<?xml version="1.0" encoding="utf-8"?><FictionBook xmlns="http://www.gribuser.ru/xml/fictionbook/2.0" xmlns:l="http://www.w3.org/1999/xlink"><description><title-info><genre>antique</genre><author><first-name>Pierre</first-name><last-name>Hadot</last-name></author><book-title>Philosophy as a way of life</book-title><lang>en</lang></title-info><document-info><author><first-name>Pierre</first-name><last-name>Hadot</last-name></author><program-used>calibre 5.27.0, fb2cut 2.5.4, fb2cut 2.6.2</program-used><date>29.11.2022</date><id>501fffd5-1c7f-4635-85df-91c0963cea03</id><version>1.0</version></document-info><publish-info><year>2015</year></publish-info></description><body><section><p><image l:href="#101"/></p><p><image l:href="#146"/></p><p>Philosophy  as  a  Way  of Life</p><p><image l:href="#162"/></p><p><image l:href="#0"/></p><p>Philosophy  as  a  Way  of Life</p><p>Spiritual Exercises from  Socrates  to Foucault</p><p>Pierre  Hadot</p><p>Edited  with  an  introduction  by</p><p>Arnold  I.  Davidson</p><p>Translated  by</p><p>Michael  Chase</p><p>BLACl&lt;WELL</p><p>Od�tJ  UIC  I\  f�"'&#xFFFD;''"''  USA</p><p>Copyright 0  Pierre Hadot,  1995</p><p>English  translation C Blackwell Publishers  Ltd, 1995</p><p>The right of Pierre Hadot  to be  Identified as author of this work has been asserted In accordance  with the Copyright,  Designs and Patents Act  1988.</p><p>Parts  of this  work first published as Exerclcu 1plrltuel1  et philo1ophle  antique by  Etudes Augustiniennes,  Paris 1987  (2nd  edition) English  edition first  published 1995</p><p>Reprinted  1996  (twice), 1997,  1998,  1999</p><p>Blackwell  Publishers  Ltd</p><p>l 08 Cowley Road</p><p>Oxford  OX4  lJF,  UK</p><p>Blackwell  Publishers Inc</p><p>350  Main Street</p><p>Malden,  Massachusetts 02148,  USA</p><p>All rights reserved.  Except for the quotation of short passages for the purposes or criticism and review, no part of this publication may be reproduced, stored in a rcb'ieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission or the publisher.</p><p>Except in the United States of  America,  this book is sold subject to the condition that it shall not,  by  way  of  trade or otherwise; be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any  form of binding or cover other than that In which it is published and  without  a similar condition including this condition being Imposed on the subsequent purchaser.</p><p>Brltlah Library  Cataloguing  In  Publication  Data A  CIP catalogue record  for this  book  is available from  the  British Library Library of Congru1 Cataloging  In Publication Data</p><p>Hadot,  Pierre.</p><p>[Exercices spirituels et philosophic antique.  English]</p><p>Philosophy  as a  way  of life:  spiritual  exercises  from  Socrates  to Foucault/Pierre  Hadot;  edited  by  Arnold  Davidson;  translated by Michael  Chase.</p><p>p.cm.</p><p>Includes  bibliographical references and  index.</p><p>ISBN  0-631-18032-X (alk.  paper)  - ISBN  0-631-18033-8 O&gt;bk.:alk. paper) 1.  Philosophy.  2. Spiritual exercises - History.  I. Davidson, Arnold Ira.</p><p>II.  Title</p><p>Bl05.S66H3313</p><p>1995</p><p>100-dc20</p><p>94-28788</p><p>CIP</p><p>Typeset  in  10.5  on 12 pt Ehrhardt</p><p>by  Pure  Tech  Corporation, Pondicherry, India</p><p>Printed in Great Britain by TJ International Ltd., Padstow, Cornwall This  book is printed  on  acid-free paper</p><p><image l:href="#18"/></p><p><image l:href="#38"/></p><p>Contents</p><p>Translator's Nott</p><p>v1</p><p>list of Abbreviations</p><p>ix</p><p>Introduction:  Pie"e Hadol and the  Spiritual Phenomenon of Ancient  Philosophy  Arnold  I.  Davidson</p><p>Part  I  Method</p><p>47</p><p>l  Forms  of  Life and  Forms  of Discourse  in  Ancient  Philosophy 49</p><p>2  Philosophy,  Exegesis,  and  Creative Mistakes</p><p>7 1</p><p>Part II  Spiritual  Exercises</p><p>79</p><p>3  Spiritual  Exercises</p><p>8 1</p><p>4  Ancient  Spiritual  Exercises  and  "Christian  Philosophy"</p><p>1 26</p><p>Part  Ill  Figures</p><p>145</p><p>5  The  Figure  of  Socrates</p><p>147</p><p>6  Marcus  Aurelius</p><p>179</p><p>7  Reflections  on  the  Idea  of the  "Cultivation  of  the  Selr'</p><p>206</p><p>Part  IV  Themes</p><p>215</p><p>8  "Only  the  Present  is  our  Happiness":  The  Value  of  the  Present Instant  in  Goethe  and  in  Ancient  Philosophy</p><p>2 1 7</p><p>9  The  View  from  Above</p><p>238</p><p>10  The  Sage  and  the  World</p><p>25 1</p><p>11  Philosophy  as  a  Way  of Life</p><p>264</p><p>/111stsrrip1:  An  1'1terviem with Pierre Hadot</p><p>277</p><p>Srlrl'I  Ri/Jli11grt1pliy</p><p>287</p><p>l"'lr.t�</p><p>301</p><p><image l:href="#57"/></p><p><image l:href="#76"/></p><p>Translator's  Note</p><p>The thought of Pierre  Hadot is based on  a  lifetime's study of, and  meditation upon,  ancient  Greek  and  Latin  philosophical  texts.  In the course of this  long period,  he  has,  of course,  developed  his  own  methodology  for  the  study  of such  texts.  Based  as  it  is  on  the methods of his  own  teachers,  such  as  Paul Henry  and  Pierre  Courcelle, 1  this  method  is  distinctly  his  own,  and  he  has transmitted  it  to  a  whole  generation  of French  scholars  in  the  field  of late antique thought.</p><p>The first stage of Hadot's method  is a  scrupulous, textually  critical  reading of the original  texts,  followed  by  an  equally  exacting  translation  of these  texts  into French. 2  Only  on  the  foundation  of the  intense,  detailed  confrontation  with  the text  which  real  translation  demands,  Hadot  feels,  can  one  begin  the  processes  of exegesis,  interpretation, and, perhaps, criticism. Thus,  Hadot's thought is, at least to  a  large  extent,  based  on  his  methods  of translation.  This  being the  case,  it  is impossible  to  understand  the  former  without  understanding the  latter.</p><p>Such  a  situation  presents  obvious  difficulties  for  Hadot's  translators.  Given the  importance  he accords  to  the  study  of ancient  texts,  Hadot  tends  to  quote them  frequently  and  extensively,  in  his  own  translations  from  the  Greek,  the Latin,  and  the  German.  Now,  a  translator's  normal  procedure would  be  to  dig up  the already  existing  English  translations  of the  respective  texts,  and  insert them  where  Hadot's  own  translations  had  stood  in  the  original.  After  much consultation,  we  have  found  this method  inadequate,  for the  following  reasons: Many existing English translations are  themselves  inadequate; some are old and  outdated;  others  based  on  different  textual  readings  from  those adopted by Hadot. In the case of still  others,  finally, no  English  translation exists  at  all.</p><p>2  There is no  such  thing  as  an  "objective  translation."  All  ttanslators base their work  on  their  own  conception  of  what  their  author  was  trying  to  say.</p><p>Naturally,  Hadot  has often  arrived  at  views  of what  his authors  meant  which differ  from  those  of  the  various  other  ttanslators;  his  own  translations consequently  differ,  sometimes  fundamentally,  from  the  existing  J&lt;:nglish versions.3</p><p><image l:href="#90"/></p><p>Translator's Note</p><p>vii</p><p>3  The use of existing English translations would often make Hadot's thought impossible  to  understand.  If  we  were  to insert,  for  example,  a  60-year-old English translation of,  say,  Marcus  Aurelius  into  the  text,  and  then  follow it with  Hadot's explanation  of the  passage,  the  result would  be ludicrously incoherent.  Most  importantly,  it  would  make  it impossible  for  the  reader to  gain  any  notion  of  the  genesis  and  development  of Hadot's  thought  -</p><p>which  is,  after  all,  the  goal  of  this  publication.  As  I  have  said,  the  origin of Hadot's  thought  is  to  be  sought  in  his  interpretation  of ancient  texts, and  his  translations  of these  texts  are  both  the  result  and  an  integral  part of his hermeneutical method.  Deprived of his translations, we could  simply not see how Hadot had arrived at his particular interpretations of particular ancient  texts,  and  consequently  we  would  be  at  a  loss  to  understand  the conclusions  he  has  based  on  these  interpretations.</p><p>This  being  the  case,  the  method  I  have  chosen  to  follow  in  the  translation of Spiritual Exercises  is the  following:  in  the case of  each of Hadot's  quotations of  passages  in  Greek,  Latin,  or  German,  I  have  begun  by  a  simple  English translation  of  Hadot's  French  version.  I  have  then  checked  the  result  against the  original  Greek,  Latin,  or  German.  If  the  English  translation  of  Hadot's version,  read  on  its  own,  then  seemed  to  me  to  be  a  good  translation  of the original text,  I let it stand; if not,  I modified it slightly,  with two goals in mind: first, to bring it into accord with modern English usage; secondly, to make sure the  English  transmitted,  as  far  as  possible,  all  the  nuances  of  the  original languages.  In  cases  of  particular  difficulty,  I  have  benefited  from  Hadot's thoughtful  advice  and  comments,  partly  by  correspondence,  and  partly  during the  course  of a  memorable  stay  at  the  Hadot's  home  in  the  summer  of  1991.4</p><p>The resulting  translations  therefore  often  bear little  resemblance  to existing English  translation;  this  is  especially  so  in  the  case  of  authors  like  Plato, Marcus  Aurelius,  and  Plotinus,  to  whom  M.  Hadot  has  devoted  a  lifetime of  study.  Nevertheless,  we  have  decided  to  include  references  to  the most  accessible - not necessarily the best - extant English translations,  in  case the  interested  reader should  care  to  consult  the  ancient  authors  cited  in  this hook.</p><p>Such  a  method  is,  obviously,  more  time-consuming than  the usual  slapdash method  of translation.  My hope is that  the result justifies the  delays incurred: I  would  like  to  think  the  result  is a  scholarly  and  above  all  faithful version  of 1-lndot's  thought.</p><p>NOTES</p><p>I  ( :r.  11b11vc</p><p>l  funnnl(  the  1�c1111ll11  of hi11  work  1111  thi11  Ktllgc  of hiN  method  nrc  Hndot's  projcc11;</p><p>viii</p><p>Translator's  Note</p><p>for completely new translations of those thinkers who have particularly occupied his attention:  Plotinus,  Marcus Aurelius,  Marius Victorinus, etc.</p><p>3  This  is  so  even  in  the  case  of  so  eminent  a  student  of  Plotinus,  and  so conscientious a  translator, as  A.H.  Armstrong.  Although  he,  too,  has  devoted  a lifetime  of  careful  study  to  Plotinus,  he  often  reaches  conclusions  in  the interpretation of particular Plotinian passages which differ from those of Hadot.</p><p>The reason for this is not hard to seek:  Plotinus is an extremely difficult author, and his writings are susceptible of many different interpretations.</p><p>4  Here  I  should  like  to express, on  behalf of my wife  Isabel and myself,  our deep gratitude for the Hadots'  wonderful hospitality.</p><p><image l:href="#106"/></p><p>Abbreviations</p><p>ACW:  Ancient  Christian  Writers,  The  Works of the  Fathers in  Translation,  eds Johannes Q�asten  and Joseph C.  Plumpe, Westminster MD/London.</p><p>ANF:  The Ante-Nicene Fathers,  Translations of the  Writings of the Fathers down to A.D.  325,  eds  Rev.  Alexander  Roberts  and James  Donaldson,  American Reprint  of the  Edinburgh  Edition,  revised  and  chronologically  arranged, with  brief prefaces  and  occasional notes,  by  A.  Cleveland  Coxe,  Buffalo.</p><p>FC:  The Fathers of the  Chu1�ch.  A  NeJP  Translation, Washington  DC.</p><p>GCS:  Die  Griechischen  Christ/ichen  Scriftsteller  der  Ersten  Jahrhunderte,  ed.</p><p>Kommission  filr  Splitantike  Religionsgeschichte  der  Deutschen  Akademie der Wissenschaften  zu  Berlin.</p><p>GW:  Gesammelte  Werke,  S0ren  Kierkegaard,  Diisseldorf/Cologne  1961.</p><p>! CL: Loeb  Classical  Library,  London/Cambridge  MA.</p><p>..</p><p>PG:  Patrologia  Graeca,  ed. J.P. Migne,  Paris  18#-55.</p><p>PL:  Patrologia  Latina, ed. J.P.  Migne,  Paris  1857-66.</p><p>SC:  Sources chretiennes, Paris  1940ff.</p><p>SVF:  Stoicorum  Vetenum Fragmenta, ed.  H.  Von Arnim, 4 vols, Leipzig  1903.</p><p><image l:href="#110"/></p><p><image l:href="#104"/></p><p><image l:href="#150"/></p><p><image l:href="#168"/></p><p>Introduction:  Pie"e Hadot and the Spiritual</p><p>Phenomenon of Ancient Philosophy</p><p>I  believe  it  was  in  1982  that  Michel  Foucault first  mentioned  Pierre  Hadot to me.  Struck  by  Foucault's  enthusiasm,  I  photocopied  a  number  of Hadot's articles,  but,  to  my  regret,  never  got  around  to  reading  them  until  several years  after  Foucault's  death.  I  immediately  understood,  and  shared,  Foucault's  excitement,  for  Hadot's  work  exhibits  that  rare  combination  of prodigious  historical  scholarship  and  rigorous  philosophical  argumentation that  upsets  any  preconceived  distinction  between -the  h1story--of  phDosophy and philosqphy proper.  Expressed  in a  lucid prose whose clarity and precision urc  remarkable,  Hadot's  work  stands  as  a  model  for  how  to  write  the  history of philosophy.  This  collection  of essays  will,  I  hope,  help  to  make  his  work better  known  in  the  English-speaking  world;  the  depth  and  richness  of  his writing contain  lessons  not only for specialists  in  ancient  philosophy,  but for nil  of us interested  in  the  history  of philosophical  thought.</p><p>Pierre  Hadot  has  spent  most  of his  academic career at  the  Ecole  pratique dL�s Hautes Etudcs and at the College de France.  Appointed a directeur d'etudes of  the  fifth  section  of  the  Ecole  in  1964,  Hadot  occupied  a  chair  in  Latin Pntristics,  where  he  gave  extraordinary  lectures,  many  of  which  remain unpublished,  on, among  other  topics,  the  works of Ambrose  and  Augustine.</p><p>In  1972,  in  response  to  Hadot's  interest  in  and  work  on  non-Christian I houl{ht,  the title  of his  chair  was changed  to  "Theologies and  Mysticisms of I lcllcnistic Greece and the End of Antiquity." Hadot gave courses on Plotinus 111111  M11rcus  Aurelius,  but  also  began  to  devote  increased  attention  to  more Ml'ncrnl themes  in the history of ancient  philosophical and theological thought.</p><p>In  Fdnunry  1983  he  assumed  the  chair  of the  History  of Hellenistic  and Runum  Thought  at  the College  de  France.  He  has  published  translations of 1111d  ,�onu11cn111rics  on  Marius  Victorinus,  Porphyry,  Ambrose,  Plotinus,  and M111'l"llN  AurdiuN.  I liM CNNllYN on 11ncicnl philosophy  rungc over  virtually every</p><p>2</p><p>Introduction</p><p>topic  of  major  significance,  and  constitute  nothing  less  than  a  general perspective, both methodologically and substantively, on how to approach and understand  the  development  of  the  entire  history  of  ancient  thought.  A reading of Hadot's complete corpus of writings reveals, as one might expect, important  essays  on  the  history  of medieval  philosophy,  but  also,  perhaps more  surprisingly,  brilliant" contributions  to  our  understanding  of Goethe, Nietzsche,  and  Wittgenstein.  Hadot  has  also  been  increasingly  preoccupied with the pertinence of ancient thought for philosophy today, recogmzing that ancient experience raises questions that we cannot and  should  not overlook or ignore.</p><p>This collection of essays is based on the second edition of Exercfres spiritue/s el philosophic antique, originally published in  1987 and  now  out  of print.1 But it also includes a number of essays that were written subsequent to the book, essays  that  take  up,  develop,  and  extend  the  themes  of E:rercices  spiritttels.</p><p>Moreover,  Hadot  has  made  revisions  in  some  of  the  chapters  for  their inclusion  in  this  volume,  and  he  has  rewritten  his  discussion  of  Marcus Aurelius in light of his commentary on  the Meditations. 2 Thus this collection represents  an  expanded  discussion  of  the  topics  of  spiritual  exercises  and ancient philosophy.</p><p>In my  introduction,  I shall not summarize  the  individual  essays.  Rather, I shall  try  to  indicate  the  general  orientation  of Hadot's  thought,  as  well  as relate  these  essays  to  other  questions  and  problems  - methodological, historical,  and  philosophical  - treated  elsewhere  by  Hadot.  Instead  of concentrating  on  questions  of detail,  I  shall  try  to  highlight  some  of  the philosophical lessons and  insights offered  to  us by  Hadot's  work.</p><p>1  Method  and  Practices  of Interpretation in  the  History of Ancient Philosophy  and  Theology</p><p>In  the  summary  of his  work  prepared  for  his  candidacy  at  the  College  de France, Hadot wrote:</p><p>The  problems,  the  themes,  the  symbols  from  which  Western  thought has developed  were not  all born,  quite obviously, in  the  period  that we have studied.  But  the  West has  received  them  for the  most part in the form  that  was  given  to  them  either  by  Hellenistic  thought,  or  by  the adaptation  of this  thought  to  the  Roman  world,  or  by  the  encounter between  Hellenism  and Christianity.J</p><p>The historical period he has  studied  has led Hadot to be especially sensitive  to  the ways  in  which  different  systems  of thought  Jewish,  Greek,  Roman,  and  Christian</p><p>-</p><p>-</p><p>have  interacted  with  one  another.  At  the  end  of antiquity,  one  is  foccll  with  n</p><p><image l:href="#8"/></p><p>lnlroduction</p><p>3</p><p>vast  phenomenon  of  transposition,  a  gigantic  mela-phora  in  which  all  the forms  of structures,  political,  juridical,  literary,  philosophical,  artistic,  have crossed  over  into  new  environments,  have  contaminated  themselves  with other  forms  or  structures,  thus  modifying,  more  or  less  profoundly,  their original meaning, or  losing their meaning,  or receiving a  new meaning  (which sometimes  is a  "mistranslation")  [contresens]}</p><p>For  example,  the  development of a  Latin  philosophical  language  required  the adaptation  of  Greek  models,  so  that  to  each  term  of  this  technical  Latin language  corresponded  a  quite  specific  Greek  term;  but  "on  the  occasion  of this  translation  many  slippages  of  meaning,  if  not  misinterpretations,"  were produced.5  Furthermore,  when  it  was  a  question  of  the  philosophical  and theological  exegesis  by  Latin  Christian  writers  of  biblical  texts,  additional problems  were  posed  by  the  presence  of  Latin  versions  of  Greek  versions  of the  original  Hebrew.  Along  with  the  misinterpretations  brought  about  by these  translations,  Christian  writers  added  their  own  lack  of understanding of Hebraic  ideas.  Hadot  gives the wonderful  example of Augustine, who read in the  Latin  version  of  Psalm  IV:  9  the  expression  ;,,  idipsum.  Although  the Hebrew  text  contains  wording  that  simply  means  "at  this  very  moment"  or</p><p>"immediately,"  Augustine,  prompted  by  Neoplatonist metaphysics,  discovers in  this  in  idipsum a  name  of God,  "the  selfsame."  He  thus  discovers  here  a metaphysics  of identity  and  divine  immutability,  interpreting  the  expression as  meaning  "in  him  who  is  identical  with  himself." 6  Both  a  Latin  translation and  a  Neoplatonist metaphysics come  between  his reading and the  text.</p><p>To  take  another  example,  in  Ambrose's  sermon  De  Isaac  vel anima,  we  find undeniable  borrowings,  indeed  literal  translations,  from  Plotinus;  more  specific11lly,  the  use  of texts from  Plotinus  that  relate to  the  detachment  from  the  body 11nd  to  the  withdrawal  from  the  sensible  as  a  condition  of  contemplation.  These texts of Plotinian mysticism are joined to texts of Origenean mysticism that derive from  Origcn 's  commentary  on  the Song of So11gs.  But in this  encounter  between Plotinian and Origenean  mysticism,  Plotinian  mysticism loses its specificity.  One dues  not  find  in  Ambrose  any  important  trace  of  what  is  essential  to  Plotinus'</p><p>thought,  namely  the  surpassing  of  the  intelligible  in  order  to  attain  the  One  in (.'CKtruly.  Such  texts  concerning  the  mysticism  of  the  One  are  translated  by Ambrose  in  such  a  way  that  they  lose  this  meaning  and arc  related  to  the  union of lhe  soul  with  the  Logos.  So  Hadot  speaks  of  "a  Plotinian  ascesis  put  in  the KC:f\' ice  of an  Origenean  mysticism  that  is  a  mysticism  of Jesus." 7  Thus  Ambrose nm  identify  the  Good  and  Christ,  since  with  respect  to  the  Good  he  brings  in 1'1aul'11 Colossians  I:  20, which does indeed concern Christ.  Yet, as Hadot remarks,</p><p>"thi11  idcntifiuation  is  absolutely  foreign  to  the  whole  economy  of  the  Plotinian 11yNtc:m." &#xFFFD;  Borrowings, ro1111�esms, the introduction  of  a  logic  into  texts that had a tlilfort&lt;nl  logic''</p><p>1hi11  whole  phenomenon  is  central  to  the  development  of 1111dm1  1huul(lll,  1md,  1111  I l11dot  m11kc11  clear,  not  to  ancient  thought  alone.</p><p><image l:href="#26"/></p><p><image l:href="#44"/></p><p>4</p><p>lntroduclion</p><p>In  his  essay  "La  fin  du  paganisme"  Hadot  examines  the  struggles, contaminations, and  symbioses between  paganism and  Christianity at the end of antiquity.  We can relatively straightforwardly reconstruct the philosophical struggles  and  divergences;  for  instance,  the  claim  on  the  part  of  pagan polemicists  that  at  the  time  of his  trial  and  death Jesus  did  not behave like  a sage,  the  pagan  philosophy  of  history  that  charged  Christians  with  lacking historical  roots  and  that  denied  them  the  right  to  claim  that  their  tradition was  the  sole  possessor  of the  truth,  the  pagan  argument  that  the  Christians imagined God as a tyrant with  unforeseeable whims who carries out completely  arbitrary  and  irrational  actions,  such  as  the  creation  of  the  world  at  a specific moment of time,  the  election  and  then  rejection  of the Jewish people, the  incarnation,  the  resurrection,  and,  finally,  the  destruction  of the  world.1�</p><p>We  can  also  discover  in  the  pagan  world  certain  attempts  to  assimilate Christian elements, and  even, in certain epochs, the phenomenon of symbiosis between  pagan  and  Christian  thought.  Thus,  for  example,  the  emperor Alexander Severus used  to  render honor to  certain  portraits  (effigies)  of men who,  thanks  to  their  exceptional  virtue,  had  entered  the  sphere  of divinity.</p><p>Among  these  men  were  Orpheus,  Appollonius  of  Tyana,  Abraham,  and Christ,  and  so  the  emperor made  a  place  for  Christ  in  his  pantheon.11  In  the case  of some  individuals  one  could  legitimately  wonder  whether  they  were pagans  or  Christians.  The  Hymns of Synesius could  be  considered  as  having been  inspired  by  the  Christian  trinitarian  doctrine or,  on  the  contrary,  as  a representative  of  a  pagan  theology  that  one  could  link  to  the  tradition  of Porphyry .12</p><p>More  historically  subtle  is  the  process  that  Hadot  has  labeled  "contamination,"  that  is,  "the  process  according to  which  paganism  or  Christianity  were lead  to  adopt  the  ideas  or  the  behaviors  characteristic  of their  adversary." 11</p><p>Such  contamination, which could operate with different degrees of awareness, extended  from  specific  doctrines  and  behaviors  to  very  general  ideas  and institutions.  Eusebius  of  Caesarea  could  bring  together  the  doctrines  of Plotinus  and  Numenius  on  the  First  and  Second  God  with  the  Christian doctrine  of  the  Father  and  the  Son  and  their  relations. 14  And  the  emperor Julian  could  wish  to  impose  the  organization  of  the  Christian  church  on paganism,  wanting  the  pagan  church  to  imitate  the  Christian  church's activities.15</p><p>Most  important from  a</p><p>point  of view,  Christianity  borrowed</p><p>the  very  idea  of  theology,  its  methods  and  principles,  from  paganism.  As Hadot  has  shown,  both  pagans  and  Christians  had  an  analogous  conception of truth;  truth  was an  historical  reality of divine  origin,  a revelation  given  by God to  humanity  at a  particular time.  As  a  consequence,  their conceptions of philosophy  and  theology  were  identical  - "human  thought  could  only  be exegetical,  that  is,  it  must  try  to  interpret  an  initial  datum:  the  revelation contained  in  myths,  traditions,  the  most  ancient  laws." 11'  Not  only  wns</p><p><image l:href="#62"/></p><p>Introduction</p><p>5</p><p>Christianity  contaminated  by  the  pagan  idea  of  theology,  but  the  ancient Christian  idea  of hierarchical  monotheism,  so  central  to  early  Christianity, could  be  found  within  the  evolution of paganism  itself,  especially  under  the influence  of  the  imperial  ideology.  The  conceptions  of  monotheism  and hierarchy  that  served  to define the  Byzantine Christian  world  were  thus also contaminations  from  the  pagan  world;  indeed,  these  ideas  could  be  said  to sum up the entire essence of late paganism. 17 These contaminations inevitably led  to  distortions,  deformations,  misunderstandings  of  all  kinds,  but  the overlap  and  intersections  brought about by  these  contaminations  also  led  to the evolution of thought, the development of fresh  ideas, the creation, by way of creative  misinterpretations,  of new  concepts,  categories,  arguments,  and conclusions.</p><p>In  the  first  century  BC,  as  a  consequence  of the  destruction  of most  of the  permanent  philosophical  institutions  in  Athens  (which  had  existed from  the  fourth  to  the  first  century  BC),  the  four  great  philosophical schools  - Platonism,  Aristotelianism,  Epicureanism,  and  Stoicism  - could no  longer  be  supported  by  the  Athenian  institutions  created  by  their founders.</p><p>In  order  to  affirm  their  fidelity  to  the  founder,  the  four  philosophical schools,  scattered  in  different cities of the  Orient  and  Occident,  can  no longer  depend  on  the  institution  that  he  had  created,  nor  on  the  oral tradition  internal  to  the  school,  but solely on  the  texts of the founder.</p><p>The  classes  of philosophy  will  therefore  consist above all  in  commentaries  on  the text. '8</p><p>The  exegetical  phase  of the  history  of ancient  philosophy  was  characterized hy  the  ract  that  the  principal scholarly exercise was the explication of a  text.</p><p>Exeietical philosophy conceived of the philosopher not as a  "solitary thinker who would invent and construct his system  and  his truth  in an  autonomous way. The philosopher thinks in a tradition." 19 For the philosopher during this period,  truth  is founded  on  the authority of this  tradition,  and  it is  given  in fhc  texts  of the founders of the tradition.</p><p>Perhaps  the  most  extraordinary  instance  of  the  weight  and  pressures  of nc:gctical  thought  is  to  be  found  in  the  example,  extensively  discussed  by I l1ulot,  of the  appearance  of the  distinction  between  "being" as  an  infinitive (111 1�11mi) and  "being"  as a  participle (to on).  In  a  series of articles Hadot has</p><p>"lu1wn  thnt  this  distinction  arose  as  a  result of  the  need  to  give  a  coherent L'Xcgc:11i11  of Plato's second hypothesis in  the Parmenides,  "If the one is,  how is II  1m1111iblc that it should not participate in being [ 011sia ]?" 20  The Neoplatonist exegesis of the Parmtnitles required that each of Plato's hypotheses correspond to  11  diflcrcnt  hypo11ta11ili;  thui;,  thi11  S'-'C&lt;&gt;nd  hypothesis  corresponded  to  the llL'L'otul  ( &gt;nc:.  Since  thi11  11ccond  One  mui;t  1&gt;articipate  in  011sia,  and  since  by</p><p>6</p><p>Introduction</p><p>"participation''  the  Neoplatonists  meant  "receiving  a  form  from  a  superior and  transcendent  Form,"  the  second  One's  participation  in  ousia  is  understood to be participation  in an ousia  in  itself which transcends the participating  subject.  However,  according  to  good  Neoplatonist  doctrine,  above  the second One there is only the first One, and  this  first One, absolutely simple, cannot be  an  ousia.  The  first  ousia  must  be  the  second  One.  So  how  could Plato have spoken of an ousia  that precedes the second  One? An  anonymous Neoplatonist commentator on  the Parmenides,  whom Hadot has identified as Porphyry, squarely confronted these difficulties: "influenced by the exegetical tradition  characteristic of his  school,  the  words  of Plato  evoked  for  him  the entities of a  rigid  system,  and  the  literal  text  became  reconcilable only  with difficulty with what he believed to be Plato's meaning."21  Porphyry's solution to this difficulty would consist in  presenting an exegesis according �to  which Plato had  employed  the  word ousia  in  an  enigmatic  way,  instead  of another word  whose  meaning  is  close  to  the  word  ousia,  namely  the  word  einai.  If Plato speaks of an ousia in which  the second  One participates, he wants it to be  understood  that  the  second  One  receives  the  property  of being a  "being"</p><p>(to on} and of being "ousia" from the first One, because the first One is itself</p><p>"being" (to einai} "not in the sense of a subject but in the sense of an activity of being,  considered  as  pure  and  without subject. "22  Thus,  as  Hadot shows, we  can  see  appear  for  the  first  time  in  the  history  of  onto-theology  a remarkable distinction between  being as an infinitive and being as a participle.</p><p>Being as an  infinitive characterizes the first One, pure absolutely indeterminate activity,  while being as  a participle is  a  property  of the second One,  the first substance and  first determination  that participates  in  this  pure  activity.</p><p>This  distinction  arises  from  the  formulation  used  by  Plato  at  the  beginning of  the  second  hypothesis  of  the  Parmenides,  joined  to  the  Neoplatonist exegesis of the Parmenides and  the need  for Porphyry to  try  to explain,  from within  this system  of  exegesis,  why  Plato  said  what  he  did. 21  The  result, according  to  Hadot,  was  "certainly  a  misinterpretation,  but  a  creative misinterpretation,  sprung  from  the  very  difficulties  of  the  exegetical method."24 This creative misunderstanding was to have a profound influence on  the  development of a negative theology of being, and, by way of Boethius'</p><p>distinction  between  esse  and  id quod est,  was decisively to affect the  history of Western philosophical thought.25</p><p>As  early  as  1959,  Hadot  described  a  phenomenon,  constant in  the  history of philosophy,</p><p>that stems from  the evolution  of the  philosophical  consciousness:  it  is impossible to remain faithful to a  tradition  without taking up again the formulas of the creator of this tradition; but it is also impossible to  use these  formulas  without  giving  them  a  meaning  that  the  previous philosopher could  not even have suspected.  One then sincerely bclicvt'!I</p><p><image l:href="#82"/></p><p><image l:href="#96"/></p><p>Introduction</p><p>7</p><p>that  this  new  meaning  corresponds  to  the  deep  intention  of  this philosopher.  In  fact,  this  new  meaning  corresponds1  to  a  kind  of possibility of evolution of the original doctrine.26</p><p>Not  all  such  bestowals  of  new  meaning  are  creative  misunderstandings,  as Hadot  well  realizes.  But  some  of  them  have  led  to  new  ideas  of  great philosophical  significance.  We  must  study  the  history  of  these  exegeses, discover  how  these  misunderstandings  have  been  used,  what  philosophical consequences and what paths of evolution  have resulted from them, in order to determine whether they have indeed been creative. In the most interesting of cases,  we  may  find  that  a  history  of misinterpretation  and  a  history  of philosophical creativity are intimately linked.27</p><p>In  his  inaugural lecture to  the  College  de  France, Hadot writes: It  seems  to  me,  indeed,  that  in  order  to  understand  the  works  of the philosophers  of  antiquity  we  must  take  account  of  all  the  concrete conditions  in  which  they  wrote,  all  the constraints  that  weighed  upon them:  the  framework  of  the  school,  the  very  nature  of phi/osophia, literary  genres,  rhetorical  rules,  dogmatic  imperatives,  and  traditional modes  of reasoning.  One  cannot  read  an  ancient  author  the  way  one does  a  contemporary  author  (which  does  not  mean  that contemporary authors  are  easier  to  understand  than  those  of antiquity).  In  fact,  the works of antiquity are produced under entirely different conditions than those of their modern counterparts.2JI</p><p>Hadot's studies of the history of ancient philosophy and theology have always included  the analysis of "the  rules,  the  forms,  the models of discourse," the framework of the literary  genre whose  rules are often rigorously  codified,  in which  the  thoughts  of the  ancient  author  are  expressed.29  Such  analysis  is necessary in order to understand both the details of the work, the exact import of particular statements, as  well as the general meaning of the work as a whole.</p><p>Literary  structure  and  conceptual  structure  must  never  be  separated. 30</p><p>Describing  his  method  of study  for  Latin  Patristics,  Hadot  has  invoked  an exceptionally  illuminating analogy, comparing what happens in  these studies lo  what takes place  in those curious paintings  where one  secs  at  first  sight a  landscape  that seems  to be  composed  normally.</p><p>One  thinks that  if there  is,  in such and  such  a  place  in  the picture, a house or a  tree  it  depends solely on  the  imagination of the  artist. But if nnc  looks  at  1he  whole  painting  from  a  certain  angle  the  landscape 1r111111form11  it11clf into  11  hidden  figure,  a  face  or a  human  body,  and  one 11mlcr11t11nll11  then  th11t  the  hou11t�  or  the  tree  wa11  not  there  out  of pure</p><p><image l:href="#113"/></p><p>8</p><p>fancy, but was necessary because  it  made  up  part  of the  hidden figure.</p><p>When one discovers the structure or the fundamental form of a text, one has an analogous experience: certain details that seemed to be there only in an arbitrary way become necessary, because they make up an integral part  of the  traditional  figure  used.  And  just  as  one  can  contrast  or compare the sense of the face and the sense of the countryside, one can compare the meaning of the traditional form or structure, considered in themselves, and that of the text which has borrowed them . . .  We often have  the  impression when we  read  ancient authors that they write badly, that  the  sequence  of ideas  lacks  coherence  and  connection.  But  it  is precisely because the true figure escapes us that we do not perceive the form  that  renders  all  the  details  necessary . .. once  discovered,  the hidden form will make necessary all of the details that one often believed arbitrary  or without importance.31</p><p>This  description  brilliantly  captures  the  significance  of  placing  the  work studied  in  the  framework  of its  literary  genre,  the  transformation  in  understanding  brought  about  when  one  moves  from  the  insignificant  and  arbitrary  to  the  meaningful  and  necessary.  Hadot's  methodological  prescriptions can  be  fruitfully  applied  at  virtually  every  level  in  the  analysis  of ancient thought.</p><p>I  want  to  consider  briefly  a  series  of examples  not  taken  up �by  Hadot  in order to emphasize the depth and accuracy of his analogy.  I  have in mind the extraordinary  work  on  mystical  cryptography  undertaken  by  Margherita Guarducci. By  carefully  delineating  the  historical  and  geographical  context and  by  discovering "a  coherent and rational system," 32  Guarducci  was able  to show that certain ancient graffiti, both pagan and Christian,  contained hidden and almost dissimulated thoughts of a philosophical and  religious character.33</p><p>The  situation  that  results  is  precisely  one  in  which  phenomena  that  were neglected  or  unacknowledged  now  assume  a  profound  significance.  So,  for example,  she  has  demonstrated  that  the  letters  PE,  the  two  initial  letters  of the name Petrus, sometimes take on  the form of the characteristic monogram t or l  that  this monogram represents the keys of the first vicar of Christ, and  that  the  monogram  sometimes  even  visually  resembles,  with  the  three teeth  of the  E adjoined  to  the  P,  a  key  t.34 Peter's  monogram  can also be</p><p>-</p><p>adjoined  to  a  monogram  for  Christ  Cf&gt;. so  that  we  find  on  wall  g  of the Vatican  this  kind of graffiti, fl, expressing the  indissoluble  union of Peter and  Christ.35 By  unraveling the  rational  and  coherent system formed  by  this mystical cryptography she can show that an  inscription that previously found no plausible explanation can be clearly and  convincingly explained. Thus the inscription found on a tomb (and shown in plate 1.1) wishes life in Christ and Peter to the deceased. The bi valence of the Greek rho and the Latin pi is used to superpose  the  monogram  of Christ  &lt;�) with  the letters PE thus  forming,</p><p><image l:href="#129"/></p><p><image l:href="#144"/></p><p>Introduction</p><p>9</p><p>f which is inserted within the preposition in.36 Just as Hadot has described it, these  are  cases  where  "once discovered,  the  hidden  form  will  make necessary  all of the  details  that  one  often  believed  arbitrary  or  without  sigrtificance." 37</p><p>This  mystical  cryptography  can  also  be  found  in the pagan  world,  where  a form  that  can  seem  to  be  intrinsically  insignificant  is  transformed,  once  the hidden  figure  is  discovered,  into  the  expression  of  a  philosophical  doctrine.</p><p>Thus not  only did  the Pythagoreans recognize in the  letter  Y the initial letter of  the  word  vriera and  therefore  the  concept  of "salvation";  they  also  used this letter  to  represent  graphically  the  ancient  concept of the  divergent paths of virtue and vice,  the doctrine that  life presented  a  forking path and that one must  choose between the path of virtue on the  right,  which will lead to peace, and  the  path  of  vice  on  the  left,  where  one  will  fall  into  misery.38  A  funereal stcle,  datable f&#xFFFD;om  the first century AD,  of a  deceased man  named  "Pythagoras"  exhibits a large  Y that divides the stone into five sections (shown in plate 1.2).  Each  section  contains  various  scenes  inspired  by  Pythagorean  doctrine.</p><p>In  the  center  is  an  image  of  the  deceased  (or  perhaps  of  his  homonym, Pythagoras  of  Samo);  to  the  right  arc  scenes  personifying  virtue,  to  the  left arc  scenes  personifying  dissoluteness. Guarducci concludes that it  is "easy to recognize in the succession of these scenes that which the literary sources have handed down to  us ... :  the Pythagorean  Y, symbol  of the divergent  paths of virtue  and  of  vice,  one  of  which  brings ...  eternal  pleasure,  the  other ...</p><p>definitive  ruin." �19  Ir is  indeed  easy  to  come  to  this  recognition,  once  one  has uncovered and deciphered the genre of  mystical  cryptography. But if one  fails to  perceive  the  rigorously  codified  rules,  one  will  see  nothing  of  importance, one  will  be  forced  to  resort  to  lapidary  error  and  accident  to  explain  away various features, one will find no coherence in  many of the inscriptions."� The diff crence  between  recognizing  profound  significance  and  trivial  error  or arbitrariness  will  depend  on  whether  the  true  form  has  escaped  us  or  has transformed  our understanding.41</p><p>One  might well imagine that  the  endeavor  to hide religious  and  philosophical thoughts  within  inscriptions  and  graffiti  would  require  that  we  discover  the hidden  form  necessary  to  give  coherence  and  sense  to  these  graffiti. But  one might  also  assume  that  when  we  are  confronted  with  extended  philosophical writing,  andcnt  texts,  like  many  modem  ones,  will  exhibit  their  structure  more or  less  on  the  surface. And  then  when  we  fail  to  discern  this we</p><p>conclude,  as  Hadot  remarks,  that  ancient authors  "write  badly,  that  the  sequence of ideas  lacks  coherence  and  conncction."42  That  the  assumption  on  which  this conclusion  is  based  is  false,  that  the  structure  of  even  extended  ancient rhilosophical  texts  may  not  lie  easily  open  to  view,  is  clearly  shown  by  Harlot's own  discuvcry  of  the  underlying  structure  or  fundamental  form  of  Marcus Aurelius'  Mt'tlitfltim1s.  Indeed,  Hadot's description of the experience  of seeing a IC'&lt;I  1nmNfonn  it11clf once  one  has  dist."Ovcrcd  iL'&gt;  hidden  form  very  compellingly n�prl'Nl'nlN,  yc11111  hcfol'l&#xFFFD;  thl'  foci,  hiN own  dist.'O\�cry  uhout  Marcus  Aurelius'  text.</p><p><image l:href="#156"/></p><p><image l:href="#145"/></p><p>10</p><p>Introduction</p><p>.,  .</p><p>'i!:&#xFFFD;,(:</p><p>.. -.:  .</p><p>The  first printed  edition  of Marcus  Aurelius'  Meditations appeared  in  1559, accompanied  by  a  Latin  translation.  The  editor,  "Xylander"  (Wilhelm Holzmann),  faced  with  what  he  saw  as  the  total  disorder  of  the  text, conjectured  that  the  Meditations,  as  presented  in  the  manuscript  he  edited, were  only  disconnected  extracts  from  the  work  of  Marcus  Aurelius,  that Marcus'  book  had  reached  us  in  a  mutilated,  incomplete,  disordered  state.43</p><p>This  conjecture  was  taken  up  again  in  1624  by  Caspar  Barth,  who, recognizing  that  one  could  detect  traces  of  organization  and  sometimes lengthy  reasoning  in  the  Meditations,  claimed  that  the  text  that  had  reached us consisted only  of  extracts  from  a  vast,  systematic  treatise of ethics  that  the emperor  had  written.""  Such  conjectures,  and  their  variations,  have  accompanied  the  Medi1atio11s  throughout  its  history,  always  trying  to  account  for  the disorder  and haphazardousness  of  this  work.45  The  contemporary  reader  may find  individual  aphorisms  that  seem  to  speak  for  themselves,  but  will  be  left with  the  basic  impression  that,  as  Hadot  puts  it,  "these  sentences  seem  to follow one another  without order, with the randomness of the impressions and states of  soul  of the  emperor-philosopher."46</p><p>Hadot  has  recognized  that  Marcus  Aurelius'  Meditations belong  to  the  type of  writing  known  as  h_ypomnemata, personal  notes  and  reflections  written  day to day.  This  kind of  writing  existed throughout antiquity,  and  at least  two  of Marcus'  seventeenth-century editors  and  translators also recognized  his work</p><p><image l:href="#13"/></p><p>Introduction</p><p>11</p><p>as  consisting  of  personal  notes.47  Marcus  wrote  day  to  day  without  trying  to compose  a  work intended  for the  public;  his  Meditations  arc  for the most  part exhortations to  himself,  a  dialogue  with  himself. 4H  Moreover,  his  thoughts  and reflections  were  written  down  according  to  "a  very  refined  literary  form, hccause it  was precisely the  perfection of the  formulas that could assure them their  psychological  efficacy,  their  power  of  persuasion." 49  Thus,  although Marcus'  work  belongs  to  the  literary  genre  of personal  notes  written  day  to dny  (&#xFFFD;l'Pomne111att1),  they  are  also  quite  distinct  from  other  examples  of  such notes.  As Hadot concludes,  "it appears indeed that unlike other /1ypomnemt1lt1, the  Metlilt1lions of  Marcus  Aurelius are  'spiritual  exercises,'  practiced  accordinl(  to  a  certain  method." 50</p><p>Spiritual  exercises  arc  practiced  in  the  Meditations  according  to  a  method, I ludot  has  written,  "as  rigorous,  as  codified,  as  systematic  as  the  famous Spirit11t1/ E.l'ercises of Saint  Ignatius." 51  And  the  key  to  this method,  and  thus 111  the  Metlitt1tio11s, is to be  found in the three  philosophical  topoi distinguished hy  Epictetus.  Epictetus  distinguished  three  acts  or  functions  of  the  soul  -</p><p>iudl(tnent, desire,  and  inclination  or  impulsion.  Since  each  of these  activities 11f' 1hc  soul depends  on  us,  we  can discipline them,  we can choose  to judge or 11111  111  judl(c  ;1nd  to  judge  in  a  particular  way,  we  can  choose  to  desire  or  not lo  llcHirc,  to  will  en�  not  to  will.  And  so  to  each  of these activities corresponds 11  r.pirit 11111  exercise,  n  discipline  of representation  and  judgment,  a  discipline 111  1h�Nil'l'i  nnd  11  lliNciplinc  of inclin111ions  or  impulses  to  action.12  Moreover,</p><p>12</p><p>Introduction</p><p>Hadot has shown that Epictetus identified the three disciplines with the three parts  of  philosophy  - the  discipline  of  assent  with  logic,  the  discipline  of desire  with  physics,  and  the  discipline  of inclinations  with  ethics.53  And  he used  the  word  topos  "to  designate  the  three  lived  exercises  that ...  are  in  a certain  way  the  putting  into  practice  of  the  three  parts  of  philosophical discourse."54 Thus  Epictetus'  three  topoi are  three lived  spiritual  exercises.</p><p>Marcus  Aurelius  took  up  these  three  topoi  and  employed  them  as  the underlying structure of his Meditations.  They are the  key to the interpretation of  virtually  the  entire  work,  and  our  recognition  of  their  role  allows  the surface  disorder  of the  Meditations to  transform  itself,  so that we see beneath this apparent lack  of  order  a  rigorous underlying  form  or  structure: beneath  this  apparent  disorder  hides  a  rigorous  law  that  explains  the content of  the Meditations. This law  is,  moreover,  expressed  clearly  in a ternary schema  that reappears often  in  certain maxims.  But this schema was  not  invented  by  Marcus  Aurelius:  in  fact  it  corresponds  exactly  to the three philosophical topoi that  Epictetus  distinguishes  in  his Discourses.  It  is  this  ternary  schema  that  inspires  the  whole  composition  of the Meditations  of  the  emperor.  Each  maxim  develops  either  one  of  these very characteristics topoi,  or  two  of  them,  or  three  of them.5s These  three  disciplines  of  life  are  truly  the  key  to  the  Meditations  of Marcus  Aurelius.  It  is  in  fact  around  each  of  them  that  the  different dogmas  ...  are  organized,  are  crystallized.  To  the  discipline  of  judgment  are  linked  the  dogmas  that  affirm  the  freedom  of judgment,  the possibility that man  has to criticize and modify  his own thought;  around the discipline  that directs  our attitude with  regard to  external events are gathered all the theorems on the causality of universal Nature; lastly, the discipline  of  action  is  nourished  by  all  the  theoretical  propositions relative  to  the  mutual  attraction  that  unites  reasonable  beings.</p><p>Finally,  one  discovers  that  behind  an  apparent  disorder,  one  can uncover,  in  the  Meditations, an  extremely rigorous conceptual system.56</p><p>Each  maxim, aphorism,  sentence  of the  Meditations is  an  exercise  of actualization  and  assimilation  of one  or  more  of  the  three  disciplines  of life. 57  Thus Hadot, discovering the  form "that renders all  the details necessary," allows us to  read  the  Meditations  coherently,  transforms  our  experience  from  that  of reading  a  disconnected  journal  to  one  of  reading  a  rigorously  structured philosophical work.sx</p><p>Hadot's  discovery  of  the  ternary  schema  underlying  the  Meditations  not only allows us  to  give structure to  its  merely  apparent disorder. It also allows us  to  keep  from  falling  into  misplaced  psychological  judgments  about  the author  of  these  spiritual  exercises.  Precisely  because  the  Meditatitms  arc</p><p>Introduction</p><p>13</p><p>traditional  Stoic spiritual  exercises,  we  must be very prudent about drawing conclusions concerning the personal psychological states of iyiarcus.  As Hadot has  said,  we  are  all  too  ready  to  project  our  own  attitudes  and  intentions  on ancient  works,  to  see  the  Meditations as  the  spontaneous  effusion  of  Marcus'</p><p>everyday feelings, to see  Lucretius'  On the Nature of Things as the  work  of an anxious  man attempting  to  combat  his  anxiety,  or to  understand  Augustine's Confessions  as  the  expression  of  his  desire  to  confess  and  so  to  give  us  an autobiographical  account  of  his life.59  But  in  antiquity, the rules of discourse were rigorously codified:  in order to say  what one wanted  to  say,  an  author  had  to  say  it  in  a  certain  way,  according  to traditional  models, according to  rules prescribed by  rhetoric  and  philosophy  . . .  [the  Meditations]  are an exercise realized  according  to .definite rules;  they  imply  . . .  a  pre-existent  outline  which  the  emperorphilosopher can only amplify.  Often, he only says certain things because he  must  say  them  in  virtue  of  the  models  and  precepts  that  impose themselves  on  him.  One  will  therefore  only  be  able  to  understand  the sense  of  this  work  when  one  has  discovered,  among  other  things,  the prefabricated schemata  that  were  imposed  on  it.60</p><p>Hadot  has  charted  all  of the  supposed  psychological  portraits  of  Marcus drawn  from  the  Meditations,  which  see  him  as  suffering  from  gloomy resignation, extreme skepticism,  despair.  Some  modern authors have  claimed to  find  in  the  Meditations  evidence  of  a  gastric  ulcer  and  its  psychological consequences, or of  the psychological effects of  Marcus'  abuse of opium.61  But all of these attempts at historical psychology ignore the mechanisms of literary composition  in  antiquity,  and  fail  to  take  into  account  Marcus'  modes  of thought,  the  fact  that  he  was  practicing  spiritual  exercises,  derived  from Stoicism,  more  particularly  from  Epictetus,  whose  essential  goal  is  to  influence  himself,  to  produce  an  effect  in  himself.62</p><p>Take,  for  example,  the  repeated  claims  that  the  Meditations  show  us that  Marcus  was  a  pessimist.  After  all,  he  does  write  things  such  as  the following:</p><p>Just  like  your bath-water appears to  you  - oil,  sweat,  filth,  dirty  water, all  kinds  of  loathsome  stuff  - such  is  each  portion  of  life,  and  every substance.6.1</p><p>These  foods  and  disht&gt;s . . .  arc  only  dead  fish,  birds  and  pigs;  this Falcrnian  wine  is  a  bit  of  grape-juice;  this  purple-edged  toga  is  some sheep's  luiirs dipped in the blood of shellfish; as for sex, it is the rubbing to[(cthcr  of pieces  of gut,  followed  by  the  spasmodic secretion of  a little bit of slime. 111</p><p>14</p><p>Introduction</p><p>What  are  these  remarks,  if  not  the  expression  of  Marcus'  characteristic pessimism?  In each of these cases of supposed pessimism,  Hadot has been able to  show  specifically  that  Marcus  was  not  giving  us  his  personal  impressions, that  he  was  not  expressing  a  negative  experience  that  he  had  lived,  but  was rather  "exercising  himself,  spiritually  and  literarily." 65  Marcus  is,  first  of all, practicing the  Stoic  discipline  of giving  physical  definitions  which,  adhering to  the  objective  representation  of the  phenomenon,  are  employed  "to  dispel the  false  conventional  judgements  of value  that  people  express  concerning objects." 66  Marcus  writes:</p><p>always make a  definition  or description  of the object that occurs in  your representation,  so  as  to  be  able  to see  it as  it  is  in  its  essence,  both  as  a whole  and  as  divided  into  its  constituent  parts,  and  say  to  yourself its proper name and  the names of those things out of which it is composed, and  into  which  it  will  be  dissolved.67</p><p>This  kind  of definition  is  intended  to  strip  representations  of "all  subjective and anthropomorphic considerations, from all  relations to  the human point of view," thus defining  objects,  in  a  certain  way,  scientifically  and  physically.68</p><p>Such  definitions  belong  both  to  the discipline  of judgment,  or  logic,  and  to the  discipline  of  desire,  or  physics.  The  critique  of representations  and  the pursuit  of  the  objective  representation  are,  obviously  enough,  part  of  the domain of logic;  but these definitions can  only  be  realized if one places oneself in  "the  point  of  view  of  physics,  by  situating  events  and  objects  in  the perspective  of universal  Nature." h9</p><p>Marcus  is  not  giving  us  his  personal  perception  of reality,  from  which  we may  then  deduce  conclusions  about  his  sensibility  or  characteristic  dispositions.  He  is  rather  employing  various  means  to  transform  himself,  to  acquire a  certain  inner  state  of  freedom  and  peace.  To  do  so  he  must  overcome</p><p>"solidly  rooted  prejudices,  irrational  terrors,"  employing  all  the  means available  to  him.m  Here  is  how  Hadot  describes  the  ultimate  goal  of  these physical  definitions:</p><p>This spiritual  exercise  of "physical" definition  has  exactly  the  effect  of rendering  us  indifferent  before  indifferent  things,  that  is, of making us renounce  making  differences  among  things  that  do  not  depend  on  us, but  which  depend  on  the  will  of universal  Nature.  No  longer  to  make differences  is  therefore,  first  of all,  to  renounce  attributing  to  certain things  a  false  value,  measured  only  according  to  human  scale.  This  is the meaning  of the apparently pessimistic declarations.  But to no longer make  differences  is  to  discover  that  all  things,  even  those  which  seem disgusting to  us,  have  an  equal  value  if one measures them  according to the scale of universal  Nature, that is, looks at things with  the  same  vision</p><p>Introduction</p><p>1 5</p><p>that  Nature  looks  at  them . . . .  This  inner  attitude  by  which  the  soul does  not  make  differences,  but  remains  indifferent  &#xFFFD;efore  things, corresponds  to  magnanimity of  the soul  [grandeur J'time).11</p><p>Thus  with  respect  to  the  issue  of Marcus'  pessimism,  we  see  the  importance of placing the Meditations in its literary and philosophical context.  Abstracting from  this  context  leads  to  an  improper  psychology,  and  to  an  uncreative misreading  of  the  force  of the  Meditations,  ignoring  its  basic  philosophical aims  and  procedures.  Hadot  diagnoses,  with  great  insight,  the  dangers  of historical  psychology:</p><p>We  have  here  a  fine  example  of  the  dangers  of historical  psychology applied  to  ancient  texts.  Before  presenting  the  interpretation  of a  text, one should first begin by trying to distinguish between, on the one hand, the  traditional  elements,  one  could  say  prefabricated,  that  the  author employs and, on the  other hand, what he  wants to do with them.  Failing to  make  this distinction,  one  will  consider  as  symptomatic  formulas  or attitudes  which  are  not  at  all  such,  because  they  do  not  emanate  from the  personality  of  the author, but are imposed on him by  tradition.  One must  search for what  the  author wishes to  say,  but also for what he  can or  cannot  say,  what  he  must  or  must  not  say,  as  a  function  of  the traditions and  the  circumstances that  are  imposed  on  him.72</p><p>That  the  temptation  to  read  ancient  texts  as  expressions  of  their  author's psychological  states and  character is extremely  difficult to overcome  is shown  by the  development  of  Hadot's  own  interpretation  of Augustine's  Confessions.  In  a widely cited  paper,  originally  delivered  in  1960,  Hadot concludes his  discussion of the development of  the notion  of the  person with the claim that in  Augustine's Co11fossions, "the modem self rises into  view in  history." 73  Citing  various passages from  Augustine  on  the  mystery  of  the  self,  and  following  Groethuysen's interpretation, Hadot is led to conclude, on the basis of these passages, that "With Augustine  the  'I'  makes  its  entry  into  philosophical  reasoning  in  a  way  that implies  a  radical  change  of  inner  perspective. " 7&#xFFFD;  Hadot  came  little  by  little  to realize, however, that one  must not  be misled by  Augustine's use  of  "I," that  "the autobiographical  part  of  the  Confessions  is  not  as  important  as  one  might believe." 75  The  "I"  of  Augustine's  Confessions continues  the  "I"  of Job,  David, or  Paul,  that  is,  Augustine  "identifies  himself  with  the  self who  speaks  in  the Scriptures.  Ultimately  the  human sell who speaks  in the Bible  is  Adam, a sinner without doubt, but converted by God and renewed in  Christ." 76 Thus, following Pierre  Courcelle,  Hadot  recognizes  that  the  Confessions is essentially a  theological work,  in  which  each  scene  may  assume  a  symbolic  meaning. So  "in this literary genre  . . .  il  is extremely  d ifficult to  distinguish  between  a  symbolic  enactment nml  1111  11ccoun1 of 11  hiKloricnl  event." 77</p><p>1 6</p><p>Introduction</p><p>Hadot  therefore  insists  on  the  theological  significance,  in  the  first  part  of Book  II  of  the  Confessions,  of  the  images  used  by  Augustine  in  order  to describe his inner state.78 And  in  the second  part  of Book  II, when  Augustine recounts at length  his adolescent theft of pears, we are in fact confronted  with a  theological  account concerning original  sin.  The  "psychology  of Augustine the  sinner  is  reconstructed  from  the  ideal  psychology  of Adam,  disobedient to  God  in  order  to  imitate,  in  a  perverse  way,  the  divine  freedom . " 7'l  Rather than  using  this  scene  to  draw  a  psychological  portrait  of  Augustine  the individual,  Hadot  understands  it  as  part  of  an  anti-Manichean  theological polemic.  Here  is  his  interpretation,  which  is  a  model  of  how  to  avoid  the excesses  of historical  psychology  when  reading ancient  texts: the psychological and theological  problem of original sin is posed  on the occasion  of Augustine's  theft,  and  we  find  ourselves  once  again  in  an anti-Manichean problematic: in stealing the pears, as  Adam stealing the forbidden  fruit,  Augustine  did  not  desire  the  fruit  itself,  that  is,  an existing  reality;  rather  he  desired  evil  itself,  that  is,  something  that doesn't  have  any  substance.  How  is  this  possible?  After  having  posed the  problem  at  length  (4, 9-6,  1 3), Augustine responds  by  showing  that he  had  loved  something "positive"  in  the evil:  to  imitate  the  freedom  of God,  but  in  a  perverse  way.  Every  sin  appt."llrs  thus  as  an  upside-down imitation  of the  divine  reality.1111</p><p>Instead  of  engaging  in  a  psychological  interpretation  of  Augustine's  adolescence,  Hadot's  reading  allows  us  to  sec  that  we  arc  in  the  presence  of a theological  discussion  of  the  nature  of  sin,  and  that  Augustine's  lengthy recounting  of his  theft  is  not  autobiographically  motivated,  but  is  necessary in  order  for  us  to  see  the  way  in  which  sin  is  a  perverse  imitation  of divine reality.</p><p>Moreover,  by  placing  the  Confessions  within  the  Christian  exegetical tradition,  Hadot  is able  to show  that the  last three books of the  Confessions, in which  Augustine  seems  to  abandon  autobiography  to  devote  himself  to exegesis, far from  being foreign to the rest of the work, do not ultimately have</p><p>"a  different  object  from  the  account  that  is  narrated  in  the  biographical part." 81  Hadot  demonstrates  that  Augustine  very  often  brings  together  the two states of his soul - obscurity,  then  light - with  the two states of the earth at  the  beginning  of  the  account  of  Genesis.  In  its  first  state  the  earth  was invisibilis and  incomposita, and  in  its  second  state  it  received  the  illumination of the  Fiat  lux.82 In  Book  II, Augustine presents his adolescence as  a  state of obscurity  and bubbling fluidity, and  Hadot has shown  that  in this description one  can  recognize "the vocabulary employed  in  Book  XIII of the  Crmfessions to  describe  the  chaos  of Gen  1 ,  2."83  Furthermore,  in  Book  XIII  the  images of darkness  and  fluctuation  serve  precisely  to  describe  "the  state  of the  soul</p><p><image l:href="#32"/></p><p>Introduction</p><p>1 7</p><p>still  'formless,'  before  its  conversion  to God." M  Thus  Hadot  can  claim  that</p><p>"the  idea  of the  passage  of the  creature  from  a  formless to  a  state  of</p><p>formation  and  of conversion  dominates  the  whole  work." 85</p><p>Book  XIII  the</p><p>biblical  account of creation becomes the description  of the phases and  stages of the  salvation  of humanity.86 Putting together  Augustine's autobiographical and  exegetical  descriptions,  Hadot  can  demonstrate  the  inner  unity  of  the work,  the fact that for Augustine "Genesis is  . . .  the account produced  by  the Holy  Spirit of the conversion of the soul,  as the  Confessions is the account that he  himself produces  of his own  conversion." 117  Hadot  therefore  warns  us  that we  must  interpret  this  text  in  light of the  literary  genre  to  which  it  belongs, the  tradition  of exegesis  of Ambrose  and  Origen,  and  that  we  will  commit  a misunderstanding  if  we  believe  we  have  discovered  the  self "already"  in  the Crmfessions.Hll  We  find  in  Hadot's  own  interpretation  of Augustine  the  initial outline of a kind of historical psychology, one that discovers in the Confessions the  beginnings  of  the  modern  self.  However,  this  is  followed  by  a  more detailed  attention  to  the  mechanisms  of  literary  composition  and  to  the theological  genre  of  the  Confessions,  an  attention  that  both  prevents  the apparent  autobiography  from  becoming  the  philosophical  center  of the  work and  permits  us to  see  the unity  between  the first  ten  books  and  the last three.</p><p>There  is,  of course,  a  self to  be  found  in  the  Confessions,  but  "it must  not  be understood  as  the  incommunicable singularity  of the  man  Augustine,  but, on the  contrary,  as  universal  humanity  of  which  the  events  of  the  life  of Augustine  are  only  the  symbols. " 89</p><p>Hadot's  insistence  on  not  separating  conceptual  structure  from  literary structure  also  played  a  significant  role  in  his  interpretation  of Wittgenstein's work.  As  far  as  I  have  been  able  to  determine,  Hadot  presented  the  first detailed  discussions  in  French of Wittgenstein's books, reviewing everything from  the  Tractalus Logico-Philosophicus  to  the  Philosophical Investigations and Remarks  on  the  Foundations  of  Mathematics.'m  In  his  1959  discussion  of the  later  Wittgenstein,  Hadot  argues,  quite  remarkably,  that  the  goal  of Philosophical Investigations  requires  a  certain  literary  genre,  that  one  cannot dissociate  the  form  of  the  Investigations  from  Wittgenstein's  conception  of philosophy.</p><p>It  is  a  therapeutics  that  is  offered  to  us.  Philosophy  is  an  illness  of language  . . .  The  true  philosophy  will  therefore  consist  in  curing  itself of philosophy,  in  making  every  philosophical  problem  completely  and definitively  disappear  . . .  Wittgenstei n  continues  [from  the  Tractatus  to the  Investigations] . . .  to  devote  himself to  the  same  mission:  to  bring a radical  ;�nd  definitive  peace  to  metaphysical  worry.  Such  a  purpose imposes  a  certain  literary  genre:  the  work  cannot  be  the  exposition  of a system ,  a  doctrine,  a  philosophy  in  the  traditional  sense  . . .  [Philos11pl1in1/ hn�rstiRt1l1tms l  wi11hcs  to  Rel  liulc  by  little  on  our  spirit,  like  a</p><p>1 8</p><p>Introduclion</p><p>cure,  like  a  medical  treatment.  The  work  therefore  does  not  have  a systematic structure, strictly speaking [pas de plan,  a proprement parler].91</p><p>At  the  time  Hadot was writing about  Wittgenstein, and even  today, so many philosophers  ignored  the  way  Philosophical Jnvesligalions  is  written  that  it  is astonishing,  at  first  sight,  to  see  an  historian  of  ancient  philosophy  clearly understanding  the  import  of  this  aspect  of  Wittgenstein's  work.  But  Hadot has long emphasized that  ancient philosophy presented itself as a therapeutics and  that this goal profoundly affected the philosophical  writing of  antiquity.92</p><p>As early as  1 960 Hadot  wrote  that  in  ancient  philosophy  "more  than  theses, one  teaches  ways,  methods,  spiritual  exercises,"  that  "dogmas"  have  only  a secondary  aspect.93  No  doubt  it  was  precisely  Hadot's  understanding  of the history of ancient  philosophy that made it possible  for him to see central,  but still  neglected,  characteristics  of  Wittgenstein's  work.</p><p>In  "Jeux  de  langage  et  philosophic,"  Hadot  was  to  employ  Wittgenstein's notion  of a  language  game  in  an  historical  perspective  that,  as  he recognized, went  well  beyond  anything  with  which  Wittgenstein  was  preoccupied.  Hadot argued  that  we  must  "break  with  the  idea  that  philosophical  language functions  in  a  uniform  way"  and  that  ''it  is  impossible  to  give  a  meaning  to the  positions  of  philosophers  without  situating  them  in  their  language game." 'H  Aware  of  the  different  philosophical  language  games  of  antiquity, Hadot  could  well  insist  that  an  ancient  formula  be  placed  in  the  concrete context of its  determinate  language  game,  that  its  meaning  could  change  as  a function  of a  change  in  language  game.95 Thus  Hadot  could  draw  the  general historiographical conclusion that we must "consider as  very different language games  those  literary  genres,  so  profoundly  diverse,  represented  by  the dialogue,  the  exhortation  or  protreptic,  the  hymn  or  prayer  . . .  the  manual, the  dogmatic  treatise,  the  meditation . " 96  And  we  must  also  distinguish between  the  attitudes  represented  by  dialectic,  rhetorical  argumentation, logical  reasoning,  and  didactic  exposition,  since  we  will  often  be  able  to establish  that  "the  very  fact  of  sitt1ating  oneself  in  one  of  these  traditions predetermines  the  very  content  of  the  doctrine  that  is  expressed  in  this language  game." 97  By  overcoming  the  temptation  to  see  philosophical  language as always functioning in the same  way,  Hadot could  take account of the conceptual  and  literary  specificity  of  different  philosophical  attitudes.</p><p>Whether  reading  Plotinus,  Marcus  Aurelius,  or  Augustine,  Hadot  has  made detailed  use  of his  methodological  prescriptions,  not  allowing  the  surface pronouncements of the texts to  obscure the  underlying structure,  the literary genre  and  modes  of  thought  that  confer  a  determinate  meaning  on  these pronouncements.  Employing  all  of  their  resources,  Hadot  has  used  these practices of interpretation  to try  to  reconstruct  the  fundamental  meaning (sens de base),  the  meaning  "intended"  by the  author  (le sens  "t,tm/11 " p11r l't111/e11r), of these ancient tcxts.'18  More often  than  not ,  as  is c\�idcnt  from the cxnmplci;</p><p>Introduction</p><p>19</p><p>I  have  given,  this  meaning  will  not  be  apparent.  And  if  Hadot's  practices  of interpretation are most often  employed  with  respect  to  ancient  p&#xFFFD;ilosophical and theological  writing,  his  discussion  of  Wittgenstein  makes  clear  the  need, throughout  the  history  of  philosophy,  for  such  practices.  To  restrict  the importance  of Hadot's  lessons  to  one  period  in  the  history  of thought  would be radically  to  misunderstand  the  techniques  and  procedures  of human  thought.</p><p>2  Spiritual Exercises</p><p>Hadot has  written  that he was led to become  aware of the importance of what he  has  called  "spiritual  exercises"  by  his  work  of  interpretation  of  ancient philosophical  texts.99  On  the  one  hand,  like  his  predecessors  and  contemporaries,  Hadot  encountered  the  well-known  phenomenon  of the  incoherences, even  contradictions,  in  the  works  of  ancient  philosophical  authors.  On  the other  hand, many modern  historians  of ancient  philosophy  have begun  from the  assumption  that  ancient  philosophers  were  attempting,  in  the  same  way as  modern  philosophers,  to  construct  systems,  that  ancient  philosophy  was essentially  a  philosophical  discourse consisting  of a  "certain  type  of organization  of  language,  comprised  of  propositions  having  as  their  object  the universe,  human society, and  language  itself." 100  Thus the essential  task of the historian  of philosophy  was  thought  to  consist  in  "the  analysis of the  genesis and  the  structures of the literary  works  that  were  written  by  the philosophers, especially  in  the study of the  rational  connection  and  the  internal  coherence of  these  systematic  expositions." 101  Under  these  interpretive  constraints, modern  historians  of ancient  philosophy  could  not  but  deplore  the  awkward expositions,  defects  of composition,  and  outright  incoherences  in  the  ancient authors  they  studied. 1112</p><p>Hadot,  however,  rather  than  deploring  these  ancient  authors'  failures  to measure  up  to  the  modern  standard  of the  systematic  philosophical  treatise, realized  that  in  order  to  understand  and  explain  these  apparent  defects,  one must not  only  analyze  the  structure  of these  ancient  philosophical  texts,  but one  must also situate  them  in the  "living  praxis from  which  they emanated." 