not one
of them was out of the ordinary with regard either to unfair</p><p>64</p><p>acquisition through pressure of any kind, or to any advantage
being taken of others' misfortune, nor had any holding been sold at
unreasonable profit. It appeared that it was exactly as Charles Verdun had
said, a business in which Hamilton took some share of the profit but little in
the conduct, and in which Verdun himself employed his time because he enjoyed
it.</p><p>The business in Birmingham from which Hamilton drew most of his
income was merely a matter of inherited shares, and unremarkable in any way
Pitt could discover.</p><p>Barclay Hamilton owned a very pleasant house in Chelsea and was
reputed to be quiet, a little melancholy, but perfectly respectable. No one had
ill to speak of him, and his financial affairs were in excellent order. He was
a highly eligible young man at whom many young ladies of fine family had set
their caps, without success. But nothing was said, even in a whisper, to his
discredit.</p><p>Nor had the cold breath of scandal ever touched Amethyst Hamilton.
She did not overspend on gowns or jewelry, she ran her house with skill but
without extravagance, she entertained generously in her husband's interest.
She had many friendships, but none of a closeness that caused even the most
critical to make comment that was worth Pitt's time to consider.</p><p>A more thorough investigation of Hamilton's political career, the
account of which Pitt spent many hours reading and rereading, produced no
injustices so glaring as to have provoked anything like murder. He had been
the object of envy perhaps, of resentment that favors had been unequally given,
but all this was a part of a hundred other political lives as well. He appeared
to have taken no remarkable stand on any issue that could single him out as the
object of violent feeling. He was a competent man, both liked and respected,
but not marked for that greatness which inspires passion.</p><p>In the meantime Micah Drummond had as many of his force as he
could spare in pursuit of every known band of anarchists or
pseudo-revolutionaries who might have used</p><p>65</p><p>such a means to further their cause. He spoke to senior officers
in many other police districts of London, and even to the Foreign Office to see
if they were acquainted with any other nation or power who might have had an
interest in the death of a member of Parliament. Eventually he gave what he had
to Pitt and told him to try his own sources in the underworld and its fringes,
to see if he could pick up any whispers.</p><p>Pitt read the reports and discarded three quarters of them. The
constables had done their job thoroughly, and their own informant had exhausted
everything likely to produce any information of use. Of the last quarter he
chose the few he could follow through fences, petty thieves, or small-time
forgers who owed him a favor, or who were seeking some advantage.</p><p>He changed out of his own clothes, removed the beautiful boots
Emily had given him, and got into some shapeless trousers and a jacket so old
and rimed with dirt he could pass without comment in the poorest of tenements
or rookeries, the grimmest of East End docks or public houses. Then he went
out, took a cab for two miles eastward and got out just short of the
Whitechapel Road.</p><p>In the next three hours he spoke to half a dozen petty criminals,
always moving eastward towards Mile End, and then south to the river and
Wapping. He had a thick sandwich and glass of rough cider in a public house
overlooking the water and then set off again deeper into the slums and narrow,
fetid streets within sound and smell of the Thames, looking towards Limehouse
Reach. At last, in the late afternoon, he had enough information to trade for
what he wanted.</p><p>He found the right man up crooked stairs, damp with the rot of
ages, a thousand yards from the pier stakes where once they had tied pirates
and let the tide rise to drown them. He stopped at a doorway and knocked on the
warped panels.</p><p>After several minutes it was opened a crack and there was a
rumbling growl with a high-pitched menace at the back of</p><p>66</p><p>I</p><p>it-a dog who would attack at
the slightest misstep. Pitt looked down and saw the beast's head, a white blur
in the shadows, a piglike cross between a bull terrier and a setter.</p><p>The door swung a little
wider to show yellow oil light behind and a squat man with a thick neck and
pale bristly hair cut in the "terrier crop" of one recently in
prison. His face was ruddy and his eyebrows so pale they seemed colorless,
almost translucent. It was not until he pulled the door fully open that Pitt
saw he had a wooden leg below a fat thigh cut off above the knee. He knew he
had the right man.</p><p>Pitt eyed the dog which
stood between them. "Deacon Stafford? "he asked.</p><p>''Yeah-'oo're yer? Wotcher
want? I dunno yer.'' He surveyed Pitt up and down, then looked at his hands.
"Yer a crusher out o' twig!"</p><p>So his disguise was far less
effective than he had thought. He must remember his fingernails next time.</p><p>"Thin Jimmy said you
might be helpful," Pitt said quietly. "I have certain information
you would find useful."</p><p>"Thin Jimmy . . . Well,
come in. I in't standin' 'ere; I got a bad leg."</p><p>Pitt had heard Deacon's
story. His father had "got the boat'' to Australia back when deportation
was still a common punishment for petty robbery, and his mother had been sent
with her three children to the workhouse. Young William Stafford had been set
to work "picking oakum"-unraveling old rope-at the age of three. At
six he had run away, and after begging and stealing till he was on the point of
starvation, he had been picked up by a kidsman, a man who trained and ran a
bunch of child thieves and pick-pockets, taking the largest portion of their
profits, fencing them, and in return giving them food and protection. William
had picked pockets successfully "cly faking," then progressed to a
higher form of the art, specializing in stealing from women-
"fine-wiring." After a spell in the Coldbath Fields jail, the damp
had got into his bones and bis fingers lost their nimble-</p><p>67</p><p>ness. He took to "flying
the blue pigeon"-stealing roofing lead, most particularly from churches,
which earned him his nickname. A bad fall on a freezing night had resulted in a
splintered thigh, which became gangrenous, costing him his leg. Now he sat in
this narrow room piled with furniture by the embers of a smoky fire and traded
information and power.</p><p>Deacon offered Pitt a seat
in the huge overstuffed chair opposite his own, a yard from the fire, and the
dog waddled in and lay between them, watching Pitt with its pink piggy eyes.</p><p>' 'So wotcher got?'' Deacon
asked curiously.' "Thin Jimmy knows me, 'e's a downy little swine, but 'e
don' give me no flam-so don' you neither, or yer'll get a right dew-skitch
afore yer leaves Lime'ouse."</p><p>Pitt had no doubt that
indeed he would be thrashed soundly if he gave Deacon any "flam."
Word for word, he passed on the information he had gleaned so carefully all
day. Deacon looked satisfied; the light of a deep inner jubilation spread over
his broad face, and his lips parted in a gummy smile.</p><p>"Right. So wotcher want
from me, then? This in't fer nuffin'!"</p><p>"Westminster Bridge
murder," Pitt replied candidly. "Anarchists? Irish Fenians?
Revolutionaries? What do you hear?"</p><p>Deacon was surprised.
"Nuffink! Least, o' course I 'card a bit! Ten years ago I'd 'a said 'Arry
Parkin. Great one fer the anarchists, 'e were, but 'e were crapped in
'eighty-three. Three week in the saltbox, then the long drop fer 'im. 'E were
never good fer nuffink but bug 'unting anyway, poor bastard."</p><p>' 'They don't hang people for
robbing drunks,'' Pitt pointed out.</p><p>"Killed some
shofulman," Deacon explained. "Paid 'im in fakement, an Parkin
cracked 'is 'aed open. Stupid bastard!"</p><p>"Not much help,"
Pitt said dryly. "Try a little harder." 68</p><p>' 'I'll ask Mary Murphy,''
Deacon offered.' 'She's an 'ore. Sails on 'er bottom-no pimp. She'll 'ave 'card
if it's the Fenians, but I reckon it in't."</p><p>"Anarchists?" Pitt
pressed.</p><p>Deacon shook his head.
"Nan! That in't the way their minds goes. Stick a shiv hi some geezer on
Westminster Bridge! Wot good'd that do 'em? They'd go fer a bomb, summink
showy. Loves bombs, they do. All talk, they are-never do nuffink so
quiet."</p><p>"Then what is the word
down here?"</p><p>"Croaked by someone as
'ated 'im, personal like." Deacon opened his little eyes wide. "In't
no flam-I makes me livin' by blowin', I'd be a muck snipe in a munf if I done
that! In't quick enough to thieve no more. I'd 'ave ter try a scaldrum dodge,
an that in't no way ter live!"</p><p>No, begging by fake or
self-inflicted wounds would hardly fit Deacon's sense of his own dignity.</p><p>"No," Pitt agreed,
standing slowly, keeping his eye on the dog. ' 'Nor is sitting in lavender in
some deadlurk the rest of your days." It was a cant term for hiding from
the police in an empty house.</p><p>Deacon understood the threat
perfectly, nor did he appear to resent it: it was an expected part of trade.</p><p>' 'That murder in't nuffink
ter do wiv us in the East End,'' he said with total candor. "Don' do us no
good. An' we knows abaht anarchists and the like, because it pays us ter. I'll
keep an ear for yer, seein' as yer gave me wot I wanted. But me best word to
you is that it in't nuflink revolutionary, yer'd best look to 'is own
sort."</p><p>"Or a random
lunatic," Pitt said grimly.</p><p>' 'Oh.'' Deacon sighed
deeply. ' 'Well, there's some o' vem an' all, but not from 'ere. We takes care
o' vem our own way. Look to 'is own sort, mister, vat's wot I says. 'Is own
sort."</p><p>* * *</p><p>69</p><p>It was five days after
Emily's wedding and departure on the boat train for Paris that Pitt was
awakened from his first early night since the murder by a loud and urgent
knocking on his front door. He emerged slowly from the soft, sweet darkness of
sleep into a realization that the thumping was no part of a dream but persisted
into reality, demanding his attention.</p><p>"What is it?"
Charlotte asked drowsily at his side. Funny how she could sleep through this
noise, and yet if one of the children but whispered she was wide awake and up
on her feet getting into her robe before he had struggled to consciousness.</p><p>"Door," he said
blearily, reaching in the dark to find his jacket and trousers. It could only
be for him, and he would be required to go somewhere out into the sharp night.
He fumbled for his socks and found only one.</p><p>Charlotte sat up and felt
around for a match to light the gas.</p><p>"Don't," he said
softly. "It's around here somewhere."</p><p>She did not ask who it was
at the door; she knew from experience it could only be a constable with some
urgent news. She did not like it, but she accepted the fact that it was a part
of his life. What she dreaded was the knock that might come when he was not
here, and that the news would be that which she could not bear.</p><p>Pitt found his other sock,
put it on, and stood up. He leaned over and kissed her, then tiptoed to the
bedroom door and downstairs to find his boots and answer the summons.</p><p>He unlocked the front door
and swung it open. There was a constable on the step, the streetlamp beyond
lighting one side of his face.</p><p>"There's been another
one!" His words came out in a rush, relief that Pitt was there easing his
lonely horror. "Mr. Drummond says as you're to come right away. I got a
cab, sir, if you're ready."</p><p>Pitt noticed the hansom
standing a few doors along, horse restless, cabby sitting on his box with the
reins in his hands,</p><p>70</p><p>a blanket round his knees.
The horse's breath formed a thin cloud of vapor in the air.</p><p>"Another what?"
Pitt was confused for a moment.</p><p>"Another Member of
Parliament, sir, with 'is throat cut an' tied up to the lamppost on Westminster
Bridge-just like the last one."</p><p>For a moment Pitt was
stunned. He had not expected it; he had been convinced by Deacon that it was a
personal crime, motivated by fear or greed or some long-sought revenge. Now it
seemed the only answer was the worst of all: a random lunatic was at work.</p><p>"Who is it?" he
said aloud.</p><p>"Vyvyan Etheridge.
Never 'eard of 'im meself," the constable answered anxiously. "But
then, I don't know much abaht politicians, 'cept them as everyone knows."</p><p>"We'd better go."
Pitt reached for his coat, gloves still in his pockets, and then closed the
door and followed the constable along the damp pavement, the dew condensing on
the walls, which gleamed in the gaslight. They climbed into the cab, and
immediately it set off back towards the bridge.</p><p>Pitt wriggled round tucking
in his shirttails under his coat. He should have put more clothes on; he was
going to be cold.</p><p>"What else do you
know?" he asked in the rattling darkness, bumping against the sides of
the cab as they swung sharply round a corner. "What time is it?"</p><p>' 'It must be about quarter
to midnight, sir,'' the constable replied, hitching himself back into his seat
more comfortably, only to be thrown out of it again as they swung the other
way. "Poor soul was found just after eleven o'clock. 'Ouse sat late again.
'E was prob'ly killed on the way 'ome, like the other one. 'E lives off the
Lambeth Palace Road, south side o' the river again."</p><p>"Anything else?"</p><p>"Not as I knows,
sir."</p><p>Pitt did not ask who had
found the body; he preferred to make his own judgment when he got there. They
careered</p><p>71</p><p>through the spring night in
silence, bumping against each other as the cab jolted and jarred round corners,
righted itself again, and charged on.</p><p>They drew up at the far end
of Westminster Bridge and Pitt scrambled out into the glare of the lamplight. A
group of people stood frightened, at once fascinated and repelled. None of them
was permitted to go, neither did anyone want to. Some horror kept them close to
each other, as though they were unwilling to leave those who had shared the
knowledge here in the pool of light, islanded amidst the shadows.</p><p>Micah Drummond's lean figure
was easily distinguished, and Pitt went to him. On the ground, laid in some
semblance of decency, was the body of a man of late middle age, dressed in
sober clothes of excellent quality, a silk hat beside him on the pavement. A
white silk scarf had been cut with a knife, and lay a little to one side of his
neck. It was soaked with blood, which also drenched his shirtfront, and there
was a single fearful wound in his neck from one side right across to the other.</p><p>Pitt knelt and looked more
closely. The face looked calm, as if he had not seen death coming. It was a
narrow patrician face, not unpleasing, with a long nose, a good brow, the mouth
perhaps a little lacking in humor but without cruelty. The man's hair was
silver, but still thick. There were fresh flowers pale in the buttonhole.</p><p>Pitt looked away and up at
Drummond.</p><p>"Vyvyan Etheridge,
M.P.," Drummond said quietly. He looked haggard, his eyes hollow, his
mouth pinched. Pitt felt a quick stab of pity for him. Tomorrow all London,
from the scrubwoman to the Prime Minister, would be calling for a solution to
these outrages, stunned that members of the establishment, whether loved or
hated, men considered safe above all others, could be killed silently and
unseen within a few hundred yards of the Houses of Parliament.</p><p>Pitt stood up. ''Robbed?''
he asked, although he knew the answer.</p><p>72</p><p>"No," Drummond
replied, barely shaking his head. "Gold watch, very expensive, ten gold
sovereigns and about ten shillings in silver and coppers, a silver brandy
flask, still full. Looks in this light like an extremely fine one, solid, not
plate, and scrolled and engraved with his name. Gold cuff links, and he carried
a cane with a silver top-all here. Oh, and French leather gloves."</p><p>"No paper?"</p><p>"What?"</p><p>"No paper?" Pitt
repeated, although he had little hope of it. He had to ask. "I wondered if
perhaps whoever did it left some note, a threat, a demand. Some sort of
identification."</p><p>"No. Only Etheridge's
own papers: a couple of letters, calling cards, that sort of thing."</p><p>"Who found him?"</p><p>"Young fellow over
there." Drummond gestured very slightly with his head. "I think he
was a little drunk then, but he's certainly sober enough now, poor devil.
Name's Harry Rawlins."</p><p>"Thank you, sir."
Pitt stepped off the curb and crossed the road to the group of people standing
under the lamp opposite. It all had a dreamlike quality, as if he were reliving
the first time. The night sky was the same vast cavern overhead, the smell of
the air sharp and clean here on the river, the water gleaming black and satin
bright beyond the balustrade, reflecting the lights all along the Embankment,
the triple globes of the lamps, the outline of the Palace of Westminster black
gothic against the stars. Only the little knot of people was different; there
was no Hetty Milner, with her fair skin and gaudy skirts. Instead there was an
off-duty cabby, a tap-room steward on his way home, a clerk and his lady
friend, frightened and embarrassed, a railway porter from Waterloo Station just
across the bridge, and a young man with blond hair falling over his brow, face
now pallid as marble, his eyes staring with horror. He was well dressed,
obviously a young gentleman out for a night on the town.</p><p>73</p><p>Every vestige of indulgence
had fallen from him like a dropped garment, and he was appallingly sober.</p><p>"Mr. Rawlins."
Pitt had no need to ask which he was; his experience was written in his face.
"I am Inspector Pitt. Would you tell me exactly what happened, sir?"</p><p>Rawlins gulped. For a moment
adequate speech eluded him. It was not some tramp he had found, but a man of
his own class, tied up ludicrously, lounging against the lamp, silk hat askew,
white scarf too tight under his chin, head lolling in a mockery of drunkenness.</p><p>Pitt waited patiently.</p><p>Rawlins coughed and cleared
his throat. "I was coming home from a late party with a few friends, don't
you know, and-"</p><p>"Where?" Pitt
interrupted.</p><p>"Oh-Whitehall Club,
just over there." He pointed vaguely towards the other end of the bridge
beyond Boadi-cea. "Off Cannon Street."</p><p>"Where do you live,
sir?"</p><p>"Charles Street, south
of the river, off the Westminster Bridge Road. Thought I'd walk home. Do me
good. Didn't want the pater to see me a-a little tiddly. Thought the fresh air,
and all that."</p><p>"So you were walking
home over the bridge?"</p><p>"Yes, that's
right." For a moment he teetered a little on his feet. ' 'God! I've never
seen anything so awful! Poor devil was leaning backwards against the lamppost,
sort of lolling, as if he were three sheets to the wind. I took no notice until
I got level with him, and then I realized who he was. Met him a couple of
times, you know; friend of the pater's, in a mild sort of way. Then I thought,
Vyvyan Etheridge'd never be caught like that! So I went over, thinking he must
be ill, and-" He swallowed. There was a fine sweat on his face now, in
spite of the cold, "-and I saw-saw he was dead. Of course, I remembered
poor Hamilton then, so I walked back towards the Parliament side, pretty
smartly-I think</p><p>74</p><p>maybe I ran-and I shouted
out something. Anyway, the constable came and I told him what. . . er, what I'd
seen."</p><p>' 'Was there anyone else on
the bridge, or coming from the bridge as you approached it?"</p><p>"Er ..." He
blinked. "I don't rightly recall. I'm fearfully sorry. I was definitely a
bit-high-until I saw Ether-idge and realized what'd happened."</p><p>"If you could search
your memory, sir?" Pitt pressed, looking at the fair, earnest, rather
placid face.</p></section><section><p>Rawlins was very pale. He
was neither so drunk nor so shaken that he did not realize the implication of
Pitt's insistence.</p><p>"I think there was
someone on the opposite of the bridge. I mean across the road, coming towards
me; a big stout person. I have the impression of a longish coat, dark-that's
really what I remember, a sort of darkness moving. That's about it. I'm
sorry."</p><p>Pitt hesitated a moment
longer, half hoping Rawlins would think of something more. Then he accepted
that the young man's mind had been in such a muddled state that that was really
all there was.</p><p>"And the time,
sir?" he asked.</p><p>"What?"</p><p>"The time? Big Ben is
just behind you, sir."</p><p>"Oh. Yes. Well, I
definitely heard it strike eleven, so about five past. Not later."</p><p>"And you are sure you
saw no one else? No cabs passing, for instance?"</p><p>There was a flicker of light
in his eyes. "Oh yes-yes I did see a cab. Came off the bridge and went
along the Victoria Embankment. Remember now that you mention it. Sorry
Constable.''</p><p>Pitt did not bother to
correct Rawlins as to his rank. The man had intended no insult; he was shocked
past everyday niceties.</p><p>"Thank you. If you
think of anything else, I'm at the Bow 75</p><p>Street Station. Now you had
better go home and have a hot cup of tea and go to bed.''</p><p>"Yes-yes I'll do that.
Good night, er-good night!" He went off rapidly and rather unsteadily,
lurching from one pool of light to the next on up Westminster Bridge Road and
disappearing behind the buildings.</p><p>Pitt crossed the street back
to Drummond. Drummond met his eyes, searching for some sign of hope and finding
little.</p><p>"There's nothing
else," he said bleakly. "Looks political after all. We'll get the men
out tomorrow morning after conspiracies, but we're already doing all we can.
There isn't a single piece of evidence of any sort to connect anyone with this.
Dear heaven, Pitt, I hope it isn't some lunatic."</p><p>"So do I," Pitt
said grimly. "We'll be reduced to doubling police on duty and hoping to
catch him in the act." He said it in desperation, but he knew there was
little else they could do if indeed that were the case. "There are still
other possibilities."</p><p>"Someone mistook the
first victim?" Drummond said thoughtfully. "They intended Etheridge,
but got Hamilton by mistake? It's dark enough in the stretches between the
lamps, and if he'd had his back to the light and his face in shadow when he was
attacked, their features are enough alike, and with the same light hair-a
frightened or enraged person-" He did not finish; the vision was clear
enough.</p><p>"Or the second crime is
an imitation of the first." Pitt doubted it even as he spoke.
"Sometimes it happens, especially when a crime gains a lot of publicity,
as Hamilton's murder did. Or it could be that only one of the murders matters,
and we are intended to believe it is anarchists or a madman, when one
cold-blooded crime was committed to mask another."</p><p>"Who was the intended victim,
Hamilton or Etheridge?" Drummond looked tired. He had slept little in the
last week</p><p>76</p><p>and now this cold horror
with all its implications stretched darkly in front of him.</p><p>"I'd better go and tell
the widow." Pitt was shivering. The night air seemed to eat right through
his clothes into his bones. "Have you the address?"</p><p>"Three Paris Road, off
the Lambeth Palace Road."</p><p>"I'll walk."</p><p>"There's a
hansom," said Drummond.</p><p>"No, I'd rather
walk." He needed time to think, to prepare himself. He set off briskly,
swinging his arms to get warm and trying to form in his mind how he would tell
this new family of its bereavement.</p><p>It took him over five
minutes of knocking at the door and waiting before a footman turned on the
light hi the hall and gingerly opened the door.</p><p>"Inspector Thomas Pitt,
Bow Street Station," Pitt said quietly. "I'm sorry, but I have bad
news for Mr. Etheridge's family. May I come in?"</p><p>' 'Yes-yes sir.'' The
footman stepped back and pulled the door wider. The hall was large and lined
with oak. A single gaslight showed the dun outlines of portraits and the soft
blues of a Venetian scene. A magnificent staircase curved up towards the
shadows of the gallery landing and the one light glowing there.</p><p>"Has there been an
accident, <emphasis>sir!" </emphasis>the footman asked anxiously, his face puckered with
doubt. "Was Mr. Ether-idge taken ill?"</p><p>"No, I am afraid he is
dead. He was murdered-in the same way as Sir Lockwood Hamilton."</p><p>"Oh my Gawd!" The
footman's face blanched, leaving the freckles across his nose standing out
sharply. For a moment Pitt was afraid he was going to faint. He put out his
hand, and the gesture seemed to recall the man. He was probably no more than
twenty at most.</p><p>"Is there a
butler?" Pitt asked him. The youth should not have to bear the burden of
such news alone.</p><p>77</p><p>"Yes sir."</p><p>"Perhaps you should
waken him, and a lady's maid, before we tell Mrs. Etheridge."</p><p>"Mrs. Etheridge? There
in't no Mrs. Etheridge, sir. 'E's- 'e were a widower. Long time now, before I
come 'ere. There's just Miss Helen-that's 'is daughter; Mrs. Carfax, she is-and
Mr. Carfax."</p><p>"Then call the butler,
and a maid, and Mr. and Mrs. Carfax. I am sorry, but I shall need to speak to
them."</p><p>Pitt was shown into the
morning room, austere in dark green, with early spring flowers in a misty blue
Lalique bowl and paintings on the wall, at least one of which Pitt believed to
be an original Guardi. The late Vyvyan Etheridge had had not only fine taste, but
a great deal of money with which to indulge it.</p><p>It was nearly a quarter of
an hour before James and Helen Carfax came in, pale-faced and dressed in
nightclothes and robes. Etheridge's daughter was in her late twenties and had
his long, aristocratic face and good brow, but her mouth was softer, and there
was a delicacy in her cheekbones and the line of her throat which, while it did
not give her beauty, certainly spoke of an imagination and perhaps a
sensitivity not apparent in her father. Her hair was thick but of no particular
depth of shade, and disturbed from sleep and caught by tragedy, she was bereft
of color or animation.</p><p>James Carfax was far taller
than she, lean and slenderly built. He had a magnificent head of dark hair and
wide eyes. He would have been handsome had there been strength in his face
instead of mere smoothness. There was in his mouth a mercurial quality; it was
a mouth that would be as quick to smile as to sulk. He stood with his arm round
his wife's shoulder and stared defensively at Pitt.</p><p>"I am extremely sorry,
Mrs. Carfax," Pitt said immediately. "If it is of any comfort to
you, your father died within seconds of being attacked, and from the look of
peace upon</p><p>78</p><p>his face, I think he
probably knew no fear, and barely a moment's pain."</p><p>"Thank you," she
said with difficulty.</p><p>"Perhaps if you were to
sit down," Pitt suggested, "and have your maid bring you some
restorative?"</p><p>"It is not
necessary," James Carfax snapped. "Now that you have told us the
news, my wife will retire to her room."</p><p>' 'If you prefer that I
return tomorrow morning,'' Pitt said looking not at James but at Helen,
"then of course I shall. However, the sooner you give us all the
information possible, the better chance we have of apprehending whoever is responsible."</p><p>"Rubbish!" James said
instantly. "There is nothing we can tell you that would help! Obviously
whoever murdered Sir Lockwood Hamilton is still at large and murdered my
father-in-law as well. You should be out hi the streets hunting for him-or
them. It's either a madman, or some anarchist plot. Either way, you won't find
any guidance to it in this house!"</p><p>Pitt was used to shock and
knew the first wave of grief often showed itself as anger. Many people fought
against pain by driving it out with some other intense emotion. The desire to
blame someone seemed to come most readily.</p><p>"Nevertheless, I must
ask," Pitt insisted. "It is possible the attack may have been
personally inspired, made by someone who had some political animosity-"</p><p>"Against both Sir
Lockwood and my father-in-law?" James's dark eyebrows shot upward in
sarcastic disbelief.</p><p>"I need to investigate,
sir." Pitt held his gaze steadily. "I must not decide in advance what
the solution is going to be. Sometimes one man may commit murder in imitation
of another, hoping the first will be blamed for both crimes."</p><p>James lost his fragile
temper. "More likely it's anarchists, and you're simply incompetent to
catch them!"</p><p>Pitt overlooked the jibe. He
turned to Helen, who had taken his advice and seated herself uncomfortably on
the</p><p>79</p><p>edge of the wide, forest
green sofa. She was hunched forward, arms folded across herself as if she were
cold, although the room still retained the warmth of the smoldering fire.</p><p>"Are there any other
members of the family we should inform?" he asked her.</p><p>She shook her head.
"No, I am the only child. My brother died several years ago, when he was
twelve. My mother died shortly after. I have an uncle in the Indian Army, but I
shall write to him myself, in a day or two."</p><p>So she would inherit. Pitt
would make sure, of course, but it would be extraordinary if Etheridge had left
his fortune outside the family. "So your father had been a widower for
some time," he said.</p><p>"Yes."</p><p>"Had he ever considered
marrying again?" It was a reasonably tactful way of inquiring whether
Etheridge had any romantic alliances. He hoped she understood what he meant.</p><p>A wan smile lit her face for
an instant, and vanished.' 'Not so far as I know. That is not to say there were
not several ladies who considered it."</p><p>"I imagine so,"
Pitt agreed. "He was of fine family, had a successful career, an
impeccable reputation, was charming and personable, and was of very substantial
means, and still young enough to have another family."</p><p>James's head came up sharply
and his mouth fell slack with some emotion of alarm or loss that Pitt could see
for an instant, before it was masked, but he could not be sure of its nature.</p><p>Helen's eyes flashed upward
to her husband's face; she grew even more pale, then the color rushed up in her
cheeks. She turned to Pitt and spoke so quietly he had to lean forward to catch
her words.</p><p>' 'I don't think he ... ever
had any desire to marry again. I'm sure I should have known of it.''</p><p>80</p><p>"Would any of these
ladies have had reason for entertaining hopes?"</p><p>"No."</p><p>Pitt looked at James, but
James avoided his eyes.</p><p>"Perhaps you would give
me the name of his solicitors in the morning?" Pitt asked. "And any
business partners or associates he may have had?"</p><p>"Yes, if you think it
necessary." She was very pale. Her hands were clenched and her body still
hunched forward on the edge of the seat.</p><p>"His affairs were in
excellent order," James put in, suddenly looking at Pitt and frowning.
"Surely they have no bearing on this? I think you intrude on our privacy
without justification. Mr. Etheridge's wealth was inherited through lands in
Lincolnshire and the West Riding, and shares in several companies in the City.
I suppose there may be some malcontents or would-be revolutionaries who resent
that, but only the same ones who would resent anyone with property." His
eyes were bright, his jaw a little forward. He was half challenging Pitt, as if
he suspected Pitt might have some secret sympathy with those James considered
to be his own class.</p><p>"We are looking into
that, of course." Pitt smiled briefly back at him and held his gaze. It
was James who looked away. "I will also inquire into his political career
as well," he continued. "Perhaps you can give me an outline from which
to begin?"</p><p>Helen cleared her throat. '
'He has been a Liberal Member of Parliament for twenty-one years, from the
general election in December 1868. His constituency is in Lincolnshire. He
served as a junior minister in the Treasury in 1880 when Mr. Gladstone was
Prime Minister and Chancellor of the Exchequer, and in the India Office when
Lord Randolph Churchill was Secretary for India, I think that was 1885. And he
was Parliamentary Private Secretary to Sir William Harcourt when he was Home
Secretary, but only for about a year-I</p><p>81</p><p>think it was 1883. At
present he has-he had," she said, hesitating for only a moment, "no
particular office, so far as I know, but a great deal of influence."</p><p>"Thank you. Do you
happen to know if he held strong views on the Irish question? Home Rule, for
example."</p><p>She shivered and glanced
again at James, but he was apparently unaware of it, his mind absorbed with
something else.</p><p>' 'He was against Home
Rule,'' she answered very quietly. Then her eyes widened and there was a flash,
a quickening of something within. Anger and hope? Or merely intelligence?
"Do you think it could have been Fenians? An Irish conspiracy?"</p><p>' 'Possibly.'' Pitt doubted
it; he remembered Hamilton had been strongly in favor of Home Rule. But then
perhaps Hamilton had been killed by mistake. At night with the distortion of
the lamplight . . . the two^men were of a height, roughly of an age, and not
dissimilar in coloring and features. ' 'Yes-possibly.''</p><p>"Then you had better
begin inquiring," James said. He seemed a little more relaxed. "We
will retire. My wife has had a profound shock. I am sure you can learn anything
else you need from my father-in-law's political colleagues." He turned to
leave. His concern for Helen did not extend to offering her his arm.</p><p>The merest flicker of hurt
crossed Helen's face before it was mastered and concealed again. Pitt debated
for an instant whether to offer his hand. He wished to, as he would have to
Charlotte, but he remembered his position: he was a policeman, not a guest or
an equal. She would regard it as an impertinence, and more powerful in his
mind, it would highlight the fact that her husband had not done so. James was
standing by the door, holding it open.</p><p>"Have you been at home
all evening, sir?" Pitt said with an edge to his voice he had not
intended, but his anger at the man was too strong.</p><p>82</p><p>James looked surprised. Then a wave of color spread up his cheeks,
dim in the light of the two lamps that had been turned up but unmistakable to
someone staring at him as Pitt was.</p><p>He hesitated. Was he debating whether to lie?</p><p>"Never mind." Pitt smiled sourly. "I can ask the
footman. I need not detain you. Thank you, Mrs. Carfax. I am deeply sorry to
have had to bring you such news."</p><p>"We don't need your apologies-just get off about your
business!" James said waspishly. Then realizing at last how he betrayed
himself by unnecessary rudeness, he turned and walked out of the door, leaving
it wide and unattended for Helen to follow.</p><p>She stood still, her eyes on Pitt's face, struggling with herself
whether to speak or not.</p><p>Pitt waited. He was afraid she would retreat if he prompted her.</p><p>' 'I was at home,'' she said, then instantly seemed to regret it.
"I mean, I went to sleep early. I-I am not sure about my husband, but-but
my father did receive a ... a letter that troubled him. I think he may have
been threatened in some way."</p><p>"Do you know who sent this letter, Mrs. Carfax?"</p><p>"No. It was political, I think. Maybe regarding the
Irish?"</p><p>"Thank you. Tomorrow perhaps you would be kind enough to see
if you can remember any more. We will inquire at his office, and among his
colleagues. Do you know if he kept the letter?"</p><p>She looked almost at the point of collapse. "No. I have no
idea."</p><p>"Please don't destroy anything, Mrs. Carfax. It would be
better if you were to lock your father's study.''</p><p>"Of course. Now if you will excuse me, I must be alone."</p><p>Pitt stood to attention. It was an odd gesture, but he felt a
profound sympathy for her, not only because she had lost her father in violent
and peculiarly public circumstances, but</p><p>83</p><p>because of some other pain
he sensed in her, a loneliness that had something to do with her husband. He
thought perhaps she loved him far more than he did her, and she knew it, and
yet there was also something beyond that, another wound he could only guess at.</p><p>The footman showed him out,
and he went down the steps into the quiet lamplit street with a deep feeling
that there were other tragedies to be revealed.</p><p>84</p><p>1 <emphasis>he following day </emphasis>constables
set about finding any witnesses who might have seen anything from which a fact
could be deduced: a more exact time, whether the attacker had come from the
north side of the bridge or the south, which way he had gone afterwards,
whether by cab or on foot. There was little they could do until the evening,
because those who frequented the streets close to midnight were in their own
homes, shops, or lodgings through the day, which could be almost anywhere, and
even the members of Parliament were at home or in offices and ministries.</p><p>By midweek they had found four of the cabbies who had crossed the
bridge between half past ten and eleven o'clock. None of them had seen anything
that was of any help, nothing out of the ordinary, no loitering figures except
the usual prostitutes, and they, like Hetty Milner, were merely pursuing their
trade. One had seen a man selling hot plum duff, but he was a regular, and when
the police met the man in the early evening he could tell them nothing further.</p><p>Other members of Parliament had spoken with Etheridge shortly
before they all left the House and went their several</p><p>85</p><p>ways. None had seen him approached by anyone or could remember his
actually walking towards the bridge. They had been busy in conversation
themselves, the night was dark, it was late, and they were tired and thinking
of home.</p><p>All that the day's labor, walking, questioning, and deduction
produced by midnight was the confirmation of a very ordinary evening. No
unusual person had been noticed, nothing had disturbed Etheridge or caused him
to behave other than after any late night sitting of the House. There had been
no quarrels, no sudden messages, no haste or anxiety, no friends or
acquaintances with him except other members.</p><p>Etheridge had been found dead by Harry Rawlins within ten minutes
of his last words to his colleagues outside the entrance of the House of
Commons.</p><p>Pitt turned his attention to the personal life of Etheridge,
beginning with his financial affairs. It took him only a couple of hours to
confirm that he had been an extremely wealthy man, and there was no heir apart
from his only child, Helen Carfax. The estate was in no way entailed, and the
house in Paris Road and the extremely fine properties in Lincolnshire and the
West Riding were freehold and without mortgage.</p><p>Pitt left the solicitors' offices with no satisfaction. Even in
the spring sunshine he felt cold. The lawyer, a small, punctilious man with
spectacles on the bridge of his narrow nose, had said nothing of James Carfax,
but his silences were eloquent. He pursed his mouth and gazed at Pitt with
steady sadness in his pale blue eyes, but his discretion had been immaculate;
he told Pitt only what was in due course going to become public knowledge when
the will was probated, not that Pitt had expected anything else. Families of
Ether-idge's standing did not employ lawyers who betrayed their clients' trust.</p><p>Pitt took a quick lunch of bread, cold mutton, and cider at the
Goat and Compasses and then hired a hansom through Westminster and across the
bridge back to Paris Road. It was an acceptable hour to call, and even if Helen
Carfax were</p><p>86</p><p>not well enough to receive him herself, it would not matter; his
primary purpose was to search Etheridge's papers to see if he could find the
letter she had spoken of, or any other correspondence which would indicate an
enemy, a woman who felt ill-used, a business or professional rival, anything at
all.</p><p>When he alighted from the cab he found the house as he had
expected, all the curtains drawn and a dark wreath on the door. The parlormaid
who answered his knock wore black crepe in her hair instead of the crisp white
cap she would normally have had, and no white apron. It was on the tip of her
tongue to tell him to go to the tradesmen's entrance, but some mixture of
uncertainty, fear, and the aftermath of shock made her choose the simpler
measure and ask him in.</p><p>"I don't know whether Mrs. Carfax will see you," she
said warningly.</p><p>"How about Mr. Carfax?" Pitt asked as he followed her
into the morning room.</p><p>"He's gone out to attend some business. I expect he'll be
back after luncheon.''</p><p>"Would you ask Mrs. Carfax if I may have permission to look
through Mr. Etheridge's study to see if I can find the letter she mentioned to
me last night?"</p><p>"Yes sir, I'll ask," she said doubtfully, and left him
to wait alone. He looked round the room more closely than he had the previous
night. Guests who might call unexpectedly would be received here, and residents
of the house might spend a quiet morning attending to correspondence. The
mistress would come here to order the affairs of the day, give the cook and the
housekeeper their instructions, and discuss some domestic or cellar matter with
the butler.</p><p>There was a Queen Anne writing desk in one corner, and a table
with a number of framed photographs on it. He studied them carefully; the
largest was obviously Etheridge himself as a young man, with a gentle-faced
woman beside him. They looked stiff as they faced the photographer, but even in</p><p>87</p><p>the formal pose there was a
confidence that shone through, a composure that had more to do with happiness than
discipline. To judge from the fashions it had been taken about twenty years
ago. There was also a picture of a boy of about thirteen, thin, with the large,
intense eyes of an invalid. The picture was mounted in black.</p><p>The elderly woman who
reminded Pitt of a benign, rather lugubrious horse was presumably Etheridge's
mother. The family resemblance was there; she had the good brow and tender
mouth, recalling her granddaughter as she might have been in another age.</p><p>To the left side of the
table was a large picture of Helen herself with James Carfax. She looked
startlingly innocent, her face very young, eyes full of hope and the kind of
radiance that belongs to those in love. James also smiled, but only with his
mouth and his beautiful teeth; his eyes held satisfaction, almost relief. He
seemed more aware of the camera than she.</p><p>The date was in the corner,
1883. Possibly it was shortly after their marriage.</p><p>Pitt went to the bookcase. A
man's choice of books said much of his character, if the books were actually
read; if, on the other hand, they were meant to impress, they revealed
something of the people whose opinion mattered to him. If they were merely to
decorate the wall they revealed nothing, except the certain shallowness of a
person who used books for such a purpose. These were well-used volumes of
history, philosophy, and a few classic works of literature.</p><p>It was Helen herself who
appeared nearly ten minutes later, ashen-faced and dressed entirely in black,
which made her look younger, but also wearier, as if she were recovering from a
long and confining illness. But her composure was admirable.</p><p>"Good morning,
Inspector Pitt," she said levelly. "I believe you wish to search for
the letter I mentioned last night?</p><p>88</p><p>I doubt you will find it-I don't imagine my father will have
preserved it. But of course you may look."</p><p>"Thank you, Mrs. Carfax." He wanted to apologize for
disturbing her, but he could think of nothing that would not sound trivial in
the circumstances and so found himself following her silently across the
gaslit hallway. An upstairs maid with a pile of laundry and a tweeny of about
fourteen with a mop in her hand were both leaning over the landing rail
watching. If the housekeeper caught them, they would be disciplined sharply and
told precisely what happened to girls who could not attend to their work but
interested themselves in the affairs of their betters.</p><p>The library was another spacious room, with two oak-paneled walls,
one with large windows, the curtains drawn as suited a house in mourning; the
other two walls were lined with glass-fronted bookcases. The fire was unlit,
but the ashes had been cleared and the grate freshly blacked.</p><p>' 'There is my father's desk,'' Helen said, indicating a large oak
desk inlaid with tooled leather in dark maroon and containing nine drawers,
four on either side and one central one. She held out her thin hand, offering
him a little carefully wrought key.</p><p>"Thank you, ma'am." He took it, and feeling even more
intrusive than usual, he opened the first drawer and began to look through the
papers.</p><p>' 'I presume these are all Mr. Etheridge's?'' he asked.' 'Mr.
Carfax never uses this room?"</p><p>"No, my husband has offices in the City. He never brings work
home. He has many friends, but little personal correspondence."</p><p>Pitt was sorting through unanswered constituency letters, small
matters of land boundaries, bad roads, quarrels with neighbors, all trivial
compared with violent death. None of them were written with ill will; simple
irritation, more than rage or despair, seemed the ruling emotion.</p><p>"Has Mr. Carfax been obliged to go into the City this 89</p><p>morning?" he asked
suddenly, hoping to surprise something from her.</p><p>"Yes. I mean-" She
stared at him. "I-I am not sure. He told me, and I-forgot."</p><p>"Is Mr. Carfax
interested in politics?"</p><p>"No. He is in
publishing. It is a family interest. He does not go in every day, only when there
is a board meeting, or . . ." She trailed off, changing her mind about
discussing the subject.</p><p>Pitt came to the second
drawer, which was full of various tradesmen's bills. He looked at them closely,
interested to see that apparently they were all addressed to Etheridge, none to
James Carfax. Everything was accounted for here that he might have expected
would be required for the running of the establishment: the purchase of food,
soap, candles, polishes, linen, coal, coke and wood; the replacement of crockery
and kitchenware, servants' uniforms, footmen's livery; the maintenance of the
carriages and supplies for the horses, even the repair of harness. Whatever
James Carfax contributed, it must be very little indeed.</p><p>The only thing absent was
any account of expenditure for feminine clothing, shoes, dress fabrics or
dressmakers' bills, millinery or perfumes. It would seem Helen had either an
allowance or money of her own; or perhaps these were the things which James
provided.</p><p>He continued with the next
drawer, and the next. He discovered nothing but old domestic accounts and some
papers to do with the properties in the country. None of it bore the faintest
resemblance to a threat.</p><p>"I did not imagine he
would keep it," Helen said again, when Pitt completed his search.
"But it was ... it must have meant something." She looked away
towards the curtained windows. "I had to mention it."</p><p>' 'Of course.'' He had seen
the compulsion that had driven her to speak, although he was less sure of its
nature than his polite agreement led her to suppose. Some nameless anar-</p><p>90</p><p>chist, out there in the
streets, come at night from the tangle of the slums, was frightening enough,
but so infinitely better than that a passion to murder had been born here in
the house, living here, bound here, forever a part of them and their lives, its
shadow intruding across every hush in conversation, every silence in the night.</p><p>"Thank you, Mrs.
Carfax," he said, turning from the desk. "Is it possible this letter
could be in some other room? The morning room perhaps, or the withdrawing room?
Or might your father have taken it upstairs to prevent someone finding it by
chance and being distressed?" He did not for a moment think it likely, but
he would like to spend a little longer in the house and perhaps speak to the
staff. Helen's lady's maid could probably tell him all he wanted to know, but
of course she would not. Discretion was her chief qualification, more even
than her skill at dressing hair and at fine needlework, and in the art of
trimming and pressing a gown. Those who betrayed confidences never found work
again. Society was very small.</p><p>It seemed Helen did not want
to abandon the possibility either, no matter how slim.</p><p>"Yes-yes, he may have
put it upstairs. I will show you his dressing room; that would be a private
place to keep such a thing. There would be no chance of my finding it and being
distressed." And she led him out into the hall and up the lovely curved
staircase and along the landing to the master bedroom and the dressing room
beside it. Here the curtains were not fully drawn, and Pitt had time to notice
the view across the mews to the loveliness of the gardens of Lambeth Palace.</p><p>He turned to find Helen
standing beside a dresser, the top drawer of which had a brass-bound keyhole.
Silently she unlocked it for him and pulled out the drawer. It contained
Etheridge's personal jewelry, two watches, several pair of cuff links set with
semiprecious stones and three plain gold</p><p>91</p><p>pair, engraved with a crest,
as well as two finger rings, one a woman's with a fine emerald.</p><p>"My mother's,"
Helen said softly at Pitt's shoulder. "He kept it himself. He said I
should have it after he was . . . dead. ..." For a moment her composure
broke and she swung round to hide her face till she should regain it.</p><p>There was nothing Pitt could
do; even to show that he had noticed would be inappropriate. They were
strangers, of opposite sexes, and socially the gulf between them was unbridgeable.
To share whatever pity he felt, whatever understanding, would be inexcusable.</p><p>Instead he searched the
drawers as quickly as possible, seeing quite easily that there was nothing of a
threatening nature: an old love letter from Etheridge's wife, two bank notes,
for ten pounds and twenty pounds, respectively, and some photographs of his
family. Pitt slid the drawer shut and looked up to find that Helen had turned
to face him again, the moment mastered.</p><p>"No?" She spoke as
though she had known the conclusion.</p><p>"No," he agreed.
"But then, as you say, ma'am, it is the sort of thing one destroys.''</p><p>"Yes. ..." She seemed
to want to say something more, but could not find the form of it.</p><p>Pitt waited. He could not
help her, although he was as aware of her anxiety as of the sunlight which
filled the room. Finally he could bear it no longer.</p><p>"It may be in his
office in the House of Commons," he said quietly. "I have yet to go
there."</p><p>"Ah, yes, of
course."</p><p>' 'But if you think of
anything else to tell me, Mrs. Carfax, please send a message to Bow Street, and
I shall call on you at your first convenience.''</p><p>"Thank you-thank you,
Inspector," she replied, seeming a little relieved. She led him back onto
the landing. As he was passing the top of the stairs he noticed two faded</p><p>92</p><p>patches on the wallpaper,
only slight, but it seemed a picture had been removed, and two others changed
in position to return the balance.</p><p>"Your father sold one
of his paintings recently," he said. "Would you know to whom?"</p><p>She was startled, but she
did not refuse to answer.' 'It was my painting, Mr. Pitt. It can have nothing
to do with his death."</p><p>"I see. Thank
you." So she had recently acquired an amount of money. He would have to
investigate it discreetly and discover how much.</p><p>The front door opened and
James Carfax came in on a gust of spring wind and sunlight. The footman came
forward and took his hat, coat, and umbrella, and James strode across the hall,
stopping as the movement at the top of the stairs caught his eye, his face
darkening with irritation and then, as he recognized Pitt, anger.</p><p>"What in hell are you
doing here?" he demanded. "For God's sake, man, my wife's just lost
her father! Get out on the streets and look for whatever lunatic's responsible.
Don't waste your tune here harassing us!"</p><p>' 'James-'' Helen started
down the stairs, her hand white, on the bannister. Pitt waited well behind because
he could hardly see her black skirts on the gaslit stair and feared lest he
might tread on them. "James, he came back to see if he could find a
threatening letter I told him Father had received."</p><p>' 'We'll look for it!''
James was not to be so easily soothed. "If we find it we'll inform you.
Now good day to you, sir- the footman will show you out."</p><p>Pitt ignored him and turned
to Helen. "With your permission, ma'am, I would like to speak to the
footmen and coachmen."</p><p>"Whatever for?"
Clearly James still considered his presence a trespass.</p><p>"Since Mr. Etheridge
was attacked in the street, sir, it is 93</p><p>possible he was followed and
watched some time beforehand," Pitt replied levelly. "On
recollection one of them may bring something helpful to mind."</p><p>Anger stained James's cheeks
with color; he should have seen that point himself. In many ways he was younger
than the thirty or so years Pitt judged him to be. His sophistication was a
thin skin over his emotions, over the rawness of someone unproved in his own
eyes. Perhaps his father-in-law's complete control of the household had
oppressed him more than he could admit to himself.</p><p>Helen put her hand on her
husband's arm, her fingers resting very lightly, as if she were half afraid he
might brush her off and she wanted to be able to pretend not to have noticed.</p><p>"James, we have to help
all we can. I know they may never catch this madman, or anarchist, whoever it
is, but-"</p><p>"That hardly needs to
be said, Helen!" He looked at Pitt; they were much of a height.
"Question the outside staff, if you must-and then leave us alone. Let my
wife mourn in private, and with some decency." He did not put his hand
over hers, as Pitt would have done in his place. Instead he moved away from her
hand, and then put his arm round her shoulders, holding her by his side for a
moment. Pitt saw Helen's face relax and a soft pleasure relax her features. To
Pitt it was a colder gesture than the touching of hands would have been, a
masked thing, kept apart by layers of cloth. But one does not know what happens
in the relationships of others. Sometimes what seems close hides voids of
loneliness whose pain outsiders can never conceive: others who sound to be
remote, pursuing their own paths without regard, actually understand each
other and silences exist because there is no need for speech, as quarrels are
the strange coverings of enfolding warmth and intense loyalties. Perhaps James
and Helen Carfax's love was not as one-sided as he had imagined, not so full
of pain for her, nor so cramping and unwelcome to him.</p><p>94</p><p>He excused himself and went
through the green baize door to the servants' quarters, explaining to the
butler who he was, and that he had Mr. Carfax's permission to speak to them. He
was met with cool suspicion.</p><p>"Mrs. Carfax told me
her father had received a threatening letter," he added. "She
naturally wished me to pursue it, to discover anything I can."</p><p>The watchfulness relaxed.
The thought of James Carfax giving or withholding permission in the household
was obviously so unfamiliar to them it had not registered. The mention of
Helen, however, was different.</p><p>''If we knew anything we'd
have told you,'' the butler said grimly. "But if you want to ask anyone,
then of course I'll see that they're brought, and that they answer you as best
they can."</p><p>"Thank you." Pitt
had thought of several questions, not that he expected helpful answers to any
of them, but it gave him an opportunity to make a better judgment of the household.
