In the sea, once upon time, O my Best Beloved, there was a Whale[1], and he ate fishes. He ate the starfish and the garfish, and the crab and the dab, and the plaice and the dace, and the skate and his mate, and the mackereel and the pickereel, and the really truly twirly-whirly eel. All the fishes he could find in all the sea he ate with his mouth – so! Till at least there was only one small fish left in all the sea, and he was a small ’Stute Fish[2], and he swam a little behind the Whale’s right ear, so as to be out of harm’s way. Then the Whale stood up on his tail and said, ‘I’m hungry’. And the small ’Stute Fish said in a small ’stute voice[3], ‘Noble and generous Cetacean, have you ever tasted Man?’

‘No’, said the Whale. ‘What is it like?[4]’

‘Nice,’ said the small ‘Stute Fish. ‘Nice but nubbly.’

‘Then fetch me some,’ said the Whale, and he made the sea froth up with his tail[6].

‘One at a time is enough,’ said the ’Stute Fish. ‘If you swim to latitude Fifty North, longitude Forty West[7] (that is Magic), you will find, sitting on a raft, in the middle of the sea, with nothing on but a pair of blue canvas breeches, a pair of suspenders[8] (you must not forget the suspenders, Best Beloved), and a jack-knife[9], one shipwrecked Mariner, who, it is only fair to tell you, is a man of infinite-resource-and-sagacity[10].’

So the Whale swam and swam to latitude Fifty North, longitude Forty West, as fast as he could swim, and on a raft, in the middle of the sea, with nothing to wear except a pair of blue canvas breeches, a pair of suspenders (you must particularly remember the suspenders, Best Beloved), and a jack-knife, he found one single, solitary shipwrecked Mariner, trailing his toes in the water. (He had his Mummy’s leave to paddle[11], or else he would never have done it, because he was a man of infinite-resource-and-sagacity.)

Then the Whale opened his mouth back and back and back till it nearly touched his tail, and he swallowed the shipwrecked Mariner, and the raft he was sitting on, and his blue canvas breeches, and the suspenders (which you must not forget), and the jack-knife. He swallowed them all down into his warm, dark, inside cupboards, and then he smacked his lips – so, and turned round three times on his tail.

Here is the Whale looking for the little ’Stute Fish, who is hiding under the Door-sills of the Equator. The little ’Stute Fish’s name was Pingle. He is hiding among the roots of the big seaweed that grows in front of the Doors of the Equator. I have drawn the Doors of Equator. They are shut. They are always kept shut, because a door ought always to be kept shut. The ropy thing right across is the Equator itself; and the things that look like rocks are the two giants Moar and Koar, that keep the Equator in order. They drew the shadow-pictures on the Doors of the Equator, and they carved all those twisty fishes under the Doors. The beaky fish are called Beaked Dolphins, and the other fish with the queer heads are called Hammer-headed Sharks. The Whale never found the little ’Stute Fish till he got over his temper, and then they became good friends again.

But as soon as the Mariner, who was a man of infinite-resource-and-sagacity, found himself truly inside the Whale’s warm, dark, inside cupboards, he stumped and he jumped and he thumped and he bumped, and he pranced and he danced, and he banged and he clanged, and he hit and he bit, and he leaped and he creeped, and he prowled and he howled, and he hopped and he dropped, and he cried and he sighed, and he crawled and he bawled, and he stepped and he lepped, and he danced hornpipes[12] where he shouldn’t, and the Whale felt most unhappy indeed. (Have you forgotten the suspenders?)

So he said to the ’Stute Fish, ‘This man is very nubbly, and besides he is making me hiccough[13]. What shall I do?’

‘Tell him to come out,’ said the ’Stute Fish.

So the Whale called down his own throat to the shipwrecked Mariner, ‘Come out and behave yourself. I’ve got the hiccoughs.’

‘Nay, nay!’ said the Mariner. ‘Not so, but far otherwise. Take me to my natal-shore and the white-cliffs-of-Albion, and I’ll think about it.’ And he began to dance more than ever.

‘You had better take him home,’ said the ’Stute Fish to the Whale. ‘I ought to have warned you[14] that he is a man of infinite-resource-and-sagacity.’

So the Whale swam and swam and swam, with both flippers and his tail, as hard as he could for the hiccoughs; and at last he saw the Mariner’s natal-shore and the white-cliffs-of-Albion, and he rushed half-way up the beach, and opened his mouth wide and wide and wide, and said, ‘Change here for Winchester, Ashuelot, Nashua, Keene, and stations on the Fitchburg Road’; and just as he said ‘Fitch’ the Mariner walked out of his mouth. But while the Whale had been swimming, the Mariner, who was indeed a person of infinite-resource-and-sagacity, had taken his jack-knife[15] and cut up the raft into a little square grating[16] all running criss-cross, and he had tied it firm with his suspenders (now you know why you were not to forget the suspenders!), and he dragged that grating good and tight into the Whale’s throat, and there it stuck! Then he recited the following Sloka[17], which, as you have not heard it, I will now proceed to relate[18]:

By means of a gratinghave stopped your ating.’

For the Mariner he has also an Hi-ber-ni-an. And he stepped out on the shingle, and went home to his Mother, who had given him leave to trail his toes in the water; and he married and lived happily ever afterward. So did the Whale. But from that day on, the grating in his throat, which he could neither cough up nor swallow down[19], prevented him eating anything except very, very small fish; and that is the reason why whales nowadays never eat men or boys or little girls.

The small ’Stute Fish went and hid himself in the mud under the Door-sills of the Equator. He was afraid that the Whale might be angry with him.

The Sailor took the jack-knife home. He was wearing the blue canvas breeches when he walked out on the shingle. The suspenders were left behind, you see, to tie the grating with; and that is the end of that tale.

When the cabin port-holes are dark and greenBecause of the seas outside;When the ship goes wop (with a wiggle between)And the steward falls into the soup-tureen[20],And the trunks[21] begin to slide;When Nursey lies on the floor in a heap,And Mummy tells you to let her sleep,And you aren’t walked or washed or dressed,Why, then you will know (if you haven’t guessed)You’re ‘Fifty North and Forty West!’

1. How did the story begin? Why did the Whale want to find the Mariner?

2. Describe the Mariner.

3. What did the Mariner do after the Whale had swallowed him?

4. Why did the Whale have to take the Mariner home?

5. According to the story why were you not to forget the suspenders?

6. Retell the story.

Now this is the next tale, and it tells how the Camel got his big hump.

In the beginning of years, when the world was so new-and-all, and the Animals were just beginning to work for Man, there was a Camel, and he lived in the middle of a Howling Desert because he did not want to work; and besides, he was a Howler himself. So he ate sticks and thorns and tamarisks and milkweed and prickles, most ’scruciating idler[23]; and when anybody spoke to him he said ‘Humph![24] ’ Just ‘Humph!’ and no more.

Presently the horse came to him on Monday morning, with a saddle on his back and a bit[25] in his mouth, and said, ‘Camel, O Camel, come out and trot[27] like the rest of us.’

‘Humph!’ said the Camel; and the Horse went away and told the Man.

Presently the Dog came to him, with a stick in his mouth, and said, ‘Camel, O Camel, come and fetch and carry like the rest of us.’

‘Humph!’ said the Camel; and the Dog went away and told the Man.

Presently the Ox came to him, with the yoke on his neck, and said, ‘Camel, O Camel, come and plough[28] like the rest of us.’

‘Humph!’ said the Camel; and the Ox went away and told the Man.

At the end of the day the Man called the Horse and the Dog and the Ox together, and said, ‘Three, O Three, I’m very sorry for you (with the world so new-and-all); but that Humph-thing in the Desert can’t work, or he would have been here by now, so I am going to leave him alone, and you must work double-time to make up for it.’

That made the Three very angry (with the world so new-and-all); and they held a palaver[29], and indaba, and a punchayet, and a pow-wow[30] on the edge of the Desert; and the Camel came chewing milkweed most ’scruciating idler, and laughed at them. Then he said ‘Humph!’ and went away again.

Presently there came along the Djinn in charge of All Deserts, rolling in a cloud of dust (Djinns always travel that way because it is Magic), and he stopped to palaver and pow-wow with the Three.

‘Djinn of All Deserts,’ said the Horse, ‘is it right for any one to be idle, with the world so new-and-all?’

‘Certainly not’, said the Djinn.

‘Well,’ said the Horse, ‘there’s a thing in the middle of your Howling Desert (and he’s a Howler himself) with a long neck and long legs, and he hasn’t done a stroke of work[32] since Monday morning. He won’t trot[33].’

Here is the picture of the Djinn in charge of All Deserts guiding the Magic with the magic fan. The Camel is eating a twig of acacia[31], and he has just finished saying ‘Humph!’ once too often (the Djinn told him he would), and so the Humph is coming. The long towelly thing growing out of the thing like an onion is the Magic, and you can see the Humph on its shoulder. The Humph fits on the flat part of the Camel’s back. The Camel is too busy looking at his own beautiful self in the pool of water to know what is going to happen to him.

Underneath the truly picture is a picture of the World-so-new-and-all. There are two smoky volcanoes in it, some other mountains and some stones and a lake and a black island and a twisty river and a lot of other things, as well as a Noah’s Ark. I couldn’t draw all the deserts that the Djinn was in charge of, so I only drew one, but it is a most deserty desert.

‘Whew!’ said the Djinn, whistling, ‘that’s my Camel, for all the gold in Arabia! What does he say about it?’

‘He says “Humph!”’said the Dog; ‘and he won’t fetch and carry.’

‘Does he say anything else?’

‘Only “Humph!”; and he won’t plough,’ said the Ox.

‘Very good,’ said the Djinn. ‘I’ll humph him if you will kindly wait a minute.’

The Djinn rolled himself up in his dust-cloak, and took a bearing across the desert, and found the Camel most ’scruciatingly idler, looking at his own reflection in a pool of water.

‘My long and bubbling friend,’ said the Djinn, ‘what’s this I hear of your doing no work, with the world so new-and-all?’

‘Humph!’ said the Camel.

The Djinn sat down, with his chin in his hand, and began to think a Great Magic, while the Camel looked at his own reflection in the pool of water.

‘You’ve given the Three extra work ever since Monday morning, all on account of your ’scruciating idleness,’ said the Djinn; and he went on thinking Magics, with his chin in his hand.

‘Humph!’ said the Camel.

‘I shouldn’t say that again if I were you[34],’ s aid the Djinn; ‘you might say it once too often. Bubbles, I want you to work[35].’

And the Camel said ‘Humph!’ again; but no sooner had he said it than he saw his back, that he was so proud of, puffing up and puffing up into a great big lolloping humph[36].

‘Do you see that?’ said the Djinn. ‘That’s your very own humph that you’ve brought upon your very own self by not working. Today is Thursday, and you’ve done no work since Monday, when the work began. Now you are going to work.’

‘How can I,’ said the Camel, ‘with this humph on my back?’

‘That’s made a-purpose,’ said the Djinn, ‘all because you missed those three days. You will be able to work now for three days without eating, because you can live on your humph; and don’t you ever say I never did anything for you. Come out of the Desert and go to the Three, and behave. Humph yourself!’

And the Camel humphed himself, humph and all, and went away to join the Three. And from that day to this the Camel always wears a humph (we call it ‘hump’ now, not to hurt his feelings; but he has never yet caught up with the three days[37] that he missed at the beginning of the world, and he has never yet learned how to behave.

The Camel’s hump is an ugly[38] lumpWhich well you may see at the Zoo;But uglier yet is the hump we getFrom having too little to do.Kiddies and grown-ups too-oo-oo,If we haven’t enough to do-oo-oo,We get the hump —Cameelious hump —The hump that is black and blue!We climb out of bed with frowzy[39] headAnd a snarly-yarly voice.We shiver and scowl and we grunt and we growl[40]At our bath and our boots and our toys;And there ought to be a corner for me(And I know there is one for you)When we get the hump —Cameelious hump —The hump that is black and blue!The cure for this ill is not to sit still,Or frowst with a book by the fire;But to take a large hoe and a shovel also,And dig till you gently perspire[41];And then you will find that the sun and the wind,And the Djinn of the Garden too,Have lifted the hump —The horrible hump —The hump that is black and blue!I get it as well as you-oo-oo —If I haven’t enough to do-oo-oo!We all get hump —Cameelious hump —Kiddies and grown-ups too!

1. What animals came to the Camel? What did they offer to the Camel and what was the answer?

2. Why were the animals very angry after the

Man had talked to them?

3. Retell the story from the moment the Djinn appeared in it.

4. What did the Djinn do for making the Camel work?

5. What ‘advantages’ did the hump on the back give to the Camel?

6. Retell the story.

Once upon a time, on an uninhabited island on the shores of the Red Sea, there lived a Parsee from whose hat the rays of the sun were reflected in more-than-oriental splendour[43]. And the Parsee lived by the Red Sea with nothing but his hat and his knife and a cooking-stove of the kind that you must particularly never touch. And one day he took flour and water and currants and plums and sugar and things, and made himself one cake which was two feet across and three feet thick[44]. It was indeed a Superior Comestible (that’s Magic), and he put it on the stove because he was allowed to cook on that stove, and he baked it and he baked it till it was all done brown and smelt most sentimental[45]. But just as he was going to eat it there came down to the beach from the Altogether Uninhabited Interior one Rhinoceros with a horn on his nose, two piggy eyes, and few manners[46]. In those days the Rhinoceros’s skin fitted him quite tight[47]. There were no wrinkles in it anywhere. He looked exactly like[48] a Hoah’s Ark Rhinoceros, but of course much bigger. All the same, he had no manners then, and he has no manners now, and he never will have any manners. He said, ‘How!’ and the Parsee left that cake and climbed to the top of palm-tree with nothing on but his hat, from which the rays of the sun were always reflected in more-than-oriental splendour. And the Rhinoceros upset the oil-stove with his nose, and the cake rolled on the sand, and he spiked that cake on the horn of his nose, and he ate it, and he went away, waving his tail, to the desolate and Exclusively Uninhabited Interior which abuts on the islands of Mazanderan, Socotra, and the Promontories of the Larger Equinox[51]. Then the Parsee came down from his palm-tree and put the stove on its legs and recited the following Sloka, which, as you have not heard, I will now proceed to relate: —

And there was a great deal more in that than you would think[52].

Because, five weeks later, there was a heatwave[53] in the Red Sea, and everybody took off all the clothes they had. The Parsee took off his hat; but the Rhinoceros took off his skin and carried it over his shoulder as he came down to the beach to bathe. In those days it buttoned underneath with three buttons and looked like a waterproof. He said nothing whatever about the Parsee’s cake, because he had eaten it all; and he never had any manners, then, since, or henceforward[54]. He waddled straight into the water and blew bubbles through his nose, leaving his skin on the beach.

Presently the Parsee came by and found the skin, and he smiled one smile that ran all around his face two times. Then he danced three times round the skin and rubbed his hands[55]. Then he went to his camp and filled his hat with cake-crumbs, for the Parsee never ate anything but cake, and never swept out his camp. He took that skin, and he shook that skin, and he scrubbed that skin, and he rubbed that skin just as full of old, dry, stale, tickly cake-crumbs and some burned currants as ever it could possibly hold. Then he climbed to the top of his palm-tree and waited for the Rhinoceros to come out of the water and put it on[57].

This is the Parsee Pestonjee Bomonjee sitting in his palm-tree and watching the Rhinoceros Strorks bathing near the beach of the Altogether Uninhabited Island after Strorks had taken off his skin. The Parsee has rubbed the cake-crumbs into the skin, and he is smiling to think how they will tickle Strorks when Srorks puts it on again. The skin is just under the rocks below the palm-tree in a cool place; that is why you can’t see it. The Parsee is wearing a new more-than-oriental-splendour hat of the sort that Parsees wear; and he has a knife in his hand to cut his name on palm-tree. The black things on the islands out at sea are bits of ships that got wrecked going down the Red Sea; but all the passengers were saved and went home. The black thing in the water close to the shore is not a wreck at all. It is Strorks the Rhinoceros bathing without his skin. He was just as black underneath[56] his skin as he was outside. I wouldn’t ask anything about the cooking-stove if I were you.

And the Rhinoceros did. He buttoned it up with the three buttons, and it tickled like cake-crumbs in bed. Then he wanted to scratch, but that made it worse; and then he lay down on the sands and rolled and rolled and rolled, and every time he rolled the cake-crumbs tickled him worse and worse and worse. Then he ran to the palm-tree and rubbed and rubbed and rubbed himself against it[58]. He rubbed so much and so hard that he rubbed his skin into a great fold over his shoulders, and another fold underneath, where the buttons used to be[59] (but he rubbed the buttons off), and he rubbed some more folds over his legs. And it spoiled his temper[60], but it didn’t make the least difference to the cake-crumbs. They were inside his skin and they tickled. So he went home, very angry indeed and horribly scratchy; and from that day to this every rhinoceros has great folds in his skin and a very bad temper, all on account of the cake-crumbs inside.

But the Parsee came down from his palm-tree, wearing his hat, from which the rays of the sun were reflected in more-than-oriental splendour, packed up his cooking-stove, and went away in the direction of Orotavo, Amygdala, the Upland Meadows of Antananarivo, and the Marshes of Sonaput.

This Uninhabited IslandIs off Cape[61] Gardafui,By the Beaches of SocotraAnd the Pink Arabian Sea:But it’s hot – too hot from SuezFor the likes of you and meEver to goIn a P. & O.And call on the Cake-Parsee.

1. Describe how Rhinoceros looked like formerly? How did he manage to do this? 2. What did the Parsee do when he found the Rhinoceros’ skin?

3. Describe a ‘modern’ Rhinoceros.

4. How did the Rhinoceros get his skin?

5. Retell the story.

In the days when everybody started fair, Best Beloved, the Leopard lived in a place called the High Veldt. ’Member[62] it wasn’t the Low Veldt, or the Bush Veldt, or the Sour Veldt, but the ’sclusively[63] bare, hot, shiny High Veldt, where there was sand and sandy-coloured rock and ’sclusively tufts of sandy-yellowish grass. The Giraffe and the Zebra and the Eland and the Koodoo and the Hartebeest[64] lived there; and they were ’sclusively sandy-yellow-brownish all over; but the Leopard, he was the ’sclusivest sandiest-yellowest-brownest of them all – a grayish-yellowish catty-shaped kind of beast, and he matched the ’sclusively yellowish-greyish-brownish colour of the High Veldt to one hair. This was very bad for the Giraffe and the Zebra and the rest of them; for he would lie down by a ’sclusively yellowish-greyish-brownish stone or clump of grass, and when the Giraffe or the Zebra or the Eland or the Koodoo or the Bush-Buck or the Bonte-Buck came by he would surprise them out of their jumpsome lives. He would indeed! And, also, there was an Ethiopian with bows and arrows (a ’sclusively greyish-brownish-yellowish man he was then), who lived on the High Veldt with the Leopard; and the two used to hunt together – the Ethiopian with his bows and arrows, and the Leopard ’sclusively with his teeth and claws – till the Giraffe and the Eland and the Koodoo and the Quagga and all the rest of them didn’t know which way to jump, Best Beloved. They didn’t indeed!

After a long time – things lived for ever so long in those days – they learned to avoid[65] anything that looked like a Leopard or an Ethiopian; and bit by bit[66] – the Giraffe began it, because his legs were the longest – they went away from the High Veldt. They scuttled for days and days and days till they came to a great forest, ’sclusively full trees and bushes and stripy, speckly, patchy-blatchy shadows, and there they hid: and after another long time, what with standing half in the shade and half out of it, and what with the slippery-slidy shadows of the trees falling on them, the Giraffe grew blotchy, and the Zebra grew stripy, and the Eland and the Koodoo grew darker[67], with little wavy grey lines on their backs like bark on a tree-trunk; and so, though you could hear them and smell them, you could very seldom see them, and then only when you knew precisely where to look. They had a beautiful time in the ’sclusively speckly-spickly shadows of the forest, while the Leopard and the Ethiopian ran about over the ’sclusively grayish-yellowish-reddish High Veldt outside, wondering where all their breakfasts and their dinners and their teas had gone. At last they were so hungry that they ate rats and beetles and rock-rabbits, the Leopard and the Ethiopian, and then they had the Big Tummy-ache[68], both together; and then they met Baviaan – the dog-headed, barking Baboon who is Quite the Wisest Animal in All South Africa.

Said the Leopard to Baviaan (and it was a very hot day), ‘Where has all the game gone?’

And Baviaan winked[69]. He knew.

Said the Ethiopian to Baviaan, ‘Can you tell me the present habitat of the aboriginal[70] Fauna?’ (That meant just the same thing, but the Ethiopian always used long words. He was a grown-up.)

And Baviaan winked. He knew.

Then said Baviaan, ‘The game has gone into other spots[71]; and my advice to you, Leopard, is to go into other spots as soon as you can.’

And the Ethiopian said, ‘That is all very fine, but I wish to know whither the aboriginal Fauna has migrated.’

Then said Baviaan, ‘The aboriginal Fauna has joined the aboriginal Flora because it was high time for a change[72]; and my advice to you, Ethiopian, is to change as soon as you can.’

That puzzled the Leopard and the Ethiopian, but they set off to look for the aboriginal Flora, and presently, after ever so many days, they saw a great, high, tall forest full of tree-trunks all ’sclusively speckled and spotted and spotted, dotted and splashed and slashed and hatched and cross-hatched with shadows. (Say that quickly aloud, and you will see how very shadowy the forest must have been.)

‘What is this,’ said the Leopard, ‘that is so ’sclusively dark, and yet so full of little pieces of light?’

‘I don’t know,’ said the Ethiopian, ‘but it ought to be the aboriginal Flora. I can smell Giraffe, and I can hear Giraffe, but I can’t see Giraffe.’

‘That’s curious,’ said the Leopard. ‘I suppose it is because we have just come in out of the sunshine[75]. I can smell Zebra, and I can hear Zebra, but I can’t see Zebra.’

‘Wait a bit’, said the Ethiopian. ‘It’s a long time since we’ve hunted[76] ’em[77]. Perhaps we’ve forgotten what they were like.’

‘Fiddle![78]’ said the Leopard. “I remember them perfectly on the High Veldt, especially their marrow-bones[79]. Giraffe is about seventeen feet high, of ’sclusively fulvous golden-yellow from head to heel; and Zebra is about four and a half feet high, of a ’sclusively grey-fawn colour from head to heel.

‘Umm,’ said the Ethiopian, looking into the speckly-spickly shadows of the aboriginal Flora-forest. ‘Then they ought to show up in this dark place like ripe bananas in a smoke-house.’

But they didn’t. The Leopard and the Ethiopian hunted all day; and though they could smell them and hear them, they never saw one of them[80].

‘For goodness sake[81],’ said the Leopard at teatime, ‘let us wait till it gets dark[82]. This daylight hunting is a perfect scandal.’

So they waited till dark, and then the Leopard heard something breathing sniffily in the starlight that fell all stripy through the branches, and he jumped at the noise, and it smelt like Zebra, and it felt like Zebra, and when he knocked it down it kicked like Zebra, but he couldn’t see it. So he said, ‘Be quite, O you person without any form. I am going to sit on your head till morning, because there is something about you that I don’t understand.’

Presently he heard a grunt and a crash and a scramble, and the Ethiopian called out, ‘I’ve caught a thing that I can’t see. It smells like Giraffe, and it kicks like Giraffe, but it hasn’t any form.’

‘Don’t you trust it,’ said the Leopard. ‘Sit on its head till the morning – same as me. They haven’t any form – any of ’em.’

So they sat down on them hard till bright morning-time, and then Leopard said, ‘What have you at your end of the table, Brother?’

The Ethiopian scratched his head[83] and said, ‘It ought to be ’sclusively a rich fulvous orange-tawny from head to heel[84], and it ought to be Giraffe; but it is covered all over with chestnut blotches. What have you at your end of the table, Brother?’

And the Leopard scratched his head and said, ‘It ought to be ’sclusively a delicate grayish-fawn, and it ought to be Zebra; but it is covered all over with black and purple stripes. What in the world have you been doing to yourself, Zebra? Don’t you know that if you were on the High Veldt I could see you ten miles off? You haven’t any form.’

‘Yes,’ said the Zebra, ‘but this isn’t the High Veldt. Can’t you see?’

‘I can now,’ said the Leopard. ‘But I couldn’t all yesterday. How is it done?’

‘Let us up,’ said the Zebra, ‘and we will show you.’

They let the Zebra and the Giraffe get up; and Zebra moved away to some little thorn-bushes where the sunlight fell all stripy, and Giraffe moved off to some tallish trees where the shadows fell all blotchy.

‘Now watch,’ said the Zebra and the Giraffe. ‘This is the way it’s done. One – two – three! And where’s your breakfast?’

Leopard stared, and Ethiopian stared, but all they could see were stripy shadows and blotched shadows in the forest, but never a sign of Zebra and Giraffe. They had just walked off and hidden themselves in the shadowy forest.