103</p><p>An  essential  aspect  of  this  living  praxis  was  the  oral  dimension  of  ancient philosophy,  and  the  written  philosophical  works  of Greco-Roman  antiquity were  "never  completely  free  of  the  constraints  imposed  by  oral  transmission." uu  Hadot  has  described  this written  work as  only  a material support for  a  spoken  word  intended  to  become  spoken  word  again,  "like  a  modern record  or  cassette  which  are  only  an  intermediary  between  two  events:  the recording  and  the  rehearing. " 105  All  of ancient  philosophy  believed  in  what 1-ladot  once  called,  thinking of Plato's Phaedrus,  the  "ontological  value  of  the spoken  word"; 1 his living and animated discourse was not principally intended to 1 r1111Nmi1  inform11 1 ion, hu1  "10  tlrod ucc a  certain psychic effect in  the reader</p><p><image l:href="#51"/></p><p>20</p><p>Introduction</p><p>or listener." 106 Thus  the  "propositional  element"  was  not  the most important element  of  ancient  philosophical  teaching,  and  Hadot  has  frequently  cited Victor Goldschmitt's formula, originally applied  to the Platonic  dialogues but used by Hadot to characterize ancient philosophy more generally, that ancient philosophical  discourse  intended  "to  form  more  than  to  inform." 107</p><p>Hadot  claims  that  it  is  probably  a  mistake  about  the  nature  of  ancient philosophy  to  consider  abstraction,  made  possible  by  writing,  its  most important characteristic:</p><p>For  ancient  philosophy,  at  least  beginning  from  the  sophists  and Socrates, intended, in the first instance, to  form  people and  to  transform souls.  That  is  why,  in  Antiquity,  philosophical  teaching  is  given  above all  in  oral  form,  because  only  the  living  word,  in  dialogues,  in conversations  pursued  for  a  long  time,  can  accomplish  such  an  action.</p><p>The  written  work,  considerable  as  it  is,  is  therefore  most  of the  time only an  echo or  a  complement of this oral  teaching. 108</p><p>This  is  one  reason  why,  for  Hadot,  to  philosophize  is  to  learn  how  to dialogue.109  A  Socratic  dialogue  is  a  spiritual  exercise  practiced  in  common, and  it incites one  to  give attention  to oneself,  to take care of oneself,  to know oneself.  The  Socratic  maxim  "know  thyself" requires  a  relation  of the self to itself that  "constitutes  the  basis  of all  spiritual  exercises. "  i m   Every  spiritual exercise is dialogical  insofar as  it is an "exercise of authentic presence" of the self to  itself,  and  of the  self to  others. 1 1 1   The  Socratic  and  Platonic  dialogues exhibit  this  authentic  presence  in  the  way  that  they  show  that  what  is  most important  is  not  the  solution  to  a  particular  problem,  but  the  path  traversed together  in  arriving  at  this  solution.  Hence,  we  can  understand  the  critical significance  of  the  dimension  of  the  interlocutor,  with  all  of  its  starts  and stops, hesitations,  detours,  and  digressions.  This essential  dimension prevents the dialogue from being a  theoretical and dogmatic account and forces  it  to be  a  concrete  and  practical  exercise,  because,  to  be  precise, it  is  not  concerned  with  the  exposition  of a  doctrine,  but  with  guiding an  interlocutor  to  a  certain  settled  mental  attitude:  it  is  a  combat, amicable but real.  We  should  note  that this  is what takes  place  in  every spiritual  exercise;  it  is  necessary  to  make  oneself change  one's  point  of view,  attitude,  set  of  convictions,  therefore  to  dialogue  with  oneself, therefore  to  struggle  with oneself.1 IZ</p><p>Although  Hadot  recognizes  that some  ancient philosophical  works  are so to speak "more written" than others, he insists that even  these  works  "are  closely linked  to  the  activity  of  teaching"  and  must  "be  understood  from  the perspective of dialectical and exegetical scholarly exercises." 1 1 �1  The tnsk of I he</p><p>Introduction</p><p>21</p><p>philosopher  was  not  primarily  one  of  communicating  "an  encyclopedic knowledge in the form  of a system of propositions and of concepts that would reflect,  more  or  less  well,  the  system  of  the  world." 1 14  Therefore,  even definitions were nothing by themselves,  independently of the road  traveled  to reach  them.  The  philosophers  of antiquity  were  concerned  not  with  readymade  knowledge,  but  with  imparting  that  training  and  education  that  would allow  their  disciples  to  "orient  themselves  in  thought,  in  the  life  of the  city, or  in  the  world." 1 15  If this  is  most obviously  true  of the  Platonic  dialogues, Hadot has reminded  us that  it is also true of the methods of Aristotle and  the treatises of Plotinus:  "the written  philosophical  work, precisely because it is a direct  or  indirect  echo  of oral  teaching,  now  appears  to  us  as  a set of exercises, intended  to  make  one  practice  a  method,  rather  than  as  a  doctrinal  exposition." 1 16</p><p>Moreover,  these  exercises  were  not  conceived  of  as  purely  intellectual,  as merely theoretical and  formal exercises of discourse totally separated from life.</p><p>Throughout the  history of ancient philosophy,  we can find criticisms of those philosophers  who  went  no  further  than  to  develop  a  beautiful  style  of discourse  or  dialectical  subtlety,  who  wished  to  stand  out  by  making  an ostentatious  display  of  their  philosophical  discourse,  but  did  not  exercise themselves  in  the  things  of life. 1 17  Rather  than  aiming  at  the  acquisition  of a purely abstract knowledge,  these  exercises aimed at realizing a  transformation of one's  vision  of  the  world  and  a  metamorphosis  of one's  personality.  The philosopher needed  to  be  trained  not only  to  know  how  to  speak  and  debate, but  also  to  know  how  to  live.  The  exercise of philosophy  "was  therefore  not only  intellectual,  but  could  also  be  spiritual. "  1 18  Hence,  the  teaching  and training  of philosophy  were  intended  not  simply  to  develop  the  intelligence of  the  disciple,  but  to  transform  all  aspects  of  his  being  - intellect, imagination,  sensibility,  and  will.  Its  goal  was  nothing  less  than  an  art  of living,  and  so  spiritual  exercises  were  exercises  in  learning  to  live  the philosophical  life. 1 19  Spiritual  exercises  were  e.wrcises  because  they  were practical,  required  effort  and  training,  and  were  lived;  they  were  spiritual because  they  involved  the  entire  spirit,  one's  whole  way  of being. 120  The  art of  living  demanded  by  philosophy  was  a  lived  exercise  exhibited  in  every aspect of one's  existence.</p><p>Since  the  ultimate  goal  of the  theoretical  discourse  of philosophy  was  to produce  an  effect  in  the  soul  of the  listener  or  reader,  this  discourse  had  to bear  in  mind  not  only  pedagogical  constraints,  but  "the  needs  of psychagogy, of the  direction  of souls." 121  Rhetorical  resources  were  abundantly  made  use of by  the  philosopher,  and  in  attempting  to  influence  himself and  others  all means  were  good. 122  In  order  "to  rectify  distorted  opinions,  tenacious prejudices,  irrational  terrors,"  the  philosopher  might  have  "to  twist  them  in the  other  direction,  to exaggerate  in order to  compensate." 123  In ancient texts, we  dii;cover  thiu  "one  slides  rapidly  from  theoretical  exposition  to</p><p>22</p><p>Introduction</p><p>exhortation," as often  happens in Plotinus' treatises;1H we even  find  at the end of the Nicomachean Ethics an accentuated protreptic and exhortative character, as  Aristotle  is  recommending  to  others  a  certain  kind  of  life,  a  spetific conception  of the  good  life. 125 The  "presentation,  literary  form  and  content"</p><p>of philosophical  discourse  were  modified  by  "the  intention  to  influence  the disciples." 126  It  is  from  this  perspective  that  Hadot  believes  we  must understand "the effort of systematization of the Stoics and Epicureans." 127 He has  argued  that  the systematic  discourse  of these  schools  did  not  have  for  its chief goal</p><p>to  procure  a  total  and  exhaustive  explanation  of all  reality,  but  to  link, in an unshakable way, a small  group of principles, vigorously articulated together,  which,  on  the  one  hand,  on  the  basis  of this  systematization, possess  a  greater  persuasive  force,  a  better  psychological  efficacy  and which,  on  the  other  hand,  enable  the  philosopher  to  orient  himself in the  world.128</p><p>This systematization  thus allows  the  philosopher  to  bring  together  and  focus the  fundamental  rules of life so  that he  can  "keep  them  ready  to  hand  at each instant of his  life." 129  As Hadot  says,  "their systematic presentation  produces assurance  [la  certitude]  in  the  soul, therefore  peace  and  serenity." 130</p><p>In  studying  the  literary  genre  of  the  ancient  consolation,  llsetraut  Hadot has  clearly  demonstrated  the  intimate  connection  between  the  practice  of spiritual exercises,  the  use of rhetoric  and  psychagogy,  and  literary  form  and content.  Since,  beginning with Plato, ancient philosophy represented  itself as an  exercise  and  training  for  death,  the  consolation  is  an  ideal  genre  in  which to observe the ancient practice  of philosophy. 1.11  Noting that  in  all  the  written consolations of antiquity, we encounter nearly always the same arguments, she remarks  that  new  and  original  arguments  were  not  what  the  ancients  sought after;  in  the  best  instances,  the  consolations  had  as  their  goal  "to  recall well-known things, to reactivate them  in the soul." 1.12 These consolations were one  important  place  where  ancient  philosophers  tried  to  provide  their followers  with  the  spiritual  means  to  maintain  their  psychic  equilibrium,  a goal  that  was  especially  acute  and  difficult  in  situations  that  were  precarious and  painful.</p><p>In order to obtain this result,  they had, on the one hand,  to develop  and teach  their  philosophical  doctrines,  but,  on  the  other  hand,  they  were perfectly  conscious  of the  fact  that  the  simple  knowledge  of a  doctrine, beneficial as it was, did not guarantee its being put into practice. To have learned theoretically that death is not an  evil does not suffice to  no longer fear  it.  In  order  for  this  truth  to  be  able  to  penetrate  to  the  depths  of one's  being,  so  that  it  is  not  believed  only  for  a  brief  moment,  but</p><p>Introduction</p><p>23</p><p>becomes  an  unshakable  conviction,  so  that  it  is  always  "ready,"  "at hand,"  "present  to  mind,"  so  that  it  is  a  "habitus  of the ,soul"  as  the Ancients  said,  one  must  exercise  oneself constantly  and  without respite</p><p>- "night  and  day,"  as  Cicero  said.  To  this  is  joined  a  simple  mode  of life, in order not to  be accustomed  to  what is superfluous the day  it will be necessary to separate  oneself from  it.</p><p>These exercises are certainly  exercises  of meditation,  but  they  do  not only  concern  reason;  in  order  to  be  efficacious,  they  must  link  the imagination  and  affectivity  to  the  work of reason,  and therefore all  the psychagogical  means of rhetoric .  .  . 1.13</p><p>Hence  we  also  find  recommended,  especially  by  the  Stoics,  the  practice  of premeditation  on  future  evils that may occur,  and  the need  to keep  present and  available  in  one's  memory  "all  the  edifying  examples  that  history,  epic poetry and  tragedy" entrust to  us. �.M</p><p>The  central  place  accorded  to  spiritual  exercises  in  ancient  philosophy determines  how  we  should  situate  and  understand  the  writings  of  ancient philosophers,  their  philosophical  discourse.  The significance and  aims of this discourse were conditioned  by  the  ultimate  goal  of transforming  the  lives  of individuals, of providing them  with  a  philosophical  art of living  that required nothing  less  than  spiritual  metamorphosis.  We  must  not  forget  that  in  the philosophy  of this  period,  "theory  is  never  considered  an  end  in  itself,  it  is clearly and decidedly  put in  the  service of practice," a  practice so radical and all-encompassing as  to  make the philosopher atopos,  unclassifiable, since he is in  love with  wisdom,  which  makes  him  strange,  and  foreign  to the world of most mortals. us  Hadot  pointedly  captures  the  relation  between  philosophical writing,  the  oral  tradition,  and  an  art  of  living  when  he  writes  that  ancient philosophy "always endeavored to be more a  living voice than writing and still more a  life than a voice.'' llh  The  animated  words  of the  philosopher are at the service  of the  philosopher's  way  of  life,  and  his  writing  is  an  echo  of these words. We might think here of Socrates, of his constant  dialogue  with himself and  others.  This  dialogue  is  never  closed  in  on  itself,  separate  and  isolated, but  is  part  of,  and  in  service  to,  Socrates'  way  of  living  and  way  of dying.</p><p>According  to  Xenophon,  when  Hippias  demanded  the  definition  of justice from  Socrates,  he  finally  responded  with  these  words:  "Instead  of speaking of  it,  I  make  it  understood  by  my  acts." 137  If spiritual  exercises  were  the core  of ancient  philosophy,  that  is  because  philosophy  was  essentially  a  way of life.</p><p>In  order  to  understand  the  centrality  of  spiritual  exercises  to  ancient philosophy,  it is crucial  not  to  limit  or  reduce them  to  ethical exercises.  As  I hove  said,  spiritual  exercises  involved  all  aspects  of one's  existence;  they  did not  nl lcmpt  only  lo  immrc  behavior  in  11ccord11ncc  with  a  code  of  good</p><p>24</p><p>Introduction</p><p>conduct;  they  had,  as  Hadot  says,  not  only  a  moral  value,  but  an  existential value. ll8  More specifically,  if we  recall  the traditional  distinction  between  the three  parts  of philosophy - dialectic  or  logic,  physics,  and  ethics  - we  must not  place  the  practice  of  spiritual  exercises  simply  in  the  ethical  part  of philosophy.139  We  must  not  represent  logic  and  physics  as  being  those  parts of philosophy  where  theoretical  discourse  is  located,  presenting ethics  as  the practical  part  where  spiritual  exercises  are  enacted.  As  Hadot  has  argued  at length,  the  distinction  between  theory  and  practice  is  located  within  each  of the  parts  of  philosophy;  there  is  a  theoretical  discourse  concerning  logic, physics  and  ethics,  but  there  is  also  a  practical  or  lived  logic, a  lived  physics, and  a  lived  ethics. Ho</p><p>Ethics  itself  contains  a  theoretical  discourse  that  sets  forth  principles, definitions,  distinctions,  and  analyses  of  the  virtues  and  vices.  But,  more importantly  for  the  philosopher,  there  is  also  a  lived  ethics  that  puts  into practice  the  fundamental  rules  of life. 141  Similarly,  there  is  a  theory  of logic, which  includes  a  conception  of the  proposition,  and  explains  different  forms of syllogisms, and different ways of refuting sophisms;  in addition,  the theory of logic  was  comprised  of scholarly  exercises  in  which  one  learned  to  apply the  abstract  rules.  These rules  of logic  were also employed  in  the  theoretical discourses of physics and ethics, the two other parts of philosophy. Yet, again, there  was  also  an  everyday  practice  of logic  that  had  to be carried out in the domain of judgment and assent. This lived  logic consisted in "not giving one's consent  to  what  is  false  or  doubtful." 142  Finally,  the  discipline  of  physics included not only a  theory, but a lived  physics, a true spiritual exercise, which involved  a  way  of  seeing  the  world,  a  cosmic  consciousness,  and  procured pleasure  and  joy  for  the  soul. Ml  The  spiritual  exercises  of ethics,  logic,  and physics  meant  that  the  practice  of philosophy  did  not  ultimately  consist  in</p><p>"producing  the  theory  of  logic,  that  is  the  theory  of  speaking  well  and thinking well,  nor  in  producing the theory  of physics,  that is  of the  cosmos, nor  in  producing the theory of acting  well, but  it concerned  actually  speaking well,  thinking  well,  acting  well,  being  truly  conscious  of one's  place  in  the cosmos." 141</p><p>The  significance  of locating  spiritual  exercises  within  each  of the  parts  of philosophy can be seen  clearly in  Hadot's criticisms of Michel Foucault.  One way  of  describing  Hadot's  misgivings  about  Foucault's  interpretation  of ancient  spiritual  exercises  is  to  say  that  Foucault  not only  gave  a  too narrow construal of ancient ethics, but that he limited the "care of the self" to  ethics alone. 145 Foucault made no place for that cosmic consciousness,  for physics as a  spiritual  exercise,  that  was  so  important  to  the  way  in  which  the  ancient philosopher  viewed  his relation  to  the  world.  By  not attending to  that aspect of the care of the self that places the self within a  cosmic dimension,  whereby the  self,  in  becoming  aware  of  its  belonging  to  the  cosmic  Whole,  thus transforms  itself,  Foucault  was  not  able  to  sec  the  full  scope  of  spirir unl</p><p>Introduction</p><p>25</p><p>exercises,  that  physics  (and  logic),  as  much  as  ethics,  aimed  at  selftransformation.  Indeed,  in  a  very  different  context,  Paul  Vey,ne  has  reported the following exchange with  Foucault:  "One  day when I asked  Foucault: 'The �</p><p>care  of the self,  that  is  very  nice, but what do  you  do with  logic,  what do you do  with  physics?',  he  responded:  'Oh,  these are  enormous  excrescences!' " 146</p><p>Nothing could be  further  from  Hadot's own  attitude, since  for  him  logic  and physics,  as lived  spiritual  exercises, are as central  to the nature  of philosophy as  is  ethics.  Far  from  being  excrescences,  disfiguring  and  superfluous,  the practices  of logic  and  physics  were  a  necessary  part  of  the  ancient  philosopher's way of life, were crucial to his experience of himself as a philosopher, a  lover of wisdom.</p><p>In  recent  writings,  Hadot  has  focused  on  the  Stoic  doctrine  that  logic, physics,  and  ethics  are  not  parts  of  philosophy  itself,  but  are  parts  of philosophical  discourse  (logos  kata  philosophian),  of  the  discourse  relating to  philosophy. 147 The  Stoics  held  that "these parts could  only appear distinct and separate in  the  discourse of teaching and of exposition of the philosophical  dogmas,"  and  that  philosophy,  strictly  speaking,  was  not  divided  into parts. 148 Although expository,  didactic,  and  pedagogical  requirements made  it necessary "to cut up" philosophy into parts, philosophy proper, as an exercise of wisdom,  was  considered  a  "single  act,  renewed  at  every  instant,  that  one can  describe, without breaking its  unity, as being  the exercise of logic  as  well as  of  physics  or  of  ethics,  according  to  the  directions  in  which  it  is exercised." 149  That  is  to say,  in  the  lived  singular  act  of philosophy,  logic, physics,  and  ethics  are  but  "aspects  of the  very  same  virtue  and  very  same</p><p>\l;sdom";  they  are  not  really  distinguished  with  respect  to  one  another,  but only by "the different relations that relate them to different objects, the world, people, thought itself." 150 As Hadot summarizes this view, "logic, physics and ethics  distinguish  themselvt..'S  from  one  another  when  one  speaks  of philosophy,  but  not  when  one  lives  it." 151</p><p>For  the  Stoics  the  dynamic  unity  of reality,  the  coherence  of reason  with itself,  meant  that</p><p>It  is  the  same  Logos  that  produces  the  world,  enlightens  the  human being in his faculty of reasoning and expresses itself in human discourse, while  remaining  completely  identical  with  itself at  all  stages  of reality.</p><p>Therefore,  physics  has  for  its  object  the  Logos  of  universal  nature, ethics  the  Logos  of  reasonable  human  nature,  logic  this  same  Logos expressing itself in human discourse.  From  start  to  finish, it is therefore the  same  force  and  the  same  reality  that  is  at  the  same  time  creative Nature,  Norm  of conduct  and  Rule of discourse.152</p><p>This func.lnmental  intuit ion of the Stoics, according to  which  the Logos  is  the common  object  of  logic,  llhysics,  and  ethics,  is  continued  by  those  early</p><p>26</p><p>Introduction</p><p>Christian  thinkers  who  present  God  as the common  object of the  three  parts of philosophy.m So,  according  to  Augustine,  the  object  of physics  is  God  as cause  of being,  the object of logic  is  God  as  norm  of thought and  the  object of ethics  is God  as  rule  of life. Moreover,  this order - physics,  logic, ethics -</p><p>corresponds  to  the  order  of the  divine  persons  in  the  Trinity:  the  Father  is the  Principle of being,  the  Son  is  Intellect and  the Holy Spirit is Love. Thus, as Hadot writes, "the systematic unity of the parts of philosophy reflects here the reciprocal  intcriority  of the  divine Persons." 154</p><p>When  the  Stoic  philosopher,  such  as  Epictetus  or  Marcus  Aurelius, acts  according  to  the  Logos,  he  puts  into  practice  spiritual  exercises,  that is,  he  disciplines  his  judgments,  his  desire,  his  inclinations,  he  enacts  a  lived logic,  a  lived  physics,  a  lived  ethics.  These  three  acts  of  the  soul  exhibit the  coherence  and  harmony  of reason  with  itself,  and  from  this  perspective</p><p>"the three parts of philosophy are no longer anything but  three aspects of the fundamental  spiritual  attitude  of  the  Stoic. " 155  Although  emphasizing  that the  parts  of  philosophy  arc  required  by  and  located  within  philosophical discourse  and  that  philosophy  itself  is  the  site  of  spiritual  exercises, Hadot  also insists on  the  central  role  that  discourse  plays  in the philosophical life.  The  philosopher  can  "only  act  on  himself  and  others  through discourse,"  and  philosophy  is  thus  "a  mode  of  life  that  includes  as  an integral  part  a  certain  mode of discourse." 156  The  theoreti&lt;.-al  discourse  of the school  to  which  he  belongs  is  inwardly  repeated  and  assimilated  by  the philosopher  so  that  he  can  master  his  own  inner  discourse,  so  that  his discourse  will  be ordered according to the fundamental choices and  principles that  were  the  starting  point  and  basis  for  the  theoretical  discourse  of  his school. 157</p><p>Recently,  Hadot  has  distinguished  between  two  senses  of the  word  "discourse"  in  ancient  philosophy.</p><p>On  the one hand, discourse  insofar as  it  is  addressed  to a  disciple  or to oneself,  that  is  to say,  the discourse  linked  to  an  existential  context,  to a  concrete  praxis,  discourse  that  is  actually  spiritual  exercise;  on  the other hand, discourse considered abstractly  in its formal structure, in its intelligible  content.  It  is  the  latter  that  the  Stoics  would  consider different  from philosophy,  but  which  is  precisely  what  is  usually made the  object  of most of the modern studies of the  history  of philosophy.</p><p>But in the eyes of the ancient  philosophers,  if one contents oneself with this  discourse,  one  docs not do philosophy. 158</p><p>Although discourse,  both  inner and  outer,  is essential  to  the philosopher,  and although  it can  even  take  on  the  dimensions  of a  spiritual  exercise,  it  is  not the  unique  component  of  the  philosophical  life,  and  this  life  must  not  be reduced  to  discourse.</p><p>Introduction</p><p>27</p><p>The  essential  element  [of  philosophical  life]  is  in  fact,  one  could  say, non-discursive,  insofar as  it represents  a  choice  of life, a  wi'h  to  live  in such  and  such  a  way,  with  all  the  concrete  consequences  that  that implies  in everyday life.159</p><p>In  Antiquity  the  philosopher  regards  himself  as  a  philosopher,  not because  he  develops  a  philosophical  discourse,  but  because  he  lives philosophically .160</p><p>We  find  this  essential  clement,  this  orientation  and  point  of view,  in  the remark  of  Epicurus'  that  "Our  only  occupation  should  be  the  cure  of ourselves,"  or  in  the  sentence  attributed  to  him,  "Empty  is  the  discourse  of that  philosopher  by  which  no  human  passion  is  attended  to." 161  Or  we  find Epictetus  saying,</p><p>A  carpenter  does  not  come  up  to  you  and  say  "Listen  to  me  discourse about  the  art  of carpentry,"  but  he  makes  a  contract  for  a  house  and builds  it . . .  Do  the  same  thing  yourself.  Eat  like  a  man,  drink  like  a man  . . .  get  married,  have  children,  take  part  in  civic  life,  learn  how  to put  up  with  insults,  and  tolerate  other people . . . 1 62</p><p>Epictetus elsewhere rebukes  the  person  who,  in  the  discipline of judgment,  is presented  with  representations  some  of which  are  adequate  and  others  not, yet  who  refuses  to  differentiate  between  them,  but  "would  prefer  to  read theoretical  treatises on  the understanding." 163 And  in  commenting on  Epictetus'  Manut1l,  Simplicius  writes, One  must  produce  the  actions  that  arc  taught  by  discourses.  The  goal of  discourse  is  actually  actions.  It  is  for  the  sake  of  them  that  the discourses  were  uttered  (or  written)  . . .  In  fact,  Chrysippus  did  not write  on  this  subject  [the  nature  of  man]  with  the  goal  of  being interpreted  and  understood,  but  so  that  one  makes  use  of his  writings in  life.  If therefore I make use  of his writings  in  life, at that very moment I  participate  in  the  good  they  contain.  But  if  I  admire  the::  exegete because  he  provides  good  explanations,  and  if  I  can  understand  and myself interpret the text  and  if,  quite  frankly, everything  falls  to  my  lot except  the  fact  of making  use  of  these  writings  in  life,  would  I  have become  anything  other  than  a  grammarian  instead  of a  philosopher?  . . .</p><p>the  fact  of  just  simply  reading  the  writings  of  Chrysippus  or  of explaining them on the request of somebody else, and of not making use of them  in  life,  is  reprehensible.  In  fact,  he  should  rightly  be  ashamed who, being ill,  would  find  some writings containing cures for his illness, would  rc:1ul  1 hcm  with  insiicht  and,  distinguishing  clearly  (the  different</p><p><image l:href="#69"/></p><p>28</p><p>Introduction</p><p>parts), would explain them if need be to others, but  would not make use of these cures  for his illness.164</p><p>Philosophy  is an art of living that cures  us of our illnesses  by  teaching us a radically  new  way of life.</p><p>Hadot recognizes  that it is only  in Hellenistic  philosophy that one  finds a distinction  between  philosophy  and  philosophical  discourse  explicitly  formulated.  But  he  has  also  argued  that  "this  distinction  was  clearly  implicit in the previous period in Plato and Aristotle." 165 Indeed, recalling the importance of  the  mysteries  of  Eleusis  in  the  history  of  ancient  thought,  Hadot reminds us of the  famous sentence attributed  to  Aristotle that the initiates of Eleusis  do  not  learn  anything,  but  they  experience  a  certain  impression  or emotion.166 The  initiate  did  not  learn  his  other-worldly  fate  at  Eleusis,  but lived  this  supra-individual  life  of  the  other  world. 167  The  "true  secret of Eleusis  is  therefore  this  very  e:rperience,  this  moment  when  one  plunges into  the  completely  other,  this  discovery  of  an  unknown  dimension  of existence." 168</p><p>Hadot also  finds an  implicit distinction between philosophy and  philosophical  discourse  in  Plato's  definition  of  philosophy  (Phaedo,  67  &lt;..--d)  as  a tr.iining for death. The purification of the soul, its separation as far as possible from  the  body  and  its  gathering  itself  together  within  itself,  is  the  true practice of philosophy. Hence philosophy consists of a lived concrete exercise and  not  of a  theory  or  a  conceptual  edifice:  "The  theoretical  philosophical discourse  is  completely  different from  the  lived  exercises by  which  the  soul purifies itself of its passions and spiritually separates itself from the body. " 169</p><p>Plotinus continues this tradition when in Ennead,  IV, 7,  10, he argues that the soul  cannot  become  aware  of its  own  immateriality  if it  docs  not  perform  a moral  purification  that  liberates  it  from  its  passions,  that  strips  away everything that is not truly itsclf. '711 It is this purification that allows us to gain knowledge of the immateriality of our soul. More generally, in Ennead, VI, 7, 36,  Plotinus  distinguishes  carefully  between  the  methods  of  rational theology  that  teach  us  about  the  Good,  and  the  spiritual  exercises that  lead us  to  the  Good.  The  four  methods  of  rational  theology,  the  method  of analogy,  the  negative  method,  the  affirmative  method  drawn  from  the knowledge of the things  that come from  the Good, and  the method  of stages or degrees (anabasmoi; Symposium, 21 lc) all give us knowledge about the Good.</p><p>However,  only  the spiritual exercises  of purification,  of the  practice  of the virtues, of putting ourselves in order, allow us to touch the Good, to experience it. 171  Plotinus'  philosophy does  not wish only</p><p>to be a  discourse about objects, be they even the highest,  but it  wishes actually to lead the soul to a living, concrete union with the Intellect and the  Good  . . . Reason,  by  theolop;ical  methods,  can  raise  itself  tu  the</p><p>Introduction</p><p>29</p><p>notion of the  Good  but  only  life  according to  Intellect can  lead  to  the reality of the Good.112</p><p>Furthermore, as Hadot writes,  "it is mystical experience that founds negative theology, and not the reverse." 173 This mystical experience, like the mysteries of Eleusis,  does not consist in learning something, but in "living another life"</p><p>where the self "becomes the absolutely Other." 174</p><p>It  is  perhaps  Aristotle  whom  we  are  most  tempted  to  think  of as  a  pure theoretician. Although  it  is true that Aristotle's philosophy is a philosophy of theoria,  "this Aristotelian  theoria  is nevertheless not purely theoretical  in  the modern sense of the word." 175 For Aristotle, to dedicate oneself to philosophy is to chose a bios,  a  way of life, that is the best realization  of those capacities that are essential to being  human.  The bios theoretikos,  the life of contemplation,  is a  way of life  that is also  the realization  of our supreme happiness,  an activity  that  contains  the  purest  pleasures. 176 Even  scientific  research  on  the entities  of nature  is  not  proposed  by  Aristotle as  an  end  in  itself,  but  as  "a particular  way  of carrying  out  'the  philosophical  life',  one  of  the  possible practical  realizations  of the  aristotelian  prescription  for  happiness,  the  life devoted  to  the  activity of the  intellect." 177  Moreover,  the  life  of the  intellect is a  participation  in  the divine way of life, it is the actualization of the divine in the human, and it requires inner transformation and personal askesis. 118 And it  is  a  way of life that is, in  one sense  of the term,  practical, since  Aristotle says  that  those  thoughts  arc  practical  not  only  that  calculate  the  results  of action, but which are  "contemplation  and  reasoning,  that have their end  in themselves and  take  themselves  as object." 179 This  life of theoria  is  thus not opposed  to the practical, since  it is a life of philosophy lived and practiced;  it 180</p><p>is precisely  the "exercise  of a  life."</p><p>Hadot  has  distinguished  two  senses  of the  tenn  "theoretical,''  for  which  he has employed the tcnns theorique and  theoretique. The  first  meaning of "theoretical"  is  opposed  to  "practical,"  since  it  designates  theoretical  discourse  as opposed  to  lived  philosophy.  But  the adjective  theorhique  which characterizes the life of contemplation,  the  life according  to  the intellect,  is  not opposed  by Aristotle to  philosophy as practiced and lived. In Aristotle this "theoretical life</p><p>[vie  theoretique]  is  not a  pure  abstraction,  but  a  life  of the  intellect,  which, no doubt,  can  use  a  theoretical  discourse  [discours  theorique],  but  nonetheless remains a  life and a praxis, and which can even make room  for a nondiscursivc activity of thought,  when  it is a  question  of perceiving indivisible obj&lt;..'Cts  and God  himself  by  noetic  intuition."181  Thus  to  think  of  Aristotle  as  a  pure theoretician is  to focus exclusively on  his theoretical  discourse  without hearing in mind that it is a way of life, however intellectualized, that he is recommending,  and  which  is  the  ultimate  basis of his  philosophy.</p><p>The  idc11  of philosophy  as  11  way  of life,  and  not  just  as  philosophical lliscourHe,  WilH  also exhihiled  in nntiquity by  the designation of individuals as</p><p><image l:href="#9"/></p><p>30</p><p>Introduction</p><p>philosophers  who  were  neither  scholars,  professors,  nor  authors,  but  who were honored as philosophers because of their way of life. As Hadot says, the extension of the concept of philosopher was quite different  from that of our modern concept.  In antiquity, the philosopher was not necessarily "a professor or a writer. He was first of all a person having a certain style of life, which he  willingly  chose, even  if he  had  neither  taught  nor  written." 182  Thus  we find  philosophical  figures  not  only  such  as  Diogenes  the  Cynic  and  Pyrrho, but  also  women  who  did  not  write,  and  celebrated  statesmen  who  were considered  true  philosophers  by  their  contemporaries.18l  It  was  not  only Chrysippus or Epicurus who were considered philosophers, because they had developed a philosophical discourse, but also every person who lived according  to  the precepts of Chrysippus or Epicurus. 131</p><p>True  philosophers  lived  in  society  with  their  fellow  citizens,  and  yet  they lived in a different way from other people. They distinguished themselves from others by "their moral conduct,  by speaking their mind  [leur franc par/er],  by their  way  of nourishing  themselves  or  dressing  themselves,  by  their attitude with respect to  wealth  and  to  conventional  values." 185  Although  they  did  not live a  cloistered  life,  as  in Christian monasticism, philosophy was nevertheless analogous  to  the  monastic movement  in requiring that  one convert oneself so as to  fervently adhere  to  a  philosophical school:  the philosopher had  to  "make a choice that obliged him to transform his whole way of living in the world." "'"</p><p>Hence  the  felt  rupture  of  the  philosophical  life  with  the  conduct  and perceptions of everyday life.187 The significance of philosophy as a  way of life can also be seen in the importance given to biographies in ancient philosophical work.  As  Giuseppe  Cambiano has emphasized,  a  philosophical  biography  was not predominantly  a  narrative intended  to  allow  one  to  understand an  author and his doctrines; it was not just a report of what the author said and believed.</p><p>Rather,  "it  was,  in  the  first  place,  a  tool  of  philosophical  battle,"  since  one could  defend  or  condemn  a  philosophy  by  way  of the  characteristics  of the mode of life of those who supported  it.11'8</p><p>The  philosopher  was  a  philosopher  because  of his  existential  atlitude,  an attitude  that  was the  foundation of his  philosophy  and  that  required  that  he undergo a real conversion, in the strongest  sense of the word, that he radically change  the  direction  of  his  lifc.189  All  six  schools  of  philosophy  in  the Hellenistic period present themselves</p><p>as  choices  of  life,  they  demand  an  existential  choice,  and  whoever adheres to one of these schools must accept  this choice and  this option.</p><p>One too  often  represents  Stoicism or Epicureanism  as a  set  of abstract theories about  the  world  invented by Zeno or  Chrysippus  or Epicurus.</p><p>From  these  theories  would  spring,  as  if by  accident  one  could  say,  a morality. But it is the  reverse that  is true.  It  is the abstract theories th111</p><p>arc intended to justify the existential nttitudc. One could 1my, tu cxpn�N11</p><p><image l:href="#31"/></p><p>Introduction</p><p>3 1</p><p>it  otherwise,  that  every  existential  attitude  implies  a  representation  of the  world  that  must  necessarily  be  expressed  in  a  discour,e.  But  this discourse alone is not the philosophy, it is only an element of it, for the philosophy  is  first  of all  the  existential  attitude  itself,  accompanied  by inner  and  outer  discourses:  the  latter  have  as  their  role  to  express  the representation  of  the  world  that  is  implied  in  such  and  such  an existential  attitude, and  these discourses  allow  one at the same time to rationally justify  the attitude and to communicate it to others.190</p><p>Hence we begin  with a  fundamental existential choice on behalf of a  style of life that consists of certain practices, activities, and conduct that are precisely what Hadot calls "spiritual exercises." This style of life is given concrete form either  in  the order of inner discourse and  of spiritual  activity:  meditation,  dialogue  with  oneself,  examination of conscience, exercises  of the imagination, such as  the view  from above  on  the  cosmos  or  the  earth, or  in  the  order  of  action  and  of  daily  behavior,  like  the  mastery of  oneself,  indifference  towards  ill.different  things,  the  fulfilment  of the  duties  of  social  life  in  Stoicism,  the  discipline  of  desires  in Epicurcanism.191</p><p>Philosophical  discourse,  of oneself with  oneself and  of oneself with  others, will, of course, be needed to justify and communicate these spiritual exercises, to represent the fundamental existential attitude, but philosophy itself consists primarily  in choosing and living the attitude.</p><p>Hadot  recognizes  that  this  ancient  understanding  of philosophy  can  appear very  far  removed  from  the  way  in  which  we  now  understand  the  nature  of philosophy.  He  has  pointed  to  three  aspects  of the  evolution  of the  representation of philosophy  that  have  contributed  to  our current understanding of it as a  purely theoretical,  abstract  activity, and  to  our  identific.ation of it with philosophical  discourse  alone.  The  first  aspect,  which  Hadot  has  called  "a natural  inclination  of  the  philosophical  mind"  and  "connatural  to  the philosopher," is the "constant tendency that the philosopher always has, even in  Antiquity,  to satisfy  himself with discourse,  with the conceptual architecture  that  he has  constructed,  without  putting  into  question  his  own  life." 192</p><p>This  tendency,  which  was  already  criticized  in  antiquity,  has  been  said  by Hadot to be "the  perpetual danger of philosophy" - the philosopher is always tempted  to take refuge  in, to shut himself up in, the  "reassuring universe  of concepts and of discourse  instead of going beyond discourse in order to take upon  himself  the  risk  of the  radical  transformation  of himself." 193  To  this tendency is opposed  the  equally natural inclination of the philosophical mind to  Wllnl  lo examine  itself,  tu  w11111  to learn  how  to  live  the philosophical  life.</p><p>32</p><p>Introduction</p><p>Faced  with  the  overwhelming reality of life, with  worries, anxiety, suffering, death, philosophical discourse can appear to be nothing but "empty chattering and  a  derisive  luxury,"  mere  words  when  what  is  needed  is  a  new  attitude towards life, one which will produce inner freedom, tranquillity, happiness. 194</p><p>It  is at  these moments that our  contrary natural  inclinations will be felt to be most acutely opposed  to  one  another.  We  will  then  be  forced  to  ask,  "What is  finally  most  beneficial  to  the  human  being  as  a  human  being?  Is  it  to discourse on  language, or on being and non-being? Or is it not rather to learn how  to  live  a  human  life?" 195  Yet  despite  our  "elementary  need"  for  this philosophical  consciousness  and  way  of life,  the  history  of philosophy  also testifies unambiguously to the powerful tendency of our "self-satisfaction with theoretical discourse. "  196</p><p>A  second  aspect  that  helps  to  account  for  the  changed  understanding and representation of philosophy in the modern world has to do with the historical evolution of philosophy, especially with the relation  between philosophy and Christianity.  Although  in  early  Christianity,  especially  the  monastic  movements,  Christianity  itself  was  presented  as  a  philosophia,  a  way  of  life  in conformity  with  the  divine  Logos,  as  the  Middle  Ages  developed,  one witnessed  a  "total  separation"  of ancient  spiritual  exercises,  which  were  no longer  considered  a  part  of philosophy  but  were  integrated  into  Christian spirituality, and philosophy itself, which became a "simple theoretical tool" at the  service of theology,  an  ancilla  tl1eo/ogiae.191 Philosophy's role was now  to provide  theology  with  the  "conceptual,  logical,  physical  and  metaphysical materials  it  needed,"  and  the  "Faculty  of  Arts  became  no  more  than  a preparation  for  the  Faculty  of Theology." 198  Philosophical  speculation  thus became  a  purely  abstract  and  theoretical  activity,  which  was  set  strictly apart  from  theological  thought  and  religious  practice  and  spirituality. l'l'J</p><p>No  longer  a  way  of  life,  philosophy  became  a  conceptual  construction, a  servant  of  theology,  and  the  idea  of  philosophy  as  a  system  began  to appear.200</p><p>A  third  aspect  underlying our modem  representation of philosophy  is of a sociological  nature,  and  can  be  traced  back  to  the  functioning  of  the university,  as  it  was  created  by  the  medieval  church.  One  central  feature of the university is that it is an institution  made  up of professors who train other professors,  of specialists  who learn  how  to  train  other  specialists.  Unlike  in antiquity, when philosophical teaching was directed towards the human being so as to form him as a human being, the modern  university forms professionals who teach future professionals, and thus philosophy, rather than proposing an  art of living,  is  presented  above  all  as  a  "technical  language  reserved  for specialists." 201  As Hadot says,  in  "modern  university philosophy, philosophy is obviously no longer a  way of life, a  kind of life, unless it is the kind of life of the  professor  of philosophy." 2112  This  sociological  requirement  of  profossionalism,  this  situation  of scholasticism,  fncilitnl'cs  nnd  rcinforccN  the  wnd�</p><p><image l:href="#119"/></p><p><image l:href="#133"/></p><p>Introduction</p><p>33</p><p>ency  to  take  refuge  in  the  "comfortable  universe  of  concepts  and  of discourses"; 203  it  gives  this  natural  tendency  a  social  basis J and  impetus, encouraging the display of a specialized technical language, as if philosophical depth were exhausted  by  one's ability  to  make use of conceptual abstractions and  by  one's  skill  at  demonstrating the  truth  and  falsity  of various  propositions.</p><p>Thus  Hadot  has  provided  three  reasons,  which  one  could  think  of as, respectively,  philosophical,  historical,  and  sociological,  that  help  to  account for  the representation  of philosophy as  a  purely theoretical  activity,  and  for the  reduction  of  philosophy  to  philosophical  discourse.  But  he  has  not overlooked  the fact that  one  can  find elements  of the  ancient  representation of  philosophy  throughout  the  history  of  philosophy,  that  certain  of  the</p><p>"existential  aspects  of  ancient  philosophy"  have  been  constantly  rediscovered.:!GI Among the  philosophers  he  has named  as  exhibiting  this  ancient representation  are Abelard and the Renaissance  humanists,  such as  Petrarch and  Erasmus.  We might think here of the  latter's remark  with  respect to his Enchiridion  Mi/itis  Christiani:  "Let this book  lead to a  theological  life rather than theological disputation." 205 Hadot has repeatedly pointed  to Montaigne's Essays,  especially  "That  to  Philosophise  is  to  Learn  How  to  Die,"  as embodying the ancient exercise of philosophy, referring to the Essays  as "the breviary  of ancient philosophy,  the manual  of the  art  of living." �  Among modern  philosophers,  Hadot  has  singled  out  certain  aspects  of  Descartes'</p><p>Meditations,  particularly  D&lt;..-scartes' advice that one invest some  months or at least weeks meditating on  his first and second Meditations,  which Hadot says ultimately  shows  that  for  Descartes  "evidence  can  only  be  perceived  thanks to  a  spiritual  exercise." 207  Hadot  also  mentions  Spinoza's  Ethics,  and  its emphasis  on  teaching  us  how  to  radically  transform  ourselves,  to  accede  to beatitude,  to  approach  the  ideal  of  the  sage,  as  well  as  Shaftesbury's remarkable  Exercises,  inspired  by  the  spiritual  exercises  of  Epictetus  and Marcus Aurelius. 268 He has indicated, too, the continuation of the ancient idea of philosophy  in  the  French  philosophes  of  the  eighteenth  century,  and  in Kant's ideas of the  interest  of reason  and  the  primacy of the practical. 209  In more recent times, we can find the spirit of the ancient philosopher's demand that we radically change our way of living and of seeing the world in Goethe, Schopenhauer,  Nietzsche,  and  Kierkegaard,  and,  in  different  ways,  in  the young  Hegelians  and  Marx.210  In  the  twentieth  century,  Hadot  points  to Bergson,  to  Wittgenstein, to  Foucault, and  to  certain  aspects of phenomenology and existentialism as embodying the ancient attitude, practices, and sense of what  philosophy  means.21 1  And  recently,  Hadot  has  taken  up  Thoreau's Walden, finding in his decision to live in the woods Thoreau's undertaking of a  philosophical  act. 212 This constant reoccurrence of the  ancient experience of phih111ophy,  side  by  side  with  the  tendency  to  understand  philosophy  as  a cnnccptunl  Hlrucr urc,  :in  11hHl rnc1  discourse,  shows  how  complex  and  even</p><p>34</p><p>Introduction</p><p>contradictory  philosophy's  own  self-understanding  has  been.  Hadot's  work calls  for  a  detailed  historical  account  of  philosophy's  representations  of itself,  of  the  various  ways  in  which  philosophy  imagines  itself  and exercises  its  ideals,  and  of the  factors  that  contribute  to  its changing evaluations  of itself,  to  how  it  views  and  reviews  its  own  purposes  and  ultimate goals.</p><p>The  permanence  of the  existential  aspects  of ancient  philosophy has  been highlighted by Hadot  in his most recent discussions of what he has called "the fundamental and universal attitudes of the human being when he searches for wisdom." 213  From  this  point  of  view,  Hadot  has  discerned  a  universal Stoicism, Epicureanism, Platonism,  Aristotelianism, Cynicism, and  Pyrrhonism, each of which corresponds to a  permanent possibility of the human spirit, and  which  arc  independent  of  the  particular  "philosophical  or  mythical discourses that have claimed or claim  to justify  them definitively." m  Hadot, obviously enough,  does not believe  that  we can  adopt any of these attitudes wholly  and  unmodified,  as  if we  could  totally  convert  to  the  dogmas  and practices  of these schools  of ancient  philosophy.215 But  he does believe  that detached from their outmoded elements  and  reduced  to their essence,  to the extent that "we try to give a meaning to our life, they call upon us to discover the  transformation  that  could  be  brought about  in our  life,  if we  realized  (in the  strongest  sense  of the  term)  certain  values"  that  constitute  the  spirit  of each of these attitudes.21r.</p><p>With  respect to  Stoicism,  Hadot has described  four  features  that  constitute the universal Stoic attitude. They arc,  first,  the Stoic consciousness of "the fact that  no  being is  alone,  but  that  we  make  up  part  of a  Whole, constituted  by the  totality of human beings as well as by the  totality of the cosmos"; second, the Stoic "feels absolutely serene, free, and invulnerable to the extent that he has become aware  that there is no other evil but moral  evil  and  that the only thing  that  counts  is  the  purity  of  moral  consciousness";  third,  the  Stoic</p><p>"believes in the absolute  value of the human  person," a  belief that  is "at the origin  of  the  modern  notion  of  the  'rights  of  man' ";  finally,  the  Stoic exercises his concentration "on the present instant, which consists, on the one hand,  in  living  as  if we  were  seeing  the  world  for  the  first  and  for  the  last time,  and,  on  the other  hand,  in  being conscious  that,  in  this lived  presence of the  instant,  we  have  access  to  the  totality  of time  and  of the  world." 217</p><p>Thus, for Hadot, cosmic consciousness, the purity of moral consciousness, the recognition  of  the  equality  and  absolute  value  of  human  beings,  and  the concentration  on  the  present  instant  represent  the  universal  Stoic  attitude.</p><p>The  universal  Epicurean  attitude  essentially  consists,  by  way  of "a  certain discipline and  reduction  of desires,  in  returning from  pleasures  mixed  with pain  and suffering to the simple and pure pleasure of existing. " 218 Platonism, Aristotelianism, Cynicism, and  Pyrrhonism also each have 11  univcr11nl chnrncter,  and  one of the  historical  and  philosophical  t11Hks  cnllcd  for1 h  h&#xFFFD;�  I IMl111 'N</p><p><image l:href="#133"/></p><p>Introduction</p><p>35</p><p>work  is precisely to provide a  description of each of ttiese universal existential attitudes,  each  of the styles  of life  that  they  propose.</p><p>/</p><p>Moreover,  Hadot has  insisted  that  we do  not  have to  choose  between  these different  universal  attitudes,  opting  for  one  to  the  exclusion  of  all  of  the others.  The  plurality  of  ancient  schools  allows  us  to  compare  the  consequences  of  the  different  possible  fundamental  attitudes  of  reason,  thus offering  us  "a  privileged  field of experimentation." 219  And  we  should not be surprised  to  find, for example, that there are certain people who are half Stoic and  half  Epicurean,  who  accept  and  combine  "Epicurean  sensualism"  and</p><p>"Stoic  communion  with  nature,"  who  practice  both  Stoic  spiritual  exercises of vigilance  and  Epicurean  spiritual  exercises  aimed  at  the  true  pleasure  of existing.220  That  is precisely  how  Hadot  characterizes  Goethe, Rousseau,  and Thoreau.221 Indeed, Hadot has said that Stoicism  and  Epicureanism  seem  to correspond  to  "two opposite  but  inseparable  poles  of our  inner  life:  tension and  relaxation,  duty  and  serenity,  moral  consciousness  and  the  joy  of existing." 222  To  these  poles of our inner  life,  we  must add  the  experiences  of Platonic  love  and  the  ascent  of  the  soul  as  well  as  of  Plotinian  unity, Aristotelian  contemplation,  Cynic  criticism  of  conventional  values  and  the effort  to  endure  every  test  and  ordeal  we  face,  Pyrrhonic  suspension  of judgment and absolute indifference.223 It is these  experiences  and  ideals,  more than  any  concepts,  that  arc  the  legacy  of  ancient  philosophy  to  Western civilization.224 The study  of ancient philosophy has taught Hadot that  "human reality  is  so  complex  that  one  can  only  live  it  by  using  simultaneously  or successively  the  most  different  methods:  tension  and  relaxation,  engagement and  detachment, enthusiasm and reserve, certainty and criticism, passion and indifference." 225  Lessons  in  how  to  live  human  reality,  with  all  that  that implies  - those  are  the enduring  lessons of ancient  philosophy.</p><p>In his preface to the monumental Dictionnaire des p/1ilosophes antif/ues,  Hadot surveys  all  of  the  insufficiently  exploited  resources  that  arc  available  to  the historian of ancient  philosophy.  He shows  how  the  lists of titles of philosophical  works  as  well  as  iconography,  papyruses,  and  inscriptions  can  all  be  used to  characterize  more  fully  and  accurately  the  phenomena  of philosophy.  But even  this  vast  historical  undertaking  would  not  fulfill  Hadot's  own  ultimate aims:</p><p>for the historian  of philosophy the task will  not  be  finished  for all that: or  more  exactly,  it  should  cede  place  to  the  philosopher,  to  the philosopher  who  should  always  remain  alive  in  the  historian  of philosophy.  This  final  task  will  consist  in  asking  oneself,  with  an  increased lucidity,  the  decisive question:  "What  is  it to  philosophize?"226</p><p>Pierre  Hndot's  own  work  itself prnvokes  us  to  rcask  the  question  of what  it me11ns to  philnKophiil', 11nll  he  provides 11  response as relevant, profound, and</p><p><image l:href="#163"/></p><p>36</p><p>Introduction</p><p>unsettling today as it was centuries ago.  In the last analysis,  that is what makes Pierre  Hadot  not  just  a  consummate  historian  of  philosophy,  but  also  a philosopher  for  our  own  times.</p><p>Arnold  I.  Davidson</p><p>NOTES</p><p>Pierre  Hadot,  Exercices spin"tuels et philosophie  antique,  2nd  edn,  Paris  1987.</p><p>2  Pierre  Hadot,  La  Citadel/e  interieure.  Introduction  aux  Pensees  de  Marc  Aurele, Paris  1 992.</p><p>3  Pierre Hadot,  Titres  et  travau.t de Pierre Hadot,  privately  printed  for the College de France,  p.  9.</p><p>4  Pierre  Hadot,  "Patristiquc  Latinc,"  Prob/emes el melhodes  d 'hisloire  des  religions, Melanges publies  par  la  Section  des  Sciences  re/igieuses a  /'occasion  du  centenaire  de</p><p>/'Ecole pratique  des Hau/es Etudes, Paris  1968, pp.  21 1-13.  Contresens is  a  central concept  in  Hadot's  interpretation  of the  history  of exegetical  thought.  It  covers strict  cases  of mistranslation  as  well  as  more  general  phenomena  of misunderstanding and misinterpretation. I return to this aspect of Hadot's thought in  what follows.</p><p>5  Hadot,  1i'tres  el  lravaw:,  p.  8.</p><p>6  Hadot, "Patristique Latine," p. 2 1 2, and  Pierre Hadot, "Patristique,"  in  Encyclopedia  U11iversalis,  vol.  1 2,  p.  608,  Paris,  1972.  Among  other  texts  of Augustine, see  Confessions,  IX,  4,  1 1 .</p><p>7  Pierre  Hadot,  Comples  rend11s  des  conferences donnees a  /'Ecole pratique  des  Haules Etudes  de  1964  a  1980,  privately  printed.  I  have  paraphrased  the  compte  rendu from  1 964- 1 965.  The quotation  is  from  pp.  2-3.</p><p>8  Pierre  Hadot,  "Platon et  Plotin  dans  trois  sermons  de saint Ambrose,''  Revue des eludes la1ines  XXXIV ( 1 956),  p.  209,  n.  5 .</p><p>9  Hadot,  "Patristique,'' p.  608.</p><p>IO  Pierre Hadot, "La  fin du paganisme," in H.-Ch.  Peuch, ed.,  Histoire des religi01n, vol.  II,  pp.  IOl-7,  Paris  1 972.</p><p>1 1   Ibid,  p.  109.  See  also  Margherita  Guarducci,  II primato  de/la  Chiesa  di Roma.</p><p>Docmnenti,  rijlessioni confenne, Milan</p><p>,</p><p>1 99 1 ,  pp. 85-7.</p><p>12  Hadot,  "La  fin  du  paganisme,"  p.  I JO.</p><p>1 3   Ibid,  pp.  1 07-8.</p><p>14  Ibid,  p.  1 08.  See  also  Edouard  des  Places, "Numenius et  Eusebe  de  Cesaree,''  in Etudes platonicie1111es  1929-1979, Leiden  1981, esp.  pp 322</p><p>.</p><p>-5 .</p><p>1 5   Hadot,  "La  fin  du  paganisme,''  p.  1 1 1 .</p><p>1 6   Ibid,  pp.  JOB  and  105.  Also,  Pierre  Hadot,  "Theologie,  exegese,  revelation, ecriture,  dans  la  philosophic  grecque,"  in  Michel  Tardieu,  ed.,  Les  reg/es  de</p><p>/'interpretation,  Paris  1 987.</p><p>17  Hadot,  "La fin  du  paganisme,"  pp.  83-4,  1 09.</p><p>18  Hadot,  "Theologie,  exegcse,  revelation,"  p.  14.</p><p>1 9   Ibid, p.  22.</p><p><image l:href="#1"/></p><p><image l:href="#19"/></p><p>Introduction</p><p>37</p><p>20  In  trying  to  summarize  Hadot's  very  complex discussion,  without  distorting  it,  I have  mainly  followed  "L'etre  et  l'etant  dans  le  neoplatonisme,''  in  Etudts ntoplatonidtnnts,  Neuchitel  1973;  ''Theologie,  exegese,  reJetation,"  esp.</p><p>pp.  19 2</p><p>-</p><p>0;  and  "Philosophy,  Exegesis,  and  Creative  Mistakes,"  this volume.  See also  Pierre  Hadot,  Porphyrt  ti  Victorinus,  2  vols,  Paris  1 968.</p><p>21  Hadot,  "Theologie,  exegese,  revelation,"  p.  20.</p><p>22  Ibid.</p><p>23  Hadot,  "L'etre  et  l'etant  dans  le  neoplatonisme,"  pp.  34-5.</p><p>24  Hadot,  ''Theologie,  exegese,  revelation, ..  p.  20.</p><p>25  Hadot,  "L'etre  et  l'etant  dans  le  neoplatonisme,"  pp.  34-5;  Pierre Hadot,  "La distinction  de  l'etre  et  de  l'etant  dans  le  'De  Hebdomadibus'  de  Boece,''  in Miscellanea  Mtdiaevalia,  vol.  2,  Berlin  1 963;  and  Pierre  Hadot,  "Fom1a  essendi.</p><p>Interpretation  philologique  et  interpretation  philosophique  d'une  formule  de Boece,''  Les  Etudts  dassiques  XXXVII  ( 1 970),  PP�  143-56.  Hadot  also  explicitly relates this distinction  to Heidegger's  writings; see Hadot, "L'etre et  l'etant dans le  neoplatonisme, ..  p.  27.</p><p>26  Pierre  Hadot,  "Heidegger et  Plotin,"  Critiqut  145  ( 1 959),  p.  542.</p><p>27  Sec  Hadot's  discussion  in  "Forms  of Life  and  Forms  of Discourse  in  Ancient Philosophy,"  this  volume,  especially  pp.  65-6.</p><p>28  Ibid,  pp.  61-2.</p><p>29  For the quoted  phrase,  see  Hadot,  Titres ti lravaux,  p.  23.</p><p>30  Hadot,  "Patristique  Latine,"  p.  2 1 8.</p><p>3 1   Ibid,  pp.  2 1 6- 1 7.</p><p>32  Margherita  Guarducci,  "La  Crittografia  mistica e  i  graffiti  vaticani," Archeologia Classica  XIII  ( 1 961),  p.  236,  my  emphasis.</p><p>33  Margherita  Guarducci,  "Dal  Gioco  letterale  alla  crittografia  mistica,"  in Serini  see/ti  sulla  religio11e  grtca  t  romana  e  sul  cristianesimo,  Leiden  1983, pp.  42 1 -2.</p><p>34  Ibid, p. 441 . On the relationship between  the three teeth  of the E and the symbol of the  key see also  Margherita  Guarducci,  "Ancora  sul  misterioso E di  Delfi," in Scrilli see/ti.</p><p>35  Margherita  Guarducci, "La  Criuografia  mistica,"  p.  2 1 9.</p><p>36  Guarducci,  // primato  de/la  Chiesa  di Roma,  pp.  126-7.</p><p>37  Quoted  above,  p.  8.</p><p>38  Guarducci,  "Dal  Gioco  letterale  alla  crittografia  mistica,"  p. 427.</p><p>39  Ibid,  p.  428.</p><p>40  On  the  resort  to  lapidary  error  and  accident,  see  Guarducci,  "La  Crittografia mistica,"  pp.  203-10.</p><p>41  For a  superb  example,  see  ibid, p.  206.</p><p>42  Q�oted above, p.  8.</p><p>43  Hadot,  La  Citadelk  interieure,  pp.  39-40.  Sec  also  Pierre  Hadot,  "Les Pe11sees  de  Marc  Aurele,"  Bulletin  dt  /'Association  Gui/lame  Bude  (June  198 1 ), pp.  1 83--4.</p><p>44  1-ladot, La Citadcl/e  i"1erie11re,  p. 41 .</p><p>45  Ibid,  pp.  311- &#xFFFD;2.</p><p>4t1  Pierre I lild111 1  "Unc de tics l'emrc�s de Marc Aurclc: les rrois  Topoi philosophiques</p><p><image l:href="#39"/></p><p><image l:href="#58"/></p><p>38</p><p>Introduction</p><p>scion Epictete," in Exmices spirituels,  p.  13S. This essay was originally published in  1 978.</p><p>47  Hadot, La  Citadelle  interiture,  pp.  40- 1 ,  46-7.  See also Hadot,  "Les Pensees  de Marc Aurcle,'' pp.  1 83-4.</p><p>48  Hadot, La  Citadelle  interieure,  pp. 47,  49.</p><p>49  Ibid, p.  49.</p><p>SO  Ibid.</p><p>S t   Hadot, "Les Pensees  de  Marc  Aurcle," p.  1 8S. See also  Hadot,  Titres  et  travaur, p. 29.</p><p>S2  Hadot, La Citadelle interieure, pp. 8S-6, 98-106. Sec also "Marcus Aurelius," this volume. Hadot has argued that, before Marcus,  Epictetus was the only  Stoic to have distinguished between three activities  or  functions of the soul. See Hadot, La  Citadel/e  i11terieure,  pp.  8S,  99,  14S.</p><p>S3  Ibid, pp. 1 06-lS. See also Pierre Hadot, "Philosophic, discours philosophique, et divisions de la philosophic chez les stoiciens," Revue internationale de la philosophie  178 ( 1 99 1 ),  pp. 20S-19.</p><p>S 4   Hadot, La Citadelle  interieure,  p.  1 06.  I  will  return to Hadot's discussion of the distinction between  philosophical discourse and philosophy.</p><p>SS  Hadot,  "Une de des Pensees  de  Marc  Aurclc," p.  l JS.</p><p>S6  Hadot, la  Citadelle  interieure,  p. 62.</p><p>S7  Hadot,  "Les  Pensees  de  Marc  Aurele,"  p.  1 87.  See  also  Hadot,  "Une  de  des Pensees  de Marc Aurele,"  p.  I SO.</p><p>S8  The words quoted are from the quotation above,  p. 8.</p><p>S9  Hadot,  Titres et travau.\',  p.  1 2. See also "Marcus Aurelius," this volume, p.  1 86.</p><p>60  Hadot,  La  Citadelle  interieure,  p.  10.  Hadot  has  applied  these  remarks  to  other ancient works. See Hadot,  Titres el trava11l�,  p.  1 3; and "Forms of Life and Forms of Discourse in Ancient Philosophy," this volume, pp.  6S-6.</p><p>61  Hadot,  la  Citadelle  i11terieure,  pp.  262-7S.  See also Pierre Hadot,  "Marc Aurele etait-il opiomane?," in E.  Lucchesi and  H.D. SatTrey, eds, Memorial Andre-Jean Festugiere,  Geneva  1 984.</p><p>62  Hadot,  la  Citadelle  interieure,  pp.  261-2,  274.</p><p>63  Marcus Aurelius, Meditations, VIII, 24.  Cited  in "Marcus Aurelius," this volume, p.  1 84.</p><p>64  Marcus Aurelius, Meditations,  VI,  1 3.  Cited in "Marcus Aurelius," this volume, p.  1 8S.</p><p>6S  Hadot, la  Citadelle i11terie11re,  p.  1 94.</p><p>66  Ibid, p. 1 8 1 .  On physical definitions, see also pp.  122-3; and Hadot, "Les Pensees de Marc Aurcle," pp.  1 88-9.</p><p>67  Marcus  Aurelius, Meditations,  Ill,  1 1 .  Cited  in  "Marcus Aurelius,"  this  volume, p.  1 87.</p><p>68  Hadot, La Citadelle  interieure,  p.  1 23.</p><p>69  Ibid.</p><p>70  Hadot,  "Les Pensees  de Marc Aurele," p.  1 89.</p><p>7 1   Pierre  Hadot,  "La  Physique  commc  exercice  spirituel  ou  pcss1mu;mc  ct optimismc chcz Marc  Aurclc," in E.\�crrim spirit11els,  pp.  1 32  .l  Thi11</p><p>�</p><p>nrtich: wns</p><p>Introduction</p><p>39</p><p>originally published in 1972.  For Hadot's argument that this inner attitude is not one of fatalist resignation, see Hadot, La  Citadelle intirieure,  pp. 224-6.</p><p>72  Hadot, La  Citadelle intirieure,  p. 268.  See also Hadot,  Titres et tra&#xFFFD;aw:, p.  1 2.  For other methodological  limitations of this kind of psychological interpretation, see Hadot's  remarkable  discussion  of the  Passio  Perpetuae  in  his rompte  rendu  from 1 967-8,  in  Hadot,  Comptes  rendus  des  ronflrenm,  pp.  1 9-23.  Of course,  Hadot does not believe that Marcus  is totally absent from  the  Meditations.  See Hadot, La  Citadelle  intiriture,  pp.  26 1-2,  275-3 14.  See  also  "Marcus  Aurelius,"  this volume, pp.  196-9.</p><p>73  Pierre  Hadot,  "De  Tertullien  a  Boece.  Le  developpement  de  la  notion  de personne dans les controverses theologiques," in I.  Myerson, ed., Probltmes de la pmonnt,  Colloque  du  Centre  de  rerherrhes  tk  Psychologie  comparative,  Paris/La Haye  1 973,  p.  1 32.</p><p>74  Ibid, p.  133. These claims of Hadot continue to be cited  with approval. See,  for example, Jean-Pierre  Vemant, "L'individu  dans  la  cite," in Sur l 'individu,  Paris 1 987,  p.  37.  For  another  expression  of  this  early  view  of Hadot,  see  Hadot,</p><p>"L'image  de  la Trinite  dans  l'ame chez  Victorious  et  chez  saint  Augustin,"  in Studia  Patristica,  vol.  VI,  part  IV,  Berlin  1 962.  See  esp.  p.  440  where  Hadot writes, "From Victorious to Augustine, there is all of the distance that separates the ancient soul  from  the  modem self."</p><p>75  Hadot,  "Patristique  Latine," p. 2 1 5.</p><p>76  Ibid.</p><p>77  Hadot,  "Forms  of  Life  and  Forms  of Discourse  in  Ancient  Philosophy,"  this volume,  p.  52.  For Pierre Courcelle, see Recherrhes  sur /es  "Co1tfessions " tk  saint Augustin  (Paris:  Etudes Augustiniennes,  1 950).</p><p>78  Hadot, Comptes rendus des  confirenm,  p. 8. This is the compte rendu  from  1 965-6.</p><p>79  Hadot, "Patristique Latine," p.  2 1 5.</p><p>80  Hadot, Comptes rendus des ronflrences,  p. 9.  For a good discussion of the literature on Book II of the Confessions, see Franco De Capitani, "II  libro II dclle Confessim1i di  sant'Agostino,"  in  "Le  Confessioni" di  Agostino  d l Libri  l-ll,</p><p>' ppona,</p><p>Palermo</p><p>1 984.</p><p>81  Hadot, "Patristique Latine," pp. 21 5-1 6, together with Hadot, Comp/es rendus des corifirences,  p.  9.</p><p>82  Hadot, "Patristique Latine," p. 2 1 5 .</p><p>8 3   Hadot,  Comples  rendus  des  confirenres,  p .  8.</p><p>84  Ibid.</p><p>85  Ibid, p. 9.</p><p>86  Comple  rendu  from  1970-7 1 ,  in ibid, pp. 45-8.</p><p>87  Hadot, "Patristique Larine," p. 2 1 5.</p><p>88  Ibid,  p.  2 1 6,  together  with  "Forms  of Life  and  Forms of Discourse  in  Ancient Philosophy," this volume, p.  52.  I  have quoted extensively from Hadot's various discussions of Augustine, since many of them are not easily available. Hadot had once  intended  to  publish  a  translation  and  commentary  on  the  Confessions,  a project he never completed.</p><p>89  Had111 ,  "Pa1ri111ique  Larine.'' p.  2 1 5.</p><p><image l:href="#77"/></p><p>40</p><p>Introduction</p><p>90  See,  among  other  essays,  Pierre  Hadot,  "Wittgenstein,  philosophe  du  langage (I)," Critique  1 49  (October  1 959),  pp.  866-81 ;  and  "Wittgenstein, philosophe du langage  (II)," Critique  1 50  (November  1959),  pp.  972-83.</p><p>9 1   Hadot,  "Wittgenstein,  philosophe  du langage  (II),"  p.  973.  The  importance  of the connection between  Wittgenstein's literary  style and  his thought has been a constant  theme  of Stanley  Cavell's  writing.  For  an  early  statement,  see  Cavell,</p><p>"The availability of Wittgenstein's later philosophy," in Must  We  Mean What We Say?,  New  York  1 969,  pp.  70-3.  I  bring together  Hadot  and  Cavell's  work  in</p><p>"La  decouverte  de  Thoreau  et  d'Emerson  par  Stanley  Cavell  ou  les  exercices spirtuels de la philosophic" (forthcoming in Sandra  Laugier, ed., Lire Cavel/ ).</p><p>92  Hadot has highlighted these claims in the overview of his work that he presented to  the  College  International  de  Philosophic  in  May,  1 993.  I  will  refer  to  the unpublished  typescript of his  presentation  as  "Presentation  au  College  International  de  Philosophic."  Sec,  for example,  pp.  2-3.</p><p>93  Pierre  Hadot,  "Jcux  de  langagc  et  philosophic,"  Revue  de  Metaplrysique  et  de Morale LXIV  ( 1 960),  p. 34 1 .</p><p>94  Ibid, p .  340.</p><p>95  Ibid, pp. 339--43.</p><p>96  Ibid,  pp.  342-3 .</p><p>97  Ibid,  p.  343.</p><p>98  Hadot, La  Citadelle  interieure,  p. 9.  See also Hadot,  Titres  et  travaux,  p.  1 2.</p><p>99  Pierre  Hadot,  "La  philosophic antique:  unc  ethique ou  unc  pratiquc?," in Paul Demont,  ed., Prob/emes de la morale antique,  Amiens  1993,  pp. 7-8.  See also the section  "Learning  How  to  Read"  in  "Spiritual  Exercises,"  this  volume, pp.  1 01-9.</p><p>1 00   Hadot, "Philosophic, discours philosophique, ct divisions de la philosophic chcz lcs stoiciens," p.  205 .</p><p>1 0 1   Pierre  Hadot,  "Preface,"  in  Richard  Goulet,  ed.,  Dictionnaire  des  philosoplies tmtiques,  Paris  1 989,  p.  1 2.</p><p>1 02  Hadot,  "La  philosophic  antique:  unc  ethiquc  ou  une  pratique?,"  p.  8.  See  also Hadot,  "Presentation au  College International de Philosophie,"  pp.  1 -2.</p><p>1 03  Hadot, "La philosophie antique: une ethique ou une pratique?," p.  1 0.</p><p>104  "Forms of Life  and  Forms  of Discourse  in  Ancient  Philosophy,"  this  volume, p.  62.</p><p>1 05  Hadot,  "La  philosophic antique:  une  ethique ou  une  pratique?,"  p.  9.  Sec  also Pierre Hadot,  "Preface,"  in  M.D. Richard,  L 'Enseignement  oral de Platon,  Paris 1 986,  pp.  9-1 0.</p><p>1 06  Reading  together  Hadot,  "Jcux  de  langage  et  philosophic,"  p.  341 ,  and  Hadot,</p><p>"Presentation au  College  International de Philosophic," p. 2.</p><p>107  Hadot,  "Presentation au College International  de Philosophic," p. 2.  To the best of my  knowledge,  Hadot  first  invoked  this  formula of Goldschmitt in "Jcux de langage et philosophic," p.  341 .</p><p>1 08  Hadot,  "Preface," i n  L 'Enseignement oral de  Pla1011, p .  1 1 .</p><p>1 09  See  the  section  "Learning  to  Dialogue"  in  "Spiritual  Exercises,"  this  volume, pp.  89-93 .</p><p>1 1 0  "Spiritual  Exercises,"  this  volume, pp.  1 9   20.</p><p><image l:href="#91"/></p><p>Introduction</p><p>41</p><p>1 1 1   Ibid, p.  2 1 .</p><p>1 1 2  Ibid, pp. 2 1 -2. ( I  have modified  the translation.) 1</p><p>1 1 3  "Forms  of Life  and Forms  of Discourse  in Ancient  Philosophy,"  this volume, pp. 63-4.</p><p>1 14  Hadot, "La philosophic antique:  une ethique ou  une pratique?," p.  1 1 .</p><p>1 1 5  Ibid.</p><p>1 1 6  Ibid, my emphasis.</p><p>1 1 7  Ibid, pp.  1 1-12.</p><p>1 1 8  Ibid,  p.  1 2.  Sec  also  "Spiritual Exercises," this volume.</p><p>1 1 9  See  the  section  "Learning  to  Live"  in  "Spiritual  Exercises,"  this  volume, pp.  82-9.  Also  see  Hadot,  "La  philosophic  antique:  une  ethique  ou  une pratique?," pp.  1 2-14.</p><p>1 20  Sec  esp.  the  opening  pages  of  "Ancient  Spiritual  Exercises  and  'Christian Philosophy'," this volume.</p><p>1 2 1   Hadot,  "La  philosophic  antique:  une ethique  ou  une  pratique?," p.  1 3 .  On  the direction of souls in Seneca, see Ilsetraut Hadot, Seneca und die griechisch-riimische Tradition der Seelenleitung, Berlin, 1 969.  In antiquity, the philosopher was not the only  kind of spiritual guide;  for other figures of spiritual  guidance,  sec Ilsetraut Hadot,  "The  spiritual  guide,"  in  A.H.  Armstrong,  ed.,  Classical Mediterranean Spirituality,  New  York  1 986.