The cook offered him a cup of tea, for which he was grateful, and during the
conversation he saw the extent of the establishment. Etheridge had kept ten
maids altogether, including an upstairs maid, a downstairs maid, the tweeny, a
lady's maid for Helen, laundresses, a parlourmaid, a kitch-enmaid, and scullery
maids. And of course there was a housekeeper. There were two footmen, both six
feet tall and nicely matched, a butler, a valet, a bootboy, and outside, two
grooms and a coachman.</p><p>He watched them all relax
and become easier as he told them one or two mildly humorous stories of his
experience and shared tea and some of the cook's best Dundee cake, which she
kept for the servants' hall. He observed the lady's maid more closely than the
rest of them. She accepted some good-natured teasing because her position in
the servants ranking was higher, despite her being only twenty-five or
twenty-six, but as soon as he turned the subject towards Helen and James there
was a very slight alteration in the angle of</p><p>95</p><p>her chin, a tightening of the muscles in her shoulders, a carefulness
in her eyes. She knew the pain of a woman who loves more than she is loved, and
she was not going to betray it to the rest of the servants, still less to this
intrusive policeman.</p><p>It was all Pitt had wanted, and when he had eaten the last crumb
of his cake, he thanked them, complimented them, and went outside to find the
coachman, who was busy cleaning harness in the mews.</p><p>Pitt asked the coachman if he'd noticed anyone taking an unusual
interest in Etheridge's journeys, but he did not expect to learn anything. What
he wanted to know was where James Carfax went, and how often.</p><p>When he left in the late afternoon he was in time to catch a
hansom back across the river to St. James's and the famous gentlemen's club of
Boodle's, where the coachman had said James Carfax was a member. The man had
been discreet, naming only the places where such a young man might be presumed to
go: his club, very occasionally his place of business, the theaters, balls and
dinners of the usual social round, and in the summer the races, regattas, and
garden parties which all Society attended, if they had the rank to be invited
and the money to accept.</p><p>It was growing dark when Pitt found the doorman at Boodle's and
with a mixture of flattery and pressure, elicited from him that Mr. James
Carfax was indeed a regular visitor to the premises, that he had many friends
among the members and they often sat far into the night playing cards, and
yes, he supposed they drank a fair bit, as gentlemen will. No, he did not
always leave in his own carriage, at times he dismissed it and left hi the
vehicle of one or another of his friends. Did he return home? Well it was not
for him to say where a young gentleman went when he left.</p><p>Was Mr. Carfax overall a winner at cards, or a loser? He had no
idea, but certainly he paid his debts, or he would not remain a member, now
would he?</p><p>Pitt agreed that he would not and had to be content with 96</p><p>that, although the thoughts
that disturbed him were growing in his mind, and nothing he had learned
dispelled them.</p><p>There was one more thing he
could do before going home. He took another cab, from St. James's down the
Buckingham Palace Road and south to the Chelsea Embankment to Barclay
Hamilton's house close to the Albert Bridge. There was no use asking any
professional or social acquaintance of James Carfax the sort of thing he wished
to know. But Barclay Hamilton had recently lost his own father to the same
grotesque death as Helen Carfax's father had met with. He could reasonably be
pressed with questions more direct and might be free to answer them without
fear of the social condemnation others might feel, the sense of having
betrayed those who implicitly trusted him.</p><p>He was received with some
surprise, but civilly enough. Now that he had the opportunity to see Barclay
Hamilton on his own, and not in the circumstances of the immediate impact of
bereavement, Pitt found him a man of quiet charm. The brusqueness of his manner
at their first meeting had completely vanished, and he invited Pitt into his
sitting room with as much curiosity as it was courteous to show.</p><p>It was not a large room, but
graciously furnished, obviously for the comfort of its owner rather than to
impress others. The chairs were old, the red and blue Turkey rug was worn in
the center but at the outer edges still retained its stained glass vividness.
The pictures, mostly watercolors, were not expensive, perhaps even amateur, but
each had a mood and a delicacy that suggested they had been chosen for their
charm rather than for monetary value. The books in the glass-fronted cases were
arranged in order of subject, not to please the eye.</p><p>' 'I don't let my housekeeper
touch anything in here, except to dust it," Hamilton said, following
Pitt's gaze with a faint smile. "She complains, but obeys. She is greatly
put out that I will not allow her to decorate the back of every chair with an
antimacassar and put family photographs all over the ta-</p><p>97</p><p>ble. I will permit one of my mother-that is enough. I don't care
to feel stared at by an entire gallery."</p><p>Pitt smiled back. It was a man's room, and it reminded him of his
own bachelor days, although his lodgings had consisted of only one room and had
been far from the elegance of Chelsea. It was only the masculinity of it that
held the echo, the mark of a single owner, a single taste, a man free to come
and go as he pleased, to drop things where he liked without regard for another's
convenience.</p><p>It had been a good time in his life, a necessary time for growing
from boy to man, but he looked back on it with a tolerance that held no
yearning, no desire to recapture it. No house could be home to him without
Charlotte in it, her favorite pictures, which he loathed, hanging on the wall,
her sewing spread out, her books left lying on the tables, her slippers
somewhere for him to trip over, her voice from the kitchen, the lights on, the
warmth, her touch, familiar now but still exciting, still needed with an
urgency, and above all, her sharing, the talk of her day, what had been right
or wrong in it, what had been funny or infuriating, and her endless concern and
curiosity about his work and what mattered to him in it.</p><p>Hamilton was looking at him now, his eyes wide and puzzled. There
was humor in his face, but a shadow about the bridge of the nose, a delicacy,
as if he had seen his dreams die and had to rebuild with care over a loss that
still pained.</p><p>"What can I tell you, Inspector Pitt, that you do not already
know?"</p><p>"You have read of the death of Vyvyan Etheridge?"</p><p>"Of course. I should not think there is a soul in the city
who has not."</p><p>"Are you acquainted, either personally or by repute, with his
son-in-law, Mr. James Carfax?"</p><p>"A little. Not closely. Why? Surely you cannot think he has
any connection with anarchists?" Again the fleeting</p><p>98</p><p>smile, the knowledge of
absurdity which amused rather than angered him.</p><p>"You don't think it
likely?"</p><p>"I don't."</p><p>"Why not?" Pitt tried
to put skepticism into his voice, as if it were the line of investigation he
was pursuing.</p><p>"Frankly, he hadn't the
passion or the dedication to be anything so total."</p><p>"So total?" Pitt
was curious. It was not the reason he had expected: not moral impossibility but
emotional shallow-ness. The perception said more of Hamilton than perhaps it
did of James Carfax. "You do not think he would find it repugnant,
unethical? Disloyal to his own class?"</p><p>Hamilton colored faintly,
but his candid eyes never left Pitt's. "I would be surprised if he
considered the question in that light. In fact, I doubt he has ever thought of
politics one way or the other, except to assume that the system will remain as
it is and ensure him the sort of life he wishes.''</p><p>"Which is?"</p><p>Hamilton lifted his
shoulders very slightly. "As far as I know, lunching with friends, a
little gambling, visiting the races and the fashionable parties, the theaters,
dinners, balls- and discreet nights with a trollop now and then-perhaps a visit
to the dogfight or a fistfight if he can find one."</p><p>"You have no high
opinion of him," Pitt said levelly, still holding his eyes.</p><p>Hamilton pulled a slight
face. "I suppose he is no worse than many. But I cannot believe he is a
passionate anarchist in heavy disguise. Believe me, Inspector, no disguise
could be so superb!"</p><p>"Does he win at
gambling?"</p><p>"Not overall, according
to the gossip I've heard."</p><p>"And yet he pays up.
Does he have considerable private means?"</p><p>' 'I doubt it. His family is
not wealthy, although his mother inherited some honorary title. He married
well, as you know.</p><p>99</p><p>Helen Etheridge has
tremendous expectations-I suppose now they are a reality. I imagine she pays
whatever debts he runs up. He isn't a heavy loser, so far as I know."</p><p>' 'Are you a member of
Boodle's?''</p><p>"I? No-not my sort of
interest. But I have several acquaintances who are. Society is very small,
Inspector. And my father lived within a mile of Paris Road.''</p><p>"But you have not lived
in your father's house for many years now."</p><p>All the ease and humor died
out of Hamilton's face, as if someone had opened a door and let in a blast of
winter. "No." His voice was tight, caught in his throat. "My
father married again after my mother's death. I was an adult; it was perfectly
natural and suitable that I should find my own premises. But that can have
nothing to do with James Carfax. I referred to it only to show you that in
Society one cannot help knowing something about other people if they move in
similar circles."</p><p>Pitt regretted having
inadvertently caused him pain. He liked the man, and it had been no part of his
search to touch an old wound that could hardly have any bearing either on
Lockwood Hamilton's death or Etheridge's.</p><p>"Of course," he
agreed, leaving the apology tacit in his voice; the less the wound was touched
the sooner the thin skin would heal over it again.' 'Did you mention other
women as a supposition from his general conduct, or have you some specific
knowledge?"</p><p>Hamilton breathed out,
relaxing again. "No, Inspector. I regret my speculations were based solely
on his reputation. It is possible I did him an injustice. I don't like the man;
please consider anything I say with that in view."</p><p>"You knew Carfax's wife
before her marriage?"</p><p>"Oh yes."</p><p>"Did you like Helen
Etheridge, Mr. Hamilton?" Pitt asked it so candidly that it was robbed of
implication.</p><p>"Yes," Hamilton
said equally frankly. "But not roman-100</p><p>tically, you understand. I
always felt her very young. There was something childlike in her; she was like
a girl who keeps her dreams." He smiled ruefully. "As if she had only
just put her hair up and donned her first long skirts!"</p><p>Pitt pictured Mrs. Carfax,
her vulnerability and her obvious adoration for her husband, and silently
agreed.</p><p>"Unfortunately we all
have to grow up," Hamilton added with a small smile. "Perhaps women
less so, on the whole." Then he bit his lips as if he wished to take the
words back. "Some women, anyway. I fear I cannot help you very much,
Inspector. I don't care for James Carfax very much, but I would swear he has no
connection with anarchists, or any other political conspiracy, nor is he a
madman. He is exactly what he appears, a rather selfish young man who is bored,
drinks a little more than is wise, and likes to show off but has not the financial
means to keep up with his friends without using his wife's money, which galls
him, but not enough to prevent him from doing it."</p><p>' 'And if his wife ceased to
provide the money?" Pitt asked.</p><p>"She won't. At
least," he corrected himself, "I don't believe she will, unless he
becomes too rash hi his behavior and hurts her too much. But I don't think he's
fool enough format"</p><p>"No, I don't suppose
so. Thank you, Mr. Hamilton. I appreciate your candor; it has probably saved me
hours of delicate questions." Pitt stood up. It was late and growing cold
outside, and he wanted to go home. Tomorrow would come soon enough, and he had
achieved little.</p><p>Barclay Hamilton stood up
also. He was taller than Pitt had remembered, and leaner. He looked
embarrassed.</p><p>"I apologize, Inspector
Pitt. I have spoken more frankly man I had a right to. It is the end of the
day, and I am tired. I was less than discreet, and possibly uncharitable
towards Carfax. I should not have spoken my thoughts."</p><p>Pitt smiled broadly.
"You did warn me that you did not like him."</p><p>101</p><p>Hamilton relaxed, a sudden
lightness in his face evoking the young man he must have been eighteen years
ago, when Amethyst Royce had married his father. "I hope we meet again,
Inspector, in happier circumstances." And instead of calling the
manservant he held out his hand and shook Pitt's as if they had been friends,
not gentleman and detective.</p><p>Pitt left the house and
walked slowly along the Embankment until he should find a cab and at last go
home. The night air was raw, and there was a mist rising from the water.
Somewhere far down the river by the Pool of London, ships' foghorns were
blaring out, muffled by distance and damp.</p><p>Could James Carfax have
murdered his father-in-law to speed his wife's inheritance? Or, uglier and more
painful than that, could Helen, in her anguish to keep her husband, have
murdered her own father for his money, money she needed to give James the
material things he counted so dear? To keep his attention, so she might pretend
it was love? She could hardly have done it herself, but she might have paid
someone else to do it. That might account as well for Sir Lockwood Hamilton's
murder: a paid assassin might have mistaken him for Etheridge, something a
person who knew him well would not do on a lamplit bridge like Westminster.</p><p>Tomorrow he must find out
which picture she had sold, and for how much. It wouldn't be as easy to
discover what had happened to the money it had brought, but that too should be
possible.</p><p>Pitt went home tired after a
long day, Helen's face lingering in his mind, with its painful tenderness and
the fear in her eyes.</p><p>The following morning Pitt
got up early and set out in the rain to report to Micah Drummond, and Charlotte
received her first letter from Emily, postmarked Paris. She sat looking at it
for several minutes without opening it. Half of her was eager to know that
Emily was happy and well, the other half</p><p>102</p><p>was stung by an envy for the
excitement of laughter and adventure and the beginning of love.</p><p>After propping it up against
the teapot and staring at it while she ate two slices of toast and marmalade, a
preserve which she made extremely well-it was her best culinary achievement-she
finally succumbed.</p><p>It was dated Paris, April
1888, and read:</p><p>Dearest Charlotte,</p><p>I hardly know how to begin
to tell you everything that has happened. Crossing on the boat was miserable!
The wind was cold and the sea rough! But once we reached dry land it all
changed completely. The coach drive from Calais to Paris made me think of every
adventure I've ever read about musketeers and Louis XVI-it was the XVI, wasn't
it? It was such a marvelous idea of Jack's, and full of all the things I
imagined: farms with cheeses for sale, wonderful trees, little old villages
with farmers' wives arguing, all delightful and romantic. And I thought of the
fleeing aristocrats in the Revolution-they must have passed this way to reach
the packet boats to England!</p><p>Jack had everything arranged
in Paris. Our hotel is small and quaint, overlooking a cobbled square where the
leaves on the trees are just unfolding, and a little man stands outside and
plays an accordion in the evenings under the open windows. We sit outside at a
table with a checked cloth and drink wine in the sun. It is a little cool, I
admit, but how could I mind? Jack bought me a shawl of silk, and I feel very
French and very elegant with it round my shoulders.</p><p>We have walked for miles and
my feet are sore, but the weather has been lovely, bright with a fresh wind,
and I have loved every minute of it. Paris is so beautiful! Everywhere I go I
feel someone femous or interesting has walked these same streets, a great
artist with unique and passionate vision, or a wild-eyed revolutionary, or a
romantic like Sydney Carton who redeemed everything with the ultimate love. 103</p><p>And of course we have been
to the theater. I did not understand most of it, but I caught the atmosphere,
and that was all that mattered-and Charlotte, the music! I could have sung and
danced all the way home, except that I would have been arrested for disturbing
the peace! And it is all such fun because Jack is enjoying it every bit as much
as I. He is such a good companion, as well as tender and considerate in all
other ways that I had hoped. And I have noticed other women gazing at him with
shining eyes, and not a little envy!</p><p>Paris gowns are marvelous,
but I fear they would be out of fashion in no time. I can imagine spending half
one's life at the dressmaker's, forever having them' 'made over'' to keep up
with madame next door!</p><p>We leave for the south tomorrow
morning, and I can hardly dare hope it will be as perfect as this. Can Venice
really be as marvelous as I dream it will? I wish I knew more Venetian history.
I shall have to find a book and read something. My head is filled with romance
and, I daresay, quite unreal notions.</p><p>I do hope you are well, and
the children, and Thomas is not having to work too many hours. Does he have an
interesting case? I shall look forward to hearing all your news when I return,
but please take care of yourself and don't get involved in anything dangerous!
Be inquisitive, by all means, but only in the mind. I am not with you just at
the moment, but be assured my thoughts and my love are, and I shall see you
again soon.</p><p>All my love, Emily</p><p>Charlotte put the sheets of
paper down with a smile on her face and tears in her eyes. She would not for
even a second's darker thought have wished Emily anything but total happiness.
It was easy to feel a welling up of gladness inside her at the thought of Emily
singing and dancing along the streets</p><p>104</p><p>of Paris, especially after
the tragedy and the awful misery of George's death.</p><p>But there was also a gnawing
fear of having been left out. She was sitting in a kitchen by herself, in a
small house, in a very ordinary suburb of London, where in all probability she
would be for the rest of her life. Pitt would always work hard, for less money
a month than Emily was now spending in a day.</p><p>But it was not money, money
did not provide happiness- and idleness certainly did not! The cause of the
ache in her throat was the thought of walking in laughter and companionship in
beautiful places with time to spend, and of being in love. That was it-it was
the magic of being in love, the tenderness that was not habit but was intense
and thrilling, full of discovery, taking nothing for granted, making everything
infinitely precious. It was being the center of someone else's world, and they
of yours.</p><p>Which was all very silly.
She would not have changed Pitt for Jack Radley, or anyone else. Nor would she
have changed her life for Emily's . . . except perhaps just at the moment. . .
.</p><p>She heard Gracie's feet
clacking along the corridor, outrage audible in every step as she came from
the front door having had words with the fishmonger. Gracie had no time for
tradesmen who got above themselves.</p><p>"I know,"
Charlotte said as soon as Gracie appeared and before she could begin her
expostulations.' 'He's impertinent!''</p><p>Gracie saw she would find no
sympathy and instantly changed tack. She was all of sixteen now, and thoroughly
experienced.</p><p>"What's Mr. Pitt
working on now, ma'am?"</p><p>"A political
case."</p><p>"Oh. What a pity! Well
never mind-maybe it'll be better next time!" And Gracie set about riddling
the grate and restarting the fire.</p><p>* * *</p><p>105</p><p>Pitt discovered from Micah
Drummond that he himself had already been to the House of Commons and spoken to
several of Etheridge's colleagues.</p><p>"Nothing that I can see
helps us," he said, shaking his head. He said nothing of pressure from the
Commissioner of Police, or from the Home Office, but Pitt did not need to be
told. They would still be subtle-it was early days yet-but the air of fear
would be there, the anxiety to meet public demand, to answer the questions,
quiet anxiety, and to appear to have everything in control. Some individuals
would fear charges of incompetence, loss of status, even of office, and they
would seek someone to blame.</p><p>"Political
enemies?" Pitt asked.</p><p>"Rivals." Drummond
shrugged. "But he wasn't ambitious enough to have enemies, or
controversial enough to have stirred anyone to passion. And he had enough
private income not to be greedy or to be tempted into graft."</p><p>"The Irish
question?"</p><p>"Against Home Rule, but
so were three hundred forty-two others three years ago, more in 'eighty-six.
And anyway, Hamilton was for it. And on other issues Etheridge seems to have
been moderate, humane without being radical. For penal reform, poor law
reform, the Factories Acts-but change should be gradual, nothing that would
destabilize society or industry. Very unremarkable all the way along."</p><p>Pitt sighed. "The more
I look at it, the more it seems as if it might be personal after all, and poor
Hamilton was simply a mistake."</p><p>' 'Who?'' Drummond looked up
with a frown. ' 'His son-in-law, for the money? Seems a bit hysterical. He'd
get it anyway in due course. No plans for disinheritance, were there? Wife not
likely to leave him, surely? It would be social suicide!"</p><p>"No." Helen
Carfax's worried, vulnerable face came sharply to his mind. "No, on the
contrary, she's obviously very much in love with him. And probably gives him
all the</p><p>106</p><p>money he asks for; it seems
to be the most attractive thing about her, to him."</p><p>' 'Oh.'' Drummond leaned
back wearily. ''Well you'd better go on looking at that. Unless of course
Hamilton was the intended victim, and Etheridge was added to conceal the
motive? But I agree, that is a bit farfetched-more of a risk than it would be
worth. And there doesn't seem to be anyone in Hamilton's family or among his
acquaintances with any motive that we can find. What about this picture you say
Helen Carfax sold? What was it worth?"</p><p>"I don't know yet. I
was going to look into that today. Could be anything from a few pounds to a
small fortune."</p><p>"I'll have Burrage do
that. You go back to the Carfaxes' house. I don't know what else you can do,
but keep trying. See if there're any women James Carfax is involved with, not
just using. See if his debts are serious, or pressing. Perhaps he couldn't
afford to wait?"</p><p>"Yes sir. I'll be back
at lunchtime to see if Burrage has anything on the painting."</p><p>Drummond opened his mouth to
protest, then changed his mind and said nothing, merely watching Pitt go out
the door.</p><p>But when Pitt came back long
after luncheon at half past two, the news that greeted him had nothing to do
with the painting. There was a hand-delivered note from Helen Carfax saying
that she had remembered the exact nature of the threat her father had received,
and if Pitt wished to call at the house in Paris Road, she would tell him what
it had been.</p><p>He was surprised. He had
believed it to be an invention, born of her desire to persuade both him and
herself that the violence and the hatred that surrounded the murder had its
origin far from her home or family, that it was something outside, beyond in
the darkness of the streets where she never went; east in the slum and
docklands, the taverns and alleys of discontent. He had not expected her to
mention it again, except as a vague possibility, undefined.</p><p>107</p><p>Still, she had sent for him,
so he left Bow Street and took a cab south across the river to Paris Road.</p><p>She greeted him quietly, her
eyes one minute downcast, the next seeking his face. Her hands, clenching and
unclenching at her sides, seemed stiff, and she rumbled with the door handle
as she led him into the morning room. But then she was speaking of people whom
she considered might have cut her father's throat and tied him to a lamppost
like an effigy, a lampoon of authority and order.</p><p>"I daresay you know of
it, Mr. Pitt, being a policeman," she began, looking not at him but at a
patch of sunlight on the carpet in front of her. "But three years ago
there was a woman named Helen Taylor who tried to become a candidate for
Parliament! A woman!" Her voice was growing a little sharp, as though
underneath her stillness there was a rising hysteria. "Naturally it caused
a certain amount of feeling. She was a very odd person-to call her eccentric
would be charitable. She wore trousers! Dr. Pankhurst-you may have heard of
him-chose to walk with her in public. It was most unbecoming, and quite
naturally Mrs. Pankhurst objected, and I believe he ceased to do so. Mrs.
Pankhurst is one of those who desires women to be given the franchise."</p><p>"Yes, Mrs. Carfax, I
had heard there was such a movement. John Stuart Mill wrote a very powerful
tract on the Admission of Women to Electoral Franchise in 1867. And a Mary
Wollstonecraft wrote about political and civil equality for women in
1792."</p><p>' 'Yes, yes I suppose so. It
is something in which I have no interest. But some of the women who espouse the
cause do so very violently. Miss Taylor's behavior is surely an example of
their-their disregard of the normal rules of society.''</p><p>Pitt kept his expression one
of continued interest.' 'Indeed it would seem to have been unwise at the
least," he offered.</p><p>"Unwise?" Her eyes
flew wide open and for a moment her hands were perfectly still.</p><p>108</p><p>"It felled to produce
any of the results she desired," he answered.</p><p>"Surely it was bound
to? No sane person could imagine she might succeed?"</p><p>"Who is it you believe
threatened your father, Mrs. Carfax?"</p><p>"A woman-one of the
women who want suffrage. He was opposed to it, you know."</p><p>"No, I didn't know. But
surely he is with the majority in Parliament, and in the country. Quite a
considerable majority."</p><p>"Of course, Mr.
Pitt." The nervous tension in her was so great she was shaking. The color
drained out of her skin and her voice was a whisper. "Mr. Pitt, I do not
say they are sane. A person who would do ... what was done to my father, and to
Sir Lockwood Hamilton, cannot be explained by any normal means."</p><p>"No, Mrs. Carfax. I am
sorry to have pressed you." He was apologizing for being there to witness
her distress, not for asking her to explain, but it did not matter if she did
not understand that. All that mattered was that she should know of his sympathy
for her.</p><p>"I appreciate your-your
tact, Mr. Pitt. Now I must not take more of your time. Thank you for coming so
quickly."</p><p>Pitt left in deep thought.
Was it really conceivable that some woman, passionate for electoral justice,
should cut the throat of two members of Parliament, simply because they were
among the vast majority who felt her cause was untimely, or even ridiculous? It
did not seem sane. But then as Helen Carfax had pointed out, such an act was
not that of a person whose mind worked as others did, whatever the reason for
it.</p><p>He still found his own
thoughts returning to James Carfax, whose motive was far easier to understand,
and to believe. He wanted to know more about him, see something besides the
rather spoiled and shallow young man seen by Barclay Hamilton, or the shocked
and rattled husband he had seen himself.</p><p>* * *</p><p>109</p><p>Accordingly at a little
after four o'clock he presented his card to the parlormaid at Lady Mary
Carfax's Kensington residence and requested half an hour of her time, if she
would be so gracious. It was in the matter of the recent violent death of
Vyvyan Etheridge, M.P.</p><p>She sent back a message that
he should wait in the morning room, and when it was convenient she would see
him.</p><p>She chose to make it three
quarters of an hour, in order that he should not give himself airs or imagine
she had nothing better to do. Then she yielded to her curiosity and sent the
maid to fetch him to the withdrawing room, where she sat in a bright pink
overstuffed chair. It and three similar chairs and a chaise longue almost
filled the room. There were one or two agreeable paintings on the walls and
many photographs and portraits of family groups. At least a dozen of them
showed the development of James Carfax from an infant to the thoughtful,
rather self-conscious young man pictured with his arm round his mother's
shoulders.</p><p>Lady Mary Carfax was not a
tall woman, but she sat with imperious rigidity, and of course she did not rise
when he came in. She had a coronet of gray hair, naturally curling. She must
have been a beauty in her youth; her skin was still fine and her nose straight
and delicate, but there was a coldness in her blue-gray eyes and a slack line
now to her jaw and throat. Her mouth might have been charming in her early
years; now there was a tightness in it that betrayed an inner chill, a
ruthlessness that for Pitt dominated her face.</p><p>She did not care to crane
her neck backwards, so reluctantly she gave him permission to sit.</p><p>' 'Thank you, Lady Mary,''
he said, and sat down opposite her.</p><p>"Well, what can I do
for you? I know a certain amount about politics, but I doubt I can tell you
anything of anarchists or other revolutionaries and malcontents."</p><p>"Your daughter-in-law,
Mrs. James Carfax, believes that 110</p><p>her father was threatened by
a woman who was passionate about obtaining the right to vote for
Parliament."</p><p>Lady Mary's slightly
downward sloping eyebrows shot upward. "Good gracious! I knew of course
that they were the most brazen creatures, bereft of the sensitivities of
feeling, the refinements that are natural to a woman. But I must admit that
until now it had not entered my mind that they might take such complete leave
of all sanity. Of course I did advise Mr. Etheridge against having any sympathy
with them, right from the beginning. It is not natural for women to desire to
dominate public aifairs. We do not have the brusqueness of nature; it is not
our place."</p><p>Pitt was surprised.' 'You
mean that at some time there was a question of his being in favor of the
franchise for women?''</p><p>Her face was full of
distaste. "I am not sure that he would have gone as far as that! He did
consider there was some argument that women of maturity and a certain degree
of property-not just any woman-should be able to vote for local councils and,
in certain cases, should have the right to custody of their children when
separated from their husbands."</p><p>' 'Women of property? What
about other women, poorer women?"</p><p>"Are you trying to be
amusing, Mr.-what was your name?"</p><p>"Pitt, ma'am. No, I
just wondered what Mr. Etheridge's ideas were."</p><p>"They were misplaced,
Mr. Pitt. Women have no education, no understanding of political or
governmental affairs, no knowledge of the law and seldom any of finance, other
than of a merely domestic nature. Can you imagine the sort of people they would
elect to Parliament if they had the vote? We might find ourselves governed by a
romantic novelist, or an actor! Who else in the world would take us seriously?
If we became weak and foolish at home it would be the beginning of the end of
the Empire, and then the whole Christian world would suffer! Can anyone wish that?
Of course not!"</p><p>Ill</p><p>''And would women having the
vote do that, Lady Mary?"</p><p>"There is a certain
order in society, Mr. Pitt. We break it at our peril."</p><p>"But Mr. Etheridge did
not agree?"</p><p>Her face tightened at the
memory, but there was only irritation and impatience at the foolishness that
had required her guiding hand.</p><p>"Not at first, but he
came to see that he had allowed to get out of hand his natural sympathies for a
certain woman who had behaved quite irresponsibly and brought upon herself a
domestic misfortune. She appealed to him, in his parliamentary capacity, and
for a short while his judgment was affected by her extreme and rather
hysterical views. However, he did realize, of course, that the whole
suggestion was absurd, and after all, it was not as if it were the desire of a
large number of people! No one but a few hotheaded women of a most undesirable
type has ever entertained such an idea.''</p><p>"Was that Mr.
Etheridge's conclusion?"</p><p>' 'Naturally!'' The
slightest smile flickered over her lips.' 'He was not a foolish man, only
susceptible to a sentimental pity for people who do not warrant it. And
Florence Ivory certainly did not. Her influence was short-lived; he very soon
perceived that she was a most undesirable person, in all ways."</p><p>"Florence Ivory?"</p><p>"A very strident and
unwomanly creature. If you are looking for a political assassin, Mr. Pitt, I
should look to her, and her associates. I believe she lives in the same area
across the river, somewhere near the Westminster Bridge. At least, that is what
Mr. Etheridge told me."</p><p>"I see. Thank you, Lady
Mary."</p><p>"My duty," she
said with a lift of her chin. "Unpleasant, but necessary. Good afternoon,
Mr. Pitt!"</p><p>112</p><p>6</p><p>j.t
<emphasis>took pitt all the </emphasis>morning of the next day to catch up on the news which had reached
Bow Street regarding the case, namely that Helen Carfax's painting had been
very fine and fetched five hundred pounds-enough to employ a maid every day of
her life from childhood to old age and still have some to spare. What had she
done with so much money? Surely it had gone to James, in some form or other: a
present? an allowance? in payment of his debts at Boodle's?</p><p>There was more in from
cabdrivers, but nothing that added to what they already knew. No one had any
word on anarchists or Fenians, or any other violent group.</p><p>The newspapers were still
featuring the story in headlines, with speculations on civil riot and
dissolution below.</p><p>The Home Secretary was
becoming anxious and had informed them of his profound wish that they bring
the case to a speedy conclusion, before public unrest became any more serious.</p><p>The briefest of inquiries
ascertained that Florence Ivory lived in Walnut Tree Walk, off the Waterloo
Road, a short distance to the east of Paris Road and Royal Street, and the</p><p>113</p><p>Westminster Bridge. She was
acknowledged by the local police station with frowns and slight shrugs. There
was no record of any offense against the law. Their attitude seemed to be a
mixture of amusement and exasperation. The sergeant answering Pitt's questions
pulled his features into a grimace, but it was good-natured.</p><p>Pitt called in the early
afternoon. It was a pleasant house, modest for the area, but well cared for,
sills recently painted and chintz curtains in the open windows and ajar of
daffodils catching the sun.</p><p>A maid of all work opened
the door, the apron round her broad waist obviously for service, not
ornamentation, and a mop leaned against the wall where she had rested it to
attend to the caller. ,</p><p>"Yes sir?" she
asked, looking surprised.</p><p>"Is Mrs. Ivory at home?
I am Inspector Pitt, from the Bow Street Police Station, and I believe Mrs.
Ivory may be able to help us."</p><p>"I can't see 'ow she
could do that! But if you want I'll go an' ask 'er." She turned and left
him on the step while she retreated somewhere into the back of the house,
leaving her mop behind.</p><p>It was only a moment before
Florence Ivory appeared, whisking the mop out of the hallway and into the door
of a room to the right, then facing Pitt with a startlingly direct gaze. She
was of average height and slender to the point of gauntness. She had no bosom
to speak of, and her shoulders were square and a trifle bony; nevertheless she
was not un-feminine, and there was a considerable elegance to her, of a quite
individual nature. Her face was far from traditionally beautiful: her eyes were
large and wide set, her brows too heavy for fashion, her nose long, straight,
and much too large; there were deeply marked lines round her mouth. In spite of
the fact, Pitt judged her to be thirty-five at the very most. When she spoke
her voice was husky, sweet, and completely unique.</p><p>114</p><p>"Good afternoon, Mr.
Pitt. Mrs. Pacey informs me you are from the Bow Street Police Station and
believe that I can help you in some way. I cannot imagine how, but if you care
to come in I shall try.''</p><p>"Thank you, Mrs.
Ivory." He followed her through the hallway into a wide room at the back
of the house, dark-paneled, and yet creating an illusion of light. A polished
table held a porcelain dish, cracked but still retaining much of its delicate
beauty, and on it was a bowl of spring blossom. The far wall was almost
entirely taken up with windows and a French door opening onto a small garden.
The curtains were pale cotton, sprigged with some sort of flower design, and
the seat beneath the windows was covered with cushions in the same material. It
was a room in which he felt immediately comfortable.</p><p>Beyond the windows he could
just see the figure of a woman bending in the garden, working the earth. She
was not far away, for the garden was small, but through the panes, unless he
stared, he could make out no more than a white blouse and the sun on a cloud of
auburn hair.</p><p>"Well?" Florence
Ivory said briskly. "I would imagine your time is precious, and mine
certainly is. What is it you imagine I know that could possibly interest the
Bow Street police?"</p><p>He had been turning over in
his mind how he could approach the subject with her, both yesterday evening
and this morning, and now that he had met her all his preparations seemed
inadequate. Her penetrating stare was fixed on him with impatience ready to
become dislike; deviousness would be torn apart and would alienate her by insulting
her intelligence, an act which he judged she would take very ill.</p><p>"I am investigating a
murder, ma'am."</p><p>"I know no one who has
been murdered."</p><p>"Mr. Vyvyan
Etheridge?"</p><p>"Oh." She had been
caught out, not in a lie, in an inaccuracy. And the foolishness of it caused a
flush of irritation</p><p>115</p><p>to rise to her cheeks.
"Yes, indeed. Somehow the word 'murder' brought to my mind something
more-more personal. I think of that as an assassination. I am afraid I do not
know anything about anarchists. We live a very quiet life here, very
domestic."</p><p>He had no idea from her face
whether the word was meant hi praise or bitterness. Had she imagined herself in
Parliament too? Or was Lady Mary Carfax simply repeating a mixture of gossip
and her own prejudices?</p><p>"But you were
acquainted with Mr. Etheridge?"</p><p>"Not socially."
There was laughter in her voice now. It was a beautiful instrument, rich and
passionate, flexible to a hundred shades of thought and meaning.</p><p>"No, Mrs. Ivory,"
he agreed. "But I believe you had some occasion to appeal to him
professionally?"</p><p>Her face hardened, the light
vanished from it, and something crossed it which was so intense it was
frightening, a hatred that threatened to rob her of breath and twist her very
body with its violence.</p><p>Pitt instinctively started
forward, then caught himself and waited. This woman might have taken an open
razor and crept up behind a man and cut his throat from ear to ear. She did not
look to have the strength, but certainly she had all the force of emotion.</p><p>The silence hung between
them so thickly every other tiny sound was magnified-the clatter of the maid
somewhere in the kitchen, a child's feet running on the pavement beyond the
curtained windows, a bird singing,</p><p>"I did," she
agreed finally. Her voice seemed pressed from between her teeth, and her eyes
did not move from his. "And if he dealt with others as he did with me,
then I am not surprised someone killed him. But it was not I."</p><p>"What did he do, Mrs.
Ivory, that you found so irredeemable?"</p><p>"He elicited trust-and
then betrayed it, Mr. Pitt. Do you excuse betrayal? As perhaps you have not
experienced it very</p><p>116</p><p>often? No doubt you have
ways to fight, recourse when you are used, wronged-oh don't look like
that!" Her face was suddenly full of scorn mixed with a furious humor, a
kind of derision he had never seen before. "I do not mean that he seduced
my girlish heart-although, God knows, that has happened to enough women. I had
no personal relationship with Mr. Etheridge, I assure you!"</p><p>For an instant there was an
element of the absurd in it; then he remembered how unlikely a thing love can
be, let alone that hunger that attracts people in the mask of love. She was a
woman of character, high individuality; it was not impossible, her wry interest
in everything could have drawn Etheridge. His dismissal died before it reached
his lips.</p><p>"I understand his
connection with you was as a member of Parliament, and I assumed your feeling
of injustice was in mat regard," he said instead.</p><p>Her hard laughter came
again. ' 'How painfully tactful you are, Mr. Pitt. Whose feelings are you
trying to spare? Not mine! Nothing you could say of Mr. Etheridge could be as
harsh as what I might say of him myself. Or is it your duty to speak well of
your superiors?"</p><p>A dozen answers flashed
through Pitt's mind, most of them sarcastic or critical, and he restrained
himself. He would not allow her to dictate how he did his job, or what his
manner should be.</p><p>' 'It is my duty, Mrs.
Ivory, to discover who murdered Mr. Etheridge. My opinion of him is
immaterial,'' he said coolly. ' 'A lot of the people who are murdered are not
those I would necessarily like, had I known them. Fortunately the freedom to
walk about without fear of being murdered does not depend on one's friendship
with policemen, or the lack of it.''</p><p>For an instant she was
furious, then her face relaxed into a sudden smile. "I suppose that is as
well, or I should live in terror. You have a sharp tongue, Mr. Pitt. You are
quite right, I did appeal to Mr. Etheridge to help me, as a constituent of
his, which I was at the time. I lived in Lincolnshire."</p><p>117</p><p>"And I assume he did
not help you?"</p><p>Again the hatred twisted her
face and made it ugly; her mouth, which had been mobile, soft, and intelligent
a moment before became a flat, bitter line.</p><p>"He promised to, and
then like all men, he rallied to his own kind in the end. He betrayed me and
left me with nothing!" She was shaking, her thin body beneath the cotton
of her gown was tense with passion, shoulders rigid. "Nothing!"</p><p>The French doors opened and
the other woman came in, obviously having heard the anguish ringing in
Florence's voice. She was several years younger, barely twenty. She was of a
completely different build, taller and softer in outline, with a delicate bosom
and rounded arms. Rosetti could have used her perfect Pre-Raphaelite face in
one of his Arthurian romances; she had all the earthy naivete and the
unconscious strength of his subjects.</p><p>She went to Florence Ivory
and put an arm round her defensively, facing Pitt with anger.</p><p>Florence put one hand on the
girl's. "It is all right, Africa. Mr. Pitt is from the police. He is
inquiring into the murder of Vyvyan Etheridge. I was telling him what kind of a
person Mr. Etheridge was. Naturally that involved my own experiences with
him." Her eyes met Pitt's again. "Mr. Pitt, my friend and companion,
Miss Africa Dowell, whose house this is, and who has been generous enough to
take me in and give me a home when I would otherwise have nothing."</p><p>"How do you do, Miss
Dowell," Pitt said gravely.</p><p>"How do you do,"
she answered guardedly. "What do you want from us? We despised Mr.
Etheridge, but we did not kill him, nor do we know who did.''</p><p>"I did not suppose you
knew who did," Pitt agreed. "At least, not that you were aware. But
you may well know something that helps when it is put together with what I
know or may yet learn."</p><p>"We don't know any
anarchists." There was something 118</p><p>in the lift of her chin, her
frank-eyed defiance, that made Pitt think it was at least in part a lie.</p><p>"You believe it was
anarchists? Why, Miss Dowell?"</p><p>She swallowed, confused. It
was not the reply she had expected.</p><p>Florence stepped in.
"Well, if there were a personal motive, a matter of inheritance, or
passion, you would hardly imagine that we should know anything of help to you.
And as far as I know we are also acquainted with no lunatics."</p><p>Only part of Pitt was
irritated by them, standing close together, defensively; they had been hurt and
they were protecting themselves against being hurt again.</p><p>' 'But possibly some people
disliked Mr. Etheridge for political reasons?" he continued.</p><p>"Dislike is far too
mild a term, Mr. Pitt," Florence said, the bitterness returning. "I
hated him." Her hand tightened on Africa's arm. ' 'I daresay there were
others he treated similarly, but I do not know of them, nor would I tell you
if I did."</p><p>"People who might have
been sufficiently angered to behave violently, Mrs. Ivory?"</p><p>"I've told you, I have
no idea. But sometimes all the pleading and protestations in the world do no
good, when the people who have power are comfortable themselves, when they have
warmth, food, safety, social rank, families around them, and the position to
see that everything remains that way. They cannot and do not want to believe
that other people are suffering any pain or injustice, that things should be
changed-most especially if the changes involve questioning an order which they
find so satisfactory."</p><p>He saw the passion in her
face, the vehemence with which she spoke, and he knew this was no instant
response to his words, it was a conviction boiling under the surface, awaiting
the right moment to burst out with all the strength of years of suffering,
however occasioned.</p><p>He must keep his emotions
quiet. This was no time to give 119</p><p>his own answers, to speak of
the injustices that made his own anger burn or the complacency he would have
scalded with his contempt. Nor was it time to philosophize. He was here to
learn if this woman could have abandoned pleading and argument and the consent
to law that kept the community from barbarism, if she had put her own sense of
right and equity before all others and cut the throats of two men.</p><p>"All you seem to be
saying, Mrs. Ivory, is that the satisfied do not often seek change; it is the
dissatisfied who press for improvement, or merely for their turn to have the
power and the rewards."</p><p>Again her face tightened
with anger, which was now directed at him.</p><p>"For a moment, Mr.
Pitt, I thought you had imagination, pity even. Now I see you are as
complacent, insensitive, and frightened for your own miserable little niche in
society as the rest of your kind!''</p><p>His voice dropped. "Who
are my kind, Mrs. Ivory?"</p><p>"The people with power,
Mr. Pitt!" She almost spat the words. "Men-almost all men! Women are
born into life and must take our father's name, his rank in life. He decides
where and how we will live. In the house, his word is law- he decides whether
we shall be educated or not, what we will do, if we shall marry, when, and to
whom. Then our husbands decide what we shall say, do, even think! They decide
what faith we shall profess, what friends we may or may not meet, what shall
happen to our children. And we have to defer to them, whatever we actually
think, to pretend they are cleverer than we are, subtler, wiser, have more
imagination-even if they are so stupid it is painful!" She was breathing
hard, her whole body shaking.</p><p>"Men make the laws and
administer them; the police are men; judges are men-everywhere I turn my life
is dictated by men! Nowhere can I appeal to a woman, who might understand what
I really feel!</p><p>"Do you know, Mr. Pitt,
it is only four years ago that I 120</p><p>ceased to be in law a
chattel to my husband? A thing, an object belonging to him like his other
household goods, a chair or a table, or a bale of linen. Then the law-man's
law- at last recognized that I am actually a person, a human being, independent
of anyone else, with my own heart and my own brain. When I am hurt it is not my
husband who bleeds, it is I!"</p><p>Pitt had not known it. The
women in his own family were so mightily independent it had never occurred to
him to consider their legal standing. He did know that married women had been
entitled to retain and administer their own property only six years ago; in
fact when he had first met Charlotte in 1881, he would in law have been the
owner of her money, such as it was, even her clothes, upon then- marriage. He
had not thought of it until someone had made a vicious remark as to his change
in fortune.</p><p>"And you find
protestations and pleadings are no use?" he said fatuously, hating having
to be so false to the understanding, even the empathy he felt. He had grown up
the son of servants on a country estate; he knew about obedience and ownership.</p><p>Her disgust stung. ' 'You
are either a fool, Mr. Pitt, or else you are deliberately patronizing me in a
fashion both contemptible and completely pointless. If you are trying to make
me say that I consider there are occasions when violence is the only means left
to someone suffering intolerable wrongs, then consider me to have said it.''
She glared at him, defying him to make the next, inevitable charge.</p><p>"I am not a fool, Mrs.
Ivory," he said instead, meeting her blazing eyes. "Nor do I imagine
you are. Whatever you pleaded for to Mr. Etheridge, it was not that he should
change the whole order of society and give to women an equality they have never
enjoyed in all our two thousand years. You may be marvelously ambitious, but
you will have started with something more specific, and I think more personal.
What was it?"</p><p>121</p><p>The rage died away again
suddenly, like a force that has been so violent it has consumed all its fuel,
and only the pain was left. She sat down on a cushioned wood settle and stared
not at him but at the garden through the open window.</p><p>"I imagine if I do not
tell you, then you will only go and dig it up elsewhere, perhaps less
accurately. I was married fifteen years ago, to William Ivory. My property was
not great, but it would have been more than enough for me to live on in some
comfort. Of course, on my wedding day it became his. I have never seen it
since."</p><p>Her hands were completely
calm in her lap; she held a lace handkerchief, which she had pulled from her
pocket, but she did not twist it. Only the whiteness of her knuckles betrayed
the straining muscles.</p><p>"But that is not my
complaint-although I find it monstrous. It was an institutionalized way for
men to steal women's money and do whatever they pleased with it, on the
grounds that we were too feeble-witted and too ignorant of financial affairs to
manage it ourselves. We must watch our husbands squander it, and never speak a
word, even if we had a hundred times more sense! And if we did not know how to
manage affairs, whose fault is that? Who forbade our education in anything but
the most trivial matters?"</p><p>Pitt waited for her to
return to her grievance. All this tune Africa Dowell stood at the far end of
the settle, a figure of startling immobility, as if she had indeed been one of
the romantic paintings she resembled, and like them all manner of passion and
dreams were in her face; she might well just this instant have seen the mirror
of Shalott crack from side to side, sealing her doom. Whatever Florence Ivory
was recounting, it was well known to her, and she felt the same unhealed
wound.</p><p>' 'We had two children,''
Florence continued.' 'A boy, and then a girl. William Ivory became more and
more dictatorial. Our laughter offended him. He thought me light-minded if I
enjoyed my children's company, told them stories or played</p><p>122</p><p>games, and yet if I wished
to talk of politics, or of changes in the laws which might help the poor and
the oppressed, he said I meddled in things that were too weighty for me and
were not my concern, and I had no idea what I was talking about. My place was
in the parlor, the kitchen, or the bedroom; nowhere else.</p><p>"Finally I could bear
it no longer, and I left. I knew from the outset that I could not have my son,
but my daughter, Pansy, who was then six years old"-even speaking the name
seemed to wrench her-"I took with me. It was very hard for us. We had
little money, and few means of earning any. At first I was given shelter by a
friend here in London who had some understanding of my plight, and some pity
for me. But her own circumstances became severely reduced, and I was obliged by
honor not to burden her with our care any longer.</p><p>"It was then, about
three years ago, that Africa Dowell took us in." She looked round and saw
Pitt's face, perhaps detecting in him confusion and a certain impatience. It
was indeed a sad story, but she had in no way touched upon Vyvyan Etheridge,
nor had she any reason to blame him for any part of it.</p><p>"I supported electoral
reform," Florence said wryly. "I even went so far as to endorse Miss
Helen Taylor's attempt to stand for Parliament. I freely expressed my feelings
on the subject of women's rights-that we should be able to vote and to hold
office, to make decisions, both as to our money and our children, even to have
access to that knowledge which would enable us to choose what number of
children we had, rather than spend all our adult years bearing one child after another
until exhausted in body and heart, and destitute in pocket."</p><p>Her voice grew harsher, and
the humiliation and bitterness lay like an open wound, still lacerated, still
pouring blood.</p><p>' 'My husband heard of it
and pressed the courts that I was an unfit person to have custody of my
daughter. I pleaded</p><p>123</p><p>my cause to Vyvyan
Etheridge. He said he saw well that my political views were no part of my
fitness as a mother, and I should not be deprived of my child because of them.</p><p>"I did not know at that
time that my husband had friends of such influence as he might bring to bear on
Mr. Etheridge. He used them, he spoke man to man, and Mr. Etheridge sent word
to me that he regretted he had misunderstood my case, and on closer
investigation he agreed with my husband that I was an unstable woman, of a
hysterical and ill-informed nature, and my daughter would be better with her
father. That same day they came and took her from me, and I have not seen her
since.'' She hesitated a moment, mastering herself with difficulty, forcing
the memory out of her mind, and when she continued her voice was flat, almost
dead. "Am I sorry Vyvyan Etheridge is dead? I am not! I am sorry only that
it was quick and that he probably did not even know who had killed him, or why.
He was a coward and a betrayer. He knew I was neither a hysterical person nor
light-minded. I loved my daughter more than any other person on earth, and she
loved me and trusted me. I could have cared for her above all other interests
or causes, and I would have taught her to have courage, dignity, and honor. I
would have taught her she was loved, and how to love others. And what will her
father teach her? That she is fit for nothing but to listen and to obey, never
to feel all her passion, to think or to dream, never to stand up for what she
believes is right or good. ..." Her voice faltered with the extremity of
her loss and the -waste of a child's life, the daughter she had borne and
loved, tearing at her heart. It was several long minutes before she could speak
again.</p><p>' 'Etheridge knew that, but
he bowed to pressure from other men, from the people who might make it
uncomfortable for him if he supported me. It was easier not to fight, and so he
allowed them to take my child and give her to her autocratic and loveless
father. I am not even permitted to see her." Her face was a mask of such
anguish Pitt felt it was intrusive even</p><p>124</p><p>to look at her. The tears
ran down her cheeks, and she wept without a grimace; it had a kind of terrible
beauty, simply from the power of her passion.</p><p>At last Africa knelt down
and gently took her hand. She did not hold Florence Ivory in her arms; perhaps the
time for that had already been and gone. Instead she looked across the flowered
muslin of Florence's skirt at Pitt.</p><p>"Such men deserve to
die," she said very quietly and gravely. "But Florence did not kill
him, nor did I. If that is what you came hoping to discover, then your journey
has been wasted."</p><p>Pitt knew he should press
them now as to where they had been at the times Hamilton and Etheridge had been
killed, but he could not bring himself to ask it. He assumed they would swear
that they had been here at home in their beds. Where else would a decent woman
be at close to midnight? And there was no proving it.</p><p>"I hope to find out who
did murder both Mr. Etheridge and Sir Lockwood Hamilton, Miss Dowell, but I do
not hope it is you. In fact I hope you can show me that it was not.''</p><p>"The door is behind
you, Mr. Pitt," Africa replied. "Please have the courtesy to leave
us."</p><p>Pitt arrived home at dusk,
and as soon as he was in the door he tried to put the case from his mind.
Daniel had had his supper and was ready for bed, it was merely a matter of
hugging him good night before Charlotte took him upstairs. But Jemima, being
two years older, had privileges and obligations commensurate with her
seniority. They were alone in the parlor by the fire. She bent and picked up
all the pieces of her jigsaw puzzle, muttering to herself as she did so. Pitt
knew immediately that the mess had been left largely by Daniel, and that she
was feeling weightily virtuous clearing it up. He watched her small figure,
careful to hide his smile, and when she turned round with immeasurable
satisfaction at the end, he was perfectly grave. He did not comment:</p><p>125</p><p>discipline was Charlotte's
preserve while the children were still so young. He preferred to treat his
daughter as a very small friend whom he loved with an intensity and a sweetness
that still caught him unaware at times, tightening his throat and quickening
his heart.</p><p>"I've finished,"
she said solemnly.</p><p>"Yes, I see," he
replied.</p><p>She came over to him and
climbed onto his knee as matter-of-factly as she would into a chair, turned
herself round, and sat down. Her soft little face was very serious. Her eyes
were gray and her brows a finer, child's echo of Charlotte's. He seldom noticed
that her hair had the curl and texture of his, only that it was the rich color
of her mother's.</p><p>"Tell me a story,
Papa,'' she requested, although from the way in which she had settled herself
and the certainty in her voice, perhaps it was a command,</p><p>"What about?"</p><p>"Anything."</p><p>He was tired and his
imagination exhausted by struggling with the murders of Etheridge and Hamilton.
"Shall I read to you?" he suggested hopefully.</p><p>She looked at him with
reproach. "Papa, I can read to myself! Tell me about great
ladies-princesses!"</p><p>"I don't know anything
about princesses."</p><p>"Oh."