‘Hi! Hi!’ said the Ethiopian. ‘That’s a trick worth learning[85]. Take a lesson by it, Leopard. You show up in this dark place like a bar of soap in a coal scuttle.’

‘Ho! Ho!’ said the Leopard. ‘Would it surprise you very much to know that you show up in this dark place like a mustard-plaster on a sack of coals?

‘Well, calling names won’t catch dinner,’ said the Ethiopian. ‘The long and the little of it is that we don’t match our backgrounds. I’m going to take Baviaan’s advice. He told me I ought to change; and as I’ve nothing to change except my skin I’m going to change that.’

‘What to?’ said the Leopard, tremendously excited.

‘To a nice working blackish-brownish colour, with a little purple in it, and touches of slaty-blue.

It will be the very thing for hiding in hollows and behind trees[86].’

So he changed his skin then and there, and the Leopard was more excited than ever; he had never seen a man change his skin before.

‘But what about me?’ he said, when the

Ethiopian had worked his last little finger into his fine new black skin.

‘You take Baviaan’s advice too. He told you to go into spots.’

‘So I did,’ said the Leopard. ‘I went into other spots as fast as I could. I went into this spot with you, and a lot of good it has done to me.’

‘Oh,’ said the Ethiopian, ‘Baviaan didn’t mean spots in South Africa. He meant spots on your skin.’

‘What’s the use of that?’ said the Leopard.

‘Think of Giraffe,’ said the Ethiopian. ‘Or if you prefer stripes give them perfect satisfaction[87].’

‘Umm,’ said the Leopard. ‘I wouldn’t look like Zebra – not for ever so.’

‘Well, make up your mind[88],’ said the Ethiopian, ‘because I’d hate to go hunting without you, but I must if you insist on looking like a sunflower against a tarred fence.’

‘I’ll take spots, then,’ said the Leopard; ‘but don’t make ’em too vulgar-big. I wouldn’t look like Giraffe – not for ever so.’

This is the picture of the Leopard and the Ethiopian after they had taken Wise Baviaan’s advice and the Leopard had gone into other spots and the Ethiopian had changed his skin. The Ethiopian was really a negro, and so his name was Sambo. The Leopard was called Spots, and he has been called Spots ever since. They are out hunting in the spickly-speckly forest, and they are looking for Mr. One-Two-Three-Where’s-your-Breakfast. If you look a little you will see Mr. One-Two-Three not far away. The Ethiopian has hidden behind a splotchy-blotchy tree because it matches his skin, and the Leopard is lying beside a spickly-speckly bank of stones because it matches his spots. Mr. One-Two-Three-Where’s-your-Breakfast is standing up eating leaves from a tall tree. This is really a puzzle-picture like “Find-the-Cat”.

‘I’ll make ’em with the tips of my fingers,’ said the Ethiopian. ‘There’s plenty of black left on my skin still. Stand over!’

Then the Ethiopian put his five fingers close together (there was plenty of black left on his new skin still) and pressed them all over the Leopard, and wherever the five fingers touched they left five little black marks, all close together. You can see them on any Leopard’s skin you like, Best Beloved. Sometimes the fingers slipped and the marks got a little blurred; but if you look closely at any Leopard now you will see that there are always five spots – off five fat black finger-tips.

‘Now you are a beauty!’ said the Ethiopian. ‘You can lie out on the bare ground and look like a heap of pebbles. You can lie out on the naked rocks and look like a piece of pudding-stone. You can lie out on a leafy branch and look like sunshine sifting through the leaves; and you can lie right across the center of a path and look like nothing in particular. Think of that and purr[89]!’

‘But if I’m all this.’ Said the Leopard. ‘why didn’t you go spotty too?’

‘Oh, plain black’s best for a nigger,’ said the Ethiopian. ‘Now come along and we’ll see if we can’t get even with Mr. One-Two-Three-Where’s-your-Breakfast!’

So they went away and lived happily ever afterward, Best Beloved. That is all.

Oh, now and then you will hear grown-ups say, ‘Can the Ethiopian change his skin or the Leopard his spots?’ I don’t think even grownups would keep on saying[90] such a silly thing if the Leopard and the Ethiopian hadn’t done it once – do you? But they will never do it again, Best Beloved. They are quite contented[91] as they are.

I am the Most Wise Baviaan,           saying in most wise tones,‘Let us melt into the landscape[92] —           just us two by our lones.’People have come – in a carriage – calling.But Mummy is there…Yes, I can go if you take me —           Nurse says she don’t care.Let’s go up to the pig-sties[93]           and sit on the farmyard rails!Let’s say things to the bunnies[94],           and watch ’em skitter their tails!Let’s – oh, anything, Daddy,           so long as it’s you and me,And going truly exploring,           and not being in till tea!Here’s your boots (I’ve bought ’em),           and here’s your cap and stick,And here’s your pipe and tobacco.           Oh, come along out of it – quick!

1. Why couldn’t the Leopard and the Ethiopian find any breakfast?

2. What was the Baviaan’s advice? Did the Leopard and the Ethiopian follow this advice?

3. How did the animals hide from the Leopard?

4. What was the use of spots for the Leopard?

5. How did the spots appear on the Leopard?

6. Retell the story.

On the High and Far-Off Times the Elephant, O Best Beloved, had no trunk[95]. He had only a blackish, bulgy nose, as big as a boot, that he could wriggle about from side to side; but he couldn’t pick up things with it. But there was one Elephant – a new Elephant – an Elephant’s Child – who was full of ’satiable curtiosity[96], and that means he asked ever so many questions. And he lived in Africa, and he filled all Africa with his ’satiable curtiosities. He asked his tall aunt, the Ostrich[97], why her tail-feathers grew just so, and his tall aunt the Ostrich spanked him with her hard, hard claw[98]. He asked his tall uncle, the Giraffe, what made his skin spotty, and his tall uncle, the Giraffe, spanked him with his hard, hard hoof. And still he was full of ’satiable curtiosity! He asked his broad aunt, the Hippopotamus, why her eyes were red, and his broad aunt, the Hippopotamus, spanked him with her broad, broad hoof; and he asked his hairy uncle, the Baboon, why melons tasted just so, and his hairy uncle, the Baboon, spanked him with his hairy, hairy paw[99]. And still he was full of ’satiable curtiosity! He asked questions about everything that he saw, or heard, or felt, or smelt, or touched, and all his uncles and his aunts spanked him. And still he was full of ’satiable curtiosity!

One fine morning in the middle of the Precession of the Equinoxes[100] this ’satiable Elephant’s Child asked a new fine question that he had never asked before. He asked, ‘What does the Crocodile have for dinner?’ Then everybody said, ‘Hush!’ in a loud and dretful tone[101], and they spanked him immediately and directly, without stopping for a long time.

By and by[102], when that was finished, he came upon Kolokolo Bird sitting in the middle of a wait-a-bit thorn-bush, and he said ‘My father has spanked me, and my mother has spanked me for my ’satiable curtiosity; and still I want to know what the Crocodile has for dinner!’

Then Kolokolo Bird said, with a mournful cry, ‘Go to the banks of the great grey-green, greasy Limpopo River, all set about fever-trees, and find out.’

That very next morning, when there was nothing left of the Equinoxes, because the Precession had preceded according to the precedent, this ’satiable Elephant’s Child took a hundred pounds of bananas (the little short red kind), and a hundred pounds of sugar-cane (the long purple kind, and seventeen melons (the greeny-crackly kind), and said to all his dear families, ‘Good-bye. I am going to the great grey-green, greasy Limpopo River, all set about with fever-trees, to find out what the Crocodile has for dinner.’ And they all spanked him once more for luck, though he asked them most politely to stop.

Then he went away, a little warm, but not at all astonished, eating melons, and throwing the rind about[103], because he could not pick it up.

He went from Graham’s Town to Kimberley, and from Kimberley to Khama’s country, and from Khama’s Country he went east by north, eating melons all the time, till at last he came to the banks of the great grey-green, greasy Limpopo River, all set about with fever-trees, precisely as Kolokolo Bird had said.

Now you must know and understand, O Best Beloved, that till that very week[104], and day, and hour, and minute, this satiable Elephant’s Child had never seen a Crocodile, and did not know what one was like. It was all his ’satiable curiosity.

The first thing that he found was a Bi-Coloured-Python-Rock-Snake[105] curled round a rock.

‘’Scuse[106] me,’ said the Elephant’s Child most politely, ‘but have you seen such a thing as a Crocodile in this promiscuous parts?’

‘Have I seen a Crocodile?’ said the Bi-Coloured-Python-Rock-Snake, in a voice of dretful scorn. ‘What will you ask me next?’

‘’Scuse me,’ said the Elephant’s Child, ‘but could you kindly tell me what he has for dinner?’

Then the Bi-Coloured-Python-Rock-Snake uncoiled himself very quickly from the rock, and spanked the Elephant’s Child with the scalesome, flailsome tail.

‘That is odd,’ said the Elephant’s Child, ‘because my father and my mother, and my uncle and my aunt, not to mention my other aunt, the Hippopotamus, and my other uncle, the Baboon, have all spanked me for my ’satiable curtiosity – and I suppose this is the same thing.’

So he said good-buy very politely to the Bi-Coloured-Python-Rock-Snake, and helped to coil him up on the rock again, and went on, a little warm, but not at all astonished, eating melons, and throwing the rind about, because he could not pick it up, till he trod on[107] what he thought was a log of wood at the very edge of the great grey-green, greasy Limpopo River, all set about with fever-trees.

But it was really the Crocodile, O Best Beloved, and the Crocodile winked one eye – like this[108]!

‘’Scuse me,’ said the Elephant’s Child most politely, ‘but do you happen to have seen a Crocodile[109] in these promiscuous parts?’

Then the Crocodile winked the other eye, and lifted half of his tail out of the mud; and the Elelphant’s Child stepped back most politely, because he didn’t wish to be spanked again.

‘Come hither, Little One,’ said the Crocodile. ‘Why do you ask so much things?’

‘Scuse me,’ said the Elephant’s Child most politely, ‘but my father has spanked me, my mother has spanked me, not to mention my tall aunt, the Ostrich, and my tall uncle, the Giraffe, who can kick ever so hard, as well as my broad aunt, the Hippopotamus, and my hairy uncle, the Baboon, and including the Bi-Coloured-Python-Rock-Snake, with the scalesome, flail-some tail, just up the bank, who spanks harder than any of them; and so, if it’s quite all the same to you, I don’t want to be spanked any more.’

‘Come hither, Little One,’ said the Crocodile, ‘for I am the Crocodile,’ and he wept crocodile-tears to show it was quite true.

Then the Elephant’s Child grew all breathless, and panted, and kneeled down on the bank and said, ‘You are the very person I have been looking for all these long days. Will you please tell me what you have for dinner?’

‘Come hither, Little One,’ said the Crocodile, ‘and I’ll whisper.’

Then the Elephant’s Child put his head down close to the Crocodile’s musky, tusky mouth, and the Crocodile caught him by his little nose, which up to that very week, day, hour, and minute, had been no bigger than a boot, though much more useful.

‘I think,’ said the Crocodile – and he said it between his teeth, like this – ‘I think today I will begin with Elephant’s Child!’

At this, O Best Beloved, the Elephant’s Child was much annoyed, and he said, speaking through his nose, like this, ‘Led go! You are hurtig be!’

Then the Bi-Coloured-Python-Rock-Snake scuffed down from the bank[110] and said, ‘My young friend, if you do not know, immediately and instantly, pull as hard as ever you can, it is my opinion that your acquaintance in the large-pattern leather ulster’ (and by this he meant the Crocodile) ‘will jerk you into yonder limpid stream[111] before you can say Jack Robinson.’

This is the way Bi-Coloured-Python-Rock-Snake always talk.

Then the Elephant’s Child sat back on his little haunches[112], and pulled, and pulled, and pulled, and his nose began to stretch. And the Crocodile floundered into the water, making it all creamy with great sweeps of his tail, and he pulled, and pulled, and pulled.

And the Elephant’s Child’s nose kept on stretching[113]; and the Elephant’s Child spread all his little four legs and pulled, and pulled, and pulled, and his nose kept on stretching; and the Crocodile threshed his tail like an oar, and he pulled, and pulled, and pulled, and at each pull the Elephant’s Child’s nose grew longer and longer – and it hurt him hijjus!

Then the Elephant’s Child felt his legs slipping, and he said through his nose, which was now nearly five feet long, ‘This is too butch for be!’

Then the Bi-Coloured-Python-Rock-Snake came down from the bank, and knotted himself in a double-clove-hitch[114] round the Elephant’s Child’s hind-legs, and said, ‘Rash and inexperienced traveller, we will now seriously devote ourselves to[115] a little high tension, because if we do not, it is my impression that yonder self-propelling man-of-war with the armour-plated upper deck’ (and by this, O Best Beloved, he meant the Crocodile) ‘will permanently vitiate your future career[116].’

That is the way all Bi-Coloured-Python-Rock-Snakes always talk.

So he pulled, and the Elephant’s Child pulled, and the Crocodile pulled; but the Elephant’s Child and the Bi-Coloured-Python-Rock-Snake pulled hardest; and at last the Crocodile let go of the Elephant’s Child’s nose with a plop that you could hear all up and down the Limpopo.

Then the Elephant’s Child sat down most hard and sudden; but first he was careful to say ‘Thank you’ to the Bi-Coloured-Python-Rock-Snake; and next he was kind to his poor pulled nose, and wrapped it all up in cool banana leaves, and hung it in the great grey-green, greasy Limpopo to cool.

‘What are you doing that for?’ said the Bi-Coloured-Python-Rock-Snake.

‘’Scuse me,’ said the Elephant’s Child, ‘but my nose is badly out of shape, and I am waiting for it to shrink[117].’

‘Then you will have to wait a long time,’ said the Bi-Coloured-Python-Rock-Snake. ‘Some people do not know what is good for them.’

The Elephant’s Child sat there for three days waiting for his nose to shrink. But it never grew any shorter, and, besides, it made him squint. For, O Best Beloved, you will see and understand that the Crocodile had pulled it out into a really truly trunk same as all Elephants have today.

At the end of the third day a fly came and stung him on the shoulder, and before he knew what he was doing he lifted up his trunk and hit that fly dead[118] with the end of it.

‘‘Vantage[119] number one!’ said the Bi-Coloured-Python-Rock-Snake. ‘You couldn’t have done that with a mere-smear nose. Try and eat a little now.’

Before he thought what he was doing the Elephant’s Child put out his trunk and plucked a large bundle of grass, dusted it clean against his fore-legs, and stuffed it into his own mouth.

‘’Vantage number two!’ said the Bi-Coloured-Python-Rock-Snake. ‘You couldn’t have done that with a mere-smear nose. Don’t you think the sun is very hot here?’

‘It is,’ said the Elephant’s Child, and before he thought what he was doing he schlooped up a schloop of mud from the banks of great grey-green, greasy Limpopo, and slapped it on his head, where it made a cool scoopy-sloshy mud-cap all trickly behind his ears.

‘’Vantage number three!’ said the Bi-Coloured-Python-Rock-Snake. ‘You couldn’t have done that with a mere-smear nose. Now how do you feel about being spanked again?’

‘’Scuse me,‘ said the Elephant’s Child, ‘but I should not like it at all.’

‘How would you like to spank somebody?’ said the Bi-Coloured-Python-Rock-Snake.

‘I should like it very much indeed,‘ said the Elephant’s Child.

‘Well,’ said the Bi-Coloured-Python-Rock-Snake, ‘you will find that new nose of yours very useful to spank people with.’

‘Thank you,‘ said the Elephant’s Child, ‘I’ll remember that; and now I think I’ll go home to all my dear families and try.’

So the Elephant’s Child went home across Africa frisking and whisking his trunk. When he wanted fruit to eat he pulled fruit down from a tree, instead of[121] waiting for it to fall as he used to do. When he wanted grass he plucked grass up from the ground, instead of going on his knees as he used to do[122]. When the flies bit him he broke off the branch of a tree and used it as a fly-whisk; and he made himself a new, cool, slushy-squishy mud-cap whenever the sun was hot. When he felt lonely walking through Africa he sang to himself down his trunk, and the noise was louder that several brass bands. He went specially out of his way to find a broad Hippopotamus (she was no relation of his), and he spanked her very hard, to make sure[123] that the Bi-Coloured-Python-Rock-Snake had spoken the truth about his new trunk. The rest of the time he picked up the melon-rinds that he had dropped on his way to the Limpopo for he was a Tidy Pachy-derm.

One dark evening he came back to all his dear families, and he coiled up his trunk and said, ‘How do you do?’ They were very glad to see him, and immediately said, ‘Come here and be spanked for your satiable curtiosity.’

‘Pooh,’ said the Elephant’s Child, ‘I don’t think you peoples know anything about spanking; but I do, and I’ll show you.’

Then he uncurled his trunk and knocked two of his dear brothers head over heels.

‘O Bananas!’ said they, ‘where did you learn that trick, and what have you done to your nose?’

‘I got a new one from the Crocodile on the banks of the great grey-green, greasy Limpopo River,’ said the Elephant’s Child. ‘I asked him what he had for dinner, and he gave me this to keep.’

‘It looks very ugly,’ said his hairy uncle, the Baboon.

‘It does,’ said the Elephant’s Child, ‘But it’s very useful,’ and he picked up his hairy uncle, the Baboon, by one hairy leg, and hove him into a hornets’ nest[124].

Then that bad Elephant’s Child spanked all his dear families for a long time, till they were very warm and greatly astonished. He pulled out his tall Ostrich aunt’s tail-feathers; and he caught his tall uncle, the Giraffe, by the hind-leg, and dragged him through a thorn-bush; and he shouted at his broad aunt, the Hippopotamus, and blew bubbles into her ear when she was sleeping in the water after meals; but he never let any one touch Kolokolo Bird.

At last things grew so exciting that his dear families went off one by one in a hurry to the banks of the great grey-green, greasy Limpopo River, all set about with fever-trees, to borrow[125] new noses from the Crocodile. When they came back nobody spanked anybody anymore; and ever since that day, O Best Beloved, all the Elephants you will ever see, besides all those that you won’t, have trunks precisely like the trunk of the ‘satiable Elephant’s Child.

This is just a picture of the Elephant’s Child going to pull bananas off a banana-tree after he had got his fine new long trunk. I don’t think it is a very nice picture; but I couldn’t make any better, because elephants and bananas are hard to draw. The streaky things behind the Elephant’s Child mean squoggy marshy country somewhere in Africa. The Elephant’s Child made most of his mud-cakes out of the mud that he found there. I think it would look better if you painted the banana-tree green and the Elephant’s Child red.

I keep six honest serving-men(They taught me all I knew);Their names are What and Why and WhenAnd How and Where and Who.I send them over land and sea,I send them east and west[126];But after they have worked for me,I give them all a rest.I let them rest from nine till five,For I am busy then,As well as breakfast, lunch, and tea,For they are hungry men:But different folk have different views;I know a person small —She keeps ten million serving-men,Who get no rest at all!She sends ’em abroad on her own affairs[127],From the second she opens her eyes —One million Hows, two million Wheres,And seven million Whys!

1. What questions did the Elephant’s Child ask the animals? Why?

2. What did the Elephant’s Child want to find out when he set off to the Limpopo River?

3. What question did the Elephant’s Child ask the Crocodile when he saw him for the first time? What did the Crocodile answer?

4. What advantages did the Elephant’s Child get thanks to his curtiosity?

5. Describe how the family met the Elelphant's Child and what happened then.

6. Make up the plan of the story and retell it.

Not always was the Kangaroo as now we do ehold him[129], but a Different Animal with four short legs. He was grey and he was woolly, and his pride was inordinate: he danced on an outcrop in the middle of Australia, and he went to the Little God Nqa.

He went to Nqa at six before breakfast, saying, ‘Make me different from all other animals by five this afternoon.’

Up jumped Nqa from his seat on the sand-flat and shouted, ‘Go away!’

He was grey and he was woolly, and his pride was inordinate; he danced on a rock-ledge in the middle of Australia, and he went to the Middle God Nquing.

He went to Nquing at eight after breakfast saying, ‘Make me different from other animals; make me, also, wonderfully popular by five this afternoon.’

Up jumped Nquing from his burrow in the spinifex[130] and shouted, ‘Go away!’

He was grey and he was woolly, and his pride was inordinate; he danced on a sandbank in the middle of Australia, and he went to the Big God Nqong.

He went to Nqong at ten before dinner-time, saying, ‘Make me different from all other animals; make me popular and wonderfully run after by five this afternoon.’

Up jumped Nqong from his bath in the saltpan and shouted, ‘Yes, I will!’

Nqong called Dingo – Yellow-Dog Dingo – always hungry, dusty in the sunshine, and showed him Kangaroo. Nqong said, ‘Dingo! Wake up, Dingo! Do you see that gentlemen dancing on an ashpit? He wants to be popular and very truly run after. Dingo, make him so!’

Up jumped Dingo – Yellow-Dog Dingo – and said, ‘What, that cat-rabbit?’

Off ran Dingo – Yellow-Dog Dingo – always hungry, grinning[132] like a coal-scuttle, – ran after Kangaroo.

Off went the proud Kangaroo on his four little legs like a bunny.

This, O Beloved of mine, ends the first part the tale!

He ran through the desert; he ran through the mountains; he ran through the salt-pans; he ran through the reed-beds[133]; he ran through the blue gums; he ran through the spinifex; he ran till his front legs ached.

He had to[134]!

Still ran Dingo – Yellow-Dog Dingo – always hungry, grinning like a rat-trap, never getting nearer, never getting farther, – ran after Kangaroo.

He had to!

Still ran Kangaroo – Old Man Kangaroo. He ran through the ti-trees; he ran through the mulga; he ran through the long grass; he ran through the short grass; he ran through the Tropics of Capricorn and Cancer[135]; he ran till his hind legs ached.

He had to!

Still ran Dingo – Yellow-Dog Dingo – hungrier and hungrier, grinning like a horse-collar[136], never getting nearer, never getting farther; and they came to the Wollgong River.

Now, there wasn’t any bridge, and there wasn’t any ferry-boat[137], and Kangaroo didn’t know how to get over; so he stood on his legs and hopped.

He had to!

He hopped through the Flinders[138], he hopped through the Cinders[139], he hopped through deserts in the middle of Australia. He hopped like a Kangaroo.

First he hopped one yard; then he hopped three yards; then he hopped five yards; his legs growing stronger; his legs growing longer. He hadn’t any time for rest or refreshment, and he wanted them very much.

Still ran Dingo – Yellow-Dog Dingo – very much bewildered[140], very much hungry, and wondering what in the world or out of it made Old Man Kangaroo hop.

For he hopped like a cricket; like a pea in a saucepan; or a new rubber ball on a nursery floor.

He had to!

He tucked up his front legs; he hopped on his hind legs; he stuck out his tail for a balance weight behind him; and he hopped through the Darling Downs.

He had to!

Still ran Dingo – Tired-Dog Dingo – hungrier and hungrier, very much bewildered, and wondering when in the world or out of it would Old Man Kangaroo stop.

Then came Nqong from his bath in the saltpan, and said, ‘It’s five o’clock.’

Down sat Dingo – Poor-Dog Dingo – always hungry, dusty in the sunshine; hung out his tongue and howled.

Down sat Kangaroo – Old Man Kangaroo – stuck out[141] his tail like a milking-stool behind him and said, ‘Thank goodness that’s finished!’

Then said Nqong, who is always a gentleman, ‘Why aren’t you grateful to Yellow-Dog Dingo? Why don’t you thank him for all he has done for you?’

Then said Kangaroo – Tired Old Kangaroo – ‘He’s chased me out of the homes of my childhood[142]; he’s chased me out of my regular mealtimes; he’s altered my shape so I’ll never get it back; and he’s played Old Scratch with my legs.’

Then said Nqong, ‘Perhaps I’m mistaken[143], but didn’t you ask me to make you different from all other animals, as well as to make you very truly sought after[144]? And now it is five o’clock.’

This is the picture of Old Man Kangaroo at five in the afternoon, when he had got his beautiful hind legs just as Big God Nqong had promised. You can see that it is five o’clock, because Big God Nqong’s pet time clock says so. That is Nqong, in his bath, sticking his feet out. Old Man Kangaroo is being rude to Yellow-Dog Dingo. Yellow-Dog Dingo has been trying to catch Kangaroo all across Australia. You can see the marks of Kangaroo's big new feet running ever so far back over the bare hills. Yellow-Dog Dingo is drawn black, because I am not allowed to paint these pictures with real colours out of my paint-box; and besides, Yellow-Dog Dingo got dreadfully black and dusty after running through the Flinders and the Cinders.

I don’t know the names of the flowers growing round Nqong’s bath. The two little squatty[145] things out in the desert are the other two gods that Old Man Kangaroo spoke to early in the morning. That thing with the letters on it is Old Man Kangaroo’s pouch. He had to have a pouch just as he had to have legs.