</p><p>1 22  Hadot,  "La philosophic antique:  une ethique ou  une pratique?," pp.  1 7-18.</p><p>1 23  Ibid, p.  1 1 8, speaking of Marcus Aurelius' Meditations.</p><p>1 24  Ibid,  p.  1 7.</p><p>1 25  Carlo  Natali,  Rios  Theoretikos.  La  vita  d 'Aristotele  e  l'orga11iuazione  de/la  sua scuola,  Bologna  1 99 1 ,  p.  98.</p><p>1 26  Hadot,  "La philosophic antique:  une cthique ou  une pratiquc?,'' pp.  1 6- 1 7 .</p><p>1 27  Ibid, p .   1 5 .</p><p>1 28  Hadot, "Philosophic, discours philosophique, e t  divisions d e  l a  philosophic chez les  stoiciens,"  p.  2 1 6,  and  Hadot,  "La  philosophic  antique:  une  cthique ou  une pratique?,"  p.  1 6.</p><p>1 29  Hadot,  "La philosophic antique:  une  cthique ou  une  pratique?," p.  1 6.</p><p>1 30  Ibid.</p><p>1 3 1   See  the  section  "Learning  to  Die"  in  "Spiritual  Exercises,"  this  volume, pp.  93-1 0 1 .</p><p>1 32  Ilsetraut Hadot,  "Preface," i n  Seneca,  Consolations,  Paris  1 992,  p.  1 7.</p><p>1 33  Ibid,  pp.  1 8-19.</p><p>1 34  Ibid,  p.  19.</p><p>135  "Forms  of Life and  Forms of Discourse  in Ancient  Philosophy,''  this  volume, pp.  58-60.  On the unclassifiability  of the philosopher, see pp.  55-60.</p><p>1 36  1-Iadot,  "Preface,'' in Dictionnaire des philosophes  antiques,  p.  12.</p><p>1 37  Xenophon, Memorabilia, IV, 4, 10. Hadot offers two slightly different translations of this  remark.  One  can  be  found  in  the  essay  "The  Figure  of Socrates,''  this volume.  I  have cited the one from "La philosophic antique:  une ethique ou une pratiquc?," p.  36.</p><p>1 38  See  the  opening  pages  of  both  "Spiritual  Exercises"  and  "Ancient  Spiritual l�:xerciNc11  and 'ChriHliim  PhiloNophy',"  this  volume.</p><p>42</p><p>Introduction</p><p>1 39  On  the  ancient  doctrine  of the  division  of the  parts  of philosophy,  see  Pierre Hadot,  "Les  divisions  des  parties  de  la  philosophic,"  Museum  Helveticum  36</p><p>( 1 979), pp. 201 -23.</p><p>1 40   Hadot,  "La  philosophic  antique:  une  ethique  ou  unc  pratique?,"  pp.  1 8-29; Hadot,  "Philosophic, discours philosophique, et divisions de la philosophic chez Jes stoiciens"; and Hadot,  la Citatklk interiturt,  ch.  S.</p><p>1 4 1   Hadot, "La philosophic antique:  une ethique ou une pratique?," pp.  1 9-20.</p><p>1 42  Ibid,  pp.  20-- 1 .</p><p>1 43  Ibid, pp. 2 1 -4.</p><p>1 44   Hadot, "Philosophic, discours philosophique, et divisions de la philosophic chez Jes  stoiciens,"  p.  212.  See  also  Hadot,  la  Citarltllt  interiturt,  p.  98,  and</p><p>"Philosophy as a Way of Life," this volume.</p><p>1 4S  See  ch.  7,  this  volume.  I  have  discussed  Hadot's  criticisms  of  Foucault  at length in "Ethics as ascetics: Foucauh, the history of ethics and ancient thought,"</p><p>in Jan Goldstein, ed., Foucault a11rl tht  Writing  of History, Oxford  1994.</p><p>1 46  See  Veyne's  remarks  in  lts  Crees,  Its  Romai11s  ti  nous.  l 'Antiquite  est-tile modtrnt?, ed.  Roger Pol-Droit, Paris  199 1 ,  pp. S7 8.</p><p>-</p><p>1 47  Sec  Hadot,  "Philosophic,  discours philosophiquc,  ct divisions  de  la  philosophic chez  Jes  stoiciens";  Hadot,  "La  philosophic  antique:  une  ethique  ou  une pratique?," pp. 25-6; and Hadot, la Citadellt irllerit11rt, pp. 94-8. Zeno of Tarsus was  an  exception  to  this  doctrine;  see  Diogenes  Laertius,  lives  of  Eminml Philosophers,  VII, 39 and 4 1 .</p><p>1 48  Hadot, "Philosophic, discours philosophique, et divisions d e  l a  philosophic chez les stoiciens,"  p.  21 1 .</p><p>1 49  Reading together Hadot, "La philosophic antique: une ethique ou une pratique?,"</p><p>p.  26,  and  Hadot,  "Philosophic,  discours  philosophique,  ct  divisions  de  la philosophic chcz les stoicicns," p. 2 1 2.</p><p>I SO  Reading together Hadot, "Philosophic, discours philosophiquc, et divisions de la philosophic chez lcs stoiciens," p. 212, and Hadot, "La philosophic antique: une ethique OU  unc pratique? ,'' p. 26.</p><p>I S  l  Hadot,  la  Citadtllt  interiturt,  p.  98.  Sec  also  Hadot,  "Philosophic,  discours philosophique, et divisions de la philosophic chez Jes stoiciens," p.  2 1 2.</p><p>I S2  Hadot,  "Les  divisions des  parties de la philosophic," p.  2 1 1 .</p><p>1 S3  Ibid,  p. 2 1 2.</p><p>1 54  Ibid.  For Augustine, see  Tht  Cio1 of God, book  8, ch. 4, and  book  2,  ch.  2S.</p><p>l SS  Hadot,  "Les  divisions  des  parties  de  la  philosophic,"  p.  2 1 1 .  See  also  Hadot,</p><p>"Philosophic,  discours  philosophique,  et  divisions  de  la  philosophic  chez  Jes stoiciens," pp. 218-19, and Hadot, la Citatkllt interiturt, pp. 99-1 1 5.  I  have not presented  here  Hadot's  discussion  of  those  classifications  of  the  parts  of philosophy based essentially on  the notion of spiritual progress. See Hadot, "Les divisions des  parties  de  la philosophic," pp.  218-2 1 .</p><p>1 S6  Hadot, "La philosophic antique:  une cthique ou une pratiquc?," p .  27.</p><p>1 S7  Ibid, p.  28.</p><p>1 58  Hadot, "Presentation au  College International de Philosophic," p. 4.</p><p>1 59  Hadot, "La philosophic antique:  unc ethi,1ue  ou  unc pratiquc?,'' p.  ZH.</p><p>1 &lt;10  Had111,  "Presentation  au  Collc!(c  International  de  Philosophic,"  p.  &lt;f.  Sec</p></section><section><p>Introduction</p><p>43</p><p>also  "Philosophy  as a Way of Life,"  this  volume.  Hadot also develops this theme at the conclusion of his unpublished paper on Thoreau's  Walden,/'Reflexions sur Walden," delivered  at the Ecole Nonnale Superieure, June  1993.</p><p>161  Cited  by  Hadot  in  "La  philosophic  antique:  une  ethique  ou  une  pratique?,"</p><p>pp.  1 3-14.</p><p>1 62  Cited  in "Philosophy  as  a Way of Life," this volume, p.  267.</p><p>1 63  Epictetus,  Discourses,  IV,  4,  1 3 .   Cited  in  Hadot,  "La  philosophic  antique:  une Cthique OU  une pratique?," p. 2 1 .</p><p>1 64  Cited  by  Ilsetraut  Hadot,  "Aristote  dans  l'enseignement  philosophique  neoplatonicien.  Les prefaces des commentaires sur Jes Categories,"  Revue de thtologie et  de phi/osophie  1 24  ( 1 992), p. 4 1 9,  n.  38.</p><p>1 65  Hadot, "La philosophic antique:  une ethique ou  une pratique?," pp.  28-9.</p><p>1 66  Pierre  Hadot,  "Le  Genie  du  lieu  dans  la  Grece  antique,''  in  Michel  Crepu, Richard  Figuier,  and  Rene  Louis,  eds,  Hauls  lieux,  Paris  1 990,  p.  1 50.  For a discussion  of the  role  of this  fragment,  especially  in  the  mysticism  of Pseudo</p><p>Dionysius,  see  Ysabel  de  Andia,  "na9ci&gt;u  ta  &#xFFFD;eta",  in  Stephen  Gersh  and Charles Kannengiesser,  eds, Platonism in late Antiqui(y, Notre Dame  1 992.</p><p>1 67  Hadot, "Le Genie du lieu dans la Grece antique,'' p.  1 50. Hadot is following the interpretation of D.  Sabbatucci,  Essai sur le mysticisme gru,  Paris  1 982.</p><p>1 68  1-ladot, "Le Genie du  lieu dans la  Grece  antique,'' p.  1 50, my emphasis.</p><p>1 69  Hadot, "La  philosophic antique:  une ethique ou une pratique?," p. 34.</p><p>1 70  Ibid.</p><p>1 7 1   Ibid.  p.  35.  For extensive  discussion,  see  Pierre  Hadot,  Plotin.  Traite  38,  Paris 1 988, pp. 44-52 and 347-5 1 .</p><p>1 72  Hadot,  Plotin.  Traite 38,  reading together  p.  45 and p .  349.</p><p>1 73  Pierre Hadot, "Apophatisme et theologie negative,''  in Exercices spirituels,  p.  193.</p><p>1 74  Hadot,  "Le  Genie  du  lieu  dans la Grece  antique,''  p.  1 52,  my  emphasis.  For  a discussion  of Hadot's  interpretation  of Plotinus'  mysticism,  see  my  "Reading Hadot  reading  Plotinus,"  intro.  in  Pierre  Hadot,  Plotinus  or  the  Simplicity  of Vision,  Chicago  1993 .</p><p>1 75  Pierre Hadot,  "Postface a  la  seconde  edition," in  Exercices spirituels,  p.  236.</p><p>1 76  Ibid .</p><p>1 77  Natali,  Bios  Theoretikos,  pp.  1 37-8.  Natali's  remark  is  made  with  particular reference  to  On  the  Parts  of Ani,,1als,  645a  7-1 0.  For  the  dangers  of viewing Aristotle as  if he  were  a  modern  university  professor,  and as  if the life of theoria were  purely  abstract,  or  the  career  of  a  modern  scientist,  see  Natali,  Bios Theoretikos, pp.  67-74  and  1 29-38.</p><p>1 78  Pierre  Hadot,  "Les modeles de bonheur proposes par les philosophes antiques,''</p><p>la  Vie  spirituelle  ( Jan.-Feb.  1 992),  pp.  34-6.  See  also  Hadot,  "Postface  a  la seconde edition,'' p.  236. Hadot has in mind primarily Nicomachean Ethics,  X, 7, and  Metaphysics,  I 072b 28.</p><p>1 79  Aristotle,  Politics,  VII, 3, 8,  1 325b.  Cited  by Hadot  in "La philosophic antique: unc  i:thiquc ou  une pratique?," pp.  3 1 -2.</p><p>1 80  lladot,  "La  philosophic  antique:  une  i:thique  ou  une  pratique?,"  p.  3 1 ,   my emphasis.</p><p>I H I   Ibid,  ,, . .</p><p>12.</p><p><image l:href="#107"/></p><p>44</p><p>Introduction</p><p>1 82  Hadot,  "Preface,'' in Dictionnaire  des ph1Josophes  antiques,  pp.  1 1-12.</p><p>1 83  Ibid.</p><p>1 84  "Philosophy as  a  Way of Life,'' this  volume, pp. 272-3.</p><p>1 85  Hadot, "Preface,'' in Dictionnaire des philosophes  antiques,  p.  13.</p><p>1 86  Ibid.</p><p>1 87  Ibid.  See also "Forms of Life  and Forms of Discourse in  Ancient Philosophy,''</p><p>this volume, pp.  55-8.</p><p>1 88  Giuseppe Cambiano, "La figura del filosofo e le altre forme del sapere," Quaderni di Storia  XIX,  37 (Jan.-June  1993), p.  8 1 .</p><p>1 89  On  the  importance  o f  the  act o f  conversion,  see  Pierre  Hadot,  "Epistrophe  et metanoia  dans l'histoire de la philosophic,'' in Actes du Xl'"" congres international de  philosophie,  XII,  Amsterdam  1953,  and  Pierre  Hadot,  "Conversion,"  in Exercices spirituels.</p><p>190  Pierre Hadot,  "La  philosophic hellenistique,''  in  Histoire de la  philosophie.  I.  Les pensees  fondatrices,  Paris  1 993,  pp.  69-70.  See  also  Hadot,  "Presentation  au College International de Philosophic,'' pp.  H.</p><p>1 9 1   Hadot, "Presentation au College International  de Philosophic," p. 3 .</p><p>1 92  Ibid, reading together p. 7  and  p. 6.</p><p>1 93  Ibid,  p.  5.</p><p>1 94  Pierre  Hadot,  "La  philosophic  est-elle  un  luxe?,"  Le  Monde  de  / 'education (Mar.  1992),  p.  9 1 .</p><p>1 95  Jhid.</p><p>1 96  Reading together  ibid  p. 92, and  Hadot,  "Presentation  au College  International de Philosophic,''  p. 9.</p><p>1 97  On  early  Christianity  as  a  philosophy,  see  "Ancient  Spiritual  Exercises  and</p><p>'Christian  Philosophy"'  and  "Philosophy  as  a  Way  of Life,"  this  volume.  The quoted  words  come  from  Hadot,  "Presentation  au  College  International  de Philosophic," p.  7.</p><p>198  "Philosophy as  a  Way of Life,'' this volume,  p. 270.</p><p>1 99  Hadot, "Presentation au College International  de Philosophic,''  p. 7.</p><p>200  Hadot  says  that  it  is with  Suarez  that  the  idea  of systematic philosophy  would appear for the  first  time.  See  ibid.</p><p>201  "Philosophy as  a  Way of Life,''  this  volume,  pp.  270 and  272-3.  (I  have  slightly modified the translation.) See also Hadot, "Presentation au College International de Philosophic,''  p.  7.</p><p>202  "Philosophy as a Way of Life," this volume,  p. 27 1 .  (I have slightly modified the translation.)</p><p>203  Hadot,  "Presentation au College International de Philosophic," p. 7.</p><p>204  "Philosophy as  a  Way of Life," this volume, pp. 27 1-2.</p><p>205  Hadot,  "Presentation  au  College  International  de  Philosophic,"  pp.  7-8.</p><p>The  quotation  from  Erasmus  is  taken  from  a  letter  he  wrote  to  Abbot Voltz  in  1 5 1 8.  See  The  Essential  Erasmus,  ed.  John  P.  Dolan,  New  York  1 964, p. 28.</p><p>206  Pierre  Harlot,  "Emerveillements,''  in  La  Bibliotheque  imaginaire  t/11  CrilltRr  dr France,  Paris  1 990,  p.  1 22.</p><p>207  Pierre  Hadot,  "Un di11loguc  intcrrnmpu  nvcc Michel  Foul&#xFFFD;nuh .  C111l\'l1r1&amp;ttlll'CN cH</p><p>Introduction</p><p>45</p><p>divergences,"  in  E:rerdces  spirituels,  p.  232.  See  also  "Philosophy  as  a  Way of Life,'' this volume, pp. 27 1-2.</p><p>208  "Philosophy as a Way of Life," this volume, pp. 27 1-2, and Hadbt, "Presentation au College International  de Philosophic,''  p.  8.</p><p>209  Hadot, "Presentation au  College International  de Philosophic,"  pp.  8-9 .</p><p>2 1 0   On  Schopenhauer, the young Hegelians and  Marx, see  "Philosophy as  a  Way  of Life,''  this  volume,  pp.  271-2.  On  Goethe's  relation  to  ancient  philosophy,  see especially '"Only the Present is our Happiness': The Value of the Present Instant in  Goethe and  in  Ancient Philosophy," this volume. On Nietzsche and Kierkegaard, see especially  ''The Figure of Socrates,"  this  volume.</p><p>2 1 1   On twentieth-century philosophy, see, among other essays, "Philosophy as a Way of  Life,"  "The  Sage  and  the  World,''  and  "Reflections  on  the  Idea  of  the</p><p>'Cultivation of the Self ',''  all in this  volume.</p><p>2 1 2   Hadot, "Reflexions sur Walden."</p><p>213  Hadot,  "Presentation  au  College  International  de  Philosophic,"  p.  9.  Sec  also Hadot,  La  Citadelle  lnterieure,  p. 330.</p><p>2 14  Hadot, "Presentation au College  International de Philosophic," p. 9.</p><p>2 1 5   Hadot, La  Citade//e interieure,  p.  329.</p><p>2 1 6   Reading  together  ibid,  pp.  329-30,  and  "Philosophy  as  a  Way  of  Life,''  this volume,  pp. 272-3. The  quoted  words arc used with respect  to  Stoicism, but  it is clear that Hadot would apply them to  the other universal  attitudes as  well.</p><p>2 1 7   Hadot, La Citade//e interieure,  pp.  33 1 -2.</p><p>2 1 8   Hadot, "Reflexions sur Walden," p. 6.</p><p>2 1 9   "Philosophy as a Way of Life," this volume, pp.  272-3.</p><p>220  Hadot, "Reflexions sur Walden,'' pp. 7-8.</p><p>221  Ibid.</p><p>222  "Spiritual Exercises,'' this volume, p.  108 (translation slightly modified). See also</p><p>"Philosophy as a  Way  of Life," this volume,  pp.  272-3.</p><p>223  On  Cynicism  and  Pyrrhonism,  see  Hadot,  "La  philosophic  hellenistiquc,"</p><p>pp.  70,  77-8.</p><p>224  Ibid, p.  79.</p><p>225  Hadot, "Emerveillements,'' p.  1 22.</p><p>226  Hadot,  "Preface,'' in Dictionnaire des philosophes antiques,  p.  16.</p><p><image l:href="#123"/></p><p>Part  I</p><p>M ethod</p><p><image l:href="#139"/></p><p>1</p><p>Forms  of Life  and  Forms  of Discourse</p><p>in  Ancient  Philosophy</p><p>Mr Administrator,</p><p>Dear colleagues,</p><p>Ladies and Gentlemen,</p><p>"Each  one  of  you  expects  two  things  from  me  on  the  occasion  of  this inaugural lecture: first of all, that I  express my thanks to those who made my presence here possible and  second, that I  present  the  method  that  I  will  use to carry out the task entrusted to me." 1  Petrus Ramus, who held the chair in rhetoric  and  philosophy  at  the  College Royal, opened  his  inaugural  lecture, delivered in Latin, with words to this effect on August 24,  1 55 1 ,  only twenty years after the founding of this institution.  We sec that the practice of giving this lecture  dates  back  more than  four  hundred  years  and  that  even  at  that time its major themes were already set.  And  I  in  turn  will  remain  faithful  to this venerable tradition  today.</p><p>More  than  a  year has gone by  already,  dear  colleagues,  since  you  decided to  create a  chair in  the History of Hellenistic  and  Roman  Thought.  Shortly thereafter  you  honored  me  by  entrusting  it  to  me.  How,  without  being awkward or superficial, can  I  express the extent of my  gratitude and my joy at the confidence you have shown toward me?</p><p>I  am  able  to  see  in  your  decision  a  reflection  of  that  freedom  and independence of mind that have traditionally characterized  the great institution  into  which  you have welcomed  me.  For, despite  my  election,  I  possess few  of the  qualities  that  would  usually  attract  notice,  and  the  discipline  I represent is not among those in  fashion today. In a  way I am what the Romans called  a  lwmo  t1ouus,  as  I  do  not  belong  to  that  intellectual  nobility  one  of whose  principal  titles  is  traditionally  that  of "former  student  of the  Ecole Normalc  Supcricure."  Moreover,  you  certainly  noticed  during  my  visits  to you  that  l  hick  that  tmnquil  authority  conferred  by  the  use  and  mastery  of</p><p><image l:href="#151"/></p><p><image l:href="#169"/></p><p>50</p><p>Method</p><p>the idioms currently spoken in the Republic of Letters. My language, as you will again ascertain today, is not graced  with those mannerisms that now seem to be required  when one ventures to speak of the human sciences.  However, several of you  encouraged  me  to  present  my candidacy,  and  during  the traditional  visits, which so  enriched me, I  was extremely touched  to  find so much sympathy and interest, particularly among those of you who are specialists in the exact sciences, for  the  field  of research  I  have  come  before  you  to  defend.  In  other  words,  I believe  I  did  not  have  to  convince  you  - you  were  persuaded  already  - of the need for the College to ensure a way to  maintain  the close bonds between areas of teaching and research that are too often artificially separated: Latin and Greek, philology  and  philosophy,  Hellenism  and  Christianity.  I  thus  marveled  to discover that at the end of the twentieth century,  when  many  of you on a daily basis employ technical procedures, modes of reasoning, and representations of the universe  of almost superhuman  complexity  that open  a  future  to  humanity  w,e could  not  even  conceive  of earlier,  the  ideal  of humanism,  which  inspired  the foundation of the College de France, continues to retain for you, undoubtedly in a more conscious and critical but also more vast, intense, and profound  form, all of its  value and significance.</p><p>I  spoke  of  a  close  connection  between  Greek  and  Latin,  philology  and philosophy,  Hellenism  and  Christianity.  I  believe  that  this  formulation corresponds  exactly  to  the  inspiration  found  in  the  teaching  of  Pierre Courcelle,  who  was  my  colleague  at  the  Fifth  Section  of the  Ecole  Pratique des  Hautes  Etudes  and  to  whom  I  wish  to  render  homage  today,  indeed, whom  I  succeed,  if I  may  say  so,  in  an  indirect  line,  via  the  appointment of Rolf Stein. I believe that Pierre Courcelle, who  was so brutally taken from us, is  intensely  present  in  the  hearts of many  of us  tonight.  For  me  he  was  a teacher  who  taught  me  much,  but  he  was  also  a  friend  who  showed  great concern  for  me.  I  will  speak  now  only  of the  scholar,  to  recall  his  immense output of truly great books, innumc:rable articles, and hundreds of reviews.  I do not know if the scope of this gigantic labor has been sufficiently measured.</p><p>The  first  lines  of  his  great  work  Lettres  grecques  en  Occident  de  Macrobe  ti Ctissiodore give a clear idea of the revolutionary direction  his  work  had  for his time. "A substantial book on Hellenistic literature in the West from the death of  Theodosius  up  to  the  time  of  the  Justinian  reconquest  may  seem surprising," wrote Courcelle. First of all, it was surprising for a Latinist to be interested  in  Greek  literature.  However,  as  Courcelle  noted,  this  Greek literature  made  possible  the  flowering  of  Latin  literature  and  produced Cicero,  who  represented  the  most  complete  development  of Greco-Roman culture at its  apex,  and  it  was  this  literature that  nearly  became a  substitute for  Latin  when  during the second century  AD  Latin  was  overshadowed  by Greek  as  a  literary  language.  However,  it  still  must  be  stated  and  dl�plorcd that, despite Courcelle's initiative and  example  and  owing  to  11  prd111lii't� 1 h111</p><p><image l:href="#9"/></p><p>Forms of Life and Forms of Discourse</p><p>5 1</p><p>has  not been  totally  overcome  and  that maintains  the disastrous break  made in French scholarship between Greek and Latin, what he had to say in  1 943, forty  years ago,  is unfortunately still true today:  "I  know of no synthetic work that examines the Greek influence on  the thought and culture of the Roman Empire."  Once  again  it  was  surprising  to  see  a  Latinist  devote  such  an important  study  to  a  later  period  and  show  that  in  the  fifth  and  sixth centuries,  a  time  of so-called  decadence,  Greek  literature  had  undergone  a remarkable  renaissance,  which,  thanks  to  Augustine,  Macrobius,  Boethius, Martianus Capella, and Cassiodorus, was to make it possible for the European Middle  Ages  to  maintain  contact  with  Greek  thought  until  the  Arab translations  made  possible  its  rediscovery  in  richer  sources.  Again,  it  was surprising to see  a  philologist attack problems  in  the  history  of philosophy, showing the key influence exercised on Latin Christian thought by Greek and p11gan  Neoplatonism, not only by Plotinus but - this was an  important detail</p><p>- by  his  disciple  Porphyry  as  well.  Even  more  surprising,  this  philologist based his conclusions on a rigorously philological method.  I mean that he was not  content  merely  to  reveal  vague  analogies  between  Neoplatonic  and Christian  doctrines  or  to  evaluate  influences  and  originalities  in  a  purely subjective way - in a word, to rely on rhetoric and inspiration to establish his conclusions.  No,  following the example of Paul Henry,  the learned  editor of Plotinus  who  has also been a  model of scientific  method  for  me,  Courcelle compared  the  texts.  He discovered  what anyone could have seen but no one had  seen  before  him,  that  a  certain  text  of  Ambrose  had  been  literally translated  from  Plotinus,  that one  of Boethius  had  been  literally  translated from  a  Greek  Neoplatonic  commentator  on  Aristotle.  This method  made  it possible to establish  indisputable facts,  to bring the history of thought out of the  vagueness  and  artistic  indistinctness  into  which  certain  historians,  even contemporaries of Courcelle, tended to relegate  it.</p><p>If Les  Lettres  grecques  en  Occident  provoked  surprise,  the Recherches  sur /es</p><p>"Confessions " de  saint Augustin,  the  first  edition  of  which  appeared  in  1 950, almost caused a  scandal,  particularly  because  of the  interpretation  Courcelle proposed for Augustine's account of his own conversion.  Augustine recounts that as  he  was weeping beneath  a  fig  tree,  overcome  with  pressing questions and  heaping  bitter  reproaches  upon  himself for  his  indecision,  he  heard  a child's voice repeating, "Take it  ip  and  read." He then  opened Paul's Epistles at  random,  as  if he  were  drawing a  lot,  and  read  the  passage  that  converted him.  Alerted  by  his  profound  knowledge  of Augustine's  literary  procedures and the  traditions of Christian allegory,  Courcelle dared  to  write that the fig tree could well have a purely symbolic value, representing the "mortal shadow of sin," and  that the child's  voice could also have been introduced in a purely l iterary  way  to  indicate  allegorically  the  divine  response  to  Augustine's quest ioning.  Courcelle  did  not  suspect  the  uproar  his  interpretation  would unkn11h.  II  l11i;1 ed  nlmmil  l wcnty  ye1m;,  The  greatest  names  in  international</p><p><image l:href="#27"/></p><p>52</p><p>Method</p><p>patristics  entered  the  fray.  Obviously  I  do  not  wish  to  rekindle  the  flames here.  But  I  would  like  to  stress  how  interesting  his  position  was  from  a methodological point of view. Indeed it began  with  the  very simple principle that  a  text  should  be  interpreted  in  light  of the  literary  genre  to  which  it belongs.  Most  of Courcelle's  opponents  were  victims  of the  modern,  anachronistic prejudice that consists in  believing that  Augustine's  Confessions  is primarily an  autobiographical account. Courcelle on the contrary had understood  that the Confessions is essentially a theological work, in  which each scene may  take  on  a  symbolic  meaning.  One  is  always  surprised,  for  example,  by the  length  of  Augustine's  account  of  his  stealing  pears  while  he  was  an adolescent.  But  this  is  explained  by  the  fact  that  these  fruits  stolen  from  a garden  become  symbolically,  for  Augustine,  the  forbidden  fruit  stolen  from the  Garden of Eden, and  the  episode gives him  the  opportunity to develop a theological  reflection  on  the  nature  of sin.  In  this  literary  genre,  then,  it  is extremely  difficult  to  distinguish  between  a  symbolic  enactment  and  an account of a  historical event.</p><p>A  very  large  part of Courcellc's  work  was  devoted  to tracing the  fortunes of great themes such  as  "Know  thyself" or  great works  such as  Augustine's Confessions  or  Boethius'  Ctm$o/ation  of Phi/O$t&gt;Pkl'  in  the  history  of Western thought.  Not  the  least  original  of his  contributions,  appearing  in  several  of the major works he wrote from this perspective, was his association of literary study  and  iconographical  inquiry,  pertaining,  for  example,  to  illustrations produced  throughout  the  ages  for  the  Confessions  or  the  Consolation.  These iconographical  studies,  which  are  fundamental  in  reconstructing the  history of religious  mentalities and  imagination,  were all  undertaken  in collaboration with  Mrs Jeanne  Courcelle,  whose  great  knowledge  of the  techniques of art history  and  iconographic description  greatly enriched  her husband's  work.</p><p>This  all-too-brief  recollection  permits  a  glimpse,  I  hope,  of  the  general development,  the  itinerary,  of  Courcelle's  research.  Starting  from  late  antiquity,  he  was  led  to  go  back  in  time,  especially  in  his  book  on , the  theme  of</p><p>"Know  thyself,"  toward  the  philosoP.hY  of the  imperial  and  Hellenistic  period, and,  on  the  other  hand,  to  follow,  across  the  years,  ancient  works,  themes, and  images  as  they  evolved  in  the  Western  tradition.  Finally,  it  is  my  hope that  this  history  of Hellenistic  and  Roman  thought  I  am  now  going  to  present to  you  reflects  the  spirit  and  the  profound  orientation  of Courcelle's  teaching and  work.</p><p>According to  the  scheme  given by Petrus Ramus, I  have just spoken of what he himself called  the  ratio  muneris  officiique  11ostri:  the  object  and  method  of the  teaching entrusted  to  me.  In the  title  of my  chair,  the  word  tliought  can seem  very  vague;  indeed  it  can  be  applied  to  an  immense  and  undefined domain  ranging  from  politics  to  art,  from  poetry  to  science  and  11hi ln11011hy, or religion and magic. In any event, the term  invites one to 11111kl1  hr1,111h1 11king</p><p><image l:href="#45"/></p><p>Forms of Life and Forms of Discourse</p><p>53</p><p>excursions  into the vast  world  of wondrous and fascinating  works  produced during the great period of the  history o( humanity  that  I  propose  to  study.</p><p>Perhaps we will  accept this invitation from time to  time, but our intention is to  turn to  the essential,  to  recognize the typical or the significant, to attempt to grasp the  Urphiinomene, as Goethe would say.  And specifically, philosophia, the  way  the  term  was  understood  then,  is one  of the typical  and  significant phenomena of the Greco-Roman world.  It is this above all which engages our attention. Nevertheless, we have preferred to speak of "Heilenistic and Roman thought"  to  reserve  the  right  to  follow  this  philosophia  in  its  most  varied manifestations  and  above  all  to  eliminate  the  preconceptions  the  word philosophy may evoke in the modem mind.</p><p>"Hellenistic and  Roman": these words themselves open an immense period before us.  Our history begins with  the highly symbolic event represented by Alexander's  fantastic expedition  and  with  the emergence of the world  called Hellenistic, that is, with the emergence of this new form of Greek civilization beginning from the moment when  Alexander's conquests and,  in their wake, the rise of kingdoms extended this civilization into  the  barbarian world  from Egypt to the borders of India, and then brought it into contact with the most diverse  nations and civilizations. The result is a  kind of distance, a  historical distance,  between Hellenistic  thought  and  the  Greek  tradition  preceding  it.</p><p>Our history  then covers the rise of Rome,  which  will  lead  to the destruction of the Hellenistic kingdoms, brought to completion in 30 BC with Cleopatra's death.  After that will come the expansion of the Roman empire, the rise and triumph of Christianity, the barbarian invasions, and  the end  of the Western empire.</p><p>We  have  just  traversed  a  millennium.  But  from  the  standpoint  of  the history  of thought,  this long period must be  treated  as a  whole.  Indeed  it  is impossible to know Hellenistic thought without recourse to  later documents, those of the  imperial  era  and  late  antiquity,  which  reveal  it  to  us;  and  it  is equally  impossible  to  understand  Roman  thought  without  taking  its  Greek background into account.</p><p>We  need  to  recognize  from  the  outset  that  almost  all  of  Hellenistic literature,  principally  its  philosophical  productions,  has  disappeared.  The Stoic philosopher Chrysippus, to cite only one example, among many, wrote seven  hundred works, all of which  are  lost; only  a  few fragments  have come down  to  us.  We would  undoubtedly have a  very  different idea of Hellenistic philosophy  if this  gigantic catastrophe  had  not  occurred.  How  can  we  hope to  compensate  in some  way  for  this  irreparable  loss?  Obviously,  there  is  the chance  that  discoveries  might sometimes bring  unknown  texts to  light.  For example,  in  the  mid-eighteenth  century,  an  Epicurean  library  was  found  at Herculaneum.  It  contained  texts  of  remarkable  interest,  not  only  for  the knowledge  it  provided  of  that  school  but  also  regarding  Stoicism  and Plntuni111n.  l�:ven  todoy  the  Institute  of  Papyrology  in  Naples  continues  to</p><p><image l:href="#63"/></p><p>54</p><p>Me1hod</p><p>mine,  in  an  exemplary manner,  these  precious  documents,  endlessly  improving  both  the  texts  and  the  commentaries.  Another  example:  during  the excavations,  led  for  fifteen  years  by  our  colleague  Paul  Bernard  in  A"i Khanoun,  near  the  border  between  Afghanistan  and  the  USSR,  to  find  the remains of a  Hellenistic town of the  kingdom of Bactrian, a philosophical text, unfortunately  terribly  mutilated,  was  discovered.  The  presence  of  such  a document  in  such  a  place  suffices,  furthermore,  to  make  one  recognize  the extraordinary  expansion  of Hellenism  brought  on  by  the  Alexandrian  conquests.  Most  likely  it  dates  from  the  third  or  second  century  BC  and represents  a  fragment,  unfortunately  very  difficult  to  read,  of a  dialogue  in which  it  is  possible  to  recognize  a  passage  i nspired  by  the  Aristotelian tradition.2</p><p>Except  for  finds  of this  type,  which  are  extremely  rare,  one  is  obliged  to exploit  existing texts  to  their  fullest,  which  often  are of a  much later date, in order  to  find  information  about  the  Hellenistic  period.  Obviously,  it  is necessary to begin with the Greek  texts. Despite many excellent studies, much remains  to  be  done  in this  area.  For  example,  the  collections of philosophical fragments that have come  down to us need to be  completed or  updated .  Hans von  Arnim's  collection  of fragments  from  the  earliest  Stoics  is exactly eighty years  old  and  requires  serious  revision.  Moreover,  there  exists  no  collection of fragments  for  the  Academicians  from  the  period  that  runs  from  Arccsilas to  Philo  of Larissa.  On  the  other  hand,  mines  of  information,  such  as  the works of Philo  of Alexandria,  Galen,  Athenaeus,  and  Lucian,  or  the commentaries  on  Plato  and  Aristotle  written  at  the  end  of antiquity,  have  never  been systematically  made  use of.  But  the Latin  writers are also  indispensable to this line  of  inquiry.  For  although  the  Latinists  do  not  always  agree,  one  has  to admit  that  Latin  literature,  except  for  the  historians  (and  even  there!),  is comprised  largely  of either  translations,  paraphrases,  or  imitations  of  Greek texts.  Sometimes  this  is  completely  evident,  for  one can  compare  line  by  line and word for word the Greek originals that were translated or paraphrased  by the  Latin  writers;  sometimes  the  Latin  writers  themselves  also  quote  their Greek  sources;  sometimes,  finally,  one  can  legitimately  speculate  about  these influences  with  the  help  of reliable  evidence.  Thanks  to  the  Latin  writers,  a large  part  of Hellenistic  thought  was  preserved .  Without  Cicero,  Lu&lt;..Tetius, Seneca, or  Aulus  Gellius,  many  aspects  of the  philosophy  of the Epicureans, Stoics,  and  Academicians  would  be  irretrievably  lost.  The  Latins  of  the Christian  period  are  moreover  just  as  precious:  without  Marius  Victorious, Augustine,  Ambrose  of Milan,  Macrobius,  Boethius,  or  Martianus  Capella,  how many  Greek sources  would  be completely  unknown  to  us!  Two  projects are  thus inseparable:  on  the  one  hand,  to  explain  Latin  thought  in  light  of  its  Greek background,  and,  on  the  other  hand,  to  rediscover  Greek  thought,  which  has been  lost to  us,  in  the works of Latin  writers.  If both  these  tnsk11 11rc 111 he &lt;.'Rrricd out,  any  separation  of Gr&lt;.'Ck  and  Latin  scholarship  is  totnllr impc11111ihlr.</p><p>Forms  of Life and Forms of Discourse 5 5</p><p>Here we are witness to the great cultural event of the West,  the emergence of a  Latin  philosophical  language  translated  from  the  Greek.  Once  again,  it would  be  necessary  to  make  a  systematic  study  of  the  formation  of  this technical  vocabulary  that,  thanks  to  Cicero,  Seneca,  Tertullian,  Victorinus, Calcidius,  Augustine,  and  Boethius,  would  leave  its  mark,  by  way  of the Middle Ages, on the birth of modern thought.  Can it be hoped that one day, with current technical means, it will be possible to compile a complete lexicon of  the  correspondences  of  philosophical  terminology  in  Greek  and  Latin?</p><p>Furthermore,  lengthy commentaries would be needed,  for the  most  interesting  task  would  be  to  analyze  the  shifts  in  meaning  that  take  place  in  the movement  from  one  language  to  another.  In  the  case  of  the  ontological vocabulary the translation of ousia by subs1an1ia, for example, is justly famous and has again recently inspired some remarkable studies.  This brings us once more  to  a  phenomenon  we  discretely  alluded  to  earlier  with  the  word phi/osophia,  and  which  we  will  encounter  throughout the present  discussion: the  misunderstandings,  shifts  or  losses  in  meaning,  the  reinterpretations, sometimes  even  to  the  point  of  misreadings,  that  arise  once  tradition, translation,  and  exegesis  coexist.  So  our  history  of Hellenistic  and  Roman thought  will  consist  above  all  in  recognizing and  analyzing  the  evolution  of meanings  and significance.</p><p>It is  precisely  the need to explain  this evolution that justifies  our  intention to  study  this  period  as  a  whole.  Translations  from  the  Greek  into Latin  are indeed  only  a  particular  aspect of this  vast process of unification,  that  is,  of Hellenization,  of the different  cultures of the  Mediterranean  world,  Europe, and Asia Minor that took place progressively from the fourth century BC up until the end of the ancient world. Hellenic thought had the strange capacity to absorb the most diverse mythical and  conceptual  themes.  All  the cultures of  the  Mediterranean  world  thus  eventually  expressed  themselves  in  the categories of Hellenic thought, but at the price of important shifts in meaning that  distorted  the  content  of  the  myths,  the  values,  and  .the  wisdom  of each  culture,  as  well  as  the  content  of  the  Hellenic  tradition  itself.  First the  Romans,  who  were  able  to  retain  their  language,  then  the  Jews,  and then  the  Christians  fell  into  this  sort  of  trap.  Such  was  the  price  for  the creation  of  the  remarkable  linguistic  and  cultural  community  that  characterizes  the  Greco-Roman  world.  This  process  of unification  also  ensured  a surprising  continuity  at  the  heart  of  philosophical  and  religious  literary traditions.</p><p>This evolutionary continuity  and  progressive unification  can  be seen  most remarkably  in  the  area  of philosophy.  At  the  beginning  of the  Hellenistic period  an  extraordinary  proliferation  of schools emerged  in  the  wake of the Sophist  movement  and  the  Socratic  experience.  But  beginning  with  the third  ccntui�y  BC a  kind  of sorting out occurred.  In  Athens the only schools 10  Kurvivc  were  1 h0Kc  whoKc  founders  h11d  thought  to  establish  them  as</p><p><image l:href="#83"/></p><p>56</p><p>Method</p><p>well-organized  institutions:  the  school  of Plato,  the  school  of Aristotle  and Theophrastus,  the school of Epicurus, and  that of Zeno and  Chrysippus.  In addition to these  four schools  there  were two movements  that are primarily spiritual traditions: Skepticism and Cynicism.  After the institutional  foundations  of the  schools  in  Athens collapsed  at  the end of the  Hellenistic period, private schools  and  even  officially subsidized  teaching posts  continued  to be established  throughout  the empire,  and  here  the  spiritual  traditions  of their founders  were  their  reference  points.  Thus,  for six  centuries,  from  the  third century  BC  until  the  third  century  AD,  we  witness  a  surprising  stability among  the  six traditions we  have  just  mentioned.  However,  beginning  with the third century AD, Platonism, in the culmination of a movement underway since  the first century, yet again  at the  price of subtle shifts  in meaning and numerous reinterpretations, came to absorb both Stoicism and Aristotelianism in  an  original  synthesis,  while  all  the  other  traditions  were  to  become marginal.  This  unifying  phenomenon  is  of  major  historical  importance.</p><p>Thanks to the writers of lesser  antiquity  but  also  to  the Arab translations and the  Byzantine  tradition,  this  Neoplatonist synthesis  was  to  dominate  all  the thought  of the  Middle  Ages  and  Renaissance  and  was  to  provide,  in  some fashion,  the  common  denominator  among  Jewish,  Christian,  and  Moslem theologies and mysticisms.</p><p>We have just  given  a  very brief outline  of the main  paths of the history of the philosophical schools of antiquity. But as a history of ancient phi/osophia, our history of Hellenistic and Roman  thought is less focused on studying the doctrinal diversities and particularities of these different schools than it is on attempting to describe the very essence of the phenomenon of philosophia and finding  the  traits  shared  by  the  "philosopher"  or  by  "philosophizing"  in antiquity.  We  must  try  to  recognize  in  some  way  the  strangeness  of this phenomenon, in order then  to try  to understand better the strangeness of its permanence throughout the whole history of Western thought. Why, you may ask,  speak  of strangeness  when  philosop/1ia  is  a  very  general  and  common thing?  Doesn't  a  philosophical  quality  color  all  of  Hellenistic  and  Roman thought? Weren't the generalization and popularization of philosophy characteristics  of the  time?  Philosophy  is  found  everywhere  - in  speeches,  novels, poetry, science, art.  However, we must not be deceived.  These general ideas, these commonplaces  that  may  adorn  a  literary  work,  and  true "philosophizing"  are separated by an  abyss.  Indeed,  to be a philosopher implies a rupture with what the skeptics called bios,  that  is,  daily life, when they criticized other philosophers for not observing the common conduct of life, the usual manner of seeing and acting,  which  for the Skeptics consisted  in respecting customs and  laws,  practicing  a  craft  or  plying  a  trade,  satisfying  bodily  needs,  and having the faith in  appearances  indispensable  to action .  It  iH  true: that even while  the  Skeptics  chose  to  conform  to  the:  common  cundm�1  of  life,  they remained philosophers, since they pract iced an clCcrciNC' dt�11111111l ln11 1111mc1 hi111&lt;</p><p>Forms of Life and Forms of Discourse 57</p><p>rather  strange,  the suspension  of judgment,  and  aiming  at  a  goal,  uninterrupted  tranquillity  and serenity of the soul, that the commo1.1 conduct of life hardly knew.</p><p>This very rupture between the philosopher and the conduct of everyday life is strongly felt by non-philosophers. In the works of comic and satiric authors, philosophers were portrayed as bizarre, if not dangerous characters.  It is true, moreover,  that  throughout  all  of  antiquity  the  number  of charlatans  who passed  themselves  off  as  philosophers  must  have  been  considerable,  and Lucian,  for  example,  freely  exercised  his  wit  at  their  expense.  Jurists  too considered  philosophers  a  race apart.  According to  Ulpian,  in  the  litigation between  professors and  their debtors the authorities  did  not need  to concern themselves with  philosophers, for these people professed to despise money. A regulation  made by  the  emperor Antoninus  Pious on salaries  and  compensations  notes  that if a  philosopher haggles  over  his possessions, he shows  he  is no  philosopher.  Thus  philosophers  are  strange,  a  race  apart.  Strange  indeed are those Epicureans, who lead a frugal life, practicing a total equality between the  men  and  women  inside  their  philosophical  circle  - and  even  between married  women  and  courtesans;  strange,  too,  those  Roman  Stoics  who disinterestedly administer the provinces of the empire entrusted  to  them and are  the  only  ones  to  take  seriously  the  laws  promulgated  against  excess; strange  as  well  this  Roman  Platonist,  the  Senator  Rogatianus,  a  disciple  of Plotinus,  who on  the  very  day  he is to  assume  his  functions as  praetor gives up his  responsibilities, abandons all his possessions,  frees his slaves, and cats only every  other day.  Strange  indeed  all  those philosophers  whose  behavior, without  being  inspired  by  religion,  nonetheless  completely  breaks  with  the customs and habits of most mortals.</p><p>By  the  time  of the  Platonic  dialogues  Socrates  was  called  atopos,  that  is,</p><p>"unclassifiable."  What  makes  him  atopos  is  precisely  the  fact  that  he  is  a</p><p>"philo-sopher"  in  the  etymological  sense  of the  word;  that  is,  he  is  in  love with wisdom.  For wisdom, says Diotima in Plato's Symposium, is not a human state, it is a state of perfection of being and knowledge that can only be divine.</p><p>It  is  the love of this wisdom,  which  is foreign  to the  world,  that makes  the philosopher a  stranger in it.</p><p>So each school  will elaborate its rational depiction of this state of perfection in  the  person  of the  sage,  and  each  will  make an  effort to  portray  him.  It is true  that  this transcendent ideal will be deemed almost inaccessible; according to some schools  there  never  was  a  wise man,  while  others  say  that  perhaps there  were one or  two of them,  such as  Epicurus,  this god among men,  and still others  maintain  that man  can  only attain  this state  during rare,  fleeting moments.  In this transcendent norm  established  by reason,  each  school  will cxprci;s  its  own  vision  of the  world,  its own style of life, and  its idea of the perfect  man.  ThiN  is why  in every school the description of this transcendent norm  ultim1uclv  coindth.'11  with  the  rational  idea  of God.  Michelet  remarked</p><p><image l:href="#73"/></p><p><image l:href="#114"/></p><p>58</p><p>Method</p><p>very profoundly, "Greek religion culminated  with  its true god, the sage." We can  interpret  this  remark,  which  Michelet  does  not  develop,  by  noting  that the moment philosophers achieve a  rational conception of God based on the model of the sage, Greece surpasses its mythical representation of its gods. Of course, classical descriptions  of the sage  depict  the  circumstances  of human life and take pleasure in describing how the sage would respond to this or that situation, but the beatitude the wise man resolutely maintains throughout his difficulties  is  that of God  himself.  Seneca  asks  what the sage's life  would be in  solitude,  if he were  in prison  or  exile,  or cast upon  the shores of a desert island.  And he answers that it would be the life of Zeus (that is, for the Stoics, the  life  of universal  Reason),  when,  at  the  end  of each  cosmic  period,  after the  activity  of nature  has  ceased,  he  devotes  himself freely  to  his  thoughts; like  Zeus  the  sage would  enjoy  the  happiness of being self-sufficient.  Thus the  thoughts  and  will  of the  Stoic  wise  man  completely  coincide  with  the thoughts, will, and development of Reason  immanent to the evolution of the Cosmos.  As for the Epicurean sage, he,  like the gods, watches the  infinity of worlds  arising  out  of atoms  in  the  infinite  void;  nature  is  sufficient  for  his needs,  and  nothing  ever  disturbs  the  peace  of his  soul.  For  their  part,  the Platonic  and  Aristotelian  sages  raise  themselves  in  subtly  different  ways,  by their life of the mind, to the realm of the divine Mind  itself.</p><p>Now  we  have  a  better  understanding  of  atopia,  the  strangeness  of  the philosopher in the human world. One does not know how to classify  him, for he  is  neither  a  sage  nor a  man  like  other  men.  He  knows  that  the  normal, natural state of men should be wisdom,  for wisdom is nothing more than the vision  of things as  they  are,  the  vision  of the cosmos as  it is  in  the  light  of reason,  and  wisdom  is also nothing more than  the mode of being and  living that should correspond to this vision. But the philosopher also knows that this wisdom  is an ideal state, almost inaccessible.  For such a  man, daily life,  as it is organized and lived  by  other men, must necessarily appear abnormal, like a  state of madness,  unconsciousness,  and  ignorance of reality.  And nonetheless he must  live  this life every day,  in this world in  which he  feels himself a stranger  and  in  which  others  perceive  him  to  be  one  as  well.  And  it  is precisely in this daily life  that he must seek to  attain  that  way of life  which  is utterly  foreign  to  the  everyday  world .  The  result  is  a  perpetual  conflict between  the philosopher's effort to see things as they are from the standpoint of universal  nature  and  the conventional  vision  of things  underlying  human society,  a  conflict  between  the  life  one  should  live  and  the  customs  and conventions  of  daily  life.  This  conflict  can  never  be  totally  resolved.  The Cynics, in their refusal of the world of social convention, opt for a total break.</p><p>On  the contrary,  others,  such as the Skeptics,  fully accept  socinl  convention, while keeping their inner peace. Others, the Epicure11ni;, for c111ur1plc, 11ttempt to recreate among themselves a daily life th11t conforn111 to 1 lw  itlt�11 I of wiKdom .</p><p>Ot�hcrs  still such</p><p>,</p><p>1111  t he  Plat:on ists  nnd  t he  StoicN,  Nl l'h�1� ,  111  1 111'  1 w11  of  t ill&#xFFFD;</p><p>Fonns of Life and Fonns  of Discourse 59</p><p>greatest  difficulties,  to  live  their  everyday  and  even their public  lives  in  a</p><p>"philosophical" manner.  In  any  event,  for  all  of them,  the  philosophical  life will  be  an  effort  to  live and think  according  to  the  norm  of wisdom,  it  will be  a  movement,  a  progression,  though  a  never-ending  one,  toward  this transcendent state.</p><p>Each school, then, represents a  form of life  defined  by an  ideal of wisdom.</p><p>The result is that each one has its corresponding fundamental inner attitude</p><p>- for example,  tension  for  the Stoics  or relaxation  for  the  Epicureans - and its  own  manner of speaking, such  as the Stoic use  of percussive  dialectic or the  abundant  rhetoric  of  the  Academicians.  But  above  all  every  school practices exercises designed to ensure spiritual progress toward the ideal state of  wisdom,  exercises  of reason  that  will  be,  for  the  soul,  analagous  to  the athlete's  training  or  to  the  application  of  a  medical  cure.  Generally,  they consist, above all, of self-control and meditation . Self-control is fundamentally being attentive to oneself:  an unrelaxing vigilance for the Stoics, the renunciation  of unnecessary  desires  for  the  Epicureans.  It  always  involves  an  effort of will,  thus  faith in moral  freedom  and  the  possibility of self-improvement; an acute moral consciousness honed by spiritual direction and  the practice of examining  one's  conscience;  and  lastly,  the  kind  of  practical  exercises described with such remarkable precision particularly by Plutarch: controlling one's anger, curiosity, speech, or love of riches, beginning by working on what is easiest in order gradually to acquire a  firm  and stable character.</p><p>Of  first  importance  is  "meditation,"  which  is  the  "exercise"  of  reason; moreover, the two words are synonymous from an etymological point of view.</p><p>Unlike  the  Buddhist  meditation  practices  of  the  Far  East,  Greco-Roman philosophical  meditation  is not linked  to  a  corporeal  attitude but  is a  purely rational,  imaginative,  or  intuitive  exercise  that  can  take  extremely  varied forms.  First of all it is the memorization and assimilation of the fundamental dogmas and  rules of life of the school. Thanks to  this exercise,  the  vision of the world of the  person  who strives  for  spiritual  progress  will  be completely transformed.  In  particular,  philosophical  meditation  on  the essential  dogmas of physics, for example the Epicurean contemplation of the genesis of worlds in  the  infinite  void  or  the  Stoic contemplation  of the  rational  and  necessary unfolding  of cosmic  events,  can  lead  to  an  exercise  of  the  imagination  in which human things appear of little importance in the immensity of space and time.  It is necessary to try to have these  dogmas and rules for living "ready to  hand"  if one is  to  be able  to conduct oneself like  a  philosopher  under  all of  life's  circumstances.  Moreover,  one  has  to  be  able  to  imagine  these circumstances  in  advance  in order to be  ready  for the shock of events.  In  all t he  schools,  for  various  reasons,  philosophy  will  be  especially  a  meditation u1mn  death  and  an attentive concentration on  the present moment in order to t�njoy  it  or  live  it  in  full  consciousncs11.  In  all  these exercises,  all  the  means oh1 11hu1hle  hv  dialect ic  1111J  rhet oric  will  he  util i:1.cd  to  obtain  the  maximum</p><p>60</p><p>Method</p><p>effect. In particular, this consciously willed application of rhetoric explains the impression  of  pessimism  that  some  readers  believe  they  discern  in  the Meditations of Marcus Aurelius.  All images are suitable for him if they strike the  imagination and  make  the reader conscious  of the  illusions  and  conventions of mankind.</p><p>The  relationship  between  theory  and  practice  in  the  philosophy  of  this period  must  be  understood  from  the  perspective  of  these  exercises  of meditation.  Theory  is  never  considered  an  end  in  itself;  it  is  clearly  and decidedly  put in the service of practice.  Epicurus is explicit on this point: the goal of the science of nature  is to obtain  the soul's serenity. Or else, as among the  Aristotelians, one is  more  attached  to  theoretical  activity  considered  as  a way  of life that  brings  an  almost  divine  pleasure  and  happiness  than  to  the theories  themselves.  Or,  as  in  the  Academicians'  school  or  for  the  skeptics, theoretical activity  is  a  critical  activity.  Or,  as among the  Platonists,  abstract theory  is  not  considered  to  be  true  knowledge:  as  Porphyry  says,  "Beatific contemplation  does  not  consist  of  the  accumulation  of  arguments  or  a storehouse  of learned  knowledge,  but  in  us  theory  must become  nature  and life itself." And, according to Plotinus, one cannot know the soul  if one does not  purify  oneself  of  one's  passions  in  order  to  experience  in  oneself  the transcendence of the soul  with  respect  to  the body,  and  one  cannot know the principle  of all things  if one has  not had the experience of union  with  it.</p><p>To  make  possible  these  exercises  in  meditation,  beginners  are  exposed  to maxims or summaries of the principal dogmas of the school. Epicurus' Letters, which  Diogenes Laertius preserved  for  us, are  intended  to  play  this  role. To ensure  that  these  dogmas  have  a  great  spiritual  effectiveness,  they  must  be presented  in  the  form  of short,  striking  formulae,  as  in  Epicurus'  Principal Doctrines,  or  in a  rigorously  systematic  form, such  as  the  Letter to Herodotus by  the  same author,  which  permitted  the disciple  to  grasp  in  a  kind of single intuition the essentials of the doctrine in order to have it more easily at hand.</p><p>In this case the concern for systematic coherence was subordinated to spiritual effectiveness.</p><p>The dogmas  and  methodological  principles  of each  school  are  not open  to discussion.  In  this  period,  to  philosophize is to choose a school, convert to  its way  of life,  and  accept  its  dogmas.  This  is  why  the  core  of the  fundamental dogmas  and  rules  of  life  for  Platonism,  Aristotelianism,  Stoicism,  and Epicureanism remained unchanged  throughout antiquity.  Even the scientists of antiquity  always  were  affiliated  with  a  philosophical  school:  the  development of their mathematical and astronomical theorems changed nothing of the fundamental  principles of the  school  to  which  they  claimed  allegiance.</p><p>This  does  not  mean  that  theoretical  reflection  and  elaboration  arc  absent from  the  philosophical  life.  However,  this  activity  ncVl'r  l'ncndcd  to  the dogmas  themselves or  the methodological principlcN but  r111 hvr In  t he  wayH of demonstrating  nnd  11yHtcm1nizing  thcHc  JugmnN  iUUI  111  1111rnml11r v ,   duct rinnl</p><p><image l:href="#118"/></p><p><image l:href="#31"/></p><p>Forms of Life and Fom1s  of Discourse</p><p>6 1</p><p>points  issuing  from  them  on  which  there  was  not  unanimity  i n  the  school.</p><p>This type of investigation is always reserved for the more advanced students, for whom it is an exercise of reason that strengthens them in their philosophical  life.  Chrysippus,  for  example,  felt  himself  capable  of  finding  the arguments  justifying  the  Stoic  dogmas  established  by  Zeno  and  Cleanthes, which led him, moreover, to disagree with them not concerning these dogmas but on the way of establishing them. Epicurus, too,  leaves the discussion  and study  of points  of detail  to  the more  advanced  students, and  much  later  the same  attitude  will  be  found  in Origen,  who assigns  the  "spiritual  ones"  the task of seeking, as he himself says, by way of exercise, the "hows" and "whys"</p><p>and  of  discussing  these  obscure  and  secondary  q uestions.  This  effort  of theoretical reflection can result in the composition of enormous works.</p><p>Obviously,  these  systematic  treaties  and  scholarly  commentaries,  such  as Origen's treatise  on Principles  or Proclus'  Elements of Theology,  very  legitimately  attract  the  attention  of the  historian  of philosophy.  The  study of the progress of thought in  these great texts must be one of the principal  tasks in a  reflection  on  the  phenomenon  of philosophy.  However,  it  must be  recognized  that  generally  speaking  the  philosophical  works  of  Greco-Roman antiquity almost always  perplex  the contemporary  reader.  I  do not refer only to the general public, but even to specialists  in  the  field.  One could compile a  whole  anthology  of complaints  made  against  ancient  authors  by  modern commentators,  who reproach them  for  their bad  writing, contradictions, and lack of rigor and coherence. Indeed, it is my astonishment both at these critics and  at  the universality and  persistence of the phenomenon they condemn that inspires  the  reflections  I  have  just  presented,  as  well  as  those  I  wish  to  turn to now.</p><p>It  seems  to  me,  indeed,  that  in  order  to  understand  the  works  of  the philosophers of antiquity  we must take account of all  the concrete conditions in  which  they  wrote,  all  the  constraints  that  weighed  upon  them :  the framework  of  the  school,  the  very  nature  of philosopl1ia,  literary  genres, rhetorical  rules,  dogmatic  imperatives,  and  traditional  modes  of  reasoning.</p><p>One cannot read  an ancient author the way one does a  contemporary  author (which  does  not  mean  that  contemporary  authors  are  easier  to  understand than  those  of antiquity).  In  fact,  the  works  of antiquity  are  produced  under entirely  different conditions  than those of their modern  counterparts.  I  will not  discuss  the  problem  of material  support:  the  volumen  or  codex,  each of which  has  its own constraints.  But I  do  want  to  stress  the fact that  written works  in  the  period  we  study  arc  never  completely  free  of the  constraints imposed  by  oral  transmission.  In  fact,  it is  an  exaggeration  to  assert,  as  has still  been  done  recent ly,  that  Greco-Roman  civilization  early  on  became  a civililnt ion  of  writing  and  that  one  can  thus  treat,  methodologically,  the philmmphknl  workN of nnt iquit y  like  nny  othc:r  written  work.</p><p>62</p><p>Method</p><p>For  the  written  works  of  this  period  remain  closely  tied  to  oral  conduct.</p><p>Often  they were dictated to a scribe. And they were intended to be read aloud, either  by  a  slave  reading  to  his  master  or  by  the  reader  himself,  since  in antiquity  reading  customarily  meant  reading aloud,  emphasizing  the  rhythm of the  phrase  and  the  sounds  of the  words,  which  the  author  himself  had already  experienced  when  he dictated  his  work.  The ancients were extremely sensitive  to  these  effects  of sound.  Few  philosophers  of the  period  we study resisted this magic of the spoken word,  not even the Stoics, not even Plotinus.</p><p>So if oral literature before the practice of writing imposed rigorous constraints on  expression  and  obliged  one  to  use  certain  rhythmic,  stereotypic,  and traditional  formulae conveying images  and  thoughts independent,  if one may say  so,  of  the  author's  will,  this  phenomenon  is  not  foreign  to  written literature to  the degree that it too must concern itself with  rhythm .md sound.</p><p>To  take  an extreme  but  very  revealing example,  the  use  of poetic  meter in  De rerum  nalura dictates  the  recourse  to  certain  somewhat stereotypical  formulae and  keeps  Lucretius from freely using the technical  vocabulary of Epicureanism  that  he  should  have employed.</p><p>This  relationship  between  the  written  and  the  spoken  word  thus  explains certain aspects  of the  works  of antiquity.  Quite  often  the  work  proceeds  by the associations of ideas, without systematic rigor. The work retains the starts and  stops,  the  hesitations,  and  the  repetitions  of spoken  discourse.  Or  else, after re-reading what he has written, the author introduces a somewhat forced systematization  by  adding transitions, introductions,  or conclusions  to  different  parts of the  work.</p><p>More  than  other  literature,  philosophical  works  arc  linked  to  oral  transmission  because  ancient  philosophy  itself  is  above  all  oral  in  character.</p><p>Doubtless  there  are  occasions  when  someone  was  converted  by  reading  a book,  but  one  would  then  hasten  to  the  philosopher  to  hear  him  speak, question  him,  and  carry  on  discussions  with  him  and  other  disciples  in  a community  that  always  serves  as  a  place  of  discussion.  In  matters  of philosophical teaching, writing is only an aid  to memory, a last resort that will never replace  the living word.</p><p>True  education  is always oral  because only  the spoken  word  makes  dialogue possible,  that  is,  it  makes  it  possible  for  the  disciple  to  discover  the  truth himself amid  the  interplay  of questions  and  answers  and  also  for  the  master to  adapt  his teaching to  the  needs of the  disciple.  A  number of philosophers, and  not  the  least  among  them,  did  not  wish  to  write,  thinking,  as  did Plato and  without doubt correctly,  that what  is  inscribed  in  the soul  by  the spoken  word  is  more  real  and  lasting  than  letters  drawn  on  papyrus  or parchment.</p><p>Thus  for  the  most  part  the  literary  productions  of the  phi loNophc:rN  arc  11</p><p>preparation,  extension ,  or echo of their spoken  lessons nnd arl'  n111rked  hy  the limitations  and  constraints  imposed by such n  situnt ion.</p><p>Forms  of Life and Forms of Discourse 63</p><p>Some  of  these  works,  moreover,  are  directly  related  to  the  activity  of teaching. They may be  either a  summary the teacher drafted. in preparing his course or notes taken by students  during the course,  or else they may be texts written  with  care  but  intended  to  be  read  during the  course  by  the  professor or  a  student.  In  all  these  cases,  the  general  movement  of  thought,  its unfolding,  what  could  be  called  its  own  temporality,  is  regulated  by  the temporality  of speech.  It  is  a  very  heavy  constraint,  whose  full  rigor  I  am experiencing today.</p><p>Even texts that were written  in  and  for themselves are closely  linked to the activity  of  teaching,  and  their  literary  genre  reflects  the  methods  of  the schools.  One  of the exercises  esteemed  in  the  schools  consists  of discussing, either  dialectically,  that  is,  in  the  form  of  questions  and  answers,  or rhetorically, that is, in a continuous discourse, what were called  "theses," that is,  theoretical  positions  presented  in  the  form  of  questions:  Is  death  an evil?  Is  the  wise  man  ever  angry?  This  provides  both  training  in  the mastery of the spoken  word  and a  properly philosophical exercise.  The  largest portion of the philosophical  works of antiquity, for example those of Cicero, Plutarch, Seneca,  Plotinus,  and  more  generally  those  classified  by  the  moderns  as belonging  to  what  they  called  the  genre  of  diatribe,  correspond  to  this exercise. They discuss a  specific question,  which  is  posed  at the outset of the work  and  which  normally  requires  a  yes  or  no  answer.  In  these  works,  the course of thought  consists  in  going back  to general  principles  that have been accepted  in  the  school  and  arc  capable of resolving the problem  in  question.</p><p>This search  to  find  principles to  solve a  given  problem  thus encloses  thought within  narrowly  defined  limits.  Different  works  written  by  the  same  author and  guided  according  to  this  "zetctic"  method,  "one  that  seeks,"  will  not necessarily  be  coherent  on  all  points  because  the  details  of the  argument  in each  work will  be  a  function  of the question  asked .</p><p>Another school  exercise is  the  reading and  exegesis of the authoritative texts of each  school.  Many  literary  works,  particularly  the  long commentaries  from the  end  of antiquity,  are  the  result  of this  exercise.  More  generally,  a  large number of the  philosophical  works  from  that  time utilize a mode of exegetical thinking.  Most  of the  time,  discussing  a  "thesis"  consists  in  discussing  not the  problem  in  itself  but  the  meaning  that  one  should  give  to  Plato's  or Aristotle's statements concerning this problem. Once this convention has been taken  into  account,  one  docs  in  fact discuss the  question  in  some  depth,  but this  is  done  by  skillfully  giving  Platonic  or  Aristotelian  statements  the meanings  that  support  the  very  solution  one  wishes  to  give  to  the  problem under  consideration.  Any  possible  meaning  is  true  provided  it coheres  with the  t ruth one believes one  has discovered  in the text.  In  this way there slowly emcqccs,  in  the spiritual  tradition  of each school,  but in  Platonism  above  all, it 11chola!itici1m1  which ,  relying on  argument from authority, builds up gigantic doctrinal  cdific�cK  by  mcanK  of  an  extraordinary  rational  reflection  on  the</p><p>64</p><p>Method</p><p>fundamental dogmas.  It  is  precisely  the  third  philosophical  literary genre,  the systematic treatise,  that  proposes a  rational ordering of the  whole of doctrine, which  sometimes  is presented,  as  in the case of Proclus,  as  a  more geometrico, that  is, according to the model of Euclid's Elements. In  this case  one  no longer returns to the principles necessary to resolve a specific question  but sets down the  principles  directly  and  deduces  their  consequences.  These  works  are,  so to  speak,  "more  written"  than  the  others.  They  often  comprise  a  long sequence of books and are marked by a  vast,  overarching design.  But,  like the Summae theologicae of the Middle-Ages that they prefigure, these works must themselves  also  be  understood  from  the  perspective  of  dialectical  and exegetical scholarly  exercises.</p><p>Unlike  their modem  counterparts,  none of these philosophical  productions, even  the  systematic  works,  is  addressed  to  everyone,  to  a  general  audience, but they are intended first of all for the  group  formed  by the members of the school;  often  they  echo  problems  raised  by  the  oral  teaching.  Only  works  of propaganda  are  addressed  to  a  wider audience.</p><p>Moreover,  while  he  writes  the  philosopher  often  extends  his  activity  as spiritual  director  that  he  exercises  in  his  school.  In  such  cases  the  work  may be  addressed  to  a  particular disciple  who  needs  encouragement or  who  finds himself in a special difficulty. Or else the work may be adapted to the spiritual level  of the  addressees.  Not all  the  details  of the  system  can  be explained  to beginners;  many details can  be  revealed  only  to  those  further along the  path.</p><p>Above  all,  the  work,  even  if  it  is  apparently  theoretical  and  systematic,  is written  not so  much  to inform  the reader  of a  doctrinal  content  but  to  form him,  to  make  him  traverse  a  certain  itinerary  in  the  course  of which  he  will make spiritual  progress.  This procedure  is clear  in  the works  of Plotinus and Augustine,  in  which  all  the detours,  starts  and  stops,  and  digressions  of the work  are  formative  elements.  One must always approach  a philosophical work of antiquity  with  this  idea  of spiritual  progress  in  mind.  For  the  Platonists, for example, even mathematics is used  to  train  the soul to raise itself from the sensible  to  the  intelligible.  The  overall  organization  of a  work  and  its  mode of exposition  may  always  answer to  such  preoccupations.</p><p>Such  then  are the many constraints that are exercised  on  the ancient author and  that  often  perplex  the  modem  reader  with  respect  to  both  what  is  said and  the  way  in  which  it  is  said.  Understanding  a  work  of antiquity  requires placing it in the group  from  which  it emanates,  in the tradition  of its  dogmas, its  literary  genre,  and  requires  understanding  its  goals.  One  must attempt  to distinguish  what  the  author  was  required  to  say,  what  he  could  or could  not say, and, above  all,  what he meant to  say.  For  the  ancient  author's  art consists in his skillfully  using,  in order to arrive at his goals, all of the constraints  that weigh  upon  him as well  as the models furnished  by  the  i-rnllition.  MoHt  of the time,  furthermore,  he  uses  not  only ideas,  images,  nml  p111 1&#xFFFD;rn� of nrl(mncnt in  1hi11  way  hm  also  tcx1�11  or at  lca111  inc-existing form11l111�  l�'rnm  11l11icii1riNm</p><p>Forms  of Life and Forms of Discourse 65</p><p>pure  and simple  to  quotation or paraphrase,  this practice  includes - and this is  the  most  characteristic  example  - the  literal  use  of  foi;mulae  or  words employed  by  the  earlier  tradition  to  which  the  author  often  gives  a  new meaning adapted  to  what  he  wants  to  say.  This  is  the  way  that  Philo,  a Jew, uses  Platonic  formulae  to  comment  on  the  Bible,  or  Ambrose,  a  Christian, translates  Philo's  text  to  present  Christian  doctrines,  the  way  that  Plotinus uses  words  and  whole  sentences  from  Plato  to convey  his  experience.  What matters  first of all  is  the  prestige  of the  ancient  and  traditional  formula,  and not the exact meaning it originally had. The idea itself holds less interest than the prefabricated elements  in  which  the writer believes  he recognizes his own thought,  elements  that  take  on  an  unexpected  meaning  and  purpose  when they  are  integrated  into  a  literary  whole.  This  sometimes  brilliant  reuse  of prefabricated  elements  gives an  impression  of "bricolage,"  to take  up a  word currently  in  fashion,  not  only  among  anthropologists  hut  among  biologists.</p><p>Thought  evolves  by  incorporating  prefabricated  and  pre-existing  elements, which  are  given  new  meaning  as  they  become  integrated  into  a  rational system.  It is  difficult  to  say  what  is most extraordinary  about  this  process  of integration:  contingency,  chance,  irrationality,  the  very  absurdity  resulting from  the  elements  used,  or,  on  the  contrary,  the  strange  power of reason  to integrate  and  systematize  these  disparate  elements  and  to  give  them  a  new meaning.