Disappointment filled her eyes.</p><p>"Well," he amended
hastily, "only about one."</p><p>She brightened. Obviously
one would do.</p><p>"Once upon a time there
was a princess ..." And he told her what he could remember of the great
Queen Elizabeth, daughter of Henry VIII, who despite much danger and many
tribulations finally became monarch of all England. He got so involved in it he
did not notice Charlotte standing in the doorway.</p><p>Finally, having recalled all
he could, he looked at Jemima's rapt face.</p><p>"What next?" she
prompted. 126</p><p>"That's all I
know," he admitted.</p><p>Her eyes widened in wonder.
"Was she real, Papa?"</p><p>"Oh yes, as real as you
are."</p><p>She was very impressed.
"Oh!"</p><p>Charlotte came in. "And
it's really bedtime," she said.</p><p>Jemima put her arms round
Pitt's neck and kissed him. "Thank you, Papa. Good night."</p><p>"Good night,
sweetheart."</p><p>Charlotte met his eyes for a
moment, smiling. Then she picked up Jemima and carried her out of the room, and
as Pitt watched them go, he suddenly thought again of Florence Ivory and the
child she had loved, and had had taken from her.</p><p>Would any judge consider
Charlotte a "suitable" person? She had married beneath her, regularly
meddled in the detection of crimes, had gone careering round music halls and
mortuaries, had disguised herself as a missing courtesan, and had driven after
a murderess in a carriage chase that had ended up in a fight on a bawdy house
floor. And certainly she had campaigned in her own way for reform!</p><p>He could not think clearly
of what he might feel if any law could visit him and take away his children if
his social circumstances were deemed inadequate. The pain of it drenched even
his imagination.</p><p>And the thought that
inevitably followed it was that he could well believe Florence Ivory might have
hated Ether-idge enough to cut his throat, and Africa Dowell with her, had she
known and loved the child too, and seen the grief. It was a conclusion he could
not escape, deeply as he wanted to.</p><p>He said nothing of it to
Charlotte that night, but in the morning when the post came, he noticed the
letter in Emily's hand with its Venetian postmark and knew it would be full of
news, excitement, and romance. Emily might have debated whether to talk of all
the glamor she was enjoying or to temper it, in view of the fact that Charlotte
would never</p><p>127</p><p>see such things, but knowing
Emily, he believed she would not patronize Charlotte with such an evasion. And
he guessed the mixture of happiness and envy, and the sense of being left out,
that Charlotte would feel.</p><p>She would say nothing, he
knew that. She had not shown him the first letter, nor would she show him this
one, because she wanted him to think she cared only that Emily was happy, not
about all the things Emily had, and indeed in her heart that was what mattered
to her.</p><p>He chose this moment to tell
her of his involvement hi the Westminster murders, both to take her mind from
Emily's new and glittering world and to ease a certain loneliness he felt in
not so far having shared with her his feelings, his frustration, confusion, and
deep awareness of pain.</p><p>He sat at the breakfast
table eating toast and Charlotte's sharp, pungent marmalade.</p><p>"Yesterday I spoke to a
woman who may have cut the throats of two men on Westminster Bridge,'' he said
with his mouth full.</p><p>Charlotte stopped with her
cup halfway to her mouth.' 'You didn't tell me you were working on that
case!" she exclaimed.</p><p>He smiled. "There
hasn't been much opportunity, what with Emily's wedding. Then I suppose I
became involved in the routine, rather sad questions. It doesn't concern anyone
you know."</p><p>She pulled a little half
apologetic face, realizing his unsaid need to speak of something that had
puzzled or grieved him. He read her expression, the understanding between them
wry and sweet.</p><p>' 'A woman?'' she said with
raised brows. "Could it really have been a woman? Or do you mean she paid
someone else?"</p><p>' 'This woman, I think,
could have done it herself. She has the passion, and believes she has
cause-"</p><p>"Has she?"
Charlotte interrupted quickly. 128</p><p>"Perhaps." He took
another bit of the toast and it crumbled in his hand. He picked up the pieces
and finished them before taking another slice. Charlotte waited impatiently.
"I think you would feel she had," he said, and he outlined for her all
that had happened so far, -enlarging his opinions of Florence Ivory and Africa
Dowell, finding depth and subtlety in them as he searched for the precise words
he wanted.</p><p>She listened almost without
interruption, only mentioning briefly that Florence Ivory's name had been
spoken in the public meeting, but since she had learned nothing of her, except
that she was an object of pity or contempt, she did not elaborate, and when he
finished there was no time to discuss it. He was already late, but he felt lighter-footed
and easier of heart, though nothing had changed, no new insight had flashed on
his inner mind.</p><p>But as he walked along the
damp street towards the thoroughfare where he could get a hansom to
Westminster, he did wish he could take her just once to someplace exciting and
different, give her one glamorous memory to rival Emily's. But stretch his
imagination as he might, he could see no way of affording it.�����������������������������������������������
�</p><p>When he was gone Charlotte
sat for several minutes thinking of Florence Ivory, her loss and her anger,
before she pushed the matter aside and opened the letter. It was headed Venice
and read:</p><p>My dearest Charlotte,</p><p>What a journey! So long-and
noisy. There was a Madame Charles from Paris who talked all the way and had a
laugh like a terrified horse. I never want to hear her voice again! I was so
tired and dirty when I got here I was ready to cry. It was dark, and I simply
fell into a carriage and was taken to our hotel, where all I wanted was to wash
off some of the soot and grime before climbing into bed to sleep for a week.</p><p>139</p><p>Then in the morning, what
magic! I opened my eyes to see light rippling across an exquisite ceiling and
to hear, beauty of beauties, the sound of a man's voice singing, lyrical as an
angel, drifting across the morning air outside, almost echoing!</p><p>I jumped up, mindless of my
nightgown or my hair in a tangle, not caring in the slightest how I looked or
what Jack would think of me, and ran to the great window, at least two feet
deep, and leaned out.</p><p>Water! Charlotte, there was
water everywhere! Green and like a mirror, lapping right up to the walls. I
could have leaned out and dropped no more than ten feet into it! It was the
light reflected from its wind-dappled surface that I had seen on the ceiling.</p><p>The man who sang was
standing up as graceful as a reed in the stern of a boat that drifted along,
moved by a long pole or oar, I'm not certain which. His body swayed as he
moved, and he was singing from pure joy at the loveliness of the day. Jack
tells me he does it for money from tourists, but I refuse to believe him. I
should have sung for joy, had I been afloat on that canal in the sparkling morning.</p><p>Opposite us there is a
palace of marble-honestly! I have been for a ride in one of the boats, which
are called gondolas, and have been right across the lagoon to the Church of
Santa Maria della Salute. Charlotte, you never even in your dreams saw anything
so utterly beautiful! It seems to float on the very surface of the sea like a
vision. Everything is pale marble, blue air and water, and gold sunlight. The
quality of the light is different here, there is a clarity to it-it is a
different color, somehow.</p><p>I love the sound of the
Italian language, there is a music in it to my ear. I prefer it to the French,
although I understand scarcely a word of either.</p><p>But the smell! Oh dear-that
is something quite different, and very trying. But I swear I shall not let it
destroy 130</p><p>one moment of my pleasure. I
think I am noticing it less as I become accustomed to it.</p><p>It has also taken me a
little time to become used to the food, and I am terribly tired of the same
clothes all the time, but I can pack and carry only so much. And the laundry
service is far from what I might wish!</p><p>I have bought several
paintings already, one for you, one for Thomas, and one for Mama, and two for
myself, because I want to remember this for ever and ever.</p><p>I do miss you, in spite of
everything I am seeing and even though Jack is so sweet and full of
conversation. Since I do not know where I am going to be, or when, or how long
letters will take to reach me, I cannot send you an address so that you may
write to me. I shall just have to look forward to seeing you when I get home
again, and then you must tell me everything. I am longing to hear what you have
done, and thought, and felt-and learned?</p><p>Give my love to Thomas and
the children. I have written separately to Mama and Edward, of course. And
don't get into any adventures without me,</p><p>Your loving sister, Emily</p><p>Charlotte folded the letter
and slipped it back into its envelope. She would put it in her work basket;
that was one place Pitt would not find it. She would tell him that Emily was
having a wonderful time, of course, but it would only hurt him to read of all
the things Emily and Jack were able to see, and he and Charlotte were not. She
could not pretend to him she was not envious, that she did not want to see
Venice, the beauty and history and romance of it: he would not believe her if
she did.</p><p>Better just to tell him
Emily was enjoying herself. He would suppose she did not show him the letter
because it contained some secret between sisters, perhaps even some</p><p>131</p><p>details of personal life.
After all, Emily was on her honeymoon.</p><p>She got up from the kitchen
table and put the letter in her apron pocket and began organizing the day. It
was spring; she would do some fierce cleaning and renew everything possible. She
already had an idea for new curtains on the landing.</p><p>Pitt went to the House of
Commons in the Palace of Westminster and sought permission to go to
Etheridge's office and examine what papers were there, in search of letters and
documents that might have to do with William or Florence Ivory. He would also
inquire whether there was an office in Etheridge's constituency which might
have notes or correspondence on the matter.</p><p>A junior official in a stiff
winged collar and gold-rimmed pince-nez looked at him dubiously.</p><p>"I don't recall the
name. What was it concerning? Mr. Etheridge had many constituents appeal for
his time or intervention in matters of all natures."</p><p>"The custody of a
child."</p><p>"There is an ordinary
law which deals with such matters." The clerk looked over the top of his
pince-nez. "I imagine Mr. Etheridge will have replied to Mr. or Mrs. Ivory
informing them of the fact, and that will be all the record we have, if indeed
we have that. Space is limited; we cannot store trivial correspondence forever."</p><p>' "The custody of a
child is not trivial!'' Pitt said with barely controlled rage. "If you
cannot find the correspondence, then I'll send in men and they can go through
every piece of paper there is until either we find it or we know that it is not
here. Then we will look in Lincolnshire."</p><p>The man flushed faintly
pink, but it was irritation, not embarrassment.</p><p>"Really Inspector, I
think you forget yourself! You have no mandate to search all Mr. Etheridge's
papers."</p><p>132</p><p>"Then find me the ones referring to William and Florence
Ivory," Pitt snapped. "I imagine you have concluded for yourself that
it may have to do with murder."</p><p>The man's lips tightened and he swung round and marched away along
the corridor, with Pitt at his heels. They came to the office Etheridge had
shared with another member of Parliament, and the official muttered a few
words under his breath to a more junior clerk. Standing at a cabinet full of
files, the clerk looked with some alarm at Pitt.</p><p>"Ivory?" he looked confused. "I don't recall
anything. What date was it?"</p><p>Pitt realized he did not know; he had not asked. It was a stupid
omission, but too late to rectify now.</p><p>"I don't know," he replied with as much coolness as he
could muster. "Start at the present and work backwards."</p><p>The clerk looked at him as if he had been something alive on the
dinner plate, then swiveled round to a set of files and began searching, moving
his fingers through the piles of papers.</p><p>The official sighed and excused himself, and his heels tapped away
along the corridor into the distance; Pitt stood still in the office and
waited.</p><p>It did not take as long as he had expected. Within five minutes
the clerk pulled out a thin file and produced one letter. He held it up with a
pinched look of distaste.</p><p>"Here you are, sir, a copy of one letter from Mr. Etheridge
to a Mrs. Florence Ivory, dated the fourth of January, 1886." He held it
out for Pitt to take. "Although I cannot imagine how it will be of
interest to the police.''</p><p>Pitt read it.</p><p>Dear Mrs. Ivory,</p><p>I regret your very natural distress in the matter of your
daughter, but it has been decided, and I fear I cannot enter into any further
correspondence with you upon the subject.</p><p>133</p><p>I am sure you will come in
time to appreciate that all actions that have been taken were in the best
interests of the child, which you as her mother must in the end also desire,</p><p>Yours faithfully, Vyvyan
Etheridge, M.P.</p><p>"That cannot be
all!" Pitt said peremptorily. "This is obviously the end of a
considerable correspondence! Where is the rest of it?''</p><p>"That is all I
have," the clerk said with a sniif. "I expect it is a constituency
matter. I daresay it is in Lincolnshire.''</p><p>"Then give me the
address in Lincolnshire," Pitt demanded. "I shall go and search
there."</p><p>The man wearily wrote
several lines of instruction on a piece of paper and passed it over. Pitt
thanked him and left.</p><p>Back at Bow Street he went
straight up to Micah Drum-mond's office and rapped impatiently on the door.</p><p>' 'Come in!'' Drummond
looked up from a pile of papers, and seemed relieved to see Pitt. "Any
news? The further we look at the various anarchist groups we know, the less we
find anything."</p><p>' 'Yes sir.'' Pitt sat down
without being invited; he was too preoccupied with his thoughts for it to have
crossed his mind. "There is a past constituent of Etheridge's it appears
he promised to help in a matter of child custody, and then he sided with the
father. She lost the child and is distraught with the pain of it. She has
admitted she considers there are times when violence is the only recourse for
certain wrongs. The evidence is that Etheridge betrayed her. However, she
denies having murdered him.''</p><p>"But you think she
did?" Drummond's pleasure at the thought of a solution was already dimmed
by his own perception of the motive, and by something in Pitt's anger, a
darkness that Drummond knew was not directed at the woman.</p><p>"I don't know. But it
is too probable not to investigate. 134</p><p>Most of the letters may be
at the constituency office, which is in his country home in Lincolnshire. I
will have to go there and search. I shall need a warrant, in case some clerk or
secretary refuses me permission, and a rail ticket.''</p><p>"Do you want to go
tonight?"</p><p>"Yes."</p><p>Drummond considered Pitt for
a moment. Then he reached for a bell and rang it, and as soon as a constable
appeared he gave his orders.</p><p>"Go to Inspector Pitt's
home and inform Mrs. Pitt that he will be away tonight; have her pack him a
valise, including sandwiches, and return here as quickly as you can. Keep the
cab at the door. On your way out tell Parkins to make out a search warrant for
the Lincolnshire home of Mr. Vyvyan Etheridge, for papers or letters that might
contain threats to his life or his welfare, and anything to or from . . .
?"</p><p>"Florence or William
Ivory," Pitt supplied.</p><p>' 'Right. Jump to it, man!''</p><p>The constable disappeared.
Drummond looked back at Pitt. "Do you think it conceivable this poor woman
did it alone?"</p><p>' 'Not likely.'' Pitt
remembered her slender frame and the passion in her face, and the protective
arm of the younger, bigger woman. "She was taken in by a Miss Africa
Dowell, who knew the child as well, and seems to sympathize with the Ivory
woman intensely.''</p><p>"Not unnatural."
Drummond's face was grave and sad. He had children of his own, who were grown
now, and his wife was dead. He missed family life. "What about Hamilton?
A mistake?"</p><p>"Almost certainly, if
it was she. I don't know how many times she actually met Etheridge, if at
all."</p><p>"You said this Africa
Dowell-you did say Africa?"</p><p>Pitt gave the ghost of a
smile. "Yes, that's what Mrs. Ivory called her: Africa Dowell."</p><p>' 'Well if this Africa
Dowell took her in, that suggests Mrs. Ivory has little means, so she could not
have paid anyone</p><p>135</p><p>else to kill Etheridge. It
seems a very ... a very efficiently violent method for a woman. What is she
like, what background? Was she a farm girl or something that she might be so
skilled in cutting throats?"</p><p>"I don't know,"
Pitt admitted. It was another thing he had forgotten to inquire. "But she
is a woman of great passion and certainly intelligence, and I think courage. I
imagine she would be equal to it, if she set her mind to it. But I gathered
from the home, which was very attractive and in a good area, that Miss Dowell
has money. They could have paid someone."</p><p>Drummond pulled a small
face.' 'Well, either way it could account for Hamilton's having been the first
victim through a mistake of identity. You'd better go to Lincolnshire and see
what you can find out. Bring everything back with you." He looked up, his
eyes meeting Pitt's, and for several seconds it seemed he was about to add
something. Then at last he changed his mind and shrugged slightly. ' 'Report to
me when you get back," was all he said.</p><p>"Yes, sir." Pitt
left and went downstairs to await the constable's return with his things. He
knew what Drummond had wanted to say: the case must be solved, and soon. As
they had feared, the public outcry was shrill, in some of the newspapers almost
to the point of hysteria. The very fact that the victims had been the
representatives of the people, that the crimes had struck at the foundation of
everything that was freedom, stability, and order, made the violence in the
heart of the city a threat to everyone. The murders seemed to reflect the soul
of revolution itself, dark and savage, an unreasoning thing that might run amok
and destroy anyone- everyone. Some even spoke of the guillotine of the Reign of
Terror in Paris, and gutters running with blood.</p><p>And yet neither Drummond nor
Pitt wanted to think that one woman had been driven to take insane revenge for
the loss of her child.</p><p>Pitt arrived at the Broad
Street Station of the Great Northern Railway just in time to catch his train
to Lincolnshire.</p><p>136</p><p>He slammed the carriage door
as the engine started to belch forth steam and the fireman stoked the furnace,
and with a roar and a clash of iron they moved out of the vast, grimy dome into
the sunlight and began the long journey past the factories and houses and
through the suburbs of the largest, wealthiest, and most populous city in the
world. Within its bounds lived more Scots than in Edinburgh, more Irish than in
Dublin, and more Roman Catholics than in Rome.</p><p>Pitt felt a sense of awe at
the city's sheer teeming enormity as he sat in his carriage watching the rows
and rows of houses rush past him, grimed with the flying steam and smuts of
innumberable trains just like his. Nearly four million people lived here, from
those ashen-faced waifs who perished of cold and hunger, to the richest, most
talented and beautiful people in all a civilized nation. It was the heart of an
empire which spanned the world-the fount of art, theater, opera and music hall,
laughter, law, and abuse and monumental greed.</p><p>He ate his sandwiches of
cold meat and pickle and was glad to get out and stretch his cramped legs at
last when he arrived at Grantham in midafternoon. It took him another hour and
a half to travel by a branch line and then a hired pony and trap to the country
home of the late Vyvyan Etheridge. The door was opened by a caretaking
manservant, whom Pitt had some difficulty in persuading of his errand, and that
it was legitimate.</p><p>It was after four o'clock
when he finally stood in the waning light in Etheridge's study, another
sumptuous and elegant room lined with books, and began to search through the
papers. He was reading by lamplight and hunched up with cold an hour later when
he finally found what he had come for.</p><p>The first letter was very
simple and dated nearly two years ago.</p><p>Dear Mr. Etheridge,</p><p>I appeal to you as my member
of Parliament to assist me in my present distress. My story is a simple one. I
137</p><p>married at nineteen at my
parents' arrangement, to a man several years older than myself and of a nature
most grim and autocratic. I endeavored to please him and to find some
happiness, or at least to learn it, for twelve years. During that time I bore
him three children, one of whom died. The other two, a boy and a girl, I cared
for and loved with all my heart.</p><p>However, in time my
husband's manner and his unyielding domination of my life, even in the
smallest things, made me so wretched I determined to live apart from him. When
I broached the subject he was not at all unwilling, indeed I think he had
grown quite tired of me and found the prospect of his release from my company
without disgrace to himself an agreeable solution.</p><p>He insisted that my son
remain with him, in his sole custody, and that I should have no influence upon
him nor say in his future life. My daughter he permitted to come with me.</p><p>I asked no financial
provision, and he made none either for me or for our daughter, Pamela, known to
us as Pansy, then aged six. I found lodgings and some small labor with a woman
of reasonable means, and all was well, until this last month my husband has
suddenly demanded the custody of our daughter again, and the thought of losing
my child is more than I can bear. She is well and happy with me and wants for
none of the necessities of life, nor does she lack regarding her education and
moral welfare.</p><p>Please defend me in this
matter, as I have no other to turn to.</p><p>I remain most sincerely
yours, Florence Ivory</p><p>There followed a copy of
Etheridge's response.</p><p>My dear Mrs. Ivory,</p><p>I am most touched by your
plight, and will look into 138</p><p>the matter immediately. It
seems to me that your original agreement with your husband was a most
reasonable one, and since you asked of him no support, he has acted less than
honorably and can have no claim upon you, still less to remove so young a child
from her mother.</p><p>I shall write to you again
when I have further information.</p><p>Until then I remain yours
sincerely,</p><p>Vy vyan Etheridge</p><p>The next letter was also
Etheridge's own copy of one he had written to Florence Ivory, dated two weeks
later.</p><p>My dear Mrs. Ivory,</p><p>I have inquired further into
your situation, and I see no cause for you to distress yourself, or fear for
yourself or your daughter's happiness. I have spoken with your husband and
assured him that he has no grounds for his demand. A child of Pansy's tender
years is far better in the care of her natural mother than that of some
housekeeper or hired nurse, and as you have stated, she does not lack for any
of the appurtenances of health, education, and a sound moral upbringing.</p><p>I doubt that you will be
troubled further in the matter, but if you are, please do not hesitate to
inform me, and I will see that legal counsel is obtained and a decision handed
down that will ensure you are not threatened or caused anxiety again.</p><p>I remain yours sincerely,</p><p>Vy vyan Etheridge</p><p>This was followed by a
letter in a quite different hand.</p><p>Dear Mr. Etheridge,</p><p>Further to our discussion on
the 4th day of last month, I think perhaps you are not aware of the conduct and
character of my wife, Mrs. Florence Ivory, who somewhat 139</p><p>misrepresented herself to
you when seeking your intervention to prevent my receiving custody of my
daughter, Pamela Ivory.</p><p>My wife is a woman of
violent emotions and sudden and immature fancies. She has unfortunately little
sense of what is fit, and is most self-indulgent of her whims. It pains me to
say so, but I cannot consider her a suitable person to undertake the upbringing
of a child, most especially a girl, whom she would imbue with her own wild and
unbecoming ideas.</p><p>I do not wish to have to
inform you, but circumstances compel me. My wife has taken up several socially
contentious and radical causes, including that of desiring the parliamentary
franchise for women. She has taken her support for this extraordinary cause so
far as publicly to visit and be seen with Miss Helen Taylor, a most fanatic and
revolutionary person who parades herself wearing trousers!</p><p>She has also sought the
company and expressed considerable admiration for a Mrs. Annie Bezant, who has
also left the home of her husband, the Reverend Bezant, and employs herself
stirring up industrial ill-will among match girls and the like employed in the
factory of Bryant and Mays. She is fomenting unrest and advocating strikes!</p><p>I am sure you can see from
this that my wife is no fit person to have the custody of my daughter, and I
therefore request that you offer her no further assistance in the matter. It
can only lead to distress for my daughter, and if her mother should prevail, to
her ruin.</p><p>Your obedient servant, William
Ivory</p><p>And Etheridge's copy of his
reply:</p><p>Dear Mr. Ivory,</p><p>Thank you for your letter
regarding your wife, Florence Ivory, and the custody of your daughter. I have
met with 140</p><p>Mrs. Ivory and found her a
strong-willed woman of forcible and perhaps ill-found opinions regarding
certain social issues, but her behavior was perfectly seemly, and she is
obviously devoted to her daughter, who is well cared for, in good health, and
progressing with her education in a most satisfactory manner.</p><p>While I agree with you that
Miss Taylor's behavior is quite extreme and cannot possibly profit her cause, I
do not believe that your wife's support of her constitutes sufficient ill
judgment to make her unfit to care for her child, and as you know, the law now
allows a woman, if widowed, to be sole guardian of her children. Therefore I
feel in this instance that so young a girl as Pansy is best cared for by her
mother, and I hope that this will continue to be the case.</p><p>Yours sincerely, Vy vyan
Etheridge</p><p>Here, as was clear from the
handwriting of the letter which followed, a fourth voice joined the
correspondence.</p><p>Dear Vyvyan,</p><p>I hear from William Ivory, a
good friend of mine, that you have befriended his unfortunate wife in the
matter of the custody of their daughter Pamela. I must tell you that I feel you
are ill-advised in the matter. She is a headstrong woman who has publicly
espoused some highly contentious and undesirable causes, including the
parliamentary franchise for women, and worse than that, industrial militancy among
some of the most unskilled labor in the city.</p><p>She has openly expressed her
sympathy with the match girls at Bryant and Mays and encouraged them to
withdraw their labor!</p><p>If we support such people,
who knows where the general dissension and upheaval may end? You must be aware
that there is unrest in the country already, and a strong element that desires
the overthrow of the social order, to 141</p><p>be replaced with God knows
what! Anarchy, by the way they speak.</p><p>I must strongly recommend
that you give no further aid of any sort to Florence Ivory, indeed that you
assist poor William to obtain custody of his unfortunate child forthwith,
before she can be further injured by the eccentric and undisciplined behavior
of her mother.</p><p>I remain yours in
friendship, Garnet Royce, M.P.</p><p>Garnet Royce! So the
civilized and arbitrary Garnet Royce, so solicitous of his sister's affairs, so
concerned to be helpful, was the one who had sided with convention, and robbed
Florence Ivory of her child. Why? Ignorance-conservatism-returning some old
favor-or simply a belief that Florence did not know how to care for her own
child's welfare?</p><p>He turned back to the copy
of Etheridge's next letter.</p><p>Dear Mrs. Ivory,</p><p>I regret to inform you that
I am looking further into the matter of your husband's plea for the custody of
your daughter. I find that the circumstances are not as I first surmised, or as
you led me to believe.</p><p>Therefore I am obliged to
withdraw my support from your cause, and to put my weight behind your husband's
effort to give his guardianship and care to both his children, and to raise
them in an orderly and God-fearing home.</p><p>Yours faithfully, Vyvyan
Etheridge</p><p>Mr. Etheridge,</p><p>I could hardly believe it
when I opened your letter! I called upon you immediately, but your servant would
not admit me. I felt sure that after your promises to me, and your visit to my
home, that you could not possibly so betray my trust.</p><p>142</p><p>If you do not help me I
shall lose my child! My husband has sworn that if he obtains custody I shall
not ever be permitted to see her, much less talk and play with her, teach her
what I love and believe, or even assure her that it is not my will that we
part, and that I shall love her with all my strength as long as I live!</p><p>Please! Please help me.</p><p>Florence Ivory</p><p>You do not reply! Please,
Mr. Etheridge, at least hear me. I am not unfit to care for my child! What
offense have I committed?</p><p>Florence Ivory</p><p>And from the last one,
written in a scrawl ragged with emotion:</p><p>My child is gone. I cannot
put my pain into words, but one day you will know everything that I feel, and
then you will wish with all the power of your soul that you had not so betrayed
me!</p><p>Florence Ivory</p><p>Pitt folded the note and put
it together with the rest of the correspondence in a large envelope. He stood
up, banging his knee against the desk without feeling it. His mind was in the
darkness on Westminster Bridge, and with two women in a room in Walnut Tree
Walk, a room full of chintz and sunlight, and pain that spilled out till it
soaked the air.</p><p>143</p><p>7</p><empty-line/><p><strong>-Lr </strong><emphasis>was the day after </emphasis>Pitt went to
Lincolnshire that Charlotte received a hand-delivered letter a little before
noon. She knew immediately when she saw the footman with the envelope in his
hand that it was from Great-aunt Vespasia; her first dreadful thought was that
some illness had befallen the old lady, but then she saw that the footman was
in ordinary livery, and his face bore no mark of grief.</p><p>Charlotte bade him wait in
the kitchen. Hurrying into the parlor, she tore open the paper and read
Vespasia's thin, rather eccentric hand:</p><p>My dear Charlotte,</p><p>An old friend of mine, whom
I am perfectly sure you would like, is greatly afraid that her favorite niece
is suspected of murder. She has come to me for help, and I come to you. With
your experience and skill we may be able to discern the truth-at least I intend
to try!</p><p>If you are able to accompany
my footman to visit me and begin a plan of campaign this afternoon, please do
so. If you are not, then write and let me know the soonest that 144</p><p>you will have a moment to spare. Already it grows late, and time
is short.</p><p>Yours affectionately, Vespasia Cumming-Gould</p><p>P.S. There is no need to dress glamorously for the occasion.
Nobby is the least formal of people and her anxiety far outweighs her sense of
occasion.</p><p>There was only one possible reply. Charlotte knew very well what
it is like to have someone very dear to you suspected of murder, and to feel
all the fear of arrest, imprisonment, trial, even hanging racing nightmarishly
through your mind. She had known it with Emily so very recently. Aunt Vespasia
had stood by them then. Of course she would</p><p>go.</p><p>"Grade!" she called as she walked back from the parlor
towards the kitchen. "Grade, I have been called away, to help someone in
trouble. Please give the children their lunch, and their tea if necessary. This
is an emergency; I shall return when the matter is in hand.''</p><p>"Oh yes, ma'am!" Gracie turned her attention from the
footman and the cup of tea she was passing him. ' 'Is it illness, ma'am,
or"-she tried to keep the light of excitement out of her eyes, and
failed-"is it. . ." She could not find the right word for the mixture
of peril and adventure dancing on the edge of her imagination. She knew of
Charlotte's battles with crime in the past, but she did not dare speak of them
openly now.</p><p>Charlotte smiled wryly. "No Gracie, it is not illness,"
she conceded.</p><p>"Oh, ma'am!" Gracie breathed out a sigh of exquisite anticipation.
Dark and wonderful adventures raced through her mind. "Do be careful,
ma'am!"</p><p>Forty minutes later Charlotte alighted from the carriage, assisted
by the footman, and climbed the stairs to the front door of Great-aunt
Vespasia's town house. It opened before</p><p>145</p><p>she raised her hand to the
knocker, indicating that she was expected, indeed awaited, but she was
surprised to see that it was the butler himself who stood in the entrance,
grave and elegant.</p><p>"Good morning, Mrs.
Pitt. Lady Cumming-Gould is in the withdrawing room, if you care to go through.
Luncheon will be served presently in the breakfast room.''</p><p>"Thank you."
Charlotte handed nun her cape and followed him across the parquet floor of the
hallway. He opened the door for her, and she passed into the withdrawing room.</p><p>Great-aunt Vespasia was
sitting in her favorite chair by the fire. Opposite her was a woman almost
gawkily lean, with a face of marvelous, dynamic ugliness, so full of
intelligence it had its own kind of beauty. Her eyes were very dark, her brows
fiercely winged, her nose too powerful, mouth humorous, perhaps in youth even
tender. She was nearly sixty, and her complexion had been ruined by all kinds
of weather, from the extremes of ocean wind to the heat of a tropical sun. She
gazed at Charlotte with quite undisguised curiosity.</p><p>"Come in,
Charlotte," Vespasia said quickly. "Thank you, Jeavons. Call us when
luncheon is ready." She turned to the other woman. "This is Charlotte
Pitt. If anyone can give us really practical help it is she. Charlotte, Miss
Zenobia Gunne."</p><p>"How do you do, Miss
Gunne," Charlotte said courteously, although a single glance at the woman
made her feel sure such formality was soon going to be dismissed.</p><p>"Sit down,"
Vespasia directed, waving her lace-cuffed hand. "We have a great deal to
do. Nobby will tell you what we know so far.''</p><p>Charlotte obeyed, catching
the urgency in Vespasia's voice and realizing the other woman must be
profoundly worried to have come for help to a person she had never met before,
nor even heard of socially.</p><p>"I am most grateful for
your attention," Zenobia Gunne said to Charlotte. "The situation is
this: My niece owns a</p><p>146</p><p>house south of the river,
inherited from her parents, my younger brother, and his wife upon their death
some twelve years ago. Africa-my brother called her after that continent
because I spent a great many years exploring it, and he was fond of me-Africa
is a girl of intelligence and independent opinions, and a very lively
compassion, especially for those whom she feels to have suffered
injustice."</p><p>Zenobia was watching
Charlotte's face as she spoke, trying already to ascertain what impression she
might be forming.</p><p>' 'Some two or three years
ago Africa met a woman a few years older than herself, perhaps twelve or
fourteen, who had left her husband, taking with her her young daughter. She had
managed quite adequately on her own resources for some time, but when some change
in circumstance made this no longer possible, Africa offered both the woman and
the child a home. She grew very fond of both of them, and they of her.</p><p>"Now, the part of the
story that concerns us is that the woman's vicious husband sought to obtain custody
of the child. She appealed to her member of Parliament, who promised to assist
her, which for some time he did. Suddenly he changed his mind and instead gave
his aid to the husband, who then won his custody order for the child and
forthwith removed her. The mother has not seen her since."</p><p>"And the husband has
been murdered?" Charlotte asked, fearing already that there was going to
be nothing she or anyone could do to help.</p><p>' 'No.'' Zenobia's
remarkable eyes held hers unflinchingly, but for the first time Charlotte
realized that there was both resolution and pain in them, clearly justifying
all Vespasia's fears. "No, it is the member of Parliament who has been
murdered, Mrs. Pitt."</p><p>Charlotte felt a chill, as
if that night on the Bridge with its chill and fog from the river had entered
the room. This was Thomas's case that he had told her of with such confusion</p><p>147</p><p>and pity. She knew all
London was appalled by the crimes, not merely by their nature but by the
identity of the victims and the apparent ease with which able men, men both
cherished and respected, the makers of law, had been killed within sight of
the Mother of Parliaments.</p><p>"Yes," Zenobia
said very quietly indeed, her eyes on Charlotte's face. "The Westminster
Bridge murders. I fear the police may believe it was Africa and her lodger who
committed these terrible acts. The poor woman certainly had motive enough, and
neither she nor Africa can prove themselves innocent."</p><p>Pitt's description of them
was sharp in Charlotte's memory, his sense of Florence Ivory's anger and
grief, and the passion he was sure could bring her to kill. The question beat
in Charlotte's head so, nothing else could form itself or find shape. Had they?
<emphasis>Had they ?</emphasis></p><p>"Charlotte, we must do
all we can to help,'' Vespasia said briskly, before the silence could become
painful.' 'Where do you suggest we begin?''</p><p>Charlotte's mind was
whirling. How well did Great-aunt Vespasia know this woman with the
extraordinary face? Were they lifelong friends, or merely social acquaintances?
They were a generation apart. If they had been friends years ago, what had
happened to them since? How much had they changed and grown separate, been
marked by experience, learned to value different things, to love different
people? What sort of a woman explored Africa? Why? With whom? Did she perhaps
count family loyalty above the lives of those who were not of her class or kin?
It was ridiculous to be discussing this in front of her, where Charlotte could
not be frank.</p><p>. "At the beginning,''
Zenobia said gravely into the silence, answering Vespasia's question. "No,
I do not know that Africa is innocent. I believe it, but I cannot know it, and
I realize that if we attempt to help her, there is a possibility</p><p>148</p><p>that we may do exactly the
opposite. I am prepared to take that risk."</p><p>Charlotte collected her
thoughts and attempted to set them forth logically. "Then if we cannot
prove them innocent," she said, ' 'we shall have to see if we can discover
who is guilty-and prove that." There was no purpose in being falsely
modest or decorous with this woman. "I have read something of the matter
in the newspapers," she admitted. At this point she would not say that her
husband was the detective in charge of the case-Zenobia might find it impossible
to believe she could be impartial, and it would place an intolerable burden of
double loyalty upon Vespasia.</p><p>She knew it was not the
thing for ladies of quality to read anything in the newspapers except the
society pages, and perhaps a little of the theater or reviews of suitable books
or paintings, but there was no point in pretending she was of delicate
sensibilities-even could she have carried it off-if they were going to discover
the authors of any crimes at all, let alone such as these.</p><p>' 'What do we know of the
facts?'' she began. ' 'Two members of Parliament have been murdered at night,
upon Westminster Bridge, by having their throats cut, and then their bodies
were tied up by their evening scarves to the lamppost at the south end of the
bridge. The first was Sir Lockwood Hamilton, the second a Mr. Vyvyan
Etheridge.'' She looked at Zenobia. ' 'Why should this woman-what is her
name?''</p><p>"Florence Ivory."</p><p>"Why should Florence
Ivory kill both men? Were they both connected in some way with the loss of her
child?''</p><p>"No, only Mr.
Etheridge. I have no idea why the police believe she should have killed Sir
Lockwood as well."</p><p>Charlotte was puzzled.
"Are you sure she has reason to be afraid, Miss Gunne? Is it not possible
the police are merely questioning everyone who had cause to hold a grudge
against either victim, in the hope they might discover something,</p><p>149</p><p>and entertain no real
suspicions towards Mrs. Ivory or your niece?"</p><p>A fleeting smile crossed
Zenobia's face, a mixture of irony, amusement, and regret. "It is a hope
to cling to, Mrs. Pitt, but Africa said the policeman who came to see them was
an unusual man; he did not bluster or threaten them in the least and seemed to
find no satisfaction whatever in having discovered the power of their motive.
Florence told him her story and made no attempt to hide either the depth of her
grief at the loss of her child or her hatred of Etheridge. Africa said she
watched the man's face, and she believes he would have preferred to discover an
alternative solution to his case; indeed, she was convinced the story weighed
him down. But she was also equally certain that he will investigate it and
return. And since they have no witness that they were at home alone in the
house, which is not far from Westminster Bridge, and as they have abundant
motive, and as indeed Africa has sufficient money to have employed someone else
to perform the actual task, they fear they may well be arrested."</p><p>Charlotte could not help but
believe it also, except for the unlikelihood of their having killed Lockwood
Hamilton as well. And it seemed improbable, but not impossible, that there was
another such murderer loose in London.</p><p>' 'Then if it was not Africa
and Mrs. Ivory,'' she answered "it must have been someone else. We had
better set about finding out who!"</p><p>Zenobia fought against a
rising panic. She mastered it, but Charlotte could see clearly in her eyes her
knowledge of the enormity of the task, the near hopelessness of it.</p><p>Vespasia sat up a little
straighter in her chair, her chin high, but it was courage speaking rather than
belief, and they all knew it.</p><p>"I am sure Charlotte
will have an idea. Let us discuss it over luncheon. Shall we go through to the
breakfast room? I thought it would be pleasant there; the daffodils are in bloom</p><p>150</p><p>and there is always an
agreeable view." And she rose, brushing away Charlotte's assistance, and
led the way through as if it had been the most casual of occasions, the
renewing of an old friendship and the making of a new one, and there was nothing
more serious to consider than what to wear this evening and upon whom they
might call tomorrow.</p><p>The breakfast room was
parquet-floored like the hall and had French windows opening onto the paved
terrace. There were china cabinets full of Minton porcelain in blue and white
round the walls, and a full service of white Rocking-ham scrolled and tipped in
gold. A gateleg table was set for three, and the parlormaid waited to serve the
soup.</p><p>When they began the second
course, which was chicken and vegetables, and the servants had temporarily
left, Vespasia looked up and met Charlotte's gaze, and Charlotte knew it was
time to begin. She forgot the succulence of the meat and the sweetness of the
spring sprouts.</p><p>"If it is anarchists or
revolutionaries," she said carefully, weighing her logic as she went and
trying not to think of Florence Ivory and her child, or of Zenobia Gunne, calm,
attentive, but under her composure desperately aware of tragedy, ' 'or a
madman, then there is very little chance that we shall discover who it is.
Therefore, we had best direct our efforts where we have some possibility of
success-which is to say we must assume Sir Lockwood and Mr. Etheridge were
killed by someone who knew them and had a personal reason for wishing them
dead. As far as I can think, there are very few emotions strong enough to drive
an otherwise sane person to such extremes: hatred, which covers revenge for
past wrongs; greed; and fear, fear of some physical danger, or more likely the
fear of losing something precious, such as one's good reputation, love, honor
or position, or simply peace from day to day."</p><p>"We know very little
about either of the victims," Zenobia said with a frown, and again a
touch of understanding</p><p>151</p><p>that the task might be far
greater than she had hoped when she appealed to Vespasia.</p><p>It was not the difficulty
that disturbed Charlotte, but the fear that in the end they would discover it
was indeed Florence Ivory who had brought about the murders, if not directly,
then by the even greater misdeed of employing someone else to commit the act.</p><p>"That is what we must
set ourselves to do," she said aloud, pushing the vegetables round her
plate-suddenly the delicacy of their taste no longer mattered. "We are in
a far better position than the police to meet the appropriate people at a time
and in a manner we can observe them unguarded. And because we are in many ways
of a similar station in life, we can understand what is in their minds, what
lies behind their words."</p><p>Vespasia folded her hands in
her lap and paid attention like a schoolgirl in class. "With whom shall we
begin?" she asked.</p><p>"What do we know of Mr.
Etheridge?" Charlotte inquired. "Has he a widow, family, a
mistress?" She saw with some satisfaction that Zenobia's face registered
no horror, nor any indication that her sense of decency had been offended.
"And if those avenues prove fruitless, then had he rivals in business, or
professionally?"</p><p>"The <emphasis>Times </emphasis>said
that he was a widower and leaves one daughter, married to a James Carfax,''
Vespasia offered.' 'Sir Lockwood left a widow, and a son by his first
marriage."</p><p>"Excellent. That is
where we shall start. It will always be easier for us both to meet with women
and to make judgments and observations of them that may be useful. So we have
Mr. Etheridge's daughter-"</p><p>"Helen Carfax,"
Vespasia supplied.</p><p>Charlotte nodded. "And
Lady Amethyst Hamilton. Is the son married?"</p><p>' 'Nothing was said of a
wife.''</p><p>Zenobia leaned forward.
"I have a very slight acquain-152</p><p>tance with a Lady Mary Carfax; it was some time ago now, but I
believe, if I remember accurately, that her son was named James."</p><p>"Then renew the acquaintance," Vespasia said instantly.</p><p>Zenobia's mobile mouth turned down. "We disliked each
other," she said reluctantly. "She disapproved of me for going to
Africa, among other things. She felt-and said- that I disgraced both my birth
and my sex by behaving totally unsuitably on almost every occasion. And I
thought her pompous, narrow-minded, and completely without imagination."</p><p>"No doubt you were both correct," Vespasia said tartly.
"But since she is unlikely to have improved with time, and you wish
information of her, not she of you, then it is you who will have to accommodate
yourself to her social prejudices and remember your niece profoundly enough to
force yourself to be agreeable to her.''</p><p>Zenobia had faced the insects and heat of the Congo, the
discomforts of trekking across deserts and sailing in canoes, fought against
exhaustion, disease, outraged family, stubborn officials, and mutinous
natives. She had endured heartache, ostracism, and loneliness. She was more
than equal now to the self-discipline required of her to be civil to Lady Mary
Carfax, since it was so evidently necessary.</p><p>"Of course," she agreed simply. "What else?"</p><p>' 'One of us will visit Lady Hamilton,'' Charlotte went on.
"Aunt Vespasia, perhaps that had better be you. None of us knows her, so
we shall have to invent an excuse. You can say you knew Sir Lockwood through
your work for social reform, and you have come to express your
condolences."</p><p>' 'I did not know him,'' Vespasia replied, waving one long hand in
the air. "Which I agree is immaterial. However, since it is a lie, you can
tell it just as well as 1.1 shall go and see Somerset Carlisle and learn
everything I can from him as to the political lives of both men. It is always
possible that</p><p>153</p></section><section><p>the crime is political, and it would be wise of us to cover that
area of investigation as well."</p><p>"Who is Somerset Carlisle?" Zenobia asked curiously.
"I am sure I have heard the name."</p><p>' 'He is a member of Parliament,'' Vespasia answered. "A man
of anger, and humor." She smiled as she said it, and Charlotte guessed
precisely what wild adventure of the past she was remembering. Vespasia's blue
gaze was faraway and almost innocent. "And with a passion to reform. If I
tell him our situation, he will help us all he can."</p><p>Zenobia tried to look hopeful and nearly succeeded. "When
shall we commence?"</p><p>"When we have finished luncheon," Vespasia answered her,
and a flicker of satisfaction crossed her face as she saw incredulity, then a
sudden real hope light Zenobia's eyes, and at last her body lost some of its
rigid tension.</p><p>When the meal was finished there was very much to be done. The
clothes each had worn for the consultation and the laying of plans were not at
all suitable for the errands they proposed. Zenobia's very casual attire, with
little matching anything else, would be an immediate insult to anyone of Lady
Mary Carfax's social susceptibilities, therefore she left to go home and change
into the very latest fashion she possessed, which was last year's and very
plain, but a great improvement on her present garb nevertheless. It was not
that she lacked means, simply that she considered clothes only for their
practicality, not their appearance beyond the requirements of decency.</p><p>She asked Charlotte if there was anything in particular she should
say to Lady Mary, but Charlotte, fearing the meeting was going to be hazardous
enough anyway, advised that simply to reopen the acquaintance would be
sufficient for now.</p><p>Vespasia changed from her light gown, suitable for the house, into
something warmer in sky blue wool and with a matching jacket, so she might walk
outside without chill. She added something of glamor because she loved beauty</p><p>154</p><p>and could not abandon it
whatever the circumstances. Had she contemplated anything so extraordinary as
rowing up the Congo, she would have done so with her hair arranged and in a
gown that was both fashionable and individual. Also, she was fond of Somerset
Carlisle and retained enough vanity to wish to appear well before him. He
might be thirty-five years her junior, but he was still a man.</p><p>And for Charlotte, Vespasia
looked out an anthracite gray gown with a delicious bustle, which was both
sober enough in which to express condolences, and sufficiently fashionable to
proclaim the wearer a lady. It needed no attention now, because Vespasia had
indulged in detecting before, and she had known what some of the requirements
would be before she had dispatched the footman to collect Charlotte. Vespasia's
lady's maid had been busy most of the morning.</p><p>Therefore Charlotte rode
with Vespasia in her carriage, setting her down at the residence of Somerset
Carlisle before proceeding on to Royal Street.</p><p>Her courage was high to
begin with, but when she saw Vespasia, her back ramrod straight and wearing her
hat at a superbly rakish angle, disappear through the doorway, suddenly she
was overcome by the recklessness and the sheer folly of the entire scheme. She
had been flattered because Great-aunt Vespasia had turned to her, and she had
led both her aunt and Zenobia Gunne to believe she was capable of far more than
in truth she was. She was going to end up making a fool of herself, and worse
than that, she was going to insult a woman recently bereaved in the most
appalling circumstances, and even <emphasis>more </emphasis>painful, she was misleading and
offering false hope to two elderly women who had trusted her, when they would
so much better have placed their faith in the police, or a good lawyer, which
they could certainly afford.</p><p>The carriage bowled down
Whitehall at an excellent pace; there were few afternoon callers with the
necessity to pass this way and traffic was very light. They would be under the</p><p>155</p><p>shadow of Big Ben any
minute. She would scarcely have time to compose herself before they reached the
Westminster Bridge and crossed it to Royal Street less than a mile on the other
side. What on earth was she going to say? It had seemed an adventure over
luncheon; now it was merely ridiculous, and very ill-mannered!</p><p>Should she tell the coachman
to drive twice round the block while she scrambled to devise some believable
account she might give of herself? Such as what? "Good afternoon, Lady
Hamilton, you don't know me, but my husband is a policeman-actually he is
working on your husband's murder-and I have delusions that I can detect. I am
going to discover who did it, and why-and I mean to begin by scraping an
acquaintance with you! Tell me everything about yourself!"</p><p>Should she try to be subtle?
Or was some degree of frankness the only way?</p><p>The carriage stopped and a
moment later the door opened and she was obliged to take the footman's hand and
climb out. There was no more time!</p><p>Her legs felt weak, as if
her knees had no bones in them. She stood on the pavement, knowing the footman
and the coachman were both looking at her.</p><p>"Please wait," she
said breathlessly, and picked up her skirts and walked up to the front door.
She did not even have a calling card to present! There was nothing in the world
she could do about it now.</p><p>The door opened and a
parlormaid hi black appeared, too well trained to show her surprise.</p><p>"Yes ma'am?"</p><p>There was nothing to do but
plunge ahead.</p><p>"Good afternoon. My
name is Charlotte Ellison," she said-they might know or remember the name
Pitt. "I hope I do not intrude, but I had such an admiration for Sir
Lock-wood that I wished to call in person to express my condolences to Lady
Hamilton, rather than merely to write, which</p><p>156</p><p>seems so slight a thing to
do." She glanced at the silver tray the parlormaid held out, waiting for a
card, and felt the color rise in her cheeks. "I am so sorry, I have been
abroad and unpacked in such a hurry." She forced a smile. "Would you
be kind enough to tell Lady Hamilton that Miss Charlotte Ellison wishes a few
moments of her time to express the thoughts of many people who admired Sir
Lockwood for his courtesy and compassion, and the wisdom with which he counseled
us during our struggle to bring to pass certain reforms in the poor laws and
regarding the education of pauper children." That would do; she knew
something of that from her desperate struggle with Great-aunt Vespasia and
Somerset Carlisle for such a bill when there had been the murders in
Resurrection Row. She smiled most charmingly at the maid, and stood her ground.</p><p>' 'Of course, ma'am.'' The
maid put the empty tray down on the hall table and turned away, closing the
door. "If you would care to wait in the morning room, I will see if Lady
Hamilton is free to receive you."</p><p>In the morning room
Charlotte looked round hastily to make some judgment of the woman whose house
this was. It was elegant, individual, not overcrowded. Nor did she see the
struggle of two personalities, two tastes, any sign that a second wife had
taken over from a first. There was nothing discordant, no jarring memories. The
only thing she guessed to come from the past was a painting of a cottage
garden, faded, a little oversweet, out of character with the cooler watercolors
on the other walls, but not displeasing, a sentimental gesture rather than an
intrusion.</p><p>The door opened and a woman
in black came in. She was tall and slender, perhaps in her mid or late forties,
with dark hair winged with gray. Her face had known sadness long before this
latest blow, but in it there was no anger, no rage at life, and certainly no
self-pity.</p><p>"I am Amethyst
Hamilton," she said politely. "My maid tells me you are Charlotte
Ellison, and that you have come</p><p>157</p><p>to express your condolences
for my husband's death. I confess he did not mention your name, but it is very
considerate of you to have come in person. Naturally at the moment I am not
making or receiving calls, other than those of sympathy, so I shall be taking
tea alone. If you care to join me, you are welcome." The briefest of
smiles crossed her face and vanished, "Very few people find themselves
comfortable in the houses of those in mourning. I should find your company
welcome. But of course I understand if you have other calls to make.''</p><p>Charlotte was assailed with
guilt. She knew the terrible isolation of mourning: she had seen Emily's
loneliness after George's death the previous year, which, like this woman's,
was compounded by the horror of murder, the burdens of a police investigation,
and the scandal, and ultimately the terrible fear and suspicion of people one
likes and loves intruding into the mind, smearing every memory, touching everything
with doubt. And here she was telling lies, using the mask of sympathy to try
and learn the secrets of this poor woman's family, learn facts and emotions
normally guarded in the presence of the police, all because Charlotte thought
her own judgment keener, better able to penetrate the vulnerabilities of her
own class and sex.</p><p>"Thank you," she
replied, her voice cracking, and she swallowed hard. Quite possibly Florence
Ivory had killed this woman's husband, mistaking him in the lamplight for i
another man. ' 'I should like to."��������������������������� ������������p</p><p>"Then please come
through to the withdrawing room. It' is warmer. And tell me, Miss Ellison, how
you came to know my husband?"</p><p>There was no answer except
to mix as much of a lie as necessary with all the truth she could remember.</p><p>' 'I worked some time ago on
an attempt to have the workhouse laws altered. Of course, I was just a very
small part of the attempt; I merely collected a little information. There were
others far more important, people with influence and</p><p>158��������������������������
��������������,</p><p>wisdom. Sir Lockwood was
most kind to us then, and ,1 felt he was a man of both compassion and
integrity."</p><p>"Yes," Amethyst
Hamilton agreed with a smile, leading the way into the withdrawing room and
offering Charlotte a chair by the fire. ' 'You could not have described him
better,'' she said, sitting down herself. "There were many who disagreed
with him over one subject or another, but none I ever knew who felt he had been
either self-seeking or dishonest.'' She pulled the bell rope at her elbow, and
when the maid appeared she ordered tea to be brought, and after a glance at
Charlotte, sandwiches and cakes as well. When the maid had gone she continued
speaking.</p><p>' 'It is strange how many
people do not wish to speak of the dead. They send cards or flowers, but if
they call they talk of the weather or my health, or of their own. Of anything
but Lockwood. And I feel as if they are wishing him out of existence. It is most
unreasonable of me; I daresay they do it out of consideration for my
feelings."</p><p>"And perhaps out of
embarrassment," Charlotte added, before remembering that this was a formal
visit; she did not know this woman at all, and her frank opinions were not called
for. She felt the heat rise in her face. "I am sorry."</p><p>Amethyst bit her lip.