‘Yes,’ said Kangaroo. ‘I wish that I hadn’t[146]. I thought you would do it by charms and incantations, but this is a practical joke.’

‘Joke!’ said Nqong, from his bath in the blue gums. ‘Say that again and I’ll whistle up Dingo and run your hind legs off.’

‘No,’ said the Kangaroo. ‘I must apologize. Legs are legs, and you needn’t alter ‘em so far as I am concerned. I only meant to explain to Your Lordliness that I’ve had nothing to eat since morning, and I’m very empty[147] indeed.’

‘Yes,’ said Dingo – Yellow-Dog Dingo, – ‘I am just in the same situation. I’ve made him different from all other animals; but what may I have for my tea?’

Then said Nqong from his bath in the salt-pan, ‘Come and ask me about it tomorrow, because I’m going to wash.’

So they were left in the middle of Australia, Old Man Kangaroo and Yellow-Dog Dingo, and each said, ‘that’s your fault.[148] ‘

This is the mouth-filling songOf the race that was run[149] by a Boomer,Run in the single burst – only event of its kind —Started by Big God Nqong from Warrigaborrigarooma,Old Man Kangaroo first: Yellow-Dog Dingo behind.Kangaroo bounded away[150],His back-legs working like pistons – Bounded from morning till dark,Twenty-five feet to a bound.Yellow-Dog Dingo layLike a yellow cloud in the distance –Much too busy to bark[151].My! but they covered the ground!Nobody knows where they went,Or followed the track that they flew in,For that ContinentHadn’t been given a name.They ran thirty degrees,From Torres Straits to the Leeuwin(Look at the Atlas, please),And they ran back as they came.S’posing[152] you could trotFrom Adelaide to the Pacific,For an afternoon’s run —Half what these gentlemen did —You would feel rather hot,But your legs would develop terrific —Yes, my importunate[153] son,You’d be a Marvellous Kid!

1. Why did the Kangaroo go to the different Gods?

2. How did Nqong make the Kangaroo’s wish come true?

3. Did the Kangaroo thank Yellow-Dog Dingo? Why?

4. Does this story have a happy end? Explain your answer

5. Retell the story.

This, O Best Beloved, is another story of the High and Far-Off Times[155]. In the very middle of those times was a Stickly-Prickly Hedgehog, and he lived on the banks of the turbid Amazon, eating shelly snails[156] and things. And he had a friend, a Slow-Solid Tortoise, who lived on the banks of the turbid Amazon, eating green lettuces and things. Do you see?

But also, and at the same time, in those High and Far-Off Times, there was a Painted Jaguar, and he lived on the banks of the turbid Amazon too; and he ate everything that he could catch. When he could not catch deer or monkeys he would eat frogs and beetles; and when he could not catch frogs and beetles he went to his Mother Jaguar, and she told him how to eat hedgehogs and tortoises.

She said to him ever so many times, graciously waving her tail, ‘My son, when you find a Hedgehog you must drop him into the water and then he will uncoil[157], and when you catch a Tortoise you must scoop him out of his shell with your paw.[158]’ And so that was all right, Best Beloved.

One beautiful night on the banks of the turbid Amazon, Painted Jaguar found Stickly-Prickly Hedgehog and Slow-and-Solid Tortoise sitting under the trunk of a fallen tree. They could not run away, and so Stickly-Prickly curled himself up into a ball, because he was a Hedgehog, and Slow-and-Solid Tortoise drew in his head and feet into his shell as far as they would go, because he was a Tortoise; and so that was all right, Best Beloved. Do you see?

‘Now attend to me,’ said Painted Jaguar, ‘because this is very important. My mother said that when I meet a Hedgehog I am to drop him into the water[159] and then he will uncoil, and when I meet a Tortoise I am to scoop him out of his shell with my paw. Now which of you is Hedgehog and which is Tortoise? because, to save my spots, I can’t tell.’

‘Are you sure of what your Mummy told you?’ said Strickly-Prickly Hedgehog. ‘Are you quite sure? Perhaps she said that when you uncoil a Tortoise you must shell him out of the water with a scoop, and when you paw a Hedgehog you must drop him on the shell.’

‘Are you sure of what your Mummy told you?’ said Slow-and-Solid Tortoise. ‘Are you quite sure? Perhaps she said that when you water a Hedgehog you must drop him into your paw, and when you meet a Tortoise you must shell him till he uncoils.’

‘I don’t think it was at all like that,’ said Painted Jaguar, but he felt a little puzzled; ‘but, please, say it again more distinctly.’

‘When you scoop water with your paw you uncoil it with a Hedgehog’, said Stickly-Prickly. ‘Remember that, because it’s important.’

‘But,’ said the Tortoise, ‘when you paw your meat you drop it into a Tortoise with a scoop. Why can’t you understand?’

‘You are making my spots ache,’ said Painted Jaguar; ‘and besides, I didn’t want your advice at all. I only wanted to know which of you is Hedgehog and which is Tortoise.’

‘I shan’t tell you,’ said Stickly-Prickly. ‘But you can scoop me out of my shell if you like.’

‘Aha!’ said Painted Jaguar. ‘Now I know you’re a Tortoise. You thought I wouldn’t! Now I will.’ Painted Jaguar darted out[160] his paddy-paw just as Stickly-Prickly curled himself up, and of course Jaguar’s paddy-paw was just filled with prickles. Worse that that, he knocked Stickly-Prickly away and away into the woods and the bushes, where it was too dark to find him. Then he put his paddy-paw into his mouth, and of course the prickles hurt him worse than ever. As soon as he could speak he said, ‘Now I know he isn’t a Tortoise at all. But’ – and then he scratched his head with his un-prickly paw – ‘how do I know that this other is Tortoise?’

‘But I am a Tortoise,’ said Slow-and-Solid. ‘Your mother was quite right. She said that you were to scoop me out of my shell with your paw. Begin.’

‘You didn’t say she said that a minute ago,’ said Painted Jaguar, sucking the prickles out of his paddy-paw. ‘You said she said something quite different.’

‘Well, suppose you say that I said that she said something quite different, I don’t see that it makes any difference; because if she said what you said I said she said, it’s just the same as if I said what she said she said. On the other hand[161], if you think she said that you were to uncoil me with a scoop, instead of pawing me into drops with a shell, I can’t help that, can I?’

‘But you said you wanted to be scooped out of your shell with my paw,’ said Painted Jaguar.

‘If you’ll think again you’ll find that I didn’t say anything of the kind[162]. I said that your mother said that you were to scoop me out of my shell,’ said Slow-Solid.

‘What will happen if I do?’ said the Jaguar most sniffily and most cautious.

‘I don’t know, because I’ve never been scooped out of my shell before; but I tell you truly, if you want to see me swim away you’ve only got to drop[163] me into the water.’

‘I don’t believe it,’ said Painted Jaguar. ‘You’ve mixed up all the things my mother told me to do with the things that you asked me whether I was sure that she didn’t say, till I don’t know whether I’m on my head or my painted tail; and now you come and tell me something I can understand, and it makes me more mixy that before. My mother told me that I was to drop one of you two into the water, and as you seem so anxious[164] to be dropped I think you don’t want to be dropped. So jump into the turbid Amazon and be quick about it.’

‘I warn you that your Mummy won’t be pleased. Don’t tell her I didn’t tell you,’ said Slow-and-Solid.

‘If you say another word about what my mother said – ‘the Jaguar answered, but he had not finished the sentence before Slow-and-Solid quietly dived into the turbid Amazon, swam under water for a long way, and came out on the bank where Stickly-Prickly was waiting for him.

‘That was a very narrow escape,’ said Stickly-Prickly. ‘I don’t like Painted Jaguar. What did you tell him that you were?’

‘I told him truthfully that I was a truthful Tortoise, but he wouldn’t believe it, and he made me jump[165] into the river to see if I was, and I was, and he is surprised. Now he’s gone to tell his Mummy. Listen to him!’

They could hear Painted Jaguar roaring up and down[166] among the trees and the bushes by the side of the turbid Amazon, till his Mummy came.

‘Son, son!’ said his mother ever so many times, graciously waving her tail, ‘what have you been doing that you shouldn’t have done?’

‘I tried to scoop something that said it wanted to be scooped out of its shell with my paw, and my paw is full of per-ickles,’ said Painted Jaguar.

‘Son, son!’ said his mother ever so many times, graciously waving her tail, ‘by the prickles in your paddy-paw I see that that must have been a hedgehog. You should have dropped him into the water.’

‘I did that to other thing; and he said he was a Tortoise, and I didn’t believe him, and it was quite true, and he has dived under the turbid Amazon, and he won’t come up again, and I haven’t anything at all to eat, and I think we had better find lodgings[167] somewhere else. They are too clever on the turbid Amazon for poor me!’

‘Son, son!’ said his mother ever so many times, graciously waving her tail, ‘now attend to me and remember what I say. A Hedgehog curls himself up into a ball and his prickles stick out every which way at once. By this you may know the Hedgehog.’

‘I don’t like this old lady one little bit,’ said Stickly-Prickly, under the shadow of a large leaf. ‘I wonder what else she knows?’

‘A Tortoise can’t curl himself up,’ Mother Jaguar went on, ever so many times, graciously waving her tail. ‘He only draws his head and legs into his shell. By this you may know the Tortoise.’

‘I don’t like this old lady at all – at all,’ said Slow-and-Solid Tortoise. ‘Even Painted Jaguar can’t forget those directions. It’s a great pity that you can’t swim, Stickly-Prickly.’

‘Don’t talk to me,’ said Stickly-Prickly. ‘Just think how much better it would be if you could curl up. This is a mess! Listen to Painted Jaguar.’

Painted Jaguar was sitting on the banks of the turbid Amazon sucking prickles out of his paw and saying to himself: —

‘He’ll never forget that this month of Sundays,’ said Stickly-Prickly. ‘Hold up my chin, Slow-and-Solid. I’m going to try to swim. It may be useful.’

‘Excellent!’ said Slow-and-Solid; and he held up Stickly-Prickly’s chin, while Stickly-Prickly kicked in the waters of the turbid Amazon.

‘You’ll make a fine swimmer yet,’ said Slow-and-Solid. ‘Now, if you can unlace my back-plates a little, I’ll see what I can do towards curling up. It may be useful.’

1. According to Mother Jaguar’s words what did Painted Jaguar have to do when he found a Hedgehog and a Tortoise? Did he do everything quite right?

2. Why did Painted Jaguar hurt his paw? Was it his fault? Why?

3. What were Mother Jaguar and Painted Jaguar talking about when Tortoise and Hedgehog overheard them? What did they do after this conversation?

4. What was the mistake of Painted Jaguar in your opinion?

5. Who called the Tortoise and the Hedgehog “Armadillo”? Why?

6. Imagine the person that has never seen a dog. How can you explain that the dog is a dog? Make up a dialogue between this person and you.

Once upon a most early time was a Neolithic man. He was not a Jute or an Angle, or even a Dravidian, which he might well have been, Best Beloved, but never mind[179] why. He was a Primitive, and he lived cavily in a Cave, and he wore very few clothes, and he couldn’t read and he couldn’t write and he didn’t want to, and except when he was hungry he was quite happy. His name was Tegumai Bopsulai, and that means ‘Man-who-does-not-put-his-foot-forward-in-a-hurry’, but we, O Best Beloved, will call him Tegumai, for short. And his wife’s name was Teshumai Tewindrow, and that means ‘Lady-who-asks-a-very-many-questions’; but we, O Best Beloved, will call her Teshumai, for short. And his little girl-daughter’s name was Taffamai Matallumai, and that means ‘Small-person-without-any-manners-who-ought-to-be-spanked’; but I’m going to call her Taffy. And she was Tegumai Bopsulai’s Best Beloved and her own Mummy’s Best Beloved, and she was not spanked half much as was good for her; and they were all three very happy. As soon as Taffy could run about she went everywhere with her Daddy Tegumai, and sometimes they would not come home to the Cave till they were hungry, and then Teshumai Tewindrow would say, ‘Where in the world have you two been to, to get so shocking dirty? Really, my Tegumai, you’re no better than my Taffy.’

Now attend and listen!

One day Tegumai Bopsulai went down through the beaver-swamp[180] to the Wagai river to spear carp-fish for dinner[181], and Taffy went too. Tegumai’s spear was made of wood with shark’s teeth at the end, and before he had caught any fish at all he accidentally broke it clean across by jabbing it down too hard on the bottom of the river. They were miles and miles from home (of course they had their lunch with them in a little bag), and Tegumai had forgotten to bring any extra spears.

‘Here’s a petty kettle of fish[182]!’ said Tegumai. ‘It will take me half the day to mend this[183].’

‘There’s your big black spear at home,’ said Taffy. ‘Let me run back to the Cave and ask Mummy to give it me.’

‘It’s too far for your little fat legs,’ said Tegumai. ‘Besides, you might fall into the beaver-swamp and be drowned. We must make the best of a bad job[184].’ He sat down and took out a little leather mendy-bag, full of reindeer-sinews and strips of leather, and lumps of bees-wax and resin, and began to mend the spear. Taffy sat down too, with her toes in the water and her chin in her hand, and thought very hard. Then she said: —

‘I say, daddy, it’s an awful nuisance that you and I don’t know how to write, isn’t it? If we did we could send a message for the new spear.’

‘Taffy’, said the Tegumai, ‘how often have I told you not to use slang? “Awful” isn’t a pretty word, – but it would be a convenience, now you mention it, if we could write home.’

Just then a Stranger-man came along the river, but he belonged to a far tribe, the Tewaras, and he did not understand one word of Tegumai’s language. He stood on the bank and smiled at Taffy, because he had a little girl-daughter of his own at home. Tegumai drew a hank of deer-sinews from his mendy-bag and began to mend his spear.

‘Come here,’ said Taffy. ‘Do you know where Mummy lives?’ And the Stranger-man said ‘Um!’ – being, as you know, a Tewara.

‘Silly!’ said Taffy, and she stamped her foot, because she saw a shoal of a very big carp[185] going up the river just when her Daddy couldn’t use his spear.

‘Don’t bother grown-ups,’ said Tegumai, so busy with his spear-mending that he did not turn round.

‘I aren’t,’ said Taffy. ‘I only want him to do what I want him to do[186], and he won’t understand.’

‘Then don’t bother me,’ said Tegumai, and he went on pulling and straining at the deer-sinews with his mouth full of loose ends[187]. The Stranger-man – a genuine Tewara he was – sat down on the grass, and Taffy showed him what her Daddy was doing. The Stranger-man thought, ‘This is a very wonderful child. She stamps her foot at me and she makes faces[188]. She must be the daughter of that noble Chief who is so great that he won’t take any notice of me.’ So he smiled more politely than ever.

‘Now,’ said Taffy, ‘I want you to go to my Mummy, because your legs are longer than mine, and you won’t fall into the beaver-swamp, and ask for Daddy’s other spear – the one with the black handle that hangs over our fireplace.’

The Stranger-man (and he was a Tewara) thought, ‘This is a very, very wonderful child. She waves her arms and she shouts at me, but I don’t understand a word of what she says. But if I don’t do what she wants, I greatly fear that that haughty Chief, Man-who-turns-his-back-on-callers, will be angry.’ He got up and twisted a big flat piece of bark off a birch-tree[189] and gave it to Taffy. He did this, Best Beloved, to show that his heart was as white as the birch-bark and that he meant no harm; but Taffy didn’t quite understand.

‘Oh!’ said she. ‘Now I see! You want my Mummy’s living-address? Of course I can’t write, but I can draw pictures if I’ve anything sharp to scratch with. Please lend me the shark’s tooth off your necklace.’

The Stranger-man (and he was a Tewara) didn’t say anything, so Taffy put up her little hand and pulled at the beautiful bead and seed and shark-tooth necklace round his neck.

The Stranger-man (and he was a Tewara) thought, ‘This is a very, very wonderful child. The shark’s tooth on my necklace is a magic shark’s tooth, and I was always told that if anybody touched it without my leave they would immediately swell up or burst[190], and that important Chief, Man-who-attends-strictly-to-his-business, who was not yet taken any notice of me at all, doesn’t seem to be afraid that she will swell up or burst. I had better be more polite[191].’

So he gave Taffy the shark’s tooth, and she lay down flat on her tummy with her legs in the air, like some people on the drawing-room floor when they want to draw pictures, and she said, ‘Now I’ll draw you some beautiful pictures! You can look over my shoulder, but you mustn’t joggle. First I’ll draw Daddy fishing. It isn’t very like him; but Mummy will know, because I’ve drawn his spear all broken. Well, now I’ll draw the other spear that he wants, the black-handle spear. It looks as if it was sticking in Daddy’s back, but that is because the shark’s tooth slipped and this piece of bark isn’t big enough. That’s the spear I want you to fetch; so I’ll draw a picture of me myself ’splaining[192] to you. My hair doesn’t stand up like I’ve drawn, but it’s easier to draw that way. Now I’ll draw you. I think you’re very nice really, but I can’t make you pretty in the picture, so you mustn’t be ’fended[193]. Are you ‘fended?’

The Stranger-man (and he was a Tewara) smiled. He thought, ‘There must be a big battle going to be fought somewhere, and this extraordinary child, who takes my magic shark’s tooth but who does not swell up or burst, is telling me to call all the great Chief ’s tribe to help him. He is a great Chief, or he would have noticed me.’

‘Look’, said Taffy, drawing very hard and rather scratchily, ‘now I’ve drawn you, and I’ve put the spear that Daddy wants into your hand, just to remind you that you’re to bring it. Now I’ll show you how to find my Mummy’s living address. You go along till you come to two trees (those are trees), and then you go over a hill (that’s a hill), and then you come into a beaver-swamp all full of beavers. I haven’t put in all the beavers, because I can’t draw beavers, but I’ve drawn their heads, and that’s all you’ll see of them when you cross the swamp. It isn’t as high as the hills really, but I can’t draw things very small. That’s my Mummy outside. She is beautiful. She is the most beautifullest Mummy there ever was, but she won’t be ’fended when she sees I’ve drawn her so plain. She’ll be pleased of me because I can draw. Now, in case you forget, I’ve drawn the spear that Daddy wants outside our Cave. It’s inside really, but you show the picture to my Mummy and she’ll give it to you. Isn’t it a beautiful picture? And do you quite understand, or shall I ’spain again?’

The Stranger-man (and he was a Tewara) looked at the picture and nodded very hard. He said to himself, ‘If I do not fetch this great Chief ’s tribe to help him, he will be slain by his enemies[194] who are coming up on all sides with spears. Now I see why the great Chief pretended not to notice me! He feared that his enemies were hiding in the bushes and would see him deliver a message to me. Therefore he turned his back, and let the wise and wonderful child draw the terrible picture showing me his difficulties. I will go away and get help for him from his tribe.’ He did not even ask Taffy the road, but raced off into the bushes like the wind, with the birch-bark in his hand, and Taffy sat down most pleased.

Now this is the picture that Taffy had drawn for him!

‘What have you been doing, Taffy?’ said Tegumai. He had mended his spear and was carefully waving it to and fro.

‘It’s a little berangement of my own, Daddy dear,’ said Taffy. ‘If you won’t ask me questions, you’ll know all about it in a little time, and you’ll be surprised. You don’t know how surprised you’ll be, Daddy! Promise you’ll be surprised.’

‘Very well,’ said Tegumai, and went on fishing.

The Strange-man – did you know he was a Tewara? – hurried away with the picture and ran for some miles, till quite by accident he found Teshumai Tewindrow at the door of her Cave, talking to some other Neolithic ladies who had come in to a Primitive lunch. Taffy was very like Teshumai, specially about the upper part of the face and the eyes, so the Stranger-man – always a pure Tewara – smiled politely and handed Teshumai the birch-bark. He had run hard, so that he panted, and his legs were scratched with brambles, but he still tried to be polite.

As soon as Teshumai saw the picture she screamed like anything and flew at the Stranger-man. The other Neolithic ladies at once knocked him down and sat on him in a long line of six, while Teshumai pulled his hair. ‘It’s a plain as the nose on this Strange-man’s face,’ she said. ‘He has stuck my Tegumai all full of spears, and frightened poor Taffy so that her hair stands all on end; and not content with that, he brings me a horrid picture of how it was done. Look!’ She showed the picture to all the Neolithic ladies sitting patiently on the Stranger-man. ‘Here is my Tegumai with his arm broken; here is a spear sticking into his back; here is a man with a spear ready to throw; here is another man throwing a spear from a Cave, and here are a whole pack of people’s (they were Taffy’s beavers really, but they did look rather like people) ‘coming up behind Tegumai. Isn’t it shocking!’

‘Most shocking!’ said the Neolithic ladies, and they filled the Stranger-man’s hair with mud (at which he was surprised), and they beat upon the Reverberating Tribal Drums[195], and called together all the Chiefs of the Tribe of Tegumai, with their Hetmans and Dolmans, all Neguses, Woons, and Akhoonds of the organization, in addition to the Warlocks, Angekoks, Juju-men, Bonzes, and the rest, who decided that before they chopped the Stranger-man’s head off he should instantly lead them down to the river and show them where he had hidden poor Taffy.

By this time the Stranger-man (in spite of[196] being a Tewara) was really annoyed. They had filled his hair quite solid with mud; they had rolled him up and down on knobby pebbles[197]; they had sat upon him in a long line of six; they had thumped him and bumped him till he could hardly breathe; and though he did not understand their language, he was almost sure that the names the Neolithic ladies called him were not ladylike. However, he said nothing till all the Tribe of Tegumai were assembled, and then he led them back to the bank of the Wagai river, and there they found Taffy making daisy-chains, and Tegumai carefully spearing small carp with his mended spear.

‘Well, you have been quick!’ said Taffy. ‘But why did you bring so many people? Daddy, dear, this is my surprise. Are you surprised, Daddy?’

‘Very,’ said Tegumai; ‘but it has ruined all my fishing for the day. Why, the whole dear, kind, nice, clean, quiet Tribe is here, Taffy.’

And so they were. First of all walked Teshumai Tewindrow and the Neolithic ladies, tightly holding on to the Stranger-man, whose hair was full of mud (although he was a Tewara). Behind them came the Head Chief, the Vice-Chief, the Deputy and Assistant Chiefs (all armed to the upper teeth), the Hetmans and Heads of Hundreds, Platoffs with their Platoons, and Dolmans with their Detachments; Woons, Neguses, and Akhoonds ranking in the rear (still armed to the teeth). Behind them was the Tribe in hierarchical order, from owners of four caves (one for each season), a private reindeer-run, and two salmon-leaps, to feudal and prognathous Villeins, semi-entitled to half a bearskin of winter nights, seven yards from the fire, and adscript serfs[198], holding the reversion of a scraped marrow-bone under heriot (Aren’t those beautiful words, Best Beloved?). They were all there, prancing and shouting, and they frightened every fish for twenty miles, and Tegumai thanked them in a fluid Neolithic oration[199].

Then Teshumai Tewindrow ran down and kissed and hugged Taffy very much indeed; but the Head Chief of the Tribe of Tegumai took Tegumai by the top-knot feathers and shook him severely.

‘Explain! Explain! Explain!’ cried all the Tribe of Tegumai.

‘Goodness’s sakes alive!’ said Tegumai. ‘Let go of my top-knot. Can’t a man break his carp-spear without the whole countryside descending on him?[200] You’re a very interfering people.’

‘I don’t believe you’ve brought my Daddy’s black-handled spear after all,’ said Taffy. ‘And what are you doing to my nice Stranger-man?’

They were thumping him by twos and threes and tens till his eyes turned round and round. He could only gasp and point at Taffy.

‘Where are the bad people who speared you, my darling?’ said Teshumai Tewindrow.

‘There weren’t any,’ said Tegumai. ‘My only visitor this morning was the poor fellow that you are trying to choke. Aren’t you well, or are you ill, O Tribe of Tegumai?’

‘He came with a horrible picture,’ said the Head Chief, – ‘a picture that showed you were full of spears.’

‘Er – um – P’raps I’d better ’splain that I gave him that picture,’ said Taffy, but she did not feel quite comfy.

‘You!’ said the Tribe of Tegumai all together. ‘Small-person-with-no-manners-who-ought-to-be-spanked! You?’

‘Taffy, dear, I’m afraid we’re in for a little trouble,’ said her Daddy, and put his arm round her, so she didn’t care.

‘Explain! Explain! Explain!’ said the Head Chief of the Tribe of Tegumai, and he hopped on one foot.

‘I wanted the Stranger-man to fetch Daddy’s spear, so I drawded[201] it,’ said Taffy. ‘There wasn’t lots of spears. There was only one spear. I drawded it three times to make sure. I couldn’t help it looking as if it stuck into Daddy’s head – there wasn’t room on the birch-bark; and those things that Mummy called bad people are my beavers. I drawded them to show him the way through the sw& and I drawded Mummy at the mouth of the Cave looking pleased because he is a nice Stranger-man, and I think you are just the stupidest people in the world,’ said Taffy. ‘he is a very nice man. Why have you filled his hair with mud? Wash him!’