</p><p>An  extremely  significant example of this  conferring of a  new  meaning can be  seen  in  the  final  lines  of  Edmund  Husserl's  Cartesian  Meditations.</p><p>Summing  up  his  own  theory,  Husserl  writes,  "The  Delphic  oracle  yv ro6t OEavi-ov  [know  thyself]  has acquired  a  new  meaning . . . .  One  must  first  lose the  world  by  the  etrov]  [for  Husserl,  the  'phenomenological  bracketing'  of the  world],  in  order  to  regain  it  in  a  universal  self-consciousness.  Noli joras ire,  says  St  Augustine,  in  te  redi,  in  interiore  homine  habitat  veritas."  This sentence  of  Augustine's,  "Do  not  lose  your  way  from  without,  return  to yourself,  it is in  the inner man  that truth dwells," offers  Husserl a  convenient formula for expressing and summarizing his own conception of consciousness.</p><p>It is  true that Husserl gives  this sentence a  new  meaning.  Augustine's  "inner man"  becomes  the  "transcendental ego"  for  Husserl,  a  knowing subject  who regains  the world  in  "a  universal  self-consciousness."  Augustine  never could have  conceived  of  his  "inner  man"  in  these  terms.  And  nonetheless  one understands  why Husserl  was  tempted  to  use  this  formula.  For Augustine's sentence admirably summarizes  the whole spirit of Greco-Roman  philosophy that  prepares  the way  for both  Descartes'  Meditations and Husserl's  Cartesian Meditations.  And  by  the  same  procedure  of taking  up  such  a  formula  again, we  ourselves  can apply  to ancient philosophy  what  Husserl  says of his  own 1&gt;hilmmphy:  t.he Delphic oracle "Know  thyself" has acquired  a new meaning.</p><p>For 1111 the 11hiloso1&gt;hy of which  we  have spoken  also  gives  a  new meaning to l hl'  I &gt;clphic  form11 l11 .   Thi11  new  mc11ninir already  appeared  among  the  Stoics,</p><p>66</p><p>Method</p><p>for  whom  the  philosopher  recognizes  the  presence  of divine  reason  in  the human  self and  who opposes  his  moral consciousness,  which  depends  on him alone,  to  the  rest  of  the  universe.  This  new  meaning  appeared  even  more clearly among the Neoplatonists, who identify  what they call the true self with the  founding intellect of the  world  and  even  with the transcendent unity  that founds  all  thought  and  all  reality.  In  Hellenistic  and  Roman  thought  this movement,  of which  Husserl  speaks,  is  thus  already  outlined,  according  to which  one loses the  world  in order  to  find  it  again  in universal self-consciousness.  Thus Husserl  consciously and  explicitly  presents  himself as  the  heir  to the  tradition  of  "Know  thyself "  that  runs  from  Socrates  to  Augustine  to Descartes.  But  that  is  not  all.  This  example,  borrowed  from  Husserl,  better enables  us to understand concretely how these conferrals of new meaning can be  realized  in  antiquity  as  well.  Indeed,  the  expression  in  interiore  homine habitat veritas, as my  friend  and colleague Goulven  Madec  has pointed out to me,  is  an  allusion  to  a  group  of  words  borrowed  from  chapter  3,  verses  1 6</p><p>and  1 7, o f  Paul's letter to  the Ephesians,  from a n  ancient Latin  version,  to  be exact,  in  which  the  text  appears  as  in interiore homi11e  Christum habitare.  But these  words are merely  a  purely  material  conjunction that exists only in  this Latin  version  and  do  not  correspond  to  the  contents  of Paul's  thought,  for they  belong  to  two  different  clauses  of the  sentence.  On  the  one  hand,  Paul wishes  for  Christ  to  dn1el/  in  the heart of his  disciples  through  faith,  and,  on the  other  hand,  in  the  preceding  clause,  he  wishes  for  God  to  allow  his disciples  to be strengthened by  the  divine  Spirit in  the inner man,  in interiorem hominem, as  the  Vulgate  has  it.  So  the  earlier Latin  version,  by  combining in interiure  homine  and  Christum  habitare,  was  either  a  mistranslation  or  was miscopied. The Augustinian formula, in interiore homine habitat veritas, is  thus created  from  a  group of words  that  do  not  represent  a  unified  meaning  in  St Paul's  text;  but  taken  in  itself,  this  group  of  words  has  a  meaning  for Augustine, and  he explains it in the context of De vera religione where he  uses it:  the  inner  man,  that  is,  the  human  spirit,  discovers  that  what  permits  him to  think  and reason is  the  truth,  that is, divine reason - that is, for Augustine, Christ,  who  dwells  in,  who  is  present  within,  the  human  spirit.  In  this  way the  formula  takes  on  a  Platonic  meaning.  We  see  how,  from  St  Paul  to Husserl,  by  way  of Augustine,  a  group  of words  whose  unity  was  originally only purely material, or which was a misunderstanding of the Latin  translator, was  given  a  new  meaning by  Augustine,  and  then  by Husserl,  thus  taking its place  in  the  vast  tradition  of the  deepening  of the idea  of self-consciousness.</p><p>This  example borrowed  from  Husserl  allows  us  to touch on  the  importance of what  in  Western  thought  is called  the  topos.  Literary  theories  use  the term to  refer  to  the  formulae,  images,  and  metaphors  that  forcibly  impose themselves  on  the  writer  and  the  thinker  in  such  a  w11y  1 h11t  t he  LINC  of these prefabricated  models  seems  indispensable  tu  them  in  1mlc&#xFFFD;1�  tn  he  11hlc  to express  their own  thoughts.</p><p><image l:href="#157"/></p><p><image l:href="#175"/></p><p>Fonns of Life and Fonns of Discourse</p><p>67</p><p>Our  Western  thought  has  been  nourished  in  this  way  and  still  lives  off a relatively  limited  number  of  formulae  and  metaphors  borrowed  from  the various traditions of which it is the result. For example, there are maxims that encourage  a  certain inner attitude such  as  "Know  thyself'; those which  have long  guided  our  view  of nature:  "Nature  makes  no  leaps,"  "Nature  delights in diversity." There are metaphors  such as  "The force of truth," "The  world as  a  book"  (which  is  perhaps  extended  in  the conception of the  genetic  code as  a  text).  There  are  biblical  formulae  such  as  "I  am  who  I  am,"  which  have profoundly  marked  the idea  of God.  The point  I  strongly  wish to emphasize here  is  the  following:  these  prefabricated  models,  of which  I  have  just  given some examples, were known  during the Renaissance and in the modern world in  the  very  form  that  they  had  in  the  Hellenistic  and  Roman  tradition,  and they  were  originally  understood  during the Renaissance  and  in  the  modern world  with  the  very  meaning  these  models  of  thought  had  during  the Greco-Roman  period,  especially  at  the  end  of  antiquity.  So  these  models continue  to  explain  many  aspects  of our contemporary  thought  and  even  the very  significance,  sometimes  unexpected,  that  we  find  in  antiquity.  For example, the classical  prejudice,  which has done so  much  damage to  the study of  late  Greek  and  Latin  literatures,  is  an  invention  of  the  Greco-Roman period,  which  created  the  model  of a  canon  of classical  authors  as  a  reaction against  mannerism  and  the  baroque,  which,  at  that  time,  were  called</p><p>"Asianism."  But  if the  classical  prejudice  already  existed  during  the  Hellenistic and  especially imperial eras,  this is precisely because the distance we  feel with respect to  classical  Greece  also appeared  at that  time.  It is  precisely  this Hellenistic  spirit,  this  distance,  in  some  ways  modern,  through  which,  for example,  the  traditional  myths  become  the  objects  of  scholarship  or  of philosophical  and  moral  interpretations.  It is through  Hellenistic and  Roman thought,  particularly  that  of  late  antiquity,  that  the  Renaissance  was  to perceive  Greek  tradition.  This  fact  was  to  be  of decisive  importance  for  the birth  of modern  European  thought and  art.  In  another  respect  contemporary hermeneutic theories that, proclaiming the autonomy of the written  text, have constructed  a  veritable  tower of Babel  of interpretations  where  all  meanings become  possible,  come  straight out of the  practices  of ancient exegesis,  about which I  spoke earlier. Another example: for our late colleague Roland Barthes,</p><p>"many  features  of  our  literature,  of  our  teaching,  of  our  institutions  of language  . . .  would  be elucidated  and  understood  differently  if we fully  knew</p><p>. . .  the  rhetorical  code  that  gave  its  language  to  our  culture."  This  is completely true,  and  we could add that this  knowledge  would  perhaps enable us  to  be  conscious  of the  fact  that  in  their methods and modes of expression our  human  sciences  often  operate  in  a  way  completely  analogous  to  the mmlcl11 of ancient  rhetoric.</p><p>Our  hi111ory  of Hellenistic  and  Roman  thought  should  therefore  not  only 111111 l &#xFFFD;�:t.c  t he  movcrm:nt  of 1 houl(hl  in  philosophical  works,  but  it  should  also</p><p><image l:href="#14"/></p><p><image l:href="#33"/></p><p><image l:href="#52"/></p><p>68</p><p>Method</p><p>be a historical  topics  that will study the evolution of the meaning of the topoi, the  models  of which  we  have  spoken,  and  the  role  they  have  played  in  the formation  of  Western  thought.  This  historical  topics  should  work  hard  at discerning the original  meanings of the formulae and  models  and the different significances  that successive  reinterpretations have given  them.</p><p>At  first,  this  historical  topics  will  take  for  its object  of study  those  works that  were  founding  models  and  the  literary  genres that  they created.  Euclid's Elements,  for  example,  served  as  a  model  for  Proclus's  Elements  of  Theology but  also  for  Spinoza's  Ethics.  Plato's  Timaeus,  itself inspired  by  pre-Socratic cosmic  poems,  served  as  a  model  for  Lucretius'  De  rerum  natura,  and  the eighteenth  century,  in  tum,  was  to  dream  of a  new  cosmic  poem  that  would exhibit  the  latest  discoveries  of  science.  Augustine's  Confessions,  as  it  was misinterpreted,  moreover,  inspired  an  enormous  literature  up  to  Rousseau and  the romantics.</p><p>This topics could also be a topics  of aphorisms:  for  example,  of the maxims about  nature  that  dominated  the  scientific  imagination  until  the  nineteenth century.  This  year  [at  the  ColJege  de  France],  we  will  study in  this  way  the aphorism  of  Heraclitus  that  is  usually  phrased  as  "Nature  loves  to  hide herself," although this  is certainly  not the original meaning of the three Greek words  so  translated.  We  will  examine  the  significance  this  formula  takes  on throughout  antiquity  and  later  on,  as  a  function  of the  evolution  of the  idea of nature,  the  very  interpretation  proposed  by  Martin  Heidegger.</p><p>Above  all,  this  historical  topics  will  be  a  topics  about  the  themes  of meditations  of which  we spoke a  few  minutes  ago,  which  have dominated  and still  dominate  our  Western  thought.  Plato,  for  example,  had  defined  philosophy  as  an  exercise  for  death,  understood  as  the  separation  of the  soul  from the  body.  For  Epicurus  this  exercise  for  death  takes  on  a  new  meaning;  it becomes  the  consciousness  of the  finitude  of existence  that  gives  an  infinite value  to  each  instant:  "Persuade  yourself that  every  new  day  that  dawns  will be  your  last  one.  And  then  you  will  receive  each  unhoped  for  hour  with gratitude."  In  the  perspective  of Stoicism,  the  exercise  for  death  takes  on  a different  charac.'ter;  it  invites  immediate  conversion  and  makes  inner  freedom possible:  "Let  death  be  before  your  eyes  each  day  and  you  will  not  have  any base  thoughts  or excessive desires." A mosaic at  the  Roman  National  Museum is  inspired,  perhaps  ironically,  by  this  meditation,  as  it depicts  a  skeleton  with a  scythe  accompanied  by  the  inscription  Gnothi seauton,  "Know  thyself."  Be that as  it may, Christianity will make abundant  use of this theme of meditation.</p><p>There  it  can  be  treated  in  a  manner  close  to  Stoicism,  as  in  this  monk's reflection:  "Since  the  beginning  of our conversation,  we  have  come  closer  to death.  Let  us  be  vigilant while we  still  have  the  time." But  it  changes  radically when  it  is  combined  with  the  properly  Christian  theme  of  p11rt ici11ni-ion  in Christ's  death.  Leaving  aside  all of the rich  Western  litemry  t r1ulit iun1 No well illustrated  by  Mont11igne's  chnpter  "Thill  to  philrn111ph i1c  i11  to  ll�11 1�11  111 die,"</p><p><image l:href="#70"/></p><p>Fonns of Life and Forms of Discourse</p><p>69</p><p>we  can  go  straight  to  Heidegger  in  order  to  rediscover  this  fundamental philosophical  exercise  in  his  definition  of the  authenticity  of  existence  as  a lucid  anticipation of death.</p><p>Linked  to  the  meditation  upon  death,  the  theme  of the  value of the  present instant  plays  a  fundamental  role  in  all  the  philosophical  schools.  In  short  it  is a  consciousness  of inner  freedom.  It can  be  summarized  in  a  formula  of this kind:  you  need  only  yourself  in  order  immediately  to  find  inner  peace  by ceasing to worry about the past and  the future.  You  can  be  happy  right now, or  you  will  never be  happy.  Stoicism  will  insist  on  the  effort  needed  to  pay attention  to  oneself,  the joyous acceptance of the  present moment imposed  on us by fate. The Epicurean  will  conceive of this liberation  from  cares about the past  and  the  future  as  a  relaxation,  a  pure  joy  of  existing:  "While  we  are speaking,  jealous  time  has  flown;  seize  today  without  placing  your  trust  in tomorrow." This  is  Horace's  famous  laetus in praesens,  this  "enjoyment  of the pure  present,"  to  use  Andre  Chastel's  fine  expression  about  Marsilio  Fidno, who  had  taken  this  very  formula  of Horace's  for  his  motto.  Here  again  the history  of this  theme  in  Western  thought  is  fascinating.  I  cannot  resist  the pleasure  of evoking the dialogue between Faust and Helena,  the  climax of part two of Goethe's  Faust:  "Nun  schaut der Geist  nicht  vorwarts,  nicht  zurilck,  I Die  Gegenwart allein  ist  unser  Gluck"  ["And  so  the spirit  looks  neither ahead nor behind. The present alone  is  our joy  . . .  Do not  think  about your destiny.</p><p>Being here is  a  duty,  even  though  it only be an  instant"].</p><p>I  have come  to  the  end  of this  inaugural  address,  which  means  that  I  have just completed  what  in  antiquity  was  called  an  epideixis,  a  set  speech.  It  is  in a  direct  line  with  those  that  professors  in  the  time  of Libanius,  for  example, had  to  give  in  order to  recruit  an  audience  while  at  the same time  trying  to demonstrate  the  incomparable  worth  of  their  speciality  and  to  display  their eloquence.  It  would  be  interesting to  investigate  the  historic  paths by  which this  ancient  practice  was  transmitted  to the  first  professors  at the  College  de France.  In any case,  at this very moment,  we are in the process of fully living a  Greco-Roman  tradition.  Philo of Alexandria said of these sei: speeches  that the  lecturer  "brought  into  broad  daylight  the  fruit  of long efforts  pursued  in private,  as  painters  and  sculptors  seek,  in  realizing  their works,  the  applause of  the  public."  And  he  opposed  this  behavior  to  the  true  philosophical instruction  in which the teacher adapts  his speech  to  the state of his listeners and  brings  them  the  cures  they  need  in  order  to  be  healed.</p><p>The  concern  with  individual  destiny  and  spiritual  progress,  the  intransigent assertion of moral requirements,  the call  for meditation,  the invitation  to seek  this  inner  peace  that  all  the  schools,  even  those  of the  skeptics,  propose Rs  the  aim  of  philosophy,  the  feeling  for  the  seriousness  and  grandeur of  existence</p><p>this  seems  to  me  to  be  what  has  never  been  surpassed  in 1mdcn1  philmmphy  and  whnt always  remains alive.  Perhaps some people will Kt&#xFFFD;t�  in  lht&#xFFFD;Kt'  11 1 1 i l udcs  11 11  csc11 pc  or  evm;ion  th1tt  is  incom patible  with  the</p><p>70</p><p>Method</p><p>consciousness  we  should  have of human suffering and  misery,  and  they will think that the philosopher  thereby shows himself to be irremediably foreign to the world. I  would answer simply by quoting this beautiful text by Georges Friedmann, from  1 942, which offers a glimpse of the possibility of reconciling the  concern  for  justice  and  spiritual effort;  it could have been written  by  a Stoic of antiquity:</p><p>Take flight each day!  At least for a  moment,  however brief,  as long as it  is  intense.  Every  day  a  "spiritual exercise," alone or in  the  company of  a  man  who  also  wishes  to  better  himself . . . .  Leave  ordinary  time behind. Make an effort to rid yourself of your own passions . . . .  Become eternal  by  surpassing  yourself.  This  inner  effort  is  necessary,  this ambition,  just.  Many  are  those  who  are  entirely  absorbed  in  militant politics, in the preparation  for the social revolution.  Rare, very rare, are those  who,  in  order  to  prepare  for  the  revolution,  wish  to  become worthy of it.1</p><p>NOTES</p><p>Delivered as the inaugural lecture to the chair of the History of Hellenistic and Roman Thought, College de  France,  1 8  February  1 983. �  1 983 by  The College de France, Trans.  Arnold I.  Davidson and Paula  Wissing.  First  published  in English  in Critical Inquiry  1 6  (spring  1 990)</p><p>I  Petrus  Ramus,  Regii  Eloquentiae  Philosophiaeque  Proftssoris,  Oratio  lnitio  Suae Profassionis  Habita,  Paris  1 55 1 .  Sec  Walter J.  Ong,  Rum11s and  Talon  Inventory: A  Short- Title  Inventory  of the  Published  Works  of Peter R11mus  (IS/5-1572)  and of Omer  Talon  (ca.  1510-1562)  in  Their  Original and in  Their  Variously Altered Fonns,  Cambridge MA  1958,  p.  1 58.</p><p>2  See Pierre Hadot and Claude Rapin, "Les Textes littcraires grecs de la Tresorerie d'AI  Khanoun," pt.  I ,  Etudes,  Bulletin de Correspondance  Hellenique  1 1 1  ( 1 987): 225-3  Georges Friedmann, la Puissance de  la  sagme,  Paris  1 970,  p. 359.</p><p><image l:href="#87"/></p><p><image l:href="#102"/></p><p>2</p><p>Philosophy,  Exegesis,  and  Creative</p><p>Mistakes</p><p>Everyone  is  familiar  with  Whitehead's  remark:  "Western  philosophy  is nothing but a  series  of footnotes  to Plato's  dialogues." This  statement  could be  interpreted  in two ways:  we could take it to mean that Plato's problematics have  made  a  definitive  mark  upon  Western  philosophy,  and  this  would  be true.  Alternatively,  it  could  be  taken  to  mean  that,  in  a  concrete  sense, Western philosophy has assumed the form of commentaries - be they on  Plato or on  other  philosophers - and that, more generally speaking,  it has  taken  the form  of exegesis.  This,  too,  is  to  a  very  large  extent  true.  It  is  important to realize that, for almost two thousand  years - from  the mid-fourth century BC</p><p>to  the  end  of the sixteenth  century AD - philosophy  was conceived of, above all,  as  the  exegesis  of  a  small  number  of texts  deriving  from  "authorities,"</p><p>chief among  whom  were  Plato  and  Aristotle.  We  are,  moreover,  justified  in asking  ourselves  if,  even  after  the  Cartesian  revolution,  philosophy  does  not still  bear  traces  of its  lengthy  past,  and  if,  even  today,  at  least  to  a  certain extent, it  has  not  remained  exegesis.</p><p>The  long  period  of  "exegetical"  philosophy  is  linked  to  a  sociological phenomenon:  the  existence  of philosophical  schools,  in  which  the  thought, life-style, and writings  of a master were religiously preserved. This phenomenon  seems  already  to  have  existed  among  the  Presocratics,  but  we  are  best able  to  observe  it from  Plato on.</p><p>Plato  had  given  his  Academy  an  extremely  solid  material  and  juridical organization .  The  leaders  of the school succeeded  one another 1  in  a  continuous  chain  until  Justinian's  closure  of  the  school  of  Athens  in  529,  and throughout  this  entire  period,  scholarly  activity  was  carried  out according to fixed,  trnd itionnl  methods.  The  other  great  schools,  whether  Peripatetic, Stoic, or Epicurean,  were  organized  along  similar  lines.  The  writings  of each Kl'hool'K foumler KcrVl'U  1111  the hnKiN for  itK  instruction and  it</p><p>,</p><p>was  determined</p><p><image l:href="#48"/></p><p><image l:href="#134"/></p><p>72</p><p>Method</p><p>in  which  order  the student should read  these  writings,  in  order  to acquire  the best  possible education.  We still have some  of the  writings in which Platonists gave  advice  on  the  order  in  which  Plato's  dialogues  were  to  be  read.  Thus, we  can  tell  that  from  the  fourth  century  BC on,  Aristotle's  logical  writings were  arranged  in  a  definite  scholastic order - the  Organon  which  would  not</p><p>-</p><p>change  until modem  times.</p><p>Instruction consisted above all  in commenting on Plato and  Aristotle, using previous  commentaries  and  adding  a  new  interpretation  here  and  there.  In this regard, we have an interesting testimony from Porphyry about the lessons of Plotinus:</p><p>During  his  classes,  he  used  to  have  the  commentaries  read,  perhaps  of Severus  or  of  Cronius  or  of  Numenius  or  Gaius  or  Atticus,  or  of Peripatetics like Aspasius,  Alexander, or whichever other came to  hand.</p><p>Yet  he  never  repeated  anything  from  these  commentaries  word  for word,  restricted  himself to these readings alone.  Rather, he himself used to  give  a  general  explanation  [theoria] of (Plato's  or  Aristotle's)  text  in his own personal way,  which  was different  from current opinion.  In his investigations,  moreover,  he brought  to  bear  the  spirit  of Ammonius.2</p><p>The  first  commentator  on  Plato's  Timaeus  seems  to  have  been  Crantor (ca.  330  BC),  and  Platonic  commentators  continued  their  activity  until  the end of the Athenian school  in  the sixth century.  From  this  point, the tradition was  continued,  both  in  the  Arab  world  and  in  the  Latin  West,  up  until  the Renaissance (Marsilio Ficino).  As  for Aristotle, he was  first  commented  upon by  Andronicus  of  Rhodes  (first  century  BC),  who  was  the  first  in  a  series extending through  the end of the  Renaissance,  in  the person of Zabardella.  In addition  to commentaries slriclo sensu, the exegetical activity of the  philosophical  schools  took  the  form  of dogmatic  treatises,  devoted  to  particular  points of exegesis,  and  manuals  designed  to  serve  as  introductions  to  the  study  of the masters.  Moreover,  the end of antiquity witnessed  the appearance of other authorities,  in  addition  to  Plato  and  Aristotle:  the  authority  of Revelations.</p><p>For  Christians  and  Jews,  this  meant  primarily  the  Bible,  and  for  pagan philosophers, the Chaldaean Oracles. Both Judaism and Christianity sought to present  themselves  to  the  Greek  world  as  philosophies;  they  thus  developed, in  the  persons  of Philo and  Origen  respectively,  a  biblical  exegesis  analogous to  the  traditional  pagan  exegesis  of  Plato.  For  their  part,  such  pagan commentators on the Clzaldaean Oracles as Porphyry, Iamblichus, and  Proclus did  their best  to  show  that  the teachings  of the  "gods"  coincided  with  Plato's doctrines.  If we  understand  by  "theology"  the  rational  exegesis  of n  sacred text, then  we can  say  that during this period  philosophy  was trim11formed into theology,  and  it was to stay  that  way throughoul  l hc  M idLllc  Al(cN.  From  1 his perspec1ive,  medicvnl  Schol11111icH  11ppe11r11  UN  t h&#xFFFD;�  l1111k11 I   rnnt 11111111 ion  of  the</p><p><image l:href="#4"/></p><p>Philosophy,  Exegesis,  and  Creative  Mistakes</p><p>73</p><p>ancient  exegetical  tradition.  M.-D. Chenu3 has defined the specific character of Scholastics  as  "dialectics  applied  to  the  comprehension  9f a  text:  either  a continuous text,  in  which  case  the  goal  is  the  writing of a  commentary,  or of a  series  of  texts,  which  are  selected  to  serve  as  bases  and  proofs  for  a  given speculative construction. " 4  For this scholar,  Scholastics is "a rational  form  of thought  which  is  consciously  and  deliberately  elaborated,  taking  as  its starting-point a  text  considered  as  authoritative." 5  If we  accent  these  definitions,  we  can  assert  that  Scholastic  thought  did  nothing  other  than  adopt thought-processes  already  traditionally  used  in  the  majority of ancient philosophical schools.  Conversely, we could also say  that  these schools were already engaging  in  Scholastic  thought.  Throughout  the  Middle  Ages,  instruction consisted  essentially  in  textual  commentary,  whether  of the  Bible,  Aristotle, Boethius,  or  the  Sentences  of Peter  Lombard.</p><p>These  facts  have  important  consequences  for  the  general  interpretation  of the  history  of philosophy,  especially  during  its  pre-Cartesian  period.  Insofar as  philosophy  was considered  exegesis,  the  search  for  truth,  throughout  this period,  was confounded  with  the search  for the meaning of "authentic" texts; that  is,  of those  texts considered  as authoritative.  Truth  was contained  within these text.&#xFFFD;;  it  was  the  property  of their  authors,  as  it  was  also  the  property  of those  groups  who  recognized  the  authority  of these  authors,  and  who  were consequently  the  "heirs" of this  original  truth.</p><p>Philosophical  problems  were  expressed  in  exegetical  terms.  For  example,  we find  Plotinus  writing  the  following  in  the  course  of  his  investigation  of  the problem of evil:  "We must try to find out in  what sense Plato says  that  evils shall not  pass  away,  and  that  their  existence  is  necessary." 6  Typically,  the  rest  of Plotinus'  inquiry consists in a discussion of the terminology  used by  Plato  in  his Theaelelus.7  The  famous  battle  over  universals,  which  divided  the  Middle  Ages, was  based  on  the  exegesis  of a  single  phrase  from  Porphyry's  lsagoge.  It  would be  possible  to  make  a  list  of all  the  texts  which,  upon  being discussed,  formed the  basis  of all  ancient  and medieval  problematics.  The  list  would not  be long:  it might  contain  a  few  passages  from  Plato  (especially  the  Ti111aeus),  Aristotle, Boethius,  the  first chapter of Genesis,  and  the prologue to  the  Gospel of John.</p><p>The  fact  that  authentic  texts  raise  questions  is  not  due  to  any  inherent defect.  On  the  contrary:  their  obscurity,  it  was  thought,  was  only  the  result of a  technique  used by  a  master,  who  wished  to  hint at a  great many  things at once,  and  therefore enclosed  the  "truth" in  his  formulations.  Any  potential m&#xFFFD;aning,  as  long  as  it  was  coherent  with  what  was  considered  to  be  the master's doctrine,  was consequently held  to be true. Charles Thurot's remark8</p><p>nbout  the commentators on  the  grammarian Priscianus is applicable to  all  the philosopher cxegctcs:</p><p>I n  their explanations of a  text, the glossators  did  not  seek  to  understand t hl'  11uthur111  1 huul(lu ;  hut  r111 hcr  to tc11ch  l he  doctrine  itself which  they</p><p>74</p><p>Method</p><p>supposed to be contained  in  it.  What they  termed  an "authentic" author could  neither  be  mistaken,  nor  contradict  himself,  nor  develop  his arguments  poorly,  nor  disagree  with  any  other  authentic  author.  The most forced exegesis was used in order to accommodate the letter of the text  to  what  was  considered  the  truth.9</p><p>It was believed that the truth had been  "given" in the master's texts, and that all  that  had  to  be  done  was  to  bring  it  to  light  and  explicate  it.  Plotinus,  for example,  writes:  "These  statements  arc  not  new;  they  do  not  belong  to  the present  time,  but  were  made  long  ago,  although  not  explicitly,  and  what  we have  said  in  this  discussion  has  been  an  interpretation  of them,  relying  on Plato's  own  writings  for  evidence  that  these  views  arc  ancient. " 10  Here  we encounter  another  aspect  of the  conception  of truth  implied  by  "exegetical"</p><p>philosophy.  Each  philosophical  or  religious  school  or  group  believed  itself to be  in  possession  of a  traditional  truth,  communicated  from  the beginning by the  divinity  to  a  few  wise  men.  Each  therefore  laid  claim  to  being  the legitimate  depositary of the truth.</p><p>From this perspective, the conflict between pagans and Christians, from the second  century  AD  on,  is  highly  instructive.  As  both  pagans  and  Christians recognized  affinities  between  their  respective  doctrines,  they  accused  each other  of theft.  Some  claimed  Plato  plagiarized  Moses,  while  others  affirmed the  contrary;  the  result  was  a  series  of chronological  arguments  destined  to prove  which of the two  was historically prior.  For Clement of Alexandria,  the theft  dated  back  even  before  the  creation  of  humanity.  It  had  been  some wicked angel  who,  having discovered  some traces of the divine truth,  revealed philosophy  to  the  wise  of this  world. 1 1</p><p>Pagans  and  Christians  explained  in  the  same  way  the  differences  which, despite  certain  analogies,  persisted  between  their  doctrines.  They  were  the result of misunderstandings and mistranslations - in other words, bad exegesis</p><p>- of stolen texts.  For Celsus,  the Christian conception of humility was nothing but  a  poor  interpretation  of  a  passage  in  Plato's  Laws;12  the  idea  of  the kingdom  of God  only a  misreading of a  passage  in  Plato's text on  the  king of all things, ll  and  the notion of the resurrection only a misunderstanding of the idea  of transmigration.  On  the  Christian  side,  Justin  asserted  that  some  of Plato's statements showed  that  he  had  misunderstood  the text of Moses.1&#xFFFD;</p><p>In  this  intellectual  atmosphere,  error  was  the  result  of  bad  exegesis, mistranslation,  and  faulty  understanding.  Nowadays,  however,  historians seem to consider all exegetical  thought as  the result of mistakes or misunderstandings.  We  can  briefly  enumerate  the  forms  these  alleged  mistakes  and deformations  are  thought  to  assume:  in  the  first  place,  the  excgctes  make arbitrary  systematizations.  For  instance,  they  take  out  of  context  passages originally  widely  separated  from  each  other,  nml  nn11lyze  thl'rn  in  11  pUl'ely formal  way,  in order t o  reduce t he  texts  to hl'  cxpl11inl'll  to 11 hoil \' 111' rnhl'rl'nt</p><p>Philosophy,  Exegesis,  and  Crtalivt  Mistakes 75</p><p>doctrine.  In  this  way,  for  instance,  a  four- or five-tiered  hierarchy  of being was extracted from  various  dialogues of Plato.</p><p>Nor  is  this  the  most  serious  abuse.  Whether  consciously  or  not,  systematization  amalgamates  the  most  disparate  notions,  which  had  originated  in different or even contradictory doctrines.  Thus  we  find  the commentators on Aristotle using Stoic and  Platonic ideas  in  their exegesis of Aristotelian texts.</p><p>It  is  fairly  frequent,  especially  in  the  case  of  translated  texts,  to  find commentators  trying  to  explain  notions  which  simply  do  not  exist  in  the original.  In  Psalm  1 1 3:  1 6,  for  example,  we  read:  "The  heaven  is  the  heaven of the  Lord. "  Augustine,  however,  started out  from  the Greek  translation  of the Bible,  and  understood:  "The heaven of heavens is of [i.e.  belongs  to]  the Lord."  Augustine  is  thus  led  to  imagine  a  cosmological  reality,  which  he identifies  with  the  intelligible  world, which  he  then  goes on  to  try  and  locate with  relation  to  the  "heaven"  mentioned  in  the  first  verse  of Genesis.  From the  point  of  view  of the  actual  text  of the  Bible,  this  whole  construction  is based  on  thin  air.</p><p>Cases  of  misunderstanding  arc  not  always  this  extreme.  Nevertheless,  it frequently  occurs  that  exegeses  construct  entire  edifices  of interpretation  on the  basis  of  a  banal  or  misunderstood  phrase.  The  whole  of  Neoplatonic exegesis  of the  Parmenides seems  to  be  an  example  of such  a  phenomenon.</p><p>The  modern  historian  may  be  somewhat  disconcerted  on  coming  across such  modes  of thought,  so  far  removed  from  his  usual  manner  of reasoning.</p><p>He  is,  however,  forced  to admit one  fact:  very often,  mistakes and misunderstandings  have  brought  about  important  evolutions  in  the  history  of  philosophy.  In  particular,  they  have  caused  new  ideas  to  appear.  The  most interesting example of this  seems  to me to  be  the appearance of the distinction between  "being"  as an infinitive  and  "being" as a  participle, 15 which,  as I  have shown  elsewhere, 16  was  thought  up  by  Porphyry  in  order  to  solve  a  problem posed  by  a  passage  in  Plato.  In  the  Parmenides, 17  Plato  had  asked:  "If the One is,  is  it  possible  that  it  should  not  participate  in  being  [ousia]?"  For  the Neoplatonist  Porphyry,  the  One  in  question  here  is  the  second  One.  If this second  One  participates  in  ousia,  he  reasons,  we  must  assume  that  ousia  is prior  to  the  second  One.  Now,  the  only  thing prior  to  the second  One  is the first One,  and  this  latter  is  not in any sense ousia. Thus,  Porphyry  concludes that,  in  this passage, the word  ousia  designates  the  first  One  in  an  enigmatic, symbolical  way.  The first One is  not ousia  in the sense of "substance";  rather, it  \s  being  (elre)  in  the  sense  of a  pure,  transcendent  act,  prior  to  being  as  a substantial  object  (etanl).  L 'etant,  then,  is  the  first  substance  and  the  first determination  of l 'etre.</p><p>The  history  of the  notion  of being  is,  moreover,  marked  by  a  whole  series of such  creative mistakes.  If we  consider  the  series  formed  by  ousia  in  Plato,</p><p>,,,,,;,,  in  Ari11tot le, rm.fill  in the Stoics, rmsit1  in  the Neoplatonists, and subs1at11ia</p><p>,</p><p>ur  m1�111111  in  the church  F11thcrs  11nd  the  Scholastics,  we  shall  find  that  the</p><p><image l:href="#164"/></p><p>76</p><p>Method</p><p>idea  of  ousia  or  essence  is  amongst  the  most  confused  and  confusing  of notions.  I  have  tried  to  show  elsewhere18  that  the  distinction,  established  by Boethius, between  esse and quod est19 did  not originally have the meaning that the  Middle  Ages  was  later  to  attribute  to  it.</p><p>It  is  clear  that  historians  of  philosophy  must  use  the  greatest  caution  in applying  the  idea  of  "system"  for  the  comprehension  of  the  philosophical works of antiquity and the  Middle  Ages.  It  is not the case that every  properly philosophical  endeavor  is  "systematic"  in  the  Kantian  or Hegelian  sense.  For two  thousand  years,  philosophical  thought  utilized  a  methodology  which condemned  it to accept incoherences and  far-fetched associations,  precisely  to the extent that  it wanted  to be systematic.  But  to  study  the  actual  progress of exegetical  thought  is  to  begin  to  realize  that  thought  can  function  rationally in  many  different  ways,  which  are  not  necessarily  the  same  as  those  of mathematical  logic or  Hegelian  dialectic.</p><p>Philosophers  of the modem era,  from  the  seventeenth  to  the beginning of the nineteenth  centuries,  refused  the argument from  authority  and  abandoned  the exegetical  mode  of  thinking.  They  began  to  consider  that  the  truth  was  not  a ready-made  given,  but  was  rather  the  result  of a  process  of elaboration,  carried out by a  reason  grounded  in  itself.  After an  initial  period of optimism,  however, in  which  people  believed  it  was  possible  for  thought  to  postulate  itself in  an absolute  way,  philosophy  began  to  become  more  and  more  aware,  from  the nineteenth  century on, of its  historical  and  especially  linguistic  conditioning.</p><p>This  was  a  legitimate  reaction,  but  it  could  be  that  it&lt;t  result  has  been  that philosophers  have  let  themselves  be  hypnotized  by  philosophical  discourse taken  in  and  for itself.  In  the  last analysis,  philosophical  discourse  now  tends to  have  as  its  object  nothing  but  more  philosophical  discourse.  In  a  sense, contemporary  philosophical  discourse has once again  become  exegetical,  and, sad  to say,  it often  interprets  its  texts  with  the same  violence  used  by ancient practitioners  of allegory.</p><p>&#xFFFD;OTES</p><p>Even  if,  from  a  juridical  point of view,  the succession of Platonic diadochoi was interrupted  in  the  first century  BC,  the successors of Plato  nevertheless always considered themselves  heirs of an  unbroken spiritual tradition.</p><p>2  Porphyry, life of Plotinus,  1 4,  1 1 .</p><p>3  M.-D.  Chenu,  fntroductio11 a  /'etude de saitl/  Tht1mas d 'Aquin,  Paris  1 954.</p><p>4  Ibid,  p. 55.</p><p>5  Ibid.</p><p>6  Plotinus, Enneads,  I, 8, 6,  1 .</p><p>7  Plato,  Thet1eletus,  I 76a5-8.</p><p>8  Charles Thurot, l:'J.�traits tie</p><p>munusails lt1tim pour str11ir</p><p>. . .</p><p>11 I 'lmtmrr 1/t'J dortrinrs</p><p>R.r11111m11ti1�11/e1,  PnriH  I 869.</p><p>Philosophy,  Exegesis,  and  Crealive  Mislalees 77</p><p>9  Ibid, p.  103.</p><p>10  Plotinus, Enneatls,  S  I,  8,  1 1 -14.</p><p>1 1   Oement  of Alexandria, Stromata,  I,  1 7,  8 1 ,  4.</p><p>12  Plato,  LaJPs,  7 1 6a.</p><p>1 3   Plato, Second Letter,  3 1 2a.</p><p>14  For  the texts from Celsus and Justin, cf. C.  Andresen,  Logos  und Nomos,  Berlin 1 955,  pp.  1 46 ff.  On  the  idea  of  the  "ownership  of  the  truth,"  cf.  Hans Blumenberg,  Die  Legitimiliil  tkr Neuzeit,  Frankfurt  1966,  p.  47.</p><p>IS  [The distinction alluded  to here is that between the French  words itre - 'to be'</p><p>or 'being' - and the participle ttant,  'a being'  (the corresponding Greek terms are lo  einai and to  011.)  Porphyry conceived of the infinitive 'being' as pure activity; while  'being'  as  a  noun  was  an  emanation  from,  and  substantification  of,  this being qua  pure activity. - Trans.]</p><p>1 6   Pierre Hadot, Porplryre et  Victorinus,  2  vols, Paris 1968, vol.  I, pp.  1 29-32.</p><p>17  Plato,  Parmenides,  142b.</p><p>18  Pierre Hadot, "La  distinction de l'etre et  l'ctant  dans le  'De Hebdomadibus' de BoCa:,"  in Misce/lania  Mediaevalia,  vol.  2, Berlin  1963,  pp.  147-53.</p><p>1 9   ["Being"  I  "to be," and "chat  which is." - Trans.]</p><p><image l:href="#46"/></p><p>Part  II</p><p>Spiritual  Ex ercises</p><p><image l:href="#104"/></p><p><image l:href="#120"/></p><p>3</p><p>Spiritual  Exercises</p><p>To take  flight every day! At  least  for a  moment,  which may be brief,  as long as  it is  intense.  A  "spiritual  exercise"  every  day  - either  alone,  or in  the company of someone who also wishes to better  himself.  Spiritual exercises.  Step  out  of duration  . . .  try  to  get  rid  of your  own  passions, vanities,  and  the  itch  for  talk  about  your  own  name,  which  sometimes burns  you  like  a  chronic  disease.  A void  backbiting.  Get  rid  of pity  and hatred.  Love  all  free  human  beings.  Become  eternal  by  transcending yourself.</p><p>This  work on  yourself is necessary; this  ambition  justified. Lots of people let  themselves be  wholly  absorbed  by  militant  politics  and  the  preparation for  social  revolution.  Rare,  much  more  rare,  are  they  who,  in  order  to prepare  for  the revolution,  are  willing  to  make  themselves  worthy of it.</p><p>With  the exception  of the  last  few  lines,  doesn't  this  text  look  like a  pastiche of Marcus Aurelius? It is by Georges Friedmann, 1  and it is quite possible that, when he wrote it,  the author was not aware of the resemblance.  Moreover,  in the  rest  of his  book,  in  which  he  seeks  a  place  "to  re-source  himself '',2  he comes  to the conclusion that there is no tradition - be  it Jewish, Christian, or Oriental  - compatible  with  contemporary  spiritual  demands.  Curiously, however, he does not ask himself about the value of the philosophical tradition of Greco-Roman  antiquity,  although  the  lines  we  have  just  quoted  show  to just  what  extent  ancient  tradition  continues  - albeit  unconsciously  - to  live within  him,  as  it  does  within  each  of us.</p><p>".Spiritual exercises. "  The  expression  is  a  bit disconcerting  for  the contemporary  reader.  In  the  first  place,  it  is  no  longer  quite  fashionable  these  days to  use  the  word  "spiritual."  It  is  nevertheless  necessary  to  use  this  term,  I believe,  because  none  of  the  other  adjectives  we  could  use  - "psychic,"</p><p>"moral," "ethical," "intellectual," "of thought," "of the soul'' - covers all the 1111r&gt;cct11  of  the  rcnlity  we  want  to  describe.  Since,  in  these  exercises,  it  is 1 h11uirh1  which, llK ii  were,  rnkcK itself nK it11 own subject-matter,�1 and seeks to</p><p>82</p><p>Spiritual Exercises</p><p>modify  itself,  it  would  be  possible  for  us  to  speak  in  terms  of  "thought exercises."  Yet  the  word  "thought"  does  not  indicate  clearly  enough  that imagination and sensibility play a  very important role in these exercises.  For the same reason, we cannot be satisfied with "intellectual exercises," although such  intellectual  factors as definition,  division, ratiocination,  reading, investigation,  and  rhetorical  amplification  play  a  large  role  in  them.  "Ethical exercises" is a rather tempting expression, since, as we shall see, the exercises in  question  contribute  in a  powerful  way to  the  therapeutics of the passions, and  have to do with the conduct  of life.  Yet,  here  again, this would be  too limited a  view of things.  As we can  glimpse through Friedmann's text, these exercises  in  fact  correspond  to  a  transformation  of our  vision  of the  world, and to a metamorphosis of our personality. The word "spiritual" is quite apt to  make  us  understand  that  these  exercises  are  the  result,  not  merely  of thought,  but  of  the  individual's  entire  psychism.  Above  all,  the  word</p><p>"spiritual" reveals  the  true  dimensions of these  exercises.  By means of them, the  individual  raises  himself up to  the  life  of the  objective  Spirit;  that is  to say,  he  re-places  himself  within  the  perspective  of  the  Whole  ("Become eternal by  transcending yourself").</p><p>Here  our  reader  may  say,  "All  right,  we'll  accept  the  expression  'spiritual exercises'.  But  are  we  talking  about  Ignatius  of Loyola's  Exercitia  spiritualia?4</p><p>What  relationship  is  there  between  lgnatian  meditations  and  Friedmann's program  of  "stepping  out  of  duration . . .  becoming  eternal  by  transcending oneself?"  Our  reply,  quite  simply,  is  that  Ignatius'  Exercilia  spiritualia  arc nothing but a Christian  version  of a Greco-Roman tradition, the extent of which we hope to demonstrate in  what follows. In the first place, both the idea and the terminology  of e&#xFFFD;:erdtium  spirituale  arc attested  in  early  Latin  Christianity,  well before  Ignatius  of Loyola,  and  they  correspond  to  the  Greek  Christian  term askesis.5 In tum, askesis - which must be understood not as  asceticism,  but as  the practice  of spiritual exercises - already  existed  within the philosophical  tradition of antiquity.6 In the final analysis,  it is to  antiquity  that we must return in order to  explain  the origin and significance of this  idea of spiritual  exercises, which, as Friedmann's  example  shows, is still  alive  in contemporary consciousness.</p><p>The  goal  of the  present  chapter  is  not  merely  to  draw  attention  to  the existence  of  spiritual  exercises  in  Greco-Latin  antiquity,  but  above  all  to delimit  the  scope  and  importance  of  the  phenomenon,  and  to  show  the consequences  which  it  entails  for  the  understanding  not  only  of  ancient thought, but of philosophy itself.7</p><p>1  Leaming to Live</p><p>Spiritual  exercises  can  he  best  observed  in  1 hc  l'lllll l'XI  of  I lclll�niHt k  111ul Roman  schooli;  of'  philosophy.  The  Stoic11,  fol'  in11l lllll'l' ,   1lt�d111�rtl  l'&#xFFFD; plidtly</p><p>Spiritual EJ.�erdses</p><p>83</p><p>that philosophy,  for them,  was an  "exercise!' 8  In their view,  philosophy  did not consist in teaching an abstract theory9 - much less in the e,xegesis of texts10</p><p>- but rather in the art of living. 1 1  It is a  concrete attitude and determinate lifestyle,  which  engages  the  whole  of  existence.  The  philosophical  act  is  not situated  merely on  the cognitive  level,  but on  that of the self and  of being.  It is  a  progress  which  causes  us to be  more  fully,  and  makes  us better. 12 It is  a conversion13 which  turns our entire life upside down, changing the  life of the person  who  goes  through  it.14  It  raises  the  individual  from  an  inauthentic condition  of life,  darkened  by  unconsciousness  and  harassed  by  worry,  to  an authentic state of life,  in  which  he attains self-consciousness,  an exact vision of the  world,  inner peace, and  freedom.</p><p>In  the  view  of  all  philosophical  schools,  mankind's  principal  cause  of suffering,  disorder,  and  unconsciousness  were  the  passions:  that  is,  unregulated  desires and exaggerated fears.  People  are  prevented  from  truly  living, it was taught, because  they are  dominated  by worries.  Philosophy  thus appears, in  the  first  place,  as  a  therapeutic  of  the  passions15  (in  the  words  of Friedmann:  "Try  to  get  rid  of your  own  passions").  Each  school  had  its  own therapeutic method, 16 but all  of them  linked  their  therapeutics  to  a  profound transformation  of the  individual's  mode  of seeing  and  being.  The  object  of spiritual exercises  is  precisely  to  bring about this  transformation.</p><p>To  begin  with,  let  us  consider  the  example  of  the  Stoics.  For  them,  all mankind's  woes  derive  from  the  fact  that  he  seeks  to  acquire  or  to  keep possessions  that he may either lose or fail  to obtain, and  from  the fact that  he tries  to  avoid  misfortunes  which are often  inevitable.  The task of philosophy, then,  is  to educate  people,  so  that  they  seek only the goods  they  are  able  to obtain, and  try  to  avoid  only  those evils  which  it is  possible  to  avoid.  In  order for something good  to  be  always obtainable, or an  evil  always  avoidable,  they must  depend  exclusively  on  man's  freedom;  but  the  only  things  which  fulfill these  conditions  are  moral  good  and  evil.  They  alone  depend  on  us; everything else  does  not depend  on  us.  Here,  "everything  else,"  which  does not  depend  on  us,  refers  to  the  necessary  linkage  of cause  and  effect,  which is  not  subject  to  our  freedom.  It  must  be  indifferent  to  us:  that  is,  we  must not introduce any differences  into  it, but accept it in its entirety,  as  willed  by fate.  This  is  the  domain  of nature.</p><p>We have  here a  complete  reversal  of our usual  way of looking at things.  We are to switch from our "human�� vision of reality,  in  which our  values depend on , our  passions,  to  a  "natural"  vision  of things,  which  replaces  each  event within  the  perspective of universal  nature.17</p><p>Such  a  transformation  of vision  is  not  easy,  and  it  is  precisely  here  that spiritual  exercises  come  in.  Little  by  little,  they make possible the indispensable  metamorphosis of our  inner self.</p><p>No  11ystcmatic  treatise  codifying  the  instructions  and  techniques  for Npiritu11l  cxcrciNcN  h11K  come  down  to  us. '"  However,  allusions  to one  or  the</p><p>84</p><p>Spiritual Exercises</p><p>other of such  inner activities are  very  frequent in the  writings of the Roman and Hellenistic periods. It thus  appears  that these exercises were well known, and  that  it  was  enough  to allude to  them, since  they  were  a  part  of daily life in  the philosophical schools. They  took their place  within a traditional course of oral instruction.</p><p>Thanks to Philo of Alexandria, however, we do possess two lists of spiritual exercises.  They  do  not  completely  overlap,  but  they  do  have  the  merit  of giving us a fairly complete panorama of Stoico-Platonic inspired philosophical therapeutics.  One of these lists19 enumerates the following elements:  research (zetesis),  thorough  investigation  (skepsis),  reading  (anagnosis),  listening  (akroasis),  attention  (prosoche), self-mastery (enkrateia), and  indifference to  indifferent  things.  The  other20  names  successively:  reading,  meditations  (meleta1), therapies21  of  the  passions,  remembrance  of  good  things,22  self-mastery (enkrateia), and the accomplishment of duties. With the help of these lists,  we shall  be  able  to  give  a  brief description  of Stoic spiritual  exercises.  We shall study  the  following  groups  in  succession:  first  attention,  then  meditations and  "remembrances  of  good  things,"  then  the  more  intellectual  exercises: reading,  listening,  research,  and  investigation,  and  finally  the  more  active exercises:  self-mastery,  accomplishment of duties,  and  indifference  to  indifferent things.</p><p>Attention  (prosoche)  is  the  fundamental  Stoic  spiritual  attitude.23  It  is  a continuous  vigilance  and  presence  of mind,  self consciousness  which  never sleeps,  and  a  constant  tension  of  the  spirit.2�  Thanks  to  this  attitude,  the philosopher  is  fully  aware  of what  he  does  at  each  instant,  and  he  wills  his actions fully.  Thanks to his spiritual  vigilance,  the Stoic always has  "at hand"</p><p>(procheiron)  the  fundamental  rule  of life:  that  is,  the distinction  between  what depends on  us  and  what  does  not.  As  in  Epicureanism,  so  for  Stoicism:  it  is essential  that  the  adepts  be  supplied  with  a  fundamental  principle  which  is formulable in a  few words,  and  extremely  clear  and simple, precisely so  that  it may  remain  easily accessible  to  the  mind,  and  be  applicable  with  the sureness and constancy of a  reflex.  "You  must not separate yourself from  these general principles; don't sleep, eat, drink, or converse with other men without them." 25</p><p>It is this vigilance of the spirit which  lets us apply the fundamental rule  to each of life's  particular situations,  and  always  to  do  what  we do "appropriately." 26</p><p>We could also define this attitude as "concentration on the present moment": n Everywhere  and  at  all  times,  it  is  up  to  you  to  rejoice  piously  at  what  is occurring at the present moment,  to conduct yourself with  justice  towards  the people who are present here and now,  and to apply rul&#xFFFD; of discernment to your present  representations, so that nothing slips in  that is not  objective.211</p><p>Attention to the present moment is,  in  a  sense, the key  to Hpiritunl e"crci11cs.</p><p>Ir  frees  us  from  the  p11ssionH,  which  11rc  11lwnys  CllUKcd  hy  the  l&gt;RNI  or  the</p><p>Spiritual Exercises</p><p>85</p><p>future29 - two areas which do not depend on us. By encouraging concentration on  the minuscule  present moment,  which,  in  its exiguity,  is always bearable and controllable,30 attention  increases  our  vigilance.  Finally, ' attention  to  the present  moment allows  us to accede to cosmic consciousness,  by  making  us attentive to the infinite  value of each instant,31  and causing us to accept each moment of existence from  the viewpoint of the universal  law of the cosmos.</p><p>Attention  ( prosoche)  allows us to respond  immediately to events,  as if they were questions asked of us all of a  sudden. 32 In order for  this to be possible, we must always have the fundamental principles "at hand" ( procheiron).33 We are to steep  ourselves  in the rule of life  (kanon),34  by mentally applying it to all  life's  possible different  situations,  just as  we  assimilate  a  grammatical  or mathematical rule through practice, by applying it to individual cases.  In this case,  however,  we  are  not  dealing  with  mere  knowledge,  but  with  the transformation of our personality.</p><p>We must also associate our imagination  and  affectivity  with the training of our thought.  Here,  we  must  bring  into  play  all  the  psychagogic  techniques and rhetorical methods of amplification.35 We must formulate the  rule of life to ourselves in the  most striking and concrete way. We must keep life's events</p><p>"before our eyes," 36  and  see  them  in the  light of the  fundamental  rule.  This is  known  as  the exercise of memorization (mneme)31 and  meditation  (me/ete)38</p><p>on  the  rule of life.</p><p>The exercise of meditation39 allows us to be ready at the moment when an unexpected  - and  perhaps  dramatic - circumstance  occurs.  In  the exercise called  praemeditatio  malorum,40  we  are  to  represent  to  ourselves  poverty, suffering,  and  death.  We  must  confront  life's  difficulties  face  to  face, remembering that they are not evils, since they do not depend on  us. This is why  we  must engrave  striking  maxims  in  our  memory,41  so  that,  when  the time comes, they can help  us accept such events, which are, after all, part of the  course  of nature;  we  will  thus  have  these  maxims  and  sentences  "at hand . " 42 What we need are persuasive formulae or arguments (epilogismoi),4l which  we  can  repeat  to  ourselves  in  difficult  circumstances,  so  as  to  check movements of fear, anger, or sadness.</p><p>First thing in the morning, we should go over in advance what we have to do during the course of the day,  and  decide on the principles which will guide and  inspire our actions.44 In the evening, we should examine ourselves again, so as  to be  aware  of the faults  we have committed  or  the  progress  we  have made 45 We  should also  examine our dreams.46</p><p>.</p><p>As  we  can  see,  the  exercise  of meditation  is  an  attempt  to  control  inner discourse,  in  an effort to  render  it coherent. The goal  is to arrange it  around o  simple,  universal principle:  the distinction between  what does and does not depend  on  us,  or  between  freedom  and  nature.  Whoever  wishes  to  make prnl(rc1111  Ntri vcs,  hy  means of dialogue with himsclf47 or with others,48 as  well 1111 hy  writinic,4&#xFFFD; to "carry on his rcflcct inn11 in due order"  &#xFFFD;0  and  finally to arrive</p><p>86</p><p>Spiritual Exercises</p><p>at  a  complete  transformation  of  his  representation  of  the  world,  his  inner climate,  and  his  outer  behavior.  These  methods  testify  to  a  deep  knowledge of the  therapeutic  powers  of the world. si</p><p>The  exercise  of meditation  and  memorization  requires  nourishment.  This is  where  the  more  specifically  intellectual  exercises,  as  enumerated  by  Philo, come in: reading, listening, research, and investigation.  It is a relatively simple matter to provide food  for meditation: one could read the sayings of the poets and  philosophers,  for  instance,  or  the  apoph1hegmata.s2  "Reading,"  however, could  also  include  the  explanation  of  specifically  philosophical  texts,  works written by teachers in philosophical schools.  Such  texts could be read or heard within  the  framework  of the  philosophical  instruction  given  by  a  professor.s3</p><p>Fortified  by  such  instruction,  the  disciple  would  be  able  to  study  with precision  the  entire  speculative  edifice  which  sustained  and  justified  the fundamental rule, as  well as all the physical and  logical  research of which this rule  was  the  summary.s4  "Research"  and  "investigation"  were  the  result  of putting instruction  into  practice.  For example,  we are to get used  to defining objects  and  events  from  a  physical  point  of view,  that  is,  we  must  picture them  as  they  are  when  situated  within  the  cosmic  Whole.ss Alternatively,  we can  divide  or  dissect  events  in  order  to  recognize  the  elements into  which they  can  be  reduced.56</p><p>Finally, we come to the practical  exercises,  intended  to  create habits.  Some of these  are  very  much  "interior,"  and  very  close  to  the  thought  exercises  we have  just  discussed.  "Indifference  to  indifferent  things,"  for  example,  was nothing other  than  the application  of the  fundamental  rule. s7 Other exercises, such  as  self-mastery  and  fulfilling  the  duties  of social  life,  entailed  practical forms of behavior.  Here  again, we encounter  Friedmann's themes:  "Try  to  get rid  of your  own  passions,  vanities,  and  the  itch  for  talk  about  your  own  name</p><p>. . .  Avoid  backbiting.  Get rid of pity  and  hatred.  Love  all  free  human  beings."</p><p>There are a  large number of treatises  relating to these  exercises in Plutarch: On  Restraining Anger,  On  Peace  of Mind,  On  Brotherly  Love,  On  the  Love  of Children, On  Garruli{y,  On  the Love of Wealth,  On  False Shame,  On Envy and Haired.  Seneca  also  composed  works  of  the  same  genre:  On  Anger,  On Benefits,  On  Peace  of Mind,  On  Leisure In  this  kind  of exercise,  one  very</p><p>.</p><p>simple principle is always  recommended:  begin  practicing on  easier  things, so as  gradually  to  acquire  a  stable,  solid  habit. 58</p><p>For  the  Stoic,  then,  doing  philosophy  meant  practicing  how  to  "live":  that is, how to live freely and consciously.  Consciously, in  that we pass beyond the limits of individuality, to recognize ourselves as a  part of the reason-animated cosmos. Freely,  in  that we  give  up  desiring that  which  does  not  depend  on  us and  is  beyond  our control,  so  as  to  attach  ourselves  only  to  what  depends  on us:  actions  which are just  and  in conformity  with  reason.</p><p>It  is  easy  to  understand  that  a  philosophy  like  Stoicism,  which  re&lt;1uircs vigilance,  energy,  and  psychic  tcm1ion,  shoulJ  consi111  c1111cntially  in  Nt&gt;irituol</p><p><image l:href="#33"/></p><p>Spiritual Exercises</p><p>87</p><p>exercises.  But it  will perhaps come as a surprise to learn than Epicureanism, usually considered the philosophy of pleasure, gives just as pr,ominent a place as  Stoicism  to  precise  practices  which  are  nothing  other  than  spiritual exercises.  The  reason  for  this  is  that,  for  Epicurus  just  as  much  as  for  the Stoics,  philosophy  is  a  therapeutics:  "We  must  concern  ourselves  with  the healing of our own lives." 59 In this context, healing consists in bringing one's soul  back  from  the  worries  of  life  to  the  simple  joy  of existing.  People's unhappiness,  for the Epicureans, comes from  the  fact  that they are  afraid  of things  which are not to be feared,  and desire  things  which it is not necessary to  desire,  and  which  are  beyond  their  control.  Consequently,  their  life  is consumed in worries over unjustified fears and unsatisfied desires. As a result, they  are  deprived  of  the  only  genuine  plea.i;ure  there  is:  the  pleasure  of existing. This is why Epicurean physics can liberate us from fear: it can show us that  the  gods have no effect  on the  progress  of the  world  and  that death, being complete dissolution, is not a  part of life.60 Epicurean ethics: Epicurean, as  deliverance  from  desires  can  deliver  us  from  our  insatiable  desires,  by distinguishing between desires  which are both  natural and necessary, desires which are natural but not necessary, and desires which are neither natural nor necessary.  It is enough  to satisfy the first category of desires, and give up the last  and  eventually  the second  as  well - in order to  ensure  the absence  of</p><p>-</p><p>worries,61  and to reveal the sheer joy of existing: "The cries of the flesh are:</p><p>'Not to be hungry', 'not to be thirsty', 'not to  be cold'. For  if one  enjoys the possession  of this,  and  the  hope  of continuing  to  possess  it,  he  might  rival even  Zeus  in  happiness." 62  This  is  the  source  of  the  feeling  of gratitude, which one would hardly have expected, which illuminates what one might call Epicurean  piety  towards  all  things:  "Thanks  be  to  blessed  Nature,  that she has  made  what  is  necessary  easy  to  obtain,  and  what  is  not  easy  unnecessary." 6J</p><p>Spiritual exercises are required for the healing of the soul. Like the Stoics, the  Epicureans  advise  us  to  meditate  upon  and  assimilate,  "day  and  night,"</p><p>brief aphorisms or summaries  which  will  allow  us  to  keep  the  fundamental dogmas "at hand." 64  .For instance, there is the well-known tetrapharmakos, or four-fold  healing  formula:  "God  presents  no  fears,  death  no  worries.  And while good  is  readily attainable,  evil  is  readily  endurable. "  65 The  abundance of collections  of Epicurean  aphorisms  is  a  response  to  the  demands  of the spiritual  exercise  of meditation.66 As  with  the  Stoics,  however,  the  study  of the  dogmatic  treatises  of  the  school's  great  founders  was  also  an  exercise intended  to  provide  material  for  meditation,67  so  as  more  thoroughly  to impregnate  the  soul  with the  fundamental intuitions of Epicureanism.</p><p>The  study  of  physics  is  a  particularly  important  spiritual  exercise:  "we i;hould  not  think  that  any  other  end  is  served  by  knowledge  of  celestial l'henomena  . . .  thnn  freedom  from  disturbance  and  firm  confidence,  just  as in  1 hc  other  licldN  of  Nludy . " ""  Cont emplation  of  the  physical  world  and</p><p><image l:href="#64"/></p><p>88</p><p>Spiritual Exercises</p><p>imagination of the infinite are  important elements of Epicurean  physics.  Both can  bring about a complete change in our way of looking at things. The closed universe  is  infinitely  dilated,  and  we  derive  from  this  spectacle  a  unique spiritual pleasure:</p><p>the  walls  of  the  world  open  out,  I  see  action  going  on  throughout  the whole void, . . .  Thereupon  from  all  these  things  a sort  of divine delight gets hold upon me and a shuddering, because nature  thus by your power (i.e.  Epicurus')  has  been  so  manifestly  laid  open  and  unveiled  in  every part.69</p><p>Meditation,  however,  be  it  simple  or  erudite,  is  not  the  only  Epicurean spiritual  exercise.  To  cure  the  soul,  it  is  not  necessary,  as  the  Stoics  would have  it, to  train  it to  stretch  itself tight,  but  rather to  train  it  to  relax.  Instead of picturing  misfortunes  in  advance,  so  as  to  be  prepared  to  bear  them,  we must rather, say the Epicureans, detach  our thought from the vision of painful things,  and  fix  our  eyes  on  pleasurable  ones.  We  arc  to  relive  memories  of past pleasures, and  enjoy  the pleasures of the present, recognizing how intense and  agreeable  these  present  pleasures  are.70  We  have  here  a  quite  distinctive spiritual exercise,  different  from  the constant vigilance  of the  Stoic,  with  his constant  readiness  to  safeguard  his  moral  liberty  at  each  instant.  Instead, Epicureanism  preaches  the  deliberate,  continually  renewed  choice  of relaxation  and  serenity,  combined  with  a  profound  gratitude71  toward  nature  and life,72  which  constantly offer  us joy and  pleasure,  if only  we know how to  find them.</p><p>By  the  same  token,  the  spiritual  exercise  of  trying  to  live  in  the  present moment is  very different  for  Stoics  and  Epicureans.  For  the  former,  it means mental  tension  and  constant  wakefulness  of  the  moral  conscience;  for  the latter,  it  is,  as  we  have  seen,  an  invitation  to  relaxation  and  serenity.  Worry, which  tears  us  in  the  direction  of the future,  hides  from  us the  incomparable value  of the  simple  fact  of existing:  "We  are  born  once,  and  cannot  be  born twice,  but  for  all  time  must  be  no  more.  But  you,  who  are  not  master  of tomorrow,  postpone  your  happiness:  life  is wasted  in procrastination and each one  of us  dies  overwhelmed  with  cares." 7J  This  is  the  doctrine  contained  in Horace's  famous saying:  carpe diem.</p><p>Life  ebbs  as  I  speak:</p><p>so seize  each  day, and grant  the next no credit.74</p><p>For  the  Epicureans,  in  the  last  analysis,  pleasure  is  a  spiritual  exercise.  Not pleasure in the form of mere sensual gratification, but the intellectual 1&gt;le11surc derived from contemplating nature,  the  thought of pleasurc11  past  nnd  prc11cnt , and  lastly  the  pleasure o f  fricnd11hip.  I n  Epicurc1m  conununit ic11,  fritmd11hi1111</p><p><image l:href="#115"/></p><p>Spiritual Exercises</p><p>89</p><p>also  had  its  spiritual  exercises,  carried  out  in  a  joyous,  relaxed  atmosphere.</p><p>These  include  the  public  confession  of  one's  faults;76  m)itual  correction, carried  out  in  a  fraternal  spirit;  and  examining  one's  conscience.n Above  all, friendship  itself was,  as  it  were,  the  spiritual  exercise  par excellence:  "Each person  was  to  tend  towards  creating  the  atmosphere  in  which  hearts  could flourish.  The  main  goal  was  to  be  happy,  and  mutual  affection  and  the confidence  with  which  they  relied  upon  each  other  contributed  more  than anything else  to  this happiness." 78</p><p>2  Learning to Dialogue</p><p>The  practice  of  spiritual  exercises  is  likely  to  be  rooted  in  traditions  going back to  immemorial  timcs.79 It is,  however,  the figure  of Socrates that causes them  to  emerge  into  Western  consciousness,  for  this  figure  was,  and  has remained,  the  living call  to awaken our moral consciousness.80  We ought not to  forget  that  this  call sounded  forth  within  a  specific  form:  that of dialogue.</p><p>In  the "Socratic" HI  dialogue,  the  question  truly at  stake  is not  what is  being talked  about,  but  who  is  doing  the  talking.</p><p>anyone  who  is close  to  Socrates  and  enters  into  conversation  with  him is  liable  to  be  drawn  into  an  argument,  and  whatever  subject  he  may start,  he  will  be  continually  carried  round  and  round  by  him,  until  at last  he  finds  that  he  has  to  give an  account both of his present and  past life,  and  when  he  is  once  entangled,  Socrates  will  not  let  him  go  until he has completely  and  thoroughly sifted  him . . .  And I  think there is no harm  in being reminded of any wrong thing which  we are, or have been, doing;  he  who  does  not  run  away  from  criticism  will  be  sure  to  take more  heed  of his  afterlife.82</p><p>In  a  "Socratic" dialogue, Socrates'  interlocutor docs not learn anything,  and Socrates has  no intention  of teaching him  anything.  He  repeats,  moreover,  to all  who  are  willing to  listen,  that  the  only  thing he  knows  is  that  he docs  not know  anything.HJ  Y ct,  like  an  indefatigable  horsefly,IH  Socrates  harassed  his interlocutors  with questions  which put themselves  into  question,  forcing them to  pay  attention  to  and  take care  of themselves.85</p><p>My  very  good  friend ,  you  are  an  Athenian, and  belong  to  a  city  which is  the  greatest  and  most  famous  in  the  world  for  its  wisdom  and Nlrcngth. Arc you not ashamed that you give your attention  to acquiring 1111 much  money as  possible,  and  similarly  with  reputation  and  honour, 1111d  l(ive no nttenl ion  or thought to truth f aletht�ia I  or thought fphronesis]</p><p>or  the perfection  of  your 1mul I p.&#xFFFD;)1c/1t'j? Ki�</p><p>90</p><p>Spiritual Exercises</p><p>Socrates'  mission  consisted  in  inviting  his  contemporaries  to  examine  their conscience,  and  to  take care  for  their  inner  progress: I  did  not  care  for  the  things  that  most  people  care  about  - making money,  having  a  comfortable  home,  high  military  or  civil  rank,  and  all the other activities,  political appointments, secret societies, party organizations,  which  go  on  in  our  city I  set  myself to  do  you  - each  one</p><p>.</p><p>.</p><p>.</p><empty-line/><p>of  you,  individually  and  in  private  - what  I  hold  to  be  the  greatest possible  service.  I  tried  to  persuade  each  one  of you  to  concern  himself less  with  what  lie  has  than  with  what  he  is,  so  as  to  render  himself as excellent  and  as  rational  as  possible.87</p><p>In  Plato's  Symposium,  Alcibiades  describes  the  effect  made  on  him  by dialogues with Socrates in the following terms: "this latter-day Marsyas, here, has  often  left me  in  such  a  state  of mind  that  I've  felt  I  simply  couldn't go on  living the  way  I  did  . . .  He  makes  me  admit  that  while  I'm  spending  my time  on  politics, I am  neglecting all the things  that are  crying  for attention  in myself." 88</p><p>Thus,  the  Socratic  dialogue  turns  out  to  be  a  kind  of communal  spiritual exercise.  In  it,  the  interlocutors  are  invited89  to  participate  in  such  inner spiritual  exercises  as  examination  of conscience  and  attention  to  oneself;  in other  words,  they  are  urged  to  comply  with  the  famous  dictum,  "Know thyself."  Although  it  is  difficult  to  be  sure  of the  original  meaning  of  this formula, this much  is  clear:  it  invites  us  to establish a  relationship of the self to  the  self,  which  constitutes  the  foundation  of every  spiritual  exercise.  To know  oneself means,  among other  things,  to  know  oneself qua non-sage:  that is,  not  as  a  sophos,  but  as  a philo-sophos,  someone  on  the way  toward wisdom.</p><p>Alternatively,  it  can  mean  to  know  oneself in one's essential being; this entails separating that which  we are not from  that  which  we are.  