"You are perfectly right, Miss Ellison. We so seldom know how to deal
honestly with other people's emotions when we do not share them. It is most
unpatriotic of me to say so, but I fear it is something of a national
failing."</p><p>"Indeed."
Charlotte had never been anywhere else, so she had no idea whether it was so or
not, but she had just rashly claimed to have returned from a visit abroad, so
she could only nod and agree.</p><p>' 'I had a sister,'' she
rushed on, ' 'who died in most tragic circumstances, and I found it exactly the
same. Please, if you wish to, tell me of Sir Lockwood, anything you care to
recall. I should be neither embarrassed nor uninterested. It is part of the respect
we feel for those we admire that we should</p><p>159</p><p>continue to speak of them
when they are no longer with us, and to praise them to others.''</p><p>"You are very kind,
Miss Ellison."</p><p>"Not at all."
Charlotte felt again a guilt which she expected would hurt her indefinitely,
but she could not stop now. "Tell me how you met? I expect it was
romantic?"</p><p>"Not in the
slightest!" Amethyst nearly laughed, and her face became soft at the
memory, the echo of the girl she'd been was in the lines of her mouth and the
momentary smoothness of her brow. "I bumped into him at a political
meeting where I had gone with my elder brother. I remember I was wearing a
cream hat with a feather on it, and a necklace of amber beads of which I was so
fond I kept fingering it. Unfortunately it broke and scattered all over the
floor. I was very upset, and bent to pick the beads up, and only made it worse.
The rest cascaded all over the place. One gentleman stepped on one and lost his
balance, falling against a large lady with a dog in her arms. She shrieked, the
dog jumped and ran away under her neighbor's skirts. All of which put the
speaker off, who quite lost his place. Lockwood glared at me and told me to
compose myself, because I am afraid I was beginning to giggle. But he did help
me find the beads.''</p><p>Tea was brought and she
poured it, having dismissed the maid, and for the next thirty minutes Charlotte
listened while she recounted her courtship, and one or two later events in her
marriage. None of them showed Lockwood Hamilton as anything but a gentle,
rather serious person who, beneath his outer, comfortable, rather pompous
public face, was a vulnerable man, deeply in love with his second wife. How he
had come to have his throat cut in the darkness on Westminster Bridge grew
more inexplicable with every sentence.</p><p>It was well after four when
the parlormaid knocked and announced that Mr. Barclay Hamilton had called.</p><p>Amethyst's skin drained of
color and all the life left her eyes. In the midst of the recollections of
happiness some pain</p><p>160</p><p>had plunged right through
her and brought back all her present loneliness and tragedy in its wake.</p><p>' 'Ask him to come in,'' she
said, forcing her voice a little. She turned to Charlotte.' 'My husband's son
by his first wife. I hope you do not mind? It will only be a matter of courtesy,
and I do not wish you to feel as if you must leave."</p><p>' 'But if it is a family
matter,'' Charlotte felt compelled by duty to offer,' 'might my presence not
cause embarrassment? Surely-"</p><p>"No, not at all. We are
not close. Indeed your presence may very well make it easier-for both of
us."</p><p>It was so clearly a plea,
for all the formality of her words, that Charlotte felt excused to stay, and
wished she had not been.</p><p>The parlormaid returned and
showed in a man perhaps ten years younger than Amethyst, very lean, with a
sensitive face now almost white with tension. He looked only momentarily at
Charlotte, but she knew he was disconcerted to see her there, and it robbed him
of what he had intended to say.</p><p>"Good afternoon,"
he said uncertainly.</p><p>"Good afternoon,
Barclay," Amethyst replied coolly. She turned deliberately to Charlotte.
"Mr. Barclay Hamilton, Miss Charlotte Ellison, who was kind enough to call
in person to express her condolences."</p><p>Barclay's face softened in
recognition of a generosity.</p><p>"How do you do, Miss
Ellison." Then before she could reply, he turned back to Amethyst and the
moment was gone. "I apologize for calling at an inconvenient time. I
brought a few papers regarding the estate." He held them forward in his
hand, not so much offering them to her as indicating the reason for his
presence.</p><p>"Very good of
you," Amethyst replied. "But unnecessary. I was not anxious. You
could have sent them and avoided the journey."</p><p>He looked as if he had been
slapped; then his mouth hardened. "They are not of a nature I'd trust to
the penny post.</p><p>161</p><p>Perhaps I did not make
myself clear: they are land deeds and rental agreements."</p><p>If Amethyst heard the edge
in his voice she either refused to acknowledge it or did not care. ' 'I am sure
you are better equipped than I to deal with such things. You are, after all,
the executor.'' She did not offer him tea or make the slightest accommodation
for him.</p><p>' 'And it is part of my duty
to see that you are aware of the circumstances, and understand the properties
you now own." He was staring at her, and at last she met his eyes. The
blood rushed up in her cheeks, then fled again, leaving her paler than before.</p><p>"Thank you for doing
your duty." She was polite now, but remote to the point that it became
rudeness. "Of course, I would have expected no less of you.''</p><p>His tone was equally cold
and punctilious. "Perhaps you will now do your own and look at them.''</p><p>Her body stiffened and her
head came up. "I think you forget to whom you speak, Mr. Hamilton!"</p><p>There were white lines round
his mouth forced by the pressure of his feeling, and the effort of
self-control. When he spoke his voice shook. "I never forget who you are,
ma-dame. Never from the day we met have I forgotten most exactly who and what
you are, as God is my judge."</p><p>"If you have
accomplished all you came to do," she said very quietly, very levelly,
"then I think it would be better if you were to leave. I wish you good
afternoon."</p><p>He inclined his head, first
to Amethyst, then to Charlotte. "Good afternoon, ma'am; Miss
Ellison." And he turned sharply and marched out, pulling the door behind
him with a bang.</p><p>For an instant Charlotte
considered pretending nothing had happened, but even as the idea crossed her
mind she knew it was ridiculous. Before the interruption she and Amethyst had
been talking together as friends; there had been a thread of</p><p>162</p><p>understanding that would make such a charade impossible. It would
be a deliberate rebuff, like walking away.</p><p>The seconds ticked by, and Amethyst did not move. Charlotte
waited until the silence was oppressive, then she leaned across, poured the
dregs of Amethyst's tea into the slop basin and filled her cup again from the
pot. She stood and went to her.</p><p>"You had better have this," she said gently. "It is
obviously a distressing relationship. It would be pointless of me to offer my
help-there is probably nothing anyone can debut please accept my sympathy. I
too have relatives I find exceedingly trying.'' She was thinking of Grandmama,
which was hardly the same, but when she had been young and living at home, it
was difficult enough.</p><p>Amethyst regained control of herself and accepted the tea, sipping
it in silence for some moments.</p><p>' 'Thank you,'' she said at last.' 'You are most considerate. I
apologize for subjecting you to such an embarrassing confrontation. I had no
idea it would be so-so awkward." But further than that she said nothing,
offering no explanation.</p><p>Charlotte did not expect one. It seemed that Barclay Hamilton had
so violently resented her marrying his father that even after all these years
he had not forgiven her. Perhaps it was a form of jealousy, perhaps a devotion
to his mother which would not permit him to let anyone take her place. Poor
Amethyst; the ghost of the first Lady Hamilton must have stalked her all her
married life. At that moment Charlotte conceived a fierce dislike of Barclay
Hamilton, in spite of all she saw in his face that she might otherwise have
found peculiarly pleasing.</p><p>She was about to help herself to another cake when the parlormaid
returned and announced Sir Garnet Royce. He followed her so closely it was
impossible for Amethyst to deny that she would see him, and from the calm
certainty in his eyes he apparently took it for granted that he was wel-</p><p>163</p><p>come. His brows rose when he
saw Charlotte, but it did not disconcert him.</p><p>"Good afternoon,
Amethyst; good afternoon!"</p><p>"Miss Charlotte
Ellison," Amethyst supplied. "She has been good enough to come in
person to express her sympathy:"</p><p>"Most kind."
Garnet nodded briefly. "Most kind." He had acquitted courtesy, and he
ignored her now as he would have a butler or a governess. "Now Amethyst, I
have completed the arrangements for a memorial service. I made a list of
people it would be suitable to invite, and those who would be offended if they
were not included. You can read it, of course, but I am sure you will
agree." He did not make any move to pull it out of his pocket. "And I
have chosen an order of prayer, and several hymns. I asked Canon Burridge if he
would conduct. I am sure he is the most appropriate."</p><p>"Is there anything left
for me to do?" There was a slight edge to her voice, but not enough to be
exceptional in the circumstances. Charlotte would have resented anyone else's
taking charge so completely, but perhaps she had become too independent since
her marriage and her slide down the social scale. Garnet Royce was doing what
he believed best for his sister-his face reflected decisive, practical goodwill-and
Amethyst raised no objection, although for an instant a frown flickered across
her brow, and she drew breath as if to say something contrary but changed her
mind.</p><p>"Thank you," she
said instead.</p><p>Garnet went to the table
where Barclay Hamilton had left the papers he had delivered. "What are
these?" He picked them up and turned them over. "Property
deeds?"</p><p>' 'Barclay brought them,''
Amethyst explained, and again the shadow of anger and pain crossed her face.</p><p>' 'I '11 look at them for
you.'' Garnet made as if to put them in his pocket.</p><p>"I should be obliged if
you would leave them where they 164</p><p>are!" Amethyst snapped.
"I am perfectly able to look at them myself!"</p><p>Garnet smiled briefly.' 'My
dear, you don't know anything about them.''</p><p>"Then I shall learn. It
would seem an appropriate time," she retorted.</p><p>"Nonsense!" he
said, good-natured but totally dismissive. "You don't want to be bothered
with the details and administration of the estate, and with learning new terms.
Law is very difficult and complex for a woman, my dear. Allow your man of
affairs to ascertain that everything is in order, as I am sure it is-Lockwood
was meticulous about such things-and I will explain to you what it means, what
you have, and advise you what steps to takie, if any. I doubt there will be
much to alter. You should have a holiday, get away from this tragedy, calm your
mind and your spirits. It will be good for you in all ways. Believe me, my
dear, I still remember my own bereavement clearly enough." His face became
shadowed with a memory he did not share except by implication, and Amethyst
offered no sympathy. The loss must have been old, or crowded out by her own so
current wound.</p><p>"Spend a few weeks in
Aldeburgh." He looked at her, his distress replaced by solicitude again.
"Walk by the sea, take the fresh air, visit with pleasant people and talk
of country ways. Get away from London until all this business is over.''</p><p>She turned away from him and
looked out of the small space hi the window that was clear beneath the blinds.</p><p>"I don't think I wish
to."</p><p>"Be advised, my
dear," he said quite gently, putting the papers in his pocket. "After
what has happened you need a complete change. I'm sure Jasper would say the
same."</p><p>"I'm sure he
would!" she said instantly. "He always agrees with you! That does not
make him right. I do not wish to leave at the moment, and I will not be
pushed!"</p><p>He shook his head.</p><p>165</p><p>"You are very stubborn,
Amethyst. One might almost say willful; not an attractive quality in a woman.
You make it very difficult to do what is best for you."</p><p>He reminded Charlotte of her
father with his blind care, his determination to protect, and at the same time
his complete unawareness of the root of one's feelings, of what one might be
thinking or dreaming that had nothing to do with the ordinariness of the
conversation.</p><p>"I appreciate your
concern, Garnet," Amethyst said, obviously struggling to keep her
patience. "I am not ready to leave yet. When I am I shall ask you, and if
your invitation is still open, then I shall be grateful to accept. Until then I
am remaining here in Royal Street. And please put those deeds back. It is time
I learned what they are and how to administer the properties myself. I am a
widow and had better learn how to conduct myself like one."</p><p>"You conduct yourself
excellently, my dear. Jasper and I will take care of your affairs and counsel
you, and of course all legal and financial matters will be dealt with by people
of those professions. And in time you may wish to marry again, and we shall
keep suitable people in mind."</p><p>"I do not wish to marry
again!"</p><p>"Of course you don't,
now. It would hardly be seemly, even if it were desired. But in a year or two
..."</p><p>She swung round to face him.
"Garnet, for goodness' sake listen to me for once! I intend to become
familiar with my own affairs!"</p><p>He was exasperated by her
obduracy, her blind refusal to be sensible, but he maintained his even tone and
composed expression in spite of all provocation. "You are being most
unwise, but I daresay when you have had a little more time you will realize
that. Naturally you are still suffering the first shock of your bereavement. I
do know how you feel, my dear. Of course, Naomi died from scarlet
fever"-his brow furrowed-"but the extraordinary sense of disbelief
and loss is the same, whatever the cause."</p><p>166</p><p>For a moment Amethyst's eyes
opened wide in surprise, then some memory returned, confusing her further, and
incredulity and pity filled her face. But he seemed to read none of it. He was
absorbed with his own thoughts and plans.</p><p>"I shall call again in
a day or two." He turned to Charlotte, recalling her presence. "Very
courteous of you to have come, Mrs.-er, Miss Ellison. Good day."</p><p>"Good day, Sir
Garnet," she replied, standing up also. ' 'I am sure it is time I was
leaving.''</p><p>"Did you come in a
hansom?"</p><p>"No, my carriage is
outside," she said without a flicker, exactly as if she were in the habit
of having such an equipage at her disposal. She turned to Amethyst. "Thank
you for giving me so much of your time, Lady Hamilton. I came to offer rny
condolences, and I find I have enjoyed your company more than most people's.
Thank you."</p><p>For the first time since
Barclay Hamilton had been announced, Amethyst smiled warmly.</p><p>"Please call again-that
is, if you do not mind."</p><p>"I should be delighted
to," Charlotte accepted, without knowing if it would be possible, and
without the faintest hope it would further the cause of Florence Ivory and
Africa Dowell. In fact her visit had done nothing except confirm that Lockwood
Hamilton was exactly what he seemed, and must surely have been killed in
mistake for someone else, presumably Vyvyan Etheridge.</p><p>She bade them good-bye and
climbed into Aunt Vespasia's carriage feeling that she had accomplished
nothing, except possibly the elimination of a certain avenue of thought. She
would find it very hard to believe Amethyst Hamilton had had anything to do
with her husband's death. She might ask Aunt Vespasia to inquire further about
Barclay Hamilton; perhaps they might learn something of his mother. But it was
a very slender thought. Sharper and blacker was the figure of Florence Ivory.
The sooner she formed some personal impression of her, Charlotte felt, the
better.</p><p>167</p><p>"Walnut Tree Walk, please," she instructed the coachman,
before realizing she should not have said please; after all she was instructing
a servant, not requesting a friend. She had forgotten how to behave.</p><p>Zenobia Gunne sat in her own carriage with many of the same
misgivings as Charlotte had had in Vespasia's. She was not in the least afraid
of Mary Carfax, but she did not like her, and she knew the feeling was returned
with some fervor. It would take an extraordinary reason to bring Zenobia to
call upon her unannounced, and Mary would believe nothing less. The last time
they had met, at a ball in 1850, Mary had been an imperious and fragile beauty,
betrothed satisfactorily but unromantically to Gerald Carfax. Zenobia was
single. They had both fallen in love, in their wildly different ways, with
Captain Peter Holland. To Mary he had been comely and dashing, and she had
suddenly seen romance leaving her forever as she tied herself to Gerald; to
Zenobia he had been a man too poor to afford a wife, but the most immense fun,
full of laughter and imagination, his mouth always ready to smile, sensitive to
the beautiful, and to the absurd, a brave, tender and funny man she had loved
with all her heart. He had been killed in the Crimea, and she had never loved
anyone since with the same depth, or without at some moment seeing Peter's
face in his and feeling all the old dreams return. And with every other man at
all the best, the tenderest times, it was Peter's eyes she saw, Peter's
laughter she heard.</p><p>It was after that that she had first gone to Africa, scandalizing
her family, as well as Mary Carfax. But what did it matter, with Peter dead?
Better to be alone than live a pretense with someone else.</p><p>Now as the carriage sped through the spring streets towards
Kensington she racked her brains for a credible tale. It would be hard enough
even for a long-standing friend and confidante to learn anything useful that
might throw light on the murder of Vyvyan Etheridge; she would learn nothing at</p><p>168</p><p>all if she did not even get
through the door! Did Mary remember that ball? Did she know that Peter had
loved Zeno-bia, and that she would have persuaded him that she did not care
about money or Society, had he not died on the battlefield of Balaklava? Or
did Mary still imagine it might have been she he would have chosen, had he the
freedom to choose anyone?</p><p>Desperation was the element!
She must use as much of the truth as possible. She must find a reason she could
lie about convincingly; emotions were far harder to stimulate. She was at her
wits' end . . . and she needed to know-that was it! She needed to know the
whereabouts of a mutual friend, someone from those far-off days, and her
extremity had driven her to seek Mary Carfax. Mary would believe that. But who
should she say she was searching for? It must not be someone in such current
circulation that Zenobia should have found her for herself. Ah! Beatrice
Allenby was just the person. She had married a Belgian cheesemaker and gone to
live in Bruges! No one could be expected to know that as a matter of course.
And Mary Carfax would enjoy relating that: it was a minor scandal, girls of
good family might marry German barons or Italian counts, but not Belgians, and
certainly not cheesemakers of any sort!</p><p>By the time she alighted in
Kensington she was composed in her mind and had her story rehearsed in detail.
A small boy with a hoop and a stick ran down the pavement past her, and his
governess hurried along, calling after him. Zenobia smiled and ascended the
steps. She presented her card to the parlormaid, outstared the rather pert
girl, and watched with satisfaction as she departed to take the news to her
mistress.</p><p>She returned a few moments
later and showed Zenobia into the withdrawing room. As she had expected, Mary
Carfax's curiosity was too sharp for her to wait.</p><p>"How pleasant to see
you again, Miss Gunne, after so very long," she lied with a chill smile.
"Please do take a seat.'' Her concern was polite, but there was also a
solicitude</p><p>169</p><p>in it, a reminder that Mary
was a fraction younger, which fact she had treasured even in their youth and
now found too sweet to let pass. "Would you care for some refreshment? A
tisane?"</p><p>Zenobia swallowed the reply
that came to her lips and forced the opening she had planned. "Thank you;
most kind.'' She sat on the edge of her chair, as manners dictated, not farther
back, as would have been comfortable, and bared her teeth very slightly.
"You look well."</p><p>"I daresay it is the
climate," Lady Mary answered pointedly. "So good for the
complexion."</p><p>Zenobia, burned by the
African sun, longed to make some withering reply but remembered her niece and
forbore. "I am sure it must be," she agreed with difficulty.
"All the rain-"</p><p>"We have had quite a
pleasant winter," Lady Mary contradicted. "But I daresay you have
not been here to experience it?"</p><p>Zenobia satisfied her.</p><p>"No, no I returned only
very recently."</p><p>Lady Mary's rather straight
eyebrows shot up. "And you came to call upon me?"</p><p>Zenobia did not twitch a
muscle. "I wished to call upon Beatrice Allenby, but I cannot find a trace
of her. No one seems to know where she is presently staying. And remembering
how fond you were of her, I thought perhaps you might know?"</p><p>Lady Mary struggled, and the
opportunity to relate a scandal won. "Indeed I do-although I hardly know
if I should tell you!" she said with satisfaction.</p><p>Zenobia aifected surprise
and concern. "Oh dear! Some misfortune?"</p><p>"That is not the word I
would have used for it.''</p><p>"Good heavens! You
don't mean a crime?"</p><p>"Of course I don't!
Really, your mind is-" Lady Mary caught herself just in time before she
was openly rude. That</p><p>170</p><p>would have been vulgar, and
she disliked Zenobia Gunne far too much to be vulgar in front of her, "You
have become more used to the unconventional behavior of foreigners. Certainly
I do not speak of a crime-rather, a social disaster. She married beneath her
and went to live hi Belgium."</p><p>"Good gracious!"
Zenobia let her amazement register fully. "What an extraordinary thing!
Well, there are some very fine cities in Belgium. I daresay she will be happy
enough."</p><p>"A cheesemaker!"
Lady Mary added.</p><p>"A what?"</p><p>"A cheesemaker!"
She let the word fall with all its redolence of trade. "A person who
manufactures cheese!"</p><p>Zenobia remembered a dozen
such exchanges years ago- and Peter Holland's face so full of laughter. She
knew exactly what he would have thought, what he would have said in a snatched
moment alone. She raised her eyebrows. "Are you perfectly sure?"</p><p>"Of course I'm
sure!" Lady Mary snapped. "It is not the sort of thing about which
one makes mistakes!"</p><p>"Dear me. Her mother
must be distraught!" A very clear picture came into Zenobia's mind of
Beatrice Allenby's mother, who would have been delighted with any husband, so
long as Beatrice did not remain at home.</p><p>"Naturally," Lady
Mary agreed. "Wouldn't anyone? Although she had no one to blame but
herself! She did not watch the girl as she should. One has to be
vigilant."</p><p>It was the opening Zenobia
had been waiting for.</p><p>' 'Of course, your son
married very nicely, didn't he? But then I hear he was a fine-looking young
man." She had not heard anything of the sort, but no mother minded having
her son referred to as handsome; in her eyes no doubt he was. There were many
photographs round the room, but she was too shortsighted to see them clearly.
They could have been of anyone. "And with such charm," she added for
good measure. "So rare. Good-looking young men are apt to be</p><p>171</p><p>ill-mannered, as if the
pleasure of looking at them were sufficient."</p><p>"Yes, indeed,"
Lady Mary said with satisfaction. "He could have chosen almost
anyone!"</p><p>That was a wild
exaggeration, but Zenobia let it pass. She recalled how sedate and pompous
Gerald Carfax had been, and pictured Mary's long boredom over the years, the
brief dream of love fading at last, buried, because to remember it made the
present unbearable.</p><p>"Then he married with
his heart?" she remarked. "How very commendable. No doubt he is very
happy."</p><p>Lady Mary drew breath to declare
that certainly he was, then she remembered Etheridge's murder and realized that
would be a highly unfortunate thing to say. "Ah, well..."</p><p>Zenobia waited with the
question written large in her face.</p><p>"His father-in-law died
tragically a very short time ago. He is still in mourning."</p><p>"Oh dear-oh!"
Zenobia affected sudden intelligence. "Oh, of course! Vyvyan Etheridge,
murdered on Westminster Bridge. How perfectly wretched. Please accept my condolences."</p><p>Lady Mary's face tightened.
"Thank you. For one who has just returned from the outreaches of the
Empire you are very well informed. No doubt you have missed Society. I must
say, one would have considered oneself safe from such outrages in London, but
apparently not! Still, no doubt it will all be solved and forgotten soon. It
can have nothing whatsoever to do with us."</p><p>"Naturally,"
Zenobia said with difficulty. She remembered acutely why she had disliked Mary
Carfax so much. "It is hardly like marrying a cheesemaker."</p><p>Lady Mary was oblivious to
sarcasm; it was outside her comprehension. "A great deal depends upon
upbringing," she said serenely. "James would never have done such a
selfish and completely irresponsible thing. I would not have</p><p>172</p><p>permitted him to entertain such an idea when he was young, and of
course now he is adult he still respects my wishes."</p><p>And your purse strings, Zenobia thought, but she said nothing.</p><p>' 'Not that he is without spirit! *' Lady Mary looked at Zenobia
with a flash of dry disapproval that contained the trace of a smile. "He
has many fashionable friends and pursuits, and he certainly does not permit his
wife to intrude into his ... his pleasures. A woman should keep her place; it
is her greatest strength, and her true power. As you would have known, Zenobia,
if you had kept it yourself, instead of careering off quite unnecessarily to
heathen countries! There is no call for an Englishwoman to go traipsing around
on her own, wearing unbecoming clothes and getting in everyone's way.
Adventuring is for men, as are many other pursuits."</p><p>"Otherwise one ends up marrying a cheesemaker instead of an
heiress!" Zenobia snapped. "I imagine James's wife will inherit a
fortune now?"</p><p>' 'I have no idea. I do not inquire into my son's financial
affairs." Lady Mary's voice was tinged with ice, but there was a curl of
satisfaction round her mouth just the same.</p><p>"Your daughter-in-law's affairs," Zenobia corrected.
"Parliament passed an act, you know; a woman's property is her own now,
not her husband's."</p><p>Lady Mary sniffed, and her smile did not fade.' 'A woman who loved
and trusted her husband would still give it into her husband's charge,'' she
replied.' 'As long as he was alive. As you would know, if you had enjoyed a
happy marriage yourself. It is not natural for women to concern themselves in
such things. If we once start doing it, Zenobia, then men will cease to look
after us as they should! For goodness' sake, woman, have you no
intelligence?"</p><p>Zenobia laughed outright. She loathed Mary Carfax and everything
to do with her, but for the first time since they had parted thirty-eight years
go, she felt a glimmer of understanding toward her, and with it a kind of
warmth.</p><p>173</p><p>"I fail to see what is
funny!" Lady Mary said tartly.</p><p>"I'm sure."
Zenobia nodded through her mirth. "You always did."</p><p>Lady Mary reached for the
bell. "You must have other calls to make-please do not let me take all of
your time."</p><p>There was nothing Zenobia
could possibly do but take her leave. She rose. The visit had been a total
disaster, not a thing could be salvaged, but she would go with dignity.</p><p>"Thank you for passing
on the news about Beatrice Al-lenby. I knew you would be the person who would
know what had happened-and who would repeat it. It has been a charming
afternoon. Good day to you." And as the maid opened the door in answer to
the bell, she swept past her, across the hall, and out of the front door as
soon as it was opened. Outside in the street she swore fluently in a dialect
she had learned from a canoeist in the Congo. She had achieved nothing to help
Florence Ivory, or Africa Dowell.</p><p>Vespasia had by far the
easiest task, but she was also the only person suited to perform it with
excellence. She knew the political world as neither Charlotte nor Zenobia could
possibly do; she had the rank and the reputation to approach almost anyone, and
from her many battles for social reform she had gained the experience to know
very well when she was being lied to or fobbed off with an edited version of
the truth suitable for ladies and amateurs.</p><p>She was fortunate to find
Somerset Carlisle at home, but had he been out she would have waited. The
matter was far too urgent to put <emphasis>off. </emphasis>She had naturally not said so to
Zenobia, but the more she heard of the details, the more she feared that at
the very least the police could make an excellent case against Florence Ivory,
and at most she was actually guilty. Had Zenobia not been the character she
was-eccentric, courageous, lonely, and of deep and enduring affections- Vespasia
would have avoided any involvement with the affair at all. But since she had
agreed to help, the least cruel thing</p><p>174</p><p>she could think of was that
they should try to discover the truth as soon as they could. There was the
remote possibility that they would find some other solution; if not, they would
at least end Zenobia's fearful suspense, the swings between the upsurge of hope
and the plunges of cold despair as one piece of information surfaced after
another. And as hard as any revelation was the gray silence of waiting, not
knowing what could happen next, imagining, trying to argue in the mind what the
police would be thinking.</p><p>Vespasia had experienced it
all after George's death and she knew what Zenobia would feel with an immediacy
no outsider could.</p><p>Therefore she did not have
the slightest qualm in sending for Charlotte and dispatching her on any errand
that might prove useful. She would have sent Emily as well had she not been
gallivanting round Italy. And she was perfectly happy to take up Somerset
Carlisle's time and employ <emphasis>his </emphasis>talents, should they prove to be of help.</p><p>He received her in his
study. It was a smaller room than the withdrawing room, but immensely
comfortable, full of old leather and old finely polished wood reflecting the
firelight. The big desk was strewn with papers and open books, and there were
three pens in the stand and half a stick of sealing wax and a scatter of unused
postage stamps.</p><p>Somerset Carlisle was a man
in his late forties, lean, with the look of one who has burnt up all his
excesses of energy in relentless activity, a face where emotion and irony lay
so close to the surface that only years of schooling kept them within the
bounds of taste, not because he feared or believed the doctrine of others, but
because he knew the impractical-ity of shocking people. However, as Vespasia
knew very well from the past, his imagination was vivid and limitless, and he
was equal to any act, no matter how bizarre, if he believed it right.</p><p>He was startled to see her,
and immediately curious. A lady of her quality would never have called
unannounced</p><p>175</p><p>unless her reason were
pressing; knowing Vespasia, it had probably to do with crime or injustice,
about which she felt intensely.</p><p>He rose as soon as she came
in, inadvertently spilling a pile of letters, which he ignored.</p><p>"Lady Cumming-Gould! It
is always a pleasure to see you. But no doubt you have come for something more
than friendship. Please sit down." He rapidly pushed a great long-legged
marmalade cat out of the other chair and brushed off the seat with his hand,
plumping up the cushion for her. "Shall I send for tea?"</p><p>"Later perhaps,"
she replied. "For the moment I need your assistance."</p><p>"Of course. With
what?"</p><p>The marmalade cat stalked
over to the desk, jumped up onto it, and tried to climb behind a pile of books,
not in alarm but from curiosity.</p><p>''Hamish!'' Carlisle said
absently. "Get down, you fool!'' He turned back to Vespasia, and the cat
ignored him. "Something has happened?"</p><p>"Indeed it has,"
she agreed, remembering with a sharply sweet sense of comfort how much she
liked this man. "Two members of Parliament have had their throats cut on
Westminster Bridge."</p><p>Carlisle's winged and rather
crooked eyebrows rose. "And that brings you here?''</p><p>' 'No, not of itself, of
course not. I am concerned because it seems the niece of a very good friend of
mine may be suspected by the police."</p><p>"A woman?" he said
incredulously. "Hardly a woman's sort of crime-neither the method nor the
place. Thomas Pitt doesn't think so, surely?"</p><p>"I really have no
idea," she admitted. "But I think not, or Charlotte would have
mentioned it, always assuming she knew. She has been somewhat preoccupied with
Emily's wedding recently.''</p><p>176</p><p>"Emily's wedding?"
He was surprised, and pleased. "I didn't know she had married again."</p><p>"Yes-to a young man of
immeasurable charm and no money whatsoever. But that is not as disastrous as it
sounds; I think, as much as one can ever be sure, that he cares for her deeply
and has the quality of loyalty in even very trying times, a sense of adventure,
and a very agreeable sense of humor, so it may well prove a happy situation. At
least it has begun well, which is not always the case."</p><p>"But you are concerned
about your friend's niece? Why on earth should she take to murdering M.P.s?''
His face was full of visions of the absurd, but she knew that beneath it he
understood fear very well, and his light tone did not mean he did not
appreciate the gravity of the situation.</p><p>"Because the second
victim promised to help her retain custody of her child, and then reneged on
his word and assisted her husband, with the result that she lost the child and
will in all probability not see her again."</p><p>He was leaning forward
towards her, tense now, concentrating. "Why? Why should a mother lose
custody of her child? "he asked.</p><p>"She is deemed an
unsuitable person to raise a girl because she has opinions. For example, she
believes that women should have a right to vote for their representatives in
Parliament and in local government, and she has associated herself with Mrs.
Bezant and the fight for a decent wage and improved conditions for the match
girls at Bryant and Mays. No doubt you are better aware than I of the numbers
who die of necrosis of the jaw from the phosphorus and are bald before they
reach the age of twenty from carrying boxes on their heads."</p><p>His face looked suddenly
bruised, as if had seen too much pain. "I am. Tell me, Vespasia," he
said, letting the formality drop without realizing it, "do you believe
this woman could have killed the M.P.s?"</p><p>"I do," she
confessed. ' 'But I have not met her yet. I may 177</p><p>think otherwise when I have,
though I doubt it: Nobby- Zenobia Gunne-thinks so too. But I have promised to
help. Therefore I have come to ask you if there's anything at all you can tell
me about either Lockwood Hamilton or Vyvyan Etheridge which may conceivably be
of any use in discovering who murdered them, whether it is Florence Ivory and
Africa Dowell or someone else."</p><p>"Two women?"</p><p>"Florence Ivory is the
mother who lost her child; Africa Dowell is Nobby's niece, with whom Mrs. Ivory
shares a house."</p><p>He stood up and went to the
door, requested tea and sandwiches, and returned to sit down opposite Vespasia
again, having to remove Hamish from his chair first.</p><p>"Naturally, when I
first heard of the murders it crossed my mind to wonder whether it was
anarchists, a lunatic, or someone with a personal motive, although I admit, I
thought the third far less likely after Etheridge was killed as well."</p><p>"Didn't they have
anything in common?"</p><p>"If they did I don't
know what it was, beyond the things that are equally common to a couple of
hundred other people!"</p><p>"Then we may have to
assume that one was killed in mistake for the other," she concluded.
"Is that imaginable?"</p><p>He thought for a moment.
"Yes. They both lived on the south side of the river not far from
Westminster Bridge, a pleasant walk home on a spring night. They were both of
medium build, with the conspicuous feature being silver hair, and both were
pale, with rather longish faces. I have never mistaken one for the other, but
it would be possible for someone who had only a slight acquaintance, and in
the dark. That would mean that Etheridge was the intended victim, and Hamilton
a mistake; one would hardly make the mistake second."</p><p>"Tell me "all you
know about Etheridge." Vespasia sat back and folded her hands in her lap,
her eyes on his face.</p><p>178</p><p>For several seconds he sat
in silence, ordering his thoughts, during which time the tea and sandwiches
arrived.</p><p>' 'His career has been solid
but unspectacular,'' he began at last. "He has property in two or three
counties, as well as in London, and is very well provided for indeed, but it is
old money, not new. He did not make much of it himself."</p><p>"Politics?" she
interrupted.</p><p>His mouth turned down at the
corners. "That is what is difficult to understand. He didn't do anything
controversial, tended to go with the party line on everything I know of. He is
for reform, but only at the speed his peers approve. He's hardly a radical or
an innovator, nor, on the other hand, a die-hard."</p><p>"You are saying he went
whichever way the prevailing wind blew," Vespasia said with some contempt.</p><p>' 'I don't know that I would
put it as cruelly as that. But he was very much in the mainstream. If he had
any convictions, they were the same as most of his colleagues. He was against
Irish Home Rule, but only on a vote; he never spoke about it in the House, so
he was hardly a target for the Fenians."</p><p>"What about
office?" she said hopefully. "He must have trodden on somebody's toes
on the way up."</p><p>"My dear Vespasia, he
didn't go far enough up to do anyone out of anything of importance-certainly
nothing he'd get his throat cut for!''</p><p>' 'Well did he ravish
someone's daughter, or seduce someone's wife? For heaven's sake, Somerset,
somebody killed him!"</p><p>"Yes I know." He
looked down at his hands, then up again into her eyes. "Don't you think it
may be either a lunatic simply run amok, or else your friend's niece, as you
fear?"</p><p>"I think it is
probable, but not certain. And as long as there is any doubt one way or the
other, I shall continue to pursue it. Perhaps the man had a lover, of either
sex? Or he may have gambled; maybe someone owed him more than</p><p>179</p><p>they could afford to pay, or
perhaps it was Etheridge himself who was owing. He may have gained some
knowledge, quite by chance, and he was murdered to silence him."</p><p>Carlisle frowned.
"Knowledge of what?"</p><p>"I don't know! For
heaven's sake, man, you have been in the world long enough! Scandal,
corruption, treason-there are more than enough possibilities."</p><p>"You know it always
amazes me how a woman of your immaculate breeding and impeccable life could
have such an encyclopedic knowledge of the sins and perversions of mankind.
You look as if you've never seen a kitchen, much less a bawdy house."</p><p>"That is how I intend
to look," she replied. "A woman's appearance is her fortune, and what
she seems to be will be the measure of what other people assume she is. If you
had a trifle more practical sense you would know that. At times I think you are
an idealist.''</p><p>"At times I probably
am," he agreed. "But I will scrape around and see what I can learn
about Etheridge for you, although I doubt it will be of much help.''</p><p>So did Vespasia, but she
would not give up hope.</p><p>"Thank you. Knowledge
will be useful, whatever it is. Even if it merely allows us to eliminate
certain possibilities.''</p><p>He smiled at her, and there
was some tenderness as well as respect in his eyes. She felt faintly
embarrassed, which was absurd; Vespasia was above embarrassment. But she was
startled to find how much his affection pleased her. She took another
sandwich-they were salmon and mayonnaise-and gave one as well to the cat, and
then she changed the subject.</p><p>Charlotte alighted at Walnut
Tree Walk and went straight up to the door. There was no point on this call in
being anything but perfectly frank. She had not asked but she presumed Zenobia
Gunne had told her niece that she would do all she</p><p>180</p><p>could to help; why else
would her niece have confided in her?</p><p>The door was opened by a
maid, not in uniform but in a plain blue dress with a white apron and no cap.</p><p>"Yes, ma'am?"</p><p>"Good afternoon. I
apologize for calling so late," Charlotte said with great aplomb.
"But it is most important that I speak with Miss Africa Dowell. My name is
Charlotte Ellison, and I have come from her aunt, Miss Gunne, on a matter of
some urgency.''</p><p>The maid stepped back and
invited her in, and as soon as Charlotte came into the hallway she liked the
house. It was full of bamboo and polished wood, with plenty of light. Spring
bulbs and flowers bloomed in green earthenware pots, and she could see chintz
curtains in the dining room through the open door.</p><p>It was only a moment before
the maid returned and showed her into a large sitting room, which seemed to be
the one room in the house designed for receiving guests. The far wall was
entirely taken up by windows and French doors, the seats were covered in flowered
cushions, and on the bamboo-legged occasional table were bowls of flowers.
However, Charlotte was aware of a hollowness in it, something she would not
have expected from what she already knew of these women's lives. It took her
only a moment to realize what had given her the feeling: there were no
photographs anywhere, even though there was plenty of space on the mantelshelf,
the windowsill, the table and the top of the cabinet. Most especially, there
were no pictures of the child, such as Charlotte herself had of both Jemima and
Daniel. There were no mementos at all.</p><p>And though it was a woman's
room, there was no needlework in progress, no wool, no sewing basket, no
embroidery. A sidelong glance at the bookshelf disclosed the heaviest of
material, philosophy and political history, no humor, no romance, and
certainly nothing a child would read.</p><p>181</p><p>It was as if they had expunged all trace of painful memory and of
the desire to create the heart of a home. It was pitiful; she could understand
it with a part of her mind, and yet it was also chilling.</p><p>The woman who stood in the center of the room was angular, even
bony, and at the same time she had a kind of perverse grace. Her plain muslin
dress was oddly becoming. Frills would have been absurd with that striking
face, the very wide-set eyes, the dominant nose, and the mouth etched by lines
of pain. She looked to be about thirty-five, and Charlotte knew she must be
Florence Ivory. Her heart sank lower. A woman with a face like this could
assuredly have both loved and hated enough to do anything!</p><p>Beyond her, sitting on the window seat, a younger woman with a
face straight from Rosetti stared back at Charlotte watchfully, prepared to
defend what she loved, both the woman and the ideal. It was a dreamer's face,
the face of one who would follow her vision, and die for it.</p><p>"How do you do," Charlotte said after a moment's hesitation.
"I have spent some part of the morning in the company of Lady Vespasia
Cumming-Gould, and your aunt, Miss Gunne. They invited me to take luncheon with
them because they are deeply concerned about your welfare, and the possibility
that you may be wrongly accused of a crime."</p><p>"Indeed?" Florence Ivory looked bitterly amused.
"And how does that involve you, Miss Ellison? You cannot possibly call
upon every woman in London who faces some injustice!"</p><p>Charlotte felt a prickle of irritation. "I should not wish
to, Mrs. Ivory, and certainly not upon all those who thought they had!"
she answered equally tartly. "I call upon you because Miss Gunne has taken
it upon herself to try to prevent this particular injustice which she fears,
and has asked my Great-aunt Vespasia's help, who has in turn asked me."</p><p>"I fail to see what you can do." Florence spoke from
bitterness, but also from despair.</p><p>182</p><p>"Of course you fail to," Charlotte snapped. "If you
could see it you could probably do it yourself! You are not unintelligent."
Her mind flashed back to that public meeting and the intensity of
determination. "And I have few resources that are not open to you or
anyone else. I simply have some experience, some common sense and some
courage." She had not spoken so abruptly, or so arrogantly, to anyone as
far back as she could remember! But there was an abrasive-ness and an anger in
this woman which she at once understood, knowing her story, and found
unnecessary and self-defeating.</p><p>Africa Dowell stood up and went to Florence Ivory. She was taller
than Charlotte had realized, and although slender, she looked as if she might
be of athletic build under the rosy cotton of her gown.</p><p>"You cannot be a detective, Miss Ellison, if Lady
Cumming-Gould is your great-aunt. What is it you are proposing to do that
might be of help to us?"</p><p>Florence gave her a withering look. "Really, Africa. The
police are all men, and while some of them may have reasonable manners and
even some imagination, it is futile to suppose they will come to any conclusion
except the most obvious and convenient one! They are hardly going to suspect
Miss Ellison's family or associates, are they? Our best prayer is that some
lunatic is caught before they can organize the evidence against me!"</p><p>Africa had more patience man Charlotte would have had.</p><p>"Aunt Nobby is really very good." Her chin lifted a
little higher. "When she was in her early thirties she began exploring.
She went to Egypt, then south to the Congo. She traveled up the great river in
a canoe; she was the only white person in her party. She's had the courage to
do things you would like to do, so don't dismiss her.'' She refrained from
adding any criticism of Florence Ivory's prejudice.</p><p>Florence was moved more by Africa's loyalty than by the facts. Her
face softened, and she put her hand on the younger</p><p>183</p><p>woman's arm. "I would indeed like to do such things,"
she admitted. ''She must be a remarkable person. But I don't see how she can
help us in this.''</p><p>Africa turned to Charlotte. "Miss Ellison?"</p><p>Charlotte could not find any comforting panacea. She detected by
chance and instinct, by being caught up in events, by caring and observing. And
most certainly she would be ill-advised to tell either of these two women that
her husband was with the police.</p><p>"We will explore the other possibilities," she answered
rather lamely. "Discover whether either man had any personal, business,
or political enemies-"</p><p>"Won't the police do that?" Africa asked.</p><p>Charlotte saw Florence's face, the anger in it, the conviction of
injustice to come. She sympathized: Florence Ivory had suffered loss already,
perhaps the worst she could conceive. But her condescension, her blanket
condemnation of all persons in authority, not just those who had betrayed her,
lost her the warmth that Charlotte would have felt for her otherwise.</p><p>"What makes you certain the police suspect you so strongly,
Mrs. Ivory?" she asked rather brusquely.</p><p>Florence's face held both pain and contempt. "The look on the
policeman's face," she answered.</p><p>Charlotte was incredulous. "I beg your pardon?"</p><p>"It was in his eyes," Florence repeated. "A mixture
of pity and judgment. For heaven's sake, Miss Ellison! I have motive enough,
and I wrote to Etheridge and said so-no doubt the police will find my letters
before long. I have the means: anyone can purchase a razor, and the kitchen is
full of knives of excellent sharpness! And I was alone in the house the night
he was killed; Africa went to visit a neighbor who was sick and sat up with her
half the night. But the woman was delirious, so I don't suppose she knows
whether Africa remained there or not! You may be very good at solving petty
thefts and discovering the authors of unpleasant</p><p>184</p><p>letters, Miss Ellison, but
proving me innocent is beyond your abilities. But I am grateful for your
well-meaning efforts. And it was kind of Lady Cumming-Gould to be concerned for
us. Please thank her for me.''</p><p>Charlotte was so angry it
took all her strength of will to force herself to remember how dreadfully the
woman had already been hurt. Only by recalling Jemima's face to her inner
vision, by remembering the feel of her slender little body in her arms, the
smell of her hair, did she quell the fury. In its place came a pity so
wrenching it left her almost breathless.</p><p>' 'You may not be the only
person he betrayed, Mrs. Ivory; and if you did not kill him, then we shall
continue to search for whoever did. And I will do it because I wish to. Thank
you for your time. Good day. Good day, Miss Dowell.'' And she turned and walked
back towards the hall, out of the front door, and into the late spring sunlight
feeling exhausted and frightened. She did not even know whether she believed
Florence Ivory to have killed Etheridge or not. Certainly the cause was there,
and the passion!</p><p>185</p><p>8</p><p>wallace <emphasis>loughley, </emphasis><emphasis>M.P., </emphasis>stood almost under
the immense tower of Big Ben. It had been a long sitting, and he was tired. The
debate had been really rather pointless, and in the end, nothing had been
achieved. It was a lovely evening; he could think of a dozen better places to
spend it than cooped up in the House of Commons listening to arguments he had
heard a dozen times before. There was a jolly good Gilbert and Sullivan opera
on at the Savoy Theatre, and several charming ladies he knew would be there.</p><p>The offshore breeze carried the smoke and the fog away, and he
could see a dazzle of stars overhead. He had been meaning to say to
Sheridan-blast! He had been a few yards away only moments ago. He could not
have gone far, bound to walk on an evening like this. Only lived off the
Waterloo Road.</p><p>Loughley set out smartly towards the bridge, past the statue of
Boadicea with her horses and chariot outlined black against the sky, the lights
along the Embankment a row of yellow moons down the course of the river. He
loved this city, especially the heart of it. Here was the seat of power
hallowed back to Simon de Montfort and the first Parliament in the</p><p>186</p><p>thirteenth century, to even
its concept in the Magna Charta, and Henry II's charter before that. Now it was
the center of an Empire none of them could have conceived. Heavens, they had
not even known the world was round, let alone a quarter of its face would be
British!</p><p>Ah, there was Sheridan,
leaning up against the last lamppost, almost as if he were waiting for him.</p><p>"Sheridan!"
Loughley called out, raising his elegant cane to wave. ' 'Sheridan! Meant to
ask you if you'd come to dine with me next week, at my club. Wanted to talk
about the ... Whatever's the matter with you, man? Are you ill? You look ..."
The rest died away in blasphemy wrung from his heart so intensely that perhaps
it was no blasphemy at all.</p><p>Cuthbert Sheridan was draped
half backwards against the lamppost, his head a little on one side, his hat on
the crown of his head, and one lock of pale hair over his brow, looking
colorless in the strange quality of the artificial light. The white scarf round
his neck was so tight his chin was tipped up, and already the dark blood was
soaking the silk and running under to stain his shirtfront. His face was ghastly,
eyes staring, mouth a little open.</p><p>Loughley felt the sky and
the river whirl about him, and his stomach lurched; he lost his balance,
stumbling and grasping for the balustrade. It had happened again, and he was
alone on Westminster Bridge with the appalling corpse, so horrified he could
not even shout.</p><p>He turned and stumbled away
back towards the north end and the Palace of Westminster, feet slipping on the
damp pavement, the lights dancing in his blurred vision.</p><p>"You or'right,
sir?" a voice said suspiciously.</p><p>Loughley looked up and saw
light gleaming on silver buttons and the blessed uniform of a constable. He
grasped the man's arm.</p><p>"Dear God! It's
happened again! Over there . . . Cuthbert Sheridan."</p><p>187</p><p>"Wot's 'appened sir?" The voice was heavy with skepticism.</p><p>' 'Another murder. Cuthbert Sheridan-with his throat cut, poor
devil! For God's sake, do something!"</p><p>At any other time P.C. Blackett would have regarded the shaking,
semicoherent man in front of him as a hallucinating drunk, but there was
something hideously familiar about this.</p><p>"You come wiv me an' show me, sir." He was not going to
let the man out of his sight. It crossed his mind that perhaps he even had the
Westminster Cutthroat in his grasp now, although he doubted it. This man looked
too genuinely shocked. But he was unquestionably a witness.</p><p>Reluctantly Loughley returned, feeling nauseated by horror. It
was exactly as had been burned indelibly in his mind. Now it had the quality of
a nightmare.</p><p>"Ah," P.C. Blackett said heavily. He looked back at Big
Ben, noted the time, then pulled out his whistle and blew it long, shrilly, and
with piercing intensity.</p><p>When Pitt arrived Micah Drummond was already there, dressed in a
smoking jacket, as if he had just left his own fireside, and looking cold and
sad. There was a hollowness in his eyes, even in the lamplight, and the bridge
of his nose was even more pinched.</p><p>"Ah, Pitt." He turned and left the small group of men
huddled together by the mortuary coach. "Another one, exactly the same. I
thought perhaps with Etheridge we'd seen the last of it. Well, it looks as if
it wasn't your woman after all. We're back to a lunatic."</p><p>For a moment Pitt felt a surge of relief mixed with the mounting
horror. He did not want Florence Ivory to be guilty. Then her face came to his
memory as clearly as if he had seen her the instant before. There was passion
in it, intensity violent enough to carry out her will, whatever it was, and
also a keen and subtle intelligence, quite enough to foresee precisely this
conversation.</p><p>188</p><p>"Probably," he agreed.</p><p>"Probably!"</p><p>"There are many possibilities." Pitt stood still,
staring at the lamppost. The body had been removed and had been laid out on the
ground in an attempt at decency. He looked down at it, his mind taking in the
details of clothing, the hands, the wound exactly like the two others', the
pallid, terrible face with its strong nose and deep-set eyes, the hair that
might have been gray or blond, silvery in the lamplight. "It could be a
madman," he went on. "Or anarchists, though I doubt that; or there
may be some political plot afoot that we have had no whisper of as yet. Or it
could be that this has nothing to do with the other two, just someone copying.