Nobody said anything at all for a long time, till the Head Chief laughed; then the Stranger-man (who was at least a Tewara) laughed; then Tegumai laughed till he fell down flat on the bank; then all the Tribe laughed more and worse and louder. The only people who did not laugh were Teshumai Tewindrow and all the Neolithic ladies. They were very polite to all their husbands, and said ‘Idiot!’ ever so often.

Then the Head Chief of the Tribe of Tegumai cried and said and sang, ‘O Small-person-without-any-manners-who-ought-to-be-spanked, you’ve hit upon a great invention!’[202]

‘I didn’t intend[203] to; I only wanted Daddy’s black-handled spear,’ said Taffy.

‘Never mind. It is a great invention, and some day men will call it writing. At present it is only pictures, and, as we have seen today, pictures are not always properly understood. But a time will come, O Baby of Tegumai, when we shall make letters – all twenty-six of ’em, – and when we shall be able to read as well as to write, and then we shall always say exactly what we mean without any mistakes. Let the Neolithic ladies wash the mud out of the stranger’s hair!’

This is the story of Tafimai Metallumai carved on an old tusk a very long time ago by the Ancient Peoples. If you read my story, or have it read to you, you can see how it is all told out on the tusk. The tusk was part of an old tribal trumpet that belonged to the Tribe of Tegumai. The pictures were scratched on it with black wax, but all the dividing lines and the five little rounds at the bottom were filled with red wax. When it was new there was a sort of network of beads and shells and precious stones at one end of it; but now that has been broken and lost – all except the little bit that you see. The letters round the tusk are magic – Runic magic – and if you can read them you will find out something rather new. The tusk is of ivory – very yellow and scratched. It is two feet long and two feet round, and weighs eleven pounds nice ounces.

‘I shall be glad of that,’ said Taffy, ‘because, after all, though you’ve bought every single other spear in the Tribe of Tegumai, you’ve forgotten my Daddy’s black-handled spear.’

Then the Head Chief cried and said and sang, ‘Taffy, dear, the next time you write a picture-letter, you’d better send a man who can talk our language with it, to explain what it means. I don’t mind it myself, because I am a Head Chief, but it’s very bad for the rest of the Tribe of Tegumai, and, as you can see, it surprises the stranger.’

Then they adopted the Stranger-man (a genuine Tewara of Tewar) into the Tribe of Tegumai, because he was a gentleman and did not make a fuss[204] about the mud that the Neolithic ladies had put into his hair. But from that day to this (and I suppose it is all Taffy’s fault), very few little girls have ever liked learning to read or to write. Most of them prefer to draw pictures and play about with their Daddies – just like Taffy.

There runs a road by Merrow Down —A grassy track today it is —An hour out of Guildford town,Above the river Wey it is.Here, when they heard the horse-bells ring,The ancient[205] Britons dressed and rodeTo watch the dark Phoenicians bringTheir goods[206] along the Western Road.And here, or hereabouts, they metTo hold their racial talks and such —To barter beads for Whitby jet[207],And tin for gay shell torques and such.But long and long before that time(When bison used to roam on it)Did Taffy and her Daddy climbThat down, and had their home on it.Then beavers built in BroadstonebrookAnd made a swamp where Bramly stands;And bears from Shere would come and lookFor Tafimai where Shamley stands.The Wey, that Taffy called Wagai,Was more that six times bigger then;And all the Tribe of TegumaiThey cut a noble figure then!

1. Tell about Taffy.

2. What had happened before Tegumai caught any fish?

3. Tell about a Stranger-man.

4. What did Taffy want the Stranger Man to do?

5. What did Taffy draw in the picture?

6. What did the Strange-man was thinking of when he was waiting for Taffy’s picture be ready? Did Taffy want to draw exactly what he was thinking of?

7. What happened when the Stranger-man came to Teshumai and showed the picture?

8. Did the tribe do what Taffy asked “in the picture”?

9. What invention did Taffy hit upon?

10. What did the Head Chief suggest Taffy doing next time to avoid misunderstanding?

11. Retell the story in short.

The week after Tafimai Metallumai (we will still call her Taffy, Best Beloved) made that little mistake about her Daddy’s spear and the Stranger-man and the picture-letter and all, she went carp-fishing again with her Daddy. Her Mummy wanted her to stay at home and help hang up hides to dry on the big drying-poles[208] outside their Neolithic Cave, but Taffy slipped away down to her Daddy quite early, and they fished. Presently she began to giggle, and her Daddy said, ‘Don’t be silly, child.’

‘But wasn’t it inciting!’ said Taffy. ‘Don’t you remember how the Head Chief puffed out his cheeks, and how funny the nice Stranger-man looked with the mud in his hair?’

‘Well do I,’ said Tegumai. ‘I had to pay[209] two deerskins – soft ones with fringes[210] – to the Stranger-man for the things we did to him.’

‘We didn’t do anything,’ said Taffy. ‘It was Mummy and other Neolithic ladies – and the mud.’

We won’t talk about that,’ said Daddy. ‘Let’s have lunch’.

Taffy took a marrow-bone and sat mousy-quiet for ten whole minutes, while her Daddy scratched on pieces of birch-bark with a shark’s tooth. Then he said, ‘Daddy, I’ve thinked[211] of a secret surprise. You make a noise – any sort of noise.’

‘Ah!’ said Tegumai. ‘Will that do[212] to begin with?’

‘Yes,‘ said Taffy. ‘you look just like a carp-fish with its mouth open. Say it again, please.’

‘Ah! ah! ah!’ said her Daddy. ‘Don’t be rude, my daughter.’

‘I’m not meaning rude, really and truly,’ said Taffy. ‘It’s a part of my secret-surprise-think. Do say ah[213], Daddy, and keep your mouth open at the end, and lend me that tooth. I am going to draw a carp-fish’s mouth wide-open.’

‘What for?’ said her Daddy.

‘Don’t you see?’ said Taffy scratching away on the bark. ‘That will be our little secret surprise. When I draw a carp-fish with his mouth open in the smoke at the back of our Cave – if Mummy doesn’t mind – it will remind you of that ah-noise. Then we can play that it was me jumped out of the dark and s’prised[214] you with that noise – same as I did in the beaver-swamp last winter.’

‘Really?’ said her Daddy, in the voice that grown-ups use when they are truly attending. ‘Go on, Taffy.’

‘Oh, bother![215]’ she said. ‘I can’t draw all of a carp-fish, but I can draw something that means a carp-fish’s mouth. Don’t you know how they stand on their heads rooting in the mud? Well, here’s a pretence carp-fish (we can play that the rest of him is drawn). Here’s just his mouth, and that means ah.’ And she drew this. (1)

‘That’s not bad,’ said Tegumai, and scratched on his own piece of bark for himself; ‘but you’ve forgotten the feeler that hangs across his mouth.’

‘But I can’t draw, Daddy.’

‘You needn’t draw anything of him except just an opening of his mouth and the feeler across. Then we’ll know he’s a carp-fish, ’cause[216]the perches and trouts[217] haven’t got feelers. Look here, Taffy.’ And he drew this. (2)

‘Now I’ll copy it,’ said Taffy. ‘Will you understand this when you see it?’ And she drew this. (3)

‘Perfectly,’ said her Daddy. ‘And I’ll be quite as s’prised when I see it anywhere, as if you had jumped out from behind a tree and said “Ah!”

‘Now, make another noise,’ said Taffy, very proud.

‘Yah!’ said her Daddy, very loud.

‘H’m,’ said Taffy. ‘That’s a mixy noise. The end part is ah-carp-fish-mouth; but what can we do about the front part? Yer-yer-yer and ah! Yah!’

‘It’s very like the carp-fish-mouth noise. Let’s draw another bit of the carp-fish and join ‘em,’ said her Daddy. He was quite incited too.

‘No. If they’re joined, I’ll forget. Draw it separate. Draw his tail. If he’s standing on his head the tail will come first. ’Sides[218], I think I can draw tails easiest,’ said Taffy.

‘A good notion[219],’ said Tegumai. ‘Here’s a carp-fish tail for the yer-noise.’ And he drew this. (4)

‘I’ll try now,’ said Taffy. ‘’ember[220]

I can’t draw like you, Daddy. ’Will it do[221] if I just draw the split part of the tail and a sticky-down line for where it joins?’ And she drew this. (5)

Her Daddy nodded, and his eyes were shiny bright with ’citement[222].

‘That’s beautiful,’ she said. ‘Now, make another noise, Daddy.’

‘Oh!’ said her Daddy, very loud.

‘That’s quite easy,’ said Taffy. ‘You make your mouth all round like an egg or a stone. So an egg or a stone will do for that.’

You can’t always find eggs or stones. We’ll have to scratch a round something like one.’ And he drew this. (6)

‘My gracious!’ said Taffy, ‘what a lot of noise-pictures we’ve made, – carp-mouth, carp-tail, and egg! Now, make another noise, Daddy.’

‘Ssh!’ said her Daddy, and frowned to himself[223], but Taffy was too incited to notice.

‘That’s quite easy,’ she said, scratching on the bark.

‘Eh, what?’ said her Daddy. ‘I meant I was thinking, and didn’t want to be disturbed.’

‘It’s a noise, just the same. It’s the noise a snake makes, Daddy, when it is thinking and doesn’t want to be disturbed. Let’s make the ssh-noise a snake. Will this do?’ And she drew this. (7)

‘There,’ she said. ‘That’s another s’prise-secret. When you draw a hissy-snake by the door of your little back-cave where you mend the spears, I’ll know you’re thinking hard; and I’ll come in most mousy-quiet. And if you draw it on a tree by the river when you’re fishing, I’ll know you want me to walk most most mousy-quiet, so as not to shake the banks.’

‘Perfectly true,’ said Tegumai. ‘And there’s more in this game than you think Taffy, dear, I’ve a notion that your Daddy’s daughter has hit upon the finest thing that there ever was since the Tribe of Tegumai took to using shark’s teeth instead of flints for their spear-heads. I believe we’ve found out the big secret of the world.’

‘Why?’ said Taffy, and her eyes shone too with incitement.

‘I’ll show,’ said her Daddy. ‘What’s water in the Tegumai language?’

‘Ya, of course, and it means river too – like Wagai-ya – the Wagai river.’

‘What is bad water that gives you fever if you drink it – black water – swamp-water?’

‘Yo, of course.’

‘Now look,’ said her Daddy.

‘S’pose[224] you saw this scratched by the side of a pool in the beaver-swamp?’ And he drew this. (8)

‘Carp-tail and round egg. Two noises mixed! Yo, bad water,’ said Taffy. ‘’Course[225] I wouldn’t drink that water because I’d know you said it is bad.’

‘But I needn’t be near the water at all. I might be miles away, hunting, and still – ‘

‘And still it would be just the same as if you stood there and said, “G’way[226], Taffy, or you’ll get fever.” All that in a carp-fish-tail and a round egg! O Daddy, we must tell Mummy, quick!’ and Taffy danced all round him.

‘Not yet,’ said Tegumai; ‘not till we’ve gone a little further. Let’s see. Yo is bad water, but so is food cooked on the fire, isn’t it?’ And he drew this. (9)

‘Yes. Snake and egg,’ said Taffy. ‘So that means dinner’s ready. If you saw that scratched on a tree you’d know it was time to come to the Cave. So’d I.’

‘My Winkie!’ said Tegumai. ‘That’s true too. But wait a minute. I see a difficulty. So means “come and have dinner,” but sho means the drying-poles where we hang our hides.’

‘Horrid old drying-poles!’ said Taffy. ‘I hate helping to hang heavy, hot, hairy hides on them. If you drew the snake and egg, and I thought it meant dinner, and I came in from the wood and found that it meant I was to help Mummy hang the hides on the drying-poles, what would I do?’

‘You’d be cross. So’d[227] Mummy. We must make a new picture for sho. We must draw a spotty snake that hisses sh-sh, and we’ll play that the plain snake only hisses ssss.’

‘I couldn’t be sure how to put in the spots,’ said Taffy. ‘And p’raps[228] if you were in a hurry you might leave them out, and I’d think it was so when it was sho, and then Mummy would catch me just the same. No! I think we’d better draw a picture of the horrid high drying-poles their very selves, and make quite sure. I’ll put ’em in just after the hissy-snake. Look!’ And she drew this. (10)

‘P’raps that’s safest. It’s very like our drying-poles, anyhow,’ said her Daddy, laughing. ‘Now I’ll make a new noise with a snake and drying-pole sound in it. I’ll say shi. That’s Tegumai for spear, Taffy.’ And he laughed.

‘Don’t make fun of me,’ said Taffy, as she thought of her picture-letter and the mud in the Stranger-man’s hair. ‘You draw it, Daddy.’

‘We won’t have beavers or hills this time, eh?’ said her Daddy. ‘I’ll just draw a straight line for my spear.’ And he drew this. (11)

‘Even Mummy couldn’t mistake that for me being killed.’

‘Please don’t, Daddy. It makes me uncomfy. Do some more noises. We’re getting on beautifully.’

‘Er-hm!’ said Tegumai, looking up. ‘We’ll say shu. That means sky.’

Taffy drew the snake and the drying-pole. Then she stopped. ‘We must make a new picture for that end sound, mustn’t we?’

‘Shu-shu-u-u-u!’ said her Daddy. ‘Why, it’s just like the round-egg-sound made thin.’

‘Then s’pose we draw a thin round egg, and pretend it’s a frog that hasn’t eaten anything for years.’

‘N-no,’ said her Daddy. ‘If we drew that in a hurry we might mistake it for the round egg itself. Shu-shu-shu! I’ll tell you what we’ll do. We’ll open a little hole at the end of the round egg to show how the O-noise runs out all thin, ooo-oo-oo. Like this.’ And he drew this (12)

‘Oh, that’s lovely! Much better than a thin frog. Go on,’ said Taffy, using her shark’s tooth.

Her Daddy went on drawing, and his hand shook with incitement. He went on till he had drawn this. (13)

‘Don’t look up, Taffy,’ he said. ‘Try if you can make out what that means in the Tegumai language. If you can, we’ve found the Secret.’

‘Snake – pole – broken-egg – carp-tail and carp-mouth,’ said Taffy. ‘Shu-ya. Sky-water [rain].’ Just then a drop fell on her hand, for the day had clouded over. ‘Why, Daddy, it’s raining. Was that what you meant to tell me?’

‘Of course,’ said her Daddy. ‘And I told it you without saying a word, didn’t I?’

‘Well, I think I would have known it in a minute, but that raindrop made me quite sure. I always remember now. Shu-ya means rain, or “it is going to rain.” Why, Daddy!’ She got up and danced round him. ‘S’pose you went out before I was awake, and drawed shu-ya in the smoke on the wall, I’d know it was going to rain and I’d take my beaver-skin hood[229]. Wouldn’t Mummy be s’prised!’

Tegumai got up and danced. (Daddies didn’t mind doing those things in those days.) ‘More than that! More than that!’ he said. ‘S’pose I wanted to tell you it wasn’t going to rain much and you must come down to the river, what would we draw? Say the words in Tegumai-talk first.’

‘Shu-ya-las, ya maru. [Sky-water ending. River come to.] What a lot of new sounds! I don’t see how we can draw them.’

‘But I do – but I do!’ said Tegumai. ‘Just attend a minute, Taffy, and we won’t do any more today. We’ve got shu-ya all right, haven’t we? but this last is a teaser[230]. La-la-la!’ and he waved his shark-tooth.

‘There’s the hissy-snake at the end and the carp-mouth before the snake – as-as-as. We only want la-la,’ said Taffy.

‘I know it, but we have to make la-la. And we’re the first people in all world who’ve ever tried to do it, Tafimai!’

‘Well,’ said Taffy, yawning[231], for she was rather tired. ‘Las means breaking or finishing as well as ending, doesn’t it?’

‘So it does,’ said Tegumai. ‘Ya-las means that there’s no water in the tank for Mummy to cook with – just when I’m going hunting, too.’

‘And shi-las means that your spear is broken. If I’d only thought of that instead of drawing silly beaver-pictures for the Stranger-man!’

‘La! La! La!’ said Tegumai, waving his stock and frowning. ‘Oh, bother!’

‘I could have drawn shi quite easily,‘ Taffy went on. ‘Then I’d have drawn your spear all broken – this way!’ And she drew. (14)

‘The very thing,’ said Tegumai. ‘That’s la all over. It isn’t like any of the other marks, either.’ And he drew this. (15)

‘Now for ya. Oh, we’ve done that before. Now for maru. Mum-mum-mum. Mum shuts one’s mouth up, doesn’t it? We’ll draw a shut mouth like this.’ And he drew. (16)

‘Then the carp-mouth open. That makes Mama-ma! But what about this rrrrr-thing, Taffy?’

‘It sounds all rough and edgy, like your shark-tooth saw when you’re cutting out a plank[232] for the canoe,’ said Taffy.

‘You mean all sharp at the edges, like this?’ said Tegumai. And he drew. (17)

‘’Xactly[233],’ said Taffy. ‘But we don’t want all those teeth: only put two.’

‘I’ll only put in one,’ said Tegumai. ‘If this game of ours is going to be what I think it will, the easier we make our sound-pictures the better for everybody[234].’ And he drew. (18)

‘Now we’ve got it,’ said Tegumai, standing on one leg. ‘I’ll draw ’em in a string like fish.’

‘Hadn’t we better put a little bit of stick or something between each word, so’s they won’t rub up against each other and jostle[235], same as if they were carps?’

‘Oh, I’ll leave a space for that,’ said her Daddy. And very incitedly he drew them all without stopping, on a big new bit of birch-bark. (19)

‘Shu-ya-las-ya-maru,’ said Taffy, reading it out sound by sound.

‘That’s enough for today,’ said Tegumai. ‘Besides, you’re getting tired, Taffy. Never mind, dear. We’ll finish it all tomorrow, and then we’ll be remembered for years and years after the biggest trees you can see are all chopped up for firewood[236].’

So they went home, and all that evening Tegumai sat on one side of the fire and Taffy on the other, drawing ya’s and ya’s and shu’s and shi’s in the smoke on the wall and giggling together till her Mummy said, ‘Really, Tegumai, you’re worse than my Taffy.’

‘Please don’t mind,’ said Taffy. ‘It’s only our secret-s’prise, Mummy, dear, and we’ll tell you all about it in the very minute it’s done; but please don’t ask me what it is now, or else I’ll have to tell.’

So her Mummy most carefully didn’t; and bright and early next morning Tegumai went down to the river to think about new sound-pictures, and when Taffy got up she saw Ya-las [water is ending or running out] chalked on the side of the big stone water-tank, outside the Cave.

‘Um’ said Taffy. ‘These picture-sounds are rather a bother! Daddy’s just as good as come here himself and told me to get more water for Mummy to cook with.’ She went to the spring at the back of the Cave and filled the tank from a bark bucket, and then she ran down to the river and pulled her Daddy’s left ear – the one that belonged to her to pull when she was good.

‘Now come along and we’ll draw all the leftover sound-pictures[237],’ said her Daddy, and they had a most inciting day of it, and a beautiful lunch in the middle, and two games of romps[238]. When they came to T, Taffy said that as her name, and her Daddy’s, and her Mummy’s all began with that sound, they should draw a sort of family group of themselves holding hands. That was all very well to draw once or twice; but when it came to drawing it six or seven times, Taffy and Tegumai drew it scratchier and scratchier, till at last the T-sound was only 2 thin long Tegumai with his arms out to hold Taffy and Teshumai. You can see from these three pictures partly how it happened. (20, 21, 22)

Many of the other pictures were much too beautiful to begin with, especially before lunch; but as they were drawn over and over again on birch-bark, they became plainer and easier, till at last Tegumai said he could find no fault with them. They turned the hissy-snake the other way round for the Z-sound, to show it was hissing backwards in a soft and gentle way (23); and they just made a twiddle for E, because it came into the pictures so often (24); and they drew pictures of the sacred Beaver of the Tegumais for the B-sound (25, 26, 27, 28); and because it was a nasty, nosy noise, they just drew noses for the N-sound, till they were tired (29); and they drew a picture of the big lake-pike’s[239] mouth for the greedy Ga-sound (30); and they drew the pike’s mouth again with a spear behind it for the scratchy, hurty Ka-sound (31); and they drew pictures of a little bit of the winding Wagai river for the nice windy-windy Wa-sound (32, 33); and so on and so forth and so following[240] till they had done and drawn all the sound-pictures that they wanted, and there was the Alphabet, all complete.

And after thousands and thousands and thousands of years, and after Hieroglyphics, and Demotics, and Nilotics, and Cryptics, and Cufics, and Runics, and Dorics, and Ionics, and all sorts of the other ricks and tricks (because the Woons, and the Neguses, and the Akhoonds, and the Repositories of Tradition[241] would never leave a good thing alone when they saw it), the fine old easy, understandable Alphabet – A, B, C, D, E, and the rest of ’em – got back into its proper shape again for all Best Beloveds to learn when they are old enough.

But I remember Tegumai Bopsulai, and Tafimai Metallumai and Teshumai Tewindrow, her dear Mummy, and all the days gone by. And it was so – just so – a long time ago – on the banks of the big Wagai!

One of the first things that Tegumai Bopsulai did after Taffy and he had made the Alphabet was to make a magic Alphabet-necklace of all the letters, so that it could be put in the Temple[242] of Tegumai and kept for ever and ever. All the Tribe of Tegumai brought their most precious beads[243] and beautiful things, and Taffy and Tegumai spent five whole years getting the necklace in order[244]. This is a picture of the magic Alphabet-necklace. The string was made of the finest and strongest reindeer-sinew, bound round with thin copper wire.

Beginning at the top, the first bead is an old silver one that belonged to the Head Priest[245] of the Tribe of Tegumai; then come three black mussel-pearls; next is a clay[246] bead (blue and grey); next a nubbly gold bead sent as a present by a tribe who got it from Africa (but it must have been Indian really); the next is a long flat-sided glass bead from Africa (the Tribe of Tegumai took it in a fight); then come two clay beads (white and green) with dots on one, and dots and bands on the other; next are three rather chipped amber[247] beads; then three clay beads (red and white), two with dots and the big one in the middle with a toothed pattern. Then the letters begin, and between each letter is a little whitish clay bead with the letter repeated small. Here are the letters[248]: —

A is scratched on a tooth – an elk-tush, I think.

B is the Sacred Beaver of Tegumai on a bit of old ivory.

C is a pearly oyster-shell[249] – inside front.

D must be a sort of mussel-shell – outside front.

E is a twist of silver wire.

F is broken, but what remains of it is a bit of stag’s horn.

G is painted black on a piece of wood. (The bead after G is a small shell, and not a clay bead. I don’t know why they did that.)

H is a kind of big brown cowrie-shell[250].

I is the inside part of a long shell ground down by hand. (It took Tegumai three months to grind it down).

J is a fish-hook in mother-of-pearl.

L is the broken spear in silver. (K ought to follow J, of course; but the necklace was broken once and they mended it wrong.)

K is a thin slice of bone scratched and rubbed in black.

M is on a pale grey shell.

N is a piece of what is called porphyry with a nose scratched on it. (Tegumai spent five months polishing this stone.)

O is a piece of oyster-shell with a hole in the middle.

P and Q are missing. They were lost, a long time ago, in a great war, and the tribe mended the necklace with the dried rattles of a rattlesnake[251], but no one ever found P and Q. That is how the saying began, ‘You must mind your P’s and Q‘s.’

R is, of course, just a shark’s tooth.

S is a little silver snake.

T is the end of a small bone, polished brown and shiny.

U is another piece of oyster-shell.

W is a twisty piece of mother-of-pearl that they found inside a big mother-of-pearl shell, and sawed off with a wire dipped in sand and water.

It took Taffy a month and a half to polish it and drill the holes.

X is silver wire joined in the middle with a raw garnet[252]. (Taffy found the garnet.)

Y is the carp’s tail in ivory.

Z is a bell-shaped piece of agate marked with Z-shaped stripes. They made the Z-snake out of one of the stripes by picking out the soft stone and rubbing in red sand and bees-wax. Just in the mouth of the bell you see the clay bead repeating the Z-letter.

These are all the letters.

The next bead is a small round greeny lump of copper ore; the next is a lump of rough turquoise; the next is a rough gold nugget[253] (what they call water-gold); the next is a melon-shaped clay bead (white with green spots). Then come four flat ivory pieces, with dots on them rather like dominoes; then come three stone beads, very badly worn; then two soft iron beads with rust-holes at the edges (they must have been magic, because they look very common); and last is a very very old African bead, like glass – blue, red, white, black, and yellow. Then comes the loop to slip over the big silver button at the other end, and that is all.

I have copied the necklace very carefully. It weighs one pound seven and a half ounces[254]. The black squiggle behind is only put in to make the beads and things look better.