Finally, it can  mean to  know  oneself  in  one's  true  moral  state:  that  is,  to  examine  one's  conscience.90</p><p>If we  can  trust  the  portrait  sketched  by  Plato  and  Aristophanes,  Socrates, master  of dialogue  with  others,  was  also  a  master  of dialogue  with  himself, and,  therefore,  a  master of the  practice of spiritual  exercises.  He is  portrayed as capable of extraordinary mental concentration.  He arrives  late at Agathon's banquet,  for  example, because "as  we  went  along  the  road,  Socrates  directed his  intellect  towards  himself,  and  began  to  fall  behind." 91  Alcibiades  tells  the story  of  how,  during  the  expedition  against  Poteidaia,  Socrates  remained standing all day and all  night,  "lost  in  thought." 92  In  his  Cloutls,  Aristophanes seems  to  allude to these same Socratic habits:</p><p>Now,  think  hard  and  cogitate;  s11in  round  in  every  way  llH  you concentrate.  If you come up Rl(llini;t an  inHoluhlc: ll11in 1 ,  jum1'  to another</p><p>Spiritual Exercises</p><p>91</p><p>. . .  Now  don't  keep  your  mind  always  spinning  around  itself,  but  let your thoughts out into  the air a bit, like a may-beetle tie9 by its foot.93</p><p>Meditation  - the  practice of dialogue with  oneself - seems to have  held  a place of honor among Socrates'  disciples.  When  Antisthenes was  asked  what profit  he  had  derived  from  philosophy,  he  replied:  "The ability  to  converse with  myself." 94  The  intimate  connection  between  dialogue  with  others  and dialogue  with  oneself is profoundly significant.  Only  he  who  is capable of a genuine encounter  with  the  other is capable  of an  authentic encounter  with himself, and  the converse is equally true. Dialogue can be genuine only within the framework of presence  to others and  to  oneself.  From  this  perspective, every spiritual  exercise  is a  dialogue,  insofar as  it is an  exercise of authentic presence,  to oneself and to others.95</p><p>The  borderline  between  "Socratic"  and  "Platonic"  dialogue  is  impossible to delimit.  Yet  the Platonic  dialogue  is always "Socratic" in  inspiration,  because  it  is  an  intellectual,  and,  in  the  last  analysis,  a</p><p>"spiritual"  exercise.  This  characteristic  of the  Platonic  dialogue  needs  to  be emphasized.</p><p>Platonic  dialogues  are  model  exercises.  They  are  models,  in  that  they  are not  transcriptions  of real  dialogues,  but literary  compositions  which  present an  ideal  dialogue.  And  they  are  exercises  precisely  insofar  as  they  are dialogues:  we have already seen, apropos of Socrates,  the dialectical character of all spiritual exercises. A dialogue is an itinerary of the thought,  whose route is  traced  by  the  constantly  maintained  accord  between  questioner  and respondent.  In  opposing  his  method  to  that  of  eristics,  Plato  strongly emphasizes this point:</p><p>When two friends, like  you and  I, feel  like talking, we have to go about it in a  gentler and more dialectical  way.  "More  dialectical," it seems to me,  means  that  we  must  not  merely  give  true  responses,  but  that  we must  base  our replies  only  on  that  which  our  interlocutor  admits  that he  himself knows.96</p><p>The dimension of the interlocutor  is,  as  we can  sec,  of capital  importance.  It is what  prevents the dialogue from becoming a  theoretical, dogmatic expose, and  forces  it  to  be  a  concrete,  practical  exercise.  For  the  point  is  not  to  set fm:th  a  doctrine,  but  rather  to  guide  the  interlocutor  towards  a  determinate mental attitude.  It is a combat, amicable but real.</p><p>The  point is worth  stressing,  for the same thing happens in  every spiritual exercise:  we  must  let  ourselves  be  changed,  in  our  point  of view,  attitudes, 11n&lt;l  con victions This means that we must dialogue with ourselves, and hence</p><p>.</p><p>wr  tnllHI  du  baulc  with  ourselves.  This  is  why,  from  this  perspective,  the mcthmlnlniry of t he  Pliuonk di11lol(Ul' is of Much  crucial  interest:</p><p>92</p><p>Spiritual Exercises</p><p>Despite  what  may  have  been  said,  Platonic  thought  bears  no  resemblance to a light-winged dove, who needs no effort to take off from earth to  soar  away  into  the  pure  spaces  of utopia . . .  at  every  moment,  the dove has to fight against the soul of the interlocutor, which is filled with lead.  Each  degree of elevation  must  be  fought for and won.97</p><p>To emerge victorious from this battle, it is not enough to disclose the truth.</p><p>It is not even enough to demonstrate it. What is needed is persuasion, and for that one must use psychagogy,  the art of seducing souls.  Even at  that,  it is not enough  to use only rhetoric,  which, as  it were,  tries  to persuade  from  a distance,  by  means  of a  continuous  discourse.  What  is  needed  above  all  is dialectic,  which  demands  the  explicit  consent  of  the  interlocutor  at  every moment.  Dialectic must skillfully choose a  tortuous path - or rather, a series of apparently  divergent,  but  nevertheless  convergent,  paths98  - in  order  to bring  the  interlocutor  to  discover  the  contradictions  of his own  position,  or to admit an unforeseen  conclusion.  All the circles, detours, endless divisions, digressions, and subtleties which make the modern reader of Plato's Dialogues so uncomfortable arc destined to make ancient readers  and  interlocutors travel a specific path. Thanks to these detours,  "with  a great deal of effort, one rubs names,  definitions,  visions  and  sensations  against  one  another";  one</p><p>"spends  a  long  time  in  the  company  of  these  questions";  one  "lives  with them" 'l'I  until  the  light  blazes  forth.  Yet  one  keeps  on  practicing,  since  "for reasonable people,  the  measure of listening to such  discussions  is  the  whole of life." 100</p><p>What  counts  is  not  the  solution  of  a  particular  problem,  but  the  road travelled to reach  it; a  road along which the interlocutor,  the disciple, and  the reader  form  their  thought,  and  make  it  more  apt  to  discover  the  truth  by itself: IOI</p><p>Stranger:  Suppose  someone  asked  us  this question  about our class of elementary  school-children  learning  to  read.  "When  a  child  is  asked what  letters  spell  a  word  - it can  be  any  word  you  please  - are we  to regard  this exercise as undertaken to discover the correct spelling of the particular word  the teacher assigned, or as designed  rather to  make  the child  better  able  to  deal  with  all words he  may be  asked  to  spell?"</p><p>Young  Socrates:  Surely  we  reply  that  the  purpose  is  to  teach  him  to read  them all.</p><p>Stranger:  How docs this principle apply to our present search  for the statesman? Why did we set ourselves the problem?  Is  our chief purpose to  find  the  statesman,  or  have  we  the  larger  aim  of becoming  beucr dialecticians, more able to  tackle all questions?</p><p>Young  Somlles:  Herc,  too,  the  nm1wcr  is  clc:nr;  we:  llim  to  become better dialecticinnK wit.h  rc1uird  lo  nll  poNMiblc NuhjcclN. 1111</p><p>Spiritual Exercises</p><p>93</p><p>As  we  see,  the  subject-matter  of  the  dialogue  counts  less  than  the  method applied  in  it,  and  the  solution  of a  problem  has  less  value  than  the  road travelled in common  in  order to resolve it.  The point is not to find  the answer to a problem before anyone else,  but to  practice, as effectively as possible, the application of a  method:</p><p>ease  and  speed  in  reaching the answer to  the  problem  propounded  are most commendable,  but the logos requires that this be only a secondary, not  a  primary  reason  for  commending  an  argument.  What  we  must value  first  and  foremost,  above  all  else,  is  the  philosophical  method itself,  and  this  consists  in  ability  to  divide  according  to  forms.  If, therefore,  either  a  lengthy  logos  or  an  unusually  brief one  leaves  the hearer  more  able  to  find  the  forms,  it is  this presentation of the  logos which  must be diligently carried  through .103</p><p>As  a  dialectical  exercise,  the  Platonic  dialogue  corresponds  exactly  to  a spiritual exercise.  There  are two reasons for this. In  the  first place, discreetly but genuinely, the dialogue guides the interlocutor - and the reader - towards conversion.  Dialogue  is  only  possible  if the  interlocutor  has  a  real  desire  to dialogue:  that is, if he truly wants to discover the truth, desires the Good from the  depths  of his  soul,  and  agrees  to  submit  to  the  rational  demands  of the Logos. u&gt;1  His act of faith  must correspond  to  that of Socrates:  "It  is because I  am  convinced  of its  truth  that  I  am  ready, with  your  help,  to  inquire  into the nature of virtue. "IO&gt;</p><p>In fact,  the dialectical effort is  an ascent in common  towards  the truth  and towards  the  Good,  "which  every  soul  pursues."10t�  Furthermore,  in  Plato's view,  every  dialectical  exercise,  precisely  because  it  is  an  exercise  of  pure thought, subject to the  demands of the Logos, turns  the soul away from the sensible  world,  and  allows  it  to  convert  itself towards  the  Good. 107  It  is  the spirit's  itinerary towards the divine.</p><p>3  Learning to Die</p><p>There  is  a  mysterious  connection  between  language  and  death.  This  was one  of  the  favorite  themes  of  the  late  Brice  Parain,  who  wrote:</p><p>"l  anguagc  develops  only  upon  the  death  of  individuals.</p><p>..</p><p>" H&gt;R</p><p>For  the</p><p>Logos  represents  a  demand  for  universal  rationality,  and  presupposes  a world  of  immutable  norms,  which  are  opposed  to  the  perpetual  state  of becoming  and  changing  appetites  characteristic  of  individual,  corporeal lifo.  In  this opposition,  he  who  remains  faithful  to  the  Logos  risks  losing his life.  This  w1111  the  c1111"  with  Socrates who  died  for  his  faithfulness  to  the</p><p>,</p><p>I .Ol(flN.</p><p><image l:href="#135"/></p><p><image l:href="#84"/></p><p>94</p><p>Spiritual Exercises</p><p>Socrates'  death  was  the  radical  event  which  founded  Platonism.  After all,  the  essence  of  Platonism  consists  in  the  affirmation  that  the  Good is  the  ultimate  cause  of  all  beings.  In  the  words  of a  fourth-century  Neoplatonist: If all beings are beings only by virtue of goodness, and if they participate in  the Good,  then the first  must necessarily be a good  which  transcends being.  Here is an  eminent proof of this:  souls of value despise  being for the  sake  of the  Good,  whenever  they  voluntarily  place  themselves  in danger,  for their country,  their loved ones, or for virtue.109</p><p>Socrates exposed  himself to death  for the sake of virtue. He preferred to die rather  than  renounce  the  demands  of his  conscience, 110  thus  preferring  the Good  above  being,  and  thought  and  conscience  above  the  life  of his  body.</p><p>This is nothing other than the fundamental  philosophical choice.  If it is  true that  philosophy  subjugates  the body's  will  to  live  to  the  higher  demands  of thought, it can rightly be said that philosophy is the training and apprenticeship  for death.  As  Socrates puts  it in the Phaedo:  "it  is  a  fact,  Simmias, that those who go about philosophizing correctly are in training for death, and that to  them  of all men death is least alarming." 1 1 1</p><p>The  death  i n  question  here i s  the  spiritual  separation  o f  the soul  and  the body:</p><p>separating the soul as much as possible from the body, and accustoming it to  gather  itself together from every part of the body and  concentrate itself until  it is completely independent, and to have its dwelling, so  far as it can, both now and  in the future, alone and by itself, freed from the shackles of the body .1 12</p><p>Such is the Platonic spiritual exercise.  But we  must  be  wary of misinterpreting  it.  In  particular,  we  must  not  isolate  it  from  the  philosophical  death  of Socrates,  whose presence dominates the whole of the Phaedo.  The separation between soul and body under discussion here - whatever its prehistory - bears absolutely no resemblance to any state of trance or catalepsy.  In  the latter, the body loses consciousness, while the soul is in a supernatural visionary state. 1 13</p><p>All  the  arguments  in  the  Phaedo,  both  preceding  and  following  the  passage we  have  quoted  above,  show  that  the  goal of this  philosophical  separation  is for  the  soul  to  liberate  itself,  shedding  the  passions  linked  to  the  corporeal senses, so as to  attain  to  the autonomy of thought. 1 14</p><p>We can perhaps get a  better  idea of this spiritual  exercise  if we  understand it as an attempt to  liberate ourselves  from a  partial, pasi;ionnte point of view  -</p><p>linked  to  the  senses  and  the  body  - so  as  to  rise  tu  1hc  uni vcrN11I, 11or11111tivc viewpoint of thou!(hl, submitrin!( ourselves  to  lhr  tll�111111uh1 of 1 lw  I .011011 ond</p><p><image l:href="#147"/></p><p><image l:href="#134"/></p><p><image l:href="#2"/></p><p>Spiritual Exercises</p><p>95</p><p>the  norm  of  the  Good.  Training  for  death  is  trammg  to  die  to  one 's individuality  and passions,  in order  to  look  at things  from  t\le  perspective of universality and objectivity.</p><p>�</p><p>Such  an  exercise  requires  the  concentration  of  thought  upon  itself,  by means  of meditation  and  an  inner dialogue.  Plato  alludes  to  this  process  in the Republic, once again  in the context of the tyranny of individual passions.</p><p>The tyranny of desire, he  tells us, shows itself particularly clearly in dreams: The savage  part of the soul . . .  does  not hesitate,  in  thought, to try to have  sex  with  its mother,  or  with  anyone else,  man, god,  or  animal.  It is ready to commit any bloody crime; there is no food it would not eat; and,  in  a  word,  it  does  not  stop  short  of any  madness  or  shamclessness.1 15</p><p>To liberate ourselves from  this tyranny, we are to have recourse to a spiritual exercise of the same type as that  described  in the Phaedo: When, however, a man does  not go to sleep  before  he has  awakened his rational  faculty,  and  regaled  it with excellent  discourses  and  investigations,  concentrating  himself  on  himself,  having  also  appeased  the appetitive part . . .  and calmed  the irascible part . . .  once he has calmed these  two  parts  of the  soul,  and  stimulated  the  third,  in  which  reason resides . . .  it is then  that the  soul best attains  to  truth. 116</p><p>Here  we  shall  ask  the  reader's  indulgence  to  embark on a  brief digression.</p><p>To  present  philosophy as  "training  for death"  was  a  decision  of paramount importance. As Socrates' interlocutor in the Phaedo was quick to remark, such a characterization seems somewhat laughable, and the common man would be right in calling philosophers moribund mopers who, if they are put to death, will  have earned  their  punishment  well. 1 17  For anyone  who  ta.kes  philosophy seriously,  however,  this  Platonic  dictum  is  profoundly  true.  It  has  had  an enormous influence on  Western  philosophy,  and  has been  taken  up even  by such  adversaries of Platonism as  Epicurus  and  Heidegger.  Compared to  this formulation,  the  philosophical  verbiage both  of the  past  and  of the  present seems empty indeed. In the words of La Rochefoucauld, "Neither the sun nor death can  be  looked at directly." 1 18</p><p>,Indeed,  the  only  ones  even  to  auempl  to  do  so  are  philosophers.  Beneath all  their diverse  conceptions of death,  one  common  virtue  recurs  again  and again:  lucidity.  For  Plato,  he  who  has  already  tasted  of the  immortality  of thought  cannot  he  frightened  by  the  idea  of  being  snatched  away  from Nensible  life For  the  Epicurean,  the  thought  of  death  is  the  same  as  the</p><p>.</p><p>conNcimumcHN  of t he  finite  muurc  of cxiHtence,  and  it  is  this  which  gives  an infinite v11luc  lo  c11t&#xFFFD;h  inNtnnt.  l.�:nch of lifi:'N  momcn111 surges  forth  laden  with</p><p>96</p><p>Spiritual Exercises</p><p>incommensurable value:  "Believe that each  day  that  has  dawned will be  your last; then you  will  receive each unexpected hour with  gratitude." 1 19</p><p>In  the  apprenticeship  of  death,  the  Stoic  discovers  the  apprenticeship  of freedom.  Montaigne,  in one of his best-known  essays,  That Philosophizing  is Learning how to  Die,  plagiarizes Seneca:  "He who has learned how to die, has un-learned  how to serve." 120  The  thought  of death  transforms  the  the  tone and  level  of inner  life:  "Keep  death before your eyes  every  day  . . .  and then you  will  never  have  any  abject  thought  nor  any  excessive  desire." m  This philosophical  theme,  in  turn,  is  connected  with  that  of the  infinite  value  of the  present  moment,  which  we  must  live  as  if it were,  simultaneously,  both the first moment and the last. 122</p><p>Philosophy  is  still  "a  training  for  dt.-ath"  for  a  modern  thinker  such  ao; Heidegger.  For  him,  the  authenticity  of  existence  consists  in  the  lucid anticipation  of death,  and  it  is  up to each  of us to choose  between  lucidity and diversion. 123</p><p>For  Plato,  training  for  death  is  a  spiritual  exercise  which  consists  in changing  one's  point  of  view.  We  are  to  change  from  a  vision  of  things dominated  by  individual  passions  to  a  representation  of the  world  governed by  the  universality  and  objectivity  of thought.  This  constitutes  a  conversion (metastrophe)  brought  about  with  the  totality  of  the  soul. 124  From  the perspective of pure thought,  things  which  are  "human,  all too human" seem awfully  puny.  This  is  one  of the  fundamental  themes  of Platonic  spiritual exercises, and it is this which will allow us to maintain serenity in misfortunes: The  rational  law  declares  that  it  is  best  to  keep  quiet  as  far  as  possible in  misfortune,  and  not  to  complain,  because  we  cannot  know  what  is really good and evil in such things, and it does us no good for the future to take them hard, and nothing in human life is worthy of great concern, and our  grieving is an obstacle to the very thing we need  to come to our aid  as quickly as  possible in such cases.</p><p>What  do you  mean?</p><p>To  deliberate,  I  said,  about  what  has  happened  to  us,  and,  as  in dice-games,  to  re-establish  our  position according to whatever numbers turn  up,  however  reason  indicates  would  be  best,  and  . . .  always accustom  the soul  to come as quickly as  possible  to  cure  the ailing part and  raise  up  what  has  fallen,  making  lamentations  disappear by  means of its therapy.125</p><p>One could say  that  this spiritual exercise is  already Stoic, 126 since in it we can see the  utilization  of maxims and  principles intended  to  "accustom  the soul,"</p><p>and liberate it from the passions.  Among these maxims, the one affirming the unimportance of human  affairs  plays an  important  role.  Yet ,  in  i111 turn, 1hi11</p><p>maxim  is  only  the  consequence  of  the  movement  dt�11crihcd  in  t he  l'l1twln,</p><p><image l:href="#20"/></p><p>Spirilual E.wrcises</p><p>97</p><p>whereby the soul, moving from individuality to universality, rises to the level of pure  thought.</p><p>/</p><p>The  three  key  concepts of the insignificance of human  affairs, contempt for death, and  the universal vision characteristic of pure thought are quite plainly linked in the following passage:</p><p>there  is  this  further  point  to  be  considered  in  distinguishing  the philosophical  from  the  unphilosophical  nature . . .  the  soul  must  not contain  any  hint  of servility.  For  nothing  can  be  more  contrary  than such  pettiness  to  the  quality of a  soul  which  must constantly  strive  to embrace  the  universal  totality  of things  divine and  human . . .  But  that soul  to  which  pertain  grandeur of thought  and  the conlemplation  of the totality of time and  of being,  do you  think  that  it can  consider  human life  to  be  a  matter  of  great  importance?  Hence  such  a  man  will  not suppose death to be  terrible. 127</p><p>Here,  "training for death"  is  linked  to  the contemplation  of the  Whole  and elevation  of thought,  which rises from  individual,  passionate  subjectivity to the  universal  perspective.  In other words,  it  attains  to  the  exercise  of pure thought.  In  this  passage,  for  the  first  time,  this  characteristic  of  the philosopher  receives  the  appellation  it  will  maintain  throughout  ancient tradition:  greatness of soul.128 Greatness of soul is the fruit of the universality of thought. Thus, the whole of the philosopher's speculative and contemplative  effort  becomes a  spiritual  exercise,  insofar as he raises  his  thought  up  to the  perspective  of  the  Whole,  and  liberates  it  from  the  illusions  of  individuality  (in  the  words  of  Friedmann:  "Step  out  of  duration . . .  become eternal by transcending yourself").</p><p>From such a  perspective,  even  physics becomes a  spiritual  exercise,  which is  situated  on  three  levels.  In  the  first  place,  physics can  be  a  contemplative activity, which has its end in itself, providing joy and serenity to the soul, and liberating it from day-to-day worries. This is the spirit of Aristotelian physics:</p><p>"nature,  which fashioned creatures,  gives  amazing pleasure  in  their  study to all  who can trace links of causation, and are naturally philosophers. "129 As we have seen,  it was in the contemplation of nature that the Epicurean Lucretius found  "a  divine  delight." 13�  For  the  Stoic  Epictetus,  the  meaning  of  our existence resides in this contemplation:  we have been placed on earth in order to,contemplate divine creation, and we must not die before we have witnessed its  marvels  and  lived  in harmony  with  nature.131</p><p>Clearly,  the  precise  meaning  of the  contemplation  of nature  varies  widely from  one  philosophy  to another.  There is a  great deal of difference  between A ristotelian  physics,  for  example,  and  the  feeling for nature  as  we  find  it in Philo  of Alex11ndrin  nnd  Plutnrch.  It  is  nevertheless  interesting to  note with wh11t  t.�11 t h11NinN1t1  these  t wo  11uthors  1tpe11k  nbout  their  imap;inative physics:</p><p>98</p><p>Spiritual Exercises</p><p>Those  who  practice  wisdom  . . .  are  excellent  contemplators  of  nature and  everything  she  contains.  They  examine  the  earth,  the  sea,  the  sky, the  heavens,  and  all  their  inhabitants;  they  are  joined  in  thought  to  the sun, the moon, and  all  the other stars, both  fixed  and  wandering, in their courses;  and  although  they are attached  to  the earth by their  bodies,  they provide  their  souls  with  wings,  so  that  they  may  walk  on  the  ether  and contemplate  the  powers that  live there, as  is fitting for true citizens of the world  .  .  .  and  so,  filled  with excellence,  accustomed  to  take  no  notice  of ills of the  body  or of exterior  things  . . .  it goes  without  saying  that  such men,  rejoicing  in  their  virtues,  make  of their  whole  lives  a  festivat. �n These  last  lines are  an  allusion  to  an  aphorism  of Diogenes  the  Cynic,  which is  also  quoted  by  Plutarch:  "Does  not  a  good  man  consider  every  day  a festival?"  "And  a  very  splendid  one,  to  be  sure," continues  Plutarch, if  we  are  virtuous.  For  the  world  is  the  most  sacred  and  divine  of temples,  and  the  one  most  fitting  for  the  gods.  Man  is  introduced  into it  by  birth  to  be  a  spectator:  not  of artificial,  immobile  statues,  but  of the  perceptible  images  of intelligible  essences  . . .  such  as  the  sun,  the moon,  the  stars,  the  rivers  whose  water  always  flows  afresh,  and  the earth,  which  sends  forth  food  for  plants  and  animals  alike.  A  life  which is  a  perfect  revelation,  and  an  initiation  into  these  mysteries,  should  be filled  with  tranquillity  and  joy .133</p><p>Physics  as  a  spiritual  exercise  can  also  take  on  the  form  of an  imaginative</p><p>"overflight,''  which  causes  human  affairs  to  be  regarded  as  of little  importance.134  We  encounter  this  theme  in  Marcus  Aurelius: Suppose  you  found  yourself all  of a  sudden  raised  up  to  the  heavens, and  that  you  were  to  look  down  upon  human  affairs  in  all  their  motley diversity.  You  would  hold  them  in  contempt  if you  were  to  see,  in  the same  glance,  how  great  is  the  number of beings of the ether  and  the air, living  round  about  you. 135</p><p>The  same  theme occurs  in  Seneca:</p><p>The  soul  has  attained  the  culmination  of  happiness  when,  having crushed  underfoot all  that  is evil,  it takes  flight and  penetrates  the inner recesses  of nature.  It  is  then,  while  wandering  amongst  the  very  stars, that  it likes  to  laugh at the costly pavements of the  rich  . . .  But  the soul cannot  despise  [all  these  riches]  before  it  has  been  all around  the world, and casting a con temptuous glance at the nnrrow globe of the earth from above,  snys  to  itself:  "So  thiN  i11  the  pin-1min1  which  1111  n11111 y  n111 iun11</p><p><image l:href="#40"/></p><p><image l:href="#40"/></p><p><image l:href="#78"/></p><p>Spiritual Exercises</p><p>99</p><p>divide  among  themselves  with  fire  and  sword?  How  ridiculous  are  the boundaries of men!"1l6</p><p>In  this  spiritual exercise  of the  vision  of totality,  and  elevation  of thought to the level of universal thought, we can  distinguish a  third degree, in which we come closer to the Platonic theme from which we started out. In the words of Marcus Aurelius:</p><p>Don't limit yourself to breathing along with the air that surrounds you; from now on, think along with  the Thought which embraces all things.</p><p>For the intellective power is no less universally  diffused,  and  does not penetrate  any the less into  each being capable of receiving it,  than  the air  in  the case of one capable of breathing it . . .  you  will make a  large room  at  once  for  yourself  by  embracing  in  your  thought  the  whole Universe,  and grasping ever-continuing Time.137</p><p>At  this  stage,  it  is  as  though  we  die  to  our  individuality;  in  so  doing,  we accede,  on  the one  hand,  to  the  interiority  of our consciousness,  and  on  the other,  to  the universality  of thought of the All.</p><p>You  were  already  the  All,  but  because  something  else  besides  the All came to be added  on  to you, you  have become less than  the  All,  by the  very  fact  of  this  addition.  For  the  addition  did  not  come  about from  being  - what  could  be  added  to  the  All?  - but  rather  from not-being.  When  one  becomes  "someone"  out of not-being,  one  is  no longer  the  All,  until  one  leaves  the  not-being  behind.  Moreover,  you increase  yourself when  you  reject  everything  other  than  the  All,  and when  you  have  rejected  it,  the  All  will  be  present  to  you . . .  The  All had no need to come in order to be present. If it is not present, the reason is  that  it  is  you  who  have  distanced  yourself  from  it.  "Distancing yourself" does not mean  leaving it  to  go someplace else - for  it would be there,  too.  Rather,  it means  turning away  from  the All,  despite  the fact that it is there. 1Js</p><p>With  Plotinus, we now return to  Platonism.  The Platonic tradition remained faithful to Plato's spiritual exercises. We need only add that, in Neoplatonism, th.e idea of spiritual  progress plays a much more explicit role than in  Plato's writings.  In  Neoplatonism,  the  stages  of spiritual  progress  corresponded  to different degrees of virtue. The hierarchy of these stages  is  described  in  many Neoplatonic texts, 1.111 serving  in  particular as the framework for Marinus'  Life 1fl'mdus.1&#xFFFD;11 Porphyry,  editor of Plotinus' Enneads, systematically arranged his m11ster'M work accord ing to  the stages of this spiritual progress.  First, the soul WllK  puri fied  hy  i111  1(1'11clu11I  dctnchmcnt  from  t he  body;  then  came  the</p><p>100</p><p>Spiritual Exercises</p><p>knowledge of,  and  subsequent passing beyond, the sensible world; finally, the soul achieved conversion toward the Intellect and the One. HI Spiritual  exercises  are  a  prerequisite  for  spiritual  progress.  In  his  treatise On Abstinence from Animate  Beings,  Porphyry  sums  up  the  Platonic  tradition quite well. We must, he tells us, undertake two exercises (meletai):  in the first place,  we  must  tum  our  thought  away  from  all  that  is  mortal  and  material.</p><p>Secondly, we must return toward  the activity of the Intellect. m  The first stage of these Neoplatonic exercises includes aspects which are highly ascetic, in the modem sense of the word:  a vegetarian diet, among other things.  In the same context,  Porphyry  insists  strongly  on  the  importance  of spiritual  exercises.</p><p>The  contemplation  (theoria)  which  brings  happiness,  he  tells  us,  does  not consist  in  the  accumulation of discourse  and  abstract teachings, even  if their subject is true Being. Rather, we must make sure our studies are accompanied by an  effort to  make these  teachings become  "nature and  life"  within us. 141</p><p>In  the  philosophy  of  Plotinus,  spiritual  exercises  are  of  fundamental importance.  Perhaps  the  best  example  can  be  found  in  the  way  Plotinus defines the essence of the soul and  its immateriality. If we have doubts about the  immortality  and  immateriality  of the  soul, says  Plotinus,  this  is  because we are accustomed to see it filled with irrational desires and violent sentiments and passions.</p><p>If one wants to know the nature of a thing, one must examine it in its pure state, since every addition to a thing is an obstacle to the knowledge of that  thing.  When  you  examine  it,  then,  remove  from  it  everything that  is  not  itself;  better  still  remove  all your stains from yourself and el�amine yourse/j;  and  you  will  have  faith  in  your immortality. 144</p><p>If you  do  not yet  see  your  own  beauty,  do  as  the  sculptor  does  with  a statue  which  must  become  beautiful:  he  removes  one  part,  scrapes another,  makes  one  area  smooth,  and  cleans  the  other,  until  he  causes the beautiful face in the statue  to appear. In the same way,  you too must remove everything that is superfluous, straighten that which is crooked, and  purify  all  that  is  dark  until  you  make  it  brilliant.  Never  stop sculpting your own  statue,  until the divine splendor of virtue shines  in you . . .  If you  have  become  this . . .  and  have  nothing alien  inside  you mixed  with  yourself . . .  when  you  see  that  you  have  become  this . . .</p><p>concentrate your gaze and see.  For it is only an eye such as this that can look  on the great Beauty.HS</p><p>Here  we  can  see  how  the  the  demonstration  of the  soul's  immateriality  has been transformed into experience. Only he who liberates himself 1md  purifies himself from  the  passions,  which  conceal  the  true  reality  of  the  11oul,  can understand  that  the  soul  i1t  immn1eriul  nnd  immortal.  Hrm\  knowledge  Is  u</p><p><image l:href="#9"/></p><p>Spiritual Exercises</p><p>101</p><p>spiritual  exercise. 146  We must  first  undergo  moral  purification,  in  order  to become capable of understanding.</p><p>When the object of our knowledge is no longer the soul, but the Intellect147</p><p>and  above  all  the  One,  principle  of  all  things,  we  must  once  again  have recourse to spiritual exercises.  In  the case of the One, Plotinus makes  a clear distinction  between,  on  the  one  hand,  "instruction,"  which  speaks  about  its object in an exterior way,  and,  on the other, the "path," which  truly  leads  to concrete  knowledge  of  the  Good:  "We  are  instructed  about  it  by  analogies, negations,  and  the  knowledge  of things  which  come  from  it . . .  we  are  led towards  it  by purifications,  virtues,  inner settings  in order,  and  ascents  into the  intelligible  world." 148  Plotinus'  writings  are  full  of passages  describing such spiritual exercises, the goal of which  was not merely to know the Good, but to  become  identical with  it,  in  a complete annihilation of individuality.  To achieve  this  goal,  he  tells  us,  we  must  avoid  thinking  of  any  determinate form,149  strip  the soul of all  particular  shape,150 and  set aside all things  other than  the One. 1s1  It is  then that,  in a  fleeting blaze  of light,  there  takes  place the metamorphosis of the self:</p><p>Then  the seer no longer sees his object, for in  that instant he no longer distinguishes  himself from  it;  he  no  longer  has  the  impression  of two separate  things,  but  he  has,  in  a sense,  become anothe,..  He is  no  longer himself,  nor does  he belong to himself,  but  he  is one  with  the One,  as the centre of one circle coincides  with the centre of another .152</p><p>4  Leaming How  to  Read</p><p>In  the  preceding  pages,  we  have  tried  to  describe - albeit  too  briefly - the richness and variety of the practice of spiritual exercises in antiquity. We have seen  that,  at first glance, they  appear  to  vary  widely.  Some,  like  Plutarch's etl1ismoi,  designed  to  curb  curiosity,  anger  or  gossip,  were � only  practices intended  to ensure good moral habits. Others, particularly the meditations of the  Platonic  tradition,  demanded  a  high  degree  of  mental  concentration.</p><p>Some,  like  the  contemplation  of  nature  as  practiced  in  all  philosophical schools,  turned  the  soul  toward  the  cosmos,  while  still  others  - rare  and exceptional  - led to a transfiguration of the personality, as in the experiences o( Plotinus. We also saw that the emotional tone and notional content of these exercises  varied  widely  from  one  philosophical  school  to  another:  from  the mobilization of energy and  consent to  destiny of the Stoics,  to  the relaxation and  detachment of the  Epicureans,  to  mental concentration and renunciation of the 11cnNible  world  among the Platonists.</p><p>Bcne111h  1 hi11  apparent  di\'crsity,  however,  there  is  a  profound  unity,  both in  the  mc11nli  c1111&gt;loycd  11nd  in  the cndli  purNued The  means  employed  arc</p><p>.</p><p>1 02</p><p>Spiritual Exercises</p><p>the  rhetorical  and  dialectical  techniques  of  persuasion,  the  attempts  at mastering one's inner dialogue, and mental concentration.  In all philosophical schools,  the  goal  pursued  in  these exercises is  self-realization  and  improvement.  All  schools agree that man,  before his philosophical conversion,  is in a state  of unhappy  disquiet.  Consumed  by  worries,  torn  by  passions,  he  does not live a genuine life, nor is he truly himself.  All schools also agree that man can  be  delivered  from  this  state.  He  can  accede  to  genuine  life,  improve himself,  transform  himself,  and  attain  a  state  of  perfection.  It  is  precisely for  this  that  spiritual  exercises  are  intended.  Their  goal  is  a  kind  of  selfformation,  or paideia,  which  is  to  teach  us  to  live,  not  in  conformity  with human prejudices and social conventions - for social life is itself a product of the passions - but in conformity with the nature of man, which is none other than  reason.  Each  in its own  way,  all  schools believed  in  the  freedom  of the will,  thanks to  which  man  has the possibility to modify, improve, and  realize himself.  Underlying  this  conviction  is  the  parallelism  between  physical  and spiritual exercises: just as, by dint of repeated physical exercises, athletes give new  form  and  strength  to  their  bodies,  so  the  philosopher  develops  his strength of soul, modifies his inner climate, transforms his vision of the world, and,  finally, his  entire  being. 153 The  analogy  seems all the  more  self-evident in  that the gymnasion, the place where physical exercises were practiced, was the same place  where philosophy  lessons were given;  in  other words,  it was also the place for training in spiritual gymnastics. 154</p><p>The  quest  for  self-realization,  final  goal  of  spiritual  exercises,  is  well symbolized by  the Plotinian image of sculpting one's own statue. 1 55 It is often misunderstood,  since  people  imagine  that  this  expression  corresponds  to  a kind  of moral  aestheticism.  On  this  interpretation, �its  meaning  would  be  to adopt a pose, to select an attitude, or to  fabricate a personality  for oneself.  In fact,  it  is  nothing of the sort.  For  the  ancients,  sculpture  was an  art which</p><p>"took  away,"  as  opposed  to  painting,  an  art  which  "added  on." The  statue pre-existed  in  the  marble  block,  and  it  was  enough  to  take  away  what  was superfluous in  order to cause  it to  appear .156</p><p>One  conception  was  common  to  all  the  philosophical  schools:  people  are unhappy because they are the slave of their passions. In  other words, they are unhappy because they desire things they may  not be able to obtain, since they are exterior, alien, and superfluous to them.  It follows that happiness consists in  independence,  freedom,  and  autonomy.  In  other  words,  happiness  is  the return to the essential: that which is truly "ourselves," and which depends on us.</p><p>This  is  obviously  true  in  Platonism,  where  we  find  the  famous  image  of Glaucos,  the god  who lives  in the depths  of the sea.  Covered  as  he  is  with mud,  seaweed,  seashells,  and  pebbles,  Glaucos  is  unrecogniznblc,  and  the same holds true for the soul: the body is a  kind  of thick, coarse crui;t , covcrinl(</p><p>and completely disfiguring it, 11nd  t he  !ioul's t ru e  nut u rc  would 11ppc11r  only  if</p><p><image l:href="#108"/></p><p><image l:href="#124"/></p><p>Spiritual Exercises</p><p>1 03</p><p>it  rose  up  out  of the  sea,  throwing  off everything alien  to  it. 157  The  spiritual exercise of apprenticeship for death,  which consists in separpting oneself from the  body,  its  passions,  and  its  desires,  purifies  the  soul  from  all  these superfluous  additions.  It  is  enough  to  practice  this  exercise  in  order  for  the soul  to  return  to  its  true  nature,  and  devote  itself exclusively  to  the  exercise of pure  thought.</p><p>Much  the  same  thing  can  be  said  for  Stoicism.  With  the  help  of  the distinction  between  what  does  and  does  not  depend  on  us;  we  can  reject  all that  is  alien  to  us,  and  return  to  our  true  selves.  In  other  words,  we  can achieve moral  freedom.</p><p>Finally,  the  same  also  holds  true  for  Epicureanism.  By  ignoring  unnatural and unnecessary desires, we can  return  to our original nucleus of freedom and independence,  which  may  be  defined  by  the  satisfaction  of  natural  and necessary desires.</p><p>Thus,  all  spiritual  exercises  are,  fundamentally,  a  return  to  the  self,  in which  the  self is  liberated  from  the  state  of alienation  into  which  it has  been plunged  by  worries,  passions,  and  desires.  The  "self"  liberated  in  this  way  is no longer  merely  our egoistic,  passionate  individuality:  it is  our moral person, open  to  universality  and  objectivity,  and  participating  in  universal  nature  or thought.</p><p>With  the  help  of these  exercises,  we  should  be  able  to  attain  to  wisdom; that  is,  to  a  state  of  complete  liberation  from  the  passions,  utter  lucidity, knowledge  of ourselves  and  of  the  world .  In  fact,  for  Plato,  Aristotle,  the Epicureans, and the Stoics, such an  ideal of human perfection serves to define divine perfection,  a state by definition inaccessible to man.158 With  the possible exception  of the  Epicurean  school, 159  wisdom  was  conceived  as  an  ideal  after which  one  strives  without  the  hope  of  ever  attaining  it.  Under  normal circumstances,  the  only  state  accessible  to  man  is philo-sophia:  the  love  of,  or progress  toward,  wisdom.  For  this  reason,  spiritual  exercises  must  be  taken up  again  and  again,  in  an  ever-renewed  effort.</p><p>The  philosopher  lives  in  an  intermediate  state.  He  is  not  a  sage,  but  he  is not  a  non-sage,  either.160  He  is  therefore  constantly  torn  between  the non-philosophical  and  the  philosophical  life,  between  the  domain  of  the habitual  and the everyday, on  the one hand,  and, on  the other, the domain of consciousness and lucidity. 161  To  the same extent that the philosophical  life  is equivalent  to  the  practice  of spiritual  exercises,  it is  also  a  tearing  away  from eyeryday  life.  It  is  a  conversion,162  a  total  transformation  of  one's  vision, life-style,  and  behavior.</p><p>Among  the  Cynics,  champions  of askesis,  this  engagement  amounted  to  a total  break  with  the  profane  world,  analogous  to  the  monastic  calling  in Christianity. The rupture  took  the  form  of a  way  of living,  and  even  of dress, cnm11lctcly  fnreil{n  to  that  of  the  rest  of  mankind .  This  is  why  it  was 1111mc1 imcN Naid thin  C :yniciNrn w11N not� n  philosophy  in  the  proper sense of the</p><p>1 04</p><p>Spiritual Exercises</p><p>term, but a  state of life (enslasis). 163  In  fact, however,  all  philosophical schools engaged their disciples upon a new way of life, albeit in a more moderate way.</p><p>The  practice  of spiritual  exercises  implied  a  complete  reversal  of received ideas:  one was  to  renounce  the false values of wealth,  honors,  and  pleasures, and turn towards the true values of virtue, contemplation, a simple life-style, and  the  simple  happiness  of existing.  This  radical  opposition  explains  the reaction  of  non-philosophers,  which  ranged  from  the  mockery  we  find expressed in the comic poets, to the outright hostility which went so far as to cause the death of Socrates.</p><p>The  individual  was  to  be  torn  away  from  his  habits  and  social  prejudices, his  way of life  totally changed,  and  his way  of looking at the  world  radically metamorphosed  into  a  cosmic-"physical"  perspective.  We  ought  not  to underestimate the depth and amplitude of the shock that these changes could cause,  changes which  might seem fantastic and senseless to  healthy, everyday common  sense.  It  was  impossible  to  maintain  oneself  at  such  heights continuously; this was a conversion that needed always to be reconquered.  It was probably because of such difficulties that, as we learn in Damascius' Life of  lsidorus,  the  philosopher  Sallustius  used  to  declare  that  philosophy  was impossible for man.1"'  He  probably meant by  this  that  philosophers were not capable of remaining philosophers at every  instant of their lives. Rather, even though  they  kept  the  title of "philosophers,"  they  would  be sure  to  fall  back into  the habits  of everyday  life.  The Skeptics,  for  instance,  refused  outright to  live  philosophically,  deliberately  choosing  to  "live  like  everybody  else," 165</p><p>although  not  until after having made a  philosophical  detour so intense that  it is hard  to  believe  that  their  "everyday  life"  was  quite  so  "everyday"  as  the) seem to have pretended.</p><p>Our  claim  has  been,  then,  that  philosophy  in  antiquity  was  a  spiritual exercise.  As  for  philosophical  theories:  they  were  either placed  explicitly  in the service of spiritual practice, as was the case in Stoicism and Epicureanism, or  else  they  were  taken  as  the  objects  of intellectual  exercises,  that  is,  of a practice of the contemplative life which, in  the last analysis, was itself nothing other than a spiritual exercise. It is impossible to understand the philosophical theories  of antiquity  without  taking  into  account  this  concrete  perspective, since this is what gives them  their true meaning.</p><p>When  we read the works of ancient philosophers,  the  perspective we  have described  should  cause  us  to  give  increased  attention  to  the  existential attitudes underlying the dogmatic edifices we encounter.  Whether we have to do with dialogues as in the case of Plato, class notes as  in the case of Aristotle, treatises  like  those  of  Plotinus,  or  commentaries  like  those  of  Proclus,  a philosopher's  works  cannot  be  interpreted  without  taking  into  consideration the concrete situation  which  gave birth to them They  arc  the  product11 of n</p><p>.</p><p>philosophical school, in  the  most concrete sense of the  term, in  which n nu1s1c:r forms  his  disciples,  trying  to  guide  t hem  to  sc:lf:.tr1111sfimm11 ion  1uul</p><p>Spiritual Exercises</p><p>1 05</p><p>-realization.  Thus,  the  written  work  is  a  reflection  of pedagogical,  psychagogic, and methodological  preoccupations.</p><p>Although  every  written  work  is  a  monologue,  the  philosophical  work  is always  implicitly  a  dialogue.  The  dimension  of  the  possible  interlocutor  is always present  within  it.  This  explains the incoherencies and  contradictions which  modern historians discover with astonishment in the works of ancient philosophers.166  In  philosophical  works  such  as  these,  thought  cannot  be expressed  according  to  the  pure,  absolute  necessity  of a  systematic  order.</p><p>Rather,  it  must  take  into  account  the  level  of  the  interlocutor,  and  the concrete tempo of the logos in which it is expressed. It is the economy proper to  a  given  written  logos  which  conditions  its  thought  content,  and  it  is  the logos that constitutes a  living system  which,  in  the words of Plato,  "ought  to have  its  own  body . . .  it  must  not  lack  either  head  or  feet:  it  must  have  a middle  and  extremities  so  composed  as  to  suit  each  other  and  the  whole work." 167</p><p>Each  logos  is a  "system," but the  totality of logfli  written  by  an author does nol constitute a system.  This is obviously true in the case of Plato's dialogues, but  it  is  equally  true  in  the  case  of the lectures of Aristotle.  For  Aristotle's writings are indeed neither more nor less than lecture-notes; and  the error of many  Aristotelian  scholars  has  been  that  they  have  forgotten  this  fact,  and imagined instead  that they were manuals or systematic  treatises,  intended  to propose  a  complete exposition  of a  systematic  doctrine.  Consequently,  they have  been  astonished  at  the  inconsistencies,  and  even  contradictions,  they discovered  between  one  writing and  another.  As  Diiring168  has  convincingly shown, Aristotle's various logoi correspond  to  the concrete situations created by specific academic debates.  Each lesson corresponds to different conditions and  a  specific  problematic.  It  has  inner  unity,  but  its  notional  content  docs not  overlap  precisely  with  that  of any  other  lesson.  Moreover,  Aristotle  had no intention of setting forth a complete system of reality .169 Rather, he wished to  train  his students  in  the  technique of using correct methods  in  logic,  the natural  sciences,  and  ethics.  During  gives  an  excellent  description  of  the Aristotelian method:</p><p>the most characteristic  feature  in  Aristotle is  his  incessant discussion  of problems.  Almost every  important  assertion  is  an  answer  to  a  question put  in  a  certain  way,  and  is  valid  only  as  an  answer  to  this  particular</p><p>,  question.  That  which  is  really interesting in  Aristotle  is  his  framing of the  problems,  not  his  answers.  It  is  part  of his  method  of inquiry  to approach  a  problem  or  a  group  of  problems  again  and  again  from dillcrcnt anglc..'S.  His own  words are  a.U.17vapzq JI  Tr0l1]C1a�EIJOl  ["now, taking  11  different  starting-point .</p><p>"l . . From  different  starting</p><p>.</p><p>.</p><empty-line/><p>.</p><p>llointN,  tipxai  he  strikes  off  into  different  lines  of  thought  and u h im111uly rc:11chcN inconNistc:nt  1m1&gt;wcrN.  Tllkc  011  example his discussion</p><p><image l:href="#140"/></p><p><image l:href="#1"/></p><p>106</p><p>Spiritual Exercises</p><p>of the soul  . . .  in  each  case  the answer is the consequence of the manner in  which  he  posits  the  problem.  In  short,  it is  possible  to  explain  this type of inconsistencies as natural results of the method  he applies. 170</p><p>In  the  Aristotelian method of "different  starting-points," we can  recognize the  method  Aristophanes  attributed  to  Socrates,  and  we  have  seen  to  what extent  all  antiquity  remained  faithful  to  this  method. 171  For  this  reason, During's  description  can  in  fact  apply,  mutatis  mutandis,  to  almost  all  the philosophers  of antiquity.  Such  a  method,  consisting  not  in  setting  forth  a system,  but in  giving  precise  responses  to  precisely  limited  questions,  is the heritage - lasting throughout antiquity  - of the dialectical  method;  that is to say, of the dialectical exercise.</p><p>To return to Aristotle:  there  is a  profound  truth  in  the  fact  that  he himself used  to call  his courses metlwdoi. 172 On  this  point, moreover,  the Aristotelian spirit corresponds to the spirit of the Platonic Academy, which was, above all, a school which formed its pupils for an eventual political  role, and a research institute where investigations were carried  out  in  a spirit of free discussion. 173</p><p>It  may  be  of  interest  to  compare  Aristotle's  methodology  with  that  of Plotinus.  We  learn  from  Porphyry  that  Plotinus  took  the  themes  for  his writings  from  the  problems  which  came  up  in  the course  of his  teaching. m Plotinus' various logoi,  situated  as  they  are  within a  highly specific problematic,  are responses to  precise questions.  They are adapted  to  the needs of his disciples,  and  are an  attempt  to  bring about in  them a  specific  psychagogic effect.  We  must  not  make  the  mistake  of  imagining  that  they  are  the successive chapters of a  vast,  systematic  exposition  of Plotinus'  thought.  In each of these logoi,  we encounter the spiritual method particular to Plotinus, but there is no lack of incoherence and contradictions on points of detail when we compare the doctrinal content of the respective treatises. 175</p><p>When  we  first  approach  the  Neoplatonic  commentaries  on  Plato  and Aristotle,  we  have  the  impression  that  their  form  and  content  are  dictated exclusively  by  doctrinal  and  exegetical  considerations.  Upon  closer  examination,  however,  we  realize  that,  in �each  commentary,  the  exegetical  method and  doctrinal  content  arc  functions  of the  spiritual  level  of the  audience  to which  the  commentary  is addressed.  The  reason  for this is  that  there existed a cursus of philosophical instruction, based on spiritual progress.  One did not read  the same  texts  to  beginners,  to  those  in progress,  and  to  those  already having achieved perfection,  and  the concepts  appearing in  the commentaries are also functions of the spiritual capacities of their addressees.  Consequently, doctrinal  content  can  vary  considerably  from  one  commentary  to  another, even  when  written  by  the  same  author.  This  docs  not  mean  that  the commentator changed  his doctrines,  but  that  the  needs  of his  disciples  were differcnt.176 In the literary genre of parene.fis, used for exhorting beginners, one could, in order to bring about  11  specific effect  in the  interlncutor'N Nnul, utilize</p><p>Spiritual Exercises</p><p>1 07</p><p>the  arguments  of a  rival  school.  For  example,  a  Stoic  might  say,  "even  if pleasure is the good of the soul  (as  the  Epicureans would ha1ve it), nevertheless we  must purify ourselves of passion." m  Marcus Aurelius exhorted himself in the same manner. If, he writes, the world is a mere aggregate of atoms, as the Epicureans would have it, then death  is not to  be  feared.178</p><p>Moreover, we ought  not  to  forget  that many a  philosophical demonstration derives  its  evidential  force  not  so  much  from  abstract  reasoning as  from  an experience  which  is at  the  same  time  a  spiritual  exercise.  We  have  seen  that this  was  the  case  for  the  Plotinian  demonstration  of the  immortality  of the soul.  Let  the  soul  practice  virtue,  he  said,  and  it  will  understand  that  it  is immortal.179 We find an analogous example in the Christian writer Augustine.</p><p>In  his  On  the  Trinity,  Augustine  presents a  series of psychological  images of the  Trinity  which  do  not  form  a  coherent  system,  and  which  have  consequently been  the source of a  great deal of trouble  for his  commentators.  In fact,  however,  Augustine  is  not  trying  to  present  a  systematic  theory  of trinitarian  analogies.  Rather,  by making the soul turn  inward  upon  itself,  he wants  to  make  it experience  the  fact that  it is an  image  of the Trinity.  In  his words:  "These  trinities  occur within  us  and  are  within  us,  when  we  recall, look  at,  and  wish  for  such  things." 180  Ultimately,  it  is in  the  triple  act  of remembering  God,  knowing  God,  and  loving  God  that  the  soul  discovers itself to be  the image of the Trinity.</p><p>From  the  preceding  examples,  we  may  get  some  idea  of  the  change  in perspective that may occur in our reading and interpretation of the philosophical  works of antiquity  when we consider  them  from  the  point  of view  of the practice of spiritual exercises.  Philosophy  then  appears  in  its  original aspect: not as a  theoretical construct,  but as a method  for training people to live  and to  look  at  the  world  in  a  new  way.  It  is  an  attempt  to  transform  mankind.</p><p>Contemporary  historians  of  philosophy  are  today  scarcely  inclined  to  pay attention  to  this aspect,  although  it is an  essential  one.  The reason for  this is that, in conformity  with a tradition inherited from the Middle Ages and from the  modern  era,  they  consider  philosophy  to be  a  purely abstract-theoretical activity. Let us briefly recall  how  this conception  came  into existence.</p><p>It  seems  to  be  the  result  of the  absorption  of philosophia  by  Christianity .</p><p>Since  its  inception,  Christianity  has  presented  itself as  a  philosophia,  insofar as  it assimilated  into  itself the  traditional  practices of spiritual  exercises.  We see this occurring in Clement of Alexandria, Origen, Augustine, and monastici:im.1"1  With  the  advent  of medieval  Scholasticism,  however,  we  find  a  clear distinction  being  drawn  between  theologia  and philosophia.  Theology  became conscious of its autonomy qua supreme science, while philosophy was emptied of  its  spiritual  exercises  which,  from  now  on,  were  relegated  to  Christian mysticism  nnd  ethics.  Reduced  to  the  rank  of  a  "handmaid  of  theology,"</p><p>philmmphy'N  role  waN  henceforth  to  furnish  theology  with  conceptual  - and ht�ncc  purely  t hcoret ie.:nl</p><p>mnterinl .  When,  in  the  modern  age,  philosophy</p><p>108</p><p>Spiritual Exercises</p><p>regained  its  autonomy,  it  still  retained  many  features  inherited  from  this medieval  conception.  In  particular,  it  maintained  its  purely  theoretical character, which even evolved  in the direction of a  more and more thorough systematization.182  Not  until  Nietzsche,  Bergson,  and  existentialism  does philosophy consciously return  to being a  concrete attitude, a  way of life  and of  seeing  the  world.  For  their  part,  however,  contemporary  historians  of ancient thought have, as a  general rule, remained prisoners of the old, purely theoretical conception of philosophy.  Contemporary  structuralist  tendencies do  not,  moreover,  incline  them  to correct this misconception,  since spiritual exercises  introduce  into  consideration  a  subjective,  mutable,  and  dynamic component,  which does not  fit comfortably  into the structuralists'  models of explanation.</p><p>We have now  returned to the contemporary period  and  our  initial point of departure,  the  lines  by  G.  Friedmann  we  quoted  at  the  beginning  of this study.  We have  tried  to  reply to those who,  like  Friedmann, ask  themselves the question:  how is it possible to practice spiritual exercises in the twentieth century? We have tried to do so by recalling the existence of a  highly rich and varied  Western  tradition.  There  can  be  no  question,  of course,  of mechanically imitating stereotyped schemas. After all, did not Socrates and Plato urge their disciples to  find  the  solutions  they  needed  by  themselves?  And  yet,  we cannot afford  to  ignore  such  a  valuable  quantity  of experience,  accumulated over millennia.  To mention  but one example,  Stoicism and Epicureanism  do seem  to  correspond  to  two  opposite  but  inseparable  poles  of our  inner  life: tension  and  relaxation,  duty  and  serenity,  moral  conscience  and  the  joy  of existence.1K3</p><p>Vauvenargues  said,  "A  truly  new  and  truly  original  book  would  be  one which  made people love old  truths."1""  It is my hope that  I  have been  "truly new and truly original" in  this sense, since my goal has indeed  been to make people  love  a  few  old  truths.  Old  truths: . . .  there  are  some  truths  whose meaning will never be exhausted by the generations of man .  It is not that they are difficult; on  the contrary,  they  are often extremely simple.m Often, they even appear to be banal.  Yet for their meaning to be understood,  these truths must be lived,  and constantly  re-experienced.  Each generation  must  take up, from scratch, the task of learning to read and to  re-read  these "old  truths."</p></section><section><p>We spend our lives "reading," that is, carrying out exegeses, and sometimes even exegeses of exegeses.  Epictetus tells us  what  he thinks of such activities:</p><p>"Come  and  listen  to  me  read  my  commentaries . . .  I  will  explain Chrysippus  to  you  like  no  one  else  can,  and  I'll  provide  a  complete analysis of his  entire  text . . .  If necessary,  I  can  even  add  the  views  of Antipater  and  Archedcmos"  . So  it's  for  this,  is  it,  thnt  young  men</p><p>.</p><p>.</p><p>arc  to  leave their fatherlands and  their own  pnrcntt�:  to  l'Olllc  nnd  liKl t!ll to  you  explain  words?  Triflinl( lil l lc  wcmh1? IM</p><p><image l:href="#170"/></p><p>Spiritual Exercises</p><p>109</p><p>And yet  we have forgotten  how to read:  how  to pause, liberate ourselves from our  worries, return into ourselves,  and  leave aside our searc)J for subtlety and originality,  in  order to meditate calmly,  ruminate,  and  let the texts speak to us. This, too, is a spiritual exercise, and one of the most difficult. As Goethe said:  "Ordinary people don't know how much  time and effort it takes to learn how to read. I've spent eighty years at it, and I still can't say that I've reached my goal." IB7</p><p>NOTES</p><p>Georges Friedmann, La  P11issance et  la Sagesse,  Paris  1 970,  p.  359. On June  30, 1 977,  shortly  before  his  death,  Friedmann  was  kind  enough  to  write me to  tell me  how  much  he  had  been  "moved"  by  my  reaction  to  his book.  In  the  same letter,  he  referred  me  to the  final  remarks  he  had  presented  at the close  of the Colloquium  organdies  by  the  CNRS  [National  Centre  of Scientific  Research], 3-5  May,  1977,  to  commemorate  the  tricentenary  of  the  death  of  Spinoza.</p><p>There, apropos of a  passage  from  Spinoza's Ethics,  he spoke of the Stoicism of the  ancients.  Cf.  Georges  Friedmann,  "Le  Sage  et  notre  siecle,"  Revue  de SJmtlitse 99 ( 1 978), p.  288.</p><p>2  Friedmann, la P11issance, pp.  1 83-284.</p><p>3  Epictetus, Disco11rses,  3, 22, 20:  "From now on my mind  [tlianoia]  is the material with  which I  have to  work,  as the carpenter has his timbers,  the shoemaker his hides."</p><p>4  [Ignatius  of  Loyola  (ca.  1 49 1 - 1 556),  founder  of the Jesuit  Order,  wrote  his handbook entitled Spirit11nl E.\�ercises beginning in 1 522. The goal of the work was to purify  its  reader  from  sin  and  lead  him  to  God,  via  a  four-stage  meditation: beginning  with  meditation  on  sin,  the  reader  progresses  to  considering  the kingdom of Christ, the passion, and finally the risen and glorified Lord. - Trans.]</p><p>5  In  Latin  literature,  cf. ,   for  example,  Rufinus,  History  of  the  Monks  [written ca.  AD  403],  ch.  29,  PL  2 1 ,  4100:  "Cum  quadraginta  annis  fuisset  in  excrcitiis  spiritualibus  conversatus"  ["After  he  had  become  t.-onversant  with  spiritual exercises  for  forty  years"  - Trans.], and  ch.  29  (ibid.,  col.  4530):  "Ad acriora semetipsum  spiritalis vitae cxtendit exercitia"  ["He  exerted  himself to  the  more zealous exercises of the spiritual life." - Trans.].</p><p>In the Greek world, we find this terminology already in Oement of Alexandria, Stromata,  4,  6,  27,  I.  Cf.  J.  Leclercq,  "Exercices  spirituels,"  in  Dictiormaire  tie Spiritualite,  vol.  4,  cols  1 902-8.</p><p>{&gt;  In  his very important work Seelenfiihrung.  Methodik der E:A.�erzitien in der Antike, Munich 1 954, Paul Rabbow situated Ignatius of Loyola's Exercitia spiritualia  back within the ancient  tradition .</p><p>7  There have been relatively few studies devoted to this subject. The fundamental work  is th11r of Rabbow, Seelerljuhrrmlf,  cf.  also the review of Rabbow's work by (i,  l .uck, Gmmum  28 ( 1 95&lt;&gt;), pp.  2(18  71 ;  H.-L. Hijmans jr  AIKEIIi, Notes 011</p><p>l1'plt:ttt11.1 '  li'i/11111li111111/ ,\)1s1tm,  A11Nct1  l 1J51T;' A.C.  Vnn  Geytcnbeck, M1mmi11s R1di1.&lt;</p><p><image l:href="#9"/></p><p>1 10</p><p>Spiritual Exercises</p><p>and  Greek Diatribes,  Assen  1 963; W.  Schmid, "Epikur," in  Reallexikon for Antike und Christentum,  vol.  S,  1 962, cols 73S-40;  I.  Hadot  "Epicure et l'enseignement philosophique  hellenistique  et  romain,"  in  Actes  du  VJ/le  Co11gres  Bude, Paris  1 969;  H.-G.  lngenkamp,  Plutarchs  Schriften  iiber  die  Heilung  der  See/e, Gottingen  1 97 1 ;  V.  Goldschmidt,  Le systeme  stoi"cien  et  l'idee  de  temps,  4th  edn, Paris  1 98S.</p><p>8  Pseudo-Galen,  Philosophical  History,  S,  in  H.  Diels,  ed.,  Doxographi  Graeci, p.  602,  1 8;  Pseudo-Plutarch,  Placita,  I,  2,  ibid,  p.  273,  14.  The  idea  originates with  the  Cynics;  cf.  Diogenes Laertius, 6, 70-1 , and now the  important  work of M.-0.  Goulet-Cazi:,  L 'Ascese  cynique.  Un  commentaire  de  Diogene  Lairce,  VI, 70,  71, Paris 1986. Lucian ( Toxaris, 27;  Vitarum auctio, 7) uses the  word askesis  to designate philosophical sects themselves. On  the need for philosophical exercises, cf. Epictetus, Discourses,  2, 9, 13; 2,  1 8, 26; 3, 8,  I;  3, 1 2,  1 -7; 4, 6,  1 6; 4,  1 2,  1 3; Musonius Rufus, p.  22,  9ff Hense;  Seneca, Letter,  90,  46.</p><p>9  Seneca,  Letter,  20,  2:  "Philosophy  teaches  us how to  act,  not  how  to talk."</p><p>10  Epictetus, Discourses, I, 4,  1 4ff:  spiritual progress does not consist in learning how to explain  Chrysippus better, but in transforming one's own freedom; cf. 2,  1 6, 34.</p><p>1 1   Epictetus,  Discourses,  I,  I S,  2:  "The  subject-matter  of  the  art  of  living (i .e.  philosophy) is the life of every individual;" cf.  I, 26, 7. Plutarch,  Table-talk, I, 2, 623B: "Since philosophy is the art of living, it should not be kept apart from any  pastime."</p><p>12  Galen,  Galen  On  the  Passio11s  and Errors  of the Soul,  I,  4,  p.  1 1 ,  4  Marquardt:</p><p>"make yourself better."</p><p>13  On  conversion,  cf.  Arthur  Darby  Nock,  Conversion,  Oxford  1 933,  pp.  1 64-86; Pierre Hadot "Epistrophe et Metanoia dans l'historie de la philosophic," in Actes du  lie  Congres  International  de  Philosophie  1 2,  Brussels  19S3,  pp.  3 1 -6;  Pierre Hadot, "Conversio," in Historiches  Wiirterbuch der Pl1ilosophie, vol.  1, cols 1033-6, 1 97 1 .</p><p>1 4   Seneca, Letter, 6,  l :  " I  feel, my dear Lucilius, that I  am being not only reformed, but  transformed . .  I</p><p>.</p><p>therefore  wish  to  impart  to  you  this  sudden  change  in myself."</p><p>IS  Cicero,  Tusculan  Disputations,  3, 6:  "Truly,  philosophy  is the  medicine  of the soul"; cf. Epictetus, Discourses,  2, 2 1 ,  I S;  22.  Chrysippus wrote a  Therapeutics of the Passio,,s;  cf.  S VF,  vol.  3, �474.  Cf.  also  the aphorism  attributed  to  Epicurus by Usener (Epicurea,  fr. 22 1  = Porphyry Ad Marcel/am,  3 1 ,  p. 294, 7-8 Nauck):</p><p>"Vain is the word of that philosopher which does not heal any suffering of man."</p><p>According to H. Chadwick,  The Sentences of Sextus,  Cambridge  1 959, p.  1 78, n.</p><p>336,  this  sentence  is  Pythagorean.  Cf.  Epictetus,  Discourses,  3,  23,  30:  "The philosopher's school is a  clinic."</p><p>16  The Epicurean method must be distinguished from that of the Stoics.  According to Olympiodorus, CommePltary on tl1e  First Aldbiiltles of Plaw, pp. &lt;&gt;,  MT; 54, 1 5ff; 1 4S,  1 2ff Wcsterink,  the  Stoics  cure  contraries  by  contraries;  the  Pyth11gnrc11n11</p><p>let  the  patient  taste  the  passions  with  hili  linger1i1&gt;11;  1md  SucrntcH  1 rc11111  hi&#xFFFD;</p><p>patients by  homeopathy,  le11Jing  them,  for  ux11n11llc,  from t he  lnw 111' ll.'rrvN1 ri11l</p><p><image l:href="#28"/></p><p><image l:href="#47"/></p><p>Spiritual Exercises</p><p>1 1 1</p><p>beauty to the love of eternal beauty.  Cf.  also Proclus,  In  Alcibordtm,  p.  1 5 1 ,  1 4, vol.  2,  p.  2 1 7  Segonds.</p><p>17  Cf. below.  We  find  the  distinction  between  what  depends  on us and  what does not  depend on us  in Epictetus, Discourses,  I,  1 ,  7;  I, 4,  27;  I, 22, 9; 2,  5,  4;  and Epictetus, Manual, ch.  4.</p><p>18  Many Stoic treatises entitled  On Exercises  have been  lost; cf.  the list of titles  in Diogenes Laertius, 7,  1 66-7.  A  short treatise entitled  On Exercise,  by Musonius Rufus,  has  been  preserved  (pp.  22-7  Hense).  After  a  general  introduction concerning  the  need  for  exercises  in  philosophy,  Rufus  recommends  physical exercises:  becoming  used  to  foul  weather,  hunger,  and  thirst.  These  exercises benefit  the  soul,  giving  it  strength  and  temperance.  He  then  recommends exercises designed particularly for the soul, which, says Rufus, consist in steeping oneself in the demonstrations and principles bearing on  the distinction between real and  apparent  goods and  evils.  With  the  help of these  exercises,  we  will  get into  the  habit  of  not  fearing  what  most  people  consider  as  evils:  poverty, suffering,  and  death. One chapter of Epictetus'  Disco1mes is dedicated  to askesis (3,  1 2,  1-7). Cf. bc:low . The: treatise  011 Exerdse by the PseudoPlutarch, preserved in  Arabic (cf. J.  Gildmeister and  F.  Bilcheler,  "PseudoPlutarchos Peri askisefis,"</p><p>Rheit1isches Museum NF 27 ( 1 872), pp. 520-38), is of no particular interest in this context.</p><p>1 9   Philo Judaeus,  Who  is  the Heir of Divi11e  Things,  253.</p><p>20  Philo Judaeus, Allegorical lmerpretations, 3,  1 8 .</p><p>2 1   The  word  therapeiai can also  mean  acts of worship,  and  this  meaning would  be entirely possible in Philo's mind. Nevertheless, in  the present context it seems to me  that  it  designates  the  therapeutics of the passions.  Cf.  Philo Judaeus,  On 1/1e Special Laws,  I,  1 9 1 ;   1 97; 230;  2,  1 7.</p><p>22  Ton  kalon  11111emai.  Cf.  Galen,  Gale11  On  the Passio11s  and  Err(!rs  of the S&lt;ml,  l,  5, 25, pp.  1 9,  8  Marquardt.</p><p>23  On  this  theme,  cf. Rabbow, Seelenfiihmmg,  pp.  249-50;  Hijmans,  AIKEEIII, pp.  68-70.  Cf.  especially Epictetus, Discourses,  4,  1 2,  1 -2 1 .</p><p>24  The idea o f  tension (tonos) i s  particularly in evidence i n  Epictetus, Discourses,  4, 1 2,  15 and  19. The concept of tonos is central to Stoicism, as is that of relaxation (a11esis)  in  Epicureanism .  Cf.  F.  Ravaisson,  Essai  sur la  Metaphysiq11e  d 'Austote, Paris,  1 846, repr. Hildesheim  1 963, p.  1 1 7.</p><p>25  Epictetus,  Discourses,  4,  1 2 ,   7;  cf.  Marcus  Aurelius,  Meditations,  3, 1 3;  Galen,  Gale11  On  the  Passions  and  Errors  of  tl1e  Soul,  1,  9,  5 1 ,   p.  40,  10</p><p>Marquardt.</p><p>26  Epictetus, Discourses, 4,  1 2,  1 5-18.</p><p>27 ' Cf.  below.</p><p>28  Marcus Aurelius, Meditations, 7,  54;  cf.  3,  1 2;  8, 36; 9,  6.</p><p>29  Only the present depends on us, since our free action cannot be extended either to  the  post  or  to  the  future.  Free  action  is  that  which  either  brings  about Komething in the present, or else accepts the present event,  which has been willed by  line;  cf.  Mnrcu11  Aurelius,  Medit11tif111s,  2,  1 4;  4,  26,  5;  1 2,  26;  Seneca,  On llt'llr/ils,  7,  2,  4: "Rcjoidntc in  1.hcNe  1,reKt�nt  evt,n111."</p><p><image l:href="#65"/></p><p><image l:href="#85"/></p><p>1 12</p><p>Spiritual Exercises</p><p>30  Marcus Aurelius, Meditations,  3,  1 O;  2,  14; 8,  36.</p><p>31  Cf.,  for  instance,  Marcus  Aurelius,  Meditations,  4,  23.  Marcus also stresses  the cosmic  value  of  the  instant  in  5,  8,  3:  "This  event  occurred  for  you,  was prescribed for you, and had some kind of relationship to you, having been woven since  the beginning, from  the  most  ancient causes."</p><p>32  Epictetus, Discourses,  2,  16,  2 3; 3,</p><p>-</p><p>8,  1-5.</p><p>33  Cf.  Rabbow,  See/enfiihnung,  pp.  1 24-30,  334-6;  I.  Hadot,  Seneca  und  die griuh1"s,h-romiuhe  Tradition  der  Seelenleitung,  Berlin  1 969,  pp.  57-8.  See  also Galen, Galen  On the Passions and E"ors of the Soul,  1 ,  5, 24, p.  18, 19 Marquardt; Seneca,  On  Benefits,  1, 2,  I ;  Marcus Aurelius, Meditations,  1, 63.</p><p>34  Seneca,  On  Benefits,  1, 2,  1-2; Epictetus, Discourses,  3,  3,  14-16.</p><p>35  On  the  role  of  rhetoric  in  spiritual  exercises,  sec  Rabbow,  SeelerrfiihnuP1g, pp.  5 5-90;  Hijmans,  ALKEJ:IX,  p.  89;  I.  Hadot,  Seneca,  pp.  1 7,  184.  For examples  in  Plutarch, see Ingcnkamp, Plutarchs Schrifien,  pp.  99ff.