It happens. Or it could be three murders, only one of which the murderer cares
about, the other two meant to lead us astray."</p><p>Drummond closed his eyes, as if his eyelids could keep out the
fearfulness of the thought. He put his long hands up to cover his face for a
moment before taking them away with a sigh.</p><p>"Dear God, I hope not! Could anyone be so . . ." But he
could not find the word, and he let it go.</p><p>"Who is he?" Pitt asked.</p><p>' 'Cuthbert Sheridan.''</p><p>* 'Member of Parliament?''</p><p>"Yes. Oh yes, he's another member of Parliament. About
thirty-eight or forty, married, with three children. Lives on the south side of
the river, Baron's Court, off the Waterloo Road. Up-and-coming young backbencher,
member for a constituency in Warwickshire. A bit conservative, against Home
Rule, against penal reform; for better working conditions in mines and
factories, better poor laws and child labor laws. Very definitely against any
vote for women." He looked up at Pitt and held his eyes steadily. "So
is almost everyone else."</p><p>189</p><p>"You know a lot about
him," said Pitt, surprised. "I thought he was found only half an hour
ago."</p><p>"But it was one of his
colleagues, following him to ask him to dine, who found him. So he knew him
straightaway and told us. Poor fellow's pretty cut up. A Wallace Loughley, over
there sitting on the ground by the mortuary coach. Somebody gave him a tot of
brandy, but it would be a charity to see him as soon as you can and let the poor
beggar go home."</p><p>"What did the surgeon
say?"</p><p>"Same as the others; at
least, it seems so at first glance. A single wound, almost certainly delivered
from behind. Victim doesn't seem to have suspected anyone or offered any
resistance."</p><p>"Odd." Pitt tried
to imagine it. "If he was walking across the bridge, going home after a
late sitting, he would presumably be moving at quite a good pace. Someone must
have been going very briskly to overtake him. Wouldn't you think a man alone on
the bridge, especially after two other murders, would at least turn round if
he heard rapid footsteps approaching him from behind? I certainly would!"</p><p>"I would too,"
Drummond agreed with a deepening frown. "And I'd shout and probably run.
Unless of course it was someone coming towards him, from the south side. But hi
any case, I certainly wouldn't stand still and wait for someone to come close
enough to strike me from either direction." He let his breath out
shakily. The air was so silent they could hear the water swirling round the
piers of the bridge, and far away along the Embankment the rattle of a hansom
cab. "Unless, of course," Drammond finished, "it was someone I
knew, and trusted." He bit his lip. "Certainly not some unknown
madman."</p><p>"What about Wallace
Loughley?" Pitt raised his eyebrows. "What do we know about
him?"</p><p>"Nothing yet. But it
won't be hard to find out. For a start I'd better see if he is who he says he
is. I suppose it would</p><p>190</p><p>be easy enough to claim. I
certainly don't know all six hundred seventy members of Parliament by sight!
I'd better not let him go home until someone has identified him, poor
devil."</p><p>"I'll see him."
Pitt pushed his hands hard down in his pockets. He left Drummond and walked
over to the mortuary carriage and the group of half a dozen men gathered round
it. One was obviously the driver; he still had half his attention on the horse,
although the reins were hooked to the stay. A man in early middle age, haggard,
hands shaking, hair streaked across his brow, was presumably Loughley. He had
been sitting on the curbside, and he stood up as Pitt approached, waiting, but
he did not speak. He was very clearly suffering from shock, but there was no
hysteria in him, no arrogance, no panic that Pitt could see. If he had followed
Sheridan and murdered him, he had a mastery of himself to the finest detail, a
brain as cold as the water of the Thames beneath them.</p><p>"Good evening, Mr.
Loughley," Pitt said quietly. "What time did you last see Mr.
Sheridan alive?"</p><p>Loughley swallowed, finding
his voice with difficulty. "It must have been a little after half past
ten, I think. I left the House at twenty minutes past, and spoke to one or two
people. I-I 'm not sure for how long, but I said only a few words to each of
them. I saw Sheridan and said good night to him; then after he had gone Colonel
Devon said something to me about business. Then I remembered I wanted to speak
to Sheridan; he'd only been gone a few minutes, so I went after him, and-and
you know what I found."</p><p>"Is Colonel Devon a
Member of Parliament?"</p><p>"Yes-dear God! You
don't think-! You can check with him. He'll remember what was said; it was
about tonight's debate."</p><p>"Did you see anyone
else on the bridge, either ahead of you or behind, Mr. Loughley?"</p><p>"No. No I didn't.
That's the extraordinary thing: I don't 191</p><p>remember seeing anyone else!
And yet it must have been only-" He took a deep, shaky breath. "Only
minutes after. . ."</p><p>There was a slight commotion
at the north end of the bridge, a loud cry from some of the people being held
back by the police. A woman started to scream and was led away. There were
brisk footsteps, and a dark figure emerged and came towards them, overcoat
flapping. As he passed under the light Pitt recognized Garnet Royce.</p><p>"Good evening,
sir," Pitt said clearly.</p><p>Royce came up to him,
glanced at Loughley, and greeted him by name, then looked back at Pitt and at
Drummond, who had rejoined him.</p><p>"This is getting very
serious, man!" he said grimly. "Have you any idea how close people are
to losing control? We seem to be on the very brink of anarchy. Perfectly sane
and steady people are panicking, talking about conspiracies to overthrow the
throne, uprisings of workers, strikes, even revolution! I know that's
absurd." He shook his head very slightly, dismissing their hysteria rather
than the ideas. "It is probably an isolated lunatic-but we've got to
apprehend him! This must stop! For God's sake, gentlemen, let us bend every
resource we have and put an end to this horror! It is our responsibility. The
weaker and less fortunate rely on us to defend them from the depradations of
the lunatic underworld, and from political anarchists who would destroy the
very fabric of the Empire. In God's name, it is our duty!" He was deeply
earnest; there was a fire of sincerity in his eyes neither Pitt nor Drummond
could doubt. "If there is anything I can do, anything whatsoever, tell me!
I have friends, colleagues, influence. What do you need?" He looked
urgently from one to the other of them and back again. "Name it!"</p><p>' 'If I knew what would
help, Sir Garnet, I would assuredly ask," Drummond replied wearily.
"But we have no idea of the motive."</p><p><emphasis>192,</emphasis></p><p>"Surely we cannot hope to understand the reasons of a
madman?" Royce argued. "You're not suggesting this is personal, are
you? That there is some enemy common to all three men?'' His face reflected his
incredulity, and there was even a harsh gleam of humor in the brilliant eyes.</p><p>"Perhaps not common to all three," Pitt said, watching
the expression of surprise, then understanding and horror that crossed Royce's
features. "Perhaps the enemy only of one."</p><p>"Then not a madman, but a fiend," Royce said very quietly,
his voice shaking. "How could anyone but a lunatic do such a thing to two
strangers, in cold blood, to hide one intended death?"</p><p>"We don't know," Drummond replied quietly. "It is
merely a possibility. But we are looking into every anarchist or revolutionary
group we know of, and we do know of most of them. Every police informer we have
has been asked.''</p><p>"A reward!" Royce said suddenly. "I am sure I could
get together with other businessmen and raise a sufficient reward, so that it
would be well worth the while of anyone who knew anything to come forward. I'll
do it tomorrow, as soon as this atrocity reaches the newspapers.'' He pushed
the heel of his hand over his brow, brushing back the sweep of hair. "I
dread to think what the panic will be, and you cannot blame people. My poor
sister feels bound by a sense of honor or duty to remain here until the matter
is closed. I beg you, gentlemen, to do everything you can. I would take it as a
favor if you would keep me informed, so that I may know if there is anything I
can do. I once worked for the Home Office; I am aware of police procedures, of
what you can do and what is impossible. Believe me, I have the greatest sympathy.
I do not expect miracles of you."</p><p>Drummond stared beyond him to the far end of the bridge, where a
crowd was gathering, frightened, increasingly hostile, huddling together and
"staring at the little knot of police and the silent mortuary coach
awaiting its terrible charge.</p><p>193</p><p>"Thank you, sir. Yes, a
reward might help. Men have betrayed every cause they have known for money at
one time or another, from Judas on down. I appreciate it."</p><p>"It will be in your
hands by tomorrow evening," Royce promised. "Now I will leave you to
your duty. Poor Sheridan, God help him! Oh"-he turned just as he was
about to leave-"would you like me to inform his wife?"</p><p>Pitt would have liked it
dearly, but it was his task, not Royce's.</p><p>"Thank you, sir, but it
is necessary that I should. There are questions to ask."</p><p>Royce nodded.
"Understood." He replaced his hat, and walked briskly to the south
side of the bridge and up the hill on the east side of the street, towards
Bethlehem Road.</p><p>Drummond stood silently for
a moment or two, staring into the darkness where Royce had departed.</p><p>"He seems to have an
exceptional grasp of the situation," he said thoughtfully. "And to be
deeply concerned. ..." He left the sentence hanging in the air.</p><p>The same thread of an idea
was stirring in Pitt's mind, but it had no form, and he could find none for it.</p><p>' 'What do you know about
him?'' Drummond asked, facing Pitt again curiously.</p><p>"Member of Parliament
for over twenty years," Pitt answered, remembering everything he had
heard, directly or indirectly. "Efficient, even gifted. As he said, he has
held high office under the Home Secretary in the past. His reputation seems to
be spotless, both personally and professionally. His wife died some time ago;
he has remained a widower. He was Hamilton's brother-in-law-but of course you
know that."</p><p>Drummond inclined his head.
"I suppose you looked into their relationship?" he asked wryly.</p><p>Pitt smiled. "Yes. It
was civil, but not close. And there was no financial involvement that we could
find, except that he seems to be taking care of his sister's affairs now she is</p><p>194</p><p>widowed. But he is the elder
brother, and that seems natural."</p><p>"Professional rivalry
with Hamilton?"</p><p>"No. They served in
different areas. Allies, if anything."</p><p>"Personal?"
Drummond persisted.</p><p>"No. Nor political-not
that you would cut a man's throat because he espouses a different cause from
your own. From everything I learned of Royce he is a strongly traditional
family man with a deep conviction in the responsibility of the strong to care
for the weak and the able to govern the masses-in their own interest."</p><p>Drummond sighed.
"Sounds like practically every other Member in the House-in fact, like
most well-to-do middle-aged gentlemen in England!"</p><p>Pitt let out his breath in a
little grunt, then took his leave, heading in the same direction Royce had
gone, only at the end of the bridge he turned towards Baron's Place and the
home of the late Cuthbert Sheridan, M.P.</p><p>It was the same as before,
standing on the steps in the dark, banging again and again to waken sleeping
servants, and then the wait while they relit the gas and pulled jackets on
hastily to find out who could be calling at such an hour.</p><p>There was the same look of
horror, the halting request that he wait, the effort at composure, then the
long silence while the awful news was broken, and once again Pitt found himself
standing in a cold morning room in the gaslight facing a shocked and ashen
woman who was trying hard not to weep or to faint.</p><p>Parthenope Sheridan was
perhaps thirty-five or thirty-six, a small woman with a very straight back. Her
face was a little too pointed to be pretty, but she had fine eyes and hair, and
slightly crooked teeth which gave her an individuality which at another time
might well have been charming. Now she stood hollow-eyed, staring at Pitt.</p><p>"Cuthbert?" she
repeated the name as if she needed to say it again to grasp its meaning.
"Cuthbert has been mur-</p><p>195</p><p>dered-on Westminster Bridge?
Like the others? But why? He has no connection with-with . . . what? What is it
about, Inspector Pitt? I don't understand.'' She reached for the chair behind
her and sat down in it unsteadily, covering her face with her hands.</p><p>Pitt wished passionately
that they were of the same social class, just for a few moments, so he could
put his arms round her and let her weep on his shoulder, instead of sitting
stiffly hunched up, unable to share her emotion, isolated because there was no
one in the house but servants, children, and a policeman.</p><p>But there was nothing he
could do. No pity in the world crossed the chasm between them. Familiarity
would add to her burden, not decrease it. So instead he broke across the
silence with formal words and the necessities of duty.</p><p>"Nor do we, ma'am, but
we are working on every possibility. And it seems that it may be political, or
it may have been someone with a personal enmity towards any one of the three
men, or it may simply be someone who is mad, and we shall find no reason that
we can understand."</p><p>She made a supreme effort to
speak clearly, without tears in her voice, without sniffling. "Political?
You mean anarchists? People are talking about plots against the Queen, or
Parliament. But why Cuthbert? He was only a very junior minister at the
Treasury.''</p><p>"Had he always been at
the Treasury, ma'am?"</p><p>"Oh no; members of
Parliament move from one office to another, you know. He had been hi the Home
Office as well, and the Foreign Office for a very short while."</p><p>"Had he any convictions
about Irish Home Rule?"</p><p>"No-that is, I think he
voted for it, but I'm not sure. He didn't discuss that sort of thing with
me."</p><p>"And reform, ma'am; was
he inclined towards social and industrial reform, or against it?"</p><p>"As long as it was well
conducted and not too hasty, he 196</p><p>was for industrial
reform." A curious look passed across her face; it seemed made up of both
anger and pain.</p><p>He asked the question he
least wished to. "And reform of the franchise; was he in favor of
extending it to women?"</p><p>"No." The word
came from between her teeth. "No, he was not."</p><p>"Was his opinion well
known to others?"</p><p>She hesitated; her eyebrows
went up. "I-yes, I imagine so. He expressed it quite forcefully at
times."</p><p>He could not fail to see
both the surprise and the distress in her face. "Were you of the same
opinion, Mrs. Sheridan?" he asked.</p><p>Her face was so white the
shadows under her eyes looked almost gray, even in this yellow gaslight.</p><p>"No." Her voice
was quiet, almost a whisper. "I believe very strongly that women should
have the right to vote for members of Parliament, if they choose, and to stand
for local councils themselves. I am a member of my local group fighting for
women's suffrage.''</p><p>"Are you acquainted
with a Mrs. Florence Ivory, or a Miss Africa Dowell?"</p><p>There was no change in her
expression, no added fear or start of apprehension. "Yes, I know them
both, though not well. There are not many of us, Mr. Pitt; it is hard for us
not to know of one another, especially of those few who are prepared to take
risk, to fight for what they believe, rather than merely pleading for it to a
government which is composed entirely of men and quite obviously not disposed
to listen to us. Those who hold power have never in all history been inclined
to relinquish it willingly. Usually it has been taken from them by force, or it
has slipped from their hands because they were too weak or corrupt to retain
it."</p><p>"Which does Mrs. Ivory
believe will come to pass here?"</p><p>The first pale flush of
color marked her cheeks, and her face hardened.</p><p>' 'That is a question you
had better ask her, Mr. Pitt-after 197</p><p>you have discovered who
murdered my husband!" Then her anger dissolved in an agony of distress and
she turned awa&gt; from him and crumpled against the back of the chair, weeping
silently, her whole body shaking with the violence of her emotion.</p><p>Pitt could not apologize. It
would have been ridiculous, <emphasis>f </emphasis>and without purpose; grief had nothing to
do with him; to . comment would have served only to show his lack of com- I
prehension. Instead he simply left, going out into the hall- f way, passing the
white-faced butler, and opening the front door for himself. He went down the
steps into the spring darkness; a slow mist was curling up from the river now,
smelling of the incoming tide. She would weep now, and ' probably again when
the cold light of morning brought back reality and memory, and loneliness.</p><p>When Pitt reached home he
went straight to the kitchen and made himself a pot of tea. He sat at the table
drinking it, warming his hands on the mug, for well over an hour. He felt tired
and helpless. There had been three murders, and he had no more real evidence
than he'd had the night of the first one. Was it really Florence Ivory, driven
beyond sanity by the loss of her child?</p><p>But why Cuthbert Sheridan?
Simple hatred, because he too was against giving women more power and influence
in government, perhaps in law, medicine, and who knew what else? It was only
twelve years since medical schools had been opened to women, six years since
married women might own and administer their own property, four since they had
ceased in law to be chattel belonging to their husbands.</p><p>But surely only a madwoman
would murder those who were unwilling to change? That would be almost everyone
except a mere handful! It made no sense-but should he be looking for sense in
these deaths?</p><p>At last he went to bed,
warmer, sleepy, but no more certain in his mind.</p><p>198</p><p>*�� *�� #</p><p>In the morning he left
early, saying little to Charlotte except a few bleak works about finding
Sheridan, the horror, the rising sense of hysteria in the crowd.</p><p>"Surely it could not
have been Florence Ivory?" she said when he finished. "Not this
too?"</p><p>He wanted to say of course
not; this changes everything. But it did not. Such a burning sense of injustice
does not know the bounds of sense, not even of self-preservation. Reason was no
yardstick with which to measure.</p><p>"Thomas?"</p><p>' 'Yes.'' He stood up and
reached for his coat.' 'I am sorry, but it could still be her."</p><p>Micah Drummond was in his
office already, and Pitt went straight up. The daily newspapers were in a pile
on his desk, and the top one had black banner headlines: third murder on westminster bridge, and
under it, another m.p.</p><p><strong>BUTCHERED HALF A MILE FROM
HOUSE OF COMMONS.</strong></p><p>' 'The rest are much the
same, or worse,'' Drummond said bleakly. "Royce is right; people are
beginning to panic. The Home Secretary has sent for me-heaven only knows what I
can tell him. What have we got? Anything?"</p><p>"Sheridan's widow knew
Mrs. Ivory and Africa Dowell," Pitt replied miserably. "She is a
member of her local women's suffrage organization, and her husband was
fiercely against it."</p><p>Drummond sat without moving
for some time. "Ah," he said at last, no conviction hi his voice, no
certainty. "Do you think that has anything to do with it? A women's
suffrage conspiracy?"</p><p>Put in those words it
sounded absurd, yet Pitt could not forget the passion in Florence Ivory, the
loss that time had hardened but not touched with even the smallest healing. She
was a woman who would not be stopped by fear or convention, risks to herself,
or other people's doubts or beliefs. Pitt</p><p>199</p><p>was quite sure that she was
capable of it, both emotionally and physically, with Africa Dowell's help.</p><p>And would Africa have
helped? He thought so. She was a young woman full of idealism and burning
emotions forcefully directed towards the bitter wrongs she felt had been done
to Florence and her child. She had a dreamer's or a revolutionary's dedication
to her vision of justice.</p><p>"Pitt?" Drummond's
voice cut across his thoughts.</p><p>"No, not really,"
he replied, weighing his words. "Unless two people can be called a
conspiracy. But it might be a series of circumstances. ..."</p><p>"What
circumstances?" Drummond, too, was beginning to see the outline of a
pattern, but there were too many unknowns. He had not met the people and so
could not judge, and always at the back of his mind were the newspaper headlines,
the grave and frightened faces of men in high office who now felt accountable
and in turn passed on the responsibility and the blame to him. He was not
frightened; he was not a man to run from challenge or duty, nor to blame others
for his own helplessness. But neither did he evade the seriousness of the
situation. "For heaven's sake, Pitt, I want to know what you think!''</p><p>Pitt was honest. "I
fear it may be Florence Ivory, with Africa Dowell's help. I think she has the
passion and the commitment to have done it. She certainly had the motive, and
it is more than possible she mistook Hamilton for Etheridge. But why she then
went on to kill Sheridan I don't know. That seems more cold-blooded than I
judge her to be. It seems gratuitous. Of course, it could be someone else,
perhaps an enemy of Sheridan's taking advantage of a hideous
opportunity."</p><p>"And you have some
sympathy for Mrs. Ivory," Drummond added, watching Pitt closely.</p><p>"Yes," Pitt
admitted. It was true, he had liked Florence Ivory and felt keenly for her
pain, perhaps too keenly, thinking of his own children. But then he had liked
other murder-</p><p>200</p><p>ers. It was the petty
sinners, the hypocrites, the self-righteous, those who fed on humiliation and
pain that he could not bear. "But I think it is also possible that we have
come nowhere near the answer yet, that it is something we haven't guessed
at."</p><p>"Political
conspiracy?"</p><p>"Perhaps." But
Pitt doubted it; it would have to be a monstrous one, touched with madness.</p><p>Drummond stood up and went
to the fire, rubbing his hands as if he were cold, although the room was
comfortable.</p><p>"We've got to solve it,
Pitt," he said without condescension, turning to face him; for a moment
the difference in office between them ceased to exist. "I have all the men
I can spare raking through the files of every political malcontent we've ever
heard of, every neorevolutionary, every radical socialist or activist for
Irish Home Rule, or Welsh Home Rule, or any other reform that has ever had
passionate supporters. You concentrate on the personal motives: greed, hatred,
revenge, lust, blackmail; anything you can think of that makes one man kill
another-or one woman, if you think that possible. There are enough women in the
case with the money to employ someone to do what they could not or dared not do
themselves."</p><p>"I'll have a closer
look at James Carfax,'' Pitt said slowly. "And I'd better look in more
detail at Etheridge's personal life. Although an outraged husband or lover
doesn't seem likely-not for all three!"</p><p>"Frankly nothing seems
likely, except a remarkably cunning lunatic with a hatred of M.P.s who live on
the south side of the river," Drummond said with a twisted smile.
"And we've doubled the police patrol of the area. All M.P.s know enough to
guard themselves-I'd be very surprised if any of them choose to walk home
across the bridge now." He adjusted his necktie a little and pulled his
jacket straighter on his shoulders, and his face lost even the shred of bleak
humor it had shown. "I'd better go and see the Home Sec-</p><p>201</p><p>retary." He went to the
door, then turned. "When we've dealt with this case, Pitt, you're overdue
for promotion. I'll see that you get it; you have my word. I'd do it now, but I
need you on the street until this is finished. You more than deserve it, and it
will mean a considerable raise in salary." And with that he went out of
the door and closed it, leaving Pitt standing by the fire, surprised and
confused.</p><p>Drummond was right,
promotion was long overdue; he had forfeited it previously by his attitude towards
his superiors, by insubordination not by his acts but by his manner. It would
be good to have his skills recognized, to have more command, more authority.
And more money would mean so much to Charlotte, less scrimping on clothes, a
few luxuries for the table, a trip to the country or the sea, maybe in time
even a holiday abroad. One day she might even see Paris.</p><p>But of course it would mean
working behind a desk instead of on the street. He would detail other men to go
out and question people, weigh the value of answers, watch faces; someone else
would have the dreadful task of telling the bereaved, of examining the dead,
of making the arrests. He would merely direct, make decisions, give advice,
direct the investigations.</p><p>He would not like it-at
times he would hate it, hate being removed from the reality of the passion and
the horror and the pity of street work. His men would hear the facts and return
to him; he would no longer be aware of the flesh and the spirit, the people.</p><p>But then he thought of Charlotte
with Emily's unopened letter in her pinafore pocket, waiting until he had gone
because she did not want him to see her face when she read about Venice and
Rome, about the glamor and romance of wherever Emily was now.</p><p>He would accept the
promotion-of course he would. He must.</p><p>But first they must catch
the Westminster Cutthroat, as the newspapers were calling him.</p><p>202</p><p>Could it possibly be James
Carfax? Pitt could not see in that handsome, charming, rather shallow face the
ruthless-ness necessary to kill three people, one after the other, merely to
gain his wife's inheritance, no matter how much he wanted it.</p><p>What about Helen? Did she
love her husband enough, want to keep him enough to commit such crimes, first
for him, then to protect herself? Or him?</p><p>He spent all day pursuing
finances. First he found the record of the sale of Helen Carfax's painting,
then he traced further back to see if she had sold other things and found that
she had-small sketches, trinkets, a carving or two-before she'd sold the painting
whose absence he had noticed. There was no way of proving what she had used the
money for without searching her own personal accounts, and possibly not then.
It could have been for gowns and perfumes, to make herself more attractive to a
wandering husband, or for jewelry, or perhaps for medical expenses, or presents
for James or even for someone else. Or maybe she gambled- some women did.</p><p>He reached home a little
after six, tired and dispirited. It was not only the difficulty of the case, it
was the thought of promotion, of guiding other men rather than doing the work
himself. But he must never let Charlotte know his feelings or it would rob her
of any pleasure in the rewards it would bring. He must disguise his feeling of
loss.</p><p>She was in the kitchen
finishing the children's tea and preparing his. The whole room was warm,
softly glowing from the gas lamps on the wall as the light faded in the sky
outside. The wooden table was scrubbed clean and there was a smell of soap and
hot bread'and some kind of fragrant steam he could not place.</p><p>He went to her without
speaking and took her in his arms, holding her closely, kissing her, ignoring
her wet hands and</p><p>203</p><p>the flour on her apron. And
after her first surprise she responded warmly, even passionately.</p><p>He got it over with
straightaway, before he had time to think or regret.</p><p>"I'm to be promoted!
Drummond said as soon as this case is finished. It will mean far more money,
and influence, and position!"</p><p>She held him even harder,
burying her face against his shoulder. "Thomas, that's wonderful! You
deserve it-you've deserved it for ages! Will you still be out working on
cases?''</p><p>"No."</p><p>"Then you'll be safer
too!"</p><p>He had done it, told her
without a shadow, without her suspecting anything but joy and pride. He felt a
moment of terrible isolation. She did not even know what it cost him; she had
no idea how intensely he would rather be on the street, with people, feeling
the dirt and the pain and the reality of it. It was the only way to understand.</p><p>But that was foolish. Why
else was he telling her like this, but precisely because he did not want her to
sense his misgivings! He must not spoil it now. He pushed her away a little
and smiled at her.</p><p>She searched his face, and
the brilliance in her eyes turned to questioning.</p><p>"What is it? What is
wrong?"</p><p>"Just this case,"
he answered. "The further I look into it the less I seem to have hold
of."</p><p>"Tell me more about it.
Tell me about this latest victim," she invited him. "I'll get your
dinner. Grade's upstairs with the children. You can explain it to me while we
eat." And taking his agreement for granted she took the lid off the pan
and stirred it once or twice, filling the kitchen with a delicious odor. Then
she lifted plates out of the wanning oven and served mutton stew with thick
leeks and slices of potato and sweet white turnips and a touch of dried
rosemary that gave it sharpness and flavor.</p><p>204</p><p>He told her all that he had
omitted on his previous, rather scattered accounts, which had been more
emotional than logical, together with the little of value he had learned since
and the skeletal knowledge he had of Cuthbert Sheridan.</p><p>When he had finished she sat
for several minutes in silence, looking down at her empty plate. When at last
she did look up there was a deep color in her cheeks and the half shame-faced
look of embarrassment and defiance he had seen so many times before.</p><p>"How?" he said quietly.
"How are you involved? It's nothing to do with us, any of us. And Emily's
in Italy-isn't she?"</p><p>"Oh yes!" She
seemed amost relieved. "Yes, she's in Florence. At least, the letter I got
this morning was from there. She may be somewhere else by now, of course."</p><p>"Well then?"</p><p>"Great-aunt Vespasia .
. .sent for me."</p><p>He raised his eyebrows.
"To discover the Westminster Cutthroat?" he said with heavy
disbelief.</p><p>"Well, yes, in a way.
..."</p><p>"Explain yourself,
Charlotte."</p><p>"You see, Africa Dowell
is the niece of Great-aunt Vespasia's closest friend, Miss Zenobia Gunne. And
they think the police suspect her-quite rightly, as it turns out. Of course I
didn't tell them it was you!"</p><p>He searched her face for
several moments and she held his gaze without flinching. She could keep a
secret, sometimes, and she could be evasive, with difficulty, but she was no
good at all at lying to him, and they both knew it.</p><p>"And what have you
discovered?" he asked at length.</p><p>She bit her lip.
"Nothing. I'm sorry."</p><p>"Nothing at all?"</p><p>"Well I made friends
with Amethyst Hamilton-"</p><p>' 'How on earth did you do
that? Does Aunt Vespasia know her?"</p><p>"No-I just lied."
She looked down at the table, embar-205</p><p>rassed, then up again,
meeting his eyes. "She and her stepson loathe each other so much they cannot
even be civil, but I can't see anything in that which could lead to murder.
She's been married for many years, and nothing new has happened . . ."she
trailed off.</p><p>"And," he
prompted.</p><p>"She inherits quite a
lot of money, but that's hardly a reason, especially not-" Again she
stopped.</p><p>"Not what?"</p><p>"I was going to say,
not to kill Etheridge and Sheridan as well, but I suppose that doesn't
necessarily follow, does it?"</p><p>"Not necessarily,"
he agreed. "It could be that the last two murders were close to hide the
one that matters, or they could have been committed by a copycat. I don't
know."</p><p>She put out her hand and
gently covered his. "You will," she said with conviction, but he was
not sure whether it was her mind or her heart which spoke. <emphasis>"We </emphasis>will,"
she added, as if as an afterthought.</p><p>206</p><p>9</p><p><emphasis>(charlotte
set </emphasis><emphasis>our </emphasis>the following morning on the omnibus to see Great-aunt Vespasia.
It was a sparkling spring day, the air mild and the sun warm. It would be
lovely to be in the country, or even in one of the fashionable squares with all
the new leaves bursting and the sound of birdsong. Perhaps she and Pitt would
be able to go to the country for a weekend this summer. Or longer-a whole week?</p><p>In the meantime she thought
of the small things she could buy with the extra money Pitt would have. A new
hat would be an excellent start, one with a very large brim, and pink ribbon on
it, and flowers-big cabbage roses with golden centers, they were 'so becoming!
One should wear it at a certain angle, up at the left and a little down over
the right brow.</p><p>And she could get two or
three muslin dresses for Jemima, instead of having to make do with only one
best one for Sundays. Should she get pale blue, or a very soft shade of green?
Of course, people said that blue and green should never be worn together, but
personally she liked the combination, like summer leaves against the sky.</p><p>207</p><p>She employed the entire
journey in such pleasant thoughts, so much so that she was almost carried past
her stop, which would have been very annoying, since there was a considerable
distance to walk anyway. People like Great-aunt Vespasia did not live on the
routes of the public omnibus.</p><p>She climbed off with indecent
haste and all but fell over as she reached the pavement. She ignored the
critical comments of two large ladies in black, setting off at a very brisk
pace towards Great-aunt Vespasia's town house.</p><p>She was admitted at once and
shown into the morning room, where Vespasia was sitting with a pen in her hand
and several sheets of writing paper in front of her. She put them aside as soon
as Charlotte came in.</p><p>"Have you discovered
something?" she asked hopefully, dispensing with the formalities of
greeting.</p><p>' 'It is as bad as we
fear,'' Charlotte sat down immediately. "I did not tell you before that it
is Thomas who is handling the case! I was afraid Zenobia might not believe I
could be open-minded, and I thought that if you knew it might place you in something
of an embarrassing position. But it is Thomas who went to Mrs. Ivory, and he
does indeed think it may be she. They've got everyone possible out looking for
anarchists, revolutionaries, Fenians, and anyone else who might be political,
but no one has found anything at all. The only ray of light, if you can call
anything so tragic a light, is that Mrs. Ivory would have no sane reason for
killing Cuth-bert Sheridan."</p><p>"Not a light I care
for," Vespasia said grimly.</p><p>"And Thomas will be
promoted as soon as the case is solved."</p><p>"Indeed?"
Vespasia's silver eyebrows rose minutely, but there was satisfaction in her
eyes. "Not before time. You must tell me when it is official, and I shall
send him a letter of congratulation. Meanwhile, what can we do to help Zenobia?"</p><p>Charlotte noted that she had
said Zenobia, not Florence 208</p><p>Ivory. She caught her eye
and knew the choice was deliberate.</p><p>"I think it is time for
a little cold reason," Charlotte said as gently as it was possible to say
such a thing. "Thomas says they have done everything they can to discover
a conspiracy of any political or revolutionary nature, and they can find
nothing whatsoever. Indeed, it seems hard to imagine any political end that
would be served by such acts, unaccompanied by any demand for change or
reform. Except, of course, anarchy-which seems to me to be something of a
lunatic idea anyway. Who can possibly benefit from that?"</p><p>Vespasia looked at her with
impatience. "My dear girl, if you imagine that all political aims owe
either their conception or their execution to unadulterated sanity, then you
are more naive than I had supposed!"</p><p>Charlotte felt the color
climb in her cheeks. Perhaps she was naive. She certainly had not mixed in the
circles of government that Vespasia had, nor heard the private dreams of those
who wielded power, or aspired to. She had indeed imagined them to have a degree
of common sense, which on consideration might well be an unfounded conclusion.</p><p>"Sometimes those who
cannot create enjoy the power to destroy," Vespasia went on. "It is
all they have. After all, what else is much of violence? Think back on the
crimes you yourself have helped to solve. Look at most domination of one person
over another: the fishwife or the washerwoman could have told such people that it
would not produce the admiration or the love or the peace they desired, but one
hears what one wishes to."</p><p>' 'But anarchists are noisy,
Aunt Vespasia. They don't want anarchy alone! And Thomas says the police are
aware of a great many of them, and none seems to have been involved with the
Westminster Bridge murders. After all, there is no political power in anonymous
acts, is there! One has to own up to them at some point in order to reap the
reward.''</p><p>"One would presume
so," Vespasia agreed, part of her 209</p><p>reluctant to let go of the
idea of some unknown assailant lashing out wildly for a cause. It was less ugly
to her than the possibility of a friend, even a relative of the intended victim
prepared to murder three people in order to mask the one murder that might
implicate them. "Is it possible there is some connection between the three
that we have not thought of?" she pressed.</p><p>"They are all
M.P.s," Charlotte said bleakly. "Thomas has not been able to discover
anything further. They have no business connections, they are not related, they
are not in line for any one position, for that matter they are not even of the
same party! Two are Liberal, one Tory. And they have no political or social
opinions in common, not even regarding Irish Home Rule, Penal Reform, Industrial
or Poor Law Reform-nothing, except that they are all against extending the
electoral franchise to women."</p><p>"So are most
people." Vespasia's face was pale, but sixty years' training showed in her
hands, resting elegantly in her lap over the wisp of her lace handkerchief.
"Anyone planning to kill members of Parliament for that reason is going
to decimate both houses."</p><p>"If it is personal,
then we had better begin to consider very seriously who might have
motive," Charlotte said gently. "And pursue them in ways that would
be impossible for Thomas. I have already made the acquaintance of Lady
Hamilton, and although I find it hard to believe it was she, there may be some
connection." She sighed with unhappy memories. "And of course
sometimes the truth is hard to believe. People you have liked, still do like,
can have agonies you never conceived, fears that haunted them until they escaped
all reason and turned to violence, or old wounds so terrible they cannot leave
them behind. Revenge obsesses them beyond everything else-love, safety, even
sanity."</p><p>Vespasia did not reply;
perhaps she was thinking of the same people, or at least one of them, for whom
she too had cared.</p><p>210</p><p>"And there is young
Barclay Hamilton," Charlotte said. "Although there seems to be a
profound emotion troubling him regarding his father's second marriage, I don't
know wha^ should lead him to murder."</p><p>"Nor I," Vespasia
conceded quietly, a weariness in her that she overcame with difficulty.' 'What
of Etheridge? There is a great deal of money.''</p><p>"James Carfax,"
Charlotte replied. "Either he himself, or his wife, in order to keep him
from going to other women, or even leaving her altogether."</p><p>"How tragic," Vespasia
sighed. "Poor creature. What a terrible price to pay for something that is
in the end merely an illusion, and one that will not remain for long. She will
have destroyed herself to no purpose."</p><p>"Or if indeed he has
had other relationships," Charlotte said, thinking aloud, "some other
love, or infatuation, perhaps ..." she trailed off.</p><p>"Quite possibly he had
had affairs with other women," Vespasia agreed dourly. "But even in
the unlikely event they had husbands who were offended by it, to cut the
throats of three members of Parliament and hang them on Westminster Bridge
seems oblique, and excessive to a degree!"</p><p>Charlotte was suitably
crushed. It was absurd. Had it been Etheridge alone it might have made sense.
"It doesn't seem to be a crime of passion," she said aloud.
"Indeed it does not appear to make any kind of sense!''</p><p>"Then there is only one
conclusion," Vespasia said grimly. "There is either a passion or a
reason of which we are not aware. Certainly if it is a passion, it was not
momentary, but rather extremely sustained, and therefore I would suppose it is
one of great depth."</p><p>"Someone has been done
a wrong so terrible it corrodes their souls like a white-hot acid,"
Charlotte offered.</p><p>Vespasia stared at her. It
was on the tip of her tongue to tell Charlotte not to be melodramatic; then she
glimpsed for</p><p>211</p><p>an instant the horror of
what such a thing might be, and remained silent.</p><p>Charlotte pursued her own
line. "Or there is a motive we have not seen, perhaps because we do not
know the facts, or the people, or because it is too ugly to us, and we have
refused to see it. All we know of what those three men had in common was a
fierce disapproval of the movement to extend the franchise to women."</p><p>"Hamilton's disapproval
was not fierce," Vespasia corrected automatically, but there was no
lightness in her voice; it need not be said between them that Hamilton's death
may have been a mistake, due to the assumption, in the dim light on the bridge,
that he was Etheridge. "It could be others trying to blacken the
reputation of the women fighting for suffrage," Vespasia went on,
"knowing they would be blamed."</p><p>"Oblique, and excessive
to a degree," Charlotte repeated Vespasia's own words, then instantly regretted
the impertinence. "I'm sorry!"</p><p>Vespasia's face softened for
a moment in recognition of the emotion. "You are quite right," she
conceded. "If somewhat cruel in your manner of observation." She
stood up and went to the window, gazing out at the sunlight in the garden,
slanting pale and brilliant on the tree trunks and the first red shoots of the
rose leaves. "We had best pursue what we can. Since we fear Florence Ivory
may indeed be guilty, it would be profitable for you to form a further opinion
of her character. You might call upon her again, if you will.''</p><p>Charlotte looked at
Vespasia's slender back, stiff under her embroidered lace dress, her shoulders
so thin Charlotte was reminded quite painfully of how old she was, how fragile;
she remembered that with age one does not cease to love or to be hurt, nor feel
any less vulnerable inside. Without waiting to allow self-consciousness to
prevent her, she went over and put her arms round Vespasia, regardless of
whether it</p><p>212</p><p>was a liberty or not, and
held her tight as she would have a sister or a child.</p><p>"I love you, Aunt
Vespasia, and there is nothing I would like in the world more than one day to
become a little like you."</p><p>It was several moments
before Vespasia spoke, and when she did her voice was hesitant and a little
throaty. "Thank you, my dear." She sniffed very delicately. "I
am sure you have made an excellent beginning-both the good and the bad. Now if
you would be so good as to let go of me, I must find my handkerchief." She
did, and blew her nose in a less ladylike manner than usual, with her back to
Charlotte. "Now!" she said briskly, stuffing the totally inadequate
piece of cambric and lace up her sleeve. ' 'I shall use the telephone to speak
to Nobby and have her call upon Lady Mary Carfax again; I shall renew some
political acquaintances who may be able to tell me something of use; you will
call upon Florence Ivory; and then tomorrow we shall meet here at two o'clock
and go together to express our condolences to the widow of Cuthbert Sheridan.
It may even be that it was he who was the intended victim." She tried hard
to keep hope out of her voice-it had a certain indecency-and failed.</p><p>"Yes, Aunt
Vespasia," Charlotte said obediently. "Tomorrow at two
o'clock."</p><p>Charlotte set out for her
visit to Florence Ivory with little pleasure. Indeed, the fear was strong
inside her that she would either learn nothing at all or that her present
anxieties would be strengthened and she would feel a greater conviction that
Florence was both capable of such murders and likely to have committed them,
with the help perhaps of Zenobia's niece Africa Dowell. She herself hoped she
might find that they were not at home.</p><p>She was to be disappointed.
They were at home and willing to receive her; in fact, they made her welcome.</p><p>"Come in, Miss
Ellison," Africa said hastily. Her face 213</p><p>was pale, but there were
spots of color high on her cheeks, and smudges of shadow under her eyes, from
fear and too little sleep. "I am so glad you have called again. We were
quite concerned lest this latest horror should have turned you from our cause.
The whole matter is a nightmare." She led Charlotte towards the charming
sitting room, with its flowered curtains and its plants. Sunlight streamed
through the windows, and three blue hyacinths filled the room with a perfume so
heady, at another time it would have distracted the attention.</p><p>Now however Charlotte had
eyes and thoughts only for Florence Ivory, who sat in a rattan chair with
cushions of green and white, a raffia basket in her hands, which she was
mending. She looked up at Charlotte with a face more guarded than her
companion's.</p><p>"Good afternoon, Miss
Ellison. It is very civil of you to call. May I presume from your presence that
you are still engaged in our cause? Or have you come to tell me that you now
consider it past help?"</p><p>Charlotte was a little
stung; there was in Florence's turn of phrase a whole array of assumptions
which she found offensive.</p><p>"I shall not give up,
Mrs. Ivory, until the matter is either won or lost, or until I find some
evidence of your guilt which makes pursuing it further morally impossible,''
she replied crisply.</p><p>Florence's remarkable face,
with its widely spaced eyes full of haunting intelligence, seemed for a moment
on the edge of laughter; then reality asserted itself and she gestured to the
chair opposite and invited Charlotte to be seated.</p><p>"What else can I tell
you? I knew Cuthbert Sheridan only by reputation, but I have met his wife on a
number of occasions. In fact I may have been instrumental in her joining the
movement for women's suffrage."</p><p>Charlotte observed the pain
in the woman's face; saw the irony in the eyes, the bitterness in the mouth,
the small, bony</p><p>214</p><p>hands clenched on the raffia
basket. "May I presume that Mr. Sheridan did not approve?" she asked.</p><p>"You may,"
Florence agreed dryly. She regarded Charlotte closely, and her expression gradually
became one of barely disguised contempt. Only her need for help and a residue
of good manners concealed it at all. "It is a subject which produces great
emotion, Miss Ellison, of which you seem to be largely unaware. I have no idea
what your life has been. I can only assume you are one of those comfortable
women who are satisfactorily provided for in all material ways and are happy to
pay for your keep with a docile temperament and skill in keeping a home-or
organizing others who do it for you-and that you consider yourself fortunate to
be in such a position."</p><p>"You are quite
right-you do have no idea what my life has been!" Charlotte said extremely
sharply. "And your assumptions are impertinent!" As soon as the
words were out of her mouth she remembered how this woman had suffered, had
lost her children, and she realized with a flood of shame that perhaps she was
precisely as comfortable as Florence had accused her of being. She had little
money, certainly, but what part of life's ease or joy was that? She had enough.
She had never been hungry, and she was not so often cold. She had her children,
and Pitt treated her not as a possession, which in law she had indeed been
until only recently, but as a friend. As she sat in the green and white chair
with the sun coming in through the garden windows and the air full of the scent
of the hyacinths, she realized with a powerful gratitude that she had freedom
an uncounted number of women would have given all their silks and servants to
possess.</p><p>Florence was staring at her,
and for the first time since they had met, there was confusion in her face.</p><p>"I apologize,"
Charlotte said with great difficulty. She found this woman highly irritating,
profound as her pity for her was. "My rudeness was unnecessary, and in some
ways you are perfectly correct. I cannot truly understand your an-</p><p>315</p><p>ger, because I have not been
a victim of the wrongs of which you speak. Please tell me."</p><p>Florence's eyebrows rose.
"For goodness' sake, tell you what? The social history of women?"</p><p>' 'If that is the issue,''
Charlotte replied.''Is that why these men were killed?"</p><p>"I've no idea! But if I
had done it, it would be!"</p><p>"Why? For a vote on who
sits in Parliament?"</p><p>Florence's tolerance
snapped, and she stood up sharply, the raffia basket and needle falling to the
carpet. She faced Charlotte with stinging condescension.</p><p>' 'Do you think you are
intelligent? Capable of learning? Do you have emotions, even passions? Do you
know anything about people, about children? Do you even know what you want for
yourself?''</p><p>"Yes of course I
do," Charlotte said instantly.</p><p>"Are you sure you are
not just an overgrown child?"</p><p>Now Charlotte was equally
angry. She rose as well, the color burning in her cheeks. "Yes I am
perfectly sure!" she hissed back through her teeth. "I am very
perceptive about people, I have learned a great deal about many things, and I
am quite capable of making wise and sensible judgments. I make mistakes
sometimes, but so does everyone. Being adult doesn't make you immune to error, it
just makes those errors more important, and gives you more power to cover them
up!"</p><p>Florence's face did not
soften in the least. ' 'I agree. I am every bit as sure as you that I am no
child, and I resent profoundly being treated as one, and having my decisions
made for me by either my father or my husband, as if I had no will or desire of
my own, or as if what they wanted was always the same as what I wanted for
myself, or could be relied upon to be in my best interest.'' She swung round
and went behind the chair, leaning forward over the back of it, the muslin of
her dress straining across her thin body. "Do you suppose for one second
that the law would be as it is if</p><p>216</p><p>those who made it were
answerable to us as well, instead of only to men? Do you?"</p><p>Charlotte opened her mouth
to reply, but Florence cut her off.</p><p>"Do you give your
mother a gift at Christmas, or on her birthday?"</p><p>"What?"</p><p>Florence repeated the
question with a harsh, derisory impatience in her voice.</p><p>"Yes. What has that to
do with suffrage, for heaven's sake?"</p><p>"Do you know that in
law you cannot give anyone a gift, anyone at all, from the day you become
betrothed-not married, <emphasis>betrothed-</emphasis>without your fiancees
permission?"</p><p>"No, I-"</p><p>"And that until four
years ago even your clothes and effects belonged to your husband? And if you
inherited money, jewelry from your mother, anything, it belonged to him also?
If you worked at anything and earned money, that also was his, and he could
require it be paid directly to him, so you could not even touch it. Did you
think you could make a will, so you could leave your belongings to your
daughter, or your sister, or a friend, or reward a servant? So you can-so long
as your husband approves! And if at any time he disapproves or changes his
mind, or others change it for him, then you cannot! Even after you are dead! Did
you know that? Or did you imagine that your dresses, your shoes, your
handkerchiefs, your hairpins were your own? They are not! Nothing is yours.
Certainly not your body!" Her mouth curled in memory of an old pain, one
so deep no balm had ever reached it.' 'You cannot refuse your husband,
regardless of his treatment of you, or how many others he may have lain with,
in love or in lust. You cannot even leave his roof unless he gives you his
permission! If you do, he can have the law bring you back and prosecute anyone
who gives you shelter-even if it is your own mother!</p><p>217</p><p>"And if he does allow
you to leave, your property remains his, as does anything you might earn, and
he has no obligation to give you, or your children, should he permit you to
take them, a single penny to keep you from starvation or freezing.</p><p>"No-don't interrupt
me!" Florence Ivory shouted when Charlotte opened her mourn to speak.
"Damn your complacency! Did you imagine you had any say in what should
happen to your children? Even your baby still at the breast? Well you don't!
They are his, and he may do with them as he pleases-educate them or not, teach
them anything he cares to, or nothing, discipline them and care for their
health or welfare as he likes. When he makes a will he has the right to dispose
of what property used to be yours before you married him however he pleases. He
can leave your jewelry to his mistress, if he likes. Did you know that, Miss
Ellison? Do you think Parliament would make laws like that if it were
answerable to women voters as well as men? Do you?"</p><p>Again Charlotte opened her
mouth to say something, but she was overwhelmed by the flood of injustices, and
over and above that the scalding outrage that burned through Florence's thin
body. Charlotte sank onto the arm of her chair. Florence was not merely
cataloguing the inequities of the law, she was crying out from her own pain. It
was nakedly apparent, even if Charlotte had not known from Pitt how she had
lost first her home and her son, then her beloved daughter. She had never
considered divorce or separation because it had not occurred in her family or
any of her friends. Of course she had known for years that it was commonly believed
that men had natural appetites which must be satisfied, and decent women did not;
therefore it was to be expected that a man might commit adultery, and a wife's
only course was to conduct herself so she was never forced into a position
where she was seen to know of it. It was not grounds for divorce for a wife,
and anyway, a divorced woman ceased to exist in society, and a working woman
would be on the streets</p><p>218</p><p>dependent on whatever skills
she had to earn her keep-and her skills would be minimal, and domestic. No one
took a divorced woman into service.</p><p>"That, Miss Ellison, is
a fraction of the reason why I want women to have a right to vote!'' Florence
was staring at her, pale now, exhausted by her own emotions and all the
relieved pain, the struggles that had been lost one by one. There was hatred in
her powerful enough to drown out all lesser qualms of doubt or pity, or
thoughts of self-preservation. Whether she had killed three men on Westminster
Bridge, Charlotte did not know, but sitting on the arm of the chintz-covered
chair in this sunlit room with the odor of hyacinths, she felt again the
sickening conviction that Florence Ivory was capable of it.</p><p>The three women were
motionless. Florence gripped me back of her chair, her knuckles white, the
cloth of her dress strained at the shoulders till the stitching thread showed
at the seams. Outside in the garden a bird hopped from a low lilac branch onto
the windowsill.</p><p>Africa Dowell moved from the
corner by the door where she had been listening. She made a move as if to touch
Florence, then something in the rigid figure warned her away, and she turned
to Charlotte, knowledge and fear in her eyes, and defiance.</p><p>"Florence is speaking
for a great many people, more than you might imagine. Mrs. Sheridan had
recently joined a group fighting for women's suffrage, and there are others up
and down the country. Famous people have urged it. John Stuart Mill wrote a
paper years ago-" She stopped, painfully aware that nothing she said
would erase from their minds the skin-crawling knowledge of a passion that
could have driven Florence Ivory to kill, and may have.</p><p>Charlotte looked at the
carpet, framing her words carefully.</p><p>"You say many women
feel the same," she began. 219</p><p>"Yes, many,"
Africa agreed faintly, her voice without conviction.</p><p>Charlotte met her eyes.<sup>4</sup>
'Why not all women? Why should any woman be against it, or even
indifferent?"</p><p>'Florence's answer was harsh
and instant. "Because it is easier! We are brought up from the cradle to
be ignorant, charming, obedient, and to depend completely on someone else to
provide for us! We tell men we are fragile of body and of mind and must be
protected from anything indecent or contentious, we must be looked after, we
cannot be blamed for anything because we are not responsible! And they do look
after us. They do as much for us as a mother does for a child that cannot walk:
she carries it! And until she puts it down, it never will walk! Well I don't
want to be carried all my life!" She struck her hand so violently against
her chest Charlotte felt sure it must have bruised the flesh. "I want to
decide which way I will go, not be carried whether I choose to or not where
someone else wishes. But many women have been told for so long they cannot walk
that now they believe it, and they haven't the courage to try. Others are too
lazy; it is easier to be carried."</p><p>It was only a partial truth.