Of all the Tribe of TegumaiWho cut that figure, none remain[255], —On Merrow Down the cuckoos cry —The silence and the sun remain.But as the faithful years returnAnd hearts unwounded sing again,Comes Taffy dancing through the fernTo lead the Surrey spring again.Her brows are bound with bracken-fronds,And golden elf-locks fly above;Her eyes are bright as diamondsAnd bluer than the sky above.In mocassins and deer-skin cloak,Unfearing, free and fair she flits[256],And lights her little damp-wood smokeTo show her Daddy where she flits.For far – oh, very far behind,So far she cannot call to him,Comes Tegumai alone to findThe daughter that was all to him.

1. What were the consequences of the previous story about Taffy?

2. Tell how one of the ‘sound-pictures’ was invented.

3. How many ‘sound-pictures’ did Taffy invent and how many did her father? What are they?

Before the High and Far-Off Times, O my Best Beloved, came the Time of the Very Beginnings; and that was in the days when the Eldest Magician was getting Things ready. First he got the Earth ready; then he got the Sea ready; and then he told all the Animals that they could come out and play. And the Animals said, ‘O Eldest Magician, what shall we play at?’ and he said, ‘I will show you.’ He took the Elephant – All-the-Elephant-there-was – and said, ‘Play at being an Elephant,’ and All-the-Elephant-there-was played. He took the Beaver – All-the-Beaver-there-was – and said, ‘Play at being a Beaver,’ and All-the-Beaver-there-was played. He took the Cow – All-the-Cow-there-was – and said, ‘Play at being a Cow,’ and All-the-Cow-there-was played. He took the Turtle – All-the-Turtle-there-was – and said, ‘Play at being a Turtle,’ and All-the-Turtle-there-was played. One by one[257] he took all the beasts and birds and fishes and told them what to play at.

But towards evening, when people and things grow restless and tired, there came up the Man (With his own little girl-daughter?) – Yes, with his own best-beloved little girl-daughter sitting upon his shoulder, and he said, ‘What is this play, Eldest Magician?’ And the Eldest Magician said, ‘Ho, Son of Adam, this is the play of the Very Beginning; but you are too wise for this play.’ And the Man saluted and said, ‘Yes, I am too wise for this play; but see that you make all the Animals obedient to[258] me.’

Now, while the two were talking together, Pau Amma the Crab, who was next in the game, scuttled off sideways[259] and stepped into the sea, saying to himself, ‘I will play my play alone in the deep waters, and I will never be obedient to this son of Adam.’ Nobody saw him go away[260] except the little girl-daughter where she leaned on the Man’s shoulder. And the play went on till there were no more Animals left without orders; and the Eldest Magician wiped the fine dust off his hands and walked about the world to see how the Animals were playing.

He went North, Best Beloved, and he found All-the-Elephant-there-was digging with his tusks and stamping with his feet in the nice new clean earth that had been made ready for him.

‘Kun?’ said All-the-Elephant-there-was, meaning, ‘Is this right?’

‘Payah kun,’ said the Eldest Magician, meaning, ‘That is quite right’; and he breathed upon the great rocks and lumps of earth that All-the-Elephant-there-was had thrown up, and they became the great Himalayan Mountains, and you can look them out on the map.

He went East, and he found All-the-Cow-there-was feeding in the field[261], that had been made ready for her, and she licked her tongue round a whole forest at a time, and swallowed it and sat down to chew her cud.

‘Kun?’ said All-the-Cow-there-was.

‘Payah kun,’ said the Eldest Magician; and he breathed upon the bare patch where she had eaten, and upon the place where she had sat down, and one became the Great Desert, and the other became the Desert of Sahara, and you can look them out on the map.

He went West, and he found All-the-Beaver-there-was making a beaver-dam across the mouths of broad rivers that had been got ready for him.

‘Kun?’ said All-the-Beaver-there-was.

‘Payah kun,’ said the Eldest Magician; and he breathed upon the fallen trees and the still water, and they became the Everglades in Florida, and you may look them out on the map.

Then he went South and found All-the-Turtle-there-was scratching with his flippers in the sand that had been got ready for him, and the sand and the rocks whirled through the air and fell far off into the sea.

‘Kun?’ said All-the-Turtle-there-was.

‘Payah kun,’ said the Eldest Magician; and he breathed upon the sand and the rocks, where they had fallen in the sea, and they became the most beautiful islands of Borneo, Celebes, Sumatra, Java, and the rest of the Malay Archipelago, and you can look them out on the map!

By and by the Eldest Magician met the Man on the banks of the Perak River, and said, ‘Ho! Son of Adam, are all the Animals obedient to you?’

‘Yes,’ said the Man.

‘Is all the Earth obedient to you?’

‘Yes,’ said the Man.

‘Is all the Sea obedient to you?’

‘No,’ said the Man. ‘Once a day and once a night the Sea runs up the Perak River and drives the sweet-water back into the forest, so that my house is made wet; once a day and once a night it runs down the river and draws[264] all the water after it, so that there is nothing left but mud, and my canoe is upset[265]. Is that the play you told it to play?’

‘No,’ said the Eldest Magician. ‘That is a new and a bad play.’

‘Look!’ said the Man, and as he spoke the great Sea came to the mouth of the Perak River, driving the river backwards till it overflowed[266] all the dark forests for miles and miles, and flooded[267] the Man’s house.

‘This is wrong. Launch your canoe and we will find out who is playing with the Sea,’ said the Eldest Magician. They stepped into the canoe; the little girl-daughter came with them; and the men took his kris – a curving, wavy dagger with a blade like a flame, – and they pushed out on the Perak River. Then the Sea began to run back and back, and the canoe was sucked out of the mouth of the Perak River, past Selangor, past Malacca, past Singapore, out and out to the Island of Bintang, as though it had been pulled by a string.

Then the Eldest Magician stood up and shouted, ‘Ho!’ beasts, birds, and fishes, that I took between my hands at the Very Beginning and taught the play that you should play, which one of you is playing with the Sea?’

Then all the beasts, birds, and fishes said together, ‘Eldest Magician, we play the plays that you taught us to play – we and our children’s children. But not one of us plays with the Sea.’

Then the Moon rose big and full over the water, and the Eldest Magician said to the hunchback old man who sits in the Moon day to catch the World, ‘Ho! Fisher of the Moon, are you playing with the Sea?’

‘No,’ said the Fisherman, ‘I am spinning[268] a line with which I shall some day catch the World; but I do not play with the Sea.’ And he went on spinning his line.

Now there is also a Rat up in the Moon who always bites[269] the old Fisherman’s line as fast as it is made, and the Eldest Magician said to him, ‘Ho! Rat of the Moon, are you playing with the Sea?’

And the Rat said, ‘I am too busy biting through the line that this old Fisherman is spinning. I do not play with the Sea.’ And he went on biting the line.

Then the little girl-daughter put up her little soft brown arms with the beautiful white shell bracelets and said, ‘O Eldest Magician! when my father here talked to you at the Very Beginning, and I leaned upon his shoulder while the beasts were being taught their plays, one beast went away naughtily into the Sea before you had taught him his play.’

And the Eldest Magician said, ‘How wise are little children who see and are silent! What was that beast like?’

And the little girl-daughter said, ‘He was round and was flat; and his eyes grew upon stalks; and he walked sideways like this; and he was covered with strong armour upon his back.’

And the Eldest Magician said, ‘How wise are little children who speak truth! Now I know where Pau Amma went. Give me the paddle!’

So he took the paddle; but there was no need to paddle, for the water flowed steadily past all the islands till they came to the place called Pusat Tasek – the Heart of the Sea – where the great hollow is that leads down to the heart of the world, and in that hollow grows the Wonderful Tree, Pauh Janggi, that bears the magic twin-nuts[270]. Then the Eldest Magician slid his arm up to the shoulder through the deep warm water, and under the roots of the Wonderful Tree he touched the broad back of Pau Amma the Crab. And Pau Amma settled down at the touch, and all the Sea rose up as water rises in a basin when you put your hand into it.

‘Ah!’ said The Eldest Magician. ‘Now I know who has been playing with the Sea’; and he called out, ‘What are you doing, Pau Amma?’

And Pau Amma, deep down below, answered, ‘Once a day and once a night I go out to look for my food. Once a day and once a night I return. Leave me alone.’

Then the Eldest Magician said, ‘Listen, Pau Amma. When you go out from your cave the waters of the Sea pour down into Pusat Tasek, and all the beaches of all the islands are left bare, and the little fish die, and Rajah Moyang Kaban, the

King of the Elephants, his legs are made muddy.

When you come back and sit in Pusat Tasek, the waters of the Sea rise, and half the little islands are drowned, and the Man’s house is flooded, and Rajah Abdullah, the King of the Crocodiles, his mouth is filled with the salt water.’

Then Pau Amma, deep down below, laughed and said, ‘I did not know I was so important.

Henceforward[271] I will go out seven times a day, and the waters shall never be still[272].’

And the Eldest Magician said, ‘I cannot make you play the play you were meant to play, Pau

Amma, because you escaped[273] me at the Very

Beginning; but if you are not afraid, come up and we will talk about it.’

‘I am not afraid,’ said Pau Amma, and he rose to the top of the sea in the moonlight. There was nobody in the world so big as Pau Amma – for he was the King Crab of All Crabs. Not a common Crab, but a King Crab. One side of his great shell touched the beach at Sarawak; and other touched the beach at Pahang; and he was taller that the smoke of three volcanoes! As he rose up through the branches of the Wonderful Tree he tore off[274] one of the great twin-fruits – the magic double-kernelled nuts that make people young, – and the little girl-daughter saw it bobbing alongside the canoe, and pulled it in and began to pick out the soft eyes of it with her little golden scissors[275].

‘Now,’ said the Magician, ‘make a Magic, Pau Amma, to show that you are really important.’

Pau Amma rolled his eyes and waved his legs, but he could only stir up[276] the Sea, because, though he was a King Crab, he was nothing more than a Crab, and the Eldest Magician laughed.

‘You are not so important after all, Pau Amma,’ he said. ‘Now, let me try,’ and he made a Magic with his left hand – with just the little finger of his left hand – and – lo and behold[277], Best Beloved, Pau Amma’s hard, blue-green-black shell fell off him as a husk falls off a coconut, and Pau Amma was left all soft – soft as the little crabs that you sometimes find on the beach, Best Beloved.

‘Indeed, you are very important,’ said the Eldest Magician. ‘Shall I ask the Man here to cut you with his kris? Shall I send for Rajah Moyang Kaban, the King of the Elephants, to pierce you with his tusks? or shall I call Rajah Abdullah, the King of the Crocodiles, to bite you?’

And Pau Amma said, ‘I am ashamed! Give me back my hard shell and let me go back to Pusat Tasek, and I will only stir out once a day and once a night to get my food.’

And the Eldest magician said, ‘No, Pau Amma, I will not give you back your shell, for you will grow bigger and prouder and stronger, and perhaps you will forget your promise, and you will play with the Sea once more.’

This is a picture of Pau Amma the Crab rising of the sea. Pau Amma is trying to make a Magic, but he is only a silly old King Crab, and so he can’t do anything. You can see he is all legs and claws and empty hollow shell. The canoe is the canoe that the Man and the Girl-Daughter and the Eldest Magician sailed from the Perak River in. The Sea is all black and bubbly[278], because Pau Amma has just risen up out of Pusat Tasek. The Man is waving his curvy kris-knife at Pau Amma. The Little Girl-Daughter is sitting quietly in the middle of the canoe. The Eldest Magician is standing up at the other end of the canoe beginning to make a Magic. He has left his magic throne on the beach, and he has taken off his clothes so as not to get wet, and he has left the Magic Cloud behind too, so as not to tip the boat over. The thing that looks like another little canoe outside the real canoe is called an outrigger[279]. It is a piece of wood tied to sticks, and it prevents the canoe from being tipped over. The canoe is made out of one piece of wood, and there is a paddle at one end of it.

Then Pau Amma said, ‘What shall I do? I am so big that I can only hide in Pusat Tasek, and if I go anywhere else, all soft as I am now, the sharks and the dogfish[280] will eat me. And if I go to Pusat Tasek, all soft as I am now, though I may be safe, I can never stir out to get my food, and so I shall die.’ Then he waved his legs and lamented[281].

‘Listen, Pau Amma,‘ said the Eldest Magician. ‘I cannot make you play the play you were meant to play, because you escaped me at the Very Beginning; but if you choose, I can make every stone and every hole and Pusat Tasek for you and your children for always.’

Then Pau Amma said, ‘That is good, but I do not choose yet. Look! there is that Man who talked to you at the Very Beginning. If he had not taken up your attention I should not have grown tired of waiting and run away, and all this would never have happened[282]. What will he do for me?’

And the Man said, ‘If you choose, I will make a Magic, so that both the deep water and the dry ground[283] will be a home for you and your children – so that you shall be able to hide[284] both on the land and in the sea.’

And Pau Amma said, ‘I do not choose yet. Look! there is that little girl who saw me running away at the Very Beginning. If she had spoken then, the Eldest Magician would have called me back, and all this would never have happened. What will she do for me?’

And the little girl-daughter said, ‘This is a good nut that I am eating. If you choose, I will make a Magic and I will give you this pair of scissors and your children can eat coconuts like this all day long when you come up from the Sea to the land; or you can dig a Pusat Tasek for yourself with the scissors that belong to you when there is no stone or hole near by; and when the earth is too hard, by the help of these same scissors you can run up a tree.’

And Pau Amma said, ‘I do not choose yet, for, all soft as I am, these gifts would not help me. Give me back my shell, O Eldest Magician, and then I will play your play.’

And the Eldest Magician said, ‘I will give it back, Pau Amma, for eleven months of the year; but on the twelfth month of every year it shall grow soft again, to remind you and all your children that I can make Magics, and to keep you humble, Pau Amma; for I see that if you can run both under the water and on land, you will grow too bold; and if you can climb trees and crack nuts and dig holes with your scissors, you will grow too greedy, Pau Amma.’

Then Pau Amma thought a little and said, ‘I have made my choice. I will take all the gifts.’

Then the Eldest Magician made a Magic with the right hand, with all five fingers of his right hand, and lo and behold, Best Beloved, Pau Amma grew smaller and smaller and smaller, till at last there was only a little green crab swimming in the water alongside the canoe, crying in a very small voice, ‘Give me the scissors!’

And the girl-daughter picked him up on the palm of her little brown hand, and sat him in the bottom of the canoe and gave him her scissors, and he waved them in his little arms, and opened them and shut them and snapped them, and said, ‘I can eat nuts. I can crack shells. I can dig holes. I can climb trees. I can breath in the dry air, and I can find a safe Pusat Tasek under every stone. I did not know I was so important. Kun?’ [Is this right?]

‘Payah kun,’ said the Eldest Magician, and he laughed and gave him his blessing[285]; and little Pau Amma scuttled over the side of the canoe into the water; and he was so tiny that he could have hidden under the shadow of a dry leaf on land or of a dead shell at the bottom of the sea.

‘Was that well done?’ said the Eldest Magician.

‘Yes,’ said the Man. ‘But now we must go back to Perak, and that is a weary way to paddle. If we had waited till Pau Amma had gone out of Pusat Tasek and come home, the water would have carried us there by itself.’

‘You are lazy,’ said the Eldest magician. ‘So your children shall be lazy. They shall be the laziest people in the world. They shall be called the Malazy – the lazy people’; and he held up his finger to the Moon and said, ‘O Fisherman, here is the Man too lazy to row home. Pull his canoe home with your line, Fisherman.’

‘No,’ said the Man. ‘If I am to be lazy all my days, let the Sea work for me twice a day forever. That will save paddling.’

And the Eldest Magician laughed and said, ‘Payah kun’ [That is right].

And the Rat of the Moon stopped biting the line; and the Fisherman let his line down till it touched the Sea, and he pulled the whole deep Sea along, past the Island of Bintang, past Singapore, past Malacca, past Selangor, till the canoe whirled into the mouth of the Perak River again.

‘Kun?’ said the Fisherman of the Moon.

‘Payah kun,’ said the Eldest Magician. ‘See now that you pull the Sea twice a day and twice a night forever, so that the Malazy fisherman may be saved paddling. But be careful not to do it too hard, or I shall make a Magic on you as I did to Pau Amma.’

Then they all went up the Perak River and went to bed, Best Beloved.

Now listen and attend!

From that day to this the Moon has always pulled the Sea up and down and made what we call the tides. Sometimes the Fisher of the Sea pulls a little too hard, and then we get springtides; and sometimes he pulls a little too softly, and then we get what we called neap-tides[286]; but nearly always he is careful, because of the Eldest Magician.

And Pau Amma? You can see when you go to the beach, how all Pau Amma’s babies make little Pusat Taseks for themselves under every stone and bunch of weed on the sands; you can see them waving their little scissors[287]; and in some parts of the world they truly live on the dry land and turn up the palm-trees and eat coconuts, exactly as the girl-daughter promised. But once a year all Pau Ammas must shake off their hard armour and be soft – to remind them of what the Eldest Magician could do. And so it isn’t fair to kill or hunt Pau Amma’s babies just because old Pau Amma was stupidly rude a very long time ago.

Oh yes! And Pau Amma’s babies hate being taken out of their little Pusat Taseks and brought home in the pickle-bottles. That is why they nip[288] you with their scissors, and it serves you right!

China-going P. & O.’sPass Pau Amma’s playground close,And his Pusat Tasek liesNear the track of most B.I.’s.N.Y.K. and N.D.L.Know Pau Amma’s home as wellAs the Fisher of the Sea knows‘Bens,’ M.M.’s and Rubattinos.But (and this is rather queer[289])A.T.L.’s can not come here;O. and O. and D.O.A.Must go round another way.Orient, Anchor, Bibby, Hall,Never go that way at all.U.C.S. would have a fitIf it founds itself on it.And if ‘Beavers’ took their cargoes[290]To Penang instead of Lagos,Of a fat Shaw-Savill borePassengers to Singapore,Or a White Star were to try aLittle trip to Sourabaya,Or a B.S.A.[291] went onPast Natal to Cheribon,Then great Mr. Lloyds would comeWith a wire and drag[292] them home.You’ll know what my riddle meansWhen you’ve eaten mangosteens[293].

Or if you can’t wait till then, ask them to let you have the outside page of the Times; turn over the page 2, where it is marked ‘Shipping’ on the top left hand; then take the Atlas (and that is the finest picture-book in the world) and see how the names of the places that the steamers go to fit into the names of the places on the map. Any steamer-kiddy ought to be able to do that; but if you can’t read, ask some one to show it to you.

1. Retell the beginning of the story.

2. Was the Sea obedient to the Man? Why?

3. Who was playing with the Sea? Was it the Fisherman? How did the Eldest Magician know who it was?

4. What was happening when Pau Amma went out and returned to the Sea?

5. Was Pau Amma real? How did the Eldest Magician find it out?

6. Did Pau Amma take all the gifts? What were they?

7. What happened to Pau Amma after all?

8. What were the consequences of the story?

9. Make up the plan of the story and retell it.

Hear and attend and listen; for this befell[294] and be-happened and became and was, O my Best Beloved, when the Tame animals[295] were wild. The Dog was wild, and the Horse was wild, and the Cow was wild, and the Sheep was wild, and the Pig was wild – as wild as could be – and they walked in the Wet Wild Woods by their wild lones. But the wildest of all the wild animals was the Cat. He walked by himself, and all places were alike to[296] him.

Of course the Man was wild too. He was dreadfully wild. He didn’t even to begin to be tame till he met the Woman, and she told him that she did not like living in his wild ways. She picked out a nice dry Cave, instead of a heap of wet leaves, to lie down in; and she strewed clean sand on the floor; and she lit a nice fire of wood at the back of the Cave; and she hung a dried wild-horse skin, tail-down, across the opening of the Cave; and she said, ‘Wipe your feet, dear, when you come in, and now we’ll keep house[297].’

That night, Best Beloved, they ate wild sheep roasted on the hot stones, and flavoured with wild garlic and wild pepper; and wild duck stuffed with wild rice and wild fenugreek[298] and wild coriander; and marrow-bones of wild oxen[299]; and wild cherries, and wild grenadines[300]. Then the Man went to sleep in front of the fire ever so happy; but the Woman sat up, combing her hair[301]. She took the bone of the shoulder of mutton – the big flat blade-bone – and she looked at the wonderful marks on it, and she threw more wood on the fire, and she made a Magic. She made the First Singing Magic in the world.

Out in the Wet Wild Woods all the wild animals gathered together where they could see the light of the fire a long way off, and they wondered what it meant.

Then Wild Horse stamped with his wild foot and said, ‘O my Friends and O My Enemies, why have the Man and the Woman made that great light in that great Cave, and what harm will it do to us?’

Wild Dog lifted up his wild nose and smelled the smell of the roast mutton, and said, ‘I will go up and see and look, and say; for I think it is good. Cat, come with me.’

‘Nenni![304]’ said the Cat. ‘I am the Cat who walks by himself, and all places are alike to me. I will not come.’

‘Then we can never be friends again,’ said Wild Dog, and he trotted off to the Cave. But when he had gone a little way the Cat said to himself, ‘All places are alike to me. Why should I not go too and see and look and come away at my own liking?’ So he slipped after Wild Dog softly, very softly, and hid himself where he could hear everything.

When Wild Dog reached the mouth of the Cave he lifted up the dried horse-skin with his nose and sniffed the beautiful smell of the roast mutton, and the Woman, looking at the blade-bone, heard him, and laughed, and said, ‘Here comes the first. Wild Thing out of the Wild Woods, what do you want?’

Wild Dog said, ‘O my Enemy and Wife of my Enemy, what is this that smells so good in the Wild Woods?’

Then the Woman picked up a roasted mutton-bone and threw it to Wild Dog and said, ‘Wild Thing out of the Wild Woods, taste and try.’ Wild Dog gnawed the bone, and it was more delicious[305] than anything he had ever tasted, and he said, ‘O my Enemy and Wife of my Enemy, give me another.’

The Woman said, ‘Wild Thing out of the Wild Woods, help my Man to hunt through the day and guard this Cave at night, and I will give you as many roast bones as you need.’

‘Ah!’ said the Cat, listening. ‘This is a very wise Woman, but she is not so wise as I am.’

Wild Dog crawled into the Cave and laid his head on the Woman’s lap, and said, ‘O my Friend and Wife of my Friend, I will help your Man to hunt through the day, and at night I will guard your Cave.’

‘Ah!’ said the Cat, listening. ‘That is a very foolish Dog.’ And he went back through the Wet Wild Woods waving his wild tail, and walking by his wild alone. But never told anybody[306].

When the Man waked up he said, ‘What is Wild Dog doing here?’ And the Woman said ‘His name is not Wild Dog any more, but the First Friend, because he will be our friend for always and always. Take him with you when you go hunting.’

Next night the Woman cut great green armfuls of fresh grass from the water-meadows[307], and dried it before the fire, so that it smelt like new-mown hay[308], and she sat at the mouth of the Cave and plaited a halter[309] out of horse-hide, and she looked at the shoulder-of-mutton bone – at the big broad blade-bone – and she made a

Magic. She made the Second Singing Magic in the world.

Out in the Wild Woods all the wild animals wondered what had happened to the Wild

Dog, and at last the Wild Horse stamped with his foot and said, ‘I will go and see and say why Wild Dog has not returned. Cat, come with me.’

‘Nenni!’ said the Cat. ‘I am a Cat who walks by himself, and all places are alike to me. I will not come.’ But all the same he followed Wild

Horse softly, very softly, and hid himself where he could hear everything.

When the Woman heard Wild Horse tripping and stumbling on his long mane[310], she laughed and said, ‘here comes the Second. Wild Thing out of the Wild Woods, what do you want?’

Wild Horse said, ‘O my Enemy and Wife of my Enemy, where is Wild Dog?’

The Woman laughed, and picked up the blade-bone and looked at it, and said, ‘Wild Thing out of the Wild Woods, you did not come here for Wild Dog, but for the sake of[311] this good grass.’

And Wild Horse, tripping and stumbling on his long mane, said, ‘That is true; give me to eat.’

The Woman said, ‘Wild Thing out of the Wild Woods, bend your wild head and wear what I give you, and you shall eat the wonderful grass three times a day.’

‘Ah!’ said the Cat, listening. ‘This is a clever Woman, but she is not so clever as I am.’

Wild Horse bent his wild head, and the Woman slipped the plaited-hide halter over it, and Wild Horse breathed on the Woman’s feet and said, ‘O my Mistress, and Wife of my Master, I will be your servant for the sake of the wonderful grass.’

‘Ah!’ said the Cat, listening. ‘That is a very foolish Horse.’ And he went back through the Wet Wild Woods, waving his tail and walking by his wild lone. But he never told anybody.

When the Man and the Dog came back from hunting, the Man said, ‘What is Wild Horse doing here?’ And the Woman said, ‘His name is not Wild Horse any more, but the First Servant, because he will carry us from place to place for always and always and always. Ride on his back when you go hunting.’