</p><p>36  Marcus  Aurelius, Medi1a1ior1s,  1, 58:  "In  every  contingency, keep before .vour e.ves those  who,  when  the  same  thing  befell  them,  were  saddened,  astonished, resentful.  Where  are  they  now?  Nowhere."  Epictetus,  Manual,  ch.  2 1 :   "Keep before .vour e.ves every day death and exile, and everything that seems terrible, but most of all death; and then you will never have any abject thought, nor excessive desire." On  this exercise, see  Rabbow, Seelenj'iihrU11g,  p.  330.</p><p>37  Cf. the passage from Philo cited above. Hijmans, AJ:KEJ:IJ:, p. 69, calls attention to  the  frequency  of the  expression  "Remember!"  in  Epictetus.  It  recurs  quite often  in  Marcus  Aurelius,  for  instance,  Meditations,  2,  4;  8,  1 5 ;   29.  Cf.  Galen, Galer1  On  the  Passions  and  E"ors  of the So11/,  l ,  5,  25,  p.  1 9,  8- 1 0  Marquardt:</p><p>"With the help of memory,  keep 'at hand' the ugliness of those who succumb to anger, and the beauty of those  who  master  it."</p><p>38  It  is only after much hesitation  that I  have translated  mtlete by "meditation." In fact,  melett  and  iL'I Latin equivalent  meditatifl  designate  "preparatory  exercises,"</p><p>in  particular  those  of rhetoricians.  If 1  ha\�e  finally  resigned  myself to  adopting the  translation  "meditation,"  it  is  because  the  exercise  designated  by  mtltte corresponds,  in  the  last  analysis,  rather  well  to  what  we  nowadays  term meditatio11:  an  effort  to  assimilate  an  idea,  notion,  or  principle,  and  make them come alive in the soul.  We  must  not,  however,  lose sight of the term's ambiguity: meditation is exercise, and exercise is meditation. For instance, the "premeditation" of death is a  "pre-exercise" of death; the (Oltidiana meditatio cited  in the  following note  could just as  well  be  translated  as  "daily exercises. "</p><p>3 9   See Rabbow, See/enfiihrung,  pp. 23- 1 50, 325-8; and Seneca,  On  Benefits, 1, 2,  1 :</p><p>"These are the things that my  friend  Demetrius says the beginner in philosophy must  grasp  with  both  hands,  these  arc  the  precepts  that  he  must  never  let  go.</p><p>Rather, he must cling fast to them and make them a part of himself, and by daily meditation  reach  the point  where  thc.'lc  salutary  maxims  occur to  him  of their own accord." Cf.  also Galen,  Ga/e11  011  t/1e  Passior1s  anti  E"nrs 1if tl1t  Soul,  l ,  5, 25,  p.  1 9,  13  Marquardt.</p><p>40  ["Pre-meditation  of misfortunes"</p><p>Trans. I  On  the  /m1t111tdit11ti11  "'"'"'""'�  11cc R11bhow,  Srtlrr(/lilir1111R,  l'I'�  1 '111  70;  I .  I l11Ll111 ,  St'1t1l'tl,  p11.  (J()  I .</p><p><image l:href="#97"/></p><p><image l:href="#9"/></p><p>Spiritual Exercises</p><p>1 13</p><p>41  See  above.</p><p>42  See above.</p><p>43  Cf.  lngenkamp, Plutarchs Schufien,  pp.  99- l OS; Rabbow, Seelenfohrung, pp.  1 48, 340-2.</p><p>44  Cf.  Galen,  Galen  On  the  Passions  and  E"ors  of  the  Soul,  l,  S,  24,  p.  18,  1 2</p><p>Marquardt: "As soon  as we get u p  in the morning, w e  must consider i n  advance, with  regard  to  the  various  acts  we  will  perform  throughout  the  day,  whether  it is better to live as a slave of our passions, or to utilize reason against all  of them ."</p><p>Marcus Aurelius, Meditations, 2,  1 ,  I :  "At the break of dawn, say to  yourself:  'I'm going  to  come  across  a  nosy  person,  an  ingrate,  a  thug, a  cheat,  a  jealous  man, and  an  anti-social  man.  AU  these  defects  have  affiicted  them  because  of  their ignoram.."C  of what  is  truly  good  and  evil.' "  Cf ibid,  S,  I ,   I :  "In  the  morning, when  you  have  trouble  getting  up,  have  this  thought  at  hand  [procheiron]:  'I'm getting  up  to do a man's work.' "</p><p>4S  On  the  examination  of  the  conscience,  see  Rabbow,  Seele11fiilirung,  pp.  1 80-8, 344-7;  I.  Hadot,  Seneca,  pp.  68-70;  Hijmans, AIKEIII,  p.  88.</p><p>46  Cf.  Plutarch, Honi One may K1101P  One is Making Progress i'1  Virtue, �1 2,  82F:  "It was Zeno's belief that  everyone  could, thanks to his  dreams,  have  knowledge  of what progress he was making. One has made real progrc.&lt;;s if he no longer dreams that  he  is  giving  in  to some shameful passion, or  giving his consent  to  something evil  or  unjust  - or  even  committing  it  - and  if,  instead,  the  soul's  faculties  of representation  and  afTectivity,  relaxed  by  reason,  shine  as  if  in  an  ocean  of diaphanous serenity,  untroubled by  waves.''</p><p>47  See  below.</p><p>48  This  is  the  domain  of  spiritual  guidance;  sec  I.  Hadot,  Senm1,  pp.  S-97.</p><p>Note  especially  Galen,  Galen  011  the  Passio11s  and  Errors  of  the  Soul,  I ,  7,  36, p.  27,  22  Marquardt:  we  are  to  ask  an  older  man  to  tell  us  frankly  about  our defects.</p><p>49  Cf.  Rabbow,  Seeletifiilirung,  p.  3 1 1 ,  n.  64;  I.  Hadot,  Smeca,  p.  S9.  Marcus Aurelius'  Meditations are, of course,  the  example par eJ.�cel/e11u of this.  Note also Horace,  Satires,  l,  4,  1 38:  "When  I  have  some  spare  time,  l  amuse  myself by writing  these  thoughts  down  on  paper."</p><p>SO  The  phrase  is Descartes',  but  it  gives  good  expression  to  the  St&#xFFFD;ic ideal of inner coherence.  [This  is  the  third  of Rene  Descartes'  well-known  "four  laws"  which he exposes  in Part 2  of his Discourse 011  the Method. - Trans.]</p><p>SI  On  this  subject,  sec  P.  Lain  Entralgo,  "Die  platonische  Rationalisienung .der Bcsprechung (Etnf18q) und  die  Erfindung  dcr  Psychotherapie  durch  das  Wort,"</p><p>Hermes  68  (19S8),  pp.  298-323;  P.  Lain  Entralgo,  The  Therapy  of the  Word  in</p><p>'  Clt1ssica/ Atlliqui()',  New  Haven  1 970;  and  the  review  of  this  latter  work  by  F.</p><p>Kudlien,  G11omo'1 4S  ( 1 973),  pp.  410-12.</p><p>S2  ["Collections  of aphorisms"  - Trans.]  Cf.  Rabbow,  Sulenfiihrung,  pp.  2 1 S-22,</p><p>.1S2-4;  G.A.  Gerhard,  Plioi11i.\'  von  Ko/op/ion,  Leipzig  1909,  pp.  228-84;  I.</p><p>1 ladot, Se,,eca,  pp.  1 6- 1 7.  Sec also  Seneca,  lttter,  94,  27;  43;  98,  S;  108,  9.  On collections of poetical and philosophicnl aphorisms, see W. Spocrri, "Gnome," in</p><p>!&gt;tr  Nmtt  /111111)�,  \'ol.  2 ,   1 %7,  col11  H22  9;  C:hndwick,  Smttnces  t1f Se.\�t11s;</p><p><image l:href="#17"/></p><p>1 14</p><p>Spiritual Exercises</p><p>T.  Klauser,  "Apophthcgma,"  Rea/le:i:icon for  Antike  und  Christemun  I  ( 1950), pp.  545-50.  Sec  also  P.  Wendland,  Ana:i:imenes  11on  Lampsakos,  Berlin  1905, pp.  l OOff.</p><p>53  The term akroasis as  used by Philo  could  designate, among  other things, attending a course in philosophy; cf. Epictetus, Discourses, 3, 23, 27; 38. Normally, the course included  the  reading,  with  commentary,  of a  philosophical  text  (anagnosis}, often done  by  the  disciple and  criticized  by  the master (cf.  Epictetus,  Discourses,  l,  26, l;  Porphyry,  Lij(  of Plotinus,  ch.  14).  See  also  I. Bruns, De si:hola  Epirlelc,  Kiel 1897.  This  does  not,  of course,  exclude  the  individual  reading  of philosophical texts;  cf.  Epictetus,  Discourses,  4,  4,  14-1 8  (where  Epictetus  reproaches  his disciples  for  reading  texts without  putting  them  into  practice).  After  the reading with  commentary,  a  philosophy  class  would  normally  include  a  discussion (diatribe)  with  the audience, as  well as  individual discussions (cf.  I.  Hadot,  Se11eca, p.  65).  For  the  listener,  this entire  ensemble  could  be  a  spiritual  exercise.  With regard  to  reading,  we should  add  that exegesis,  whether literal  or allegorical, was one of the most  important spiritual  exercises  at the end  of antiquity,  among  both pagans  and  Christians.</p><p>54  On  the  educational  program  in  Hellenistic  schools,  with  its  transition  from aphorisms  to  epitomai  (summaries  of basic  principles),  and  finally  to  full-scale treatises,  sec  I.  Hadot  I 969a,  pp.  53-6;  1 969b.</p><p>55  On  the  exercise  of definition, sec below.</p><p>56  On  this exercise, sec Rabbow,  See/mfiihrung,  pp.  42-9.</p><p>57  Philo's expression  "indifference to indifferent things" corresponds exactly to the spiritual  exercises  mentioned  by  Marcus  Aurelius,  Meditations,  1 1 ,  16:  "Our soul  finds  within  itself  the  power  to  live  a  perfectly  happy  life,  if  we  can remain  indifferent  towards  indifferent  things."  This  formula  seems  to  be  a reminiscence  of the  definition  of the  goal  of human  life according to  Aristo  of Chios (SVF,  1,  �360, = Clement of Alexandria, Stromatfl,  2,  2 1 ,  129, 6,  p.  183, 1 4- 1 6   Stiihlin):  "And  why  should  I  mention  Aristo?  He  said  the  goal  was indifference, but he leaves 'the indifferent' as simply 'the indifferent.' " On  this theme, see below. We must bear in mind that here "indifference" does not mean a  lack  of interest,  but  rather equal  love  for each  of life's  instants; that is,  we are not  to  make  any  "difference" between  them.</p><p>58  See  Rabbow,  Su/enfiihr11ng,  pp.  223-49;  Ingcnkamp,  Plutarclls  Sd1iifien, pp.  1 05-1 8.  The technical  term  for  this  process is e1/1ismos.</p><p>59  Epicurus,  Gnomo/ogium  Vaticanum,  �64.  Cf.  also  Leiter to  Metwecus,  �1 22:  "No one  can come  too early or too late to  secure the health of his soul."</p><p>60  Epicurus,  Ratae  Senlenliae,  �1 1 :  "If we  were not troubled  by  our suspicions of the phenomena of the sky and about death,  fearing that it concerns us, and also by  our  failure  to grasp the  limits  of pains  and  desires,  we  should  have  no  need of natural  science [physioloxia]." On Epicurean theology, sec  Schmid, "Epikur"; D.  Lemke, Die  Theologie Epikurs,  Munich  1 973.</p><p>6 1  Epicurus,  Rtittle  Selllmtiae,  �29;  Epicurus,  Lmer 111 Me11&lt;1ttm, � 1 27.</p><p>62  Epicurus, Gn()ln.  V111. �33. Cf.  A.-J.  Fcstugicrc:,  /!'pirnre et m  tl1t11.\',  1'11rh1  1 94(1, p.  44.</p><p>Spiritual Exercises</p><p>1 1 5</p><p>63  Epicurus  Fr.  469,  p.  300,  26ff Usener.</p><p>64  On  these  Epicurean  exercises  of  meditation,  see  Schmid,  "Epikur,"  p.  744; Rabbow, Seelmfohrung, pp.  1 29, 336-8;  I. Hadot, Seneca, pp.  52L3. Cf. Epicurus, Leiter lo Menoenu, �135, 5-8: "Meditate therefore on these things and  things  like them  night and  day  by  yourself,  and  with  someone  similar  to  yourself,  and  you shall  be  disturbed,  either  awake  or  asleep,  but  you  shall  live  like  a  god  among men." Ibid,  �123,  1-2:  "That  which I used constandy  to  recommend  to you,  put it into practice and  meditate upon It [me/eta], considering them to be the elements of the living well." Ibid, � 1 24, 7-8:  "Become accustomed [sunethi.ze] to considering that death is  nothing to  us."</p><p>65  Cf.  Philodemus,  Adversus  sophistas,  col.  4,  1 0-14,  p.  87  Sbordone,  cited  by Festugiere,  Epicure,  p. 46, n.  1,  Schmid,  "Epikur," col .  744; translation  by  A.A.</p><p>Long  and  D.N.  Sedley,  The  Hellenistic  Philosophers,  vol.  l:  Translations  of the Principal Sources,  11Jith Philosophical Commentary, Cambridge  1987, repr.  1988,  p.</p><p>1 56,  section  J;  Greek  text,  vol.  2,  Greek  and  Latin  Texts  'IDith  Notes  and Bibliography,  p.  1 6 1 .  The  technical term  used here to indicate  that  this aphorism must always  be  "at hand"  is parhepomet1on.</p><p>66  For instance, the Ratae Sententiae or Kuriai Doxai ["Principal Doctrines"), which were  known  to  Cicero (On Ends,  2,  20),  and  the  Gnorn.  Vat.</p><p>67  On the curriculum  in the Epicurean school, see  above.</p><p>68  Epicurus,  Leiter  to  Pythodes,  �85  =  Long  and  Sedley,  Hellenistic  Philosophers, section  1 8  C ( I ), vol.  I ,  pp.  91-2; Greek text,  vol.  2,  p.  94.  Cf.  Letter to Herodotus,</p><p>�37:  "I recommend  . . .  constant  occupation  in the  investigation  of the  science of nature,  since  I  consider  that  this  activity  provides  the  greatest serenity  in  life."</p><p>69  Lucretius, On tlie Nature of Things, 3,  1 6f,  28ff.  This passage is quite remarkable.</p><p>On  the  one  hand,  it  illustrates  the fact  that  Epicurean  physics was a  true source of pleasure  for  the sage:  it allowed  him  to  have  a  grandiose  imaginative  vision  of the  formation  and  dissolution  of the  universe  in  the  infinity  of space.  On  the other,  it  throws  light  on  one  of  the  most  fundamental  feelings  of  the  human experience:  l1orror  in  the  face  of the  enigma  of nature.  One  thinks  of Goethe's formulation  in  Faust,  Part  2,  6272ff:  "The  shudder  is  the  best  part  of  man.</p><p>However  dearly  the  world  makes  him  pay  for  it,  he  feels  the  Prodigious  deep inside,  seized  with  astonishment."  ("Das  Schaudcrn  ist  der  Menschheit  bestes Teil.  Wie  auch  die  Welt  ihm  das  Gefilhl  verteure,  Ergriffen  ftihlt  er  tief das Ungehcurc.") On  Epicurean  spiritual  exercises  in  general,  see  P .-H.  Schrijvers, Horror ac Divina  Vo/uptas.  Et11des s11r la poetique et la poesie de L11crece, Amsterdam 1 970.</p><p>70  I. Hadot, Seneca, pp.  62-3; Rabbow, Seelenfiihrung,  p.  280.  Cf.  Cicero,  On Ends,</p><p>,I,  1 7,  SS;  I,  19,  62;  Tusculan Disputations,  I S,  32-3.</p><p>7 1   Epicurus, Gnom.  Vat., �7S: "The saying, 'Wait till the end  of a long life' (to know if you've been happy) is ungrateful towards the good things of the past." Cf. ibid,</p><p>�69; � 1 9:  "He who has  forgotten  yesterday's good fortune is already an old man."</p><p>72  Cf.  I�:.  Hoffmann,  "Epikur,"  in  M. Dessoir,  ed.,  Die  Geschidue  der Philosophie, vol.  I,  Wi1.'!lbaden  1 925,  p.  223:  "f:xistcnce  is  to  be  considered,  first  and limm11111t,  1111 11  11urc: 111.'Cidc:nt ,  110  that  it nmy  then  be  lived  as  a  completely  unique</p><p><image l:href="#73"/></p><p>1 16</p><p>Spiritual Exercises</p><p>miracle.  We  must  first  realize  that  existence,  inevitably,  is  a  one-shot affair,  in order to be able to celebrate that in  it which is irreplaceable and unique."</p><p>73  Epicurus,  Gnom.  Vat. ,  �14.  Cf.  Lucretius,  On the Nature  of  Tiiings,  3, 957-60, and  G.  Rodis-Lewis,  Epicure et son ecole,  Paris,  1 975,  pp.  269-83.</p><p>74  Horace, Odes, I, 1 1 ,  7: "Oum loquimur, fugerit invida I aetas: carpe diem, quam minimum credula postero." Cf. ibid, 2,  1 6, 25: "A soul content with the present."</p><p>75  On  Epicurean  friendship,  see  Schmid,  "Epikur,"  cols  740-55;  Festugiere, Epicure,  pp.  36-70;  I.  Hadot  1969a,  pp. 63fT;  Rodis-Lewis, Epicure,  pp.  362-9.</p><p>76  Cf.  S.  Sudhaus,  "Epikur  als  Beichtirater,"  Archiv for  Rtligio11S11Jissenscliafi  14</p><p>( 191 1 ), pp. 647ff. The fundamental text is Philodemus, Peri parrhisias ["On Free Speech"],  ed.  A.  Olivieri,  Leipzig  1914;  cf.  I.  Hadot, Seneca,  p.  63;  M.  Gigante 1968,  pp.  1 96-217.</p><p>77  Schmid, "Epikur," cols.  741-3.</p><p>78  Festugiere, Epicure,  p. 69.</p><p>79  The prehistory of spiritual exercises is to be sought, first of all, in traditional rules of life and popular exhortation (cf.  I. Hadot, Seneca, pp.  1 0-22).  Must we go back further  still,  and  look  for  it  first  of all  in  Pythagoreanism,  and  then,  beyond Pythagoras,  in magico-religious/shamanistic traditions of respiratory  techniques and  mnemonic exercises? This theory, defended by E.R.  Dodds,  The  Greeks and the lrratio11al (=  Sather Classical  Lectures  25),  3rd  edn,  Berkeley/London  1 963; L. Gernet, Anthropo/ogie de la  Grece antique, Paris 1 968, pp. 423-5; J.-P. Vernant, Mythe  et pensee  chez  /es  Crees,  Paris  1 97 1 ,  pp.  94ff,  1 08ff;  M.  Detienne, De  la pe11see religieuse ti  la pmsee p/1ilosophique.  La  notion de  Daimon da11s le pythagoisme aP1det1,  Paris  1963;  M.  Detienne,  Les  maitres  de  vbiite  da11s  la  Grece  arc/1ai'que, Paris  1967,  pp.  1 24ff;  H. Joly,  Le renversement plato11icim,  Paris  1974,  pp.  67-70; is  entirely  plausible.  However,  I  shall  not  go  into  the  matter  here,  first  of all owing to my  lack  of competence  in  the field of the anthropology  of prehistory and  of archaic Greece, and secondly, because  it seems  to me that  the problems inherent  in  the  history  of  Pythagoreanism  are  extremely  complex,  so  that  it presupposes  a  rigorous  criticism  of our sources  (many of which are  late,  idyllic projections,  reflecting Stoic  and  Platonic concepts).  Thirdly,  the spiritual exercises  under discussion here are mental processes which have nothing in common with  cataleptic  trances,  but,  on  th&#xFFFD; contrary,  respond  to  a  rigorous  demand  for rational control, a  demand  which,  as  far as  we are concerned,  emerges with the figure of Socrates.</p><p>80  The  historical  Socrates  is  a  probably  insoluble  enigma.  But  the  figure  of Socrates,  as  it  is  sketched  by  Plato,  Xenophon,  and  Aristophanes,  is  a  wellattested  historical  fact.  When,  in  what  follows,  I  speak  of  "Socrates,"  I shall  be  referring  to  this figure  of  Socrates.  See  below,  ch.  5 ,   "The  Figure  of Socrates."</p><p>81  By  using  quotation  marks,  I  wish  to  underline  the  fact  that  we  arc  not dealing  with  authentically  Socratic  dialoi,'Ucs,  but  with  literary  composit ions which  imitate - more or less faithfully - the dinlogues of SocrnteH,  or  in  which the  figure  of Socrates  plays  a  role h  is  in  this sense  thnt  Plotn111  JinlogueR  11rc</p><p>.</p><p>Socrntic.</p><p><image l:href="#158"/></p><p>Spiritual Exercises</p><p>1 1 7</p><p>82  Plato,  Laches,  1 87e-1 88b.</p><p>83  Aristotle, Sophistical Refutations,  1 83b8: "Socrates used to  ask _questions and not to  answer them  - for  he  used  to  confess  that  he  did  not  1'now."  Cf.  Plato, Apology,  2 ld5: "I do not think that I  know  what I  do not know."</p><p>84  Plato, Apology,  30el-5: "If you put me to death, you will not easily find anyone to  take  my  place . . .  God  has  specially  appointed  me  to  this  city,  as  though  it were  a  large  thoroughbred  horse  which . . .  needs  the  stimulation  of  some stinging fly."</p><p>85  On taking care of oneself,  cf.  Plato, Apology,  29d;  31 b; 36c.</p><p>86  Ibid, 29d5-e3. Cf. 30a6-b l :  "For I spend my time going about trying to persuade you, young and old, to make your first and chief concern not  for your bodies nor for your possessions, but for the highest welfare of your souls."</p><p>87  Plato, Apo/11gy, 36b4-c6.</p><p>88  Plato, Symposium, 2 1 5e6-2 1 6a5.</p><p>89  In this respect,  Stoic exhortation remains Socratic.  More than one of Epictetus'</p><p>Di1&amp;ourses seems to  imitate the Socratic  style;  cf., for instance, Discourses,  I,  1 1 , 1 -40.  Epictetus  praises  the  Socratic  method  ,t  2,  12,  5-1 6,  but  he  empha.'lizes that, in his day, it is no longer easy to practice it: "Nowadays, especially in Rome, it  is  not  at all  a  safe  business"  (2,  1 2,  1 7;  24).  Epictetus  pictures  a  philosopher trying  to  have  a  Socratic  dialogue  with  a  consular  personage,  and  ending  up receiving  a  fist  in  the  face.  If  we  can  trust  Diogenes  Laertius,  LiVts  of  the Philosophers,  2, 2 1 ,  a similar incident had happened to  Socrates  himself.</p><p>90  On  the  history  of  this  theme,  see  Pierre  Courcelle,  Connais-toi  toi-mime.  De So(rate ti  saint Bernard, 3  vols, Paris  1974--5.</p><p>91  Plato, Symposium,  1 74d.</p><p>92  Plato, ibid,  220c--d.</p><p>93  Aristophanes,  Clouds,  700-6, � 76 1-3;  cf.  740-5.  As  a  matter  of  fact,  the  true meaning  of these  verses  is  not  entirely  clear.  They  could  be  interpreted  as  an allusion  to an  exercise of mental  concentration;  this  is the  view of G.  Meautis, l 'time  hellb1ique,  Paris  1 932,  p.  1 83;  A.-J.  Festugiere,  Contemplation  ti  vie conttmplatit-e  selon  Platot1,  2nd  edn,  Paris  1950,  pp.  67-73;  W.  Schmid,  "Das Sokratcsbild der Wolken," Phitologus 91 ( 1 948),  pp.  209-28;  A.E. Taylor,  Vaina Socratica,  Oxford  1 9 1 1 ,   pp.  1 29 7 5.  The  terms  phrontizein  and  ekphrontizein,</p><p>-</p><p>used  in  Aristophanes'  description,  became  - perhaps  under  Aristophanes'</p><p>influence - technical terms for designating Socrates' habits. Cf. Plato, Symposium, 220c:  Socrates stays standing, phrontizot1 ti; Xenophon, Symposium, 6, 6: Socrates is  nicknamed  the  plirontislts.  But  it  is  not  certain  that,  in  Aristophanes,  this phrontizein corresponds to an exercise of meditation directed  towards oneself. In the first place, the comparison  with  the may-beetle  gives  us to  understand  that thought takes flight toward  "elevated"  things.  In his Symposium, Xenophon tells us  it  relates  to  the  "meteora," in other  words  to  celestial  phenomena (cf. Plato, Ap11logy,  1 8b). Secondly, in the Clouds, Strepsiades phrontizei about the means he will  use  to settle a business affair, not about himself.  It is more a question of the mcrhmlolo1n�  of research  (cf.  I .  742:  1lit1ide  nod e.wm1ine). The  most  interesting de111il 11eern11 tu  me lo be the plm111c:  "Ir ynu come  up 11g11inNt 110  insoluble point,</p><p>1 18</p><p>Spiritual Exercises</p><p>jump  to  another"  (702-4),  repeated  at  743ff:  "If  an  idea  gets  you  into any difficulty,  let  go  of it,  withdraw  for  a  bit,  then  submit  it  to  your judgement again,  shift  it  around  and  weigh  it  carefully."  This  means  that,  when  one arrives  at  an  aporia,  one  must  take  up  the  question  again,  from  a  new  point  of departure.  This  method  is  constantly  applied  in  the  Platonic  dialogues,  as  has been shown by  Rene  Schaerer,  La  Question platonidenne.  Etudes  sur /es  rapports de  la  penste  et  de  /'expressions  dans  /es  Dialogues  (=  Memoires  de  l'Universite de  Neuchatel  1 0),  2nd  edn  with  postscript,  Neuchatel  1 969,  pp.  84-7;  citing Meno,  79e;  Pltaedo,  1 05b;  Theaetetus,  187a-b;  Phi/ebus,  60a.  As  Schaerer points  out  (p.  86),  we  have  to  do  with  a  process  "which  forces  the mind indefatigably  to tum  around  in circles, in search of the True." It is perhaps this  aspect  of  Socratic  methodology  which  explains  Aristophanes'  allusions  to decours  and  circuits of thought.  Be this as  it  may, this method  is also discernible in  Aristotle,  as  we  can  sec  by  the  examples  collected  by  H.  Bonitz,  lnde.t�</p><p>aristotelicus,  Berlin  1 870,  repr.  Graz  1 955, col.  1 1 1 ,  35ff:  "Taking  another  point of departure, we shall say." We find Plotinus using the same method, for instance in  Enm:ad,  5,  8,  4,  45;  5,  8,  1 3,  24;  6,  4,  1 6,  47.  On  Aristotle,  cf.  the  remarks of  I.  Di.iring,  "Aristotle  and  the  heritage  from  Plato,"  Eranos  62  ( 1964), pp.  84-99.</p><p>94  Diogenes  Lacrtius,  lives of  the  Philosophers,  6,  6.  Ancient  man  frequently  spoke  to himself out  loud.  Some  examples:  Pyrrho  in  Diogenes  Laertius  9,  64 (=  Long  and Sedley, Hellenistic Philosophers,  IA, vol.  1,  p.  13; vol. 2, p. 3): "When once discovered talking  to  himself,  he  was  asked  the  reason,  and  said  that  he  was  training  to  be virtuous." Philo of Athens, in Diogenes Laertius, lives of the P/1ilosophers, 9, 69: "Philo</p><p>. . .  had  a  habit  of very  often  talking  to  himself .  .  .  that  i.o;  why  Timon says of him:</p><p>'Philo . . .  he who, apart from mankind, used to speak and converse with himself, with no  concern  for  glory  or  disputcs.' "  Qcanthcs,  in  Diogenes  Laertius,  lii:es  of  che Philosop/1ers, 1,  171:  [Cleanthcs]  used often  to  scold  himself out  loud.  Upon  hearing him, Ariston once asked  him:  'Who are you  scolding?'  Cleanthes  laughed  and replied,</p><p>'Some old  man who has grey  hair but no  brains.' " Horace,  Satires,  I, 4,  137: "Thus, with  lips  shut  tight,  I  debate  with  myself."  ("Hacc  ego  mecum  compressis  agito labris.") Epictetus, Discourses, 3,  14, 2: "Man - if you really an: a man - then  walk by yourself,  talk to  yourself, and don't hide yourself in the chorus." On  meditating  while walking,  cf.  Horace,  letter,  1, 4, 4-5:  "strolling  peacefully  amid  the  healthful  woods, bearing in mind all the thoughts worthy of a sage and a good  man."  - On the problems pcsed  by  interior and  exterior  dialogue  with  oneself,  sec  F.  Leo,  "Der  Monolog  im Drama,''  Abha11Jlunge11  der  Colling.  Gese/lsthaji  tier  Wissenschaji.  NF  10,  5  ( 1908); Wolfgang  Schadewelt,  Mono/og  und Selbstgespiiich.  U111ersuchungen  z.ur Fonngeschid11e der griechischen  Tragiidie, Berlin  1926; F. Dirlmeier,  "Vom Monolog der Dichting zum</p><p>'innen:n' Logos bei Platon  und  Aristotcles,"  in Augellliihlte Schrijim  zu  Diduung  11nd Phi/osophie tkr Griechen,  Heidelberg  1970,  pp.  142-54;  G.  Misch,  Geschidttt  der Au1obiographie,  vol.  I,  Berlin  1949,  pp.  86,  94,  363,  380,  426,  450,  4118.  Concerning  the prehistory  of this  spiritual  exercise,  one  may  no1.c  1-lomcr,  Otb�&#xFFFD;y.  20, 1 7--2.l:</p><p><image l:href="#176"/></p><p><image l:href="#15"/></p><p>Spiritual Exercises</p><p>1 19</p><p>He struck himself on  the  chest and spoke to  his  heart and scolded  it:</p><p>"Bear up, my heart.</p><p>have had worse to endure before this</p><p>on that day when the irresistible Cyclops ate  up  my strong companions . . .</p><p>"</p><p>So he spoke, addressing his own  dear heart within him; and the heart in great obedience endured and stood  it without complaint, but the man himself was twisting and  turning.</p><p>This  passage  is  quoted  by  Plato,  Republic,  441b:  "there  Homer  has  clearly represented  that  in  us  which  has  reflected  about  the  better  and  the  worse  as rebuking that  which  feels  unreasoning anger as if it were a distinct and  different thing." Cf.  Phaedo, 94d-e.</p><p>95  Thus, according to Porphyry, Life of Plotinus, 8,  19: "Plotinus was present at the same time to himself and  to others." [On this theme, sec Pierre Hadot, Plotin ou la simp/icite du regard, 3rd edn, Paris 1 989. An English translation of this work is in preparation. - Trans.)</p><p>96  Plato, Meno, 75c-d.</p><p>97  V.  Goldschmidt,  Les  dialogues  de  Platon.  Structure  et  methode  dialectique (=Bibliothcque  de  philosophic  contemporaire,  Histoire  de  la  Philosophic  et Philosophic generate),  2nd  cdn,  Paris  1963,  pp.  337-8.</p><p>98  See  above.  In  La  Question  platonicienne,  pp.  84-7,  Schacrer  has  admirably demonstrated  the significance of this Platonic method.</p><p>99  Plato,  Seventh  Leuer,  344b;  34lc-d.  Cf.  Goldschmidt,  Les  dialogues,  p.  8; Schaerer,  La Question platonicienne,  p.  86. For the perspective we are adopting, these two works are of fundamental importance.</p><p>100  Plato,  Republic,  450b.</p><p>JOI  "The dialogue's goal is  more to form than to  inform," writes Goldschmidt, Les dialogues,  p.  3,  citing Plato, Statesman, 285-6.  Cf.  ibid, pp.  1 62-3; Schaercr, La Qpestion platonicienne,  p.  2 1 6.</p><p>1 02  Plato,  Statesman,  285c-d.</p><p>1 03  Ibid, 286d.  In  the words of Schaercr (La Question platonicienne,  p.  87):  "Definitions arc worthless  in and of themselves.  Their entire  value consists in the  road travelled  to achieve  them.  Along the way,  the interlocutor acquires more met11al penetration  (Sophist,  227a-b),  more  cotifidence  ( Theaetttus,  1 87b),  and  more skillfulness  in  all things  (Statesman,  285dff).  His  soul  is  thereby purified,  as  he rejects  the  opinions  which  formerly barred  the  way  co  enlightenment  (Sophist, 230b-c).  But  whatever  words  one  uses  to  designate  this  dialectical  progress,  it always takes  place  in  the soul of the interlocutor - and, by the same  token, in  the soul of the  intelligent reader."</p><p>104  Cf. Schaerer, La Question platonicienne, pp. 38-44; Goldschmidt Les dialogues, pp.</p><p>79-80,  292,  and  34 1 :   "The  Republic  solves  the  problem  of  Justice  and  its advantages.  At  the  same  time,  and  by  the  same  token,  it  urges  us  on  towards Justice." On the cxhortatory character of the dialogues, see K. Gaiser, Protreptik und  Pariinese  bei  Platon.  Untersuch1mgen  zur  Fonn  des  platonischen  Dialogs, Stuttgart  1959;  K.  Gaiser,  P/atone come scrillore filosojico,  Naples  1984.</p><p>105  Plato, Me1111, H i e:.</p><p>l llt1  Phuu,  Rtpultlii.�,  SOSc:.</p><p><image l:href="#34"/></p><p>120</p><p>S piritua/ Exercises</p><p>107  The  dialectical exercise, as  it  rids our thought of the  illusions of the senses, brings about  the  apprenticeship  for  death  which  we  are  about  to  discuss;  cf.  Plato, Phaedo,  83a.</p><p>1 08  Brice Parain,  "Le langage et I' existence" ["Language and existence"], in L 'Existence,  Paris  1945,  p.  173.  Parain's  novels,  especially  La  morl  de  Socrate  ["The Death  of Socrates"],  Paris  1950,  try  to  make  comprehensible  this  relationship between  language  and  death.</p><p>109  Sallustius,  Sal/ustius:  Concerning the Gods and tire  Universe,  5,  3,  p.  1 1  Nock.</p><p>1 1 0  Plato,  Apology,  28b-30b.</p><p>1 1 1   Plato,  Phaedo, 67e.  Cf.  ibid,  64a,  80e.</p><p>1 12  Plato,  ibid,  67c.  Note  the  use  of  the  verb  "to  accustom"  (ethisa1),  which presupposes  the  practice  of exercises.</p><p>1 13  Cf. above.</p><p>1 14  Cf.  Plato,  Phaedo,  84a:  "The  philosophical  soul  calms  the  sea  of the  passions, following the course of reasoning and always being present within it, contemplating  and  drawing  nourishment  from  the  true,  the  divine,  and  that  which  is  not subject to opinion." Cf.  ibid,  6Se, 66c, 79c,  81b,  83b-d.</p><p>1 1 5  Plato,  Republfr,  571 d .</p><p>1 16  Plato,  Republic,  57 l d-572a.</p><p>1 1 7  Plato, Phaedo, 64a-b. This is probably an allusion to Aristophanes, Clouds, verses 1 03,  504.</p><p>1 1 8  La  Rochefoucauld, Ma.-ri,nes,  no.  26.</p><p>1 19  Horace,  Letler,  l, 4,  1 3-14:  "Omnem crede diem  tibi diluxisse supremum; gratia superveniet  quae  non  sperabitur hora." Once again,  we  encounter  the Epicurean theme of gratitude.</p><p>1 20  Michel  de  Montaigne,  Essays,  bk  I,  ch.  20,  vol.  1,  p.  87  Villey/Saulnier  =  vol.</p><p>1,  p.  1 1 1  Ives. Cf.  Seneca, Leiter, 26, 8: "Meanwhile Epicurus will oblige me with these  words:  'Think  on  death,' or  rather,  if you  prefer  the  phrase,  on  'migration to heaven.' The meaning is clear - that it is a wonderful  thing to learn thoroughly how  to  die . . .  'think  on  death.'  In  saying  this,  he  bids  us  think  on freedom . . .</p><p>He  who  has  learned  to  die  has  un-leamed  slavery.  [.Qui  mori  didicit,  servire dedidicit.]"  As  we  can  see,  the  Stoic  Seneca  borrowed  the  maxim  "Meditare mortem" from  Epicurus.</p><p>1 2 1   Epictetus, Manual,  ch.  2 1 .   Cf.  Marcus  Aurelius,  Meditations,  2,  1 1 :  "Let  your every deed  and  word  and  thought  be  those of one  who  might depart from  this life this very moment."</p><p>1 22  See above.</p><p>1 23  Cf.  A.  de  Waelhens,  la  philosophie  de  Martin  Heidegger  (=  Bibliotheque Philosophique de  Louvain  2),  4th  edn,  Louvain  1955, pp.  1 35-5 1 ;  and especially Heidegger, Sein und Zeit,  �53,  pp. 260ff. As R. Brague  pointed  out  in his review of the  first  edition  of this  work  (Eludes phi/osophiques,  1982),  Heidegger  here  "is careful  to  distinguish  Being-for-Death  from  the  metlitatio  mortis."  It  is  perfectly true that Heideggerian Being-for-Death only takes on  its full meaning within the perspective  particular  to  Heidegger;  it  is  nonetheless  true:  that  we  have  here  a system  which  makes  of the  anticipation  or  forcstnlling of Lleath 11  prccomlillon of 11uthentic  exi11tencc,  We  muHI  11111  furgcl  th111  in  Pliucmic philoNuphy, the '"'Int  iN</p><p><image l:href="#53"/></p><p>Spiritual Exercises</p><p>121</p><p>not simply  to  think about death,  but to carry out a  training fo r  dying which  is,  in reality, a  training for life .</p><p>1 24  Cf.  Plato,  Republic,  525c,  532b8,  and  especially  5 18c:  "the  true  analogy  for  this indwelling power in the  soul  and the organ  whereby each of us  learns is that of an eye that could not be  converted  to  the  light from the  darkness  except  by  turning the whole body. Even so this organ of knowledge must be turned around from the world  of becoming together  with  the  entire  soul  . . .  until  it  is able  to  endure  the contemplation of that which is. Education  is the art of turning this eye of the soul."</p><p>1 25  Plato,  Republic, 604b-d.</p><p>1 26  Should  we  call  this  exercise  already  Stoic,  or  should  we  rather  say  that  Stoic exercises are still Platonic?</p><p>1 27  Plato,  Republic,  486a.  This  passage  is  quoted  by  Marcus  Aurelius  in  his Meditations, 7, 35.</p><p>1 28  Cf. I.  Hadot,  Seneca, pp.  1 1 5-17,  1 28-30.</p><p>1 29  Aristotle,  Paris of Animals, 2,  3,  5, 645a  9- 1 0.</p><p>1 30  Sec above.</p><p>1 3 1   Epictetus,  Diuoi1rses,  I,  6,  1 9-25: "God  has brought man  into  the  world  to  be a spectator  of  himself  and  his  works,  and  not  merely  a  spectator,  but  also  an interpreter . . .  Nature  . . .  did  not  end  [i.e.  in  the  case  of  mankind]  until  she reached  contemplation  and  understanding and  a  manner of life  harmonious with nature.  Take heed,  therefore,  lest you die without ever having been spectators of these things. You arc wi lling to travel  to Olympia to look at the work of Pheidias, and  each of you  regards  it as  a  misfortune  to  die  without  seeing such  sights; yet when  there  is  no  need  to travel at  all,  when  you  have  such  works near you  and under your noses,  will you not yearn  to look at these works and know them? Will you  consequently  refuse  to  learn  either who you are, or  for what you  have been born,  or what is the meaning of the spectacle to  which  you  have  been admitted?"</p><p>1 32  Philo Judaeus,  On the Special Laws, 2, chs. 44--6; cf.  the other passages from Philo on  the  contemplation  of  the  world  quoted  by  A.-J.  Festugiere,  la  rtvtla1io11</p><p>d'Hem1es  Trismegiste,  vo1.  2,  Paris  1949,  p.  599.</p><p>1 33  Plutarch,  011 Peace of Mind, �20, 477c.</p><p>1 34  On  this  theme, sec Fcstugiere, La reve/a1im1, vol.  2, pp. 441 -57; P.  Courcelle, la Consolation  de Phi/osophie dans la traditio11 lilleraire,  Paris  1967, pp.  355-72.</p><p>1 35  Marcus  Aurelius,  Medi1ations,  1 2,  24.  Cf.  ibid,  9,  30:  "Contemplate  from  up above."</p><p>1 36  Seneca,  Natural Questions,  I, Preface,  7-9.</p><p>1 37  Marcus  Aurelius,  Meditations,  8,  54;  9,  32.</p><p>1 38  Plotinus, Ermead,  6,  5,  12,  1 9-29.</p><p>1 39  For  example,  Plotinus,  E11nead,  I,  2;  Porphyry,  Se111ences,  ch.  32;  Macrobius, f;omme11tary  on  the Dream  of' Scipio,  I,  8,  3-1 1 ;  Olympiodorus,  Commentary  on Plato 's  Pliaedo, pp.  23, 25ff,  45,  l 4ff. Cf. 0. Schissel  von  Fleschenberg, Marinos vim  Neap11lis  1md die  neuplatonischen  Tugendgrade,  Athens  1 928,  with  the  review by  W.  Theiler  in  G1iomo11  5  ( 1929),  pp.  307-1 7;  I.  Hadot,  le  problbne  d"</p><p>neoplat011isme  ttle.\'andn</p><p>/Jierodes  et  Simplicus,</p><p>'n,</p><p>Paris  1 978,  pp.  I 52ff.  On  the</p><p>important  role  played  by  this  theme  in  the  systematization  of Christian  mystid1m, Nee  I I.  vnn  l .icNhuut,  /,11  tl1r11rie pl11ti11ie1111e de  la  11er111.  Ess11i s11r la gmese</p><p><image l:href="#71"/></p><p>1 22</p><p>Spiritual Exercises</p><p>d'un  article  de  la  Somme  Tlreologique  de  saint  Thomas,  Fribourg  1 926,  as  well  as the  texts  cited  in  P.  Henry,  Plotin  et  /'Occident.  Firmicus  Maternus,  Marius Victorinus, Saint Augustin  et  Macrobe  (=  Spicileguim sacrum  Lovaniense, Etudes et  Documents  l S), Louvain  1 934,  pp.  248-SO.</p><p>140  Marinus,  Lift of Produs,  chs  14,  1 8,  2 1 ,  22,  24,  28.</p><p>141  Cf. P. Hadot,  "La  metaphysique  de  Porphyre,"  in Porplryre (=  Entretiens  Hardt sur l'Antiquite  Classique  1 2), Vandoeuvres/Geneva  1 966, pp.  1 27-9.</p><p>1 42  Porphyry,  On Abstinence,  I,  30.</p><p>1 43  Ibid,  I, 29  (phJisiosis ltai zoe).</p><p>144  Plotinus, Ennead,  1 ,  S,  7,  10,  28-32.</p><p>1 4S  Ibid,  1, 6,  9, 8-26.</p><p>146  To  put this observation  into relation  with what we  have said  above,  we may say that the spirit of Platonism consists precisely in making knowledge into a spiritual exercise.  In  order  to  know,  one  must  transform  one.'lelf.</p><p>1 47  As,  for  example,  at  Ennead,  S,  8,  1 1 ,  1-39.  As  has  been  shown  by  P.  Merlan, M011opsychism,  Mysticism,  Metaconsciousness.  Problems  of  the  Soul  in  the  Neoaristotelian  anti  Neoplatonlc  Tradition  (=  Archives  internationaux  d'Histoire  des idees  2),  The  Hague  1 963,  this experiential  knowledge  of the  Intellect  has  much in common  with  certain  aspects  of the  Aristotelian  tradition.</p><p>1 48  Plotinus, Ennead,  6, 7, 36,  6-9.</p><p>1 49  Ibid,  6,  7,  33,  1-2.</p><p>l SO  Ibid, 6,  7, 34, 2-4.</p><p>l S l  lbid, S, 3,  1 7, 38.</p><p>1 S2  Ibid,  6,  9,  10,  14-17.  At  this  point,  we  ought  to  take  into  account  the  entire post-Plotinian  tradition.  Perhaps  it  will  suffice  to  recall  that  Damascius'  Life of Isidore,  one  of the  last  works  of the  Neoplatonic  school,  is  full  of allusions  to spiritual exercises.</p><p>1 S3  This comparison  is quite  frequent in Epictetus; cf. Discourses,  I ,  4,  1 3;  2,  17, 29; 3,  2 1 ,  3.  The  metaphor of the  Olympic  games of the  soul  is  also quite common; cf.  Epictetus,  Manual,  ch.  S l ,  2;  Plato,  PhaeJrus,  2S6b; Porphyry,  On Abstinence, I ,  3 1 .</p><p>1 S4  According  to  J .   Delorme,  Gymnasion,  Paris  1 960,  pp.  31 6ff,  466:  "Athletic exercises  were  always accompanied  by  intellectual  exercises. "</p><p>1 SS  Cf.  above.</p><p>1 S6  Cf.  K.  Borinski,  Die  Antilte  irr  Poetik  1md  Kunsttheorit,  vol.  1 ,   Leipzig  1914, pp.  169fT.</p><p>1 S7  Plato,  Rep11blic,  61 1 d--&lt;:.</p><p>1 S8  Cf.  K.  Schneider,  Die st:/1RJeigenden  Gotter,  Hildesheim  1 966,  pp.  29-S3 .</p><p>1 S9  Cf.  Lucretius,  S,  8  (referring  t o   Epicurus):  "He  was  a  god"  (Deus  ille  fuit); Epicurus,  Leiter to Merroet:us, �� 13S; 23, J,  Long  and  Sedley, Hellenistic Philosophers  vol.  2,  p.  I S2;  vol.  1 ,  p.  144:  "You  will  live  like a  god  among men."</p><p>1'60  The  philosopher is neither a sage, nor a  non-sage;  cf.  H.- J. Kramer, Plotonisnms und helltnistische Philosophie,  Berlin/New  York  197 1 ,  pp.  1 74-S, 228-9.</p><p>1 6 1   Heidegger's analyses of the authentic and inauthentic modes of existence can help to  understand  this  situation;  cf.  A.  de  Waelhens,  la  plrilosoplrie  dt  M1mi11</p><p>Heidegger,  pp.  1 01),  1 (19.</p><p><image l:href="#88"/></p><p><image l:href="#103"/></p><p>Spiritual Exercises</p><p>1 23</p><p>1 62  [On  conversion, cf.  above. - Trans.]</p><p>1 63  Diogenes  Laertius, Lives of the Philosophers,  6,  103.</p><p>1 64   Damascius, Life of Isidorus, �147, p.  1 27,  1 2-1 3  Zinzten.</p><p>1 65  Sextus  Empiricus,  Against  the  Logicians,  2,  vol.  2,  pp.  426-8  Bury; Against  the Physicists,  1 ,  vol. 3,  pp.  26-8 Bury; Against the Physicists, 2, vol.  3,  p.  292 Bury; Outlines  of Pyrrhonisn1,  vol.  1,  pp. 324-6 Bury.  Cf.  Diogenes Laertius,  Lives  of the Philosophers, 9, 61-2: "He lived in conformity with everyday life [bios]." Such was  Pyrrho's life-style, which, at least on  the surface, was not very different from the average  man's: "He  lived in fraternal piety  with  his sister, a midwife . . .  now and  then  even  taking  things  for sale  to market,  poultry  or pigs for instance,  and with  complete  indifference  he  would  clean  the house.  It  is said that  he was so indifferent  that  he  washed  a  piglet  himself."  (Diogenes  Laertius,  Lives  of  the Philosophers, 9, 66.) All that mattered was one's inner attitude; therefore the sage conformed to "life," i.e. to the opinions of non-philosophers.  But  he did  so  with indifference,  that  is,  wjth  an  inner  freedom  which  preserved  his  serenity  and peace  of mind. This is,  incidentally,  the same  Pyrrho  who,  when  frightened  by a dog, replied to his mocking onlookers:  "It is difficult to strip oneselr completely of being human." (Diogenes Lacrtius, Lives of the Philosophers, 9, 66, fr.  J C  Long and Sedley,  He/lenistif Philosophers,  vol.  1 ,  p.  14;  vol.  2, p. 3.) 1 66  Cf.,  with  regard  to Plato,  V.  Goldschmidt,  "Sur  le probli:me  du  'systi:me  de Platon',"  Rivista  critifa  di  stonia  del/a filosofia  5( 1959),  pp.  169-78.  The  recent researches  of K.  Gaiser  and  H.-J.  Kriimer on  Plato's  unwritten  teachings  have once again raised doubts about the existence of systematic thought in antiquity.</p><p>1 67  Plato,  Phaedrus,  264c.</p><p>168  I.  During,  Aristoteles.  Darstellung  und  Interpretation  sei11es  Denkens,  Heidelberg 1 966,  pp.  29,  33,  41 ,  226.</p><p>1 69  Cf.  I. During, "Von Aristoteles bis Leibniz. Einige Haupttinien in der Gcschichtc des  Aristotelismus,"  in  P.  Mordux,  ed.,  Aristoteles  in  der  neuren  Forschut1g (=  Wege  der  Forschung  61),  Darmstadt  1968,  p.  259:  "In  reality,  Aristotle thought in terms of problems:  he was a creator of methods, a pedagogue, and an organizer  of  collaborative  scientific  work.  He  did,  of  course,  have  strong systematic  tendencies,  but  what  he  was  striving after  was  a  systematic  way  of approaching problems . . . The idea of creating a self-contained system, however, never even entered his mind."</p><p>1 70  During,  "Aristotle and the heritage from  Plato," pp. 97-8.</p><p>171  See above.</p><p>1 72  During, Aristoteles,  p. 4 1 ,  n.  253.</p><p>1 73  Ibid, pp.  5, 289, 433.</p><p>174  Porphyry,  Lift of Plotir1us, 4, I I ;  5, 60.</p><p>1 75  Cf., for instance, with regard to Plotinus' doctrine of the soul, Henry Blumenthal,</p><p>"Soul, world-soul, and  individual  soul  in Plotinus," in Le Neoplat011isme,  1 97 1 .</p><p>1 76  Cf.  I.  Hadot, "Le systcmc theologiquc de Simplicius dans son  commentairc sur le  Manuel  d'Epictetc,"  in  Le  Neop/atonisme,  197 1 ,  pp.  266,  279;  I.  Hadot,  Le pro/1/bne, llp. 47- 65,  147-67.</p><p>1 77  C :f.  the  &lt;llll&gt;lation  from  Chrysippus'  T/1m1peulikos  in  SVF  3,  �  474,  pp.  1 24-5, 111kcn  from  OriMcn,  AJ(fliml  Cl'lms,  I ,  M;  K,  5 1 .  Note  how  Origen  introduces his</p><p>124</p><p>Spiritual Exercises</p><p>citation: "Chrysippus</p><p>in his endeavours to restrain the passions of the human</p><p>� . .</p><p>soul,  not  pretending  to  determine  what  doctrines  are  the  true  ones,  says  that those  who  have  been  brought  under  the  dominion  of  the  passions  are  to  be treated  according  to  the  principles  of  the  various  schools."  On  this  theme, cf.  I.  Hadot, Sene,a, pp.  3,  2 1 ,  44,  54, 83;  1969b, p. 3 5 1 .  We ought therefore not to  be surprised  to find  the Stoic Seneca utilizing Epicurean aphorisms  to exhort his  disciple  Lucilius;  cf.  I.  Hadot,  Seneca,  p.  83.  A  concrete  example  of this parenetic  eclecticism  may  be  found  in  the  manuscript  Vati,anus  Graeros  1950.</p><p>According to  Festugiere,  La  rrotlation,  vol.  2, p. 90, n.  2:  "It  is  interesting  to note that the second half of Vat. gr.  1950 . . .  which forms an independent whole, contains the Memorabilia of Xenophon (f.  280fT), followed by the Meditations of Marcus Aurelius  (f.  341 fT), then the Manual of Epictetus (f.  392�), and  finally, after a  page of rhetorical pieces (f.  40 1 ),  the  collectfon  of Epicurean aphorisms entitled  Gnomologium  Vaticanum (f.  401 �fT.). This whole ensemble,  including the selections  from  Epicurus,  is  the  work of a  Stoic,  who has gathered  together  for his  personal  use  a  number  of fundamental  texts  on  moral  doctrine  - a  kind  of</p><p>'book of devotion',  as it  were.  Now,  the  first item on  the  list  is the Socrates of the Memorabilia."</p><p>1 78  Marcus Aurelius, Meditations, 9, 39; 4, 3, 2.</p><p>1 79  See above.</p><p>1 80  Augustine,  On  t/1e  Trinity,  1 5, 6,  10:  "Quia in nobis  fiunt  vel in nobis sunt, cum ista  meminimus,  aspicimus,  volimus."  Memory,  knowledge,  and  will  are,  for Augustine,  the  three  trinitary  images.  On  the  exercitatio animi ("exercise of the soul")  in  Augustine,  see  H.-1.  Marrou,  Saint  Augustin  et  la fin  de  la  ,u/ture antique,  Paris  1938, p.  299.</p><p>1 8 1   On  the  utilization  of the  word  philosophia  in  Christianity,  see  A.N.  Malingrey,</p><p>"Philosop/1ia. "  Et1ide  d'un  groupe  de  mots  dans la  litterature  grecque,  des  Presocratiques au /Ve sitcle ap. J.-C., Paris  196 1 .  Clement of Alexandria is one of the best  witnesses for the ancient tradition of spiritual exercises.  He emphasizes the importance of the master-disciple relationship (Stromata,  I,  I ,  9,  1),  the value of psychagogy  (ibid,  I,  2,  20,  1 ),  and  the  need  for  exercises  and  a  hunt  after  the truth  (ibid,  I,  2,  2 1 ,   1 :  "the  truth  reveals  itself full  of sweetness  when  one  has searched  for it and obtained  it at the cost of great efforts.") 1 82  For H. Happ, JI.vie,  Berlin  1 97 1 ,  p. 66,  n.  282,  the concern  for "systems"  goes back  to  Francisco de Suarez (1 548- 1 6 1 7).</p><p>1 83  Cf.  K.  Jaspers,  "Epikur,"  in  Weltbewohner  und  Weimarianer  (Festschifi E.  Beutler),  Zurich  1 960,  p.  1 32; and  Immanuel  Kant,  Die Me1aphysik der Sitten ( 1 797),  Ethische Methodenlehre,  Zwieter Abschnitt.  Die  etl1is,he Asketik,  in Immanuel Kant 's  Werke,  ed.  Ernst  Cassircr,  Berlin  1916,  �53 .  Here  Kant shows  how the practice of virtue - which he calls ascetics - should be  carried  out with Stoic energy combined with Epicurean joie de vivre.</p><p>1 84  Vauvenargues,  Reflections  et  maximes,  �400  [Luc  de  Clapiers,  Marquis  de Vauvenargues  ( 1 7 1 5-1 747),  friend  of Voltaire.  - Trans. ],  together  with  �39H:</p><p>"Every thought is  new when the author expresses it in his own way," and above all �399: "There arc many things we do not know well enough,  and thal  ii is good to  have  rc1lcn1ed ."</p><p>Spiritual Exercises</p><p>1 25</p><p>1 85  "It  is  contained  in  the  very  briefest  statements,"  says  Plato,  speaking  of  the essence  of his  own  doctrine  (Seventh  Letter,  334e).  "The  esse&#xFFFD;e  of philosophy is  the spirit of simplicity . . .  always and everywhere, complication  is  superficial, construction  is  an  accessory,  and  synthesis  an  appearance.  Philosophizing  is  a simple act" (Henri Bergson, La pensee et le mouvant,  Paris  1946, p.  1 39).</p><p>1 86  Epictetus, Dis(ourses,  3, 2 1 ,  7-8.</p><p>1 87  Johann  Wolfgang von  Goethe,  Conversations  111i1h &amp;kmnann,  trans. John Oxenford, 2  vols,  1850, 25 January,  1 830.</p><p><image l:href="#121"/></p><p>4</p><p>Ancient  Spiritual  Exercises</p><p>and  "Christian  Philosophy"</p><p>It was the  great  merit of Paul  Rabbow  to have  shown,  in his Seelmfiihrung, 1</p><p>in  what  sense  the  methods  of meditation  set  forth  and  practiced  in  Ignatius of  Loyola's  Exercilia  spirilua/ia2  were  deeply  rooted  in  the  spiritual exercises  of ancient  philosophy.  Rabbow  begins  his  book  by  discussing  the various  techniques  by  means  of  which  rhetoricians  throughout  antiquity sought  to  persuade  their  audiences.  These  included,  for  example,  oratorical amplification  and  lifelike,  stirring  descriptions of events.3 Above  all,  Rabbow gives  a  remarkable  analysis  of  the  exercises  practiced  by  the  Stoics  and Epicureans,  emphasizing  the  point  that  they  were  spirilual  exercises  of the  same  kind  as  we  find  in  Ignatius  of  Loyola.  On  both  these  points, Rabbow's  book  opened  the  way  to  new  areas  of  research.  It  is  possible, however, that even  the author himself did not foresee all the consequences of his discovery.</p><p>In  the  first place,  Rabbow seems  to  me to  have linked  the phenomenon of spiritual  exercises  too  closely  to  what  he  terms  the  "inward  orientation"</p><p>(lnnenwendung)�  which,  he  claims,  took  place  in  the  Greek  mentality  in  the third century BC, and which manifested itself in the development of the Stoic and  Epicurean  schools.  As a  matter  of fact,  however,  this  phenomenon  was much  more  widespread.  We  can  already  detect  its  outlines  in  the  Socratic/Platonic dialogues, and it continues right up until the end of antiquity.</p><p>The  reason  for  this  is  that  it  is  linked  to  the  very  essence  of  ancient philosophy.  It  is philosophy  itself that  the  ancients  thought  of as  a  spiritual exercise.</p><p>If Rabbow  tends  to  limit  the extent  of spiritual exercises to  the  Hellenistic/Roman period,  the  reason  is  perhaps  that  he restricts himself to considering  their  ethical  aspect  alone.  Moreover,  he  considers  ethics  only  in philosophies  like  Stoicism  and  Epicurcanism,  which  uppcnr  to  1u:cord  1irc-</p><p>Ancient Spiritual Exercises</p><p>1 27</p><p>dominance  to ethical questions  in  their  instruction.  In  fact,  Rabbow  goes  so far  as to define spiritual exercises as moral exercises: By "moral exercise," we mean a procedure or determinate act, intended to  influence  oneself,  carried  out  with  the  express  goal  of achieving  a determinate  moral  effect.  It  always  looks  beyond itself,  in as much as  it repeats  itself,  or  at  least  is  linked  together  with  other  acts  to  form  a methodical ensemble.5</p><p>With  the  advent  of Christianity,  Rabbow  continues,  these  moral  exercises were transformed into spiritual  exercises:</p><p>Spiritual  exercises,  then,  which  resemble  moral  exercises  like  a  twin, both  in  essence  and  structure,  were raised  to  their  classical  rigor and perfection  in  the  Exercitia  spiritua/ia  of Ignatius  of Loyola.  Spiritual exercises thus belong properly to the religious sphere, since their goal is to fortify,  maintain, and  renew life  "in  the  Spirit,"  the vita spiritualis. 6</p><p>Christian spiritual exercises did  indeed  take on a  new  meaning by virtue of the specific character of Christian spirituality, inspired as it is by the death  of Christ and the Trinitarian  life of the divine Persons.  But to speak, apropos of the  philosophical  exercises  of  antiquity,  of simple  "moral  exercises"  is  to misunderstand  their importance and significance.  As we showed above, these exercises have as  their goal the transformation of our vision of the world, and the metamorphosis of our being. They therefore have not merely a moral, but also an  existential  value.  We  are  not  just  dealing here  with  a  code of good moral conduct, but with a  way  of being,  in the strongest sense of the term.  In the  last analysis,  then,  the term  "spiritual exercises" is  the best one, because it leaves no doubt that we are dealing with exercises which engage the totality of the  spirit. 7</p><p>Secondly,  one  gets  the  impression  from  reading  Rab bow  that  Ignatius  of Loyola  rediscovered  spiritual  exercises  thanks  to  the  sixteenth-century renaissance  of rhetorical  studies.8 In  fact,  however,  rhetoric  for  the  ancients was only one of many  ingredients of exercises which  were first and foremost philosophical  in  the  strict  sense  of the  term.  Moreover,  ever  since  the  first centuries of the church's existence, Christian spirituality has been  the heir of anc;.ient  philosophy  and  its  spiritual  practices.  There  was  thus  nothing  to prevent  Ignatius  from  finding  the  methodology  for  his  Exercitia  within  the Christian  tradition  itself.  In  the  following  pages,  we  hope  to  show,  with the  help  of  a  few  quotations,  in  what  way  ancient  spiritual  exercises were  preserved  and  transmitted  by  an  entire  current  of  ancient Christian  thouicht:  that  current,  namely,  which  defined  Christianity  itself as 11  philm111phy,</p><p><image l:href="#136"/></p><p><image l:href="#9"/></p><p>128</p><p>Spiritual Exercises</p><p>Before  we  begin  our study,  we  must  be  more  specific  about  the  notion  of spiritual  exercises.  "Exercise"  corresponds  to  the  Greek  terms  askesis  or melete.  Let  us be clear  at  the outset about  the  limits  of the  present  inquiry: we shall not be  discussing "asceticism"  in  the modem  sense of the  word,  as it  is defined, for instance,  by Heussi:  "Complete  abstinence  or  restriction  in the  use of food,  drink,  sleep,  dress,  and  property,  and especially continence in  sexual  matters." 9  Here,  we  must  carefully  distinguish  between  two different  phenomena.  On  the  one  hand,  there  is  the  Christian and</p><p>-</p><p>subsequently  modem - use of the word  "asceticism", as  we have just seen it defined.  On  the other,  there is use of the word askesis in  ancient philosophy.</p><p>For ancient philosophers, the word askesis designated exclusively the spiritual exercises  we  have  discussed  above: 10  inner  activities  of the  thought  and  the will.  Whether  or  not  sexual  or  alimentary  practices  analogous  to  those  of Christian asceticism existed among certain ancient philosophers - the Cynics, for  example,  or  the  Neoplatonists  - is  a  wholly  different  question.  Such practices  have  nothing  to  do  with  philosophical  thought-exercises.  This question has been competently dealt with by many authors,1 1  who have shown both  the  analogies  and  the  differences  between  asceticism  (in  the  modern sense  of  the  word)  in  ancient  philosophy  and  in  Christianity.  What  we propose to examine here is rather the way in which as/mis, in the philosophical sense  of the term,  was received into Christianity.</p><p>In order to understand the phenomenon  under consideration, it is essential to  recall  that  there  was  a  widespread  Christian  tradition  which  portrayed Christianity  as  a  philosop&#xFFFD;y.  This  assimilation  began  with  those  Christian writers of the second century who are usually referred to as the Apologists, and in particular with Justin.  The Apologists considered Christianity a philosophy, and  to  mark its opposition  to  Greek  philosophy, they spoke of Christianity  as</p><p>"our  philosophy"  or  as  "Barbarian  philosophy." 12  They  did  not,  however, consider Christianity to be just one  philosophy among others;  they thought of it  as  the  philosophy.  They  believed  that  that  which  had  been  scattered  and dispersed throughout Greek philosophy had been synthesi7.ed and systematized in  Christian  philosophy.  Each  Greek  philosopher,  they  wrote,  had  possessed only  a portion of the  Logos, 13 whereas  the  Christians  were  in possession of the logos  itself,  incarnated  in  Jesus  Christ.  If  to  do  philosophy  was  to  live  in accordance with the law of reason, then the Christians were philosophers, since they lived  in conformity  with the law  of the divine Logos. 1�</p><p>Clement of Alexandria dwells at length on this theme. He establishes a close link  between  philosophy  and  paideia,  by  which  he  means  the  education  of mankind. Already  within  Greek philosophy, the Logos,  or divine pedagogue, had been at work educating humanity, but Christianity itself, as the complete revelation  of  the  logos,  was  the  true  philosophy1 5  which  "teaches  us  to conduct ourselves so that we may resemble God,  and  to nccepl  the divine plan</p><p>[oikonomial as the guiding principle of all  our cduc111ion.11 16</p><p><image l:href="#73"/></p><p><image l:href="#3"/></p><p>Ancient Spiritual Exercises</p><p>1 29</p><p>The  identification  of  Christianity  with  true  philosophy  inspired  many aspects of the teaching of Origen,  and it remained influentiaL throughout the Origenist  tradition,  especially  among  the  Cappadocian  Fathers:  Basil  of Caesarea, Gregory Nazianzen, and Gregory of Nyssa. It is also in evidence in John  Chrysostom. 17  All  these  authors  speak  of  "our  philosophy";  of  the</p><p>"complete  philosophy"; or of "the philosophy according to  Christ. "</p><p>We  may  well  ask  ourselves  if  such  an  identification  was  legitimate,  and wonder  whether  it  did  not  contribute  to  a  large  extent  to  the  notorious</p><p>"Hellenization" of Christianity, about  which so much has been  written.  I  will not go into  this complex  problem  here,  but shall limit myself to pointing out that in  portraying  Christianity  as  a  philosophy,  this  tradition  was the heir -</p><p>almost certainly consciously so - of a  tendency  already at work  in the Jewish tradition,  particularly  in  Philo of Alexandria. 18  Philo  portrayed Judaism  as  a patrios phi/osophia:  the  traditional  philosophy of the Jewish people. The same terminology  was used by  Flavius Josephus. 19</p><p>When, a few centuries later, monasticism came to represent the culmination of Christian  perfection,  it,  too,  could be portrayed as a philosophia.  From  the fourth  century  on,  this  is  exactly  how  it  was  in  fact  described,  by  church Fathers such as  Gregory  Nazianzen,20  Gregory of Nyssa,  and John  Chrysostom,21  and especially by Evagrius Ponticus.22 This viewpoint was  still  current in  the fifth century,  for instance in Theodoret of Cyrrhus.13</p><p>Here  again,  it  was  Philo  of  Alexandria  who  had  shown  the  way.  He  had given  the  name  "philosophers"  to  the  Therapeutae,  who,  according  to  his description,24 lived in solitude, meditating on the law and devoting themselves to  contemplation.  Jean  Leclercq25  has  shown  that,  under  the  influence  of Greek  tradition,  the  monastic  life  continued  to  be  designated  by  the  term phi/osophia throughout the Middle Ages. Thus, a Cistercian monastic text tells us that Bernard of Clairvaux used to initiate his disciples "into the disciplines of celestial  philosophy. " 26  Finally,  John  of Salisbury  maintained  that  it  was the monks who "philosophized" in  the most correct and authentic way.27</p><p>The  importance  of this  assimilation  between  Christianity  and  philosophy cannot be over-emphasized.  Let us be clear on one point,  however: there can be  no  question  of denying  the  incomparable  originality  of Christianity.  We shall  return  to  this  point  later;  in  particular,  we  shall  emphasize  the specifically  Christian  character  of  this  "philosophy,"  as  well  as  the  care Christians  have  taken  to  connect  it  with  the  biblical/ evangelical  tradition.</p><p>Moreover,  the tendency to  assimilation  was confined  within strict historical limits, and always linked more or less closely to the tradition of the Apologists and  of  Origen.  This  tendency  did,  however,  exist;  its  importance  was considerable,  and  its  result  was  the  introduction  of philosophical  spiritual exercises  into  Christianity.</p><p>A long  with  its  11hsorption  of  spiritual  exercises,  Christi&#xFFFD;nity  acquired  a KJll'Ci lic  11tyk�  of'  l i fe,  spiritu11l  1lt t i t udc,  nnd  1.on11lity,  which  h11d  been  absent</p><p><image l:href="#21"/></p><p>1 30</p><p>Spiritual Exercises</p><p>from  primitive  Christianity.  This  fact  is  highly  significant:  it shows  that  if Christianity  was able  to  be  assimilated  to a  philosophy,  the  reason  was that philosophy itself was already, above all else, a way of being and a style of life.</p><p>As Jean Leclercq  points  out: "In the monastic Middle Ages,  just as much as in Antiquity, philosophia  did  not designate a theory or a means of knowledge, but a  lived, experienced wisdom, and a  way of living according to reason." za We remarked  above29 that the fundamental attitude of the Stoic philosopher was prosoche: attention to oneself and vigilance at every instant.  For the Stoics, the person  who  is "awake"  is always  perfectly conscious  not only of what he does, but of what he is. In other words, he is aware of his place in the universe and  of his  relationship  to  God.  His self-consciousness  is,  first  and  foremost, a  moral  consciousness.</p><p>A  person endowed  with  such  consciousness seeks to  purify  and  rectify  his intentions  at  every  instant.  He  is constantly on  the lookout  for  signs  within himself  of  any  motive  for  action  other  than  the  will  to  do  good.  Such self-consciousness is not, however, merely a moral conscience; it is also cosmic consciousness. The "attentive" person lives constantly in the presence of God and  is  constantly  remembering  God,  joyfully  consenting  to  the  will  of universal  reason,  and  he sees  all things  with  the eyes of God  himself.</p><p>Such is the philosophical attitude par excellence.  It is also  the attitude of the Christian  philosopher.  We  encounter  this  attitude  already  in  Clement  of Alexandria, in a passage which foreshadows the spirit which was later to reign in  philosophically-inspired  monasticism:  "It  is  necessary  that  divine  law inspire  fear, so that the philosopher may acquire and conserve peace of mind</p><p>[ amerimtiia ], by  dint of prudence [ eulabeia] and attention to himself [prosoche], and  that  he  may  remain  exempt  from  sins  and  falls  in  all  things." JO  For Clement,  the  divine  law  is  simultaneously  the  universal  reason  of  the philosophers,  and  the  divine  word  of the  Christians.  It  inspires  fear,  not  in the sense of a passion - which,  as  such,  would be condemned  by the Stoics -</p><p>but  rather  in  the  sense  of  a  certain  circumspection  in  thought  and  action.</p><p>Such attention to oneself brings about amerimnia or peace of mind, one of the most sought-after goals  in monasticism.</p><p>Attention  to  oneself is  the  subject  of a  very  important  sermon  by  Basil  of Caesarea.31  Basil  bases  his  sermon  on  the  Greek  version  of a  passage  from Deuteronomy:  "Give  heed  to  yourself,  lest  there  be  a  hidden  word  in  your heart." 32  On  this  basis,  Basil  develops  an  entire  theory  of prosoche,  strongly influenced by �the Stoic and Platonic traditions.  We shall return  to  this point later.  For the moment, let us simply note that Basil's reason for commenting on this particular passage of Deuteronomy is that, for him, it evokes a technical term  of  ancient  philosophy.  For  Basil,  attention  to  oneself  consists  in awakening the rational principles of thought and  action which God has placed in our souls.33 We arc to watch  over 011rselves  that  is,  over  our  11piri1  and  our</p><p>-</p><p>soul  - nnd nol over th111  which  i11 mm (our body) or  1 hn1  whkh  iN rllmul 11/11mt</p><p>Ancient Spiritual Exercises</p><p>1 3 1</p><p>us  (our  possessions).3'1  Thus,  prosoche  consists  i n   paying  attention  to  the beauty of our souls, by constantly renewing the examination 06 our conscience and  our knowledge of ourselves.35 By so  doing,  we can  correct the judgments we bring  upon  ourselves.  If we  think we are  rich  and  noble,  we are  to  recall that  we are made of earth,  and ask ourselves where are the famous men who have preceded  us  now.  If,  on  the contrary,  we  are  poor and  in disgrace,  we are to take cognizance of the riches and splendors which the cosmos offers  us: our body,  the  earth,  the sky, and the stars,  and we shall then be reminded of our  divine  vocation.36  It  is  not  hard  to  recognize  the  philosophical  character of these  themes.</p><p>Prosoche  or  attention17  to  oneself,  the  philosopher's  fundamental  attitude, became the fundamental attitude of the monk. We can observe this phenomenon  in  Athanasius'  Life  of Antony,  written  in  AD 357.  When  describing  the saint's conversion  to  the  monastic  life, Athanasius simply says:  "He began  to pay attention to himself." 38  Antony himself,  we read  later, is supposed  to  have said  to  his disciples on  his deathbed:  "Live as  though  you  were  dying every day,  paying  heed to yourselves  fprosechontes  heautois]  and  remembering  what you  heard from my preaching." 39</p><p>In  the  sixth  century,  Dorotheus  of  Gaza  remarked:  "We  are  so  negligent that  we do  not know  why  we  have gone ou t of the world . . .  That is  why we are  not  making  progress . . .  The  reason  for  it  is  that  there  is  no prosocke  in our hearts." "� As we have seen;� attention and vigilance presuppose continuous concentration  on  the  present  moment,  which  must  be  lived  as  if it  were, simultaneously,  the  first  and  last  moment  of  life.  Athanasius  tells  us  that Antony  used  to make no attempt  to  remember the  time  he had already spent at his  exercises,  but rather made a  brand new  effort every day, as  if starting afresh  from zero.42 In other  words, he lived the present  moment as if it were his first, but also his last.  We also saw that  Antony told his disciples to "Live as  though  you  were  dying  every  day." 43  Athanasius  reports  another  of Antony's sayings: "If we  live as  if we were going to die each day,  we  will not commit sin." -H  We arc to  wake up thinking it possible that we may not make it  until  the  evening,  and  go  to  sleep  thinking  that  we  shall  not  wake  up.45</p><p>Epictetus had spoken along similar lines: "Let death be before your eyes every day,  and  you will never have any abject thought  nor excessive desire." 46</p><p>In  the  same  vein,  Marcus Aurelius  wrote:  "Let  your  every  deed  and  word and  thought  be  those  of  one  who  might  depart  from  this  life  this  very moment." 47  Dorotheus  of Gaza also established a  close  link  between prosocke and  the  imminence of death:  "Let  us pay  heed  to ourselves, brothers,  and  be vigilant while we still  have  time . . .  Look!  Since the  time  we sat  down  at  this conference we have used up two or three hours of our time and got that much nearer  to  death.  Y ct  though  we  see  that  we  are  losing  time,  we  are  not afraid l " 48  And again: "Let  us pay heed to ourselves and be vigilant, brothers.</p><p>Who  will  l(ivc  UK  hack  the  present  time  if we  w111nc  it?" 4'1</p><p><image l:href="#41"/></p><p>132</p><p>Spiritual Exercises</p><p>Attention  to  the  present  is  simultaneously  control  of  one's  thoughts, acceptance  of the  divine  will,  and  the  purification  of one's  intentions  with regard to others.  We have an  excellent summary of this constant attention to the  present in a  well-known Meditation of Marcus Aurelius: Everywhere and at all times, it is up to you to rejoice piously at what is occurring at the present moment, to conduct yourself with justice towards the  people  who  are  present  here  and  now,  and  to  apply  rules  of discernment  [emphilotekhnein]  to  your  present  representations  [phantasia1] ,  so  that nothing slips in  that  is not objcctive.50</p><p>We  encounter  the  same  continuous  vigilance  over  both  thought  and intentions in monastic spirituality, where it is transformed into the "watch of the heart," si  also known as nepsis 52 or vigilance.  We are not dealing here with a mere exercise of the moral  conscience. Rather, prosoche relocates man within his genuine being: that is, his relationship to God. It is thus equivalent to the continuous exercise of the presence of God.  In the words of Plotinus' disciple Porphyry: "Let God be present as overseer and guardian of every action, deed and  word!" s3  Here  we  have one of the  fundamental  themes of philosophical prosoche:  presence both  to  God  and  to  oneself.</p><p>"Have  your  joy  and  your  rest  in  one  thing  only:  in  progressing  from one  action  done  for  the  sake  of others  to  another  such  act,  always  accompanied  by  the  remembrance of God." 5&#xFFFD;  This  Meditation of Marcus Aurelius has  to  do, once  again,  with  the  theme of exercises  involving  the  presence  of God.  At  the  same  time,  it  introduces  to  us  an  expression  which  was  later to  play  an  important  role  in  monastic  spirituality.  The  "remembrance  of God"  is  a  perpetual  reference  to  God  at  each  instant  of  life.  Basil  of Cacsarca  links  it  explicitly  with  the  "watch  of the  heart":  "We  must  keep watch  over  our  heart  with  all  vigilance . . .  to  avoid  ever  losing  the thought of God." ss  Diadochus of Photicc often evokes  this  theme.  For  him, the remembrance of God  is entirely equivalent to prosocl1e:  "Only they know their  failures  who  never  let  their  intellects  be  distracted  from  the  remembrance of God." 56 "Since then [i.e. since its fall], it is only with difficulty that the  human intellect  can  remember  God  and  His  commandments."57  We  are to</p><p>close  off all  the  intellect's  avenues  of escape,  by  means  of the  remembrance  of God.58</p><p>What  distinguishes  a  man  who  is  virtue's  friend  is  that  he  constantly  consumes  everything  that  is  earthly  in  his  heart  by  means  of the  remembrance  of  God,  so  that,  bit  by  bit,  the  evil  in  it  is  dispersed  by  the  fire  of  the  1�cmembrnncc  of  the  Uood,  nn&lt;l  hi11  11oul</p><p>Ancient Spiritual Exercises</p><p>1 33</p><p>returns  in  perfection  to  its  natural  brilliance;  nay,  even  with  increased splendor.59</p><p>Clearly, remembrance of God  is,  in some sense, the very  essence of prosoche.</p><p>It  is  the  most  radical  method  for  ensuring  one's  presence  to  God  and  to oneself.6Cl  Vague  intentions,  however,  are  not  sufficient  for  true  attention  to one's  self.  We noted  that  Diadochus of Photice  speaks  of the  "remembrance of God  and of His commandments."  In  ancient  philosophy  as  well, prosoche required  meditating  on  and  memorizing  rules  of life  (kanones),  those  principles  which  were  to  be  applied  in  each  particular  circumstance,  at  each moment in life. It was essential to have the principles of life, the fundamental</p><p>"dogmas," constantly "at hand."</p><p>We encounter this same theme once again  in the monastic  tradition. Here, however,  philosophical  dogmas  are  replaced  by  the  Commandments  as  an evangelical  rule of life, and the words of Christ,  enunciating the principles of Christian  life. Yet the rule of life could be  inspired  not only by the evangelical commandments,  but also by the  words  of the  "ancients;"  in other  words,  of the first monks.  We have only to recall Antony, on his deathbed, recommending that his disciples remember his exhortations.61  Evagrius Ponticus declares:</p><p>" It  is  a  very  nece&amp;-sary  thing . . .  