Charlotte knew so many more reasons: there was love, gratitude, guilt, the need
to be loved with tenderness and without contention or rivalry, the deep
pleasure of earning the respect and nurturing the best in a man, and perhaps
the strongest reason of all-the need to give love, to cherish the young and the
weak, to support a man, who seemed in the world's eyes to be the stronger, and
yet whom one learned so quickly was easily as vulnerable as oneself, often more
so. The world expected so much of him, and allowed him no weakness, no tears,
no failure. A host of memories came to her of Pitt, of George, of Dominic, even
of her father, seen now with the wisdom of hindsight, and of other men whom the
astringent wash of an investigation had stripped layer by layer of all
pretense. Their hidden selves had been as frail, as full of terrors and
weaknesses,</p><p>220</p><p>self-doubt and petty
vanities and deceptions as any woman's. Only their outer garb was diiferent,
and their outer power.</p><p>But there was no purpose in
telling this to Florence Ivory. Her wounds were too deep, and her cause was
just. Charlotte imagined her emotions, thought for an instant how she would
have felt had her own children been lost to her and knew reason would be misplaced.</p><p>But only reason could help
now. She changed the subject entirely, looking at Florence with a calm she did
not feel. "Where were you when Mr. Sheridan was murdered?" she asked.</p><p>Florence was startled. Then
she smiled without humor, her remarkable face as quick to change as reflections
in a pool of water.</p><p>"I was here,
alone," she said quietly. "Africa had gone to spend a little time
with a friend who is confined with her first child and feeling unwell. But why
in heaven's name should I kill Mr. Sheridan? He has done me no harm-no more at
least than any other man who denies us the right to be people, not merely
appendages to men. Do you know you can't even make a contract in law? And if
you are robbed it is your husband who is offended against, not you, even if it
is your purse that is taken?'' She laughed harshly. ' 'Nor can you be sued! Or
be responsible for your own debts. Unfortunately, if you commit a murder, that
is your fault-your husband will not be hanged in your place! But I did not kill
Mr. Sheridan, or Mr. Etheridge, or Sir Lockwood Hamilton, for that matter.
Though I doubt you will prove it, Miss Ellison. Your good intentions are a
waste of time."</p><p>' 'Possibly.'' Charlotte
stood up, staring rather coldly.' 'But it is mine to waste, if I so
choose."</p><p>''I doubt it,'' Florence
answered without moving. ' 'If you pursue the matter I daresay you will find
that it is your father's, or your husband's if you have one." She turned
her back and bent to pick up the raffia basket from where it had fallen, as
though Charlotte had already left.</p><p>221</p><p>Africa showed her to the
door, white-faced, searching for words and discarding each before it touched
her lips. Every line of her body, every stiff, awkward movement betrayed her
fear. She loved Florence, she pitied her desperately, she burned for her injuries
and injustices, and she was mortally afraid that the torment of the loss of her
child had driven her to creep out at night with a razor in her hand, and
kill-and kill-andkill.</p><p>The same thought was in
Charlotte's mind, the same chill voice inside her, and she could not pretend.
She looked at the girl with her ashen Pre-Raphaelite face, strong and young and
so frightened, full of resolve to fight a losing battle, and she grasped her
cold hands and held them tightly for a moment. There was nothing useful or
honest to say.</p><p>Then she turned away and
walked briskly down the street towards the place where the public omnibus might
be caught for the long ride back.</p><p>Zenobia Gunne faced the
prospect of calling upon Lady Mary Carfax a second time with the same resolve
of fortitude she had summoned to sail up the Congo River in an open canoe, only
this was a task which promised less reward. There would be no brazen sunsets,
no mangrove roots rising out of the dawn-lit water, no screaming birds the
color of jewels flung haphazard against the sky. Only Mary Carfax's
thirty-year-long remembrance of contempt and a hundred old grudges.</p><p>With deep misgivings, a
churning in the pit of her stomach, and a sense of her own inadequacy, she had
her Carriage brought round and obeyed Vespasia's instructions. She had nothing
in common with Mary Carfax but old memories.</p><p>She was also afraid that
Florence Ivory might well be guilty, and that Africa's overaetive sense of pity
might have driven her, if not actually to help Florence, then at least to
shield her now the deed was done.</p><p>And then a grimmer, uglier
thought forced itself upon her. 222.</p><p>Was it done? Or would it
continue? Sheridan had been killed after any injustice by Etheridge was more
than avenged. Did Africa know it was Florence, or did her sympathy permit her
to be blind?</p><p>Zenobia should have
befriended her, visited her more often, not allowed her to become so close to
so compelling a woman in such distress, one so passionate about her injustices,
so likely to lose her emotional balance and her sanity. Africa was her youngest
brother's child; she should have taken her duties more seriously after her
parents' death. She had followed her own interests across the world, selfishly.</p><p>But it was too late now to
offer time and friendship; the only thing that could help would be to prove
Florence innocent, and as Charlotte Pitt had said-what a curious woman
Charlotte was, so divided between two worlds, and yet apparently at home in
both-as she had pointed out, that could only be accomplished by proving that
someone else was guilty.</p><p>She leaned forward and
rapped on the front wall of the carriage. "Please hurry!" she shouted
urgently. "You are going too slowly! What are you waiting for?"</p><p>She presented her card to
Lady Mary's maid and watched the ramrod back of the girl as she took it away to
show her mistress. Zenobia did not intend to lie as to her purpose in coming;
it was not in her nature to tell petty lies, she had no art for it, and she
could not think of a lie grand enough to serve the purpose.</p><p>The girl returned and showed
her into the withdrawing room, where a large fire burned in spite of the
clement weather. Mary Carfax sat upright in a gold-ornamented French chair. She
concealed her surprise because her curiosity overrode it, and since that was
an ill-bred emotion she did not own, she did her best to conceal that also.</p><p>"How agreeable to see
you again-so soon," she said in a voice that veered from one tone to
another as she tried to decide which attitude to adopt. "I feared
that-" but she</p><p>223</p><p>changed her mind again, that
was too inferior. "I supposed it would be a dull afternoon," she said
instead. "How are you? Please do sit down and be comfortable. The weather
is most pleasant, don't you think?"</p><p>Zenobia had barely noticed
it, but the conversation must be conducted with civility, whatever it cost.</p><p>"Delightful," she
agreed, taking the seat farthest from the fire. "There are numerous
blossoms out, and the air is quite mild. I passed several people walking in the
park, and there was a German band playing in the rotunda."</p><p>"One looks forward to
the summer." Lady Mary was bursting with inquisitiveness as to why
Zenobia, who patently disliked her, should have called at all, let alone twice
in the space of a fortnight. "Shall you be attending Ascot, or Henley? I
find the races tire me, but one should be seen, don't you agree?"</p><p>Zenobia swallowed her retort
and forced an amiable expression to her face. "I am sure your friends
will be disappointed if you do not go, but I fear I may not find it suitable.
There is a member of my family touched at present by a tragedy, and if matters
get worse, I shall not feel in the slightest like enjoying such social
events."</p><p>Lady Mary shifted minutely
in her seat and her fingers closed over the ornate curlicues on the ends of the
chair arms. "Indeed? I am sorry." She hesitated, then plunged ahead.
"Can I offer any assistance?"</p><p>Zenobia swallowed hard. She
thought of Peter Holland that last night before he sailed for the Crimea. How
he would have laughed at this! He would have seen the danger-and the absurdity.
"You might tell me something about those women who are striving to obtain
the franchise." She saw the immediate tightening of disapproval in Lady
Mary's face, the drawing together of the brows and the sharpening of the pale
blue eyes. "What manner of people are they? Indeed, who are they?"</p><p>"What they are is very
easy," Lady Mary replied. "They 224</p><p>are women who have failed to
make a suitable marriage, or who have an unnaturally masculine turn of mind and
desire to dominate rather than be the domestic, gracious, and sensitive
creatures they were intended to be, both by God and nature. They are women who
have neither made themselves attractive nor acquired such arts and
accomplishments as are becoming to a woman and useful in her natural functions
of bearing and raising children and ordering a house which is a refuge of quiet
and decency for her husband, away from the evils of the world. Why any woman
should choose otherwise I cannot imagine-except, of course, as a revenge upon
those of us who are normal, whom they cannot or will not emulate. I regret to
say there is a growing number of such creatures, and they endanger the very
fabric of society.'' Her eyebrows rose. "I trust you will have nothing to
do with them, even if your natural instincts and your spinster circumstances
tempt you!" For a moment malice was plain in her eyes, and old memories
sharp. Mary Carfax's pretense at pity was a sham; she had forgotten and
forgiven nothing.</p><p>"Heaven knows,"
she continued in her rather thin voice, "there is enough unrest and
distress in the country already. People are actually criticizing the Queen, and
I believe there is talk of revolution and anarchy. Government is threatened on
all sides.'' She sighed heavily. ' 'One only has to consider these ghastly
outrages oin Westminster Bridge to realize that the whole of society is in
peril."</p><p>"Do you think so?"
Zenobia affected a mixture of doubt and respect, but there was a fleeting smile
inside her, an old fragment of warmth, like a snatch of song returning.</p><p>"I am certain of
it!" Lady Mary bridled. "What other interpretation would you put upon
affairs?"</p><p>Now it was time for
innocence. "Possibly the tragedies you speak of arise from a personal
motive: envy, greed, fear-perhaps revenge for some injury or slight?"</p><p>"Revenge on three such
men, all of them members of Parliament?" Lady Mary was interested in spite
of herself.</p><p>225</p><p>She breathed in slowly,
glanced at the photographs of Gerald Carfax and of James on top of the piano,
then let out a sigh. "One of them was the father-in-law of my son, you
know."</p><p>"Yes-how very tragic
for you," Zenobia murmured superficially. ' 'And, of course, for your
son.'' She was not sure how to proceed. What she needed was to know more about
James and his wife, and asking Lady Mary would produce only her own opinion,
which was inevitably biased beyond any use. But she could think of no other avenue
to pursue. "I imagine he is very much affected?"</p><p>"Ah, yes-of course. Of
course he is." Lady Mary bristled a trifle.</p><p>Zenobia had watched people
of many sorts, gentry and working people, artisans, gamblers, seamen,
adventurers and tribesmen. She had learned much that all had in common. She
recognized embarrassment under Lady Mary's stiff hesitation and the very
slightest tinge of color staining her scrubbed and pallid cheeks-Mary would
never descend to paint of any sort! So James Carfax was not grieving for his
father-in-law.</p><p>Zenobia tried a more
sympathetic tack, sensing an opening. "Mourning is very hard for young
people, and of course Mrs. Carfax is no doubt most distressed."</p><p>"Most," Lady Mary
agreed instantly this time. "She has taken it very hard-which is only
natural, I suppose. But it puts a great strain upon James."</p><p>Zenobia said nothing, her
silence inviting further enlightenment.</p><p>"She is very dependent
upon him," Lady Mary added. "Very demanding, just at the
moment."</p><p>Again Zenobia understood the
hesitation, and the wealth of memory behind it. She recalled Lady Mary as she
had been thirty years ago: proud, domineering, convinced she knew what was best
for all and determined-in their interest-to accomplish it for them. No doubt
James Carfax had</p><p><emphasis>226</emphasis></p><p>been prime among them, and
Lady Mary would not approve the vying demands of a wife.</p><p>Any further thought along
this line was prevented by the entrance of the parlormaid, who returned to say
that Mr. James and Mrs. Carfax had called, and indeed they were right behind
her. Zenobia regarded them with profound interest as they came in and were
introduced. James Carfax was above average height, elegantly slender, with the
kind of easy smile she had never cared for. But was that a judgment of him, or
of herself? Not a strong man, she thought, not a man she would have taken with
her up the great rivers of Africa-he would panic when she most needed him.</p><p>Helen Carfax was a different
matter. There was strength in her face, not beauty, but a balance of bone and a
width to her mouth which was pleasing, and which would grow more so with time.
But she was a woman under extreme stress. Zenobia had seen the signs before:
she did nothing so obvious as wringing her hands, tearing her handkerchief,
pulling at her gloves, or twisting a ring; it was in the eyes, a rim of white
between the pupil and the lower lid, and a stiffness in her walk as if her muscles
ached. It was more than grief or the pain of a loss already sustained; it was
the fear of a loss yet to come. And her husband appeared to be unaware of it.</p><p>"How do you do, Miss
Gunne." He bowed very slightly. He was charming, direct, his eyes were handsome
and he met hers with a candid smile.' 'I do hope we do not interrupt you? I
call upon Mama quite regularly, and I have nothing of urgency to say. In time
of mourning there are so few calls one can make, and I thought it would be so
pleasant to be out for a little while. Please do not curtail your visit on our
account." ^</p><p>"How do you do, Mr.
Carfax," Zenobia answered, regarding him without disguising her interest.
His clothes were beautifully cut, his shirts of silk, the signet ring on his
hand in perfect taste. Even his boots were handmade and, she guessed, of
imported leather. Someone was making him a</p><p>227</p><p>handsome allowance, and it
was not Lady Mary, unless she had changed out of all character! She would give
a little at a time, Zenobia knew, carefully, watching how each penny was spent:
it was her form of power. "You are very gracious," Zenobia said
aloud. It was habit, not any liking for him that prompted her words.</p><p>He gestured towards Helen.
"May I present my wife."</p><p>"How do you do, Miss
Gunne," Helen said dutifully. "I am delighted to make your
acquaintance."</p><p>"And I yours, Mrs.
Carfax." Zenobia smiled very slightly, as one would to a woman one had
only just met. "May I offer my deepest sympathy on your recent bereavement.
Everyone of sensibility must feel for you.''</p><p>Helen looked almost taken
aback; her mind had been on something else. ' 'Thank you,'' she muttered. '
'Most kind of you ..." Apparently she had already forgotten Zenobia's
name.</p><p>The next thirty minutes passed
in desultory conversation. James and his mother were obviously close, socially,
if not emotionally. Zenobia watched them with intense interest, making
occasional remarks to Helen sufficient to be civil, and now and again searching
her face when she was watching her husband. From those trivial words, the
exchanges of polite society, the pauses between, the flicker of resentments,
suppressed pain, habits of manner so deeply ingrained as to be unconsciously
adhered to, and the edge of fear unheard or ignored by others, Zenobia guessed
at a whole history of hungers unmet.</p><p>She knew Mary Carfax and was
not surprised that she both spoiled and dominated her only son, flattering him,
indulging his vanity and his appetites, and at the same time kept the purse strings
tightly in her own jewel-encrusted fingers. His carefully well-mannered
resentment was inevitable, his shifts between gratitude and rancor, his habit
of dependence,' his underlying knowledge that she thought him a fine man, the
best, and his own whispering doubt that he had never</p><p>228</p><p>justified such esteem and
almost certainly never would. If it had been Mary Carfax who had been murdered,
Zenobia would have known where to look immediately.</p><p>But it was Etheridge. The
money leapt to mind, massive, lavish, all that even James Carfax could need to
gain his precious freedom. But from whom? Only from Mary-it would tie him to
Helen, now that the Married Women's Property Acts had been passed.</p><p>Or would it? One had only to
glance at Helen's pale face, her eyes on James's or staring blindly through the
window at the sky, to see she loved her husband far more than he did her. She
praised him, she protected him, a faint flush of pleasure touched her cheeks
when he spoke gently to her, her pain showed naked when he was patronizing or
used her as the butt of his swift, light jokes, distasteful in their subtle
cruelty. She would give him whatever he wanted in an attempt to purchase his
love, and Zenobia's heart ached for her, knowing her pain would never cease.
She was seeking something which he did not possess to give. Changes unimaginable
would have to be wrought in James Carfax before he had the depth or the power
within him from which to draw generous or untainted love. Zenobia had loved
weak men herself, when she was alone in Africa, and old memories resurfaced,
and old hungers. She had woken to the slow, scalding pain that her love would
never be returned. You can draw little from a shallow vessel; the quality of
feeling reflects the quality of the man-or woman. The soul with little
courage, honor, or compassion may give what they have, but it will not satisfy
a larger heart.</p><p>One day Helen Carfax would
know that, would understand that she would never earn from James what he did
not have to give her, or to anyone else.</p><p>Zenobia remembered some of
her own romantic adventures, the rash giving, the clinging to hope, and
wondered with a cold, sick fear if Helen had already paid the greatest</p><p>229</p><p>price of all, having taken
her father's life with her own hands, for the money to buy her husband's
loyalty.</p><p>Then she looked again at the
pale face with its white-rimmed eyes, now resting on James's elegant figure,
and thought the fear was for him, not for herself. She was afraid that he had
done the deed, or somehow contrived to have it done.</p><p>She stood up slowly, a
trifle stiff from having sat so long.</p><p>"I am sure, Lady Mary,
that you have family business to discuss and would care for a little privacy.
It is such a delightful day I should like a short walk in the sun. Mrs.
Carfax, perhaps you would be so kind as to accompany me?"</p><p>Helen looked startled,
almost as if she had not understood.</p><p>"We might walk as far
as the top of the road," Zenobia persisted. "I am sure the air would
do us good, and I should appreciate your company, and perhaps your arm."</p><p>It was ridiculous-Zenobia
was far stronger than Helen and assuredly had no need for support, but it was
an invitation Helen could not civilly refuse, phrased in such terms.
Obediently she excused herself to her husband and mother-in-law, and five
minutes later she and Zenobia were outside in the sunny street.</p><p>It was a subject that could
not possibly be approached directly, yet Zenobia felt impelled, even at the
risk of causing serious offense, to speak to Helen as if she had been a daughter,
a reflection of her own youth. She was prepared to mix truth of emotion with
invention of setting in order to do it.</p><p>"My dear, I sympathize
with you deeply," she began as soon as they were a few yards from the
house. "I too lost my father in violent and distressing
circumstances." She had not time to waste recounting that piece of
fiction; it was merely an introduction. The story that mattered was of
Zenobia's desperate attempt to win from a man a love of which he was not
capable, and how instead she had lost her own</p><p>230</p><p>integrity, paying a fortune
for an article that did not exist, for her or for anyone.</p><p>She began slowly, extending
her invented bereavement into her journeys to Africa, avoiding the numbing
reality of Bal-aklava and Peter Holland's death. Instead she created first an
imaginary father snatched in his late prime, then on to a suitor, a mixture of
men she had known and cared for in one fashion or another-but never Peter.</p><p>"Oh my dear, I loved
him so much," she sighed, looking not at Helen but at the briar hedge a
little to their left. "He was handsome, and so considerate, such
delightful and interesting company."</p><p>"What happened?"
Helen asked out of politeness, not interest, because the silence seemed to
require it.</p><p>Zenobia mixed disillusion with
a modicum of poetic license.</p><p>' 'I gave him the finances
for his trip, and unwisely many gifts towards it also."</p><p>Helen's whole attention was
caught for the first time.' 'That is only natural-you loved him."</p><p>"And I wanted nun to
love me," Zenobia continued, aware that she was about to wound, perhaps
intensely. "I even did things that on looking back I realize were dishonorable.
I suppose I knew it at the time, had I been brave enough to admit it." She
did not look at Helen, but kept her eyes on the white drifting clouds scudding
across the sky ahead of them. "It took me a long time and much heartache
before I understood that I had paid a high price for something which was not
real, something I could never hope to gain."</p><p>' 'What?'' Helen swallowed
hard, and still Zenobia did not look at her. "What do you mean?"</p><p>"That it is an illusion
many women have, my dear, that all men are capable of the kind of love we long
for, and that if we are only faithful, generous, and patient enough they will
give it to us in the end. Some people are not capable of that commitment. You
cannot draw a deep draft from a shal-</p><p>231</p><p>low vessel, and to try to do
so will only cost you your peace of mind, your good health, perhaps even your self-esteem,
the integrity of your own ideals which are at the heart of all lasting
happiness.''</p><p>Helen said nothing for
several minutes. There was no sound but the steady rhythm of their footsteps on
the pavement, a bird singing in a high tree, green against the blue sky, and
upon the main road the clop of horses' hooves and the hiss of carriage wheels.</p><p>At last Helen put her hand
very gently on Zenobia's arm. "Thank you," she said with difficulty.
"I think I have been doing the same thing. Perhaps you knew? But somehow I
shall find the courage to cease now. I have already done enough damage. I have
cast blame on the women fighting to be represented in Parliament, because I was
desperate to direct the police away from my household, when in truth I have no
idea that they have any guilt in my father's death. It was a shabby thing to
do. I pray no one has been injured by it-except myself, for my poverty of
spirit.</p><p>"It is a very hard
truth to face, but-but I believe the time is past-" She stopped, unable to
go on, and indeed words were unnecessary. Zenobia knew what she meant. She simply
placed her hand over Helen's, and they continued to walk up the bright, sunlit
street amid the hedges in silence.</p><p>232</p><p>10</p><p><emphasis>(charlotte
returned home </emphasis>with a sense of fail-ure. The visit to Parthenope Sheridan had
produced nothing new. She was exactly what she seemed to be: a woman deep in
the shock of bereavement and suffering the kind of guilt it is very common to
feel when suddenly a member of the family is lost to one and there has been no
time to speak of love, to repair old wounds, to apologize for misunderstandings
and trivial angers and grudges over things now dwarfed by death.</p><p>There was no way for her
even to guess if the emotion had been anything more, anything deeper. If there
were jealousies, greeds, other lovers, Charlotte had caught no whisper of it,
seen no clue she might follow, nor even had she formed questions to ask in her
own mind.</p><p>The single step forward they
had taken that day was that Zenobia was convinced that Helen Carfax was not a
suspect, either directly or indirectly. James Carfax remained, although
Zenobia did not believe he had the courage to have done it himself, nor the
skill or power to have procured the service from someone else. Both Charlotte
and Vespasia were inclined to agree with her.</p><p>233</p><p>Charlotte had told them of
her own impressions of Florence Ivory, of the pity she had felt, the
helplessness to counter Florence's anger, and of the terrible wound of
injustice which remained inside the woman, poisoning everything that might
otherwise have been love. Charlotte concluded reluctantly that she could not
dismiss the idea that Florence might indeed be guilty, and they must prepare
their minds for that possibility. She had found nothing to help their cause.</p><p>Different ideas came to her
mind, ugly and terrible, of subtle plans, hatred cold and careful enough to
design not only the death of someone known and close to them, but the
corruption of another's soul, the leading to murder and all its long trail of
nightmare and guilt. Was it conceivable that all the motives were separate and
personal-and the link between them was deliberate conspiracy, each to fulfill
the other's need? It was a monstrous thought, but they had been monstrous
acts, and there seemed no other connection except their membership in
Parliament, which they shared with six hundred other men, and that they walked
home across Westminster Bridge.</p><p>Was Florence Ivory really
deranged enough to kill, and to go on killing even after Etheridge was dead?
Was her regard for life, even her own, so very little? Charlotte searched her
heart, and did not know.</p><p>She organized Gracie in the
kitchen, and Mrs. Phelps, the woman who came in twice a week to do the heavy
work, and busied herself with linen and ironing. As she pushed the heavy
fiatiron back and forth over the linen, meanwhile heating a fresh iron on the
stove, she recounted everything she and Aunt Vespasia and Zenobia Gunne had
learned, and all that Pitt had told her-and she was left with a confusion of
mind that grasped at hope and could not hold it. If not Florence, then who?</p><p>Did Barclay Hamilton's deep,
unwavering aversion to his stepmother have anything to do with his father's
death? Did he know or suspect something? That thought was no pleas-</p><p>234</p><p>anter; she had liked them
both, and what cause could there be in their antipathy that would inspire
murder now? Was the murderer a business or political enemy? Pitt had found neither.</p><p>James or Helen Carfax? Nobby
Gunne had thought not, and her judgment seemed good. If their own
investigations were worth anything-which was growing doubtful; never had
Charlotte felt less confidence in herself-then it would be their judgment of
character; their knowledge, as women, of other women; their intimacy with
Society, which the police could not have; that would make a difference. They
had engineered opportunities for observing their subjects in unguarded
moments, obtaining confidences because their interest was unsuspected. If they
discounted that advantage, then there was nothing left.</p><p>And Cuthbert Sheridan? As
yet they knew nothing of him, except that his family seemed in no way unusual,
nor did they seem to have any reason to desire his death. His widow was a woman
newly discovering her own aspirations and for the first time in her life
developing independent opinions. Perhaps they had quarreled, but one does not
hire a cutthroat to murder one's husband because he disapproves of one's
newfound political views, even if he forbids them outright. And there was
nothing to suggest Cuthbert Sheridan had done that, was there?</p><p>Pitt was out now trying to
learn something more of Sheridan's political, business, and private life. But
what had he in common with the others that had marked him for death? She had
not even a guess.</p><p>Her thoughts were
interrupted by the postman, who brought the butcher's bill, the coal merchant's
account, and a long letter from Emily. The bills were for a trifle less than
expected, which was cheering: the price of mutton was three ha'pence a pound
less than she had budgeted for. She put them on the kitchen mantel, then tore
open Emily's latest letter.</p><p>235</p><p>Florence, Saturday My
dearest Charlotte,</p><p>What a perfectly marvelous
city! Palaces with names that roll off the tongue, statues everywhere, and of
such astounding beauty that I stand in the street and stare until passersby
bump into me and I feel foolish, but I don't care. I think sometimes Jack pretends
he is not with me! And the people! I used to think that those faces painted by
da Vinci lived only in his imagination, or perhaps he had a fixation with one
family and painted them over and over again. But Charlotte, there are people
here who look exactly so! I saw a perfect "Madonna of the Rocks"
standing in the <emphasis>piazza </emphasis>yesterday, feeding the birds while her carriage
waited for her and her footman grew impatient. I think she may have been hoping
to catch a glimpse of a lover, perhaps waiting for Dante to cross the bridge? I
know I am in the wrong century-but who cares? It is all like a glorious poetic
dream come true.</p><p>And I thought the golden
light over the hills in Renaissance paintings was a mixture of the artist's
license and the tint of old varnish. It isn't: the air really is different
here, there is a warmth in its color, a shade of gold in the sky, the stones,
even the trees. Utterly different from Venice, with all its shifting patterns,
its blue sky and water, but every bit as lovely.</p><p>I think my favorite of all
the statues is Donatello's Saint George. He is not very big, but oh so young!
He has so much hope and courage in his face, as if he had newly seen God and
was determined to overcome all the evil in the world to find his way back, to fight
every dragon of selfishness and squalor, every dark idea of man, without having
the least idea how long or how dreadful the fight would be. My heart aches for
him, because I see Edward, and Daniel, too, in his innocence, and yet he lifts
my spirits as well, because of his courage. I stand by the Bar-gello with the
tears running down my face. Jack thinks I 236</p><p>am becoming eccentric, or
perhaps that the sun has affected me, but I think I have found my best self.</p><p>Truly I am having a
marvelous time, and meeting so many interesting people. There is one woman here
who has been twice betrothed, and jilted on both occasions. She must be close
to thirty-five, and yet she approaches life with such an expectation of
enjoyment that she is a pleasure to be with. They must be poor creatures indeed
who abandoned her for some other. What shallow judgment some people have, to
choose one for a pretty face or a docile air; they deserve to end up with
someone of disagreeable temperament and with a whining tongue-and I hope they
do! She has a kind of courage I find myself admiring more with each day. She is
determined to be happy, to see what is good and to make the best of what is
not. How different from some of our traveling companions!</p><p>And amid all the music and
theater, carriage rides, dinners, even balls, there have been some disasters.
We have been robbed, but fortunately not much of value was taken, and once the
carriage wheel came off and we could not find anyone prepared to assist us. We
were obliged to spend the night in a cold and noisy place between Pisa and
Siena, where we were obviously unwelcome, and I vow there were rats!</p><p>But Jack is perfectly
charming. I believe I shall be happy with him even when all the romance is
settled, and we begin to live an ordinary life, seeing each other over the
breakfast table and in the evenings. I must persuade him to find some
occupation, simply because I cannot bear to have him around the house all day,
or we should become tired of each other. Nor on the other hand should I wish to
spend my time worrying whether he is in poor company. Have you noticed how
tedious people are when they mem-selves are bored?</p><p>You know, I think happiness
is to some extent a matter 237</p><p>of choice. And I have
determined to be happy, and that Jack shall make me so-or at least I should say
that I shall take every opportunity to be pleased.</p><p>I expect to be home in two
weeks, and in many ways I am looking forward to it, especially to seeing you
again. I really do miss you, and since I have not been able to receive letters
from you, I am longing more than ever to know what you have been doing, and
Thomas. You know, I think I miss Thomas as much as anybody I know! And of
course I miss Edward.</p><p>I shall be there to visit
you the day I return .-Until then, take care of yourself and remember I love
you,</p><p>Emily</p><p>Charlotte stood for a long
time with the letter in her hand and a feeling of growing warmth. Without
realizing it, she was smiling. She would love to have seen Florence, the colors
and sights, the beautiful things, especially the Saint George, and the other
splendors. But Emily was right: much of happiness was a choice, and she could
choose to look at Emily's romance and glamor and envy her, or to look at the
rare and precious friendship she had with Pitt, his gentleness, his tolerance
of her adventures, his willingness to share with her his ideas and his
emotions. She realized with a jolt of amazement and intense gratitude that
since she had known Pitt she had never felt truly lonely. What was a lifetime
of grand tours compared with that?</p><p>She spent the day working in
the house, talking to herself as she went, tidying, rearranging, straightening,
polishing. She sent Gracie out for flowers and fresh meat to make Pitt's
favorite, steak and kidney pudding with a rich suet crust on top as light as a
feather. She set the table in the parlor with linen and had the children washed
and in their nightshirts when he came home.</p><p>She permitted them to run to
the door to greet him and be hugged and kissed and sent to bed; then she threw
her arms</p><p>238</p><p>round his neck and held him
tightly, saying nothing, just glad to have him there.</p><p>Pitt saw the linen and the
flowers, saw that Emily had taken special care over every detail. He saw the
golden pudding and the fresh vegetables and smelled the delicious steam rising
from them, and he misunderstood it all. He thought of Micah Drummond's office
and of the promotion, of Emily's letters, which he had not read, and all the
new things a little more money would mean for Charlotte.</p><p>The more he thought of desk
work, the more he hated the idea, but looking at Charlotte's smiling face
across the table, at the feminine touches in his home-the flowers, the
hand-painted lamp shades, the embroidered linen, the sewing box piled with
fabric for the children's clothes-he felt it was a small price to pay for her
happiness. He would do it, and he would try hard to see she never knew the
cost. Smiling back, he began to share with her the events of the day, little as
they had yielded about Cuthbert Sheridan or his family.</p></section><section><p>Charlotte went with
Great-aunt Vespasia and Zenobia Gunne to attend the funeral of Cuthbert
Sheridan, M.P. The weather had changed, and the mild winds and sun were replaced
by sharp squalls which brought swords of soaking rain one moment, and a cold,
glittering light gleaming on wet surfaces, running gutters, and dripping leaves
the next.</p><p>The three of them traveled
in Vespasia's carriage, for convenience and so they might compare
observations, if any, although none of them held any strong hope of learning
anything useful. The whole investigation seemed to have come to a standstill.
According to Pitt, Charlotte informed them, even the police had progressed no
further. If Florence Ivory had killed Sheridan, they had discovered no motive
for it, nor any witness who even knew of a connection between them, let alone
could place her at the scene with means or opportunity.</p><p>Vespasia sat upright in the
carriage, dressed in lavender 239</p><p>and black lace; Zenobia
faced her, riding backwards. She wore a very fine, highly fashionable gown of
dark slate blue overlaid with black in a fleur-de-lis design, stitched at the
bosom with jet beads, the sleeves gathered at the shoulder. She wore with it a
black hat which tilted alarmingly and threatened to take <emphasis>off </emphasis>altogether
whenever a gust of wind veered to the east.</p><p>As had become her habit,
Charlotte had borrowed an old dress of Vespasia's, of dark gray, and a black
hat and cloak, and with her rich hair and honey warm skin the effect was
remarkably becoming. Vespasia's lady's maid had done a few last-minute
alterations, which removed from the gown the marks of five-year-old fashion,
and now it was merely a very fine gown in which to attend a funeral and be
distinguished but not ostentatious.</p><p>They arrived opportunely,
after the mourners of duty, other members of Parliament and their wives, and
immediately behind Charles Verdun, whom Vespasia knew and drew Charlotte's
attention to in a whisper as they alighted and slowly walked the short distance
from Prince's Road to the vestry of St. Mary's Church.</p><p>They were seated in their
pew and able to observe Amethyst Hamilton when she arrived, walking straight
and tall herself and a step in front of her brother, Sir Garnet Royce,
refusing to accept the arm he offered her. Two paces behind them, holding a
silk hat in his hand and looking suitably sad and more than a little harassed,
came their younger brother Jasper, with a fair-haired woman who was presumably his
wife. Charlotte identified them to Vespasia, and watched them discreetly as
they were ushered to a pew in the far side three rows forward, which denied her
the opportunity of seeing their faces. Sir Garnet was very striking with his
high forehead and aquiline nose. The light from the south windows shone
briefly on his silver head before the clouds blew across the sky again and the
sunlight vanished. Charlotte noticed many eyes on him, and now and again he
nodded in</p><p>240</p><p>acknowledgment of some
acquaintance, but his main attention seemed to be for his sister and her
welfare, for which she appeared unaccountably ungrateful.</p><p>Jasper sat next to them in
silence, fingering through his hymnal.</p><p>There was something of a
stir as a well-known Cabinet figure arrived, representing the Prime Minister;
after all this was a famous and shocking death. If Her Majesty's Government
and their police force could not solve the crime and apprehend the criminal,
they could at least be seen to pay all due respects.</p><p>Micah Drummond came in much
more quietly and sat in the last pew, watching, although he had given up hope
of learning anything of value. Neither Charlotte nor Vespasia saw Pitt standing
at the very back, looking like one of the ushers, except for the pool of water
collecting about his feet from his wet coat; but Charlotte knew he would be
there.</p><p>At the far side among
several other members of Parliament Charlotte saw the humorous, wing-browed
face of Somerset Carlisle. She met his eyes for a moment before he saw Vespasia
and inclined his head with the suggestion of a smile.</p><p>Then the Carfaxes arrived.
James, in black, was remarkably elegant but paler than usual; his eyes
downcast, he did not seek the glance of anyone else. His confidence in his
charm seemed lacking, his old ease had fled. On his arm Helen walked calmly,
and there was a peace in her face that added to her dignity. She drew her hand
from James's arm before he had released it and sat with composure in the pew
immediately to Charlotte's right.</p><p>Lady Mary came last. She
looked magnificent, even regal. Her dress was highly fashionable; dark slate
blue overlaid with black fleur-de-lis and stitched with jet beads across the
throat and bosom, the sleeves gathered. A black hat adorned her head at a
rakish angle, dashing and precarious. As she drew level with Charlotte, her
eyes darted along the row, caught by Zenobia's gorgeous hat, her gown-and she
froze,</p><p>241</p><p>all the color draining from
her already pallid face. Her black-gloved hand clenched on her black umbrella
handle.</p><p>Behind her an usher
murmured, "Excuse me, my lady," urging her to take her place. Shaking
with fury, there was nothing she could do but obey.</p><p>Zenobia dived into her
reticule for a handkerchief and failed to find one. Vespasia, who had seen Lady
Mary arrive, handed her one with an unconcealed smile, and Zenobia proceeded to
have a stifled fit of coughing-or laughter.</p><p>The organ was playing somber
music in a minor key. Finally the widow came in, veiled and in unrelieved black,
followed by her children, looking small and forlorn. A governess in black
followed and knelt in the pew behind.</p><p>The sermon began. The
familiar pattern of music and intoned prayer and responses, accompanied the
monotonous, hollow voice of the vicar going through the ritual of acknowledging
grief and giving it dignified and formal expression. Charlotte paid little
attention to the words or the order, instead watching the Carfaxes as
discreetly as she could from behind her prayer book.</p><p>Lady Mary stared in front of
her with a fixed expression, studiously avoiding looking to her left at
Zenobia. If she could have taken off her hat she would have, but that was
impossible in church; even to alter its angle would be observed now and would
only draw attention to the whole business.</p><p>Beside her James took part
dutifully, rising when everyone else did, kneeling with his head bowed for
prayer, sitting solemnly with his eyes on the vicar when he began the address.
But the rather drawn look on his face, the strain and slow absorption of shock
were not accounted for by grief. Nothing at all had suggested he knew Cuthbert
Sheridan, and according to Zenobia a few days earlier he had certainly been in
as good spirits as was decent after his father-in-law's death. In fact, he had
seemed to her to exude a sort of confidence, a certainty of pleasures to come.</p><p>242</p><p>Charlotte mechanically sang
the hymn, her mind far from the words, and continued to watch James Carfax. The
zest had gone out of him: in the last few days he had suffered a genuine loss.</p><p>The vicar was beginning his
eulogy; Pitt would be listening to see if there was anything in it of the
slightest use in the investigation, which was extremely unlikely. Charlotte
turned her attention to Helen Carfax.</p><p>The vicar's voice rose and
fell in a regular rhythm, sinking at the end of every sentence; curious how
that made him sound so insincere, so devoid of all feeling. But it was the
expected form and gave the proceedings a certain familiarity, which she
supposed was uplifting to those who came for comfort.</p><p>Helen sat upright, her
shoulders square, facing directly forward. During the entire service she had
participated with something that looked like the very first germ of enthusiasm.
There was a resolution in her quite unlike the distress and anxiety Zenobia and
Pitt had described. And yet as Charlotte watched her gloved hands holding the
hymn book in her lap, her pale cheeks, and the slight movement of her lips, she
was quite certain that any relief Helen felt was only that of having reached
some decision, not of having had her fear dissolve or turn out to be a shadow
with no substance. Charlotte realized it was courage she was witnessing, not
joy.</p><p>Had Helen somehow
ascertained that her husband had had no part in her father's death? Or had the
whole burden upon her been simply the pain of knowing that he did not love her
with the depth and the commitment she longed for, which indeed he was incapable
of doing. And now that she had faced the truth, tempered by the knowledge that
it was a weakness in him, not in her, she had ceased to try to procure it by
forfeiting her self-esteem, her dignity, and her own ideas of right. Perhaps it
was a wholeness within herself she had recovered.</p><p>Three times during the
service Charlotte saw James speak 243</p><p>to her, and on each occasion
she answered him civilly, in a whisper; but she turned to him not so much like
a woman desperately in love, but rather with the patience of a mother towards a
pestering child who is at the age when such things are to be expected. Now it
was James who was surprised and confused. He was used to being the object of
her suit, not the suitor, and the change was sharply unpleasant.</p><p>Charlotte smiled and thought
with sweetness of Pitt standing at the back in his wet coat, watching and
waiting, and in her mind she stood beside him, imagining her hand in his.</p><p>After the last hymn and the
final amen, many rose to leave. Only the widow and the closest mourners
followed the pallbearers and the coffin to the graveside.</p><p>It was a grim performance;
nothing of the music and pageantry of the church, not a dealing with the
spirit and the words of resurrection, but the tidying away of the mortal
remains, the box with its unseen corpse, and the cold spring earth.</p><p>Here emotions might show
raw, there might be in some face or some gesture a betrayal of the passions
that moved the hearts beneath the black silk and bombazine, the barathea and
broadcloth.</p><p>The sunlight was sharp
outside, brilliant on the stone face of the church walls and the thick green
grass sprouting around the gravestones. Old names were carved on them, and memories.
Charlotte wondered if any of them had been murdered. It would hardly be written
in the marble.</p><p>It was wet underfoot, and
the clouds above were gray-bellied. The wind was chill, and any moment it might
rain again. The pallbearers kept their even measured tread, balancing the load
between them, the breeze tugging at the fluttering crepe on their black hats.
They kept their faces downward, eyes to the earth, more probably from fear
lest they slip than an abundance of piety.</p><p>Charlotte followed decently
far behind the widow, managing to fall in step beside Amethyst Hamilton. Charlotte</p><p>244</p><p>smiled briefly in
recognition-this was not the place to renew an acquaintance with words-and kept
close to her as she followed her brothers towards the great oblong hole hi the
earth with its fresh, dark sides falling away into an unseen bottom.</p><p>They gathered on three sides
while the pallbearers lowered the coffin, and the grim ritual was played out,
the wind whipping skirts and pulling at streamers of black crepe. Women held
up black-gloved hands to secure their hats. Lady Mary and Zenobia put up their
arms at exactly the same moment, and the two huge brims were pitched at even
wilder angles. Someone tittered nervously and changed it into a theatrical
cough. Lady Mary glared round for the culprit in vain. She skewered the ferrule
of her umbrella into the ground with a vicious prod and stood with her chin
high, looking straight ahead of her.</p><p>Charlotte watched Jasper
Royce and his wife. She was well-dressed but unremarkably so and appeared to be
there as a matter of duty. Jasper was a softer, less emphatic version of his
brother. He had the same sweeping forehead but without the striking widow's
peak. His brows were good, but straighter and less powerful; his mouth was more
mobile, the lower lip a little fuller. He was not as individual, not nearly as
striking, and yet, Charlotte thought, perhaps an easier man with whom to spend
any degree of time.</p><p>Now he was bored; his glance
wandered idly over the faces opposite him on the for side of the grave, and
none seemed to catch his interest. He might have been thinking of dinner or the
next day's patients, of anything but the purpose for which they were come.</p><p>Sir Garnet, on the other
hand, was alert; in fact he seemed to be studying the others present quite as
diligently as Charlotte herself, and she had to be careful he did not catch
her eye and mark her observation of him. To stare at him as steadily as she was
doing, if caught, would seem extraordinary and require an explanation.</p><p>245</p><p>He watched quietly as the
coffin was lowered into the grave and the first drops of rain spattered on the
hats and skirts of the ladies and the bare heads of the men, and umbrellas were
twitched nervously, and left alone. Only one person broke his poise
sufficiently to look up at the sky.</p><p>The vicar's voice grew a
trifle more rapid.</p><p>Garnet Royce was tense;
there were lines of strain in his face more deeply etched than there had been
after Lockwood Hamilton's death. He shifted uneasily, watching, glancing about
as if every movement might be of some importance, as though searching might
yield him an answer he needed so badly that the pursuit of it dominated his
mind.</p><p>Was there some factor he
knew of that Charlotte did not? Or was it merely that his intelligence made him
fully aware of the magnitude of these horrors, more so than the other mourners,
who were come from personal grief, or a sympathy born of a similar loss? But
what about the other members of Parliament? Did they not know that the
newspapers were clamoring for an arrest, that people wrote letters demanding a
solution, more police, a restoration of law in the streets and safety for the
decent citizen going about his duty or his pleasures? There was talk of treason
and sedition, criticism of the government, of the aristocracy, even of the
Queen! There were very real fears of revolution and anarchy! The throne itself
was in jeopardy, if the worst rumors were to be believed.</p><p>Perhaps Royce could see what
others only imagined?</p><p>Or did he guess at a
conspiracy of a private nature, a secret agreement to murder for profit, or
whatever three quite separate motives might drive three people to ally with
each other to make all the crimes look like the work of one fearful maniac.</p><p>Then was Amethyst after all
at the heart of at least her husband's death, either as the perpetrator, or the
cause?</p><p>It was over at last, and
they were walking back towards the vestry. The rain came harder, the glittering
shafts silver</p><p>246</p><p>where the light caught them.
It was unseemly to hurry. Lady Mary Carfax put up her umbrella, swinging it
fiercely round and swiping at Zenobia's skirt with the sharp ferrule. It caught
in a ruffle and tore a piece of silk away.</p><p>"I do beg your
pardon," Lady Mary said with a tight smile of triumph.</p><p>"Not at all,"
Zenobia replied inclining her head. "I can recommend a good maker of
spectacles, if you-"</p><p>"I can see perfectly
well, thank you!" Lady Mary snapped.</p><p>"Then perhaps a
cane?" Zenobia smiled. "To help your balance?"</p><p>Lady Mary trod sharply in a
puddle, splashing them both, and swept on to speak to the Cabinet Minister's
wife.</p><p>Everyone was hastening
towards the shelter of the church, heads down, skirts held up off the wet
grass. The men bent their backs and tried to move as fast as was consistent
with any dignity at all.</p><p>Charlotte realized with
irritation that she had dropped her handkerchief, which she had taken out and
held to her eyes from time to time so that she might observe Garnet Royce
undetected. It was one of the few lace-edged ones she had left and far too precious
to lose simply for the sake of keeping dry. She excused herself from Aunt
Vespasia and turned to retrace her steps back round the corner of the church
and along the track towards the grave.</p><p>She had just rounded the
corner and was coming up behind a large rococo gravestone when she saw two
figures standing facing each other as if they had met unexpectedly the instant
before. The man was Barclay Hamilton, his skin ashen and wet with rain, his
hair plastered to his head. In the harsh daylight the pain in him was
starflingly clear; he looked like a man suffering a long illness.</p><p>The woman was Amethyst. She
blushed darkly, then the blood fled from her face and left her as whke as he.
She moved her hands almost as if to ward him off, a futile, flut-</p><p>E47</p><p>tering gesture that died
before it became anything. She did not look at him.</p><p>"I. . . I felt I ought
to come," she said weakly.</p><p>"Of course," he
agreed. ''It is a respect one owes."</p><p>"Yes, I-" She bit
her lip and stared at the middle button of his coat. "I don't suppose it
helps, but I. . ."</p><p>' 'It might.'' He watched
her face, absorbing every fleeting expression, staring as if he would mark it
indelibly in his mind. "Perhaps in time she may feel . . . that it was
good that people came."</p><p>' 'Yes.'' She made no move
to leave. ' 'I-I think I am glad people came to-to-" She was very close to
weeping. The tears stood out in her eyes, and she swallowed hard. "To
Lockwood's funeral." She took a deep breath and at last raised her face to
meet his eyes. "I loved him, you know."</p><p>"Of course I
know," he said so gently it was little more than a whisper. "Did you
think I ever doubted it?"</p><p>' 'No.'' She gulped
helplessly as emotion and years of pent-up pain overtook her.' 'No!'' And her
body shook with sobs.</p><p>With a tenderness so profound
it tugged at Charlotte's heart to watch them, he took her in his arms and held
her while she wept, his cheek against her hair, then his lips, for a moment,
brief and immeasurably private.</p><p>Charlotte shrank behind the
gravestone and crept away in the rain. At last she understood the icy
politeness, the tension between them, and the honor which kept them apart,
their terrible loyalty to the man who had been her husband and his father. And
his death had brought no freedom to them, the ban on such a love was not
dissolved-it was forever.</p><p>Pitt attended the funeral
without hope that he would learn anything of value. During the service he stood
at the back and watched each person arrive. He saw Charlotte with Ves-pasia and
a woman of striking appearance and much more fashionable than Charlotte had led
him to expect, but he presumed she must be Zenobia Gunne. Perhaps he was more</p><p>248</p><p>ignorant of the niceties of
fichus and sleeves and bustles than he had thought.</p><p>Then he saw Lady Mary Carfax
sweep in in a gown so nearly identical as to look like a copy, and he knew he
had been right the first time.</p><p>He also saw the new, inner
calmness in Helen Carfax, and the self-assurance that had deserted James, and
recalled what Charlotte had told him about Zenobia's visit. One day, if it were
possible without social awkwardness, he would like to meet Zenobia Gunne.</p><p>He had noticed Charles
Verdun as one of the first to arrive, and remembered how much he had liked him.
Yet a business rivalry between Verdun and Hamilton was not impossible. Heaven
knew, nothing yet made any real pattern; there were only isolated elements,
passions, injustices, terrible loss and hatred, possibilities of error in the
dark, and always in the background the murmur of anarchy in the ugly, teeming
back streets beyond Limehouse and Whitechapel and St. Giles. Or madness-which
could be anywhere.</p><p>Hamilton and Etheridge were
physically similar, of the same height and general build under an evening coat,
both with longish, pale, clean-shaven faces and thick silver hair. Sheridan had
been younger, and fair-haired, but within an inch of the height. And on the
bridge, between the small spheres of light in the vast darkness of the sky and
river, what difference was there to the eye between gray hair and blond?</p><p>Was it some grotesque,
lunatic mistake? Or was the murderer totally sane in its purpose, and there a
key to it which he had not even guessed at yet?</p><p>He watched the players as
they sat in outward devotion through the tedious service. He noticed Somerset
Carlisle, and remembered his strange, passionate morality which had held to
such bizarre behavior when they had first met, years ago. He saw the widow and
felt churlish to question her grief. He watched Jasper and Garnet Royce, and
Amethyst Hamilton.</p><p>249</p><p>He saw Barclay Hamilton
deliberately sit as far from them as he could without drawing attention to
himself by asking others to move.</p><p>When the service was over he
did not follow them to the graveside. He would be too conspicuous; no one would
take him for family or associate. It would be a pointless intrusion.</p><p>Instead he hung back near
the entrance to the vestry and watched. He saw Charlotte return and then look
in her reticule and hurry back again out into the rain.</p><p>Micah Drummond stepped in a
moment later, shaking the water off his hat and coat. He looked cold, and there
was an increasing anxiety stamped in his face. Pitt could imagine the accusing
stares his superior had endured from Members of Parliament, the asides from
those in the Cabinet, the comments on police inefficiency.</p><p>Pitt caught his eye and
smiled bleakly. They were no further forward, and they both knew it.</p><p>There was no time to talk,
and to do so would compromise Pitt's "invisibility" as an apparent usher.
A moment later Garnet Royce came in, heedless of the rain running down his face
and dripping from the skirts of his coat onto the floor. He did not observe
Pitt in the shadows but immediately approached Micah Drummond, his brow
furrowed in earnestness.</p><p>"Poor Sheridan,"
he said briefly. "Tragedy-for everyone. Dreadful for his widow. Such a-a
violent way to die. My sister is still suffering very much over poor Hamilton.
Natural."</p><p>"Of course,"
Drummond agreed, his voice strained with the guilt he felt over his
helplessness to do anything about it, to show that the investigation had taken
a single step forward. He could offer nothing, and he would not lie.</p><p>It was not difficult for
Royce to ask the next question. The silence invited it.</p><p>"Do you really think it
is anarchists and revolutionaries? God knows, there are enough of them around!
I have never</p><p>250</p><p>heard so many rumors and
whisperings of the collapse of the throne, and of new orders of violence. I
know Her Majesty is not young and has undoubtedly taken her widowhood hard, but
the people expect certain duties of a sovereign regardless of personal
misfortune. And the Prince of Wales's behavior scarcely adds to the luster of
the crown! And now the Duke of Clarence is causing gossip with his dissipation
and irresponsibility. It seems everything we have taken half a millennium to
build is in jeopardy, and we seem unable to stop wild murders in the heart of
our capital city!" He looked frightened, not the panic of a hysterical or
cowardly man, but the realization of one who sees clearly and is resolved to
fight, knowing his anger immense and the prospect of victory uncertain.</p><p>Micah Drummond gave the only
reply he could, but there was no pleasure in his thin face as he spoke.