Next day, holding her wild head high that her wild horns should not catch in the wild trees, Wild Cow came up to the Cave, and the Cat followed, and hid himself just the same as before; and everything happened just the same as before; and the Cat said the same things as before; and when Wild Cow had promised to give her milk to the Woman every day in exchange for the wonderful grass, the Cat went back through the Wet Wild Woods waving his wild tail and walking by his wild lone, just the same as before. But he never told anybody. And when the Man and the Horse and the Dog came home from hunting and asked the same questions same as before, the Woman said, ‘Her name is not Wild Cow any more, but the Giver of God Food. She will give us the warm white milk for always and always and always, and I will take care of her while you and the First Friend and the First Servant go hunting.’

Next day the Cat waited to see if any other Wild Thing would go up to the Cave, but no one moved in the Wet Wild Woods, so the Cat walked there by himself; and he saw the Woman milking the Cow, and he saw the light of the fire in the Cave, and he smelt the smell of the warm white milk.

Cat said, ‘O my Enemy and Wife of my Enemy, where did Wild Cow go?’

The Woman laughed and said, ‘Wild Thing out of the Wild Woods, go back to the Woods again, for I have braided up my hair, and I have put away the magic blade-bone, and we have no more need of either friends or servants[312] in our Cave.’

Cat said, ‘I am not a friend, and I am not a servant. I am the Cat who walks by himself, and I wish to come into your Cave.’

Woman said, ‘Then why did you not come with First Friend on the first night?’

Cat grew very angry and said, ‘Has Wild Dog told tales of me?’

Then the Woman laughed and said, ‘You are the Cat who walks by himself, and all places are alike to you. You are neither a friend nor a servant. You have said it yourself. Go away and walk by yourself in all places alike.’

Then Cat pretended to be sorry and said, ‘Must I never come into the cave? Must I never sit by the warm fire? Must I never drink the warm white milk? You are very wise and very beautiful. You should not be cruel even to a Cat.’

Woman said, ‘I knew I was wise, but I did not know I was beautiful. So I will make a bargain[313] with you. If ever I say one word in your praise, you may come into the Cave.’

‘And if you say two words in my praise?’ said the Cat.

‘I never shall,’ said the Woman, ‘but if I say two words in your praise, you may sit by the fire in the Cave.’

This is the picture of the Cat that Walked by Himself, walking by his wild lone through the Wet Wild Woods and waving his wild tail. There is nothing else in the picture except some toadstools. They had to grow there because the Woods were so wet. The lumpy thing on the low branch isn’t a bird. It is moss that grew there because the Wild Woods were so wet.

Underneath the truly picture is a picture of the cosy Cave that the Man and the Woman went to after the Baby came. It was their summer Cave, and they planted wheat in front of it. The man is riding on the Horse to find the Cow and bring her back to the Cave to be milked. He is holding up his hand to call the Dog, who has swum across to the other side of the river, looking for rabbits.

‘And if you say three words?’ said the Cat.

‘I never shall,’ said the Woman, ‘but if I say three words in your praise, you may drink the warm white milk three times a day for always and always and always.’

Then the Cat arched his back and said, ‘Now let the Curtain at the mouth of the Cave, and the Fire at the back of the cave, and the Milk-pots that stand beside the Fire, remember what my Enemy and the Wife of my Enemy has said.’ And he went away through the Wet Wild Woods waving his wild tail and walking by his wild lone.

That night when the Man and the Horse and the Dog came home from hunting, the Woman did not tell them of the bargain that she had made with the Cat, because she was afraid that they might not like it.

Cat went far and far away and hid himself in the Wet Wild Woods by his wild lone for a long time till the Woman forgot all about him. Only the Bat[314] – the little upside-down Bat – that hung inside the Cave knew where Cat hid; and every evening Bat would fly to Cat with news of what was happening.

One evening Bat said, ‘There is a Baby in the Cave. He is new and pink and fat and small, and the Woman is very fond of him[315].’

‘Ah,’ said the Cat, listening. ‘But what is the Baby fond of?’

‘He is fond of things that are soft and tickle,’ said the Bat. ‘He is fond of warm things to hold in his arms when he goes to sleep. He is fond of being played with. He is fond of all those things.’

‘Ah,’ said the Cat, listening. ‘Then my time has come.’

Next night Cat walked through the Wet Wild Woods and hid very near the Cave till morning-time, and Man and Dog and Horse went hunting. The Woman was busy cooking that morning, and the Baby cried and interrupted. So she carried him outside the Cave and gave him a handful of pebbles to play with. But still the Baby cried.

Then the Cat put his paddy paw and patted the baby on the cheek, and it cooed; and the Cat rubbed against its fat knees and tickled it under its fat chin with his tail. And the Baby laughed; and the Woman heard him and smiled.

Then the Bat – the little upside-down Bat – that hung in the mouth of the Cave said, ‘O my Hostess and Wife of my Host and Mother of my Host’s Son, a Wild Thing from the Wild Woods is most beautifully playing with your Baby.’

‘A blessing on that Wild Thing whoever he may be,’ said the Woman, straightening her back, ‘for I was a busy woman this morning and he has done me a service[316].’

That very minute and second, Best Beloved, the dried horse-skin Curtain that was stretched tail-down at the mouth of the Cave fell down – woosh! – because it remembered the bargain she had made with the Cat; and when the Woman went to pick it up – lo and behold! – the Cat was sitting quite comfy inside the Cave.

‘O my Enemy and Wife of my Enemy and mother of my Enemy,’ said the Cat, ‘it is I: for you have spoken a word in my praise, and now I can sit within the Cave for always and always and always. But still I am the Cat who walks by himself, and all places are alike to me.’

The Woman was very angry, and shut her lips tight and took up her spinning-wheel and began to spin.

But the Baby cried because the Cat had gone away, and the Woman could not hush it, for it struggled and kicked and grew black in the face.

‘O my Enemy and Wife of my Enemy and Mother of my Enemy,’ said the Cat, ‘take a strand of the thread that you are spinning and tie it to your spindle-whorl[317] and drag it along the floor, and I will show you a Magic that shall make your Baby laugh as loudly as he is now crying.’

‘I will do so,’ said the Woman, ‘because I am at my wits’ end[318]; but I will not thank you for it.’

She tied the thread to the little clay spindle-whorl and drew it across the floor, and the Cat ran after it and patted it with his paws and rolled head over heels, and tossed it backward over his shoulder and chased it between his hind legs and pretended to lose it, and pounced down upon it again, till the Baby laughed as loudly as it had been crying, and scrambled after the Cat and frolicked[319] all over the cave till it grew tired and settled down to sleep with the Cat in its arms.

‘Now,’ said Cat, ‘I will sing the Baby a song that shall keep him asleep for an hour.’ And he began to purr, loud and low, low and loud, till the Baby fell fast asleep. The Woman smiled as she looked down upon the two of them, and said, ‘That was wonderfully done. No question but you are very clever, O Cat.’

That very minute and second, Best Beloved, the smoke of the Fire at the back of the Cave came down in clouds from the roof – puff! – because it remembered the bargain she had made with the Cat; and when it had cleared away – lo and behold! – the Cat was sitting quite comfy close to the fire.

‘O my Enemy and Wife of my Enemy and Mother of my Enemy,’ said the Cat, ‘it is I: for you have spoken a second word in my praise, and now I can sit by the warm fire at the back of the cave for always and always and always. But still I am the Cat who walks by himself, and all places are alike to me.’

Then the Woman was very angry, and let down her hair and put more wood on the fire and brought out the broad blade-bone of the shoulder of mutton and began to make a Magic that should prevent her from saying a third word in praise of the Cat. It was not a Singing Magic, Best beloved, it was a Still Magic; and by and by the Cave grew so still that a little wee-wee mouse crept out of a corner[320] and ran across the floor.

‘O my Enemy and Wife of my Enemy and Mother of my Enemy,’ said the Cat, ‘is that little mouse part of your Magic?’

‘Ouh! Chee! No indeed!’ said the Woman, and she dropped the blade-bone and jumped upon the footstool in front of the fire and braided up her hair very quick for fear that the mouse should run up it.

‘Ah,’ said the Cat, watching. ‘Then the mouse will do me no harm if I eat it?’

‘No,’ said the Woman, braiding up her hair, ‘eat it quickly and I will ever be grateful to you.’

Cat made one jump and caught the little mouse, and the Woman said, ‘A hundred thanks. Even the First Friend is not quick enough to catch little mice as you have done. You must be very wise.’

That very minute and second, O Best Beloved, the Milk-pot that stood by the fire cracked in two pieces – ffft! – because it remembered the bargain she had made with the Cat; and when the Woman jumped down from the footstool – lo and behold! – the Cat was lapping up the warm white milk that lay in one of the broken pieces.

‘O my Enemy and Wife of my Enemy and Mother of my Enemy,’ said the Cat, ‘it is I: for you have spoken three words in my praise, and now I can drink the warm white milk three times a day for always and always and always. But still I am the Cat who walks by himself, and all places are alike to me.’

Then the Woman laughed and set the Cat a bowl of the warm white milk and said, ‘O Cat, you are as clever as a man, but remember that your bargain was not made with the Man or the Dog, and I do not know what they will do when they come home.’

‘What is that to me?’ said the Cat. ‘If I have my place in the Cave by the fire and my warm white milk three times a day I do not care what the Man or the Dog can do.’

That evening when the Man and the Dog came into the Cave, the Woman told them all the story of the bargain, while the Cat sat by the fire and smiled. Then the Man said, ‘Yes, but he has not made a bargain with me or with all proper Men after me.’ Then he took off his two leather boots and he took up his little stone axe[321] (that makes three) and he fetched a piece of wood and a hatchet[322] (that is five altogether), and he set them out in a row and he said, ‘Now we will make our bargain. If you do not catch mice when you are in the Cave for always and always and always, I will throw these five things at you whenever I see you, and so shall all proper Men do after me.’

‘Ah!’ said the Woman, listening. ‘This is a very clever Cat, but he is not so clever as my Man.’

The Cat counted the five things (and they looked very knobby[323]) and he said, ‘I will catch mice when I am in the Cave for always and always and always; but still I am the Cat who walks by himself, and all places are alike to me.’

‘Not when I am near,’ said the Man. ‘If you had not said that last I would have put all these things away for always and always and always; but now I am going to throw my two boots and my little stone axe (that makes three) at you whenever I meet you. And so shall all proper Men do after me!’

Then the Dog said, ‘Wait a minute. He has not made a bargain with me or with all proper Dogs after me.’ And he showed his teeth and said, ‘If you are not kind to the Baby while I am in the Cave for always and always and always, I will hunt you till I catch you, and when I catch you I will bite you. And so shall all proper Dogs do after me.’

‘Ah!’ said the Woman, listening. ‘This is a very clever Cat, but he is not so clever as the Dog.’

Cat counted the Dog’s teeth (and they looked very pointed) and he said, ‘I will be kind to the Baby while I am in the Cave, as long as he does not pull my tail too hard, for always and always and always. But still I am the Cat who walks by himself, and all places are alike to me.’

‘Not when I am near,’ said the Dog. ‘If you had not said that last I would have shut my mouth for always and always and always; but now I am going to hunt you up a tree whenever I meet you. And so shall all proper Dogs do after me.’

Then the Man threw his two boots and his little stone axe (that makes three) at the Cat, and the Cat ran out of the Cave and the Dog chased him up the tree; and from that day to this, Best Beloved, three proper Men out of five will always throw things at a Cat whenever they meet him, and all proper Dogs will chase him up a tree. But the Cat keeps his side of the bargain too. He will kill mice, and he will be kind to Babies when he is in the house, just as long as they do not pull his tail too hard. But when he has done that, and between times, and when the moon gets up and night comes, he is the Cat that walks by himself, and all places are alike to him. Then he goes out to the Wet Wild Woods or up the Wet Wild Trees or on the Wet Wild Roofs, waving his wild tail and walking by his wild lone.

Pussy can sit by the fire and sing,Pussy can climb a tree,Or play with a silly old cork and string[324]To ’muse[325] herself, not me.But I like Binkie my dog, becauseHe knows how to behave;So, Binkie’s the same as the First Friend was,And I am the Man in the Cave!Pussy will play Man Friday tillIt’s time to wet her pawAnd make her walk on the window-sill(For the footprint Crusoe saw);Then she fluffes her tail and mews[326],And scratches and won’t attend.But Binkie will play whatever I choose,And he is my true First Friend!Pussy will rub my knees with her headPretending she loves me hard;But the very minute I go to my bedPussy runs out in the yard,And there she stays till the morning-light;So I know it is only pretend;But Binkie, he shores at[327] my feet all night,And he is my Firstest Friend!

1. Why did the animals decide to go to people?

2. Did all the animals stay with the Man and the Woman? Why did they stay with them or why didn’t they?

3. First Friend. Who is he? Who named him like that?

4. What bargain did the Woman and the Cow strike?

5. Why did the Cat come to the Woman? What did he say to her?

6. What bargain did the Woman and the Cat make?

7. How did the Cat manage to make Baby laugh? 8. Did the Woman say three words in the Cat’s praise?

9. Did the Cat make the bargain with the Man and the Dog? What were the consequences of this ‘mistake’?

10. Retell the story.

This, O my Best Beloved, is a story – a new and a wonderful story – a store quite different from the other stories – a story about The Most Wise Sovereign Suleiman-bin-Daoud-Solomon the Son of David.

There are three hundred and fifty-five stories about Suleiman-bin-Daoud; but this is not one of them. It is not the story of the Lapwing[328] who found the Water; or the Hoopoe[329] who shaded Suleiman-bin-Daoud from the heat. It is not the story of the Glass Pavement[330], or the Ruby[331] with the Crooked Hole, or the Gold Bars of Balkis. It is the story of the Butterfly[332] that Stamped[333].

Now attend all over again and listen!

Suleiman-bin-Daoud was wise. He understood what the beasts said, what the birds said, what the fishes said, and what the insects said. He understood what the rocks said deep under the earth when they bowed in towards each other and groaned[334]; and he understood what the trees said when they rustled in the middle of the morning. He understood everything, from the bishop on the bench to the hyssop on the wall; and Balkis, his Head Queen, the Most Beautiful Queen Balkis, was nearly as wise as he was.

Suleiman-bin-Daoud was strong. Upon the third finger of his right hand he wore a ring. When he turned it once, Afrits[335] and Djinns came out of the earth to do whatever he told them. When he turned it twice, Fairies came down from the sky to do whatever he told them; and when he turned it three times, the very great angel Azrael of the Sword came dressed as a water-carrier, and told him the news of the three worlds, – Above – Below – and Here.

And yet Suleiman-bin-Daoud was not proud. He very seldom showed off[336], and when he did he was sorry for it. Once he tried to feed all the animals in all the world in one day, but when the food was ready an Animal came out of the deep sea and ate it up in three mouthfuls. Suleiman-bin-Daoud was very surprised and said, ‘O Animal, who are you?’ and the Animal said, ‘O King, live for ever! I am the smallest of thirty thousand brothers, and our home is at the bottom of the sea. We heard that you were going to feed all the animals in all the world, and my brothers sent me to ask when dinner would be ready.’ Suleiman-bin-Daoud was more surprised than ever and said, ‘O Animal, you have eaten all the dinner that I made ready for all the animals in the world.’ And the Animal said, ‘O King, live for ever, but do you really call that a dinner? Where I come from we each eat twice as much as that between meals.’ Then Suleiman-bin-Daoud fell flat[337] on his face and said, ‘O Animal! I gave that dinner to show what a great and rich king I was, and not because I really wanted to be kind to the animals. Now I am ashamed, and it serves me right.’ Suleiman-bin-Daoud was a really truly wise man, Best Beloved. After that he never forgot that it was silly to show off; and now the real story part of my story begins.

He married ever so many wives. He married nine hundred and ninety-nine wives, besides the Most Beautiful Balkis; and they all lived in a great golden palace in the middle of a lovely garden with fountains. He didn’t really want nine hundred and ninety-nine wives, but in those days everybody married ever so many wives, and of course the King had to marry ever so many more just to show that he was the King.

Some of the wives were nice, but some were simply horrid, and the horrid ones quarrelled with the nice ones and made them horrid too, and then they would all quarrel with Suleiman-bin-Daoud, and that was horrid for him. But Balkis the Most Beautiful never quarrelled with Suleiman-bin-Daoud. She loved him too much. She sat in her rooms in the Golden Palace, or walked in the Palace garden, and was truly sorry for him.

Of course if he had chosen to turn his ring on his finger and call up the Djinns and the Afrits they would have magicked all those nine hundred and ninety-nine quarrelsome wives into white mules of the desert or greyhounds or pomegranate seeds; but Suleiman-bin-Daoud thought that that would be showing off. So, when they quarrelled too much, he only walked by himself in one part of the beautiful Palace gardens and wished he had never been born.

One day, when they had quarrelled for three weeks – all nine hundred and ninety-nine wives together – Suleiman-bin-Daoud went out for peace and quiet as usual; and among the orange-trees he met Balkis the Most Beautiful, very sorrowful because Suleiman-bin-Daoud was so worried. And she said to him, ‘O my Lord and Light of my Eyes, turn the ring upon your finger and show these Queens of Egypt and Mesopotamia and Persia and China that you are the great and terrible King.’ But Suleiman-bin-Daoud shook his head and said, ‘O my Lady and Delight of my Life, remember the Animal that came out of the sea and made me ashamed before all the animals in all the world because I showed off. Now, if I showed off before these Queens of Persia and Egypt and Abyssinia and China, merely because they worry me, I might be made even more ashamed than I have been.’

And Balkis the Most Beautiful said, ‘O my Lord and Treasure of my Soul[340], what will you do?’

And Suleiman-bin-Daoud said, ‘O my Lady and Content of my Heart, I shall continue to endure my fate[341] at the hands of these nine hundred and ninety-nine Queens who vex me with their continual quarrelling.’

So he went on between the lilies and the loquats and the roses and the cannas and the heavy-scented ginger-plants that grew in the garden, till he came to the great camphor-tree that was called the Camphor-Tree of Suleiman-bin-Daoud. But Balkis hid among the tall irises and the apotted bamboos and the red lilies behind the camphor-tree, so as to be near her own true love, Suleiman-bin-Daoud.

Presently two Butterflies flew under the tree, quarrelling.

Suleiman-bin-Daoud heard one say to the other[342], ‘I wonder at your presumption in talking like this to me. Don’t you know that if I stamped with my foot all Suleiman-bin-Daoud’s Palace and this garden here would immediately vanish in a clap of thunder?[343]’

Then Suleiman-bin-Daoud forgot his nine hundred and ninety-nine bothersome wives, and laughed, till the camphor-tree shook, at the Butterfly’s boast. And he held out his finger and said, ‘Little man, come here.’

The Butterfly was dreadfully frightened, but he managed to[344] fly up to the hand of Suleiman-bin-Daoud. And clung there, fanning himself. Suleiman-bin-Daoud bent his head and whispered very softly, ‘Little man, you know that all your stamping wouldn’t bend one blade of grass. What made you tell that awful fib to your wife? – for doubtless she is your wife.’

The Butterfly looked at Suleiman-bin-Daoud and saw the most wise King’s eyes twinkle like stars on a frosty night, and he picked up his courage with both wings, and he put his head on one side and said, ‘O King, live for ever! She is my wife; and you know what wives are like.’

Suleiman-bin-Daoud smiled in his beard and said, ‘Yes, I know, little brother.’

‘One must keep them in order somehow,’ said the Butterfly, ‘and she has been quarrelling with me all the morning. I said that to quiet her.’

And Suleiman-bin-Daoud said, ‘May it quiet her. Go back to your wife, little brother, and let me hear what you say.’

Back flew the Butterfly to his wife, who was all of a twitter behind a leaf, and she said, ‘He heard you! Suleiman-bin-Daoud himself heard you!’

‘Heard me!’ said the Butterfly. ‘Of course he did. I meant him to hear me.’

‘And what did he say? Oh, what did he say?’

‘Well.’ said the Butterfly, fanning himself most importantly, ‘between you and me, my dear – of course I don’t blame him, because his Palace must have cost a great deal and the oranges are just ripening[345], – he asked me not to stamp, and I promised I wouldn’t.’

‘Gracious!’ said his wife, and sat quite quiet; but Suleiman-bin-Daoud laughed till the tears ran down his face at the impudence of the bad little Butterfly.

Balkis the Most Beautiful stood up behind the tree among the red lilies and smiled to herself, for she had heard all this talk. She thought, ‘If I am wise I can yet save my Lord from the persecutions of these quarrelsome Queens,’ and she held out her finger and whispered softly to the Butterfly’s Wife, ‘Little woman, come here.’

Up flew the Butterfly’s Wife, very frightened, and clung to Balkis’s white hand.

Balkis bent her beautiful head down and whispered, ‘Little woman, do you believe what your husband has just said?’

The Butterfly’s Wife looked at Balkis, and saw the Most Beautiful Queen’s eyes shining like deep pools with starlight on them, and she picked up her courage with both wings and said, ‘O Queen, be lovely for ever. You know what men-folk are like.’

‘They get angry,’ said the Butterfly’s Wife, fanning herself quickly, ‘over nothing at all, but we must humour them, O Queen. They never mean half they say. If it pleases my husband to believe that I believe he can make Suleiman-bin-Daoud’s Palace disappear by stamping his foot, I’m sure I don’t care. He’ll forget all about it tomorrow.’

‘Little sister,’ said Balkis, ‘you are quite right; but next time he begins to boast, take him at his word[346]. Ask him to stamp, and see what will happen. We know what men-folk are like, don’t we? He’ll be very much ashamed.’

Away flew Butterfly’s Wife to her husband, and in five minutes they were quarrelling worse than ever.’

‘Remember!’ said the Butterfly. ‘Remember what I can do if I stamp my foot.’

‘I don’t believe you one little bit,’ said the Butterfly’s Wife. ‘I should very much like to see it done. Suppose you stamp now.’

‘I promised Suleiman-bin-Daoud that I wouldn’t,’ said the Butterfly, ‘and I don’t want to break my promise.’

‘It wouldn’t matter if you did,’ said his wife. ‘You couldn’t bend a blade of grass with your stamping. I dare[347] you to do it,’ she said. ‘Stamp! Stamp! Stamp!’

Suleiman-bin-Daoud, sitting under the camphor-tree, heard every word of this, and he laughed as he had never laughed in his life before. He forgot all about his Queens; he forgot about the Animal that came out of the sea; he forgot about showing off. He just laughed with joy, and Balkis, on the other side of the tree, smiled because her own true love was so joyful.

Presently the Butterfly, very hot and puffy, came whirling back under the shadow of the camphor-tree and said to Suleiman, ‘She wants me to stamp! She wants to see what will happen, O Suleiman-bin-Daoud! You know I can’t do it, and now she’ll never believe a word I say. She’ll laugh at me to the end of my days!’

‘No, little brother,’ said Suleiman-bin-Daoud, ‘she will never laugh at you again,’ and he turned the ring on his finger – just for the little Butterfly’s sake, not for the sake of showing off, – and, lo and behold, four huge Djinns came out of the earth!

‘Slaves,’ said Suleiman-bin-Daoud, ‘when this gentlemen on my finger’ (that was where the impudent Butterfly was sitting) ‘stamps his left front forefoot you will make my Palace and these gardens disappear in a clap of thunder. When he stamps again you will bring them back carefully.’

‘Now, little brother,’ he said, ‘go back to your wife and stamp all you’ve a mind to.’

Away flew the Butterfly to his wife, who was crying, ‘I dare you to do it! I dare you to do it! Stamp! Stamp now! Stamp!’ Balkis saw the four vast Djinns stoop down to the four corners of the gardens with the Palace in the middle, and she clapped her hands softly and said, ‘At last Suleiman-bin-Daoud will do for the sake of a Butterfly what he ought to have done long ago for his own sake, and the quarrelsome Queens will be frightened!’

Then the Butterfly stamped. The Djinns jerked the Palace and the gardens a thousand miles into the air: there was a most awful thunder-clap, and everything grew inky black. The Butterfly’s Wife fluttered about in the dark, crying, ‘Oh, I’ll be good! I’m sorry I spoke! Only bring the gardens back, my dear darling husband, and I’ll never contradict[348] again.’

The Butterfly was nearly as frightened as his wife, and Suleiman-bin-Daoud laughed so much that it was several minutes before he found breath enough to whisper to the Butterfly, ‘Stamp again, little brother. Give me back my Palace, most great magician.’

‘Yes, I give him back his Palace, and don’t let’s have any more horrid magic.’

‘Well, my dear,’ said the Butterfly as bravely as he could, ‘you see that what you nagging has led to. Of course it doesn’t make any difference to me – I’m used to this kind of thing – but as a favour to you and to Suleiman-bin-Daoud I don’t mind putting things right.’

This is the picture of the four gull-winged Djinns lifting up Suleiman-bin-Daoud’s Palace the very minute after the Butterfly had stamped. The Palace and the gardens and everything came up in one piece like a board, and they left a big hole in the ground all full of dust and smoke. If you look in the corner, close to the thing that looks like a lion, you will see Suleiman-bin-Daoud with his magic stick and the two Butterflies behind him. The thing that looks like a lion is really a lion carved in stone[349], and the thing that looks like a milk-can is really a piece of a temple or a house or something. I don’t know the Djinns’ names. They were servants of Suleiman-bin-Daoud’s magic ring, and they changed about every day.