to  examine carefully  the  ways  of the  monks who  have  traveled,  in  an  earlier  age,  straight  along  the  road  and  to  direct oneself along the same paths." 62</p><p>Both  the  evangelical  commandments  and  the  words  of  the  ancients  were presented in the form of short sentences,  which - just as in the philosophical tradition  - could  be  easily  memorized  and  meditated  upon.  The  numerous collections of Apophlhegmata and of Kephalaia  we  find  in monastic literature are a response to this need  for memorization and meditation. Apophthegmata63</p><p>were  the  famous  sayings  which  the  ancients  - that  is  to  say,  the  Desert Fathers  - pronounced  in  specific  circumstances.  This  literary  genre  was already  in  existence  in  the  philosophical  tradition,  and  we  find  numerous examples  of it  in  the  works  of Diogenes  Laertius.  As  for  Ke_phalaia,64  these are collections of relatively short sentences, usually grouped into "centuries."</p><p>This,  too,  was  a  literary  genre  much  in  vogue  in  traditional  philosophical literature;  some  examples  are  Marcus  Aurelius'  Meditations  and  Porphyry's Sentences.  Both  these  literary  genres  are  responses  to  the  requirements  of meditation.</p><p>Like  philosophical  meditation,  Christian  meditation  flourished  by  using all  available means of rhetoric and oratorical  amplification, and by mobilizing all  possible  resources  of  the  imagination.  Thus,  for  example,  Evagrius Ponticus  used  to  invite  his  disciples  to  imagine  their  own  death,  the decomposition of their bodies, the terrors and sufferings of their souls in Hell, ilnd eternal fire;  then, by way of contrast, they were to  picture  the happiness of 1hc  ju111 .M</p><p>134</p><p>Spiritual Exercises</p><p>Meditation  must,  in  any  case,  be  constant.  Dorotheus  of  Gaza  insists strongly on this point:</p><p>Meditate  constantly on  this advice  in  your  hearts,  Brothers.  Study the words of the  holy Elders.66</p><p>If we remember  the sayings  of the holy Elders,  brothers,  and meditate on  them  constantly, it will be difficult for  us to  sin.67</p><p>If you wish  to possess  these  sayings at  the opportune moment, meditate on  them  constantly.68</p><p>In  the  spiritual  life,  there  is  a  kind  of  conspiracy  between,  on  the  one hand,  normative sayings,  which  are  memorized  and  meditated  upon, and, on the  other,  the  events  which  provide  the  occasion  for  putting  them  into practice.  Dorotheus  of  Gaza  promised  his  monks  that,  if  they  constantly meditated  on  the  "works  of the  holy  Elders,"  they  would  "be able  to  profit from  everything  that  happens  to  you,  and  to  make  progress  by  the  help  of God." 69  Dorotheus  no  doubt  meant  that  after  such  meditation,  his monks  would  be  able  to  recognize  the  will  of  God  in  all  events, thanks to  the  words  of the  Fathers,  which were likewise  inspired  by  the  will of God.</p><p>Vigilance  and  self-attention  clearly  presuppose  the  practice  of examining one's conscience.  We have already seen, in the case of Basil of Caesarea,711 the close  link between prosoche  and  the examination  of conscience.  It seems that the  practice  of the  examination  of the  conscience  occurs  for  the  first  rime, within  the Christian tradition, in Origen 's Commentary on the Song of Songs. 71</p><p>In  the  course  of his  interpretation  of verse  l :  81  "Unless  thou  know  thyself, 0  fair  one  among women," 72 Ori gen  explains that  the  soul  must examine its feelings  and  actions.  Does  it  have  the  good  as  a  goal?  Does  it  seek  after  the various  virtues?  Is  it  making  progress?  For  instance,  has  it  completely suppressed  the passions of anger, sadness,  fear, and love of glory? What is its manner of giving and  receiving, or of judging the  truth?</p><p>This series of questions, devoid as it is of any exclusively Christian feature, takes its  place in  the philosophical tradition of the examination of conscience, as it had been recommended by the Pythagoreans, the Epicureans, the Stoics</p><p>- especially  Seneca  and  Epictetus  - and  many  other  philosophers,  such  as Plutarch  and  Galen.7l  We  find  the  practice  recommended  again  by  John Chrysostom,7&#xFFFD;  and especially by Dorotheus of Gaza: We ought not only to examine ourselves every  day but also every season, every month,  and  every week,  and  ask ourselves:  "What  stage  nm  I  at now  with  regards  to  the  pm1sion  by  which  I  waN overcome  luNt  week?"</p><p>Ancienl Spiritual Exercises</p><p>1 3 5</p><p>Similarly  every  year:  "Last  year  I  was  overcome  b y  such  and  such  a passion; how about now?"</p><p>The  Fathers  have  told  us  how  useful  it  is  for  each  of us  to  purify himself in  tum,  by  examining,  every  evening,  how  we  have  spent  the day,  and  every  morning,  how  we  have  spent  the  night . . . .  Truly, however,  we  who  sin  so  much  and  are  so  forgetful,  really  need  to examine ourselves every  six  hours  also,  so  that  we may  know  how  we have spent these hours and in what way we have sinned.75</p><p>In  this  regard  there  is  an  interesting  detail  in  Athanasius'  Life  of Antony.</p><p>According to his biographer, Antony used to recommend to his disciples that they  take  written  notes  of the  actions  and  movements  of  their  souls.  It  is possible  that  written  examinations  of  conscience  were  already  part  of  the philosophical  tradition;76  they  would  have  been  useful,  if not  necessary,  in order to ensure that the investigation  was as precise as  possible.  For Antony, however, the important aspect was the therapeutic value of writing: "Let each one of us note and record our actions and the stirrings of our souls as though we  were  going  to  give  an  account  of  them  to  each  other." 77   Surely,  he continues, we would not  dare  to commit sins in public, in full view of others:</p><p>"Let this record  replace the eyes of our fellow ascetics." According to Antony, the act of writing  gives  us  the impression  of being  in  public,  in  front  of an audience.  We can also discern the therapeutic  value of writing in a passage in which Dorotheus of Gaza reports that he felt "help and relier� 78 by the mere fact of having written to his spiritual director.</p><p>Another  interesting psychological  point:  Plato and  Zeno had remarked  that the  quality of our dreams  allows  us  to  judge  the spiritual  state  of our  soul.79</p><p>We  find  this observation  repeated  by  Evagrius  Ponticus80  and  Diadochus  of Photice.81</p><p>Finally,  prosoche  implies  self-mastery.  That  is,  it  implies  the  triumph  of reason  over  the  passions,  since  it  is  the  passions  that  cause  the  distraction, dispersion, and dissipation of the soul. Monastic literature insists tirelessly on the  misdeeds  of  the  passions,  which  were  often  personified  in  demoniacal form.</p><p>Many  recollections  of  ancient  philosophy  were  preserved  in  monastic exercises  of  self-mastery.  For  instance,  we  find  Dorotheus  of  Gaza,  like Epictetus,  advising  his  disciples  to  begin  by  training  themselves  in  little th,ings, so as to create a habit,82 before moving on to greater things.  Similarly, he  advises  them  to  diminish  the  number of their  sins  bit by bit,  in order to defeat  a  passion.u  We  find  Evagrius  Ponticus  proposing  that  one  passion ought to be combated by means of another - fornication,  for instance, by the concern for one's good  reputation - as long as it remains impossible to combat the  passion  directly by the virtue which is opposed to it. This was the method already  KUl(Ke11tcJ  by  Cicero  in  hiK  1i11rn/a11 Disp"tations.84</p><p><image l:href="#59"/></p><p>1 36</p><p>Spiritual Exercises</p><p>We  said  above  that  Christianity's  acceptance  of  spiritual  exercises  had introduced  into  it  a  certain  spiritual  attitude  and  style  of life  which  it had previously  lacked.  As an  example, let us consider  the concept of exercises as a whole. In the very process of performing repetitious actions and undergoing a  training  in  order  to  modify  and  transform  ourselves,  there  is  a  certain reflectivity  and distance which is  very different from evangelical spontaneity.</p><p>Attention to oneself - the essence of prosoche - gives rises to a whole series of techniques  of  introspection.  It  engenders  an  extraordinary  finesse  in  the examination  of conscience  and  spiritual  discernment.  Most significantly,  the ideal  sought after in these exercises,  and  the  goals proposed  for  the spiritual life,  became  tinged  with  a  strong  Stoico-Platonic  coloration;  that  is  to  say, since by the end of antiquity Neoplatonism had integrated Stoic ethics within itself,  that they were deeply infused  with  Neoplatonism. This is the case, for instance,  in  Dorotheus  of Gaza,  who  describes  spiritual  perfection  in  completely  Stoic  terms:  it  is  the  transformation  of the  will  so  that  it  becomes identified  with  the  Divine Will:</p><p>He  who  has  no  will of his  own  always  does  what  he  wishes.  For  since he  has  no  will  of his  own,  everything  that  happens  satisfies  him.  He finds himself doing as he wills all  the  time,  for he does not want things to  be as  he  wills  them,  but  he  wills that  they  be just as  they  arc.85</p><p>The most recent editors  of Dorotheus compare this text with a passage from the  Manual  of  Epictetus:  "Do  not  seek  to  have  everything  that  happens happen  as  you  wish,  but  wish  for  everything  to  happen  as  it  actually  does happen, and your  life  will be  serene." Rb</p><p>Spiritual  perfection  is also  depicted  as  apalheia  - the  complete  absence  of passions - a Stoic concept taken up by Ncoplatonism.  For Dorotheus of Gaza, apatheia  is  the  end-result  of the  annihilation  of one's  own  will:  "From  this cutting off of self-will a  man  procures  for  himself detachment [aprospatheia], and  from  detachment he comes, with  the help of God,  to  perfect apatheia." R7</p><p>We  may  note  in  passing  that  the  means  Dorotheus  recommends for  cutting off  self-will  are  wholly  identical  to  the  exercises  of  self-mastery  of  the philosophical  tradition.  In  order  to  cure  curiosity,  for  instance,  Plutarch advised people not to read  funeral epitaphs, not to  snoop on  their neighbors, and to  turn  their backs on street scenes.RR Similarly, Dorotheus advises us not to  look in  the direction  where we want to look;  not to ask the cook  what he's preparing  for  dinner;  and  not  to  join  in  a  conversation  we  find  already underway.89 This is what Dorotheus means by "cutting off self-will."</p><p>It is with  Evagrius,  however, that we can  see  most clearly just  how  closely Christian  apatheia  can  be  linked  to  philosophical  concepts.  In  Evagrius'</p><p>Praktikos,  we  find  the  following  definition:  "The  K inicdom  of  Heaven  is apalheia  of the  soul  along  with  true  knowlcd1o1c  of  c1d111 in1o1  1 hi n1i111. '""1  When</p><p>Ancient  Spiritual Exercises</p><p>1 37</p><p>we  turn  to  comment  on  a  formula  such  as  this,  we  find  how  great  is  the distance separating such speculations from  the evangelical spir)t.  As we know, the  evangelical  message  consisted  in  the  announcement  of an  eschatological event  called  "the  Kingdom  of Heaven"  or  "the  Kingdom  of God. "  Evagrius begins  by  differentiating between the  two  expressions,  and  interpreting them in  a  highly  personal  way.  Enlarging  upon  the  Origenist  tradition,91  he considers that the two expressions designate two inner states of the soul. More precisely,  they  designate  two  stages  of spiritual  progress: The  Kingdom  of  Heaven  is  apatheia  of  the  soul  along  with  true knowledge  of existing things.</p><p>The  Kingdom  of God  is knowledge  of the  Holy  Trinity  co-extensive with  the capacity of the intelligence and  giving it a  surpassing incorruptibility .92</p><p>Two  levels of knowledge  are  distinguished  here:  the  knowledge  of beings  and the  knowledge  of  God.  We  then  realize  that  this  distinction  corresponds exactly  to  a  division  of  the  parts  of  philosophy  which  was  well  known  to Origen,  and  is  attested  in  Platonism  at  least  since  the  time  of Plutarch.93  In chis  division,  three separate stages  or  levels  of spiritual  progress  are  distinguished,  which  correspond  to  the  three  parts  of  philosophy:  ethics  - or</p><p>"practics,'' as  Evagrius calls  it  - physics,  and  theology.  Ethics  corresponds  to initial  purification,  physics  to  definitive  detachment  from  the  sensible  world and  contemplation  of  the  order  of  nature;  finally,  theology  corresponds  to contemplation  of  the  principle  of  all  things.  According  to  the  Evagrian schema, however, ethics corresponds to praktike,  physics  to  "the  Kingdom  of Heaven,"  which  includes  the  true  knowledge  of beings,  and  theology corresponds  to  "the  Kingdom  of God,"  which  is  the  knowledge  of the  Trinity.  In Neoplatonic  systematization,  these  degrees  also  correspond  to  degrees  of virtue.  According  to  Porphyry,94  the  soul  begins  by  utilizing  the  political virtues  to  dominate  the  passions via the  state  of metriopatheia.  It  then  rises  to the  level  of the  kathartic virtues.  These  virtues begin  to  detach  the  soul  from the  body,  but  do  not  yet  do  so  completely;  this  is  only  the  beginning  of apatheia.  Not  until  the  level  of the  theoretical virtues  does  the  soul  attain  to full  apatheia and  perfect  separation  from  the  body.  It  is  at  this  level  that  the soul  is able to contemplate  the forms  within  the divine intellect,  which are the moqels  for  the  phenomenal  world.95  This  level,  characterized  by  apatheia and  the  contemplation  of  existents,  corresponds  to  Evagrius'  "Kingdom of  Heaven."  According  to  Evagrius,  the  soul  now  contemplates  the multiplicity of physeis ("natures"; hence the denomination  "physical"): on  the one  hand,  the  intelligible  forms,  and  on  the  other  the  logoi  of  sensible bcings.''6  The  final  stage,  noetic  in  nature,  is  the  contemplation  of  God llim11c:lf.  Thu11,  Ev11griu11 !IUm11  up his  thought  in  these terms: "Christianity  is</p><p>1 38</p><p>Spiritual Exercises</p><p>the doctrine of Christ our Savior.  It  is  composed of praktike,  of physics, and of theology." 97</p><p>Apatheia  plays  an  essential  role,  not  only  in  theoretical  constructions  such as Evagrian metaphysics,  but  also in monastic spirituality.  There,  its  value is closely linked  to  that of peace  of mind  and  absence  of worry:  amerimnia98  or tranqui/litas.99  Dorotheus of Gaza100 does not hesitate  to  declare  that peace  of mind  is  so  important  that  one  must,  if  necessary,  drop  what  one  has undertaken if one's peace of mind  is endangered.  Peace of mind  tranquillitas</p><p>-</p><p>animi</p><p>had,  moreover,  always  been  a  central  value  within  the  philosophical</p><p>-</p><p>tradition.101</p><p>For  Porphyry,  as  we  have  seen,  apatlreia  was  a  result  of  the  soul's detachment from the body. Here we touch once again  upon the philosophical exercise par excellence.  As  we  saw  above,  Plato  had  declared:  "those  who  go about  philosophizing  correctly  are  in  training  for  death." 102  As  late  as  the seventh  century, we still  find  the echo of this  saying  in  Maximus Confessor:</p><p>"In  conformity  with  the  philosophy  of  Christ,  let  us  make  of  our  life  a training for death." ioJ</p><p>Yet  Maximus  himself  is  only  the  inheritor  of  a  rich  tradition,  which repeatedly  identified  Christian  philosophy  with  training  for  death.  We  encounter this theme already  in  Clement of Alexandria, 1114  who  understood  such training  in  a  thoroughly  Platonic  sense,  as  the  attempt  spiritually  to  separate the  soul  from  the  body.  For Clement,  perfect  knowledge,  or gnosis,  is  a  kind of death.  It separates  the soul  from  the  body, and  promotes  the soul  to a  life entirely  devoted  to  the  good,  allowing  it  to  devote  itself to  the  contemplation of  genuine  realities  with  a  purified  mind.  Again,  the  same  motif  recurs  in Gregory Nazianzen: "Make of this life, as Plato said, a training for death,  while</p><p>- to  speak  in  his  terms  - separating  the  soul  from  the  body  as  far  as possible." 105  "This," he tells us,  "is the practice of philosophy." Evagrius,  for his part, expresses himself in  terms strikingly similar to  Porphyry's: To  separate  the  body  from  the  soul  is  the  privilege  only  of Him  who has joined them together. But to separate the soul from the body lies as well  in  the  power  of the  person  who  pursues  virtue.  For  our  Fathers gave  to  the  training for death  and  to  the  flight  from  the body a  special name:  anachoresis  [i.e. the monastic  life ].106</p><p>It  is  easy  to  see  that  the  Platonic  concept of the flight  from  the  body,  which exercised such an attraction  upon the young Augustine, was an  element added 0'1</p><p>to Christianity, and not essential to it. Nevertheless, this concept determined  the orientation of the whole of Christian  spirituality  in  a quite specific direction.</p><p>So far, we have noted the permanent survival of certain philosophical spiritual exercises  in  Christianity  and  mono11tici11m,  nnd  we  hnvc  tried  to  make</p><p>Ancient  Spiritual Exercises</p><p>1 39</p><p>comprehensible  the  particular  tonality  that  their  reception  introduced  into Christianity.  We  must  not,  however,  exaggerate  the  i"'l&gt;ortance  of  this phenomenon.  In the first place,  as we have said, it manifested  itself only in a rather restricted circle: among Christian writers  who  had  received  a philosophical  education.  Even  in  their  case,  however,  the  final  synthesis  is  essentially Christian.</p><p>To  be sure,  our  authors strove to  Christianize their borrowings as  much  as possible;  but  this  is  perhaps  the  least  important  aspect  of the  matter.  They believed they recognized  spiritual exercises, which  they had learned through philosophy,  in  specific  scriptural  passages.  Thus,  we  saw  Basil  of Caesarea making a connection between prosoche and a text from Deuteronomy .107 Then, in  Athanasius'  Life  of Antony,  and  throughout  monastic  literature,  prosoche was  transformed  into  the  "watch  of  the  heart,"  under  the  influence  of Proverbs,  4:23:  "Above  all  else,  guard  your  heart." 1118  Examination  of one's conscience  was  often  justified  by  the  Second  Letter  to  the  Corinthians,  13:5:</p><p>"Examine  yourselves . . .  and  test  yourselves." 109  Finally,  the  meditation  on death  was recommended on  the basis of First  Corinthians,  1 5:  3 1 :  "I  die every day." uo</p><p>Nevertheless,  it  would  be a  mistake  to  believe  that  these  references  were enough, all by themselves,  to Christianize spiritual exercises. The reason  why Christian  authors  paid  attention  to  these particular biblical passages  was  that they  were already familiar, from other sources,  with  the spiritual  exercises  of prosoche, meditation  on  death,  and  examination  of the conscience.  By  themselves,  the  texts  from  scripture  could  never  have  supplied  a  method  for practicing  these  exercises.  Often,  in  fact,  a  given  scriptural  passage  has  only a distant connection  with a  particular spiritual  exercise.</p><p>More  important  is  the  overall  spirit  in  which  Christian  and  monastic spiritual exercises were practiced. They always presupposed  the assistance of God's grace, and they made of humility the most important of virtues.  In the words  of Dorotheus  of Gaza:  "The  closer  one comes  to  God,  the  more  one sees  oneself  as  a  sinner." 1 1 1  Such  humility  makes  us  consider  ourselves inferior to others. It leads us to maintain the greatest reserve in both conduct and  speech,  and  to  adopt  certain  significant  bodily  positions,  for  instance prostration before other monks.</p><p>Two  .other  fundamental  virtues  were  penitence  and  obedience.  Penitence, inspired by  the fear and  love of God, could take the form of extremely severe self-mortification. The remembrance of death was intended not only to make people realize the  urgency of conversion, but also to develop the fear of God.</p><p>In  turn,  it is  linked  to  meditation  on  the  Last Judgment,  and  thereby  to  the virtue of penitence. The same holds true of the examination  of conscience.</p><p>Obedience - the renunciation of one's own  will,  in complete submission to the orders of o  superior  - completely  transformed  the  philosophical  practice of s1&gt;irilual direclion.  We can Nee  10  juHI what  extremes  such obedience could</p><p><image l:href="#40"/></p><p>140</p><p>Spiritual Exercises</p><p>be taken in  Dorotheus' Life of Dositheus. 112 The director of conscience had an absolute power  of decision  over  his disciple's  possessions,  eating  habits,  and entire way of life.</p><p>In the final analysis, all these virtues were transfigured by the transcendent dimension  of the love of God  and  of Christ. Thus,  to train for  death,  or to separate  the soul  from  the  body,  was  at  the  same  time  to  participate  in  the death of Christ.  To  renounce one's will was  to  adhere to  divine  love.</p><p>Generally speaking, we can  say that monasticism  in Egypt and  Syriam was born  and  developed  in  a  Christian  milieu,  spontaneously  and  without  the intervention  of a  philosophical  model.  The  first  monks  were  not  cultivated men,  but  Christians  who  wanted  to  attain  to  Christian  perfection  by  the heroic practice of the evangelical  prescriptions,  and the imitation  of the Life of Christ.  It  was,  therefore,  natural that they  should  seek  their  techniques of perfection in the Old and the New Testament. Under Alexandrian influence, however - the distant influence of Philo,  and  the  more  immediate  influence of  Origen  and  Clement  of  Alexandria,  magnificently  orchestrated  by  the Cappadocians  - certain  philosophical  spiritual  techniques  were  introduced into  Christian  spirituality.  The result of this was that the Christian  ideal was described,  and, in part, practiced, by borrowing models and  vocabulary from the  Greek  philosophical  tradition.  Thanks  to  its  literary  and  philosophical qualities,  this tendency became dominant, and  it was  through  its agency that the  heritage  of  ancient  spiritual  exercises  was  transmitted  to  Christian spirituality:  first  to  that  of the  Middle  Ages,  and  subsequently  to  that  of modern times.</p><p>NOTES</p><p>1  See above.</p><p>2  See above.</p><p>3  Paul Rabbow, Seelenfiihrung. Metliodik der E.\�erzitien in der Antike, Munich  1 954, p. 23.</p><p>4  Ibid, p.  1 7.</p><p>S  Ibid, p.  1 8.</p><p>6  Ibid.</p><p>7  See above.</p><p>8  Rabbow, Seelenfohrung p. 30 1 ,  n. 5; p.  306, nn.  14,  1 7.</p><p>9  K.  Heussi,  Der  Ursprung des Monchtums,  Tiibingen  1 936, p.  1 3 .</p><p>IO  See above.</p><p>I I   For  example,  G.  Kretschmar,  "Der  Ursprung  der  friichristlichcn  Askese,"</p><p>Zeitschrifi fiir  Theologie  U'1d Kirche  6 1   ( 1 964),  pp. 27-67; P.  Nagel /Jie  Motivir</p><p>,</p><p>rung der Askese  in der a/w1 Kird1e  u'1d tier  Urspnmg tlt.f  Mli1ulm111.,  (=  Tcxte  und Untcrsuchungcn  :r.ur  Geschichtc:  dc:r  11ltchriKt.lichcn  l .itc:r111ur  &lt;J5),  Hc:rlin  l &lt;JM; H.  Lohse,  AsA�ru  11111/  Mii11d1111111  i11  tlrr  .-l11til�r  11111/  111  1/er  11/tt'll  l\'ird1I',</p><p><image l:href="#92"/></p><p><image l:href="#109"/></p><p>Ancient Spiritual Exercises</p><p>141</p><p>Munich/Vienna  1969; K.S. Frank, ed., Askese und Miinchtum in der a/ten Kirche (= Wege der Forschung 409), Darmstadt  1975; R. Hauser apd  G.  Lanczkowski,</p><p>"Askese,"  in  Historisches  Wiirterbuch  der  Philosophie,  vol.  I,  cols  538-41,  1971</p><p>(with good bibliography); }. de Guibert, "Ascese," in Dictio1maire de  Spiritualite, vol.  I, cols 936-1010.</p><p>1 2  Justin, Dialogue with  Trypho, 8,  I; Tatian, Address to the Greeks,  31, 35, 55; Melito in Eusebius, Ecclesiastical History, 4, 26, 7.</p><p>13 Justin, Second Apology, 2,  13, 3; Lactantius, Divine Institutes, 1, 1, 7: "if someone had  arisen  who  could  collect  the  truth  scattered  and  dispersed  among  the individual  philosophers and  sects and reduce it  to one body, that one . . .  would not  disagree  with  us";  7, 8,  3:  "We . . .  are  able  to  pick  out the  truth  by surer signs;  we  who gather it,  not  from  fluctuating suspicion,  but  who know  it  from divine tradition."</p><p>14 Justin, Apology,  I, 46,  1-4.</p><p>1 5   Clement of Alexandria, Stromata, I,  1 3,  57,  1-58, 5; I, 5, 28,  1-32, 4.</p><p>16  Ibid, I,  1 1 ,  52, 3.</p><p>17  Most of the relevant texts have been assembled in A.N. Malingrey, "Phi/osophia. "</p><p>Etude d'un groupe de mots dans la litterature grecque, d.es Presocratiques au /Ve siecle ap. J.-C., Paris  196 1 .</p><p>1 8   Philo Judaeus,  The  legation  t o  Caius,  1 56;  345;  Life  of Moses,  2,  2 1 6;  On  the Contemplative life,  26.</p><p>19  Flavius Josephus, Antiquiti.es of the Jews,  18, 1 1 ;  23.</p><p>20  Gregory Nazianzen, Apologetica,  1 03, PG 35, 504A.</p><p>21  John Chrysostom, Against  the  Opponents of the Monastic life,  3,  13, PG 47, col.</p><p>372.</p><p>22  See below.</p><p>23  Theodoret of Cyrrhus, History of the Monks of Syria,  2, 3,  I ;  4,  I ,  9; 4, 2,  1 9; 4, 1 0,  1 5;  6,  13,  1 ;  8,  2, 3  Canivet.</p><p>24  Philo Judaeus, On the Contemplative life, 2; 30.</p><p>25  }.  Leclercq,  "Pour  l'histoire  de  !'expression  'philosophic chretienne'," Melanges de  Science Religeuise 9 (1952), pp. 221-6.</p><p>26  E:t:ordium magnum  Cisterciense,  Pl 1 85, 437.</p><p>27  John of Salisbury, Polycraticus,  1, 21, Pl 199, 696.</p><p>28  Leclercq "Pour l'histoire," p. 22 1 .</p><p>29  See above.</p><p>30  Clement of Alexandria, Stromata, 2, 20,  120,  I .</p><p>3 1   Basil of Caesarea, In /l/ud Attende tibi ipsi,  PG 3 1 ,  cols  197-2 1 7. P. Adnes, "Garde du ca:ur," Dictionnaire de Spiritualitc,  vol.  6,  col.  108, points to the existence of a multitude  of sermons  relating  to  this  theme.  He  cites  C.  Baur,  Initia  Patrum Graecorum  (=  Studi e Testi  18 1 ,  2),  Vatican  City  1 955, p.  374.</p><p>32  Deuteronomy,  1 5:  9.  [ The  Septuagint  Greek  version  of the  Bible  renders  this phrase  as  proseche  seautoi  me  genetai  rhema  krypton  en  tei  kardiai  sou:  "Pay attention  to  yourself,  lest  a  hidden  word  come to be  in  your  heart," which  the King James Version renders as "Beware that there be not a thought in thy wicked heart. "  The  Greek  title  of Basil's  sermon  is consequently eis to Proseche seautoi:</p><p>"On  t he  wonl&#xFFFD;,  'Oivt�  hcml  to  yourself' "  Trnns.)</p><p>142</p><p>Spiritual Exercises</p><p>33  Basil, In  Illud Allende,  2,  201B,  pp. 433--4 Wagner.</p><p>34  Ibid, 3, 204A, p. 43S  Wagner. This distinction was current in Platonic circles; cf.</p><p>Plato, First Alcibiades,  130-ld; Apology,  36bk6.</p><p>3S  Ibid,  3,  204B;  S,  209B,  pp.  43S,  440 Wagner.</p><p>36  Ibid, S-6,  209C-2 1 3A, pp. 440-2  Wagner.</p><p>37  On  the  following exercises,  the  reader may  consult the  following articles  in  the Dfrtionnaire de Spiritualite: "Attention," "Apatheia," "Contemplation," "Examen de  Conscience,"  "Direction  spirituelle,"  "Exercices  spirituels,"  "Garde  du coeur."</p><p>38  Prosechon heautoi.  Athanasius, Life of Antony,  3, PG 26, 844B,  p. 32  Gregg.</p><p>39  Ibid, 9 1 ,  969B,  p. 97  Gregg.</p><p>40  Dorotheus of Gaza,  Didaskaliai,  1 0,  �104,  line  9  Regnault/de Preville  =  p.  1 63</p><p>Wheeler.  The  concept  of prosoche  plays  a  very  important  role  throughout  the monastic  tradition;  cf.  for  instance  Diadochus  of Photice,  Kephalaia  Gnostica,</p><p>�27,  p.  98,  19  Des Places.</p><p>41  See above.</p><p>42  Athanasius,  Life of Antony, 8S3A;  868A;  9698;  pp.  37,  43,  97  Gregg/Clebsch.</p><p>43  Cf.  above.</p><p>44  Ibid,  19,  872A,  p. 4S  Gregg/Clebsch.</p><p>4S  Ibid.</p><p>46  Epictetus,  Manual,  2 1 .  See above.</p><p>47  Marcus Aurelius, Meditations, 2,  1 1 .</p><p>48  Dorotheus  of  Gaza,  Didaskaliai,  �1 14,  1-lS  Regnault/de  Preville  =  p .   1 73</p><p>Wheeler.</p><p>49  Ibid, �1 04,  1-3  Regnault/de Preville =  p.  163  Wheeler.</p><p>SO  Marcus Aurelius, Meditations, 7,  S4.</p><p>Sl  Athanasius,  Life of Antony,  873C;  Basil of Caesarea, Regulae fusius tractatae,  PG</p><p>3 1 ,  921  B  =  p.  243  Wagner.  Cf.  John  Cassian,  Col/ationes,  vol.  1 ,  p.  84  Pichery</p><p>=  p.  84  Luibheid: "we  must practice the reading of the  Scripture,  together with all  the other  virtuous  activities, and  we  do so to trap  a"d to hold our hearts  free of  the  harm  of  every  dangerous  passion."  [Basil  and  Athanasius  use  the  term phulake,  among  whose  many  meanings  are  "protection,"  "control," "guarding,"</p><p>and  "observance." It  can also mean a  prison  or a  prisoner.  Originally,  however, phu/ake meant  a  night-watch  or  the person charged  with  this  duty  (the  Latin custodia); and  this  is  the  meaning  I  have  tried  to  convey  by  translating  he  tes leardias phulalee  by  "watch  of the  heart." All  the  other  meanings,  however,  arc relevant  and  should  be borne in mind. - Trans.]</p><p>S2  Dorotheus of Gaza, Didoslealiai,  �104 Regnault/de Preville  =  p.  1 63  Wheeler.</p><p>S3  Porphyry, Porphyry  the Philosopher,  To  Marcella,  1 2.</p><p>S4  Marcus Aurelius, Meditations, 6,  7.</p><p>SS  Basil, In 11/ud allende,  p.  243  Wagner.</p><p>S6  Diadochus of Photice, Kepha/aia  Gnostica,  27,  p.  98,  1 1  Des Places.</p><p>57  Ibid,  S6,  p.  1 17,  l S .</p><p>S S   Ibid, S9, p .   1 1 9,  1 -2.</p><p>S9  Ibid, 97,  p.  1 60,  3 .</p><p>60  On the theme of presence,  see  above.</p><p><image l:href="#125"/></p><p>Ancient Spiritual Exercises</p><p>143</p><p>61  See above.</p><p>62  Evagrius of Pontis, Pralttikos,  �9 1 ,  p. 9 1  Bamberger.</p><p>63  Cf.  T.  Klauser,  "Apophthegmata,"  Rea/lexicon  for  Antilte  und  Christentum ( 1950),  pp.  545-50.</p><p>64  Cf.  E.  von lvanka,  "Kephalaia," Byzantinische Zeitschrifl 47  ( 1954), pp. 258-9 1 .</p><p>6 5  Apophthegmata Patrum, P G  6 5 ,  1 73A-B.</p><p>66  Dorotheus of Gaza, Ditlasltaliai, �60, 27, p.  120 Wheeler.</p><p>67  Ibid, �69, 2, p.  1 3 1  Wheeler.</p><p>68  Ibid, � 1 89, 4-5.</p><p>69  Ibid, �60, 30, pp.  1 20-1 Wheeler.</p><p>70  See above.</p><p>71  Origen,  Commentary  on  the Song  of Songs,  pp.  143,  27ff.  Baehrens  =  pp.  1 28ff Lawson.</p><p>72  [Again,  while  the  King  James  Bible  reads  "If  thou  know  not,  0  thou  fairest among women", the Greek Septuagint version gives "Unless you know yourself"</p><p>(Ean me gnois seauten) - Trans.]</p><p>73  See  the  references  in  I. Hadot, Seneca  und die  griechisch-romische  Tradition  tier Seelenleitung, Berlin  1969, pp. 66-7 1 .</p><p>74  John Chrysostom, Non esse  ad gratiam concionandum,  PG SO, 659-60.</p><p>75  Dorotheus of Gaza, Didasltaliai, ��1 1 1 ,  13; 1 1 7, 7, pp.  170;  1 75  Wheeler.</p><p>76  Cf.  I.  Hadot, Seneca,  p. 70.</p><p>77  Athanasius,  Life of Antony, PG 26, 924B,  p. 73  Gregg/Clebsch.</p><p>78  Dorotheus of Gaza, Ditlasltaliai, �25,  1 1 ,  p.  91  Wheeler.</p><p>79  Sec above.</p><p>80  Evagrius  of Pontis,  Praktikos, ��54-6, p.  3 1  Bamberger.  Cf.  F.  Refoule, "Reves et vie spirituelle d'apres Evagre le Pontique," Supplement d.e  la  Vie Spirituelle  59</p><p>( 196 1 ),  pp.  470-5 16.</p><p>81  Diadochus of Photice, Kephalaia  Gnostica,  37, p.  106 Des Places.</p><p>82  Dorotheus of Gaza, Didskaliai, �20, p.  89 Wheeler. L.  Rcgnault and J.  de Preville, editors  of the Sources  Chretiem1es edition,  cite  as  a  parallel Epictetus, Discourses, I,  18,  1 8.</p><p>83  Ibid,  �120,  p.  1 78  Wheeler.  Regnault  and  de  Preville  compare  Epictetus, Discourses,  2,  18.</p><p>84  Evagrius  of Pontis,  Praktikos,  �58,  p.  32  Bamberger.  In  their  Sources  Chretiennes edition, A.  and  C. Guillaumont cite as  a parallel  Cicero,  Tusculan Disputations, 4, 75.</p><p>85  Dorotheus of Gaza, Didaskaliai, �202,  12.</p><p>86  Epictetus, Manual,  8.</p><p>87  Dorotheus of Gaza, Didaskaliai, �20,  1 1-13, p. 88 Wheeler.</p><p>88  Plutarch,  On  Curiosity,  520Dff.</p><p>89  Dorotheus  of Gaza, Didaskaliai,  20,  pp. 88-9 Wheeler.</p><p>90  Evagrius  of Pontis, Praktiltos,  2, p.  1 5  Bamberger.</p><p>91  See the texts cited  by  A.  and  C.  Guillaumont in the notes to  their commentary on  the Praktikos (SC  1 7 1 ),  p. 499,  n.  2; p.  50 1 ,  n.  3.</p><p>92  1&#xFFFD;:vngrius of Pontis, Prt1ktik11s, ��2--3, pp. 1 5-16 Bamberger.</p><p>1J3  Cf.  P.  llndot,  "1 .11  division  dcK  parties  de  la  philosophic  dans  l'Antiquite,"</p><p>MuMcum l�lelvc1in1111  .lf1 ( 1 11711),  l'I'�  20 1  23.</p><p>144</p><p>Spiritual Exercises</p><p>94  Cf.  I.  Hadot, Lt probltme  du  niop/atonisme alexandrin,  Hiirodis el Simplicus, Paris 1 978, pp.  1 52-8.</p><p>95  Porphyry, Sentences,  p. 27, 9, Lamberz.</p><p>96  Cf. the note in A.  and C.  Guillaumont,  1 97 1 ,  p.  500.</p><p>97  Evagrius of Pontis, Praletikos,  �I,  p.  1 5  Bamberger.</p><p>98  On amtrimnia,  see Diadochus of Photice,  Kephalaia  Gnostica,  25, p. 97, 7; 30,  p.</p><p>100,  19;  65, p.  1 25,  1 2;  67,  p.  127, 22 Des Places. For Dorotheus of Gaza,  see, inter alia,  Didaskaliai,  �68, 2.</p><p>99  For occurrences  of tranquillitas,  cf.  John Cassian,  Conferences,  I, 7, vol. I,  p.  85</p><p>Pichery =  p. 42 Luibheid;  1 9,  1 1 , vol. 3, p. 48 Pichery.</p><p>100  Dorotheus of Gaza, Didaskaliai, ��58-60,  pp.  1 1 8-20 Wheeler.</p><p>1 0 1   In the treatises of Plutarch and Seneca, for instance.</p><p>1 02  See above.</p><p>1 03  Maximus  Confessor,  Commentary  on  the  Our  Father,  PG  90,  900A  =  p.  1 14</p><p>Berthold.</p><p>1 04   Clement of Alexandria, Stromata,  5,  1 1 ,  67,  1 ,  pp. 370-1  Stiihlin.</p><p>1 05  Gregory  Nazianzen, Epistula 3 1 ,  vol.  I ,  p.  39 Gallay.</p><p>106  Evagrius  of  Pontis Praktikos,</p><p>,</p><p>�52,  p.  30  Bamberger.  Compare  Porphyry,</p><p>Sentences,  8,  p.  3,  6  Lamberz:  "What  nature  has  bound  together,  she  also unbinds,  but that  which  the soul  binds,  the  soul  likewise  unbinds.  It  was  nature that  bound  the  body  within  the  soul,  but  it  was  the  soul  which  bound  itself within  the  body.  Therefore,  while  it  is  nature  that  unbinds  the  body  from  the soul, it is the soul  which  unbinds  itself from  the body."</p><p>I 07  Cf.  above.</p><p>1 08  Athanasius, life of Antony, 873C,  p.  47 Gregg/Clebsch.</p><p>109  Ibid,  924A,  p.  72 Gregg/Clcbsch.</p><p>1 1 0  Ibid,  872A,  p.  45  Gregg/Clebsch.</p><p>1 1 1   Dorotheus of Ga7.a,  Didaskaliai, � 1 5 1 ,  47.</p><p>1 1 2  Dorotheus  of Gaza,  life  1if Dositheus,  ��5-9,  edited  among  Dorotheus' Spiritual Works  in  Regnault/de Preville  1963, pp.  129ff.</p><p>1 13  Cf.  A.  Voobus, A  History  of Asceticism  in  the Syrian  Orient  (=  CSCO  vol.  184, Subsidia  14,  vol.  197, Subsidia  17), Louvain  1 958-60.</p><p><image l:href="#141"/></p><p>Part  III</p><p>Figures</p><p><image l:href="#152"/></p><p>5</p><p>The  Figure  of  Socrates</p><p>Since the dawn of Greek thought, the sage has functioned as a living, concrete model.  Aristotle testifies to  this in a passage from his Protrepticus:  "What more accurate  standard  or  measure  of good  things  do  we  have  than  the  Sage?" 1</p><p>There were several  reasons for the fact that my research on the sage as a model gradually  became  fixed  upon  Socrates.  In  the  first  place,  I  found  in  him  a figure who had exercised a widespread  influence of the greatest  importance on the  entire  Western  tradition.  Secondly,  and  most  importantly,  the  figure  of Socrates - as sketched by Plato, at any  rate - had, it seemed  to me, one unique advantage.  It  is the portrait  of a  mediator between  the  transcendent  ideal of wisdom and  concrete  human  reality.  It is  a  paradox  of highly  Socratic  irony that Socrates was not a sage, but a  "philo-sopher":  that is, a  lover of wisdom.</p><p>To  speak  about  Socrates  is,  of course,  to  expose  oneself  to  all  sorts  of historical  difficulties.  The  accounts  we  have  of  him  by  Plato  and  by Xenophon have transformed, idealized, and deformed the historical Socrates.2</p><p>I  shall  not  attempt  here  to  uncover  or  reconstruct  the  historical  Socrates.</p><p>Instead,  what  I  shall  try  to  set  forth  is  the  figure  of  Socrates,  as  it  has influenced  our  Western  tradition.  Since  this  is  a  phenomenon  of immense proportions, however, I  shall  restrict myself to  two of its aspects:  the  figure of Socrates as depicted in Plato's Symposium, and  as it  was perceived by those two great Socratics,  Kierkegaard3 and Nietzsche. 4</p><p>1  Silenus</p><p>Socrates thus functions as a mediator between ideal norms and  human reality.</p><p>The  concepts  of "mediation"  and  "intermediate"  call  to  mind  the  ideas  of equilibrium  and  the  Golden  Mean.  We  should  therefore  expect  to  see  in Socrates a  harmonious figure, combining divine and human characteristics  in llclicutc nu1mccN.</p><p>148</p><p>Figures</p><p>Nothing  could  be  further  from  the  truth.  The  figure  of  Socrates  is ambiguous, troubling, and strangely disconcerting. The first surprise in store for us is his physical ugliness, which is well attested by the testimony of Plato, Xenophon,  and  Aristophanes.5  "It  is  significant,"  wrote  Nietzsche,  "that Socrates  was  the  first  great  Hellene  to  be  ugly." 6  "Everything  in  him  is exaggerated,  bujfo,  a  caricature." 7  Nietzsche  goes  on  to  evoke  his  "crab-like eyes, puffed-up  lips,  and  hanging belly," 8 and he takes pleasure  in  telling the story of how the physiognomist Zopyrus once told Socrates he was a monster, keeping  hidden  within  himself the  worst  vices  and  appetites.  Socrates,  says Nietzsche,  simply replied:  "How  well you  know  me! " 9  If Socrates  really  did resemble a  Silenus, as  he  is depicted  in Plato's Symposium,10 such  suspicions were  quite  understandable.  In  popular  imagination,  Sileni  and  satyrs  were hybrid  demons, half-animal,  half-men,  who made up the escort of Dionysos.</p><p>These impudent, ribald buffoons  also  constituted  the  chorus of satyr-plays, a literary  genre  of  which  Euripides'  Cyclops  is  one  of  the  few  remaining examples.</p><p>The  Sileni  were  purely  natural  beings.  They  stood  for  the  negation  of culture  and  civilization,  for  grotesque  buffoonery,  and  for  the  license  of the instincts.1 1</p><p>To use Kierkegaard's expression, Socrates was a cobold. 12 To b e  sure, Plato gives  us  to  understand  that  Socrates'  resemblance  to  Silenus  was  only  an appearance,  beneath  which  something  else  was  hidden.  Alcibiades,  in  his famous  speech  in praise of Socrates at the end of the Symposium, 1.i  compares Socrates to the little statues of Sileni that could be found in sculptors' shops, which  concealed  little  figurines  of  the  gods  inside  themselves.  Similarly, Socrates'  exterior  appearance  - ugly,  buffoon-like,  impudent,  almost  monstrous - was only a mask and  a  facade.</p><p>Here  we  are  led  to  another  paradox:  Socrates  was  not  only  ugly,  but  a dissimulator  as  well.  Nietzsche  writes:  "Everything  in  him  is  concealed, ulterior, subterranean." 14 Socrates masks himself, and at the  same  time is used as a  mask  by others.</p><p>Socrates  masks himself:  here  we  encounter  that  famous Socratic  irony,  the meaning of which  we  shall  have  to  clarify  later on.  Socrates  pretends to  be ignorant and impudent.  "He spends  his whole life," says Alcibiades, "playing the part of a simpleton and a child." i;  "The nouns and verbs which form  the outer  envelope  of his  words arc  like  the  hide  of an  impudent  satyr. "11'  His ignorant appearance and amorous attentions "are what he has wrapped around himself,  like a carved Silenus." 17</p></section><section><p>Socrates pulled off his enterprise of dissimulation so  well that he succeeded in definitively masking himself from history.  He wrote nothing, engaging only in dialogue.  All the testimonies we possess about him hide him from us more than  they  reveal  him,  precisely  because  Socrates  hns  nlwnyN  been  UNed  11s  n mask  by  those  who  have  spoken  nhoul  him.</p><p><image l:href="#171"/></p><p><image l:href="#10"/></p><p><image l:href="#29"/></p><p>The  Figure  of Socrates</p><p>149</p><p>Because he  was  himself masked,  Socrates  became the prosopon, or mask, of personalities  who felt the need to  take  shelter behind  hinl.  It  was from him that they got the  idea both to  mask  themselves, and to  u&#xFFFD;e  Socratic  irony as a  mask.  We have here a  phenomenon  extremely  rich  in  its literary,  pedagogical, and  psychological implications.</p><p>The original nucleus of this phenomenon was the irony of Socrates himself.</p><p>Socrates,  the  eternal  interrogator,  used  skillful  questions  to  bring his  interlocutors  to  admit  their  ignorance.  By  so  doing,  he  disturbed  them  so  much that  they  were  eventually  led  to  question  their  entire  lives.  After  Socrates'</p><p>death, the memory of his Socratic conversations  inspired a new literary genre, the logoi sokratikoi,  which  imitated the conversations Socrates had  had  with a wide  variety  of  interlocutors.  In  these  logoi  sokratikoi,  Socrates  became  a prosopon - an  interlocutor or character - and  hence,  if we  recall  the  meaning of prosopon  in  the  ancient  theater,  a  mask.  Especially  in  the  subtle,  refined form given  it by Plato,  the  Socratic  dialogue  was  intended  to  provoke in  its readers  an  effect  analogous  to  that  produced  by  the  living  discourse  of Socrates himself. Thus, the reader of these dialogues finds himself in the same situation  as  Socrates'  interlocutors:  he  does  not  know  w&#xFFFD;ere  Socrates'</p><p>questions  are  going  to  lead  him.  Socrates'  elusive,  unsettling prosopon/mask sows  disquiet  in  the  soul  of  the  reader,  leading  it  to  a  heightening  of consciousness  which  may  go  as  far  as  far  as  a  philosophical  conversion.  As Konrad Gaiser has convincingly shown,'8 the reader himself is invited to take refuge  behind  the mask  of Socrates.  In almost  all  Plato's  Socratic dialogues, there  comes  a  moment  of  crisis,  when  the  interlocutors  are  overcome  by discouragement.  They  no  longer  have  confidence  in  the  possibility  of continuing the discussion, and  it seems as though  the dialogue is about to be broken  off.  This  is  where  Socrates  intervenes:  he  takes  the  others'  doubt, uneasiness, and discouragement upon himself.  He assumes all the risks of the dialectical  adventure,  and  carries  out  a  complete  switching  of roles.  If the enterprise  fails, it will henceforth be his responsibility.  In this way, he shows his interlocutors a projection of their own selves. They can now transfer their personal  uneasiness  onto  Socrates,  and  regain  confidence  in  dialectical research and in the logos  itself.</p><p>In  his  dialogues,  Plato  too  uses  Socrates  as  a  mask,  or,  in  Nietzsche's terminology,  as  a  "semiotics. "  19  As  Paul  Friedlander2�  has  pointed  out, whereas  the  "ego"  had  long since made  its  appearance  in  Greek  literature  -</p><p>,Hesiod, Xenophanes, Parmenides, Empedocles, the  Sophists, and  even Xenophon  do  not  hesitate  to  speak  in  the  first  person  - Plato  completely  effaces himself behind Socrates in his  dialogues, and systematically avoids the use of the  first  person  singular We  arc  dealing  here  with  an  cxl rcmcly  subtle</p><p>.</p><p>relatinnNhip,  whose  significance  is  extremely  h1ml  lo  M"f11Np.  Arc  we  to su1,1mNc,  wi1h  G11i11cr  11ml  H .-J.  Kritmcr,11  1 h1 t  l1l1u11  ,�111�l'l'ulh�  1li111 in1.tui11hcd hctwccn 1 w11 khulN 111' te1u&#xFFFD;hing:  hi11 own, whkh "�1111 111 111, 111�1 1 1�1 ,  11111l  1�1�1wrvC'd</p><p>1 50</p><p>Figures</p><p>for members of the Academy, and his written dialogues,  in  which he utilized the  mask  of  Socrates  to  exhort  his  readers  to  philosophy?  Alternatively, should  we  conclude  that  Plato  uses  the  figure  of Socrates  to  set  forth  his doctrines with a certain degree of distance and irony? In any case,  this initial situation has indelibly influenced Western consciousness. Whenever thinkers have been aware of - and  frightened by - the radical  renewal  of which  they were the bearers, they too have used a mask to confront their contemporaries.</p><p>They have  usually chosen to use the ironic mask of Socrates.</p><p>When,  in  the  nineteenth  century,  j.G.  Hamann  praised  Socrates  in  his Socratic Memorabilia,  he  did  so,  to  use  his own  term,  to  mimike. 22  In other words,  Hamann  himself took  up  the  mask  of Socrates  - the rationalist par excellence  in the eyes of the eighteenth  ccntury21 - in order to  make people see,  behind  the mask, a  figure prophetic of Christ.</p><p>What, for Hamann, was only a temporary expedient became a fundamental, existential attitude for Kierkegaard. Kierkegaard's penchant for masks is most evident  in his  use  of pseudonyms.  As is  well  known,  most  of Kierkegaard's works  were  first  published  under  a  variety  of pseudonyms:  Victor  Eremita, Johannes  Oimacus,  etc.  W c  are  not  dealing  here  with  an  editorial  caprice.</p><p>Rather,  for Kierkegaard, all these  pseudonyms correspond  to  different levels</p><p>- the  "aesthetic,"  "ethical,"  and  "religious"  - at  which  the  author  was supposed to be situated.  Kierkegaard speaks successively of Christianity as an aesthete,  then  as  a  moralist,  in  order  to  force  his  contemporaries  into  the awareness that they are not true Christians.  "He hid himself beneath the mask of an artist and half-believing moralist to speak about what he believed most deeply." 24</p><p>Kierkegaard  was perfectly  aware  of the Socratic character of his  method: From  the  point  of view  of my  whole  activity  as  an  author,  integrally conceived,  the  aesthetic  work  is a  deception,  and  herein is to be found the deeper significance of the use of pseudonyms. A deception, however, is  a  rather  ugly  thing.  To  this I  would  make answer:  One must not  let oneself be deceived by the word "deception." One can deceive a person for the truth's sake, and (to recall old Socrates) one can deceive a person into  the  truth.  Indeed,  it  is  only  by  this  means,  i.e.  by  deceiving him, that  it  is possible to  bring into  the  truth  one  who is in an  illusion.25</p><p>Kierkegaard's  goal  was  to  make  the  reader  aware  of his  mistakes,  not  by directly  refuting  them,  but  by  setting  them  forth  in  such  a  way  that  their absurdity would become clearly apparent. This is as Socratic as can be. At the same  time,  Kierkegaard  used  pseudonymy  to  give  voice  to  all  the  different characters  within  him.  In  the  process,  he  objectified  his  various  selves, without recognizing himself in any of them,  just  ns Socrates, by  means of hiN</p><p>skillful questions, objectified  the self of hii;  intc1�locutor11  wit hout  recol(nizinl(</p><p>The  Figure  of Socrates</p><p>1 5 1</p><p>himself i n  any of them.  Thus  we  find  Kierkegaard  writing:  "Because o f  my melancholy,  it was years  before  I  was  able to say 'thou'  to  &#xFFFD;yself.  Between my melancholy and my 'thou,' there was a whole world of fantasy. I exhausted it,  in  part,  in  my  pseudonyms." 26  Yet Kierkegaard  was  not content  to  mask himself behind  pseudonyms.  His  real  mask  was  Socratic  irony  itself;  it  was Socrates himself:  "0 Socrates! Yours and mine are the same adventure!  I  am alone. My only analogy is Socrates.  My task  is a Socratic task." 27</p><p>Kierkegaard  termed  this  Socratic  method  his  "method  of  indirect  communication." 28 We encounter  it  once  again  in  Nietzsche,  for  whom  it  is  the method  of  the  great  educator:  "An  educator  never  says  what  he  himself thinks,  but  always  only  what  he  thinks  of  a  thing  in  relation  to  the requirements of those he educates.  He must not be detected in this dissimulation." 29  This  method  is  justified  by  the  educator's  transcendent  mission:</p><p>"Every profound spirit needs a mask; better  yet,  around every profound spirit a mask is continually growing, thanks to the constantly false - that is to say, superficial  - interpretation  of  his  every  word,  step,  and  manifestation  of life." JO  The mask of the Socratic Silenus served  as the model for Nietzsche's theory of the mask. As he wrote in the unpublished writings of the last period of his life:</p><p>I  believe  that  this  was  the  magic  of Socrates:  he  had  one  soul,  and another one in  behind  it,  and behind  it still another one. It was in  the first one that Xenophon lay down to sleep;  in the second, Plato; and  in the third one Plato again, but this time Plato with his own second soul.</p><p>Plato himself is a man with many a hidden cave behind and facades out front.31</p><p>As for  Kierkegaard, so for  Nietzsche:  masks  were  a  pedagogical  necessity, but  also  a  psychological  need.  Nietzsche  himself could  be  included  in  his category  of "men  who  want  only  to  be  seen  shining  through  others.  And there's  a  lot  of wisdom  in  this." 32  In  his  Ecce  Homo,-13  Nietzsche  himself admits  that  he  used  his  masters  Schopenhauer  and  Wagner  as  masks  in writing  his  Untimely  Meditations,  just  as  Plato  had  used  Socrates  as  a</p><p>"semiotics." There  is indeed  a  relationship comparable to  that  between  Plato and  Socrates  here:  Nietzsche  was  speaking of an  ideal  Wagner  and  an  ideal Schopenhauer,  who  were  really  nothing  other  than  Nietzsche  himself.  As Bertram34  has  convincingly  shown,  one  of Nietzsche's  masks  was  certainly Socrates himself;  Socrates, whom he pursued  with the same amorous hatred that Nietzsche  feels for Nietzsche; that same Socrates  who, he tells us,  "is so close  to  me,  that  I  am  almost  always  fighting  with  him." 35  The  side  of SocmteH  Nietzsche hates  is identical with  the Nietzsche  who  dissolves myths, rcplndng  the  l(od11  by  the  knowledge  of good  and  evil;  the  Nietzsche  who brinl(ll  men'11  mind11  back  ro  1hinl(11  humnn,  1111  too  human The  side  of</p><p>.</p><p>1 52</p><p>Figures</p><p>Socrates which Nietzsche loves, and of which he is jealous, is what he himself would  like  to  be:  the  seducer,  the  educator, and the  guide  of souls.  We shall have occasion to return to  this amorous hatred.</p><p>The Socratic mask is the mask of irony. If we examine the texts - by Plato,36</p><p>Aristotle,37  or  Theophrastus38  - in  which  the  word  eironeia  appears,  we  can conclude that  irony  is  a  psychological  attitude  in  which  the  individual  uses self-deprecation  in an  attempt to  appear  inferior to  what  he really  is.  In the art  and  usage  of discourse,  it  takes  the  form  of pretending  to  concede  that one's  interlocutor is right, and to adopt  the  point of view of one's adversary.</p><p>The  rhetorical  figure of eironeia,  then,  consists  in  using words or  speeches which  the  audience  would  rather  have  expected  to  hear  coming  from  the mouth  of one's  adversary.39  This  is  certainly  the  form  assumed  by  Socratic irony.  In  the  words  of Cicero:  "By  disparaging  himself,  Socrates  used  to concede  more  than  was  necessary  to  the  adversaries  he  wanted  to  refute.</p><p>Thus,  thinking  one  thing  and  saying  another,  he enjoyed  using  the  kind  of dissimulation which the Greeks call 'irony'." 40  Socratic irony is thus a feigned self-deprecation,  which  consists  primarily  in  passing oneself off as  someone completely  ordinary  and  superficial.  As  Alcibiades  puts  it  in  his  praise  of Socrates:</p><p>His speech  is for all the world  like those Sileni that open  up down the middle.  When  you  listen  to  it  for  the  first  time,  you  just  can't  help finding  it  absolutely  ridiculous.  He  talks  about  pack  asses  and  blacksmiths and shoemakers and tanners, and he always seems to be repeating the same thing,  so that anyone  who wasn't used to his style and  wasn't very  quick  on  the  uptake  would  naturally  take  it  for  the  most  utter nonsense.41</p><p>Not  only  was  Socrates  guilty  of banality  in  the  subjects  he  discussed,  but his interlocutors  were  banal, as well. He sought out and  found his audience in  the  marketplace,  the  gymnasia,  artists'  workshops,  and  shops.  He  was  a street person. In  the words of Nietzsche: "Mediocrity is the  most appropriate mask  the  superior  spirit  can  wear." 42  Socrates  talked  and  debated,  but  he refused to be considered a master.  "When people came to sec him," remarks Epictetus,  "and  asked  him  to  introduce  them  to  other  philosophers,  he complied readily, and  willingly accepted to pass  unnoticed  himself." 43</p><p>Here  we  touch  the  heart  of Socratic  irony:  if Socrates  refused  to  teach  or be  considered  a  master,  it  was  because  he  had  nothing  to  say  or  to communicate,  for  the  excellent  reason  that,  as  he  frequently  proclaimed,  he did  not know  anything. Since he had nothing to  say,  and  no  thesis  to defend, all Socrates could do was  to ask  questions, even thoul(h he himself refused  to answer them.  In  the  first  book  of the  Repu/Jlir,  ThrR11ymRcllllt1 cries  out:  "Y c gods!  Herc  we  have  the  well-known  rirm1ri11  of  Sorn11l�111  "till  I  k nrw  ii  und</p><p><image l:href="#48"/></p><p>The  Figure of Socrates</p><p>1 53</p><p>predicted  that  when  it  came  to  replying  you  would  refuse  and  dissemble  and do  anything  rather  than  answer  any  question  that  anyo\le  asked  you." 44</p><p>Aristotle  described  the  situation  even  more  clearly:  "Socrates  used  to  ask questions  and  not  answer  them  - for  he  used  to  confess  that  he  did  not know." 45</p><p>Obviously,  we  cannot  know  exactly  how  Socrates'  discussions  with  the Athenians  took  place.  Plato's dialogues - even  the  most  "Socratic"  - are  only a  doubly  weak  imitation  of them.  In  the  first place,  they  are  not  spoken,  but written,  and,  as  Hegel  remarked,  "in printed  dialogue,  answers  are altogether under  the  author's  control;  but  to  say  that  in  actual  life  people  are  found  to answer  as  they  arc  here  made  to  do,  is  quite  another  thing." 46   Moreover, beneath  the  surface  charm  of  literary  fiction,  we  can  recognize  in  Plato's dialogues  the  trace  of  the  scholastic  exercises  of  the  Platonic  Academy.</p><p>Aristotle codified  the  rules of these dialectical  jousts in  his  Topics.41 There were well-defined  roles  for  both  questioner and  respondent  in  these  argumentation exercises,  and  the  rules  of this  intellectual  fencing were  rigorously  defined.</p><p>It is not our task here to try  to disentangle what may be  properly "Socratic"</p><p>in  the  conversations  reported  by  Plato;  rather,  we  arc  concerned  to  uncover the  significance  of  Socratic  irony  as  it  was  known  to  tradition,  and  the movements  of consciousness  to  which  it corresponds.</p><p>Otto  Apelt48  has  given  a  good  description  of  the  mechanism  of Socratic irony:  Spa/tung  und  Verdoppelung.49  Socrates  splits  himself into  two,  so  that there are two Socrates:  the Socrates who knows in advance how the discussion is  going to  end,  and  the  Socrates  who  travels  the  entire  dialectical  path  along with  his  interlocutor.  Socrates'  interlocutors  do not  know where he  is  leading them,  and  therein  lies  the  irony.  As  he  travels  the  path  along  with  his interlocutors,  Socrates  constantly  demands  total  agreement  from  them.  He takes  his  partner's  position  as  his  starting  point,  and  gradually  makes  him admit all the consequences of his position.  This a  priori agreement is founded on  the rational demands of the Logos,50 or reasonable discourse.  By constantly demanding  assent,  Socrates  leads his  interlocutor  to  recognize  that  his  initial position  was  contradictory,  and  he  thereby  objectifies  their  common  undertaking.  As  a  rule,  Socrates  chooses  an  activity  familiar  to  his  interlocutor  as the  subject of discussion,  and  tries  to  define,  together  with  him,  the  practical knowledge  required  to  carry  out  this  activity.  For  example,  a  general  must know  how to fight bravely, and a  soothsayer must behave piously  towards the go&lt;Js. At the end  of the  road,  however,  the general  turns out to have no  idea of what courage really is, and the soothsayer docsn 't know  what piety is.  It is t hen  that  the  interlocutor  rcali7..cs  that  he  doesn't  really  know  the  reasons for  hiH  actions Suddenly,  his  whole  value-system  seems  to  him  without</p><p>.</p><p>foundat ion .  Up  unt il  then,  he  had,  to  a  certain  extent,  identified  with  the v11luc..'-NYNtcm  which  hnd  dictated  to  him  his  way  of thinking  and  speaking.</p><p>l lt�m&#xFFFD;cfort h ,   tu&#xFFFD;  i11 op1m11cd  to  it.</p><p>1 54</p><p>Figures</p><p>Thus, the interlocutor, too, is cut in two: there is  the  interlocutor as he was before his conversation with Socrates, and there is the interlocutor who, in the course of their constant mutual accord,  has identified himself with Socrates, and who henceforth  will  never be the same again.</p><p>The  absolutely  essential  point  in  this  ironical  method  is  the  path  which Socrates  and  his  interlocutor  travel  together.  Socrates  pretends  he  wants  to learn  something  from  his  interlocutor,  and  this  constitutes  his  ironic  selfdeprecation.  In  fact,  however, even  while Socrates appears ro  identify himself with  the  interlocutor,  and  enter  completely  into  his� discourse,  in  the  last analysis  it  is  the  interlocutor  who  unconsciously  enters  into  Socrates'  discourse and identifies  himself with him.  Let  us  not  forget:  to  identify oneself with Socrates is to identify oneself with aporia and doubt, for Socrates doesn't know anything; all he knows is that he knows nothing. Therefore, at the end of the  discussion,  the  interlocutor  has  not  learned  anything;  in  fact,  he  no longer  even  knows  anything.  And  yet,  throughout  the  duration  of  the discussion,  he  has experienced  what  true activity  of the  mind  is.  Better yet, he has been Socrates himself.  And Socrates is interrogation, questioning, and stepping back to take a  look at oneself;  in  a  word, he is consciousness.</p><p>Such  is  the  profound  meaning  of Socratic  maieutics.  In  a  famous  passage of the  Theaetetus,51  Socrates  tells  how  he  practices  the same  trade as  did  his mother, who was a  midwife, attending corporeal births.  Socrates himself,  he claims,  is  a  midwife  of the  mind,  and  it  is  to  the  birth  of minds  that  he attends.  Socrates  himself  does  not  engender  anything,  since  he  knows nothing; he merely helps others to engender themselves. As Kierkegaard was well  aware,  Socratic  maieutics  stands  the  master-disciple  relationship  on  its head:</p><p>to be a  teacher does  not  mean  simply  to affirm that such  a  thing is so, or to deliver a  lecture, &amp; etc. No, to be a teacher in the right sense is to be  a  learner.  Instruction  begins  when  you,  the  teacher,  learn  from  the learner,  put yourself in  his  place  so  that you  may  understand  what  he understands and  in  the way he understands it. 52</p><p>The disciple is the opportunity for the master to  understand  himself, as the  master  is  the  opportunity  for  the  disciple  to  understand  himself.</p><p>When  he dies,  the  master has  no claim on  the disciple's soul,  no more than  the  disciple  has  on  that  of  the  master  . . .  The  best  way  to understand Socrates  is  precisely to understand that we  do  not owe  him anything.  That  is  what  Socrates  preferred,  and  it  is  good  that  he  was able  to  prefer  this. 53</p><p>Here  we  touch  upon  one  of the  possible  rncnningN  of  Socratcfi'  cnigmat k declaration:  "I only  know  one  t hing:  th111  iM,  1h111  I  llun'I know  11ny1 him(." 1�</p><p>The Figure  of Socrates</p><p>1 55</p><p>This statement could be interpreted as meaning that Socrates did  not possess any  transmissible  knowledge,  and  was  unable  to  cause  ideas  to  pass  from  his mind into that of others. As Socrates is made to say in Plato's Symposium, "My dear Agathon  . I  only wish that wisdom  were  the kind of thing that flowed</p><p>.</p><p>.</p><p>. . .  from  the vessel that was full to the one that was empty." 55</p><p>In  Xenophon's  Memoirs  of Socrates,  Hippias  tells  Socrates  that,  instead  of always asking questions about justice, he would do better simply  to  say, once and  for  all,  whar  justice  is.  Socrates  replies:  "If I  don't  reveal  my  views  on justice  in  words,  I  do  so  by  my  conduct." 56  To  be  sure,  Socrates  was  a passionate  lover  of words  and  dialogue.  With  just as much  passion, however, he  sought  to  demonstrate  to  us  the  limits  of language.  What  he  wanted  to show  us is that  we can  never  understand justice if we  do  not live  it. Justice, like every authentic reality, is indefinable, and this is what Socrates sought to make his interlocutor understand, in order to  urge  him  to "live" justice. The questioning of discourse leads to the questioning of the individual, who must decide whether or not he will resolve to live according to his conscience and to reason. In the words of one of Socrates' interlocutors: "Anyone who enters into  conversation  with  Socrates  is  liable  to  be  drawn  into an  argument,  and whatever subject he may start, he will  be continually carried round and round by him, until at last he finds that he has to give an account both of his present and past life." 57 The individual  thus finds himself called  into question  in the most  fundamental  bases  of his  action,  and  he  becomes  aware  of the  living problem he himself represents for himself.  All values are consequently turned upside down, as is the importance previously accorded them.  As Socrates says in Plato's Apology:</p><p>I  care  nothing  for  what  most  people  care  about:  money-making, administration  of  property,  generalships,  success  in  public  debates, magistracies,  coalitions,  and  political  factions  . I  did  not choose  that</p><p>.</p><p>.</p><p>path, but rather the one by which  I  could do the greatest good to  each of  you  in  particular:  by  trying  to  persuade  each  of  you  to  concern himself less  about  what  he  has  that  about  what  he is,  so  that  he  may make himself as  good  and as reasonable as  possible. 58</p><p>The  Socratic  enterprise  is  existential  in  that  it  appeals  to  the  individual.</p><p>This is why Nietzsche and  Kierkegaard, each  in his own way, tried to repeat it .. In the following text by Nietzsche, where he describes the "Schopenhauerian man,"  isolated  in  the midst of his contemporaries,  it is hard  not  to  think of Socrates'  constant  appeal  to  "take  care  of yourself," 59  and  his  continual calling into question  of the individual:</p><p>hiN fellow men  ,  .  11trut about in a  hundred  masquerades, as youths, old</p><p>,</p><p>men,  liu herN,  cit iienN,  1nic11t11,  oflki11IN,  merchants,  mindful  solely  of</p><p><image l:href="#66"/></p><p><image l:href="#73"/></p><p>1 56</p><p>Figures</p><p>their comedy and  not at all  of themselves.  To  the question:  "To  what end  do you  live?"  they would all quickly reply with pride:  "To become a  good citizen, or scholar, or statesmanl" 60</p><p>the  objective  of all  human  arrangements  is  through  distracting  one's thoughts to cease to  be aware of life.61</p><p>Haste is universal because everyone is in flight from himself.62</p><p>Already in Plato's Symposium, Alcibiades had said: "Socrates makes me admit to  myself that,  even  though  I  myself am  deficient  in  so  many  regards,  I continue to  take  no  care  for  myself,  but  occupy  myself with  the  business  of the Athenians." 113 This passage allows us to glimpse the political consequences of  such  a  reversal  of  values  and  upending  of  the  guiding  norms  of  life.</p><p>Concern  for  one's  individual  destiny  cannot  help  but  lead  to  conflict  with the state. 64  This  is  the  deepest  meaning  of the  trial  and  death  of Socrates.</p><p>Socratic  irony  becomes  especially  dramatic  when,  thanks  to  the  evidence  of Plato's  Apology  of  Socrates,  we  sec  it  being  used  at  the  expense  of  the philosopher's  accusers,  and,  in a  sense, bringing about  his condemnation  to death.M</p><p>Here  we  have  an  instance  of  the  "seriousness  of  existence"  of  which Kierkegaard  speaks.""  For  Kierkegaard,  Socrates'  merit  was  that  he  was  an exis1i11g  thinker,  not  a  speculative  philosopher  who  has  forgotten  what  it means  to  exist.  Kierkegaard's  fundamental  category  of  existence  is  the individual, or  the  unique,  isolated  in  the  solitude of his  existential  responsibility.  For Kierkegaard, Socrates was its discoverer.1'7</p><p>Here we  come  upon  one  of the  most  profound  reasons  for Socratic  irony: direct language is not adequate for communicating the experience of existing, the authentic consciousness of being,  the  seriousness  of life as  we  live  it,  or the  solitude  of decision  making.  To  speak  is  to  be  doubly  condemned  to banality. In the first place, there can be no direct communication of existential experience, and in this sense, every speech-act is "banal." Secondly, however, it  is  this  same  banality  which,  in  the  form  of  irony,  can  make  indirect communication possible.611  In  the  words of Nietzsche:  "I  believe I  sense that Socrates was profound; his irony  was above all  the necessity to  pass  himself off as superficial, in order to be able to associate with people at all." 69 For the existential  thinker,  banality  and  superficiality  are  a  vital  necessity.  The existentialist  must remain  in contact with  mankind, even  if the  latter  is  at  a level of less-than-adequate consciousness. At the same time, however, we have here  to  do  with  a  pedagogical  artifice.  The  circuitous  detours  of irony,  and the  shock  of  aporit1,  can  cause  the  reader  to  attnin  10  the  seriousness  of existential consciousness, especially if, 1ts we sh11ll 11cc  l111c1", 1�hc power of l�:ros is  thrown  in  for  icood  measure.</p><p>The Figure o/Socrates</p><p>1 57</p><p>Socrates  had  no  system  to  teach.  Throughout,  his  philosophy  was  a spiritual  exercise,  an  invitation  to  a  new  way  of life,  active  reflection,  and living consciousness.</p><p>Perhaps  the  Socratic  formula:  "I  know  that I  know  nothing"  ought to be given  a  deeper  meaning.  We  are  thus  brought  back  to  our  starting  point: Socrates  knows  that  he  is not  a  sage.70  As  an  individual,  his conscience was aroused and spurred on by this feeling of imperfection and  incompleteness.</p><p>In  this regard,  Kierkegaard  can  help  us  to  understand  the  significance  of the  figure of Socrates. Kierkegaard asserts that he knows only one thing: that he is not a  Christian.  He was intimately convinced of this fact, because to be a  Christian  is  to  have  a  genuine  personal  and  existential  relationship  with Christ;  it is to  intcriorize Christ  in a  decision  emanating from  the  depths of the self. Since such  interiorization is so very difficult, it is virtually impossible for anyone truly to be a Christian. The only true Christian was Christ.  At any rate, the least we can say is that the best Christian  is he who is aware of not being a  Christian, insofar as he recognizes that he is not a Christian.71</p><p>Like every  existential  consciousness,  Kierkegaard's  was  divided.  It existed only  in  its  consciousness  of not  truly existing.  Kierkegaardian consciousness is identical to  Socratic  consciousness:</p><p>0  Socrates,  you  had  the  accursed  advantage  of  making  it  painfully obvious,  by  means  of your ignorance,  that  others  were  even  less  wise than  you.  They  didn't  even  know  that  they  were  ignorant.  Your adventure  was  the  same  as  mine.  People  become  exasperated  with  me when  they sec that  I  can show  that others are  even  less Christian  than I; I  who respect Christianity so much that I see and admit that I  am not a  Christian!72</p><p>Socratic consciousness  is  also  torn  and  divided:  not by  the  figure of Christ, but by the transcendent norm of the  figure  of the sage.</p><p>justice, as we have  seen,  cannot be defined.  It must be lived.  All  the human discourse in the world could never suffice to express the depth of one person's resolution to be just. All human decisions arc, howc&#xFFFD;er, fragile and precarious.</p><p>When a person chooses to be just in the context of a particular act, he has the inkling of an  existence which could be just  in  the full sense of the term.  Such a fully just existence is that of the sage,  who is not sop/10s, but philo-sophos: not a  wise  man,  but  one  who desires wisdom,  precisely  because  he lacks it.  Paul Friedlander  puts  it  well:  "Socratic  irony,  at  its  center,  expresses  the  tension between  ignorance  - that  is,  the  impossibility  ultimately  to  put  into  words</p><p>'what  justice  is'  - and  the  direct  experience  of the  unknown,  the existence of the  just man, whom  justice  raises to  the  level  of the divine." 73</p><p>just llS  K icrkc1c1111rd  wns only Christian insofar as he was conscious of not being n  ( :lui11tii111,  Sm�1�111c11  wn11  n  1mgc  only  insofar  as  he  was  conscious  of not</p><p>158</p><p>Figures</p><p>being  wise.  