"We have investigated all the known sources of unrest, the insurrectionists
and would-be revolutionaries of one sort and another, and we do have our agents
and informers. But there is not a whisper that any of them ally themselves to
the Westminster Cutthroat-in fact they seem little pleased by it! They want to
win the common people, the little man whom society rejects or abuses, the man
oppressed too far by overwork or underpayment. These lunatic murders improve no
one's cause, not even the Fenians'."</p><p>Royce's face tightened as if
some bleak fear had become reality.</p><p>"So you do not believe
it is anarchists suddenly burst into open violence?"</p><p>"No, Sir Garnet,
everything points away from it." Drummond looked down at his sodden
boots, then up again. "But what it is, I don't know."</p><p>"Dear God, this is
terrible." Royce closed his eyes in a moment of deep distress. "Here
are we, you and I, the government and the law of the land, and we cannot
protect ordinary people going about their lawful business at the heart</p><p>251</p><p>of our city! Who will be next?"
He looked up and stared at Drummond with brilliant eyes, almost silver in the
light, now the rain had stopped outside. "You? Me? I tell you, nothing on
earth would persuade me to walk home alone across Westminster Bridge after
dark! And I feel a guilt, Mr. Drum-mond! All my life I have striven to make
wise decisions, to develop strength of will and judgment, so that I might
protect those weaker than myself, those it is given me both by God and by
nature to care for. And here I am, incapable of exercising my own privileges
and obligations because some lunatic is loose committing murder, apparently
whenever he pleases!"</p><p>Drummond looked as if he had
been struck, but he did not flinch. He opened his mouth to speak, but Royce cut
in before he could find words.</p><p>' 'Good heavens, man, I'm
not blaming you! How on earth does one find a random madman? It could be
anybody! I daresay by daylight he looks the same as you or I. Or he may be any
half clad beggar hunched in any doorway from here to Mile End or Woolwich or
anywhere else. There are nearly four million people in the city. But we've got
to find him! Do you know anything? Anything at all?"</p><p>Drummond let out his breath
softly. "We know that he chooses his time with great care, because in
spite of all the people around the Embankment and the entrance to the Houses of
Parliament, the street vendors, prostitutes, and cabdrivers, no one has seen
him."</p><p>"Or someone is
lying!" Royce said quickly. "Perhaps he has an accomplice."</p><p>Drummond looked at him
thoughtfully. "That supposes a kind of sanity-at least, on the part of one
of them. Why should anyone aid in such a grotesque and profitless act unless
they were paid?"</p><p>"I don't know,"
Royce admitted. "Perhaps the accomplice is really the instigator? He
keeps a madman to commit his crimes for him?"</p><p>252</p><p>Drummond shivered. "It
is grotesque, but I suppose it is possible. Someone driving a cab across the
bridge, by night, with a madman inside, whom he lets loose just long enough to
commit murder, then removes him from the scene before the body is discovered?
At a good pace he could be along the Embankment, or going south up the Waterloo
Road, and indistinguishable from a thousand others in a matter of moments-before
the body is discovered or crime known. It's hideous."</p><p>"Indeed it is,"
Royce said huskily.</p><p>They stood in silence for a
moment or two. Outside, the eaves dripped steadily and the shadows of mourners
leaving passed across the doorway.</p><p>"If there is anything I
can do," Royce said at last, "anything at all that will help, call
on me. I mean it, Drummond- I will go to any lengths to catch this monster
before he kills again."</p><p>"Thank you,"
Drummond accepted quietly. "If there is any way, I shall call on
you."</p><p>253</p><p>11</p><p><emphasis>Pitt left the funeral </emphasis>and walked in the rain all
the way down to the Albert Embankment. He was halfway across the Lambeth Bridge
before he finally caught a cab back to the police station at Bow Street. It
gave him time to think before he should see Micah Drummond again. What Garnet
Royce had said was fearful-but it could not be discarded. It was possible some
conspiracy existed, some person was using a madman to achieve his ends, taking
him to the bridge, directing him to his victim, and then driving him away again
afterwards. They had long ago questioned every cabby with a license to drive a
carriage of any sort in London, and learned nothing of value. In the beginning
it was conceivable one might have lied, for bribe or out of fear, but with
three murders it was no longer a serious thought.</p><p>Every effort to discover a
sane motive for all three crimes had failed. No battle for money or power, no
motive of revenge, love, or hate tied all three victims, nothing that he or
Drummond had been able even to imagine, still less to find. Even Charlotte,
usually so perceptive, had nothing to offer, except that she feared Florence
Ivory had a passion of hatred</p><p>254</p><p>strong enough to have moved
her to murder, and the courage to act once her mind was set.</p><p>Yet with Etheridge dead,
what reason had she to kill Sheridan? Except precisely that reason-that there
was none- and perhaps by that means to establish her innocence. Could she have
killed Hamilton by mistake, believing him to be Etheridge, and then killed
Sheridan simply because it was senseless, to remove herself from suspicion? She
would have to be a woman not only of passion but of terrifying coldness. He did
not want to think so. In his mind sharp and unfeigned, unmarked by pretense or
guilt, was an understanding of the pain of a woman who had lost all she valued,
her last child.</p><p>There was nothing to do but
return to the most basic, prosaic police work, rechecking everything, looking
for the inconsistency, for the person who had seen something, recalled
something.</p><p>Micah Drummond was already
in his office when Pitt came up the stairs and knocked.</p><p>"Come in,"
Drummond said quietly. He was standing by the fire waiting, warming himself and
drying his wet clothes. His boots were dark with water and his trousers steamed
gently. He moved sideways so Pitt might receive some of the fire's warmth. It
was a small gesture, but Pitt was touched by the graciousness of it more than
by any words of praise or sympathy Drummond might have offered.</p><p>"Well?" Drummond
asked.</p><p>"Back to the
beginning," Pitt replied. "Interview the witnesses again, the
constables on the beat closest to the bridge, find the cabbies again, everyone
who crossed the bridge or passed along either embankment within an hour of the
crime, before or after. I'll speak to all the M.P.s in the House on any of the
three nights. We'll question all the street vendors again.''</p><p>Drummond looked at him with
a flicker of hope in his eyes. "You think we might still find
something?"</p><p>"I don't know.'' Pitt
would not patronize him with groundless optimism. "But it's the best we
have."</p><p>255</p><p>"You'll need at least
six more constables-that's all the men I can spare. Where do you want
them?"</p><p>"They can question the
cabbies, beat constables, and witnesses, and help with the M.P.s. I'll start
this afternoon, find the street vendors tonight."</p><p>"I'll see some of the
M.P.s myself." Reluctantly Drum-mond moved away from the fire and took his
wet overcoat off the hook where he had hung it. "Where shall we
begin?"</p><p>The long, chill afternoon's
work yielded nothing new. The following day Pitt began again, the only
difference being that Charlotte had told him in a few sad words that the
feeling between Barclay Hamilton and his father's wife was not the jealousy or
the loathing they had supposed, but a profound and hopeless love. It brought
him no satisfaction, only a respect for the honor which had kept them apart
over so many years, and a sharp and painful pity.</p><p>He was so suddenly grateful
for his own good fortune that it was like a bursting inside him, a flowering so
riotous there was barely room for all the blooms.</p><p>He found the flower seller
near the bridge, a woman with broad hips and a weathered face. It was
impossible to guess her age, it might have been a healthy fifty or a weary
thirty. She had a tray of fresh violets, blue, purple, and white, and she
looked at him hopefully when she saw his purposeful approach. Then she
recognized him as the policeman who had questioned her before, and the light
faded from her face. . "I can't tell yer nuffin' more," she said
before he spoke. "I sell flars ter them as wants 'em, an' 'as the odd word
wiv gennelmen as is civil, n' more. I didn't see nuffin' w'en them men was
murdered, poor souls, 'cept the same as I always sees, nor no cabbies stop, nor
any workin' girls, 'ceptin' those I already told yer abaht. An' Freddie wot
sells 'ot pies an' Bert as sells san'wiches."</p><p>Pitt fished in his pocket
and pulled out a few pence and 256</p><p>offered them to her.
"Blue violets, please-or-just a moment, what about the white ones?"</p><p>"They's extra, cos they
smells sweeter. White flars orften does. Ter make up fer the color
p'raps?"</p><p>"Then give me some of
each, if you will."</p><p>"There y'are, luv-but I
still didn't see nuffin.' I can't 'elp yer. Wish I could!"</p><p>"But you remember
selling flowers to Sir Lockwood Hamilton?"</p><p>"Yeah, course I do!
Sold 'im flars reg'lar. Nice gent 'e was, poor soul. Never 'aggled, like some
as I could name. Some gents wot 'as fortunes'll 'aggie over a farvin'."
She sighed heavily, and Pitt imagined her life; a quarter of a penny on a bunch
of flowers meant a difference to her, and she was only mildly indignant that
men who ate nine-course dinners as a way of life would argue with her over the
cost of a slice of bread.</p><p>"Do you remember that
night? It was an unusually late sitting."</p><p>"Bless yer, they 'as
late sittin's an' late sittin's," she said with a wink rather more like a
twitch. "Wot was they sittin' over, eh? An argy-bargy, new laws fer us
all-or a good bottle o' port wine?"</p><p>' 'It was a fine night, nice
enough to walk home with pleasure. Go over it all again in your mind for me.
Please. Did you have supper? What did you eat? Did you buy it from someone
here?"</p><p>"That's right!"
she said with sudden cheer. "I got some pickled eels an' a slice of 'ot
bread down Jacko's stand, 'long the Embankment.''</p><p>"Then what? What time
was that?"</p><p>"Dunno, luv."</p><p>' 'Yes you do. You would
have heard Big Ben-think! You'd be waiting to catch the Members as they left
the House."</p><p>She screwed up her face.
"I 'eard ten-but that was afore I went down ter Jacko's.''</p><p>257</p><p>"Did you hear eleven?
Where were you when Big Ben struck eleven?"</p><p>Someone else came past and
bought a bunch of purple violets before she replied. "I was talkm' ter
Jacko. 'E said as it was a good night fer trade, and folk was still abaht, it
bein' fine like. An' I said that was good, cos I'd gorn an' got an extra load
o' flars, and they don't last."</p><p>"And then you came back
up here sometime before the House rose," he prompted.</p><p>"No," she said,
deep in thought, her brow furrowed. "That's wot I din' do! I got fed up
wiv waitin' fer 'em, an I went up ter the Strand and the theaters. Sold all me
flars there, I did."</p><p>"You can't have,"
Pitt argued. "That must have been another night. You sold flowers to Sir
Lockwood Hamilton. Primroses. He was wearing fresh flowers when he was killed,
and he didn't have them when he left the House a few minutes before he crossed
the bridge."</p><p>"Primroses? I don't
'ave no primroses. Violets, me, this time o' year. All sorts later on, but
violets now."</p><p>"Never primroses?"
Pitt said carefully, a strange and dreadfully sensible idea opening up in his
mind. "Would you swear to that?"</p><p>"Gor lumme! D'yer fink
I sold flars all me life since I were six years old, and don' know the
difference between a primrose nor a violet? Wot yer take me for?"</p><p>"Then who gave the
primroses to Sir Lockwood Hamilton?"</p><p>"Someone wot poached my
beat?" she said sourly. Then her face eased in innate feirness. "Not
as I didn't go up the Strand, wot in't stric'ly my place, but . . ." She
shrugged. "Sorry, ducky."</p><p>"I suppose you didn't
sell primroses to Mr. Etheridge, or Mr. Sheridan either?"</p><p>"I told yer, I never
sold primroses to no one!"</p><p>Pitt thrust his hands deep
into his pockets and pulled out 258</p><p>a sixpence. He gave it to
her and took two more bunches of flowers.</p><p>"Well then, I wonder
who did."</p><p>"Cor!" She let out
her breath in a moan of incredulity, which turned to horror. "The
Westminster Cutthroat! 'Esold 'em! Don' it fair make yer blood cold? It do
mine!"</p><p>"Thank you!" Pitt
turned on his heel and walked rapidly away, then started to run, shouting and
waving his arms for a cab.</p><p>"A flower seller?"
Micah Drummond repeated, his brow puckered in surprise. He turned the thought
over in his mind, examining it and finding it more and more acceptable.</p><p>"It gives me something
to look for," Pitt said eagerly. "In a way, flower sellers are invisible,
as long as you don't know that is what you are looking for. But once you do,
they are a very definite body. They have their own territories, like birds. You
won't get two of the same sort in one street."</p><p>"Birds?"</p><p>"The Parliament end of
Westminster Bridge is usually Maisie Willis's patch; the night Hamilton was
killed, as we know, she went up the Strand instead. But our cutthroat wouldn't
know that in advance. He-or perhaps I should say <emphasis>she-</emphasis>seized the
opportunity, and again when Etheridge and Sheridan were killed. She must have
been waiting, watching for the opportunity. She might have been there several
nights before the House rose when Maisie wasn't there, and she caught the man
she wanted alone on the bridge. He probably stopped to buy flowers, not
recognizing the seller in the half light, and naturally not expecting to see
anyone he knew dressed in old clothes and with a tray of flowers!"</p><p>He leaned forward eagerly,
the picture coming more sharply into his mind. "She, or he, took the
money, gave him the flowers, and then reached up to pin them on for
him"-he curved his right hand sharply sideways, fingers crooked as if to
hold a razor-"and cut his throat. Then as</p><p>259</p><p>he collapsed she propped him
up against the lamppost and tied him to it with his own scarf, leaving the
primroses in his buttonhole. She could hide the razor again on the tray of
flowers and simply walk away. No one would notice her: she was a flower seller
who had made a sale and pinned the flowers on her patron before leaving."</p><p>"She must be a damn
strong woman!" Drummond said with a shiver of distaste. "Or it might
have been a man; it would be perfectly possible for a man to disguise himself
as a flower seller, muffled up on a chilly spring night, hat drawn down, shawl
round his neck and chin. How in hell do we find him, Pitt?"</p><p>"We have an actual
person to ask about now! We'll start again with other M.P.s. She can't have
sold only the one bunch of flowers-others will have bought as well. Someone may
remember something about her. After all, it was unusual for it to be anyone
other than Maisie, and it was unusual to have primroses rather than violets. We
ought to learn at least her height, that's hard to disguise; a stoop is
noticeable. And you can add weight easily enough with clothes, but you can't
take it off. A man can look like an old woman, but it's very much harder to
look like a young one: the bones and the skin are wrong. Did anyone notice
hands? No doubt she wore mitts, but the size? A big man can't make his hands
look like a woman's."</p><p>"Perhaps it <emphasis>was </emphasis>two
people?" Drummond met Pitt's eyes and his own were bright with
unhappiness, his features pinched and weary. "Perhaps the flowers were a
decoy, to hold his attention while someone else attacked?"</p><p>Pitt knew what he was
thinking. Africa Dowell with flowers while Florence Ivory crept up with a
razor from behind, the victim turning at the last moment-the cuts had been made
from the front with the left hand-and then both women together holding him and
tying him to the lamppost. More dangerous; more likely they'd be noticed, two
women leaving the scene. But not impossible.</p><p>260</p><p>"There must be
clothes," he said levelly, forcing the picture from his mind's eye.
"A flower seller in a lady's gown and cloak would be remarked instantly,
and the M.P.s never mentioned that it was not the usual woman, therefore she
must have looked something similar, of average height, broadly built, big
shoulders and bosom, wide hips. Plain clothes, probably several layers; a hat
and shawl, and probably a second shawl against the wind coming up off the
river. And most important of all, a tray of flowers. She had to buy some, not
very many. She would want to look as if she were at the end of a long day's
selling: four or five bunches would be enough. But she had to buy them
somewhere."</p><p>"Didn't you say
Florence Ivory had a garden?" Drum-mond asked, moving back to the fire
again and staring up at Pitt as he bent to put more coal on it. The day was
colder and there was a thin drizzle of rain running down the window. Both men
felt the chill.</p><p>"Yes, but you can't
pick primroses by the bunch day after day from a private garden."</p><p>"Can't you? How do you
know so much about gardens, Pitt? Don't have a garden, do you? When do you find
the time?" He looked round. "Mind, you'll have more when you're
promoted after we tie up this case."</p><p>Pitt smiled thinly.
"Yes-yes I will. Actually, we do have a small garden, but Charlotte does
more in it than I do. I grew up in the country."</p><p>"Did you?"
Drummond's eyebrows rose. "I didn't know that. Somehow I thought you were
a Londoner. Amazing how little we know about people, even though we see them
every day. So she bought primroses?"</p><p>' 'Yes, probably from the
same source as other flower sellers. One of the markets. We can send men out
to search."</p><p>"Good; arrange it. And
questioning the M.P.s, I'll go out on that again too. Which of the people we
know would be capable of passing as a street vendor? Surely not Lady
Hamilton?"</p><p>261</p><p>' 'I doubt it, and I don't
think Barclay Hamilton could pass himself off as a woman-he's far too tall,
apart from anything else."</p><p>"Mrs. Sheridan?"</p><p>"Possibly."</p><p>"Helen Carfax?"</p><p>Pitt shrugged, the question
was too hard. He could not visualize the pale, unhappy woman he had seen after
her father's death, so torn with fears, so painfully in love with her husband,
so wounded by his every small indifference, having the confidence and
efficiency to acquire flowers and then stand on a street corner selling them to
passing strangers so that she might commit murder. He remembered Maisie
Willis's voice, casual, broad, idiosyncratic.</p><p>' 'I doubt she could master
selling,'' he said frankly.' 'And James Carfax is the same as Barclay Hamilton,
too tall not to be noticed."</p><p>"Florence Ivory?"</p><p>Florence had left her
husband and found shelter for herself and her child, until Africa Dowell had
taken her in. Perhaps she had also worked at something.</p><p>"Yes, I imagine she
might. She certainly has the imagination and intelligence to do it, and the
willpower."</p><p>Drummond leaned forward.</p><p>"Then, Pitt, we've got
to catch her. We've got grounds to search her house now. We may find the
clothes-if she means to do it again we almost certainly will. Dear God, she
must bemad!"</p><p>"Yes," Pitt agreed
with cold unhappiness. "Yes, I daresay she is, poor soul."</p><p>But the minutest search
yielded only much-mended work clothes, gardening gloves, and kitchen
aprons-nothing that would have dressed a flower seller-and only baskets and
trugs for flowers, no trays such as street vendors use.</p><p>The third questioning of the
members of Parliament pro-262</p><p>duced a little more. Several
men, when specifically pressed, recalled a different flower seller on the
nights of the murders, but they could describe only the roughest details: she
was rather larger than Maisie Willis, and taller they thought, but not much
else. What they really recalled was that she had sold primroses instead of
violets.</p><p>Was she very muffled with
scarves or shawls?</p><p>Not particularly.</p><p>Was she young or old, dark
or fair?</p><p>Definitely not young, nor,
they thought, very old. Perhaps forty, perhaps fifty. For heaven's sake, who
spends their time estimating the age of flower sellers?</p><p>A big woman, they all
agreed, bigger than Maisie Willis. Then it was certainly not Florence Ivory. Africa
Dowell padded out a little, her face grimed and made up to hide her fine fair
skin, her hair bound in an old scarf or hat, a little dirt judiciously rubbed
in?</p><p>He returned to Bow Street
and met with Drummond to share his findings and consider the next step.</p><p>Drummond looked tired and
beaten. The bottoms of his trousers were wet, his feet were cold, and he was
exhausted with talking, with searching for a courteous way of asking over and
over again questions that had already been answered with negatives, worn out
with weighing, measuring and sifting every fragment of memory, every fact or
suggestion, and knowing at the end of it no more than the beginning.</p><p>"Do you think she'll do
it again?" he asked.</p><p>"Only God knows,"
Pitt replied, not blasphemously-he meant it. "But if she does, this time
we know what to look for." Drummond pushed the blotter and the inkstand
away and sat on the edge of his desk. "That could be weeks, months, or
never.''</p><p>Pitt looked at him. The same
thought was mirrored in both their faces.</p><p>Drummond put it into words.
"We must provoke her. We will have someone cross the bridge alone, after
every late</p><p>863</p><p>sitting. We will be close at
hand; we can disguise ourselves as street vendors and cabbies."</p><p>"We haven't got a
constable who can pass for an M.P."</p><p>Drummond pulled a very small
face. "No, but I could. I'll go myself."</p><p>And for eight nights Micah
Drummond slipped into the House of Commons strangers' gallery and sat there
until the House rose, then mixed with the members as they left, talking for a
few minutes with the one or two he knew. Then he turned and left, walking up
past the great statue of Boadicea and onto Westminster Bridge. Twice he bought
violets from Maisie Willis, and once a hot pie from the vendor on the
Embankment, but he saw no one with primroses, and no one approached him.</p><p>On the ninth evening,
discouraged and tired, he was turning up his coat collar against a chilly wind
and wraiths of fog coming off the river, when Garnet Royce came up to him.</p><p>"Good evening, Mr.
Drummond."</p><p>"Oh, er, good evening,
Sir Garnet."</p><p>Royce's face was tense. The
lamplight gleamed on his high forehead and reflected the pale brilliance of his
eyes.</p><p>"I know what you're
doing, Mr. Drummond," he said very quietly.' 'And that it is not
succeeding.'' He swallowed, his breath uneven, but he was a man used to being
in command, of himself and of others. "And you won't succeed-not this
way. I offered to help you before, and I meant it. Let me walk back across the
bridge. If this lunatic means to strike again, I am a legitimate target: a real
M.P.. . ." He faltered for a moment, then he cleared his throat and made a
fierce effort to speak without a quaver. "A real M.P. who lives south of
the river, and who could reasonably go home on foot on a fine night.''</p><p>Drummond hesitated. All the
risks swam before his eyes: his own guilt if anything were to happen to Royce,
the charges that would be leveled against him. He winced as he thought how
easily he could be accused of cowardice. And yet eight</p><p>264</p><p>nights he had left the
Palace of Westminster and walked alone across the bridge, and he'd achieved
nothing. What Royce said was true: the cutthroat may well be insane, but she-or
he-was not easily duped.</p><p>He knew Royce was afraid; he
could see it in his eyes, in the fierce stare, in the nervous line of his mouth
and the rigid way he held himself, seeming oblivious of the chill breeze and
the clamor of other people busy less than twenty feet away, and yet for him
they might have been geese on a lawn or pigeons in Trafalger Square.</p><p>"You are a brave man,
Sir Garnet," he said honestly. "I accept your offer. I wish we could
do it without you, but it seems we cannot." He saw Royce's chin rise a
little higher, and the muscles in his throat tighten. The die was cast.
"We shall be within a few yards of you all the time-cabbies, street
vendors, drunks. I give you my word, we shall not allow you to be hurt."
Please God he could keep it!</p><p>He told Pitt the following
morning, sitting in his office by a roaring fire. The sight of its flames
leaping up the chimney and the flicker and crackle of it seemed like an island
of safety, a living companion as he thought of the night on the bridge. He had
still had to cross it after speaking to Royce, still setting out at a measured
pace into the gloom between the lamps, his footsteps falling dully on the wet
pavement, veils of mist rising from the dark sheet of the water below, lights
and voices from the bank distorted, far away.</p><p>Pitt was staring at him.</p><p>"Is there any other
way?" Drummond asked helplessly. "We've got to stop her!"</p><p>"I know," Pitt
agreed. "And if there's another way, I don't know what it is."</p><p>"I'll be there,"
Drummond added. "I can pretend to be a drunk coming home from the
opera-"</p><p>"No!-sir!" Pitt
was firm; at another time, with another man it would have been considered
rudeness. "Sir, if we</p><p>265</p><p>need Royce, then it is
because the cutthroat knows you are not an M.P. For this to succeed Royce has
to appear vulnerable, a victim alone, not a police decoy. You can't come any
nearer than the Victoria Embankment. We'll have three constables at the far
end, so he cannot escape that way, and we'll speak to the River Police so he
doesn't get over the bridge and down to the water-though God knows how he'd do
that. We'll have two constables dressed as street vendors at the House end, and
I'll drive a cab across when Royce actually goes. If I stay a bit behind I can
watch him; I'll get close enough without frightening anyone off. People always
assume cabbies are watching the road."</p><p>' 'Can't we put a man
actually on the bridge? As a drunk, or a beggar?" Drummond's face was
pale, his nostrils pinched, and there was a transparent look to the skin across
the top of his nose and under his eyes.</p><p>"No." Pitt felt no
indecision. "If there is anyone else there, we'll frighten the cutthroat
off."</p><p>Drummond tried one last
tune. "I gave Royce my word we'd protect him!''</p><p>There was nothing to say.
They knew the dangers, and they understood that there was nothing else they
could do.</p><p>For the next three nights
the House rose early, and they kept watch, but with small hope of anything
occurring. The fourth night the sky was heavy with unshed rain. The light was
thin and darkness came early. The lamps along the Embankment looked like a
string of fallen moons. The air smelled damp, and up and down the river the
barges moved like wedges of darkness slicing the whispering, hissing water,
with its broken reflections.</p><p>Under the statue of Boadicea
with its magnificent horses, hooves flying, chariot careering forever in doomed
heroic fight against the Roman invader dead two thousand years ago, a constable
stood dressed as a sandwich vendor, his barrow in front of him, his neck
muffled against the cold,</p><p>266</p><p>his fingers blue in spite of
his mittens, eyes watchful, waiting for Garnet Royce and ready to move out and
follow him the moment anyone approached. His truncheon was hidden under his
overcoat, but his hand knew exactly where it was.</p><p>At the entrance to the House
of Commons another constable, dressed as a footman, stood to attention as
though waiting for his master to approach with some message, but his eyes were
searching for Garnet Royce-and a flower seller.</p><p>At the far end of the bridge
on the south bank three more constables waited; two on foot dressed as
gentlemen with nothing better to do than idle away an evening looking for a
little female company, and perhaps a trifle the worse for drink. The third
constable drove a cab, which he kept standing twenty yards from the end of the
bridge outside the first house on Bellevue Road, as though attending a fare who
was visiting someone and might shortly return.</p><p>Micah Drummond stood in a
doorway well out of the light on the Victoria Embankment and strained his eyes
towards the New Palace Yard and the members of Parliament leaving. He could not
make out any individuals, but he was as close as he dared be. He kept his face
in shadow, his silk hat pulled forward and his scarf high round his chin. A
passerby would have taken him for a gentleman who had celebrated rather too
liberally and had stopped until his head cleared before going home. No one gave
him a second glance.</p><p>Somewhere down the river
towards the Pool of London the foghorns were sounding as the mist thickened and
swept up with the incoming tide.</p><p>On the north bank, Pitt sat
on the box of a second cab, on the Victoria Embankment just above the steps
down to the water. He could see them all: the height of the cab seat gave him a
vantage and also made his face less easy to recognize by a person on foot. He
held the reins loosely in his hands while the horse shifted its weight
restlessly.</p><p>Someone hailed him, and he
called back, "Sorry guv, got a fare."</p><p>E67</p><p>The man grumbled that he
could see none but did not bother to argue.</p><p>Minutes ticked by. The
members were beginning to disperse. The constable sold some of his sandwiches.
Pitt hoped he did not sell them all, or he would have no excuse to remain
there. A vendor out on a night like this, at this hour, with no wares to sell,
would draw suspicion.</p><p>Where was Royce? What on
earth was he doing? Pitt could not blame him if his courage had failed; it
would take a strong man to walk alone across Westminster Bridge tonight.</p><p>Big Ben struck quarter past
eleven.</p><p>Pitt was longing to get down
and go and look for Royce. If he had left by another way and gone west to
Lambeth Bridge hi a cab, they might wait here all night!</p><p>"Cabby! Twenty-five
Great Peter Street. Come on, man! You're half asleep!''</p><p>"Sorry sir, I've
already got a fare."</p><p>"Nonsense! There's no
one here. Now pull yourself together and get a move on!" The man was
middle-aged and brisk, his graying hair waved neatly and his expression was
fast becoming irritated. He reached out a hand to open the cab door.</p><p>"I already have a fare,
sir!" Pitt said sharply, his nerves betraying the fear he tried to force
from his mind. "He's in there!" he poked a gloved finger in the
general direction of the buildings along the Embankment. "IVe got to wait
for him."</p><p>The man swore under his
breath and turned on his heel. He was an M.P. Pitt remembered seeing his
photograph in <emphasis>The Illustrated London News; </emphasis>striking-looking man, well
dressed, and-suddenly Pitt was as cold as if he had been drenched in ice water.
He saw again in his mind's eye the pale blur of the flowers in the man's
buttonhole-primroses!</p><p>His hand clenched so tight
the horse started, throwing its head, and the harness clanked.</p><p>In his doorway Micah
Drummond stiffened, but he could see nothing except Pitt, rigid on the cab box.</p><p>268</p><p>The wail of a foghorn
drifted upriver and the lights reflected in the water danced along the shore.</p><p>Garnet Royce was coming down
the street. He called out loudly to someone, his voice husky; he was
frightened. His steps were uneven as he passed the sandwich vendor and started
across the bridge. His back was straight, shoulders stiff, and never once did
he look behind him.</p><p>Pitt moved his horse forward
a few yards. A man with an umbrella passed between him and Royce. The sandwich
vendor left his barrow, and the footman stopped looking in the direction of
the New Palace Yard and walked towards the bridge as if he had changed his mind
about waiting.</p><p>From the black shadow under
Boadicea another figure appeared: heavyset, broad-backed, a thick shawl round
her shoulders and carrying a vendor's tray of flowers. She ignored the
footman-natural enough, footmen seldom bought flowers-and moved surprisingly
swiftly after Royce across the bridge. He was walking steadily in the center of
the footpath, looking neither right nor left, concentrating on the lights. He
was precisely halfway across.</p><p>Micah Drummond came out of
his doorway.</p><p>Pitt urged the horse forward
into a brisk walk and turned it left over the bridge. He was only two or three
yards behind the flower seller. He could see her figure silhouetted against the
paler mist beyond. She was walking soft-footed, gaining on Royce. He did not
seem to hear her.</p><p>He left the milky haze of
one lamp with its triple globes and entered the void of darkness beyond. The
mist was silver round the lights, and the droplets hi the air gleamed like
something beautiful and strange. His back was lit, showing the breadth of his
shoulders, the precise angle of the rim of his hat, and his face was a mere
lessening of the shadow, anonymous as he strode into the hollow of night
between one lamp and the next.</p><p>Pitt held the reins so
tightly his nails dug into his palms 269</p><p>even through the wet wool of
his mittens. He could feel the sweat cold on his body.</p><p>"Flowers, sir? You buy
sweet primroses, sir?" The voice was hardly audible, high, like a little
girl's.</p><p>Royce spun round. He was
close enough to the light for his features to show clearly: his hair was hidden
by the hat, but the sweeping brow was plain, the vivid eyes, the big bones. He
saw the woman and the tray of primroses. He saw her take a bunch of flowers in
one hand, the other drawing something from underneath them. His mouth opened in
a soundless exclamation of terror-and glittering, superb victory.</p><p>Pitt let go of the reins and
leapt from the cab box, landing hard on the slippery road. The woman swung her
arm up with the razor in her hand, its blade open and shining in the light.
"I got yer!" she screamed, flinging the tray off and sending the
flowers spinning and scattering on the stones. "I got yer at last,
Royce!"</p><p>Pitt was on top of her,
bringing his truncheon down on her shoulder. The pain of it stopped her,
brought her round sharply, face blank with surprise, the razor still high.</p><p>For a second they were all
motionless: the madwoman with her black eyes and mouth open, the blade still in
the air, Pitt with the truncheon clenched in his hand, and Royce ten feet
beyond them.</p><p>Then Royce's hand went to
his pocket, and before the woman could move, the shot rang out, and she took a
stumbling step towards Pitt. There was another shot, and another, and she fell
into the road and lay across the gutter, blood soaking her shawl, the razor
tinkling thinly on the stones and the pale blossoms of the primroses lying
around her.</p><p>Pitt bent over her for a
moment. There was nothing to do. She was dead, shot cleanly through the heart
from behind, as well as through the shoulder and the chest. He had no idea
which bullet had killed her; it might have been any of the three.</p><p>He stood up slowly and
looked at Royce, who was still standing with the gun in his hand, a revolver,
black and pol-</p><p>270</p><p>ished, no longer hidden in
the deep overcoat pocket. Royce's face was white, almost drained of expression;
the fear had too recently left him.</p><p>"Good God, man-you
nearly got yourself killed!" he said huskily. He passed his hand over his eyes
and blinked, as though dizzy. He looked down at the woman. "Is she
dead?"</p><p>"Yes."</p><p>"I'm sorry." Royce
went towards her but stopped more than a yard away. He passed the gun to Pitt,
who took it reluctantly. Royce stared at the woman. "Although perhaps it
is for the best. Poor creature may at last be at peace. This is cleaner than a
rope."</p><p>Pitt could find no argument.
Hanging was a grotesque and terrible thing, and why drag out a trial for a
woman who was so patently insane? He faced Royce and tried to think of
something appropriate to say.</p><p>"Thank you, Sir Garnet.
We appreciate your courage- without it we might never have caught her." He
held out his hand.</p><p>The constables were there
from the south side of the bridge, and the pie vendor and the footman were approaching
just beyond the circle of light. Micah Drummond stopped on the pavement and
stared at the woman, then at Pitt and Royce.</p><p>Royce took Pitt's hand and
wrung it so hard the flesh was bruised.</p><p>Micah Drummond knelt down
and looked at the woman, moving the shawl away from her face, opening the front
of it and searching for some mark of identity.</p><p>"Do you know her,
sir?" he asked Royce.</p><p>"Know her? Good God,
no!"</p><p>Drummond looked at her
again, and when he turned back to them his voice was quiet, touched with
compassion as well as horror.</p><p>"Some of her clothing
comes from Bedlam. It looks as if she was in the asylum recently."</p><p>Pitt remembered what the
woman's last words had been. 271</p><p>He stared at Royce.
"She knew you," he said quietly, very levelly. "She called you
by name."</p><p>Royce was motionless, his
eyes wide; then very slowly he went and looked down at the dead woman. No one
spoke. Another foghorn sounded on the river.</p><p>' 'I-I 'm not certain, but
if she really has come from Bedlam, then it could be Elsie Draper, poor
creature. She was lady's maid to my wife, seventeen years ago. She was a
country woman, came with Naomi when we were married. Elsie was devoted to her,
and when Naomi died she took it very badly. She became deranged, and we were
obliged to have her committed. I-I admit, I had no idea she was homicidally
insane. I wonder how in the name of heaven she came to be free.''</p><p>' 'We haven't been notified
of an escape,'' Drurnmond answered. "Presumably she was released. After
seventeen years they may have thought her safe."</p><p>Royce gasped.
"Safe!" The word hung in the damp air, with the slow-curling mist
glowing in the lamplight.</p><p>"Come," Drummond
stood up. "We'll get a mortuary van and take her away. Pitt, get your cab
and take Sir Garnet home to . . . ?"</p><p>"Bethlehem Road,"
Royce replied. "Thank you. I confess, I feel suddenly very tired, and
colder than I thought."</p><p>"Naturally we're very
grateful." Drummond offered his hand. "All London is much in your
debt."</p><p>"I'd rather you didn't
mention my part," Royce said quickly. "It would seem . . ."He
left the rest unsaid. "And I-I'd like to pay for a decent burial for her.
She was a good servant before . . . before she lost her reason."</p><p>Pitt climbed back up onto
the cab box. Drummond opened the door for Royce to climb in, and Pitt lifted
the reins to urge the horse on.</p><p>Charlotte was asleep when
Pitt got home, and he did not awaken her. He had no sense of the euphoria of
having</p><p>272</p><p>brought to a conclusion a
long and dreadful case. The release of tension brought mostly weariness, and
the next morning he slept in and had to rush out without breakfast.</p><p>He told Charlotte nothing.
First he would make sure that what had seemed so apparent last night was really
the truth. There would be time then to send her a message so she could tell
Great-aunt Vespasia that Florence Ivory was no longer under suspicion. He
simply told her the case was close to a conclusion, kissed her, and strode out
of the house with her calling after him to explain.</p><p>Micah Drummond was already
at <emphasis>the </emphasis>Bow Street Station. For the first time in weeks he looked as if
he had slept without nightmares or frequent waking.</p><p>"Good morning,
Pitt," he said, and held out his hand. "Congratulations, Chief
Inspector. The case is closed. There is no doubt that wretched woman was
responsible. There were other bloodstains on her clothes, old stains on her
sleeves and apron, as there would be from the first murders. The razor had
bloodstains on the blade and the handle. We checked with the chief medical
officer at the Bethlehem lunatic asylum: she is Elsie Draper, committed for
acute melancholia seventeen years ago and released from Bedlam two weeks
before the murder of Lockwood Hamilton. She had never given them any trouble
and seemed to have been a trifle simple, but never violent. A dreadful
misjudgment, but there is nothing anyone can do now. The case is closed. The
Home Secretary sent his congratulations this morning. The newspapers have
printed extras." He smiled slowly. "Well done, Pitt. You can go home
and take a few days off-you've earned it. You'll come back next week as Chief
Inspector, with an office upstairs." He held out his hand.</p><p>Pitt took it and held it
hard. "Thank you, sir," he said graciously-but it was not what he
wanted.</p><p>273</p><p>12</p><p><emphasis>jlitt
returned home </emphasis>with a sense of relief only very slightly marred by a small
question like a gnat bite at the back of his mind. The matter was closed. There
could be no doubt whatsoever that Elsie Draper had been a criminal lunatic. She
had murdered three men on Westminster Bridge and had tried to murder a fourth.
Only Royce's courage in setting himself up as a decoy and the police who had
warned and guarded him had prevented her almost certain success. And if it had
not been Royce, it would have been someone else.</p><p>Now Pitt could take some
time off and spend it with Charlotte and the children. Perhaps he could even
get out into the garden. They could all work together, he with a spade, Jemima
pulling weeds, Daniel carrying away rubbish, and Charlotte supervising. She was
the only one who knew the overall design. He found himself smiling as he
thought of it, as if his fingers were already in the earth, the warm sun on his
back, and his family laughing and talking around him.</p><p>First Charlotte would go and
tell Great-aunt Vespasia that Florence Ivory and Africa Dowell were no longer
suspects.</p><p>274</p><p>That would be one of the few
real pleasures in this whole affair: to watch the fear and the anger disappear,
to know the two women could pick up their lives again and begin to heal-that
was, if they chose to, if Florence Ivory could let go of her rage.</p><p>He strode through the
doorway and along the corridor to find Charlotte in the kitchen with her
sleeves rolled up, kneading dough, and Grade on the floor on her hands and
knees. The whole room was filled with the smell of new bread. Daniel was
outside in the garden running around with a hoop and Pitt could hear his crows
of delight through the open window.</p><p>He put his arm round
Charlotte and kissed her cheek and neck and throat, regardless of the flour and
entirely ignoring Gracie.</p><p>"We've solved it!"
he said after several minutes. "We caught the woman last night-in the act.
Garnet Royce played decoy for us. She flew at him with a razor, and I jumped
off the cab box to stop her, and Royce shot her, more or less to save me."</p><p>Charlotte stiffened and
tried to draw back, fear rushing up inside her.</p><p>"No," he said
quickly. "She wouldn't have gotten me; I had already struck her with a
truncheon, and there were others coming. But it must have looked bad to Royce.
Anyway, she was completely insane, poor creature, and this is better than a
trial and a hanging. It's all over. And I'm a chief inspector."</p><p>This time she did pull away.
She stared up at him, her cheeks flushed, her eyes wide, questioning.</p><p>"I'm proud of you,
Thomas; you more than deserve it," she said. "But is it what you
want?"</p><p>"Want?" Surely he
had totally hidden his reluctance, his dislike of leaving the streets.</p><p>' 'You can have the honor of
being asked, and still refuse,'' she said gently. "You don't have to take
preferment if it</p><p>275</p><p>means sitting in the station
directing other men." Her eyes were perfectly steady and showed no shadow
of wavering, nor any trace of regret for her words. "We don't need the
money. You could stay as you are, doing what you are so good at. If you had
been directing others instead of speaking to the people yourself, would this
case be solved now?"</p><p>He thought of Maisie Willis
and the violets, the long cold hours spent on the cab box, and the moment when
he had realized the M.P. who had accosted him for a ride had fresh primroses in
his buttonhole.</p><p>"I don't know," he
said honestly. "It might be."</p><p>"And it might not!
Thomas," she said, smiling now, "I want you to be doing what you
enjoy and are best at. Anything else is too high a price to pay for a little
more money, which we don't need. We can meet our expenses, and that is enough.
What would we do with more? What is more precious than being able to do what
you want?"</p><p>"I've accepted
it," he said slowly.</p><p>' 'Then go back and tell him
you have changed your mind. Please, Thomas."</p><p>He did not argue, he simply
held her very closely for a long time, happiness singing inside him, beating
like the wings of a great bird.</p><p>Grade picked up her bucket
and, humming a little song to herself, went out the back door to empty it down
the drain.</p><p>"Tell me about
it," Charlotte said presently. "How did you catch her-and who was
she? Why did she do it? Why members of Parliament? Have you told Florence
Ivory? Have you told Aunt Vespasia?"</p><p>"I haven't told anyone;
I thought you'd like to."</p><p>"Oh yes-yes I would. I
wish we had one of those telephones! Shall we go on the omnibus and tell her?
Would you like a cup of tea first? Or are you hungry? What about luncheon?"</p><p>"Yes, yes, no, and it's
too early," he replied.</p><p>"What?"</p><p>276</p><p>"Yes we'll go and see
Aunt Vespasia, yes I'd like a cup of tea, no I'm not hungry, and it's too early
for lunch. And your bread is rising."</p><p>"Oh. Then put on the
kettle. I'll finish kneading the dough, and you can tell me who she was and how
you caught her-and why she did it." And she went to the sink, washed her
hands, and began again to pummel the bread dough, sprinkling more flour on the
board.</p><p>Pitt filled the kettle and
put it on the stove as he was bidden, then began to recount the story of
Royce's offer and how they had carried it out. Of course she already knew about
the abortive attempts with Micah Drummond.</p><p>"So it wasn't blind,''
she said when he finished.' 'I mean, she wasn't after members of Parliament in
general. She knew Royce-you said she called out his name."</p><p>Pitt remembered the blaze of
hatred on the woman's voice, the triumph in the moment she recognized him and
knew beyond doubt it was he. "I've got you at last," she had said,
and careless of the cab looming behind her, or Pitt leaping from it, she had
lifted and swung the razor to kill. She was insane, a creature beyond the reach
of reason, a destroyer- and yet there had been something very human in that
hatred.</p><p>Charlotte's voice cut into
his thoughts.</p><p>"Do you think she was
after Royce all the time, and mistook the others for him? They all lived on
the south side of the river, they all walked home, as it was not far, and they
all had Mr or gray hair.''</p><p>"They were all
Parliamentary Private Secretaries to the Home Secretary at some part in their
careers. Except perhaps Royce himself-I don't know about him," he answered
slowly. ' 'I wonder what he was doing seventeen years ago.''</p><p>She split the dough and put
it into three tins and left them to rise. "You do think so! Why? Why did
she hate Royce so much? Because he put her into Bedlam?"</p><p>"Perhaps." The
faint dissatisfaction at the back of his mind was stronger, more like a
prickle. It was Garnet Royce</p><p>277</p><p>she had attacked, not
Jasper, the doctor. Was that simply because he was the elder brother, the
stronger, the one in whose house she had served? But what had turned melancholia
over the death of her mistress into a homicidal mania such as he had seen on
Westminster Bridge?</p><p>He finished his tea and
stood up. "You go and tell Aunt Vespasia. I think I shall go back and talk
to Drummond again.''</p><p>' 'About Elsie Draper?''</p><p>"Yes; yes I think
so."</p><p>All the way back to Bow
Street he saw the newsboys carrying .placards for extra editions. Headlines
screamed westminster CUTTHROAT
CAUGHT! PARLIAMENT SAFE AGAIN! MANIAC SHOT DEAD ON WESTMINSTER BRIDGE! He
bought a</p><p>paper just before he went
into the police station. Under the big black leader was an article on how the
threat of anarchy had receded and law had prevailed once more, thanks to the
skill and dedication of the Metropolitan Police and the daring of an unknown
member of Parliament. The whole of the nation's capital rejoiced in the return
of order and safety to the streets.</p><p>Micah Drummond was startled
to see Pitt back so soon, and on a spring day when he might have found
gardening such a pleasure.</p><p>"What is it,
Pitt?" There was a shadow of alarm in his face.</p><p>Pitt closed the door behind
him. "First of all, sir," he began, "I thank you for the
promotion, but I would rather remain at my present rank, where I can go out on
investigations myself, rather than supervise other men to do it. I think that
is where my skill lies, and it is what I want to do."</p><p>Drummond smiled. There was a
certain ruefulness in his eyes, and a relief. Either he had been expecting
something less pleasant, or else in part at least he understood.</p><p>' 'I am not surprised,'' he
said candidly. ' 'And not entirely 278</p><p>sorry. You would have made a
good senior officer, but we should have lost a lot by taking you away from the
streets. Secondhand judgment is never the same. I admire you for the choice; it
is not easy to decline money, or status."</p><p>Pitt found himself blushing.
The admiration of a man he both liked and respected was a precious thing. He
hated now to have to pursue the matter of Elsie Draper, instead of merely
thanking Drummond and going out. But the question pressed on his mind,
clamoring for an answer. He felt an incompleteness like hunger.</p><p>"Thank you, sir."
He let out his breath slowly. "Sir, I would like to find out more about
Elsie Draper-the madwoman. Just before she struck at Royce she called him by
name. She wasn't killing at random; she hated him-personally. I'd like to know
why."</p><p>Drummond stood still,
looking down at the empty space on his desk, the quill and inkstand set in dark
Welsh slate, unostentatious.</p><p>"I wanted to know
too," he said. "I wondered if she were after Royce all the time, and
she mistook the first three for him. I couldn't find anything in common among
them, except that they live on the south side of the river not far from Westminster
Bridge, within walking distance, and they have a superficial physical
resemblance. They have no special political opinions in common, but then a
madwoman who has spent the last seventeen years in Bedlam would hardly care
about such things. But I did inquire what Royce was doing seventeen years
ago."</p><p>"Yes?"</p><p>Drummond's smile was tight,
bleak. "He was Parliamentary Private Secretary to the Home Secretary.''
His eyes met Pitt's.</p><p>"So they all held that
office!" Pitt exclaimed. "Perhaps that is why they died. She was
looking for Royce, and she still thought of him in connection with the office
he held when she worked in his house. She must have asked around,</p><p>279</p><p>and she found three other
men living south of the river who had held that position before she got the
right one! But why did she hate him so long and so passionately?"
"Because he had her committed to Bedlam!" "For melancholia?
Perhaps. But may I go to Bedlam and ask about her, to see what they know?"</p><p>"Yes. Yes, Pitt-and
tell me what you find."</p><p>The Bethlem Royal Hospital
was in a huge old building on the Lambeth Road on the south side of the river,
a block away from the Westminster Bridge Road where it curved up the hill away
from the water and the Lambeth Palace Gardens, the official house of the
Archbishop of Canterbury, Primate of all England. Bedlam, as it was commonly
known, was another world, shut in, as far from sweetness and ease as the
nightmare is from the sleeper's sane and healthful room, where flowers sit in a
vase and the morning sunlight will presently stream through the curtains onto a
solid floor.</p><p>Inside Bedlam was madness
and despair. For centuries this hospital, whether within these walls or others,
had been the last resort for those no human reason could reach. In earlier
times they had been shackled night and day and tormented to exorcise them of
devils. Those with a taste for such things had come by to watch them and taunt
them for entertainment, as later generations might go to a carnival or a zoo,
or a hanging.</p><p>Now treatment was more
enlightened. Most of the restraining devices were gone, except for the most
violent; but tortures of the mind still persisted, the terror and delusion, the
misery, the endless imprisonment without hope.</p><p>Pitt had been in Newgate and
Coldbath Fields, and for all the superintendent in his frock coat and the
stewards and medical staff, the walls smelled the same and the air had a fetid
taste. Pitt's credentials were examined before he was permitted the slightest
courtesy.</p><p>' 'Elsie Draper?'' the
superintendent asked coldly. ' 'I shall 280</p><p>have to consult my records.
What is it you wish to know? I assure you, when we released her she'd been calm
and of good behavior for many years, nine or ten at least. She never gave the
slightest indication of violence." He bristled, preparing for battle.
"We cannot keep people indefinitely, you know, not if there is no need. We
do not have endless facilities!"</p><p>"What was her original
complaint?"</p><p>"Complaint?" The
man asked sharply, sensitive to any criticism.</p><p>"Why was she
admitted?"</p><p>"Acute melancholia. She
was a simple woman, from some country area, who had followed her mistress when
she married. As I understand it, her mistress died-of scarlet fever. Elsie
Draper became deranged with grief, and her master was obliged to have her
committed. Very charitable of him, I think, in the circumstances, instead of
merely turning her out."</p><p>"Melancholia?"</p><p>"That is what I just
said, Sergeant. . . ?"</p><p>"Inspector Pitt."</p><p>"Very well-Inspector! I
don't know what else you think I can tell you. We cared for her for seventeen years,
during which time she gave no Indication that she was homicidal. She was
perfectly able to care for herself when we released her, and no longer in need
of medical attention, nor had we reason to fear she would be a burden upon the
rest of the community."</p><p>Pitt did not argue; it was a
moot point now, and this was not what he had come to find out.</p><p>"May I speak with those
who attended her? And is there anyone among the other patients she spoke to?
Someone who knew her?"</p><p>"I don't know what you
imagine you can learn! We can all be wise with hindsight, you know!"</p><p>"I am not looking for
signs that she was homicidal," Pitt 281</p><p>said honestly. "I need
to know other things: her reasons for acting as she did, or what she believed
were her reasons."</p><p>"I cannot see how they
can possibly matter now."</p><p>"I am not questioning
your competence in your job, sir," Pitt replied a little testily.