The thing at the bottom is a picture of a very friendly Djinn called Akraig. He used to feed the little fishes in the sea three times a day, and his wings were made of pure copper. I put him in to show you what a nice Djinn is like. He did not help to lift the Palace. He was busy feeding little fishes in the Arabian Sea when it happened.

So he stamped once more, and that instant the Djinns let down the Palace and the gardens, without any bump. The sun shone on the dark-green orange leaves; the fountains played among the pink Egyptian lilies; the birds went on singing; and the Butterfly’s Wife lay on her side under the camphor-tree waggling her wings and panting[350]. ‘Oh, I’ll be good! I’ll be good!’

Suleiman-bin-Daoud could hardly speak for laughing. He leaned back all weak and hiccoughy, and shook his finger at the Butterfly and said, ‘O great wizard, what is the sense of returning to me my Palace if at the same time you slay me with mirth?’

Then came a terrible noise, for all the nine hundred and ninety-nine Queens ran out of the Palace shrieking[351] and shouting and calling for their babies. They hurried down the great marble steps below the fountain, one hundred abreast, and the Most Wise Balkis went statelly forward to meet them and said, ‘What is your trouble, O Queens?’

They stood on the marble steps one hundred abreast and shouted, ‘What is our trouble? We were living peacefully in our golden Palace, as is our custom, when upon a sudden the Palace disappeared, and we were left sitting in a thick and noisome darkness; and it thundered, and Djinns and Afrits moved about in the darkness! That is our trouble, O Head Queen, and we are most extremely troubled on account of that trouble, got it was a troublesome trouble, unlike any trouble we have known.’

Then Balkis the Most Beautiful Queen – Suleiman-bin-Daoud’s Very Beat Beloved – Queen that was of Sheba and Sabie and the Rivers of the Gold of the South – from the Desert of Zinn to the Towers of Zimbabwe – Balkis, almost as wise as the Most Wise Suleiman-bin-Daoud himself said, ‘It is nothing, O Queens! A Butterfly has made complaint against[352] his wife because she quarrelled with him, and it has pleased our Lord Suleiman-bin-Daoud to teach her a lesson in low-speaking and humbleness, for that is counted a virtue among the wives of the butterflies.’

Then up and spoke an Egyptian Queen – the daughter of a Pharaoh – and she said, ‘Our Palace cannot be plucked up by the roots like a leek for the sake of a little insect. No! Suleiman-bin-Daoud must be dead, and what we heard and saw was the earth thundering and darkening at the news.’

Then Balkis beckoned that bold Queen without looking at her, and said to her and to the others, ‘Come and see.’

They came down the marble steps, one hundred abreast, and beneath his camphor-tree, still weak with laughing, they saw the Most Wise King Suleiman-bin-Daoud rocking back and forth with a Butterfly on either hand, and they heard him say, ‘O wife of my brother in the air, remember after this to please your husband in all things, lest he be provoked[353] to stamp his foot yet again; for he has said that he is used to this Magic, and he is most eminently a great magician – one who steals away the very Palace of Suleiman-bin-Daoud himself. Go in peace[354], little folk!’ And he kissed them on the wings, and they flew away.

Then all the Queens except Balkis – the Most Beautiful and Splendid Balkis, who stood apart smiling – fell flat on their faces, for they said, ‘If these things are done when a Butterfly is displeased with his wife, what shall be done to us who have vexed our King with our loud-speaking and open quarrelling through many days?’

Then they put their veils over their heads, and they put their hands over their mouths, and they tiptoed back to the Palace most mousy-quiet.

Then Balkis – the Most Beautiful and Excellent Balkis – went forward through the red lilies into the shade of the camphor-tree and laid her hand upon Suleiman-bin-Daoud’s shoulder and said, ‘O my Lord and Treasure of my Soul, rejoice, for we have thaught the Queens of Egypt and Mesopotamia and Abyssinia and Persia and India and China with a great and a memorable teaching.’

And Suleiman-bin-Daoud, still looking after the Butterflies where they played in the sunlight, said, ‘O my Lady and Jewel of my Felicity, when did this happen? For I have been jesting with a Butterfly ever since I came into the garden.’ And he told Balkis what he had done.

Balkis – the Tender and Most Lovely Balkis – said, ‘O my Lord and Regent of my Existence, I hid behind the camphor-tree and saw it all. It was I who told[355] the the Butterfly’s Wife to ask the Butterfly to stamp, because I hoped that for the sake of the jest my Lord would make some great Magic and that the Queens would see it and be frightened.’ And she told him what the Queens had said and seen and thought.

Then Suleiman-bin-Daoud rose up from his seat under the camphor-tree, and stretched his arms and rejoiced and said, ‘O my Lady and Sweetener of my Days, know that if I had made a Magic against my Queens for the sake of pride or anger, as I made that feast for all the animals, I should certainly have been put to shame[356]. But by means of your wisdom I made the Magic for the sake of a jest and for the sake of a little Butterfly, and – behold – it has also delivered me from the vexations of my vexatious wives! Tell me, therefore, O my Lady and Heart of my Heart, how did you come to be so wise?’

And Balkis the Queen, beautiful and tall, looked up into Suleiman-bin-Daoud’s eyes and put her head a little on one side, just like the Butterfly, and said, ‘First, O my Lord, because I loved you; and secondly, O my Lord, because I know what woman-folk are.’

Then they went up to the Palace and lived happily ever afterwards.

But wasn’t it clever of Balkis?

         There was never a Queen like Balkis,         From here to the wide world’s end;         But Balkis talked to a butterfly         As you would talk to a friend.         There was never a King like Solomon,         Not since the world began;         But Solomon talked to a butterfly         As a man would talk to a man.         She was Queen of Sabaea —         And he was Asia’s Lord —         But they both of ’em talked to butterflies         When they took their walks abroad[357]!

1. Write the story about Sulieman-bin-Daoud. Describe him. Who was he? Tell about the features of his character.

2. Why did Sulieman-bin-Daoud give the dinner to animals?

3. Retell the conversation between the Butterfly and his wife after the Butterfly had talked to Suliaman-bin-Daoud? Did the Butterfly tell the truth to his wife?

4. What did Suliaman-bin-Daoud do when the Butterfly came to him? Why?

5. What happened when the Butterfly stamped? 6. Who is Balkis? What was her role in the story?

aboriginal – исконный, местный, первобытный

abroad – за границей; повсюду; далеко от; all abroad – далеко от истины; abut (on, upon) – примыкать, граничить; упираться

abrogate – объявлять недействительным, отменять; отрекаться, отвергать

abrupt – внезапный, неожиданный; резкий, грубый

acacia – акация

accede (to) – соглашаться; присоединяться; вступать в должность

ache – боль

acquaintance – знакомство; знакомый

across – поперек, в ширину, от края до края

adage – афоризм, изречение, поговорка

adapt (to, for) – приспосабливать(ся)

adduce – представлять, приводить (в качестве доказательства)

adscript – крепостной, приписанный

advise – советовать

affair – дело, занятие

Afrit = Afreet – африт (могучий злой дух, демон)

afterward – впоследствии, позже, потом

against – против, напротив, рядом

all – все; all the same – все-таки, тем не менее, все равно

allow – позволять, разрешать

alter – менять, видоизменять

amber – янтарный, желтый

amuse – удивлять; to amuse smb – сбивать кого-либо с толку, вводить в заблуждение

ancient – древний

anger – гнев, раздражение

animate – оживить; воодушевлять, стимулировать

anxious – сильно желающий; to be anxious to – сильно хотеть сделать что-либо

any – любой, какой-нибудь, никакой

anything – что-нибудь; ничто; все, что угодно

armadillo – зоол. армадил, броненосец

armour – оружие, доспехи, защита, панцырь (Am. – armor)

ashpit – зольник, поддувало

ask – просить, спрашивать; to ask leave to do smth – просить позволения сделать что-либо

assistant – помощник

ate – см. eat

attend – уделять внимание, заботиться, ухаживать, сопровождать

avail – помогать, приносить пользу; использовать что-либо

avoid – избегать, остерегаться

axe – топор

babble – бормотать; проболтаться

baboon – бабуин (обезьяна)

background – фон, незаметная позиция; истоки, происхождение

bale – кипа (товара); во мн. ч. – товар; поэт. беда, зло

bang – грохотать, колотить, стукать

bank – вал, насыпь, берег, отмель

barely – просто, только; barely… when – едва, лишь

bargain – сделка, соглашение

bark – сущ. кора; гл. лаять, рявкать

bat – летучая мышь

baviaan – павиан

bawl – орать во всю глотку

be (was/were, been) – быть, находиться; be to – надо, положено; to be alike – быть одинаковым; to be ashamed for – стыдиться за кого-либо; to be ashamed of – стыдиться чего-либо; to be at one’s wits’ end – стать в тупик; не знать, что делать; to be bound to do smth – быть обреченным непременно что-то сделать; to be empty – разг. проголодаться; to be fond of smth/smb – испытывать нежные чувства к чему-/кому-либо, любить; to be grateful – быть благодарным, признательным; to be mistaken – ошибаться; to be proud of smth/smb – гордиться чем-/кем-либо; to be sure of smth – быть уверенным в чем-либо; to be upset – расстроиться, огорчиться

bead – молитва; во мн. ч. beads – четки, бусы

bear – нести, приносить

beast – зверь, животное, скотина

beat (beat, beaten) – бить; to beat on/upon smth – громко стучать во что-либо

beaten – см. beat beaver – бобр

beck – кивать; делать знак рукой, подзывать кивком головы

bed – кровать, клумба, грядка

bee – пчела

bees-wax, beeswax – пчелиный воск

beetle – жук

befall (befell, befallen) – приключаться, происходить, случаться

befallen – см. befall

befell – см. befall behave – вести себя, держаться

to behave oneself – вести себя хорошо

beheld – см. behold

behold (beheld, beheld) – видеть, замечать, наблюдать

Bengalic – бенгальский язык

bewilder – смущать, ставить в тупик, сбивать с толку

bi- – прист. дву(х)-

bias – склонять, оказывать влияние, настраивать

bit – нареч. немного; сущ. кусочек; a wee bit – немножко; bit by bit – мало-помалу, постепенно

bit – гл. см. bite

bite (bit, bit) – кусать

birch-tree – береза

blade – лезвие, клинок

blade-bone – лопатка

blessing – благословение; to give smb blessing – благословить кого-либо

blotchy – покрытый пятнами, кляксами

boast – хвастать(ся), гордиться

bone – кость, скелет; китовый ус, слоновая кость, моржовый бивень (как материал)

boomer – самец кенгуру; человек, создающий шумиху вокруг чего-либо

borrow – занимать, заимствовать

both – оба, обе; both… and – как… так и…; и… и…; и к тому же…

bound – прыгать, скакать; to bound away – ускакать

bow – гнуть(ся), сгибать(ся); to bow in – кланяться тому, кто вошел

bracken – папоротник

brace – опоясывать; затягивать; концентрироваться; напрягать

braid – плести; to braid up one’s hair – заплести волосы

bramble – ежевика

breeches – бриджи; разг. штаны, брюки

bubbly – шипучий, пенящийся (о вине); живой, оживленный

buck – самец животного; индеец, негр, туземец

bump – толкать, пихать (очень сильно)

bundle – узел, связка, пакет, сверток

bunny – кролик

Burmic – бирманский язык

burrow – нора; пустая порода; рыть нору; прятаться в норе

burst – лопаться, разрываться

butterfly – бабочка

button – сущ. пуговица, кнопка

button – гл. пришивать пуговицу, застегиваться на пуговицы;

to button up – застегнуть(ся) на все пуговицы; закрыть(ся)

by – предлог Тв. п.

by and by – вскоре

bypass – обходить; окружать; не принимать во внимание, пренебрегать

cable – сущ. канат, трос; гл. привязывать канатом, тросом

cake – пирог

came – см. come

Cancer – рак (т/ж знак Зодиака Рак)

canvas – сущ. парусина

canvas – прил. хлопчатобумажный

cape – мыс

Capricorn – Козерог (знак Зодиака)

cargo – груз

career – карьера

carp – карп

carp-fish – карп, сазан

carve – вырезать

to carve in stone – вырезать из камня

cease – переставать делать что-либо; останавливать

cede – сдавать (крепость); передавать (права, собственность); уступать

chalk – сущ. мел

chalk – гл. писать, рисовать или натирать мелом

change – сущ. перемена

change – гл. менять(ся), изменять(ся)

charge – обязанности, ответственность; in charge of – ответственный за

chariot – колесница

charm – чары

chase – гнаться, бежать, выгонять

chestnut-burr – каштан (плод)

chew – жевать; to chew the cud – жевать жвачку

chief – начальник, шеф

child – ребенок

childhood – детство

choke – душить; подавиться; перен. перекрывать кислород

chop – отрезать; полоть; to chop up – рубить, нарубить

cinder – лава извергающегося вулкана

cite – ссылаться на что-либо; цитировать; привлекать внимание

clang – бренчать, звенеть

clap – удар

claw – коготь, клешня

clay – глина, земля, ил, тина; плоть, тело, прах

close – близкий; close to – близко к, рядом с

comb – расчесывать, чесать; to comb one’s hair – причесаться

come (came, come) – приходить; to come ashore – сходить на берег

comfy = comfortable – уютный, удобный

collar – воротник

comestible – съедобный продукт; во мн. ч. comestibles – съестные припасы

complaint – жалоба, неудовлетворенность

contented – довольный

contradict – противоречить, возражать, опровергать

coo – ворковать

copper – медь, медный

Coptic – коптский язык

cork – пробка, поплавок

cough – кашлять; to cough up – отхаркивать, выплевывать

country – деревня, страна

countryside – окрестность

crab – краб

crawl – ползать

creep (crept, crept) – ползать

crept – см. creep

cricket – сверчок

criss-cross – крест-накрест; вдоль и поперек

crocodile – крокодил

cross – пред. через

cross – прил. злой, раздражительный, сердитый

crumb – крошка

cake-crumbs – крошки от пирога

cry – кричать

Cuneiform(ic) – клинообразный знак в сирийских надписях

curiosity – любознательность, любопытство

curl – принимать форму кольца, искривлять;

to curl up – скручивать(ся), свернуться

currant – сущ. коринка, сабза (сорта бессемянного изюма)

current – прил. текущий

curve – изгибать(ся), извиваться

cycle – цикл, период; совокупность действий

dab – ершоватка, лиманда (вид рыбы)

dabble – брызгать(ся); поливать; заниматься чем-либо как хобби

dace – елец, плотва (вид рыбы)

dagger – кинжал

dahlia – георгин

daisy – ромашка, маргаритка; что-то отличное, превосходное

dance – танцевать;

to dance hornpipe – танцевать хорнпайп

dare – осмеливаться, бросать вызов; to dare to – бросать вызов на что-либо

dark – темный

dart – метать; бросать; to dart out – рвануться, помчаться стрелой

date – дата; финик

dead – мертвый

deactivate – вывести из строя

deafen – оглушить, глохнуть

deer – олень

deliсious – вкусный

deputy – заместитель

derangement – расстройство, неисправность; психическое расстройство, умопомешательство

descend – спускаться, унизиться до чего-либо; to descend on – обрушиться, налететь, нагрянуть (обычно о незваных гостях)

desert – пустыня

desolate – одинокий, пустынный, несчастный

devote – посвящать, уделять; to devote oneself to – посвятить себя чему-либо

dial – измерять по шкале; набирать номер; настраивать (приемник)

did – см. do disadvantage – недостаток, невыгодное положение, препятствие, ущерб

dive – нырять, топить, погружаться

do (did, done) – делать, выполнять; he hasn’t done a stroke of work – он палец о палец не ударил; to do smb a service – оказать кому-либо услугу; to do some work – выполнять работу; will it do? – пойдет?

dog – собака

dogfish – морская собака (акула)

double – двойной, усиленный; double-dove-hitch – мор. двойной выбленочный узел

drag – тянуть, тащить(ся); медленно, скучно тянуться; ловить с помощью невода

draw (drew, drawn) – тащить, тянуть, отводить воду с помощью канала и пр.; рисовать

drawn – см. draw

dreadful – грозный, ужасный

drew – см. draw

drop – бросать, падать, валиться

drum – барабан

drying – высушивание, сушка

dub – обрубать, строгать; ровнять, отделывать; приводить в качестве примера

dust – гл. посыпать (пылью, песком и т. д.), смахивать, вытирать пыль

dust – сущ. пыль, пыльца

dwarf – препятствовать развитию; уменьшить

dwell (dwelt, dwelt) – жить, обитать; подробно останавливаться на чем-либо; задерживаться перед препятствием

dwelt – см. dwell

dye – сущ. краска, краситель; гл. красить; приобрести оттенок

each – каждый, всякий

eager – страстно желающий чего-либо; to be eager to do smth – страстно хотеть сделать что-либо

east – восток

easy – легкий, простой

eat (ate, eaten) – есть, кушать

eaten – см. eat

ebb – убывать; приходить в упадок; ослабевать

echo – сущ. эхо, отголосок; гл. отдаваться эхом; подражать, поддакивать

eclat – становиться известным; выносить на публику

eel – угорь

eerie – жуткий, зловещий; испытывающий необъяснимый страх

effect – сущ. результат, действие, сила, эффективность; гл. выполнять, производить

efficiency – эффективность, производительность, умение, оперативность

elaborate – разрабатывать; конкретизировать, уточнять; производить, вырабатывать

eland – антилопа канна

elk – лось

emaciate – истощать, изнурять, выматывать

empty – пустой; to be empty – разг. проголодаться

enable – давать возможность/право сделать что-либо; запускать в работу

enchant – очаровывать, приводить в восторг; наделять магическими силами

endure – терпеть, сносить; подвергаться чему-либо

enemy – враг

equalize – выравнивать(ся), подгонять; становиться равным

Equator – экватор

Equinox – равноденствие

escape – гл. убегать, спасаться

to escape smb – избегать кого-либо

escape – сущ. бегство, побег

eschew – воздерживаться, избегать, сторониться, остерегаться

essay – сущ. испытание, опыт, проба; попытка; гл. пробовать; предпринимать попытку

Ethiopian – эфиоп, эфиопский

ever – всегда; когда-либо; для усиления в разных значениях

everybody – все

exactly – точно

exclusively – исключительно, точно

excruciating – мучительный, ужасный

fab – потрясающий, сказочный, изумительный

fabricate – создавать, изобретать; подделывать; строить, сооружать

face – лицо; to make faces – корчить рожи

fade – вянуть; тускнеть; растворяться; замирать

fag – сущ. тяжелая, нудная работа; гл. трудиться, корпеть (at) над чем-либо

fail – сущ. неудача, провал; гл. не хватать чего-либо; обманывать ожидания; потерпеть неудачу

fall (fell, fallen) – падать; to fall flat – упасть плашмя; потерпеть неудачу

fallen – см. fall

fame – сущ. популярность, слава; гл. прославлять, позорить

familiarize – ознакомлять, знакомить

far – далекий, дальний

fash – сущ. беспокойство; мучение; досада; гл. беспокоить(ся); мучить(ся); раздражать (ся)

fate – судьба, доля, жребий

fault – вина

fed – см. feed

feed (fed, fed) – кормить, пастись

feeler – щупальце, усик

feeling – чувство; to hurt smb’s feelings – обидеть кого-либо, задеть чьи-либо чувства

feet – см. foot

feeze – пугать, тревожить; бить, колотить

fell – см. fall

fence – забор

fenugreek – пажитник, шамбала (бобовая, мелкосемянная культура)

ferry-boat – паром, судно для перевоза через реку и т. п.

few – мало

fickle – переменчивый; ненадежный

fiddle – вздор, чепуха

fidget – сущ. беспокойство; суетливый человек, непоседа; гл. беспокоить(ся); доставлять неприятности

field – поле, луг

firewood – дрова, растопка

fish – рыба; a fine kettle of fish – перен. беспорядок, суматоха

fit – быть в пору, хорошо сидеть; fit as a fiddle – в полном здравии, в хорошем настроении

flame – огонь

flat – прил. широкий, плоский

flavour – гл. пахнуть (Am. – flavor); to flavour with smth – иметь привкус чего-либо, пахнуть чем-либо

flavour – сущ. вкус, аромат

flipper – плавник; во мн. ч. flippers – ласты

flit – порхать, браться то за одно то за другое, мелькать

flood – затоплять, подниматься (об уровне реки), разливаться (о реке)

fluff – распушить(ся)

fluid – плавный, подвижный, нестабильный

fly – сущ. муха

foam – сущ. пузырьки; мыло; гл. пениться; взбивать в пену; перен. приходить в бешенство

foe – враг, противник, недруг, недоброжелатель

fool – сущ. дурак, глупец, шут; гл. дурачить(ся), шутить; вводить в заблуждение

foot – сущ. фут (мера длины, равная 30,48 см, составляет 1/3 ярда); во мн. ч. feet

fracture – ломать(ся); нарушать; ошеломлять

fribble – сущ. бездельник; фривольность; гл. бездельничать

frisk – скакать; резвиться; идти спортивным шагом; вилять хвостом

frog – лягушка

frolic – резвиться, веселиться

from – с, от; from head to heel – с головы до пят

frond – расчлененный лист (папоротника, пальмы и пр.)

froth – пениться, бурлить

frown – хмурить брови, насупиться, выражать неодобрение; to frown to oneself – нахмуриться

frowzy – растрепанный

fudge – чушь, выдумка; мошенник; «горячие» новости

fulvous – бурый, красновато-желтый

gab – сущ. «пустой» разговор; гл. болтать, трепать языком

gag – перен. затыкать рот; разг. вешать лапшу на уши

gain – сущ. прибыль, выгода; гл. выигрывать; извлекать пользу, выгоду

game – игра; дичь, звери, добыча; game of romps – веселая возня, шумная игра

garfish – сарган (морская щука)

garnet – гранат (минерал)

gay – веселый, подвижный, легкомысленный; яркий, пестрый

gelid – ледяной, холодный

gender – сущ. род, пол; гл. порождать

get (got, got) – получать, становиться; to get dark – потемнеть; to get wet – промокнуть; to get smth in order – привести что-либо в порядок

giggle – хихихать

ginger – имбирь

give (gave, given) – давать; to give satisfaction – принести извинения, удовлетворение; to give one’s leave – разрешить

glass – стекло

gnaw – грызть, глодать

goodness – бог; For goodness sake! – Ради бога!

goods – товары

got – см. get

grate – натирать; скрипеть; действовать на нервы

grateful – благодарный, признательный; to be grateful to smb for smth – быть благодарным кому-то за что-либо

grenadine – гвоздика с сильным запахом

grew – см. grow

greyhound – борзая; быстроходное океанское судно

grin – скалить зубы, ухмыляться

grind – размалывать, стачивать, заточить

groan – стонать, рассказывать со стоном

grow (grew, grown) – расти, становиться; grow on/upon – овладевать кем/чем-либо, нравиться все больше

growl – рычать, ворчать; to growl at smth/smb – брюзжать, жаловаться на что-то/кого-то

grown – см. grow

grown-up – взрослый человек

grunt – ворчать

guage – масштаб

guarantee – гарантировать; обеспечивать, ручаться

guidance – руководство, заведование, управление

guide – руководить, вести, направлять; вдохновлять на что-либо

gum – десна; болтовня; клей; резина

gyp – жульничать; воровать, стянуть

habitant – житель, обитатель

habitat – местонахождение, среда обитания, родина

had – см. have

hair – волосы

hairy – волосатый, страшный, грубый

hand – рука; on one hand – с одной стороны; on the other hand – с другой стороны

hang (hung, hung) – вешать; to hang out – высунуть

hank – моток бечевки, узда; ловить в силки, наматывать

happen – случаться, происходить

hard – тяжелый

hardly – едва; hardly… when – лишь только… как; как только

hartebeest – бубал, коровья антилопа

hatchet – большой нож

haughty – высокомерный, заносчивый, надменный

haunch – ляжка, бедро

have (had, had) – иметь, обладать; to have leave to do smth – иметь разрешение делать что-либо; to have to do smth – быть вынужденным делать что-либо

head – голова; глава, руководитель

heap – куча, уйма

heat – жара

heat-wave – период сильной жары

heavy – тяжелый, сильный (о дожде)

hedgehog – еж, дикобраз

heel – пятка

held – cм. hold

henceforward – с этого времени, впредь

Herbraic – древнееврейский язык

hiccough – икать

hid – см. hide

hidden – см. hide

hide (hid, hidden) – прятаться

Hieroglyphic – иероглифический язык

high – высокий; It is high time – Давно пора

hippopotamus – гиппопотам

hiss – шипеть, свистеть

hit (hit, hit) – ударить; to hit dead – ударить насмерть; to hit on/upon smth – случайно обнаружить, наткнуться

hold (held, held) – держать, занимать, вести; to hold a palaver – вести длительные переговоры

holе – дыра; впадина; бухта, глубокое место (в водоеме)

hollow – прил. пустой, голодный, лживый

hollow – сущ. яма, низина, впадина

home – дом

hood – капюшон

hoof – копыто, нога

hoopoe – удод

hop – подпрыгивать, двигаться подпрыгивая, прыгать, скакать; to hop through smth – перепрыгнуть через что-либо

horn – рог

hornet – шершень

horrid – страшный, ужасный; неприятный

horse – лошадь

horse-collar – хомут

house – дом; to keep the house – вести хозяйство

howl – выть, завывать, стонать, реветь

howler – зоол. ревун, плакальщик

humour – сущ. юмор; черты характера; (Am. humor)

humour (smb) – гл. потакать кому-либо, ублажать кого-либо, приспосабливаться

hump – горб

Humph! – Гм!