"Please do not question the way I do mine. If I did not believe this was
necessary, I should be at home with my family, sitting in my garden."</p><p>The man's face grew still
more pinched. "Very well, if that is what you wish. Be so good as to
follow me," and he turned sharply on his heel and led the way down a chill
stone corridor, up a flight of stairs, and along a further passageway to a door
which opened into a large ward with ten beds in it. There were chairs beside
the beds and set around at various places. It was Pitt's first sight of the
inside of a lunatic asylum, and his immediate feeling was one of relief. There
were enamel jugs with flowers, and here and mere a cushion or a blanket which
was obviously not institutional. A bright yellow cloth half covered one of the
small tables.</p><p>Then he looked at the
people, the matron standing near the window, with the spring sun coming in
through the bars and falling on her gray dress and white cap and apron. Her
face was worn with tension and the sight of misery, her eyes flat. Her large
hands were red-knuckled, and she had a key chain hanging from her belt.</p><p>To the left of her a woman
of an age impossible to judge sat on the floor, knees hunched up to her chin,
rocking back and forth ceaselessly, whispering to herself. Her hair hung over
her face, matted and unkempt. Another woman with a blotchy skin and hair
scraped back in a tight knot sat staring vacantly, oblivious of them all. She
saw some vision of despair that excluded everything else, and when two others
spoke to her she took no notice whatsoever.</p><p>Three elderly women sat at a
table playing cards with vicious intensity, even though they put down a
different card each time and called it always by the same name, the three of
clubs.</p><p>282</p><p>Another sat with an old news
journal, which she held upside down, and kept repeating to herself, "I
can't find it! I can't find it! I can't find it!"</p><p>' 'The Inspector wants to
speak to someone who knew Elsie Draper," the Superintendent said tersely.
"If you can find someone I should be obliged, Matron."</p><p>"In mercy's sake, what
for?" the matron asked crossly. "What good can it do now, I'd like to
know!"</p><p>"Is there anyone?"
Pitt asked, trying to force himself to smile and failing. The hopelessness of
the place was creeping into his skin-the confusion, the desperate faces that
stared at him, the flickers of knowledge that they were betrayed from within.
"I need to know!" He meant to keep his voice level, but a frantic
note betrayed his feelings.</p><p>The matron had already heard
every horror that there was; little moved her, for she could no longer find the
emotion to allow it to.</p><p>"Polly Tallboys,"
she said patiently. "I suppose she might. Here-Polly! Come here and speak
to the gentleman. No need to be afraid. He won't hurt you. You just answer him
properly."</p><p>"I dint do it!"
Polly was a small woman with pale eyes that drooped downward at the corners,
and as she came forward obediently her fingers twisted the gray cotton of her
dress. "Honest I dint!"</p><p>Pitt moved away from the
matron and sat down on one of the chairs, motioning Polly to do the same.</p><p>"I know that," he
said agreeably. "Of course you didn't. I believe you."</p><p>"You do?" She was
incredulous, uncertain what to do next.</p><p>"Sit down, Polly,
please. I need your help."</p><p>"Mine?"</p><p>"Yes, please. You knew
Elsie, didn't you? You were friends?"</p><p>"Elsie? Yeah, I knew
Elsie. She's gorn 'ome." S83</p><p>"Yes, that's
right." The elemental truth of the words wrenched his heart. "Elsie
used to be in service, didn't she." He made it a statement, not a
question; perhaps questions were more than she could handle. "Did she ever
tell you anything about that?"</p><p>"Oh yeah!" Polly's
vacant face lit up for a moment. "Lady's maid, she were-ever so grand.
Said 'er mistress were the best lady hi the world." Slowly the light faded
from her eyes; tears filled them, spilling down her pallid cheeks, and she made
no move to wipe them away.</p><p>Pitt took his handkerchief
and leaned forward to dry her tears. It was a pointless gesture-she kept on
crying-but he felt better for it. Somehow it made her seem more like a woman,
less a thing broken and shut away.</p><p>"She died, Elsie's mistress,
a long time ago," he prompted. "Elsie was very sad."</p><p>Polly nodded very slowly.
"Starved, poor soul; starved to death, for Jesus' sake."</p><p>Pitt was startled. Perhaps
this had been an idiotic idea, coming to Bedlam for an answer when he did not
even know what the question was, and asking lunatics.</p><p>"Starved?" he
repeated. "I thought she died of scarlet fever."</p><p>"Starved." She
said the word carefully, but her voice sounded empty, as if she did not know
what it meant.</p><p>"Is that what Elsie
said?"</p><p>"That's what Elsie
said. For Jesus."</p><p>"Did she say why?"
It was a wildly optimistic question. What could this poor creature know, and
what could it mean, having come from Elsie Draper's jumbled mind?</p><p>"For Jesus," Polly
repeated, looking at him with clear, shallow eyes.</p><p>"How was it for
Jesus?" Was it even worth asking?</p><p>Polly blinked. Pitt waited,
trying to smile at her.</p><p>Her attention wandered.</p><p>"How was it for Jesus,
this starving?" he prompted her. 284</p><p>"The church," she
said with a sudden return of interest. "The church in an 'all on Bethlehem
Road. She knew it were true, an' 'e wou'nt let 'er go. That's wot Elsie said.
Foreign, they was. 'E seen God-an' Jesus."</p><p>"Who had, Polly?"</p><p>"Idunno."</p><p>"What were they
called?"</p><p>"She never said. Least,
I never 'eard."</p><p>' 'But they met in a hall in
Bethlehem Road? Are you sure?''</p><p>She made a momentous effort
at thought, brow furrowed, fingers clenched in her lap. "No," she
said at last. "I dunno."</p><p>He reached out and touched
her gently. "Never mind. You've helped very much. Thank you, Polly."</p><p>She smiled warily, then some
part of her grasped that he was pleased, and the smile widened.
"Oppression-that's wot Elsie said. Oppression . . . wickedness-terrible
wickedness." She searched his face to see if he understood.</p><p>"Thank you, Polly. Now
I must go and find out about what you have told me. I'm going to Bethlehem
Road. Goodbye Polly."</p><p>She nodded. "Good-bye,
Mr. . . ." She tried to think what to call him and failed.</p><p>"Thomas Pitt," he
told her.</p><p>"Good-bye, Thomas
Pitt," she echoed.</p><p>He thanked the matron, and a
junior warder showed him out, unlocking the doors and locking them behind him.
He left Bethlem Royal Hospital and went out into the sun with a feeling of pity
so deep he wanted to run, to leave not only the great building but all memory
of it behind. And yet his feet clung leadenly to the damp pavements; the
individual faces were too sharp in his mind to be left behind like anonymous
facts.</p><p>He walked to Bethlehem Road;
it took him less than fifteen minutes. He did not want to find Royce but to see
if he could find anyone who knew of the religious order that had met in</p><p>285</p><p>a hall seventeen years ago.
Someone there might remember Mrs. Royce and know something about her. He had no
idea what he could find. He had nothing but a simple-minded woman's
recollection of a lunatic's rambling obsessions.</p><p>There was still a small hall
in the road, and according to the board outside it was open to hire by the
public. He noted the name and address of the caretaker, and within another ten
minutes he was sitting in a small cold front parlor opposite a stocky, elderly
man with pince-nez on his nose and a large pocket handkerchief in his hand
against the sneezing which frequently overtook him.</p><p>"How can I help you,
Mr. Pitt?" he said, and sneezed hard.</p><p>"Were you caretaker of
the Bethlehem Road Hall seventeen years ago, Mr. Plunkett?"</p><p>"I was, sir, I was. Is
there some trouble about it?"</p><p>' 'None that I know of. Did
you lease the hall to a religious organization on a regular basis?"</p><p>"I did, sir; most assuredly.
Eccentric people. Very strange beliefs, they had. Didn't baptize children,
because they said children came into the world pure from God, and weren't
capable of sin until they were eight years old. Can't agree with that,
certainly I can't. Man is born in sin. Had my own children baptized when they
were two months old, like a Christian should. But they were always civil and
sober people, modestly dressed, and worked hard and helped each other."</p><p>"Are they still meeting
here?"</p><p>"Oh no sir. Don't know
where they all went to, I'm sure I don't. They got less and less, about five
years ago, then the last of 'em disappeared."</p><p>"Do you remember a Mrs.
Royce, some seventeen years ago?"</p><p>"Mrs. Royce? No sir, no
I don't. There were a few young ladies. Handsome and nicely mannered they were,
but they Ve all gone now. I don't know where, I'm sure. Maybe got</p><p>286</p><p>married and settled down to
a decent life-forgot all that nonsense."</p><p>Pitt could not give up now.</p><p>"Do you remember anyone
at all from seventeen years ago? It is important, Mr. Plunkett."</p><p>"Bless you, sir. If I
can recall anything you are more than welcome to it. What was this Lady Royce
like?"</p><p>"I am afraid I don't
know. She died about that time, of scarlet fever, I think."</p><p>"Oh-oh my goodness! I
wonder if that was the friend of Miss Forrester? Lizzie Forrester. Her friend
died, poor soul."</p><p>Pitt kept the excitement out
of his voice. It was only a thread, perhaps nothing-it might break in his
hands.</p><p>"Where can I find
Lizzie Forrester?"</p><p>"Bless you, I don't
know, sir. But I think her parents still live on Tower Street. Number
twenty-three, as I recall. But someone'd tell you, if you were to go there and
ask."</p><p>"Thank you! Thank you,
Mr. Plunkett!" Pitt rose, shook the man's hand, and took his leave.</p><p>He did not even think of
eating. He passed a public house, and the smell of fresh-baked pies did not
even tempt him, so eager was he to find Lizzie Forrester and learn another side
of the truth, something of the past of Elsie Draper which had sewn in her mind
the seeds of such madness.</p><p>Tower Street was not hard to
find: a couple questions of passersby and he was on the doorstep of number 23.
It was a neat tradesman's-class front door, with a brass knocker in the shape
of a horse's head. Pitt lifted it and let it fall. He stepped back and waited
several minutes before a clean and dowdy maid answered it, not unlike the woman
who did the heavy work in his own home.</p><p>"Yes sir?" she
said in surprise.</p><p>"Good afternoon. Is
this the home of Mr. or Mrs. Forrester?"</p><p>"Yes sir, it is."</p><p><emphasis>287</emphasis></p><p>' 'I am Inspector Pitt, from
the Bow Street Police Station.'' He saw her face blanch and was instantly sorry
for his clumsiness. "There's been no accident, ma'am, and no crime that
concerns this household. It is just that someone here may once have been
acquainted with a lady we would like to kriow more about-in order to understand
events that have no connection with this family."</p><p>She was still highly
dubious. Respectable people did not have the police in their houses-for any
reason.</p><p>He tried again. "She
was a very distinguished lady, the lady we wish to learn more about, but she
died many years ago; therefore we cannot ask her.''</p><p>"Well-well you'd better
come in, an' I'll ask. You stay there!" She pointed to a spot on the hall
floor on the worn red Turkey carpet next to the stand for sticks and umbrellas
and the potted aspidistra. Pitt obeyed dutifully, waiting while she whisked
away along the linoleum corridor past the stairs and the polished banisters,
the samplers which read the eye of god is
upon you and there's no place like home, and a
picture of Queen Victoria. He heard the servant rap on a door, then the latch
open and close. Somewhere in the back parlor his person and his errand were
being described.</p><p>It was fully five minutes
before a middle-aged couple appeared, dressed in neat and well-worn clothes,
he with a watch chain across his middle and she with a lace fichu at her neck
pinned with a nice piece of Whitby jet.</p><p>"Mr. Forrester,
sir?" Pitt inquired politely.</p><p>"Indeed. Jonas
Forrester, at your service. This is Mrs. Forrester. What may we do for you?
Martha says you are inquiring about a lady who died some time ago."</p><p>"I believe she was a friend
of your daughter Elizabeth."</p><p>Forrester's face tightened,
some of the fresh-scrubbed pinkness fading from it; his wife's hand gripped his
arm.</p><p>' 'We have no daughter
Elizabeth,'' he said levelly. ' 'Catherine, Margaret, and Anabelle. I'm sorry;
we cannot be of assistance.''</p><p>E88</p><p>Pitt looked at the very
ordinary couple standing side by side in their hallway, faces set, hands clean,
hair neat, the precise and God-fearing samplers on the wall, and wondered why
on earth they should lie to him. What had Lizzie Forrester done that they
should say she did not exist? Were they protecting her or disowning her?</p><p>He took a gamble.' 'The
records say that you had a daughter Elizabeth born to you.''</p><p>The color flooded back into
Forrester's face, and his wife's hand flew from his arm to cover her mouth and
suppress a gasp.</p><p>' 'It would be less painful
for you to tell me the truth,'' Pitt said quietly. "Far better than my
having to go and ask questions of other people until I uncover it for myself.
Don't you agree?"</p><p>Forrester looked at him with
intense dislike.' 'Very well- if you insist. Although we've done nothing to
deserve this, nothing at all! Mary, my dear, there is no need for you to endure
this. Wait for me in the back parlor. I shall return when it is done."</p><p>"But I think-" she
began, taking a step forward.</p><p>"I have spoken, my
dear," he said levelly, but there was insistence under his genteel tone.
He did not intend to be argued with.</p><p>"But really, I think I
should-"</p><p>"I don't care to repeat
myself, my dear."</p><p>"Very well, if you say
so." And obediently she withdrew, nodding miserably at Pitt in a sort of
half recognition of his presence. She retreated back the way she had come, and
again they heard the door latch open and close.</p><p>"No need for her to
suffer," Mr. Forrester said tartly, his eyes on Pitt's face, hard and
critical. "Poor woman has endured enough already. What is it you want to
know? We have not seen Elizabeth in seventeen years, nor are we likely to ever
again. She ceased to be our daughter then, and whatever the law says, she is
none of ours. Although what concern it</p><p>289</p><p>is of yours I fail to
see!" He opened the front parlor door, twisting the handle hard, and
showed Pitt into a cold room with too much furniture, all spotlessly clean. The
tables were crammed with photographs, china figures, Japanese lacquer boxes,
two stuffed birds and a stuffed and mounted weasel under glass, and numerous
potted plants. He neither sat down himself nor offered Pitt a seat, although
there were three perfectly good chairs, all with embroidered antimacassars on
their backs. "I completely fail to see!" he repeated accusingly.</p><p>"Perhaps I could speak
to Elizabeth myself?" Pitt asked.</p><p>"You cannot! Elizabeth
went to America seventeen years ago. Best place for her. We don't know what
happened to her there or where she is. In fact, she could be dead for all we
know!'' He said it with his chin high and his eyes bright, but Pitt caught a
quaver in his voice, the first sign that there was pain as well as anger in
him.</p><p>' 'I believe she belonged
for a while to an unusual religious organization," Pitt began tentatively.</p><p>The pain vanished from
Forrester's face, and only rage and bewilderment remained.</p><p>"Evildoers!" he
said harshly. "Blasphemers, the lot of them." He shook with the depth
of his outrage. "I don't know why they let them come into a God-fearing
country and permit their wickedness to innocent people! That's what you should
be doing-stopping wickedness like that! What's the use of your coming here
seventeen years afterwards, I'd like to know? What good is that now, to us or
to our Lizzie? Gone to join wicked men, she has, and never a word of her since.
Mind, we're Christian people; we told her she'd be none of ours until she
forsook her ways and came back to good Christian religion."</p><p>It was nothing to do with
the case, but Pitt asked in spite of himself. "What was her religion, Mr.
Forrester?"</p><p>"Blasphemy is what it
was," he replied hotly. "Downright blasphemy against God, and all
Christian people. Some</p><p>290</p><p>charlatan who said he saw
God, if you please! Said he saw God! And Jesus Christ! Separately! We believe
in one God in this house, like all other decent people, and nobody is telling
me some ignorant man with talk of magic and working miracles is going to have
any part of me or mine. We told Elizabeth, forbade her to go to their meetings.
We warned her of what would happen! Goodness knows how many hours her mother
spent talking to her. But would she listen? No she wouldn't! Well in the end
she went off to some place in America with the tricksters and wasters and fools
who were taken in as she was, or saw a way to make a profit out of gullible
women. You do everything you think is right, all you can do to keep your family
God-fearing and Christian, and then they serve you like this! Well, Mrs.
Forrester and I say we have no daughter Elizabeth, and that's how it is."</p><p>Pitt could see the man's
grief, and his anger: he felt betrayed by his daughter and by circumstances,
and it confused him, and the wound, for all his protestations, was not healed.</p><p>But Pitt had to pursue his
own questioning.</p><p>"Was your daughter
acquainted with a Mrs. Royce before she left England, Mr. Forrester?"</p><p>"Possibly. Yes, possibly
she was. Another deluded young woman who would not take the counsel of her
betters. But she died of typhoid or diphtheria as I recall."</p><p>"Scarlet fever,
seventeen years ago."</p><p>"Was it! Poor soul.
Dead without the time to repent, I daresay. What a tragedy. Still, the main
damnation will be upon the heads of those who beguiled her away into idolatry
and blasphemy against God."</p><p>"Did you know anything
of Mrs. Royce, sir?"</p><p>"No. Never saw her.
Wouldn't permit any of those people through my door. I lost one daughter,
that's more than enough. But I heard Elizabeth speak of her often, as if she
were quality." He sighed. "But I suppose being of gentle birth is no
help to a woman, if she has a delicate constitution</p><p>291</p><p>and a weak will. Women need
looking after, sir, guarding from charlatans like that-that blasphemer!"</p><p>Pitt could not bear to give
up. "Is there anyone who can tell me about Mrs. Royce? Did she ever write
to your daughter? Would they have had mutual friends, anyone who still keeps
that particular faith around here?"</p><p>"If there is, I don't
know of them, sir, nor do I want to! Emissaries of the devil, performing his
works!"</p><p>"It is important, Mr.
Forrester." Was that the truth? To whom did it matter, after all these
years? Pitt, because he wanted to know why Elsie Draper's sick mind had clung
so passionately all the long years in Bedlam to her hatred for Garnet Royce?
But what difference did it make now?</p><p>Forrester was looking
uncomfortable, his eyes not quite steady on Pitt's face, his color mottled.</p><p>"Well, sir.</p><p>"Yes?"</p><p>"Mrs. Royce did write
some letters to Lizzie, after Lizzie'd gone. We didn't send them on. Didn't
know where to send them, and we'd sworn we'd never speak of Lizzie again, like
as though she were dead, which she was to us, but then since they weren't ours,
we couldn't rightly destroy them either. We've still got them somewhere, up in
the box room."</p><p>"May I?" Suddenly
Pitt was shaking with excitement, a wild hope beating upwards like a bird inside
him. "May I see them?"</p><p>''If you wish to. But I'll
thank you not to mention it to my wife. You'll read them in the box room, sir,
and that's my condition.'' He looked uncertain as to whether he might impose
any condition upon the police, but his resolution to try was strong, his pale
eyes defiant.</p><p>"Of course," Pitt
conceded. He had no wish to cause distress. "Please show me the way."</p><p>Fifteen minutes later Pitt
was crouched under the beams of the roof in a small, stuffy, ice cold box room
where three large trunks lay open, a variety of cases for hats and mantles</p><p>292</p><p>were piled high, and in
front of him at last were the six precious letters addressed to Miss Lizzie
Forrester and postmarked from April 28 to June 2, 1871. They were all sealed,
exactly as they had arrived.</p><p>Carefully he slipped the
edge of his penknife under the flap of the first envelope. The letter was in a
young, feminine hand and seemed to have been written in some haste, as if
interruption were feared.</p><p>19 Bethlehem Road 28th April
1871 My dearest Lizzie,</p><p>I have tried every art or
plea I know, but it is no use, Garnet is adamant. He will not even listen to
me. Every time I mention the Church he forbids me to speak. Three times in the
last two days he has sent me to my room until I should come to my senses and
leave the subject alone, forget it forever.</p><p>But how can I? I know no
other such sweetness or truth on the face of the world! I have gone over
everything I have heard the Brethren say, over and over it in my mind, and I
find no fault in it. Surely some of it seemed strange at first, and far from
what I had been raised to believe, but when I consider it in light of what my
heart tells me, it all seems so very right and just.</p><p>I hope I may prevail upon
him; he is a good and just man, and only desires what is right for me. I know
from all my past both as his betrothed and as his wife that he desires to
protect and care for me and guard me from all ill.</p><p>Pray for me, Lizzie, that I
shall find the words to soften his heart so he will permit me to come again to
the Church and share the sweet companionship of my Sisters and receive some
instruction in the true teachings of the Saviour of All Mankind,</p><p>Your dearest friend, Naomi
Royce 293</p><p>The next letter was dated a
week later.</p><p>Dearest Lizzie,</p><p>I hardly know how to begin!
My husband and I have had the most dreadful disagreement. He has forbidden me
ever to go to Church again, nor even to speak of the Gospel in the house. I
must not mention the teachings or anything to do with the Brethren to him, nor
try to explain to him why I know the Church is true, nor what makes me feel so.</p><p>I know it is hard for him! I
do know it, believe me. I also was raised in the orthodox faith and believed it
until I was eighteen years of age, when I began to find some of its doctrines
did not answer the questions that cried out in my heart.</p><p>If God is such a holy and
marvelous being as we are told-and I believe He is-and if He is our Father, as
we are all taught, then how is it that we are such flawed creatures with no
hope of growth, mere spiritual children, pygmies of such deformity of soul? I
cannot believe it! I do not! There is endless hope for us, if only we will
strive harder, learn who we are and stand upright, learn every good thing, seek
after knowledge and wisdom, with the humility to let ourselves be taught. Then
by the grace of Our Lord we shall become, in time, worthy to be called His
children.</p><p>Garnet says I blaspheme, and
he has ordered me to repent of it, and accompany him to a "proper"
church every Sunday, as is my duty to God, to society, and to him.</p><p>I cannot! Lizzie, how can I
deny the truth I know? Yet he will not listen to me. Pray for me that I may
have courage, Lizzie!</p><p>May the Lord bless you and
keep you,</p><p>Your dear friend, Naomi
Royce 294</p><p>The third letter had been
written only three days after the second.</p><p>Dearest Lizzie,</p><p>It is Sunday, and Garnet has
gone to his church. I am sitting in my room and the door is locked-from the outside.
He has said that if I will not go to his "proper" church, as a
Christian woman should, then I shall go nowhere else.</p><p>I must be content with that.
If I cannot have my freedom to choose where and how I shall worship God, as we
believe all human creatures should, then I shall remain'here. I am resolved. I
shall not go to his church, nor forswear my own conscience.</p><p>Elsie, my maid, is very good
to me and brings my meals to my room. I don't know what I should do without
her- she came with me when I was married, and seems to have no fear of Garnet.
I know she will post this letter. I will have but three postage stamps left
after I send this; after that Elsie has sworn she will evade the butler's eyes
and deliver personally such letters as I write to you.</p><p>I hope next time I write I
shall have better news.</p><p>In the meanwhile, keep your
heart high and trust in God-no one ever trusted in Him in vain. He watches over
all of us and will give us nothing more than we can bear.</p><p>Your devoted friend, Naomi</p><p>The next letter bore no
date, and the handwriting was more sprawling and unsteady.</p><p>Dearest Lizzie,</p><p>It seems I have come to the
greatest decision of my life. Yesterday I prayed all day to question myself as
rigorously in every particular as I might, examining my beliefs in the 295</p><p>light of all that Garnet has
said about our Faith being blasphemy, unnatural, and based upon the
maunderings of a charlatan. He says that the Bible is sufficient for all the
Christian world, and whoever adds to it in any way is wicked or deluded and
should be denounced as such, that there is no further revelation, nor ever will
be.</p><p>But the more I pray, the
more firmly do I know that that is not so! God has not closed the heavens, the
Truth has been restored, and I cannot deny it. On peril of losing my soul, I
cannot!</p><p>What a terrible trial I am
suffering! Oh Lizzie, I wish you were here so that just for a moment I might
feel less alone. There is only Elsie, and bless her, she has no idea what I
mean, but she does love me and will be loyal to me forever. And for that I am
more grateful than I can say.</p><p>I had a dreadful quarrel
with Garnet. He has told me that until I forswear this blasphemy I am to remain
in my bedroom! I will, I told him I will, but I shall not eat until he permits
me to choose for myself, by the light of my own conscience, what faith I will
follow, and what I shall believe in God!</p><p>He was so angry. I think
perhaps he truly believes he acts in my welfare, but Lizzie, I am a person-I
have my own thoughts and my own heart! No one has the right to choose my path
for me! They will not feel my pain, or my joy, nor be guilty of my sins. My
soul is as precious as anyone else's. I have one life-this one-and I WILL
choose!</p><p>And if Garnet will not
permit me to leave my bedroom, then I shall not eat. In the end he will have to
grant me my freedom to profess my own Faith. Then I shall be a dutiful and
loving wife to him, fulfill all my callings both social and domestic, be modest
and courteous and all else he would wish. But I will not forswear myself.</p><p>Your sister in the Gospel of
Christ, Naomi 296</p><p>The next letter was much
shorter. Pitt opened it without even being aware of his frozen limbs or the
cramp that was stealing through his legs.</p><p>Dearest Lizzie,</p><p>At first it was terribly
difficult to keep my word. I grew so dreadfully hungry! Every book I picked up
seemed to speak of food. I had such a headache, and I became cold so easily.</p><p>Now it is easier. It has
been a whole week, and I feel tired and very faint, but the hunger has passed.
I am still terribly cold, and Elsie piles the blankets and quilts on top of me
as if I were a child. But I will not give in.</p><p>Pray for me!</p><p>Keep faith, Naomi</p><p>The last letter was merely
two lines, scribbled across the page, the writing faint and very hard to read.</p><p>Dearest Lizzie,</p><p>I fear if he relents it will
be too late now. I am losing all my strength and cannot last much longer.</p><p>Naomi</p><p>Pitt sat in the cold box
room oblivious of the rafters above him, the chill, the whole silent household
below. Elsie was right; in her wild, mad brain she had held onto a core of
truth all these years. Naomi Royce had died of starvation, rather than forswear
the faith she believed. There had been no scarlet fever, only a religious
order society would not have tolerated, a new belief that would have
scandalized an M.P.'s constituency and caused him to be held up to ridicule.</p><p>So he had shut her in her
room until she came to her senses.</p><p>297</p><p>Only he had misjudged the
passion of her belief, and the strength of her heart. She had starved to death
rather than deny her God. And what a scandal that would have been- an
unconventional religious sect would be a small scandal compared with that! He
would have lost his seat and his reputation. Locked in her room and starved to
death: oppression, madness, suicide.</p><p>So he had called on his
brother Jasper to pronounce that the death had been from scarlet fever. And
then what had happened? The faithful Elsie had spoken the truth. They could not
let that abroad-such whispers would mean ruin. Better bundle her off to Bedlam,
where she would be silenced forever. Get Jasper to write up the forms, and the
matter could be settled that night: melancholia over the death of her beloved
mistress. Who would know any different? Who would miss her? Her stories would
be taken as the ravings of a madwoman.</p><p>Pitt folded up the letters
and put the envelopes in his inside pocket. When he stood up his legs were so
cramped the pain made him gasp. He nearly fell down the steep ladder to the
upstairs landing.</p><p>In the hallway the maid was
waiting for him, face weary and a little frightened. The police always
frightened her- and it was certainly not respectable to have them in the house.</p><p>"Did you get what you
need, sir?"</p><p>"Yes, thank you. Will
youjell Mr. Forrester I shall take the letters, and give him my thanks."</p><p>"Yes sir-thank you,
sir." And she let him out into the late afternoon sun with a gasp of
relief.</p><p>Micah Drummond stared at
Pitt, his face white.</p><p>"There's nothing we can
do! There was no crime-all right! God knows, this was sin-but who do we charge?
And with what? Garnet Royce did what he thought best for his wife; he
misjudged. She starved herself to death; she mis-</p><p>298</p><p>judged also. Then he did
what he could to protect her reputation."</p><p>"His own
reputation!"</p><p>' 'His own as well, but if
we charged every man in London who did that we'd have half Society in
jail."</p><p>' 'And half the middle
classes aspiring to gentility as well,'' Pitt said chokingly. "But dear
heaven, their wives weren't locked up to starve themselves to death so they
shouldn't go to an inappropriate church! And how can any man take it upon
himself to decide another person is insane and shut them in Bedlam for the rest
of their lives? Just shut them away in a living tomb!"</p><p>"We've got to keep
lunatics somewhere, Pitt."</p><p>Pitt slammed his fist on the
desk, rattling the inkstand, unaware of the pain that shot through his hand;
the outrage inside him was all he could feel.</p><p>"She wasn't a lunatic!
Not before she was sent there! Dear God, what woman wouldn't lose her mind shut
away in Bedlam for seventeen years? Have you ever been there? Can you even
imagine it? Think what he has done to that woman. How can we let it happen? No
wonder she tried to murder him-if she'd cut his throat it would have been an
easy death compared with the slow torture he put her to."</p><p>''I know!'' Drummond's voice
cracked under the strain of his emotion. "I know that, Pitt! But Naomi
Royce is dead, Elsie Draper is dead, and there is nothing we can charge anyone
with. Garnet Royce only exercised the same rights and responsibilities any man
does over his wife. A man and his wife are one in law: he votes for her, is
financially and legally responsible for her, and he has always determined what
her religion should be, and her social status as well. He didn't murder
her."</p><p>Pitt sank down into his
chair.</p><p>"And all we could
charge Jasper with would be falsifying a death certificate for Naomi Royce. We
couldn't prove it</p><p><emphasis>299</emphasis></p><p>after seventeen years, but
even if we could, no jury would convict."</p><p>"And committing Elsie
Draper?"</p><p>Drummond looked at him with
deep pain. "Pitt, you and I believe she was sane when she was committed,
but it's only our belief against the word of a respected doctor. And God knows,
she was certainly mad when she died!"</p><p>"And Naomi Royce's
word!" He put his hand on the letters spread out on the desk between
them.' 'We've got these!''</p><p>"The opinion of a woman
who had embraced a strange religious sect and starved herself to death rather
than obey her husband and come back to the orthodox faith? Who's going to
convict a dog on the basis of that?"</p><p>"No one," Pitt
said wearily. "No one."</p><p>"What are you going to
do?"</p><p>"I don't know. May I
keep these?"</p><p>"If you want-but you
know you can't do anything with them. You can't accuse Royce."</p><p><sup>4</sup>'I
know.'' Pitt picked up the letters, carefully folding them and putting them
back in their envelopes and into the inside pocket of his coat. ' 'I know, but
I want to keep them. I don't want to forget."</p><p>Drummond smiled bitterly.
"You won't. Neither shall I. Poor woman . . . poor woman!"</p><p>Charlotte looked up, eyes wide
with horror. The tears ran down her cheeks unheeded and her hands holding the
letters were shaking.</p><p>"Oh Thomas! It's too
dreadful to have a name! How they must have suffered-first Naomi, and then poor
Elsie. How that poor creature must have felt! To watch her mistress die slowly,
growing weaker every day, and yet refusing to betray her truth, and Elsie
helpless to do anything. Then when it had gone too far and she could not eat,
even if she would, to watch her sink into unconsciousness and death. And when
Elsie would not let them hush it all up and report it as scarlet</p><p>300</p><p>fever, they told her she was
mad, and bundled her away to spend the rest of her life behind the walls of a
lunatic asylum. '' She seized his handkerchief from his pocket and blew her nose
fiercely. "Thomas, what are we going to do?"</p><p>"Nothing. There is
nothing we can do," he replied somberly.</p><p>"But that's
preposterous!"</p><p>' 'There's been no crime
committed.'' And he related what Drummond had said to him.</p><p>She stood stunned, too
appalled to speak, knowing what he said was true, and that argument was
pointless. And staring up at him, she was as aware of his pity and anger as
she was of her own.</p><p>"Very well," she
said at last. "I can see that. I am sure you would prosecute him if there
were any grounds-of course you would. But there is no purpose in taking to law
something which could never be acted upon. I think, if you don't mind, I shall
show the letters to Great-aunt Vespasia tomorrow. I am sure she would like to
know what the truth of the matter was. May I take them to her?" She half
held mem out to nun, but it was only a gesture; she had not considered that he
might refuse.</p><p>"If you wish." He
was reluctant, and yet why should she not tell Vespasia? Perhaps they could
comfort each other. She might want to talk about it further, and he was too exhausted
by his own emotions to want to relive it. "Yes, of course."</p><p>"You must be
tired." She put the letters in her apron pocket, regarding him gravely.
"Why don't you sit down by the fire, and I shall make supper. Would you
like a fresh kipper? I have two from the fishmonger today. And hot bread."</p><p>By late the following
afternoon Charlotte knew precisely what she was going to do, and how she would
accomplish it. No one would help her, at least not knowingly, but Great-</p><p>301</p><p>aunt Vespasia would do all
that was necessary, if she was asked the right way. Pitt had spent most of the
day in the garden, but at five o'clock the weather had changed suddenly, a
chill wind had sprung up from the east covering the sky with leaden clouds, and
by nightfall there would be a freezing fog. He had come inside, then gone to
sleep in front of the fire.</p><p>Charlotte did not disturb
him. She left a leek and potato pie in the oven and a note on the kitchen table
telling him she had gone to visit Aunt Vespasia. Since it was extremely cold
and a fog was drifting in off the river, she took the rather expensive step of
hiring a cab to take her all the way to Vespasia's house where she was received
with pleasure and some surprise.</p><p>"Is anything wrong, my
dear?" Vespasia asked, and looked at Charlotte more closely. "What is
it? What has happened?"</p><p>Charlotte took the letters
from her reticule and passed them over, explaining how Pitt had discovered
them.</p><p>Vespasia opened them,
adjusted her pince-nez on her nose, and read them slowly and without comment.
Finally she put the last one down and sighed very quietly.</p><p>"How very terrible. Two
lives wasted, and in such confusion and pain, over such terrible domination of
one person by another. How unreasonably far we still have to go before we learn
to treat each other with dignity. Thank you for showing them to me,
Charlotte-although when I lie awake at night I shall wish you had not. I must
speak to Somerset next time about the laws of lunacy; I am getting old to take
up new causes about which I know nothing, but it will haunt me. What could be
worse than madness, except to spend years as the only sane person in a fortress
of the mad?"</p><p>"Don't! . . .I'm sorry.
I should not have shown them to you."</p><p>' 'No, my dear. It was very
natural.'' Vespasia put her hand over Charlotte's.' 'We wish to share our pain.
And better you</p><p>302</p><p>should have come to me than
to poor Thomas. He has seen more than enough lately, and his helplessness must
hurt him."</p><p>"Yes," Charlotte
agreed; she knew it did. But it was nearly six o'clock and time to put the next
part of her plan into progress. "I mean to visit Sir Garnet Royce, perhaps
to deliver the letters to him.'' She saw Vespasia's body grow rigid.
"After all, they are his, in a sense."</p><p>"Rubbish!"
Vespasia snapped. "My dear Charlotte, you may be able to lie successfully
to other people, although I doubt it, but please do not try it with me. You do
not for a moment imagine they are Sir Garnet's property. They were written by
his wife to a Miss Forrester, and if they cannot be delivered to her, then they
are the property of Her Majesty's Postal Service. Nor would you give a fig if
they were Sir Garnet's! What do you mean to do?"</p><p>There was no more purpose in
lying; it had failed. "I mean to oblige him to know the truth, and to know
that I know it," Charlotte replied. It was not all her plan, but it was
part of it.</p><p>"Dangerous,"
Vespasia answered.</p><p>' 'Not if I take your carriage,
with your coachman to drive me. Sir Garnet may be as angry as he likes, but he
is not going to harm me. He would not dare. And I shall take only two letters,
and leave the rest with you." She waited, watching Vespasia's face.
Charlotte saw the doubt in it, as Vespasia argued back and forth with
herr^lf.''He deserves to know!'' she said urgently. "The law cannot face
him with it, but I can. And for Naomi's sake, and Elsie Draper's, I am going
to. I shall arrive in a proper carriage, with a footman, and the servants will
let me in. He cannot harm me! Please, Vespasia. All I want is the use of your
carriage for an hour or two." She considered adding, "Otherwise I
shall have to go by hansom," but it sounded too much like pressure, and Vespasia
would not care for that.</p><p>303</p><p>"Very well. But I shall
send Forbes as well, to ride on the box. That is my condition."</p><p>"Thank you, Aunt
Vespasia. I shall leave at about seven, if that is acceptable to you. That way
I shall be most likely to find him at home, since the House of Commons is not
debating anything of importance today, so I have been told.''</p><p>' 'Then you had better have
supper.'' Vespasia's silver eyebrows rose. "I presume you have left
something for poor Thomas to eat?"</p><p>"Yes of course I have.
And a note to tell him I am visiting you and will be home at about half past
eight or nine o'clock."</p><p>"Indeed," Vespasia
said dryly. "Then I suppose we had better request the kitchen to send us
something. Would you care for some jugged hare?"</p><p>An hour later Charlotte was
sitting huddled up inside Vespasia's carriage while the horses drew it slowly
through the fog-blinded streets from Belgravia, past the Palace of Westminster,
across the bridge, and along the far side of the south bank towards Bethlehem
Road. It was bitterly cold, and the dead air hung motionless, moisture freezing
as it touched the icy stones. Half of her was dreading arrival, and yet she was
so cold and the decision so firm in her mind that delay was of no value, there
was nothing else to turn over or consider, nothing that would change her
resolve. Garnet Royce was not going to be permitted to close his mind to Naomi,
or Elsie Draper, and convince himself he had acted justly.</p><p>The carriage stopped, and
she heard the footman's steps as he descended and a moment later the carriage
door opened. She took his hand and alighted. The fog was so thick she could
barely see the streetiamps oh either side of her, and the houses on the far
side of the street, no more than a slight darkening of the gray, curling vapors,
a mark on the imagination.</p><p>304</p><p>' 'Thank you. I am sorry to
ask you to wait here, but I hope I shall not be long."</p><p>"That's all right,
ma'am," Forbes replied from the gloom just beyond.' 'Her ladyship said we
were to wait for you right outside the door, and we shall."</p><p>Garnet Royce received her
civilly enough, but his manner was distant and somewhat surprised. He had
obviously forgotten her from her visit to Amethyst following Lockwood
Hamilton's death, which was hardly surprising, and he now had no idea who she
was. She did not waste time in niceties.</p><p>"I have come to see
you, Sir Garnet, because I plan to write a book-about a certain religious
movement, to which your wife Naomi Royce belonged, before she died."</p><p>His face froze. "My
wife was a member of the Church of England, ma'am. You have been
misinformed."</p><p>"Not according to her
letters," she replied, equally coldly. "She wrote several very
personal, very tragic letters to a certain Lizzie Forrester, who was a member
of the same movement. Miss Forrester emigrated to America, and the letters
never reached her. They remained in this country, and have come into my
hands."</p><p>He remained stony-faced, his
hand near the bell rope.</p><p>She must hurry before she
was thrown out. She opened her reticule and pulled out the pages she had
brought. She began to read, starting with Naomi's account of her husband's
forbidding her to attend the church of her conviction and sending her to her
room until she should comply with his wishes, and her vow that she would refuse
to eat until he allowed her the freedom of her own conscience. When Charlotte
came to the end she looked up at Royce. The contempt in his eyes was
blistering, and his hands clenched in front of him in rage.</p><p>"I can only assume that
you are threatening to make this a scandal if I do not pay you. Blackmail is an
ugly and dangerous profession, and I would advise you to give me the</p><p>305</p><p>letters and leave before you
damn yourself by making threats."</p><p>She saw the fear in him, and
her own disgust hardened. She thought of Elsie Draper and a lifetime in Bedlam.</p><p>"I don't want anything
from you, Sir Garnet," she said, her voice so grating it hurt her throat.
' 'Except that you should know what you have done: you denied a woman the right
to seek God in her own way and to follow her conscience in the manner of her
belief. She would have obeyed you in all else! But you had to have everything,
her mind and her soul. It would have been a scandal, wouldn't it? 'M.P.'s Wife
Joins Extreme Religious Sect!' Your political party would have dropped you, all
your Society friends! So you locked her in her room until she should obey you.
Only you had not realized how passionately she believed, how strong she
was-that she would die rather than renounce the truth she believed-and she did
die!</p><p>' 'Oh how you must have
panicked then. You sent for your brother to write a death certificate calling
it scarlet fever"- she would not let him interrupt when he tried, raising
her voice to drown him out-"and he agreed to do it, to avoid a scandal.
'M.P.'s Wife Commits Suicide in Locked Room! Did her husband drive her to it-or
was she mad? Insanity in the family?'</p><p>"Only Elsie, loyal Elsie,
wouldn't agree; she wanted to tell the truth-so you had her committed to
Bedlam! Seventeen years in a madhouse, seventeen years of living death. No
wonder when she got out she came hunting for you with a razor! God help her! If
she wasn't mad when you put her in, she certainly was by the time she was
allowed to leave!"</p><p>For many seconds of dreadful
silence they stared at each other in mutual abhorrence. Then slowly his face
changed. He caught a glimpse of what she meant, wild and heretical as it was to
him, challenging all the rules he knew, overturning all order concerning the
rights and obligations of the strong to protect the weak, to govern them for
their own</p><p>306</p><p>good-whatever their wishes.
Then as he gazed at her those thoughts passed away; a conflict remained which
Charlotte watched him wrestle with for several more minutes, while the clock on
the mantelshelf ticked on, and far away someone dropped a tray in the kitchen.</p><p>"My wife was of fragile
mind and disposition, madame. You did not know her. She was given to sudden
fancies, and very easily prevailed upon by charlatans and people of feverish
imagination. They sought money from her. That was not in her letters, perhaps,
but it is so, and I was afraid of her being taken advantage of. I forbade them
the house, as any man of responsibility would."</p><p>He swallowed hard, composing
himself with difficulty, banishing the horror he had caught such a dreadful
sight of for an instant, forcing the words out.</p><p>' 'I misjudged her. She was
more vulnerable to their blandishments than I realized, and in poor health,
which affected her mind. I appreciate now that I should have called medical
help for her long before I did. I imagined she was being willful, whereas she
was in truth suffering delusions from fever, and the effects of designing
people. I regret my actions; you do not know how I regretted them, how I have
done over the years.''</p><p>Charlotte felt her mastery
was slipping away, somehow he was twisting what she had said. "But you had
no right to decide what she should believe!'' she cried out. ' 'No one has the
right to choose for someone else! How dare you? How dare you presume to judge
another person as to what they should want? It is not protection, it is ... it
is ..." She searched for the word. "It is dominion! And it is <emphasis>wrongl"</emphasis></p><p>"It is the duty of the
strong and the able to protect the weak, madame, and especially those born or
given into their charge. And you will find that society will thank you little
for seeking to make a profit out of my family's misfortune.''</p><p>"And what about Elsie
Draper? What about her life? You shut her away in a madhouse!"</p><p>307</p><p>A very slight smile touched
the comers of his mouth.</p><p>"And do you contend,
madame, that she was not mad?"</p><p>"Not when you put her
away, no!" Charlotte was losing, and she saw it in his face, heard it in
the stronger, calmer tone in his voice.</p><p>"You had better leave,
madame. There is nothing for you here. If you write your book, and you mention
the name of anyone in my family, I shall sue you for libel, and society will
reject you for the cheap adventuress you are. Good day. My footman will show
you out." And he rang the bell.</p><p>Five minutes later Charlotte
was sitting in the carriage as the horses plodded slowly through the freezing
fog down Bethlehem Road and back towards the Westminster Bridge and the
darkness of the river. She had failed. She had not done more than shake his complacency
for a few moments- just that brief space when he had glimpsed the idea that he
had been guilty of a monstrous oppression. Then self-justification had swept
back and everything was as before; he was powerful, complacent, secure. To
think that she had even been frightened! How needless-he had dismissed her
without any emotion but disgust. He had not even asked for the letters!</p><p>They were coming down onto
the bridge now; she heard the difference in the echo of the horses' hooves. The
fog was very dense and the ice slippery on the stones. She felt the occasional
jolt as an animal lost and regained its footing.</p><p>What were they stopping for?</p><p>There was a rap on the
carriage door and Forbes opened it.</p><p>"Ma'am, there is a
gentleman wishes to speak to you."</p><p>"A gentleman?"</p><p>"Yes. He said it was
confidential, if you would not mind stepping out for a moment; it would be more
decorous than his climbing in."</p><p>"Who is it?"</p><p>"I don't know, ma'am. I
don't recognize him, and to tell 308</p><p>the truth, I wouldn't
recognize my own brother on a night like this. But I shall be right here,
ma'am, only a few yards from you. He said to tell you it was about passing a
new law guaranteeing freedom of conscience."</p><p>Freedom of conscience? Could
something she had said have touched Garnet Royce after all?</p><p>She stepped out, taking
Forbes's hand and steadying herself on the ice-glazed pavement. She saw the
figure dimly, only a few feet away. It was Garnet Royce, muffled up against the
bitter night. He must have relented as soon as she had left, and followed her
carriage; they had traveled at no more than walking pace.</p><p>"I'm sorry," he
said immediately. "I realize I misjudged you. Your motives were not
selfish, as I presumed. If I might have a moment of your time . . . ?" He
took a step away from the carriage to be out of earshot of Forbes and the
coachman.</p><p>She followed, understanding
his desire for privacy. It was a highly delicate matter.</p><p>' 'I was too zealous, I
confess. I treated Naomi as if she were a child. You are right. An adult woman,
whether married or single, should have the freedom to follow her conscience
and to embrace whatever religious teaching she will.''</p><p>' 'You mentioned a law?''
Could it be that after all something good would come of this? "Could such
a law be framed?"</p><p>"I don't know," he
said so softly she was obliged to move closer to hear him. "But I am
certainly in a position to discover what can be done, and to introduce such a
bill. If you would tell me what you think would be of benefit to all woman, and
yet still keep order and protect the weak and the ignorant from exploitation.
It is not easy."</p><p>She thought about it, trying
frantically to come up with some sensible answer. A law? She had never thought
of legal means. And yet he was very serious, his eyes with their clear silver-blue
irises were bright in the triple lamplight and the</p><p>309</p><p>halo of the fog. She could
barely see even the outline of the carriage.</p><p>She looked back at him, and
it was then she saw the sudden change in his expression, the gleam of passion
as his lips twisted back from his teeth and his arm darted forward, his
black-gloved hand clamping over her lips before she could cry out. She was
being pushed backwards towards the balustrade and the long drop to the river!</p><p>She kicked as hard as she
could, but it was useless. She tried to bite and only bruised her mouth. The
balustrade was digging into her back. In a moment she would be lifted over and
thrown into the void, then the freezing water would close over her, and
darkness, and her lungs would fill to bursting. No one would survive the river
tonight.</p><p>She swung her other hand
round and jabbed for his eyes with outstretched fingers. There was a stifled
yell of pain, muffled by the fog. He lunged forward to strike her but his feet
gave way on the ice, and for a desperate second he hung on the balustrade, arms
and legs flailing. Then, like a wounded bird, he went over and dropped into the
long chasm of the night and the river. She did not even hear the splash as the
water received him; the fog drowned it in choking silence.</p><p>She stood leaning on the
rail, sick and shaking. The sweat of a few moments ago was now freezing on her
skin. She felt too weak with fear and guilt even to stand without support.</p><p>"Ma'am!"</p><p>She stood rigid, not even
breathing.</p><p>"Ma'am? Are you all
right?"</p><p>It was Forbes, looming up,
invisible until he was almost on top of her.</p><p>"Yes." Her voice
sounded thin, unrecognizable.</p><p>"Are you sure, ma'am?
You look . . . unwell. Did the gentleman-trouble you? If he did-"</p><p>"No!" She
swallowed hard. There seemed to be an ob 310</p><p>struction in her throat, and
her knees were wobbling so, she feared to walk. How could she explain what
happened? Would they think she had pushed him over, murdered him? Who would
believe her? And what was she guilty of anyway? Would they believe she had not
tried after all to blackmail him, and pushed him over the bridge when he had
threatened to expose her to the police?</p><p>"Ma'am, I think, if you
will forgive me, that you should get back into the carriage and permit me to
drive you back to Lady Cumming-Gould."</p><p>"No-no thank you,
Forbes. Will you take me to the Bow Street Police Station? I have an-an
incident to report."</p><p>"Yes ma'am, if that is
what you wish."</p><p>Gratefully she took his arm,
and awkwardly, tripping over the step, she half fell inside the carriage and
sat there shivering while they covered the short distance across the rest of
the bridge and up the north side to Bow Street.</p><p>Forbes helped her out again,
now severely anxious for her welfare, going with her past the duty sergeant and
up the stairs to Micah Drummond's office.</p><p>Drummond looked at her in
alarm, then at Forbes. "Go and get Inspector Pitt!" he commanded.
"Immediately, man!"</p><p>Forbes turned on his heel
and ran down the stairs two at a time.</p><p>"Sit down, Mrs.
Pitt." Drummond half carried-her to his own chair. "Now tell me what
on earth has happened. Are you ill?"</p><p>She wanted above anything
else to fall into Pitt's arms and be held, to weep herself into exhaustion and
to sleep, but first she must explain, now, before Pitt came. It was her fault,
not his, and the very least she owed him was not to involve him in the blame,
and to spare him the anguish of her explanation.</p><p>Slowly and carefully,
between sips of brandy, which she loathed, and staring at Micah Drummond's
strained and gen</p><p>311</p><p>tie face, she recounted
precisely what she had done, and how Garnet Royce had responded. She saw the
reflection of fear and anger in his eyes, his perception of what would happen
before she reached that part of the account herself, and the briefest flicker
of admiration for what she had said.</p><p>She faltered when she told
him how Royce had slipped on the ice and plunged over the balustrade into the
river, but slowly, with her eyes shut, she found the words, though they were
inadequate to express her terror and her guilt.</p><p>She opened her eyes and
looked at him. What would he do to her? To Pitt? Had she jeopardized not only
herself but Thomas also? She was bitterly ashamed and afraid.</p><p>Drummond held both her
hands.</p><p>"There can be no doubt
that he is dead," he said slowly. "No one could live in the river in
this weather, even if he survived the fall. The River Police will find him
presently; maybe tomorrow, maybe later, depending on the tide. There are three
conclusions they can come to: suicide, accident, or murder. You were the last
person known to have seen him alive, so they will come to question you."</p><p>She wanted to speak but her
voice would not come. It was even worse than she had thought!</p><p>His hands tightened over
hers. "It was an accident, which occurred in the course of his attempting
to commit murder. It seems his dread of scandal was so great he would kill to
keep his position. But we cannot prove that, and it would be wiser not to try.
It would distress his family and achieve nothing. I think the best thing would
be for me to go to the River Police and tell them that he received letters
written by his late wife which distressed him profoundly, and we fear that they
may have disturbed the balance of his mind-which is perfectly true. Then they
may draw whatever conclusions they wish, but I imagine they will find it to
have been suicide. That would be the best thing, in the circumstances. There is
no need to tar his name with accusations that cannot be proved."</p><p>312</p><p>She searched his face,
finding only gentleness there. The relief was so intense it was like the easing
of a cramp, painful and exquisite. The tears would no longer be stayed, and she
buried her head in her hands and sobbed with pity, exhaustion, and overwhelming,
devastating gratitude.</p><p>She did not even see Pitt
come in the door, ashen-faced, Forbes at his elbow, but she felt his arms go
round her as she breathed in the familiar smell of his coat, feeling the
texture of it under her cheek.</p><p>313</p></section></body><binary id="cover" 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</binary>
</FictionBook>