humpy – прил. горбатый; тоскливый

humpy – сущ. хижина

hunchback – горбатый; горбун

hundred – сто, сотня

hung – см. hang

hunt – охотиться; to hunt smb – охотиться на кого-то, травить (преследовать) кого-либо

hurry – спешить, торопиться; in a hurry – в спешке

hurt – причинить боль, страдать от боли; to hurt smb’s feelings – обидеть кого-либо; задеть чьи-либо чувства

ice – сущ. лед; гл. замораживать, замерзать

idealize – идеализировать; придерживаться идеалистических взглядов

identify – отождествлять; опознавать; разделять взгляды

idler – лентяй, лежебока

if – если

imagine – воображать, представлять себе; придумывать, сочинять; постигать

immediately – немедленно

importunate – настойчивый, упрямый; спешный, срочный

in – в; in spite of smth – несмотря на что-либо

incantation – колдовство, волшебство, заклинание

incite – возбуждать, подстрекать, стимулировать

inciting – восхитительный

inhabit – жить, населять

insatiable – ненасытный, алчный

insect – насекомое

insist – настойчиво утверждать; to insist on smth – настаивать на чем-либо

instead – вместо, взамен; instead of – вместо того, чтобы

intend – собираться, намереваться

interfering – вмешивающийся, мешающий, назойливый

invention – изобретение

island – остров

iterate – повторить, говорить или делать что-либо много раз

itinerate – путешествовать, скитаться; проезжать

jab – толкать, пинать; вонзать, втыкать

jactitation – бахвальство, хвастовство

jail – тюрьма

jape – шутить, высмеивать, разыгрывать

jeopardize – подвергать опасности, рисковать; to jeopardize one’s life – рисковать жизнью

jerk – резко толкать, бросить, швырнуть

jet – сильная струя/поток; черный янтарь

jibe – разг. соглашаться; согласовывать, соответствовать

jimp – худой, изящный, стройный, изысканный; недостаточный, скудный

job – работа

jocose – шутливый, остроумный; игривый, веселый

joggle – трясти, подталкивать, двигаться толчками, трястись

jostle – толкать(ся), соперничать

jump – прыгать

just – только (что), как раз, именно

kangaroo – кенгуру; перен. шутл. коренной житель

kayo – нокаут

keсk – рыгать; испытывать отвращение

keep (kept, kept) – держать, хранить; to keep on doing smth – продолжать делать что-либо; to keep the house – вести хозяйство

kernel – зернышко, сердцевина, ядро, косточка

kidnap – похищать, насильно увозить

kind – прил. добрый, хороший

kind – сущ. сорт, вид

knap – ударять, стучать; отчеканивать слова

knobby – выпуклый, холмистый

Koodoo – куду, винторогая антилопа

labour – труд (Am. – labor)

lacerate – разрывать; терзать, калечить; огорчать, причинять боль

lag – отставать, запаздывать, медленно тащиться

lake – озеро

lake-pike – озерная щука

lament – стенать, горевать, оплакивать

land – земля

landscape – ландшафт, пейзаж

lap – пить, глотать;

to lap up – лакать

lapwing – чибис

large – большой

latitude – широта

leaf – сущ. лист во мн. ч. leaves

leap – прыгать, вскакивать

learn (learnt, learnt) – учить, научиться

learnt – см. learn

leather – кожа

leave – сущ. позволение, разрешение;

to ask leave to do smth – просить позволения сделать что-либо

leave (left, left) – гл. оставлять, забывать; покидать, уезжать

left – гл. см. leave

left – прил. левый

left-over – остаток

leg – быстро идти, бежать; толкать ногами

lettuce – салат-латук

like – гл. нравиться, любить; желать; should/would like – хотелось бы

like – союз как; like this – Вот так!

to look like – быть похожим

limpid – прозрачный, ясный

lo and behold – Вот! Слушай! Смотри!

lodging – жилище, жилье

lollop – бежать вприпрыжку

longitude – долгота

look – смотреть, выглядеть; to look like – быть похожим, быть похожим на кого-/что-либо

loud – громкий

lump – ком, масса

mackerel – макрель, скумбрия

made – см. make

make (made, made) – делать; to make a bargain – заключить сделку, прийти к соглашению; to make a fuss – создать шум, ажиотаж; поднимать шум, скандал; to make complaint against smb/smth – жаловаться на кого-/что-либо, выражать недовольство кем-/чем-либо; to make faces – корчить рожи; to make smb do smth – заставлять/побуждать кого-либо (с)делать что-либо; to make sure – убеждаться, удостовериться; to make the best of a bad job – мужественно переносить невзгоды; to make up one’s mind – решиться на что-либо или сделать что-либо

manage – управлять, руководить; справляться; to manage to do smth – ухитриться, умудриться суметь сделать что-либо

manate – панатин

mane – грива

mangosteen – мангустан

manner – способ, поведение; во мн. ч. manners – хорошие манеры, умение себя вести

map – карта

marrow – костный или спинной мозг; сущность, основа, смысл

marrow-bones – колени, кулаки

marshy – болотный, топкий

mate – товарищ, напарник

mean (meant, meant) – иметь в виду

meant – см. mean

medicine – лекарство; колдовство, магия; амулет, талисман

mend – чинить, исправлять

mew – мяукать

milk – гл. доить

milk – сущ. молоко

milking – доение; доильный

milkweed – название растений, выделяющих молоко (ваточник)

mind – разум, мысль

mistaken – неправильный, ошибочный

to be mistaken – ошибаться

monkey – обезьяна;

spider monkey – паукообразная обезьяна

mouse – мышь

mow (mowed, mown) – косить, жать

mowed – см. mow

mown – см. mow mud – грязь

mule – мул

mutton – баранина; баран, овца

nab – поймать, задержать на месте преступления; арестовать

naff – немодный

nag – сущ. придирки; сварливая женщина; гл. придираться, изводить, ворчать

naive – наивный, простодушный; безыскусный, простой

nap – короткий сон; to have a nap – вздремнуть

nark – раздражать; ныть; прекратить, закончить

nay – отказ, запрещение; даже, более того; уст. нет

neap – гл. убывать (о приливе)

neap-tide = neaptide = neap – квадратурный прилив

neck – шея

necklace – ожерелье, петля, ошейник

need – нужно

need – сущ. нужда; to have a need – нуждаться

nest – гнездо, насест

never – никогда, ни разу; never mind – неважно, не имеет значения, не говоря уж

new – новый

next – следующий

nictitate – мигать, моргать

nifty – модный, стильный; искусный, находчивый; отличный

niggle – заниматься пустяками; суетиться; надувать; критиковать; надоедать

ninny – дурачок, простофиля

nip – ущипнуть, кусать; упрекать

north – север

nothing – ничто; nothing but – только, ничего кроме

notion – идея, мнение, желание

nubbly – кусковый, грубый

nudge – сущ. легкий толчок локтем; гл. слегка подталкивать; побуждать

nugget – самородок, глыба

oafish – глуповатый; неуклюжий

oar – весло

oath – клятва, присяга; проклятия, ругательства

obedient – покорный;

obedient to – послушный кому-либо, подчиненный кому-либо

obey – подчиняться, повиноваться

occlude – преграждать, закрывать

occupy – арендовать; захватывать; занимать(ся)

occur – происходить, случаться; приходить на ум

oddish – странный, чудаковатый, эксцентричный

oil – масло;

oil stove – керосиновая плитка, примус

omit – пропускать; пренебрегать, упускать; omit to do – не сделать

on – на; on one hand – с одной стороны;

on the other hand – с другой стороны

orange – апельсин

oration – речь, молитва

order – порядок;

to get smth in order – привести что-либо в порядок

ostrich – страус

other – другой, другие

ought – выражает долженствование, целесообразность, предположение

ounce – унция (мера веса, равная 28,3 грамма)

out – вне, наружу, вон

outrigger – мор. аутригер (шлюпка с выносными уключинами)

over – предлог над, через

over – прил. избыточный, лишний

overflow – заливать, разливаться (о реке)

ox – бык, бизон; мн. ч. – oxen

oyster – устрица, перен. замкнутый человек

oyster-shell – раковина устрицы

pachy-dern – толстокожее (животное)

package – тюк, ящик, упаковка

paddle – гл. плескаться; плыть на лодке

paddle – сущ. весло

paid – см.

pay palaver – растянутые переговоры; to hоld a palaver – вести длительные переговоры

pant – часто, тяжело дышать

parrot – попугай

pat – похлопывать

patchy – пятнистый

pattern – образец, выкройка

pavement – тротуар; мозаика, фигурная плитка

paw – лапа

pay (paid, paid) – (за)платить

pea – капля, горошина

peace – мир

pebble – булыжник, галька, гравий; неровная, холмистая поверхность

peculiarly – особенно, странно, лично

perch – окунь

perhaps – возможно, вероятно

permanent – долговременный, неизменный; остаточный

permanently – постоянно, надолго

persecution – гонение, травля, преследование

pickerel – молодая щука

picture – картина, изображение

pierce – прокалывать, пронизывать, пробивать

pig – поросенок, свинья

pig-sty – свинарник

pike – щука

pine – сосна, древесина сосны

pine-cone – сосновая шишка

plaice – камбала

plait – плести; to plait a halter – заплетать недоуздок, повод

plank – доска; пункт, параграф

plant – гл. сеять, выращивать

plant – сущ. растение, побег

plop – хлопок; тихое булькание, с тихим всплеском

plough – пахать

pluck – срывать, выхватить, силой утащить

pole – кол, столб

polite – любезный, учтивый; изящный, красивый

politely – вежливо, любезно

pomegranate – гранат, гранатовое дерево

port – порт, левый борт (корабля, самолета)

pouch – сумка у кенгуру, мешок

pounce – хватать когтями; to pounce down upon smth/smb – набрасываться, внезапно нападать на что-/кого-либо

pow-wow – знахарь; церемония заклинания; сборище, совет; ярмарка

praise – похвала, восхваление

pranse – становиться на дыбы, прыгать; ходить с важным видом

Precession – астроном. Прецессия

prickle – колючка

prickly – имеющий шипы, колючий

pride – гордость; to be proud of smth/smb – гордиться чем-/кем-либо

priest – жрец, священник

proceed – продолжить; возобновлять; приняться за что-либо

prognathous – c выдающимися челюстями; выступающий, выдающийся (о челюсти)

promontory – мыс, выступ

provoke – вызывать, провоцировать, способствовать; приводить в ярость

prowl – бродить, идти крадучись

pudding – пудинг, десерт

pudding-stone – конгломерат

puff up – вздувать(ся)

pull – тянуть, тащить, растягивать

purr – мурлыкать, урчать

python – питон

quaсkle – крякать

quaere – сущ. вопрос; гл. расспрашивать, желательно знать, спрашивается

quagga – зоол. квагга

quaggy – болотистый, топкий, трясинный

quake – трястись, дрожать, вздрагивать

qualify – оценивать, квалифицировать; уточнять; приобретать квалификацию, получать право

quarrel – ссориться, спорить; to quarrel about/for smth/smb – спорить, ссориться из-за чего-/кого-либо; to quarrel with smb – спорить, ссориться с кем-либо

queer – странный, необычный; сомнительный, подозрительный

quell – подавлять (мятеж, страх); успокаивать

quench – тушить; охлаждать; утолить (жажду), подавить (желание, чувства)

quick – быстрый, незамедлительный

quite – вполне, совершенно; довольно; полностью

quote – цитировать, ссылаться; ставить кавычки; назначать цену

rain – дождь

raindrop – дождевая капля

rap – легкий удар, стук; наказание

rattle – треск, шум, стук

rattlesnake – гремучая змея

raw – сырой, недоработанный; необученный; грубый

reed – тростник, камыш

reindeer – северный олень

reindeer-run – заводчик оленей

relate – иметь отношение к; рассказывать

remain – оставаться

repine – созревать

repository – хранилище, склад; месторождение

resin – смола, канифоль

reverberate – отражаться, отдаваться (о звуке)

reverberating – громко звенящий, громко звучащий

reversion – возвращение, перестановка, реверсия

rhinoceros – носорог

rick – стог, груда, куча

rind – кожура, шелуха, корка

roar – реветь, орать

roast – жарить

rock – скала, утес

roll – катить(ся); to roll down – катиться; to roll head over heels – перекатываться, кувыркаться; to roll up – свертывать(ся), завертывать(ся), скатывать(ся)

room – комната; место

rub – тереть(ся), потирать, начищать; to rub against smth – тереться обо что-то; to rub up against smb – столкнуться с кем-либо, встретить кого-либо

ruby – рубин; красное вино

run (ran, run) – бегать; управлять, руководить; to run after smb – бежать; ухаживать за кем-либо

sacred – святой

said – см.

say sail – совершать плавание, ходить под парусом

sake – цель, причина, мотив; for the sake of – ради

salmon – лосось, семга, форель

salmon-lead – заводчик форели

salt – соль

salt-pan – соленое озеро, соляная яма

sand – песок

sandbank – песчаная отмель

satisfaction – удовлетворение

saucepan – кастрюля

save – охранять, сохранить

saw – пилить(ся), распиливать

saw – см. see

say (said, said) – сказать

scaly – чешуйчатый; жалкий; скупой

scarsely – едва, как только

scent – чуять, вдыхать запах; (на)душить; перен. заподозрить

scented – ароматический, благовонный, надушенный

scoop – черпать; to scoop out – выкалывать, выдалбливать, вычерпывать; to scoop up – сгребать, собирать

scowl – хмуриться, сердито смотреть

scramble – ползти

scratch – царапать, чесать; to scratch one’s head – почесать затылок

scuff – идти еле отрывая ноги от земли

see (saw, seen) – смотреть, видеть; to see off – провожать; выгонять

seed – зерно

seem – казаться

seen – см. see semi- – в сложных словах половинный, частичный

send (sent, sent) – посылать

sent – см. send

sentimental – чувствительный

serf – невольник, раб

servant – слуга

service – помощь, услуга, сервис; to do smb a service – оказать кому-либо услугу

shadow – тень, призрак

shall – вспомогат. гл. для образования Futurе Tense; модальный гл. во 2 и 3 лице ед. и мн. ч.

shape – форма, фигура

shelly – состоящий из раковин, костлявый

shingle – галька; берег, покрытый галькой

shiver – дрожать, трепетать

shoal – мелководье; a shoal of fish – стая рыб

shore – гл. нести, подпирать, оказывать поддержку

shore – сущ. берег

show (showed, shown) – показывать, проявлять; to show off – пускать пыль в глаза, хвастаться; to show up – проявляться, обнаруживать(ся)

showed – см. show

shown – см. show

shriek – пронзительно орать; громко и истерически хохотать

shrink – уменьшить(ся), сокращать(ся)

sideways – в сторону, сбоку, боком

sift – отсеивать, просеивать; тщательно рассматривать

sigh – вздыхать

since – впоследствии; с тех пор

sinew – сухожилие

skin – кожа, шкура

slain – см. slay

slash – резать, ранить; бить

slay (slew, slain) – убивать, уничтожать, лишать жизни

slew – см. slay

sloka – шлока (жанр поэзии)

slow – медленный

smell (smelt, smelt) – пахнуть

smelt – см. smell

snail – улитка

snake – змея

snart – рычать, сердито ворчать

sniffy – презрительный, высокомерный, насмешливый

soak – погружать в воду, впитывать(ся), пропитывать(ся); перен. сильно увлекаться каким-либо делом, втягиваться во что-то

solid – прочный, твердый

soon – скоро; no sooner… than… – как только

sought – искомый; sought after – пользующийся спросом, популярный

soul – душа

soup – суп; трудное положение

soup-tureen – супница

sour – кислый; мрачный; болотистый; суровый

sovereign – прил. верховный, монархический, независимый

sovereign – сущ. монарх, повелитель

span – см. spin

spank – хлопать, шлепать, ударять ладонью

spear – гл. бить острогой (рыбу)

spear – сущ. копье, гарпун

speck – крапинка, пятнышко

speckle – испещрять

spider – паук

spike – закреплять; прокалывать

spin (span, spun) – прясть, плести; вырабатывать нити (о насекомых)

spindle – веретено, жердь, вал, ось

spindle-whorl – веретено

spinifex – заросли колючек

spiny – колючий

splendour – блеск, сверкание, великолепие, роскошь (Am. splendor)

spoil – портить, испортить

spot – пятнышко; место, местность

spring – весна

spring-tide – весенний прилив

spun – см. spin squatty = squat – сидящий на корточках (о людях), припавший к земле (о животных)

squiggly – волнистый; squiggly things – завитушки

squint – косоглазие; косой, раскосый

stag – олень; stag’s horn – олений рог

stale – несвежий, черствый

stamp – топать ногой; штамповать; запечатлеть (ся), отражать(ся); зарекомендовать себя

starfish – морская звезда

steamer – пароход

step – ступать, шагать, нажать ногой; делать па (в танце)

stick – сущ. ветка

stick (stuck, stuck) – втыкать; класть, совать; to stick out – трогать

still – все еще

still – прил. спокойный

stir – шевелить(ся); мешать; to stir up – хорошенько размешать, вспенивать; побуждать

stone – камень

strain – натягивать(ся), напрягать, злоупотреблять;to strain at – проявлять чрезмерную щепетильность

stream – поток, ручей

stretch – тянуть(ся), удлинять(ся), вытягивать (ся)

strew – разбрасывать, разбрызгивать; посыпать, усыпать (цветами, песком и пр.); расстилать

string – струна

stripy – полосатый

stroke – гл. гладить, ласкать; успокаивать

stroke – сущ. удар

stuck – см.

stick stumble – спотыкаться; ошибаться;to stumble on smth – случайно найти что-либо; спотыкаться о что-либо

stump – тяжело ступать, ковылять

sugar – сахар

sugar-cane – сахарный тростник

sunflower – подсолнечник

sunshine – солнечный свет; хорошая погода; веселье, радость

sure – конечно, разумеется; to be sure of smth – быть уверенным в чем-либо

suspender – подвязка во мн. ч. разг.

suspenders – подтяжки, помочи

swallow (down) – глотать, проглатывать

swamp – болото, топь

swell (swelled, swollen) (up) – надувать(ся), раздувать(ся); быть переполненным чувствами

swelled – см. swell

swollen – см. swell

tail – хвост, талия

take (took, taken) – взять, брать; to take one’s walks – прогуляться; to take smb at smb’s word – поймать кого-либо на слове; to take smb’s advice – воспользоваться чьим-либо советом

taken – см. take

tale – сказка

tamarisk – тамариск

tame – прирученный, послушный

tame animals – ручные животные

tar – мазать дегтем, смолить; бесчестить, позорить

tarred – просмоленный

tawny – рыжевато-коричневый; смуглый

tear (tore, torn) – рвать; to tear off – срывать

teaser – задира; жеребец или баран; трудная задача, головоломка

tell (told, told) – говорить, рассказывать; to tell tales of smb – рассказывать сказки о ком-либо

temper – характер

temple – храм, церковь

than – чем

then – тогда, позже

thick – толстый; густой

think (thought, thought) – думать, размышлять

thorn – колючка

thought – см. think

thresh – бить, ударять

threw – см. throw

throw (threw, thrown) – бросать; to throw about – разбрасывать

thrown – см. throw

thump – наносить тяжелый удар, стучать

thunder – гром

tickle – щекотать

tide – прилив и отлив; spring-tide – весенний прилив; neap-tide – квадратурный прилив

tight – прич. плотно прилегающий, нар. тесно

till – до

tip – наклонять(ся); to tip over – опрокидывать(ся)

tiptoe – ходить на цыпочках; подкрадываться

told – см. tell tone – тон

tongue – язык

took – см. take

tore – см. tear

torn – см. tear

torque – вращающий, моментный

tortoise – черепаха

toss – бросать, подбрасывать

touch – дотрагиваться, касаться

towards – по направлению к

tradition – традиция

trap – капкан, ловушка; ловить, обманывать

travel – путешествовать, ездить

tread (trod, trodden) – ступать, шагать, протаптывать; to tread on smth – наступать на что-либо; to tread on eggs – ступать, действовать осторожно

treasure – сокровище, драгоценность

tree – дерево

tremendous – жуткий, страшный; огромный, потрясающий

tribal – племенной, родовой, семейственный, наследственный

tribe – племя

trick – трюк, штука

trip – скакать

trod – см. tread

trodden – см. tread

tropic – тропик; тропический

trot – спешить, торопиться

trout – форель

trumpet – труба

trunk – ствол, туловище, стержень, хобот; во мн. ч.

trunks – короткие штаны, спортивные трусы

tummy – живот(ик)

turbid – мутный, туманный

turn – вертеть, повернуть; to turn cart-wheels – делать колесо, перевернуться колесом

twig – веточка

twirl – крутить, вращать

twist – крутить;

to twist off – отломать, открутить

ubeity – местонахождение, местопребывание

ubiquity – вездесущность, повсеместность

uglify – обезображивать, уродовать

ugly – безобразный, мерзкий

ulcerate – губить, портить

ulster – длинное свободное пальто

ultimate – последний, конечный; предельный, максимальный; исходный, первоначальный

umpteen – бесчисленный, множественный, многочисленный

unable – неспособный к чему-либо (to); беспомощный, слабый

uncoil – разматывать(ся), раскручивать(ся)

underneath – внизу, под, в зависимости от кого-/чего-либо

understand (understood, understood) – понимать

understood – см. understand

unaffable – неприветливый, невежливый, нелюбезный

unarm – разоружаться

uneasy – неудобный; беспокойный; неловкий, скованный

unemployed – безработный; незанятый

unendurable – невыносимый, несносный

unfair – несправедливый; пристрастный; непорядочный, нечестный

uninhabited – ненаселенный; uninhabited island – необитаемый остров

unlace – расшнуровать

up – вверх; up and down – туда и сюда; взад и вперед

update – модернизировать, усовершенствовать; обновлять

upend – поставить вверх ногами; внести кардинальные изменения

upgrade – повышать в должности; повышать; модернизировать, совершенствовать(ся)

upset – опрокидывать, переворачивать

to be upset – расстроиться, огорчиться

use – использовать, пользоваться;used to – привыкший к

usher – вводить, проводить; объявлять, возвещать

utilize – использовать, расходовать, употреблять, утилизировать

vantage = advantage – преимущество

vanish – исчезать, пропадать

veldt – степь

vitiate – портить, делать недействительным

waddle – ходить раскачиваясь, вперевалку

waggle – помахивать, покачивать(ся)

wait – ждать; to wait for smb/smth – ждать кого-/ чего-либо

want – хотеть

warn – предупреждать

was – см.

be water – вода

water-meadow – заливной луг

waterproof – непромокаемый плащ

wave – махать, подавать знак рукой; виться

wavy – волнистый

wee – немножко;

wee-wee – крошечный

week – неделя

were – см. be

west – запад

wet – мокрый; to get wet – промокнуть

whale – кит

wheat – пшеница

whirl – кружиться, вертеть

whisk – смахивать, прогонять; быстро исчезнуть

whiskers – усы

whisper – шептать

wiggle – покачивание, покачивать(ся) извивать (ся)

wing – крыло

wink – мигать, моргать; to wink one eye – моргнуть, подмигнуть

wire – проволока

without – без

word – слово

work – работа; работать

worth – стоящий, заслуживающий внимания

wriggle – извивать(ся), изгибать(ся)

xanthous – желтый

xenial – связанный c гостеприимством, относящийся к гостеприимству

xenial customs – законы гостеприимства

yacht – сущ. яхта; гл. плавать, ходить на яхте

yawn – зевать, говорить зевая; зиять, разверзаться

yoke – хомут, ярмо

yonder – вон тот, вон там

zap – сущ. жизненная сила; столкновение

zap – гл. застрелить; приставать

zeal – рвение, старание, усердие; to show zeal for one’s work – проявлять старание в работе

zebra – зебра; a herd of zebra(s) – табун зебр

zest – пикантность, особенность; интерес, склонность; живость, энергия

zing – производить высокий резкий звук

zip – застегивать(ся) на молнию; быть полным энергии; промелькнуть, пронестись

zodiac – Зодиак

zone – зона, область, пояс, район

zonk – треснуть по голове; ошеломить