An  immense  desire  arises  from  such  an  awareness  of  privation, and  this is why, for Western consciousness, Socrates the philosopher takes on the  features of Eros,  the eternal vagabond  in  search  of true  beauty.</p><p>2  Eros</p><p>It could be said that Socrates was the first individual in the history of Western thought. Werner Jaeger,.  was  right to point out that Plato and  Xenophon,  in their  Socratic  writings,  strive  to  make  the  reader  sense  Socrates'  originality and  uniqueness  as  they  sketch  his  literary  portrait.  This  need of theirs  was certainly  the  result  of  the  extraordinary  experience  of  having  known  an incomparable  personality,  and,  as  Kierkegaard  pointed  out, 75  it  is  the  true explanation  of the  terms  atopos,  atopia,  and  atopotatos,  which  recur  so often in  the  Platonic corpus76 to describe Socrates'  character.  In  the  Theaetetus,  for instance,  Socrates  declares:  "They  say  I  am  atopotatos,  and  all  I  create  is aporia." 77 Etymologically, atopos means "out of place," hence strange, extravagant, absurd,  unclassifiable,  and  disconcerting.  In the Symposium,  Alcibiades insists  on  this  point  in  his  speech  in  praise  of  Socrates.  Normally,  he says,  there are  classes  of men,  ideal  types  to  which  individuals  correspond.</p><p>For example,  there is the type of the "great  general, noble and  courageous,"</p><p>represented  in  Homeric  antiquity  by  Achilles,  and  among  contemporary figures by  the  Spartan  leader  Brasidas.  Then  there  is  the  type of the "clever and  eloquent statesman," represented  in  antiquity  by Nestor  the  Greek  and Antenor  the Trojan,  and  by  Pericles  among  contemporaries.  Socrates,  however,  docs  not  fit  into  any  category.  He  cannot  be  compared  to  any  man, concludes  Alcibiades; only to  Sileni or satyrs.78</p><p>Socrates  was  indeed  an  individual:  that  individual  so  dear  to  Kierkegaard that he would have  liked  to have as an epitaph:  "He  was That  Individual. " 79</p><p>And  yet,  although  Socrates  was  unlike anyone  else,  we shall  now  see  him take on  the  mythic characteristics  of Eros;80  an  Eros,  that is,  conceived  as  a projection  of the figure of Socrates.</p><p>In  Socrates,  erotic irony  is intimately connected  to dialectical  irony,  and  it leads  to reversals  of situation  quite  analogous to those  caused  by the  latter.</p><p>Let us be  quite clear:  the love in question  here  is homosexual love,  precisely because  it  is  educative  love.  In  the  Greece  of Socrates'  day,  masculine  love was a vestige and remainder of archaic warrior edU&lt;."lltion,  in  which the young nobleman  was  trained  in  the  aristocratic  virtues,  within  the  framework  of  virile  friendship,  and  under  the  direction  of  an  older  man .  The master-disciple relationship was  conceived  during the  period  of the Sophists, on  the model  of this archaic  relationship,  and  ii  waN  frequently spoken  of in erotic terms.  We  must  not,  of course,  for1tct  tlw  rolt�  t'l11ycd  hy  rhetoric  nnd lilcrnry  fiction  in  thiK  wny of' 11pcnkin1&lt;."1</p><p>The  Figure  of Socrates</p><p>1 59</p><p>Socrates'  erotic  irony  consisted in pretending to be in  love  until, thanks to the reversal brought about by irony, the object of his amoreus  attentions  fell in  love  himself.  Such  is the  story  Alcibiades  tells  in his speech  in  praise of Socrates.  Alcibiades,  believing  in the  sincerity of the  numerous  declarations of love Socrates had  made to  him,  invited  Socrates home one  night  in order to seduce him. He slipped  into bed  with  him,  and  wrapped  his arms around nim.  Much  to  Alcibiades'  surprise,  however,  Socrates  remained  in  complete control of himself, and did  not let himself be seduced at all. "Since that time,''</p><p>declares Alcibiades,</p><p>I  am the one who has been reduced to slavery, and I'm in the state of a man  bitten  by a  viper.82</p><p>I've been  bitten  in  the  heart,  or the mind, or whatever you  like  to  call it,  by  Socrates'  philosophy . . .  the  moment  I  hear  him  speak  I  am  �</p><p>smitten  with  a  kind  of sacred  rage,  worse  than  any  Corybant,  and  my heart jumps into my mouth and the tears start into my eyes . . .  I'm not the only one,  either; there's Charmides, and  Euthydemus,  and  ever so many more. He's made fools of them  all,  just as if he were the beloved, not  the lover.83</p><p>It  is hard  to  imagine a better commentary on  this  passage  than  the  following one, by  Kierkegaard:</p><p>one  might  possibly  call  him  a  seducer,  for  he  deceived  the  youth  and awakened longings  which he never satisfied . . .  He deceived  them all in the same way as  he deceived Alcibiades who . . .  observes that instead of the  lover,  Socrates  became  the  beloved . . .  he  attracted  the  youth  to him, hut when they looked  up  to him, when they sought repose  in  him, when forgetting all else they sought a safe abode in his lov&#xFFFD;, when they themselves ceased  to exist and  lived only in being loved by  him - then he  was  gone,  then  the  enchantment  was  over,  then  they  felt the  deep pangs  of unrequited  love,  felt  that  they  had  been  deceived  and  that  it was not Socrates who loved  them but they who loved  Socrates.8�</p><p>Socrates'  erotic  irony  consisted  in  pretending  to  be  in  love.  In  dialectic irony,  Socrates pretended, as  he asked his questions,  that his real  desire was that his  interlocutor communicate  to  him  his knowledge or wisdom.  In  fact, however,  this  game  of questions  and  answers  resulted  in  the  interlocutor realizing  that  he  was  incapable  of curing  Socrates'  ignorance,  for  he  in  fact had neither wisdom nor knowledge to give to Socrates. What the interlocutor renlly  desired,  1 hen,  wns  to  enrol  in  Socrates'  school:  the  school  of  the conHcim111m�NN 111' 11111 -know inl(.</p><p><image l:href="#98"/></p><p>1 60</p><p>Figures</p><p>In  erotic  irony,  Socrates  used  amorous  declarations  to  pretend  that  he wanted  his  ostensible  lover  to  hand  over  to  him  not his  knowledge,  but  his physical beauty. This situation is understandable: Socrates was not attractive, whereas  the  young  man  was.  In  this  case,  however,  the  beloved  - or supposedly  beloved  - discovered  through  Socrates'  attitude  that  he  was incapable of satisfying Socrates' love, because there was no true beauty within him.  Upon discovering his shortcomings,  the beloved  would  then  fall  in love with Socrates. It was not beauty with which the beloved fell in love - Socrates did  not  have  any  - rather,  he  fell  in  love  with  the  love  which,  according to Socrates'  definition  in  the Symposium,85  is  desire  for  the  beauty  which  all  of us  lack.  To be  in love with  Socrates,  then,  was to be  in  love with love.</p><p>This  is  precisely  the  meaning  of the  Symposium.86  The  whole  dialogue  is constructed so as to make the reader guess the identity between the figures of Socrates  and  Eros.  Plato  depicts  the  guests  taking  turns,  going  from  left  to right,  giving speeches in  praise of Eros.  In succession,  we hear Phaedrus and Pausanias,  then  Eryximachus  the  doctor,  Aristophanes  the  comic  poet,  and finally the tragic poet  Ariston.  When  Socrates'  turn  comes,  he does  not give a  straightforward  speech  in  praise  of love,  for  that  would  be  contrary  to  his method.  Instead,  he reports the conversation  he  had once had  with Diotima, a  priestess  from  Mantinea,  who  told  him  the  myth  of  the  birth  of Eros.</p><p>Theoretically, the dialogue would have ended here, were it not for Alcibiades'</p><p>sudden  intrusion into the banquet room. Crowned with violets and ivy leaves and  rather drunk,  Alcibiades submits  to the  rules of the banquet, but instead of praising Eros,  he gives a speech in  praise of Socrates.</p><p>The identity  between  Socrates and  Eros  is  underlined  in several  ways:  not only  does  the  speech  in  praise  of  Socrates  take  its  place  in  the  series  of speeches  already  given  in  praise  of Eros,  but,  in  addition,  there  are  many significant  features  in  common  between  the  portrait of Eros,  as  sketched  by Diotima, and  the portrait of Socrates given  by  Alcibiades.</p><p>On the day of Aphrodite's birth, recounts Diotima, the gods had a banquet.</p><p>Penia  - that  is, "Poverty"  or  "Privation"  - came  begging at  the  end of the meal. There she espied Poros - "Means,"  "Expedient," or "Wealth" - drunk on  nectar and asleep in  Zeus' garden.  As a  way out of her destitution, Penia decided  to  have  a  child  by  Poros,  so  she  lay  with  him  while  he  slept,  and conceived  Eros.</p><p>This  account of the genealogy of Eros allows  Diotima  to  give a  description of him  so  subtle  that  it  can  be  interpreted  on  a  variety  of levels.  In  the  first place,  following  the  exact  words  of the  myth,  we  can  recognize  in  Eros  the features of both  his  mother and  his  father.  From  his  father's  side,  he  gets  his clever,  inventive  mind  (in  Greek  euporit1).  From  his  mother,  he  inherits  the condition of a  poverty-stricken  beggar:  t1p11rit1.  Behind  this dest.Tiption,  we can distinguish a  quite  pnrticulnr conccp1ion of love.  Where111;  1he other guests had described  Eros  in  an  idt.'l1li:1.ctl  wily,  Sm�1�11tl'll  l'l'l'ounlN  hiN  l'nnverHllt inn  with</p><p><image l:href="#116"/></p><p>The  Figure of Socrates</p><p>1 6 1</p><p>Diotima in order to introduce some realism into the vision of love.  Contrary to  what  the other  guests  assume,  says Socrates,  it  is not the case  that  love  is beautiful. If it were, it would no longer be love, for Eros is essentially desire, and the only thing that can be desired is that which one does not have. Eros, then,  cannot be beautiful: as the son of Penia, he lacks beauty, but as the son of Poros,  he  knows  how to  remedy  his  lack.  Agathon has confused  love  with its object, the beloved.</p><p>For Socrates, love  is a lover.  It is therefore not, as most people think, a god, but  only a daimon; a being intermediate between the  human  and  the  divine.</p><p>This  is why there is something comic about Diotima's description of Eros.</p><p>In  it, we  can perceive  the beggarly existence to  which  love  can  condemn  us.</p><p>This  is  the  familiar  theme  of "Militat  omnis  amans": 37  in  which  the  lover stands guard  on  his  beloved's doorstep,  or spends  the  night sleeping on  the ground. Eros is both beggar and soldier, but also inventor, sorcerer, magician, and  clever  talker,  for  love  makes  him  ingenious.  For  him,  life  is  an uninterrupted suite of discouragement and hope, need and satisfaction, which succeed one another in accordance with  the  successes and  defeats of his  love.</p><p>This  is  Eros  in  his  monstrous  aspect  - good-for-nothing,  shameless, obstinate, loud-mouthed and savage - whose misdeeds are depicted with such relish  in Greek  poetry,  right down  to  the Byzantine period.88</p><p>And  yet,  with  astonishing skill,  Plato  makes  the  features  of Socrates  "the philosopher"  appear  beneath  the  figure  of Eros  the  hunter.  Agathon  may think Eros is delicate and  lovely, but Diotima asserts he is,  in  reality, always poor,  rough,  dirty,  and  barefoot.  In  his  speech  in  praise  of  Socrate.'&gt;, Alcibiades  likewise  portrays  Socrates  as  barefoot,  covered  only  by  a  coarse coat  which  barely  protects  him  from  the  winter cold.89  From  the  context  of the  dialogue,  we  learn  that  Socrates  has,  exceptionally,  taken  a  bath  before coming  to  the symposium.'111 The  comic  poets,  too,  had  a  good  laugh  at the expense of Socrates'  bare  feet and old cloak.91</p><p>The figure of Socrates as Eros  the  beggar  was subsequently  taken  up by the Cynic  philosophers,  in  particular  Diogenes.  Diogenes,  who  seems  to  have designated  himself as a  "furious  Socrates,"  used  to  go  wandering  with  only his  cloak  and  knapsack,  bereft  of hearth  and  home:92  As Friedlander  points out,93 barefooted Eros also calls  to  mind  primitive man, as  he  is depicted  by Plato  in  the Protagoras (32 l c5) and the Statesman (272a5).</p><p>We arc  thus brought back  to the figure of that purely natural  being,  Silenus, with  his primitive strength,  more primal  than  culture and  civilization. The  fact that this element enters into the complex portrait of Socrates/Eros is not a matter of indifference.  Rather, it corresponds perfectly to  the reversal of values brought about  by  Socratic L'Onsciousness.  For the person concerned  about his soul, what is essential  is not  10 be found in appearance,  dress, or comfort,  but in  freedom.</p><p>And  yet,  I &gt;iolimn  Hlrcs.o;es  that  Eros  has  inherited  some  features  from  his fnlhcr:  "lw  Kl'IN 1 1�111ll1  for  noble 1muls,  for  he  is  bold,  headstrong,  and  full  of</p><p>1 62</p><p>Figures</p><p>endurance.  He's  a  dangerous  hunter,  always  plotting  some  trick;  he  lusts after cleverness,"' is full of resources, and is always thinking up  some scheme; he's  a  terrible  sorcerer,  magician,  and  sophist." 95  We  could  very  well  be listening  to  Strepsiades  in  Aristophanes'  Clouds,  describing  what  he  wants to  become  after  his  Socratic  education:  "audacious,  glib,  daring  and  headstrong . . .  never  at  a  loss  for  words,  a  real  fox." 96  In  his  speech  praising  Socrates,  Alcibiades  had  called  him  an  impudent  Silenus,97  and Agathon  had  bestowed  upon  Socrates  the  epithet  of  hybristes.98  For Alcibiades,  Socrates  is a  magician99  and  a  smooth  talker, skilled  in  attracting pretty boys. 100</p><p>Eros'  toughness  appears  once  again  in  the  portrait  which  Alcibiades sketches of Socrates on  campaign  with  the army. He could,  Alcibiades says, put up  with cold, hunger, and fear, and hold  his  wine as easily as he endured long  bouts  of meditation. 161  During the  retreat  from  Delion,  Alcibiades  tells us,  Socrates  walked  as  calmly as  if he  were  in  the  streets  of Athens,  where Aristophanes  describes  him  as  "holding  his  head  high . . .  rolling  his  eyes, barefoot,  looking solemn." 102 As we can  see,  this portrait of Socrates/Eros is not  very  flattering;  we  are  clearly  smack  in  the  midst  of Platonic  - if not Socratic  - irony.  Nevertheless,  this  image  is  not  without  its  profound psychological truth.</p><p>Eros,  Diotima  tells  us,  is  a  daimon:  that  is,  a  being  intermediate  between gods  and  men.  Once  more,  we  are  forced  to  consider  the  problem  of intermediary states,  and  we realize once more just how  uncomfortable such  a situation  is.  Eros  the  daimon, as  Diotima  describes  him  to  us,  is  undefinable and unclassifiable: he too, like Socrates, is alopos. He is neither god nor man, fair nor  ugly,  wise  nor  foolish,  good  nor evil. 103  Yet he still embodies  desire, for,  like Socrates,  he is aware that he  is  neither  handsome  nor  wise.  This  is why  he  is  a philo-sopher - a  lover of wisdom.  In other words, he desires to attain to the level of being of divine perfection.  Thus, according to Diotima's description, Eros is the desire for his own  perfection,  which is  to say,  for his true self.  He  suffers  from being  deprived  of the  plenitude of being,  and  he strives to attain it. When other men fall in love with Socrates/Eros - that is, when they fall  in  love  with  love, such as  Socrates  reveals  it to them - what they love in  Socrates  is  his  love  for,  and  aspiration  toward,  beauty and  the perfection  of  being.  In  Socrates,  they  find  the  path  toward  their  own perfection.</p><p>Eros,  like Socrates,  is merely a call and a  possibility;  he  is neither wisdom nor  beauty itself.  To be sure,  if one  opens  up  the  little Sileni mentioned  by Alcibiades, they turn out to be full of statues of gods. 104 The Sileni, however, are not themselves the statues. They only open up so that one can get at them.</p><p>The  etymological  meaning  of  Poros,  Erm;'  father,  is  "means  of  access"  or</p><p>"way  out."  Socrat�es  is  only  n  SilenuK,  opcninic  up  onto  something  beyond himsel f.</p><p>The Figure of Socrates</p><p>1 63</p><p>The  philosopher,  too,  is nothing other  than  this:  a  summons  to  existence.</p><p>As Socrates puts it ironically to the handsome  Alcibiades:  "If you love me, it must be because  you  have seen in me a  beauty  which  bears  no resemblance to  your own physical  beauty . . .  But consider  the  matter more carefully, lest you  make  a  mistake  both  about  me  and  about  me  and  about  my  real nothingness.,, 105 Here Socrates gives Alcibiades a  warning.  In loving Socrates, he  is really only loving Eros:  not  Aphrodite's  son,  but  the son  of Poros  and Penia.  The  cause  of his  love  is  that  he  senses  that  Socrates  can  open  up  to him a path toward an extraordinary beauty, transcending all earthly beauties.</p><p>Socrates� virtues - those statues of the gods hidden within the ironical Silenus</p><p>- which Alcibiades admires so much, 106 are only a reflection  and a  foretaste of that  perfect  wisdom  which  Socrates  desires,  and  which  Alcibiades  desires through Socrates.</p><p>In  Socratic Eros,  we  find  the same basic  structure as  in  Socratic  irony:  a divided consciousness, passionately aware that  it  is not  what  it ought to be.  It is from  this feeling of separation and lack  that love is born.</p><p>One of Plato's greatest merits will always be that he was able,  via  the  myth of Socrates/Eros,  to  introduce  into  the  philosophical  life  the  dimension  of love  - that  is,  of desire  and  the  irrational.  He  accomplished  this  in  several ways:  in  the  first  place,  in  the  experience  of dialogue  itself,  in  which  two interlocutors experience a passionate will to clarify a problem together. Q�ite apart  from  the  dialectical movement of the  logos,  the  path  traveled  together by Socrates and his partner, and their common will to come to an  agreement, arc already a  kind of love. There is a great deal more philosophy  in  spiritual exercises like  Socrates'  dialogues  than  in  the  construction  of a  philosophical system.  The task of dialogue consists essentially in pointing out the limits  of language,  and  its inability  to  communicate moral and  existential  experience.</p><p>Yet the dialogue itself,  qua event and spiritual  activity, already constitutes a moral  and  existential  experience,  for  Socratic  philosophy  is  not  the  solitary elaboration of a system,  but  the awakening of consciousness, and accession to  a  level  of  being  which  can  only  be  reached  in  a  person-to-person relationship.</p><p>Just like ironical Socrates, Eros teaches nothing, for he is ignorant. He does not  make  people  more  wise;  he  makes  them  other.  He,  too,  is  maieutic:  he helps souls to engender themselves.</p><p>It  is  touching  to  trace  the  influence  of  Socratic  Eros  throughout  history. 107  In  third-century  Alexandria,  for  instance,  the  Christian writer  Gregory  Thaumaturgus  praised  his  master  Origen  in  the  following terms:</p><p>And  thus,  like  some  spark  lighting  upon  our  inmost  soul,  love  was kiml led  and  bu rNI  into  flame  within  us - a  love at once  for  the Logos . . .</p><p>ond  for  1hiN  m1111,  ilN  friend  11nd  advocate .</p><p>sometimes  he  would</p><p>.</p><p>.</p><empty-line/><p>1 64</p><p>Figures</p><p>approach  us  in  the  genuine  Socratic  fashion,  and  trip  us  up  by  his argumentation  whenever  he saw  us  getting  restive  under  him,  like so many unbroken horses.108</p><p>As Bertram has shown in some splendid pages, 109 we encounter the tradition of  Socratic  Eros  and  the  educative  daimon  in  Nietzsche.  According  to Bertram,  three  sayings  sum  up  perfectly  this erotic  dimension  of pedagogy.</p><p>One is by Nietzsche himself:  "The deepest insights spring from love alone." 1 10</p><p>Another is by Goethe:  "We  learn  only from  those  we love." 1 1 1  Finally, there is Holderlin's  dictum:  "Mortal  man  gives  his  best  when  he  loves." 112  These three  maxims  go  to  show  that  it is only  through  reciprocal  love  that  we can accede  to genuine consciousness.</p><p>Using Goethe's terminology,  we could characterize this dimension of love, desire,  and  the  irrational  as  the  "demonic."  Plato  had  encountered  this dimension  in  the  person  of Socrates  himself.  As  is  well  known,  Socrates'</p><p>daimon  was  a  kind  of  inspiration  which  sometimes . came  over  him  in  a completely  irrational  way,  as  a  negative sign  telling him  not  to  do such and such a  thing.  It was,  in  a sense, his real "character," or true self.  Moreover, this  irrational  element  in  Socratic  consciousness  is  probably  not  without relation to Socratic irony.  It is possible that Socrates' reason for asserting that he did not know anything was that, when  it came time for action, he trusted in his own daimon, as he also trusted in the daimon of his interlocutors. In any case, as James Hillman pointed out in  1966, if Plato was able to bestow upon Socrates  the  figure  of  the  great  daimon  Eros,  it  was  probably  because,  in Socrates, he had encountered a demonic man.' 13</p><p>How  can  we  describe  this  dimension  of the  demonic?  No  one  could  be a better  guide  for  us  in  this  matter  than  Goethe,  who  was  fascinated  and troubled  by  the  mystery  of the  "demonic"  all  throughout  his  life.  His  first encounter with the demonic had probably been  Socrates' daimon, as depicted in  Hamann's Socratic Memorabilia. 1 14  Socrates  fascinated  Goethe  to  such  an extent  that  we  find  the  following  extraordinary  exclamation  in  his  letter  to Herder of 1772: "If only I  could  be Alcibiades for one day and one night, and then die!" 115 For Goethe, the demonic had all the ambiguous and ambivalent features of Socratic Eros.  It is, as he writes in Book 20 of Poetry and Truth, 116</p><p>a  force  which  is  neither  divine  nor  human,  neither  diabolical  nor  angelic, which  simultaneously  unites  and  separates  all  beings. Just as  in  the  case of Eros in the Symposium, it can only be defined by simultaneous and contradictory  negations.  Yet  it  is  a  force  which  gives  its  holders  an  incredible power over  beings  and  things.  The  demonic  represents  a  kind  of  natural  magic within  the  dimension  of  the  irrational  and  inexplicable.  This  irrational element  is  the  motor  force  indispensable  for  1111  cre11tion;  it  is  the  blind, inexorable  dynamic  which  we  cannot  cscllpl',  but  muNt  r1Hhcr  lc11rn  how  to u11e.  In hi11  llm�111�11�, Goet hl'  writc!i 1111  follm\'N 11ho11t  t ill' "'""'"" of individunlN:</p><p>The Figure of Socrates</p><p>165</p><p>So must you  be;  you cannot escape yourself .</p><p>.  .  .  no time  nor  power may  destroy</p><p>Form  marked  with  a  seal,  which  develops  as  it  lives.117</p><p>In  Goethe,  the creatures  who  most  faithfully represent this demonic element take  on the features of Eros  in  the Symposium.  As Raabe has  demonstrated, this  is  particularly  true  in  the  case  of  Mignon. 1 18  Mignon,  like  Eros,  is indigent, but she  aspires to  purity and  beauty.  Although  her clothing is  poor and coarse, her musical gifts reveal her inner  riches.  Like Eros, she sleeps on the bare ground, or on Wilhelm Meister's doorstep.  Finally,  like  Eros, she is the  projection  and  incarnation  of Wilhelm  Meister's  nostalgia  for  a  higher form of life.</p><p>Another demonic figure in Goethe is Ottilia, heroine of the Elective Affinities.</p><p>She  is  depicted  as  a  natural  force,  powerful,  strange,  and  fascinating.  Her profound  relationship to Eros is more discreetly indicated  than  in  the case of Mignon,  but  it  is  no  less  real.  Mention  should  also  be  made  of  the hermaphroditic figure of Homunculus,  whose relationship to  Eros  is emphasized so  clearly  in Act  II  of the Second Fausl .119</p><p>As  an  ambiguous,  ambivalent,  indecisive  element,  the  demonic  is  neither good  nor evil. Only mankind's moral decision can  give it its  definitive value.</p><p>And  yet,  this  irrational,  inexplicable  element  is  inseparable  from  existence.</p><p>The encounter with  the demonic, and the dangerous game with Eros, cannot be avoided.</p><p>3  Dionysos</p><p>We shall  now  return  to Nietzsche's odd,  amorous  hatred  for Socrates.  To be sure,  Bertram  has  already  stated  the  essential  on  this  point, 120  but  perhaps Nietzsche's complex  attitude  can  be  better understood  by  considering some of the less  frequently  noticed  elements  which  go  to  make up 'the  Socrates of the Symposium.</p><p>Nietzsche  was  quite  familiar with  the strange seductive  powers of Socrates, whom  he  termed  "This  mocking  and  enamored  monster  and  pied  piper  of Athens,  who  made  the  most  overweening  youths  tremble  and  sob." 121  Nietzsche  tries  to  define  the  mechanism  of this  seduction:  "I  have  made  understandable  how  it  was  that  Socrates  could  repel:  it  is  therefore  all  the  more necessary  to  explain  his  fascination." 122  Nietzsche  then  goes  on  to  propose several  explanations:  Socrates  flattered  the  Greeks'  taste  for  combat  with  his dialectics;  he  was a  great  erotic;  he  understood  his  historical  role  of counteracting instinctive  decadence  by means of rationality. The truth  is that none of these expl11nntion11 iN  particularly fascinating. Nietzsche does, however, suggest 11  more  1m1fouml  t�11 uNe:  the 11eduction  Socrates  exercised  on  all posterity came</p><p>1 66</p><p>Figures</p><p>from  his  attitude  in  the  face  of  death.  More  specifically,  it  came  from  the semi-voluntary  nature  of his  death.  As  early  as  his  first  work,  The  Birth  of Tragedy,  Nietzsche  summed  up  the  last  pages  of  the  Phaedo  and  the Symposium  in  a  grandiose  image:</p><p>that he was sentenced to death, not exile, Socrates himself seems to have brought  about  with  perfect  awareness  and  without  any  natural  awe  of death.  He  went  to  his  death  with  the  calm  with  which,  according  to Plato's  description,  he  leaves  the  Symposium  at  dawn,  the  last  of the revelers,  to  begin  a  new  day,  while on  the  benches  and  on  the  ground his drowsy  table companions remain behind  to dream of Socrates, the true  Eroticist.  The  dying  Socrates  becomes  the  new  ideal,  never  seen before,  of noble  Greek youths. m</p><p>Nietzsche  sensed  and  foresaw,  in  the  concluding  scene  of Plato's  Symposium,  a  symbol  of Socrates'  death.  Taken  by  itself,  Plato's description of the scene was as  simple as could  be:</p><p>Only  Agathon,  Aristophanes  and  Socrates  were  still  awake,  and  they were  passing  a  huge  bowl  from  left  to  right,  and  drinking  from  it.</p><p>Socrates  was  holding  a  discussion  with  them . . .  he  was  gradually forcing them to admit that one and the same author ought to be able to compose both  comic and  tragic poetry . . .  Aristophanes  was  the  first to fall asleep, and then, when the sun had already risen, Agathon.  Socrates</p><p>. . .  then got up and left.  He headed for the Lyceum, and, after splashing himself with water, he spent the rest of the day just like he would have any other. m</p><p>The  ambiguous  symbolism  latent  in  this  sober  passage  has  not  been  lost  on modern  poets.  C.F.  Meyer,  for  instance,  gave  the  following  picture  of  the figure of the dying Socrates,  in that dawn  when only the philosopher is still awake:</p><p>While Socrates' friends drank with him</p><p>And  their heads sank down on their pillows</p><p>A  young man came in  I  remember it well</p><p>-</p><p>Along with two lithe flute-players.</p><p>We drained our cups to the dregs,</p><p>And our lips,  tired  from  so  much  talk,  fell  silent A  song hovered  above the  withered  garlands  ,  ,</p><p>.</p><p>Silence!  The  Nlccpy  flutes  of dcnth nre  Nmmdinl(l11'</p><p>The Figure  of Socrates</p><p>167</p><p>By contrast, what Holderlin saw  in  this episode was Socrates the lover of life: Yet each of us has his measure.</p><p>For hard  to bear</p><p>Is misfortune,  but harder still good fortune.</p><p>Yet one wise man  was able</p><p>From  noon to midnight, and on</p><p>Till  morning lit up the sky</p><p>To keep wide awake at the banquet.126</p><p>Herein  lies  the enigma  Socrates  posed  for  Nietzsche.  How  could  someone who  loved  life  as  much  as  Socrates  loved  it seem,  by  his  will  to  die,  to  hate existence? For Nietzsche was quite familiar with  the Socrates who loved life; indeed, he loved him:</p><p>If  all  goes  well,  the  time  will  come  when  one  will  take  up  the Memorabiliam of Socrates rather than the  Bible as a  guide to morals and reason, and when Montaigne and Horace will be employed as forerunners and  signposts  to  an  understanding of Socrates,  that  simplest  and  most imperishable of intercessors. The pathways of the most various philosophical  modes  of  life  lead  back  to  him . . .  Socrates  excels  the  founder  of Christianity in possessing a joyful kind of seriousness and that wisdom full of roguishness  that constitutes the finest state of the human  soul.128</p><p>We can  see  Socrates'  "wisdom full of roguishness" in Xenophon's depiction of Socrates dancing; 129 in the jesting, ironical Socrates of the Platonic dialogues; and in  the figure of the life-loving philosopher in Holderlin's poem "Socrates and Alkibiades":</p><p>"Holy Socrates, why do you always</p><p>Pay court to  this young man?</p><p>Do you  know nothing greater?</p><p>Why  do your eyes gaze  lovingly� on  him</p><p>As on a  god?"</p><p>"He who has thought most deeply</p><p>Loves that which is the most alive.</p><p>He who has seen  the world</p><p>Can  understand lofty Youth.</p><p>And often,  in the end,</p><p>The wise bow down before the fair."1.10</p><p>In  N icl.1.Hchc'N CHHay Srh1Jpenl1auer cu  Educator,  the  figure of Schopenhauer is mcriccd  with  l hiN  fiicurc  of  Socrntcs-as-lovcr-of-lifc.  In  the  following</p><p><image l:href="#130"/></p><p>168</p><p>Figures</p><p>extraordinary  passage,  Nietzsche  has  recourse  to  Holderlin's  verses  in  order to  describe  the  sage's  gaiety:</p><p>Nothing  better  or happier  can  befall  a  man  than  to be  in  the proximity of one  of those  victorious  ones,  who,  precisely because they have thought most deeply,  must love what  is most living and, as sages,  incline  in  the end to the beautiful . . They  are active and truly  alive  . . .  which is why,  in  their</p><p>.</p><p>proximity,  we  feel  human  and  natural  for  once,  and  feel  like  exclaiming with  Goethe:  "How  glorious  and  precious  is  a  living  thing!  how  well adapted  to  the  conditions it lives  in,  how  true,  how  existent!" 131</p><p>In  The  Birth  of  Tragedy,132  Nietzsche  thought  he  could  foresee  the  coming of a  musical  Socrates.  Socrates  the  musician,  he  thought,  would  answer  the call  which,  in Socrates'  dreams,  had  invited  the  philosopher to devote himself to  music;  he  would  thereby  reconcile the  ironic  lucidity  of rational consciousness  with  demonic  enthusiasm.  Such  a  figure,  says  Nietzsche  in  his  unpublished  writings,  would  be a  true example of "tragic man." Nietzsche  projected his  own  dream  of  a  reconciliation  between  Apollo  and  Dionysos  into  this image  of Socrates  as  musician.</p><p>In  the  dying  Socrates,  Nietzsche  saw  yet  another  reflection  of  his  own drama.  Socrates  wa111ed to  die - this  is  what  was  so  shocking  to  Nietzsche  -</p><p>and  at  the  moment  of his  death  his  spoke  these  enigmatic  words:  "0  Crito, we  owe  a  rooster  to  Asclepius." 133  It was  as  if he  had  been  cured  from  some illness,  and  owed  a  debt  to  the  god  of healing.</p><p>This ridiculous and  terrible "last word" means, for  those who have ears:</p><p>"0 Crito, life is a disease." Is  it  possible  that  a  man  like him  . . .  should have  been  a  pessimist?  He  had  merely  kept  a  cheerful  mien  while concealing  all  his  life  long  his  ultimate  judgment,  his  inmost  feeling.</p><p>Socrates, Socrates suffered life! And then he still revenged himself- with this  veiled,  gruesome,  pious, and  blasphemous saying . . .  I  wish  he had remained  taciturn  also  at  the  last  moment  of his  life;  in  that  case  he might  have belonged  to  a  still  higher  order  of spirits.134</p><p>As Bertram  has shown  so  well,  Nietzsche here gives us the clue to  his own secret, intimate  doubt,  and  to  the  drama  of his  entire  existence.  Nietzsche  would  have liked  to  be  the  bard  of the  joy  of life  and  existence;  yet,  in  the  final  analysis, wasn't he, too, afraid that life might be nothing but a disease? By letting what he thought  of  terrestrial  existence  be  known,  Socrates  gave  his  secret  away.  Yet Nietzsche  wanJed to  belong  to  that  "higher  order  of spirits":  those,  that  is,  who</p><p>&lt;:an keep quiet about this terrifying secret.  In Bertram's words: "Wm; his extreme, Dionysiac  pac.�m  to life,  and  to  lite nlonc,  only  the kind of Nilcnn.�,  bcncnth which n  grl'llt  educator  for life did no1  believe in  lilc?" I I\</p><p>The Figure of Socrates</p><p>1 69</p><p>In  the  Twilight  of  the  Idols,  we  find  one  final  reversal  in  Nietzsche's reinterpretation  of  Socrates'  last  words.  Here,  the  sick&#xFFFD;ess  from  which Socrates  is  to  be  cured  is  not  life  itself,  but  the  kind  of  life  Socrates  led:</p><p>"  'Socrates is no physician,' he  said  softly  to  himself;  'here  death alone is  the physician.  Socrates  himself has merely been  sick  for a long time. '  " 136 On  this interpretation, Socratic lucidity and Socratic morality correspond to a sickness gnawing away  at life. Yet,  here again, might not Socrates' illness be the same as  that  of  Nietzsche  himself?  This  myth-dissolving  lucidity,  this  pitiless consciousness; are they  not  those of Nietzsche himself?  Nietzsche's amorous hatred for Socrates was, in the last analysis,  identical with the amorous hatred Nietzsche  felt for himself.  Perhaps the ambiguity of the figure of Socrates in Nietzsche  was  rooted  in  the  ambiguity  of the  central  figure  of Nietzschean mythology: Dionysos,  god  of death  and of life.</p><p>For  reasons  which,  in  the  last  analysis,  remain  rather  mysterious  for  us, Plato in his Symposium surrounded Socrates with a whole cluster of Dionysiac symbols. 137 In fact, the entire dialogue could  have been entitled  The Judgment of Dionysos,  since  Agathon  tells  Socrates  that,  when  it comes  to  finding out who is  wiser,  he or Socrates, they  will leave the question  up to Dionysos.  In other words, whoever drinks the most will win this contest of sophia - wisdom and  knowledge - placed  as  it is  under  the  sign  of the god of wine. m  When Alcibiades later bursts into the banquet room, he is crowned with  violets and ivy  leaves,  just  like Dionysos.139  As soon  as  he comes in,  Alcibiades  places  a crown  of headbands around Socrates' head, as it was the custom to do  for the victor  in  poetry  contests. 140  We  recall  that  Dionysos  was  the  god  both  of tragedy  and  of comedy.  In  the  course  of  his  speech  in  praise  of Socrates, Alcibiades  composes  what  Socrates  later  terms  "a  drama  of  satyrs  and Sileni,'' 141  since these are  the beings to  which  he  compares  Socrates.  Again, we  recall  that  satyrs  and  Sileni  formed  the  accompanying  entourage  of Dionysos,  and  that  the  centre  of satyric  drama  was,  originally,  the  passion of Dionysos.  In the final scene of the Symposium,  we  find Socrates alone with the  tragic  poet  Agathon  and  the  comic  poet Aristophanes, gradually convincing  them  that  one  and  the  same  man  should  be  able  to  be  both  a  tragic and  a comic poet. 142  Agathon, in  his praise of Eros, �had said  that love was the greatest  of  poets. 143  Thus,  Socrates,  who  excels  in  the  field  of  Eros,  also excels in  that of Dionysos.  After all, he has no rival when  it comes to holding his  wine,144  and  if,  as  a  result  of the  "Judgment  of Dionysos,"  he  wins  the wisdom contest, it is because he  is the only one still awake at  the end of the banquet. 145  Can  we  discern  yet  another  Dionysiac  characteristic  in  his prolonged  ecstasies  and  transports,  which  are  mentioned  twice  in  the  dialogue?141, Thus,  we  find  in  Plato's  Symposium  what  seems  to  be  a  conscious  and dclihcrntc  ensemble  of  nllusions  to  the  Dionysiac  nature  of  the  figure  of SocnllcN.  Thi11  l'l1Nl'lllhk  culminates  in  the  final  scene  of  the  dialogue,  in</p><p><image l:href="#8"/></p><p><image l:href="#159"/></p><p><image l:href="#72"/></p><p>170</p><p>Figures</p><p>which Socrates emerges victorious from the  judgment of Dionysos, as the best drinker  and  the  best poet.</p><p>We  should  not  be  surprised  if,  paradoxically,  secretly,  and  perhaps unconsciously,  the  figure  of Socrates  comes,  for  Nietzsche,  to  coincide  with the  figure of Dionysos.</p><p>At  the  end  of Beyond  Good and Evil,  Nietzsche  dedicates  to  Dionysos  an extraordinary  panegyric  of  the  "genius  of the  heart,"  which  he  repeats,  as evidence  of his  skill  in  psychological  mastery,  in  the  Ecce  Homo,'41  although this  time  he  makes  a  point  of refusing  to  say  whom  he  is  addressing.  In  this hymn,  it is  as  though  we  hear  an  echo  of the  Veni Sancte Spiritus,H8 that  old medieval  encomium  of  the  Holy  Ghost  (of  which  Hamann149  considered Socrates' daimon to  be  a  prefiguration):  "Flecte  quod  est  rigidum,  fove  quod est frigidum, rege quod est devium." 15� For Nietzsche,  the genius of the heart has the same marvelously delicate power of softening,  warming, and straightening.  In  his  portrait  of  the  spiritual  guide  with  demonic  powers,  Nietzsche intended  to  describe  the  action  of Socrates.  But  as  Bertram  has  suggested,151</p><p>wasn't he  also  thinking - consciously or unconsciously  - of Socrates?</p><p>We  will  conclude  with  Nietzsche's  encomium,  since  it  sums  up  admirably all  the  themes of our  discussion:</p><p>The  genius  of  the  heart,  as  that  great  concealed  one  possesses  it,  the tempter  god  and  born  pied  piper  of consciences,  whose  voice  knows  how to descend  into  the  netherworld  of every  soul; who  docs not say  a  word  or cast a  glance in  which  there  lies  no secret goal  of seduction  . . .  the  genius of  the  heart  who  silences  all  that  is  loud  and  self-satisfied,  teaching  it  to listen;  who  smooths  rough  souls  and  lets  them  taste  a  new  desire  - to  lie still  as a mirror,  that  the  deep  sky  may  mirror  itself in them . . .  the genius of  the  heart  from  whose  touch  everyone  walks  away  richer,  not  having received grace and  surprised,  not  as  blessed  and oppressed  by  alien  goods, but  richer  in  himself,  newer  to  himself  than  before,  broken  open  and sounded  out  by  a  thawing  wind;  more  uncertain,  perhaps;  tenderer,  more fragile,  more broken,  but  full  of hopes  that  as  yet  have  no  name.152</p><p>NOTES</p><p>Aristotle, Prolrepticus, frg. 5, p. 33 Ross. Cf. the German translation in I. Dilring Aristoleles. Darsie/lung und lt11erpre1a1io11en seines Denkens, Heidelberg 1966, p. 414</p><p>and  n. 87 =  frg.  B  39 in Dilring's  1969  German  translation  of the  Protepticus, p.  47.</p><p>2  On  the  problem  of  the  historical  Socrates,  sec  1hc  collection  of  articles  in Andreas  Patzer ed.,  Der  histnrisd1r  Sncilltes  (=  Wege  der  Forschung</p><p>,</p><p>5115),</p><p>Dnrmstadt  1 987 .</p><p>.1  On  Kicrkcl(nml  nnd  S11&#xFFFD;&#xFFFD;rn1c11,  l'f .  .J .  l lln1111rl,1 ru ri 1   S.  A'irri�rx1um/1  S11i�ratr.1</p><p><image l:href="#16"/></p><p>The Figure of Socrates</p><p>171</p><p>Auffassung,  Neumilnster  1927;  J .   Wild,  "Kierkegaard  and  classical  philology,''</p><p>Philosophfral Revie'fl) 49 ( 1 940), pp.  536-7; J.  Wahl,  Etudes 3rd</p><p>edn,  Paris  1967;  E.  Pivcevic,  lronie  als  Daseinsform  bei  Soren  Kierkegaard, Gtitersloh  1 960;  T.  Bohlin  1 94 1 .</p><p>4  On  Nietzsche and  Socrates,  see E .  Bertram, Nietzsche.  Versuch  einer Mythologie, Berlin  1 9 1 8,  repr.  Bonn,  8th edn,  1 965;  H.  Hasse, Das  Problem  des Sokrates  bei F.  Nietzsche,  Leipzig  1918;  K.  Hildebrandt,  Nietzsches  Wettkampf mil  Sokrates und Plato11, Dresden  1 922; E. Sandvoss, Sokrates und Nietzsche, Leiden 1 966; H.J.</p><p>Schmidt, Nietzsche and Sokrates, Meisenheim  1 969; Walter Kaufmann, Nietzsche.</p><p>Philosopher,  Psychologist,  Antichrist,  4th  edn,  Princeton  NJ  1974.  On  the  vast phenomenon  of Socrates'  influence  in  the  West,  the  reader  will  find  a  handy collection of texts in H.  Spiegelbcrg,  The Socratic  Enigma,  New York  1 964.  For the eighteenth and  nineteenth centuries,  see  B.  Bohm,  Sokrates  im  achtzehnten Jahrhundert  Studien  zum  Werdegang  des  modernen  Pe'rsonlichkeitsbe'fl)Usstseins, Leipzig  1929;  H.-G.  Seebeck,  Das  Sokratesbild  vom  19. Jahrhundert,  Gottingen 1947.</p><p>5  Plato,  Symposium,  2 1 5b-c;  Xenophon,  Symposium,  4,  19;  5,  7;  Aristophanes, Clouds,  362 (Socrates as cross-eyed). Cf. Plato, Phaedo,  I I 7b.</p><p>6  Friedrich  Niet1.sche,  "Socrates  and  Tragedy,''  Posthumous  Writings  1870-1873, Second  lecture,  in  Friedrich  Nietzsche,  Samtliche  Werke,  eds  G.  Colli  and M. Montinari,  1 5  vols, Berlin  1 980 (hereafter Colli/Montinari), vol.  l,  p. 545.</p><p>7  Friedrich  Nietzsche,  T'fl)ilight  of the  Idols.  The  Problem  of Socrates,  3-4,  vol.  6, pp.  68-9,  Colli/Montinari  =  The  Portable  Nietzsche,  trans., intro.,  preface  and notes Walter  Kaufmann  (=  Viking Portable Library 62), New York  1 954, repr.</p><p>1 968 (hereafter PN ), pp.  474-5.</p><p>8  Nietzsche, "Socrates and Tragedy,'' vol.  1 ,  p.  544,  Colli/Montinari.</p><p>9  Nietzsche,  Twilight  of the  Idols.  The  Problem  of Socrates,  3.  On  this  anecdote, cf.  Cicero,  On  Fate,  5,  10;  Tusculan  Disp11tations,  4,  37,  80;  Alexander  of Aphrodisias,  On  Fate,  p.  1 7 1 ,   1 1   Bruns.  According  to  Zopyrus,  Socrates  was stupid and  slow because  he lacked  a  hollow  space  between  his  collar-bones.  We can  perhaps detect an  echo  of this notion  in Carus' description of the  "Boeotian type";  cf.  C.G.  Carus,  Symbolik  der  mensch/ichen  Gestalt,  1 858,  repr.  Hildesheim/Damstadt  1 962, p. 267.</p><p>IO  See above.</p><p>1 1   In  The  Birth  of Tragedy, 8, Nietzsche insists on the !llliance between wisdom and primitive  instinct in the figure of the Sileni and Satyrs. Compare Jung's remarks on  the  alliance  between  wisdom  and  buffoonery  in  the  nature  of the  elf (C.G.</p><p>Jung,  Von den  W11rzeln des  Bewussttins, Zurich  1 954, p. 42). See also the following note.</p><p>12  S0ren Kierkegaard, The  Concept of Irony with Constant Reference to SoCl"ates,  CW</p><p>31,  p.  1 0  =  trans.,  intro.,  and  notes  Lee  M.  Capel, New York  1965  (hereafter Capel), p.  50.</p><p>13  Plato, Symposi11m,  2 1 5b.</p><p>14  Nic1z11chc,  Twilight  of  the  Idols.  The  Problem  of  Socrates,  4,  vol.  6,  p.  69</p><p>Colli/Muntirmi =  PN,  p.  475.</p><p>IS  Pluto, .\'11111/111.11111111  2 l f1c.</p><p>172</p><p>Figures</p><p>1 6   Ibid, 22le.</p><p>1 7   Ibid, 2 1 6d.</p><p>1 8   K.  Gaiser,  Prolreptik  und  Paranese  bei  Platon.  Untersuchungen  zur  Form  des platonischen Dialogs,  Stuttgart  1 959, pp. 26,  149ff,  197.</p><p>1 9   Friedrich Nietzsche, Ecce Homo, 3, vol.  6, p. 320 Colli/Montinari =  in Friedrich Nietzsche,  On  the  Genealogy  of  Morals,  trans.  Walter  Kaufmann  and  R.J.</p><p>Hollingdale, New York  1 969 (hereafter Kaufmann and Hollingdale),  p.  280.</p><p>20  P.  Friedlander,  Plato  =  An  Introduction  (=  Bollingen  Series  59. 1 ),  trans.</p><p>H. Meyerhoff,  vol.  1 ,  2nd edn, Princeton NJ  1969,  p.  1 26.</p><p>21  Cf.  K.  Gaiser,  Platons  ungeschriebene  Lehre.  Studien  zur  systematischen  und geschichtlichen  Begriindung der  Wissenschafien  in der platonischen Schute,  Stuttgart 1 963,  2nd  edn  1 968;  H.-J.  Kramer, Arete bei Platon und Aristoteles.  Zum  Wesen und  zur  Geschichte  der  platonischen  Ontnlogie,  Heidelberg  1 959;  2nd  edn, Amsterdam  1 967.  On  the  history  and  current  state  of  the  question,  see J.  Wippern,  ed.,  Das  Problem  der  ungeschriebenen  Lehre  Platons  (= Wege  der Forschung  1 86), Darmstadt  1 972; M.-0. Richard, L 'Enseignement oral de Platon, une nouvelle interpretation du platonisme,  preface  Pierre Hadot, Paris  1986.</p><p>22  J.G. Hamann, Sokratische Denkwurdigkeiten, with notes by F.  Blanke, Giltershoh 1 959, p.  74.  ["In  an imitative way." - Trans.]</p><p>23  Cf.  BOhm, Sokrates,  cited  above,  n. 4.</p><p>24  J. Wahl, E.'tudes kierkegaardiennes,  3rd  edn,  Paris  1967,  p.  282.</p><p>25  S0ren Kierkegaard,  The  Point  of  View for my  Work  as  an Author,  CW 33, II,  1 , A&amp;5, p .  48  =  trans.,  intro.  and  notes  Walter  Lowrie,  New  York  1 962,  1 st  edn 1 939 (hereafter Lowrie), pp. 39-40.</p><p>26  S0ren  Kierkegaard,  Tagebilcher  (Diaries),  Dilsseldorf/Cologne  1 982,  vol.  2, p.  84  l= 8, A  27  ( 1 847)].</p><p>27  S0ren  Kierkegaard,  The  Instant,  CW 34,  p.  329.</p><p>28  Cf.  S0ren  Kierkegaard,  Concluding  Unscientific Postscript  (CW 16,  p. 240:  "Socrates was very careful  that there should  be  no  direct  relationship  between  the  teacher and the student." On indirect communication, see Wahl, Eludes Kierkagaardiennes, pp.  28 1-8, 584  (on  Nietzsche's  theory of the  mask).</p><p>29  Friedrich  Nietzsche,  Posthumous  Fragments,  June-July  1 885,  37  (7),  vol.  1 1 , p. 580 Colli/Montinari  =  WP 980 (1 885), p.  5 1 2.</p><p>30  Friedrich Nietzsche, Beyond Good 'and Evil, �40,  vol.  5,  p. 58 Colli/Montinari  =</p><p>trans.  with  commentary  Walter  Kaufmann,  New  York  1966  (hereafter  Kaufmann),  p.  5 1 .</p><p>3 1   Nietzsche,  Posthumous  Fragme11ts,  April-June  1 885,  34  (66),  vol.  1 1 ,  p .   440</p><p>Colli/Montinari.</p><p>32  Nietzsche,  The Dawn,  4, �42 1 ,  vol.  3,  p.  257  Colli/Montinari.</p><p>33  Nietzsche,  Ecce  Homo,  �3,  vol.  6,  pp.  319-21  Colli/Montinari  =  pp.  280--2</p><p>Kaufmann  and  Hollingdale.</p><p>34  E.  Bertram,  Nietzsche.  Versuch  einer Mythologie,  Berlin  1918,  repr.  Bonn,  8th edn 1965, p.  1 82. Bertram's entire chapter on Nietzsche and the Mask is essential reading.</p><p>35  Nietzsche,  Postlmt11&lt;111s Fragments, 6  (3), Summer  1 875, vol.  !!,  p. 97 Colli/Montinari .</p><p>36  Pinto, Repuli/ir,  337n; .\)1mp11si11111,  2 1 &lt;1c  5; Ap11lr111.y,  .1H11  I .</p><p><image l:href="#35"/></p><p>The Figure of Socrates</p><p>173</p><p>37  Aristotle, Nicot11achean Ethics,  l 108a  22;  l 1 27a  22.</p><p>38  Theophrastus,  Characters,  � 1 .</p><p>3 9   Cf.  H .  Lausberg,  Handbuck der literarischen  Rketorik,  Munich  1 960, ��582; 902, with  abundant  references.  One  of the  finest  examples  of  the  rhetorical  use  of irony is the praise of slavery in Montesquieu's L 'Esprit des  Lois,  1 5,  5 .</p><p>40  Cicero,  Lucullus,  1 5;  Brutus, 292-300.</p><p>41  Plato, Symposium,  221e.</p><p>42  Nietzsche, Human, All Too Human, �1 75, vol. 2, p. 627 Colli/Montinari = (Texts in  German  Philosophy),  trans.  R.J.  Hollingdale,  Cambridge  1 986  (hereafter Hollingdale),  p.  352.</p><p>43  Epictetus, Manual,  �46.  Cf.  F.  Schweingruber,  "Sokrates und Epiktet," Hermes 78 ( 1943),  pp.  52-79.</p><p>44  Plato, Republic, 337a. Cf.  Gorgias, 489e;  Tkeaetetus,  1 50c.</p><p>45  Aristotle,  On Sophistical Refutations,  1 83b8.</p><p>46  G.W.F.  Hegel,  Vorlesunge11  iiber  die  Gesckickte  tier  Philosophie,  vol.  2,  p.  65  =</p><p>Hegel's Lectures 3 vols, London 1 892, rcpr. London 1 955 (hereafter Haldane), vol.</p><p>I ,   p.  203.  The  pages  Hegel  devoted  to  Socrates  in  this  work  are  of  great profundity,  permeated  as  they  are by  the  great  problem  of romantic irony.</p><p>47  Cf.  P. Moraux, "La joute dialectique d'apres  le huitieme livre des Topiques," in G.E.L.  Owends,  ed.,  Aristotle  on  Dialectic  (=  Proceedings  of  the  Third Symposium  Aristotelicum),  Oxford  1968.  On  the  philosophical  significance  of such  dialectical  jousts,  cf.  E.  Weil,  "La  place  de  la  logique  dans  la  pensee aristotelicienne," Revue de  la  Metaphysique et de  Morale 56 ( 1 95 1 ),  pp.  283-3 1 5 .</p><p>48  0.  Apelt,  Platonische Aufiatze,  Berlin  1 9 1 2,  pp.  96-1 08. On  Socratic  irony, the reader may consult the important work of M.  Landmann, Elenktik und Maieutuk, Bonn  1950, and the excellent article by Rene Schaerer, "Le mecanisme de l'ironie dans  ses  rapports  avec  la  dialectique,"  Revue de Metaphysique  et  de Morale  49</p><p>( 1 94 1 ),  pp.  1 8 1 ff.  On  irony  in general, see  Vladimir Jankelevitch,  L 'lroni'e, Paris 1 964.</p><p>49  ["Splitting" and "doubling" - Trans.]</p><p>50  The logos  common  to Socrates  and  to  his  interlocutors  is  personified  in  Plato, Protagoras,  361 a.</p><p>5 1   Plato,  Theaetetus,  149aff.</p><p>52  Kierkegaard,  Point  of  View,  �2,  GW 33, II,  1 ,  A,  p.  40  = pp. 29-30 Lowrie.</p><p>53  Soren Kierkegaard, Philosophical Fragt11ents,  GW 10,  pp.  58,  2 1 .</p><p>54  Plato, Apology,  2 1 d 5 .</p><p>55  Plato, Symposi11m,  1 75d.</p><p>56  Xenophon, Memorabilia,  4, 4,  1 0.</p><p>57  Plato,  Lackes,  1 87e.</p><p>58  Plato, Apology,  36b.</p><p>59  Plato, Alcibiades,  1 20d4; Apology,  36c.</p><p>60  Nietzsche,  Untit11e(y Meditations, 3, 4, vol.  I ,  p. 374 Colli/Montinari. = trans. R.J.</p><p>Hollingdale, intro. J.P. Stern,  Cambridge  1 983, repr.  1990 (hereafter Hollingdale and  Stern),  pp.  I 5&#xFFFD;5.</p><p>61  Ibid, p . �</p><p>l73 Colli/Montinari =  p.  1 54 Hollingdale and Stem.</p><p>&lt;12  I bill,  3, 5,  p.  371J  Colli/ Monrinari  =  p.  1 58  Hollingdalc and  Stern.</p><p>1 74</p><p>Figures</p><p>63  Plato, Symposium,  2 1 6a.</p><p>64  Hegel  insists  strongly  on  this point; cf. History of Philosophy,  1 ,  28,  36,  =  vol.  1 , p .  442 Haldane:  "no people, and least o f  all a free people like the Athenians, has by  this freedom to recognize a  tribunal of conscience."</p><p>65  Socrates' will to die posed a grave problem for Nietzsche; we shall return to this point later.</p><p>66  Kierkegaard, ConduJing  Unscientific Postscript, pp. 82fT Lowrie.</p><p>67  Kierkegaard, Point  of  Vie111, Part II, ch.  2,  B  p.  61  Lowrie.</p><p>68  Cf. Wahl, Etudes Kierkegaardiennes, pp. 281 ff; and especially the author's remarks on  the relationship  between the  divine incognito  and  the  incognito  of the  writer, p.  285,  n.  I .</p><p>69  Nietsche,  Posthumous  Fragments,  April-June  1 885,  3 4   ( 1 48),  vol.  1 1 ,  p .   470</p><p>Colli/Montinari.</p><p>70  Cf.  Plato,  Apology,  23b:  "The  wisest  [sophotatos]  of you  men  is  he  who  has realized, like Socrates, that in respect of wisdom [sophia]  he is really worthless."</p><p>71  Cf. Wahl, Etudes ltierkegaardiennes,  pp.  387, 409  n.  I  (on Kierkegaard's negative theology).</p><p>72  Sercn Kierkegaard, Der Augenbliek ( The Instant ),  IO,  GW 34,  pp.  330-1 .</p><p>73  Friedlander, Plato,  p.  1 53 .</p><p>74  Werner Jaeger,  Paideia,  vol. 2 ,  Berlin  1 954, p .  64 .</p><p>75  Kierkegaard, Point of  Vie111,  GW 3 3 ,  p. 64  =  p. 61 Lowrie.</p><p>76  Plato, Symposium,  2 1 Sa; Phaedrus,  229-30; Alcibiades,  106a.</p><p>77  Plato,  Theaetetus,  149a.</p><p>78  Plato, Symposium, 22 1c-d.</p><p>79  Kierkegaard, Point  of  Vie111,  GW 33, p.  1 13 =  p.  102  Lowrie.</p><p>80  On  Socrates  and  Eros,  see  J.  Hillman,  "On  psychological  creativity,"  Eranos</p><p>Jahrbuch  35  ( 1 966),  pp.  370-98.  The  author  emphasizes  the  demonic aspect  of Socratic  Eros,  and  I believe our  investigations are mutually complementary.</p><p>8 1   Cf.  H.-1.  Marrou,  Histoirt  de  l'tducation  dans  l'Antiquite,  6th  edn,  Paris  197 1 , ch.  3:  "De  la  pederastie  comme  education"  ["On  pederasty  as  education"  -</p><p>Trans.].</p><p>82  Plato, Symposium, 2 1 7- 1 8.</p><p>83  Ibid, 2 1 8a, 21 5e, 222b.</p><p>84  Kierkegaard,  Concept  of Irony,  ch.  2, GW 3 1 ,  p.  1 94  =  p. 2 1 3  Capel.</p><p>85  Plato, Symposium, 200-1 .</p><p>86  See, above all, Leon  Robin, "Introduction," in Platon,  Le Banquet (Bude), Paris 1 95 1 ,  pp. Cl-CIX; Robin, La theorie platot1iciennt tlt /'amour, Paris  1 933,  p.  1 95; Friedlander, Plato, ch. 2: "Demon  and Eros."</p><p>87  ["Every lover is a soldier." - Trans.]</p><p>88  On  the  genealogy  of  Eros,  see  M.  Detienne  and  J.-P.  Vernant,  Les  ruses de  / 'intelligence.  La  mitis  des  Crees,  Paris  1974,  p.  140;  A.  Spies,  Mi/ital omnis amans.  Ein  Beitrag zur Biltlerspraehe tier antiken  Erotik, Tilbingen  1 930. On Eros  as  a  good-for-nothing,  see  the  Anthnlogia  Palatina,  Book  5,  Epigrams 176-80.</p><p>89  Plato,  Symposium,  203c-d,  220b.  On  Socrates  and  Eros,  Rec  JankC:IC:vitch,</p><p>/.  '/r011it,  pp.  1 22-5; T. Gould, l'/atonic l.nt�t,  London  11Jti3, p.  57.</p><p>The  Figure  of Socrates</p><p>1 75</p><p>90  Plato,  Symposium,  174a.</p><p>91  See  the passages quoted  by  Diogenes Laertius, Lives, 2, 27-8 ..</p><p>92  On  the  life-style  of Diogenes  the  Cynic,  see  Diogenes  Laertius,  Lives,  61  20</p><p>ff.  The  passage  containing  the  definition  of  Diogenes  as  a  "furious  Socrates"</p><p>(6,  54) is poorly  attested  textually,  but  is nevertheless not lacking in  psychological verisimilitude.</p><p>93  Friedlander, Plato, p. 368, n. 6.</p><p>94  The Greek  words chosen by Plato are intentionally ambiguous:  Eros  lusts after phronesis,  that is,  wisdom;  he  is  "resourceful"  (porimos);  and  he  "philosophizes"</p><p>(philosophon) all  through  his  life.</p><p>95  Plato, Symposium, 203d.</p><p>96  Aristophanes, Clouds,  445ff.</p><p>97  Plato, Symposium,  22 le.</p><p>98  ["Insolent, outrageous" - Trans.] Ibid, 1 7Se.</p><p>99  Ibid, 21 5c; cf. Meno, 80a3;  Charmides,  1 S5e; Phaedo,  77e.</p><p>100  Ibid, 2 1 8a-b.</p><p>101  Ibid, 220a-d.</p><p>102  Aristophanes,  Clouds,  362-3.  Cf.  Plato, Symposium, 221 b.</p><p>103  Cf.  Plato,  Symposium, 203--4. On the philosophical significance of these  simultaneous  negations,  cf.  H.-J .   Kramer,  Platonismus  u11d  hellenistische  Philosophie, Berlin/New York  197 1 ,  pp.  1 74--5, 229-30.</p><p>104  Plato, Symposium,  2 1 5b.</p><p>1 05  Ibid, 2 1 8e.</p><p>106  At Symposium, 2 1 7-2 1 ,  Alcibiades  insists on Socrates'  temperance and strength.</p><p>1 07  Cf.  Soren  Kierkegaard,  Christliche  Reden  (Cliristian  Speeches),  1848,  GW  20, p.  260:  "When,  in  the  course  of my  readings,  I  ran  across  Socrates,  my  hean began to pound  like  that of the young men  who held discus.11ions with  him.  The thought of Socrates inspired my entire youth, and filled my soul to overflowing."</p><p>See also Goethe's comment, below.</p><p>1 08  Gregory Thaumaturgus, Speech  in Praise  of Origen, 6, 83; 7, 97.</p><p>1 09  E. Bertram, Nietzsthe.  Versuch einer Mythologie, Berlin 1 9 1 8, repr. Bonn, 8th edn, 1965, pp. 3 1 8ff.  Friedlander, Plato, p. 50, also alludes to this section of Bertram's work.</p><p>1 10  Nietzsche, "Introduction to the Study of Classical Philology," in Niet:r.dies Werke, vol.  17: Philologita,  Leipzig  1910,  p.  333.</p><p>1 1 1  Johann  Wolfgang  von  Goethe,  Conversations with  Eikermatm,  trans. John Oxenford, 2  vols,  1 850, May  12,  1825.</p><p>1 1 2  Friedrich Holderlin,  The  Death of Empedotles,  First Version, Act 2, Scene 4.</p><p>1 13  Hillman, "Psychological creativity," p. 380.</p><p>1 14  Hamann, Sokratische Denkwurdigkeite11, pp.  1 49ff Hamann s Socratit Memorabilia, A  Translation  and  Commentary,  trans.  James  C.  O'Flaherty,  Baltimore  1967</p><p>(hereafter O'Flaherty),  pp.  1 69ff.</p><p>1 1 5  Johann  Wolfgang  von  Goethe,  letter to Herder, July  1 772: "War'  ich einen Tag und  cine Nacht Alzibiades  und  dann wollt'ich sterben."</p><p>1 1 6  Johann Wolfgang  vcm  Goethe,  Poetry  and Tr11th,  Hamburger  Ausgabe (hereafter HA), vol.  IO, 11.  1 75.</p><p>176</p><p>Figures</p><p>1 1 7  Johann  Wolfgang  von  Goethe,  "Urworte,  Orphisch.  The  Demon," HA,  vol.  1 , p .  359,  lines  5-8 :  "So  musst  d u  sein,  dir  kannst  du  nicht  entfliehen . .  ./und keine  Zeit  und  keine  Macht  zerstilckelt/Geprigte  Form  die  lebena  sich entwickelt."</p><p>1 18  On  Mignon's  aspirations,  cf.  Johann  Wolfgang  von  Goethe,  Wilhelm  Meister's Apprenticeship and  Travels,  From the Gennan of Goethe,  trans.  Thomas  Carlyle, 2</p><p>vols,  2nd  edn,  1 839, vol.  2,  p.  89:</p><p>Such  let me seem,  till such  I be;</p><p>Take not my snow-white dress away! Soon from  this dusk of earth I  flee</p><p>Up to the glittering lands of day.</p><p>There first a little space I  rest,</p><p>Then  wake so  glad,  to scenes so  kind</p><p>In earthly robes  no longer drest,</p><p>This  band, this girdle left behind.</p><p>And  those calm shining  sons of mom,</p><p>They ask not who is maid or boy;</p><p>No robes, no garments there are  worn,</p><p>Our body  pure  from sin's alloy.</p><p>[So lasst mich  scheinen, bis ich werde,</p><p>Zieht mir das weisse Kleid  nicht ausl</p><p>Ich eile von der schoncn Erde</p><p>Hinab in jenes  feste Haus.</p><p>Dort ruh' ich, cine kleine Stille,</p><p>Dann t&gt;fTnet sich der frische Blick;</p><p>Ich lasse dann die  reine  Hillie,</p><p>Den  Gurtel  und den Kranz zuriick.</p><p>Und  jene  himmlische Gestalten</p><p>Sic fragen nicht nach  Mann und Weib</p><p>Und  keine Kleider, keinc Falten</p><p>Umgeben  den verkliirten Leib.</p><p>Cf.  M.  Delcourt,  "Ultrumquc-neutrum,"  in  Melanges  11.-Ch.  Puech,  Paris  1 974, p.  1 22:  "A  stolen  child,  unhappy,  dressed  as  a  boy  and  hiding  her  sex,  Mignon  is depicted  as  a  ZIPillerhafles  Wesen  ["hybrid  being"  - Trans.).  Finally  reconciled  with herself,  she  plays the role  of an  angel  in a  children's celebration  and  sings  a  Lied  in which she foretells her imminent death: /ch eile von der sd1onen  Erde  . . .  "I am leaving the lovely earth in  haste  I  for that solid home . . .  and  the  heavenly  Forms  who live there  I  do  not  a.o;k  if one  is  man  or  woman  I  and  no  clothing,  no  veils  I  surround one's  transfigured  body." On the figure of Mignon, cf. also W.  Emrich, Die Symbolik von  Faust  fl,  Frankfurt  1957, pp.  1 72, 459, with  further bibliography.</p><p>1 19  On  Ottilia  and  the  Demonic,  in  relation  to  the  concept  of  the  U11ge/1e11res</p><p>! "monstrous"  �  Tnms. I, cf.  Emrich,  /Jit  .\'.vmlm/llt,  p.  2 1 7.  On  hern1111,hrodit iMm in  general, !ICC  ihid, pp.  1 7 1  (1.</p><p><image l:href="#54"/></p><p>The  Figure  of Socrates</p><p>177</p><p>1 20  Bertram,  Nietzsche,  ch.  20  {"Sokrates").  This  is  not  the  place  to  enter  into  a lengthy  discussion  of this  point,  but  it  seems  to  me  that  Bertram's  position  on the relationship between  Nietzsche and  Socrates  has not be&#xFFFD; surpassed  by  the more recent work on  the subject.</p><p>1 2 1   Friedrich  Nietzsche,  The  Gay  Science,  �340,  vol.  3,  p.  569  Colli/Montinari  =</p><p>trans.  Walter Kaufmann,  New  York  1974 {hereafter Kaufmann  1 974),  p.  272.</p><p>1 22  Nietzsche,  T'll1ilight  of  the  Idols,  The  Problem  of  Socrates,  �8,  vol.  6,  p.  7 1</p><p>Colli/Montinari  = PN,  p.  477.</p><p>1 23  Nietzsche,  The  Birth  of  Tragedy,  �13,  vol.  I,  p.  91  Colli/Montinari  =  p.  89</p><p>Kaufmann.</p><p>1 24  Plato, Symposium,  223c.</p><p>1 25  C.F. Meyer, Das Ende des Festes, in  Gedichte,  vol.  4: Da mit Sokrates die Freunde tranken</p><p>Und die Haupter auf die Polster sanken</p><p>Kam cin Jungling, kann ich  mich entsinnen,</p><p>Mit zwei schlanken Floterbliiserinnen.</p><p>Aus  dem  Kelchen  schiltten  wir  die  Neigcn,</p><p>Die gcsprichsmilden Lippen schweigcn,</p><p>Um  d ie  welken Kranze zieht ein Singcn . . .</p><p>Still! Des Todes Sclummerfloten klingen!</p><p>[Conrad  Ferdinand  Meyer  { 1 825-98)  was  one  of Switzerland's  greatest  poets  and novelists. - Trans.]</p><p>1 26  Friedrich  Holderlin, Der Rhein:</p><p>Nur  hat  ein  jeder  sein  Mass.</p><p>Denn schwer ist  zu  tragcn  /Das  Unglilk, aber schwerer das Glilk Ein Weiser abcr  vcrmocht es/Vom  Mittag bis in  die Mittemacht, Und  bis dcr Morgen erglinzte,</p><p>Beim  Gastmahl  helle  zu  bleibcn.</p><p>=Friedrich Ho"/derli,,, Poems and Fragments, trans. M. Hamburger, London  1966, p. 421.</p><p>1 27  "The most attractive book i n  Greek  literature,'' said Nietzsche in his Posthumoul Fragments, July  1 879, 41 , 2, vol.  8, p. 584 Colli/Montinari.</p><p>1 28  Nietzsche,  Friedrich  Nietzsche:  Human,  All Too Human,  A  Book for Fru Spirits,</p><p>�86, vol.  2,  pp.  59 1 -2 Colli/Montinari =  p.  332 Hollingdale.</p><p>1 29  Xenophon, Symposium,  2,  1 6.</p><p>1 30</p><p>"Warum huldigest du, heiliger Sokrates,</p><p>Diesem Jilnglinge stets?  kennest du Grassers nicht?</p><p>Warum sichet mit Liebe,</p><p>Wie auf Gotter,  dein  Aug'  auf ihn?"</p><p>"Wer das Tiefste gcdacht, liebt das Lebendigste Hohc Jugend  versteht, wcr in die Welt geblikt</p><p>Und  c11  nc:igen  die Weisen</p><p>01\  11m  l�:nde zu  Schtlncm sich."</p><p><image l:href="#73"/></p><p>1 78</p><p>Figures</p><p>1 3 1</p><p>wiihrend  dem  Menschen  nichts  Frohlicheres  und  Besseres  zu  Theil werden  kann,  als einem  jener  Siegreichen  nahe  zu  sein,  die,  weil sie  das Tiefite gedad1t, gerade das ltbendigstt lieben milssen und als  Weise am Ende zum  SchOnen  neigen . . .  Sie bewegen  sich  und  leben  wirklich . . .  weshalb es uns in ihrer Nahe wirklich einmal  menschlich  und  nati.irlich zu Muthe ist and  wir wie Goethe ausrufen m0chten:  "Was ist doch ein  Lebendiges fur  ein  herrliches  k0stliches  Ding!  wie abgemessen  zu  seinem  Zustande, wie wahr, wie seiendl"</p><p>Nietzsche,  Untimely  Meditations,  3,  Schopenhauer as  Educator,  2,  vol.  I,  p.  349</p><p>Colli/Montinari  =  p.  1 36  Hollingdale and  Stern.  [The  quotation  is taken  from Goethe's  ltalienische Reise,  October 9,  1 786. - Trans.].</p><p>1 32  Nietzsche,  The Birth  of  Tragedy,  �14- 1 5,  vol.  1, pp. 96;  102  Colli/Montinari  =</p><p>pp.  93-8  Kaufmann.  Socrates'  dream,  in  which  the  gods  order  him  to  devote himself to music,  is re'-'OUnted in Plato's Phaedo, 60-1 .</p><p>1 33  Plato, Phaedo,  1 1 8a.</p><p>1 34  Nieu.sche,  The  Gay  Science, �340,  vol.  3, pp.  569-70 Colli/Montinari  =  p.  272</p><p>Kaufmann  1 974.</p><p>1 35  Bertram,  Nietzsche,  p.  341 .</p><p>1 36  Nietzsche,  TJPilight  of  the  Idols.  The  Problem  of  Socrates,  � 1 2,  vol.  6,  p.  73, Colli/Montinari  =  PN,  p. 479.</p><p>1 37  Cf.  Helen  1-1.  Bacon,  "Socrates  Crowned,''  The  Virginia  Qparterly  RevitJP  35</p><p>( 1 959), pp. 41 5-30.</p><p>1 38  Plato, Symposium,  1 7Se.</p><p>1 39  Ibid, 2 1 2e.  Cf.  Gould, Platonic Love,  p. 40.</p><p>140  Ibid, 213e.</p><p>141  Ibid, 222d.</p><p>142  Ibid, 223d.</p><p>1 43  Ibid,  196e.</p><p>144  Ibid,  1 76c,  220a, 223d .</p><p>1 45  Ibid, 223d.</p><p>1 46  Ibid,  1 74d,  220c.</p><p>1 47  Nietzsche,  Em  Homo,  �6,  vol.  6,  pp.  307-8  Colli/ Montinari  =  pp.  268-9</p><p>Kaufmann and Hollingdale.</p><p>�</p><p>1 48  ["Come,  Holy  Spirit."  Otherwise  known  as  the  "Golden  Sequence,"</p><p>this  Whitsun  sequence  is  now  commonly  '-'Onsidered  the  work  of  Stephen Langton (ca.  1 1 50- 1 228), Archbishop of Canterbury and opponent of King John.</p><p>- Trans.)</p><p>1 49  Hamann, Sokratische Denkwiirdigkeiten,  pp.  1 49ff =  pp.  141 ff O'Flaherty.</p><p>I SO  ["Bend  what  is  stubborn,  warm  what  is  cold,  straighten  what  is  crooked."  -</p><p>Trans.]</p><p>1 5 1   Bertram, Nietzsche,  pp.  345-6.</p><p>1 52  Nietzsche,  Beyond  Good  and  Evil,  �295,  vol.  S,  p.  237  Colli/  Montinari  =</p><p>pp.  2 1 8-1 9  Kaufmann .</p><p><image l:href="#148"/></p><p>6</p><p>Marcus  Aurelius</p><p>1  The Meditations as a  Spiritual Exercise</p><p>The  Meditations  of  Marcus  Aurelius  - a  better  translation  of  the  Greek title  would  be Exhortalions  lo  Himself  were  first  published  in  the  West  by</p><p>-</p><p>the Zurich humanist Andreas Gesner, in  1 558-9. Since their first appearance, the  Meditations  have  continued  to  fascinate  readers.  Not  all  of  these readers,  however  - and  this  includes  many  historians  as  well  - have always  understood  what  Marcus  Aurelius  intended  to  accomplish  by  writing  this  book.  The  seventeenth-century  English  editors  and  translators Meric  Casaubon and Thomas Gataker still had  an  intimate sense  for ancient realities, and were well aware of the nature of the work with  which they were dealing.  The  Meditations,  they  realized,  were  a  collection  of hypomnemata (commentaria in Latin):  notes written on a daily basis for the author's personal use.</p><p>Many  authors  allude  to  the  existence  of this  literary  genre  in  antiquity.</p><p>Since  they were  not  intended  for  publication,  however,  such  writings  were destined  to  disappear.  We  owe  the  preservation  of Marcus'  Meditations  to some  happy  set  of circumstances,  quite  possibly  to  the  piety  of one  of the members of the emperor's immediate entourage.</p><p>Most  historians,  however,  have  anachronistically  projected  the  literary prejudices of their own epoch  back  upon  the  Meditations.  In the seventeenth and  eighteenth  centuries,  when  systematic  treatises  were  considered  the perfect  form  of philosophical  production,  it  was  generally  thought  that  the Meditations  should  be  brought  into  relation  with  the  composition  of some such  treatise.  Scholars  consequently  imagined  that  the  Meditations  were  the extracts or disjecta membra of such a hypothetical opus, or perhaps a series of notes  written  with  a view to its publication.</p><p>In  the  nineteenth  century,  characterized  as  it  was  by  romanticism,  it was widely  rccogni:r.ed  that  the  Meditations  were  a  collection  of hypomnemata  or per1mnul  notc11.  Frrquently,  however,  as  in  Renan's  great  study  Marcm</p><p>1 80</p><p>Figures</p><p>Aurelius  or the End of the  Ancient  World, 1  it  was  maintained  that Marcus had written  "a personal diary of his  inner states."</p><p>In  the  twentieth  century,  the  age  of  psychology,  psychoanalysis,  and suspicion,  the  very  fact  of  having  written  this  personal  diary  has  been interpreted as the symptom of a  psychological  malaise. It has become a clichC</p><p>to  speak of the  "pessimism" of Marcus  Aurelius.  E.R.  Dodds,2  for  example, insisted  on  the  perpetual  self-criticism  which  Marcus  carried  out  upon himself,  and related  this tendency to a  dream of Marcus',  which  is  preserved for  us by Dio  Cassius.3 On  the  night of his adoption,  says  Dio,  the  emperor dreamed  that  his  shoulders  were  made  of ivory.  According  to  Dodds,&#xFFFD;  this suggests  that Marcus suffered  from  an  acute identity crisis.</p><p>In a collaborative study, H. van Effentcrre and the psychosomatist R. Dailly undertook  to diagnose the  pathological aspects - both psychic and physiological  - of  what  they  termed  "the  case  of  Marcus  Aurelius." ;   Basing themselves  on  the  testimony  of Dio  Cassius,6  they  supposed  that  Marcus suffered from a gastric ulcer, and that the emperor's personality corresponded to  the psychological correlates of this illness:</p><p>The ulcer-sufferer is someone closed in on himself, worried, and  uneasy</p><p>. . .  a kind of hypertrophy of the sel f renders him unable to see his fellow men  . . .  in  the  last analysis,  it is  himself that he  is  looking  for in  others</p><p>. . .  He  is  conscientious  to  the  point  of  punctiliousness,  and  is  more interested  in  the  technical  perfection  of administration  than  in  human relationships,  although  the  former should  be only  the  sum  total  of the latter.  If he  is  a  thinking  man,  the  ulcer-sufferer  will  be  inclined  to search for justifications, to fabricate superior personalities, and to adopt Stoic or Pharisaic attitudes.7</p><p>For  these  authors,  Marcus'  Meditalions  arc  a  response  to  his  need  for</p><p>"self-persuasion" and  "justification  in his own  eyes." H</p><p>The  acme  of this kind  of interpretation  is no  doubt  the  article by Thomas W.  Africa,  entitled  "The  opium  addiction  of  Marcus  Aurelius." 9  Basing himself on  passages  in  Galen  and  Dio  Cassius,  the  author  tries  to  detect a genuine  addiction  to  opium on  the  part  of Marcus  Aurelius,  and  he  believes he can  discover  its  symptoms  in  the  Meditations.  In  fact,  however,  the  texts he cites do not constitute conclusive proof of Marcus'  drug addiction.  As  for the  texts  from  the Meditations themselves  cited  as  symptoms  of intoxication, Africa's interpretation  of them  is pure nonsense.</p><p>Dio  Cassius does  not  mention  opium  at  all;  he only  mentions that, during the  Danubian  campaign,  Marcus  did  not  eat  at  night,  and  during  the  day consumed  only  a  bit  of theriac  to  ease  his  chest  and  stomach. ID  Galen  docs indeed  mention  opium,1 1   but  in  such  a  way  t hnt  it  is  impossible  to  ded uce from  his  words  a  genuine  addict ion  to  opium.  I le  merely  11nys  thn t ,   during</p><p>Marcus Aurelius</p><p>1 8 1</p><p>the  Danubian  campaign,  Marcus  took  a  little  bit of theriac  every  day - "in the  quantity  of  an  Egyptian  bean"  - for  reasons  of security.  This  was  a frequent  custom  among  Roman  emperors,  since  theriac  was  considered  an excellent  antidote  against  poisons.  Because  theriac  contained  poppy-juice  -</p><p>that  is,  opium - Marcus experienced chronic fatigue during the  day  when he took it. He therefore had  the poppy-juice removed from the mixture, but then began  to  suffer  from  insomnia.  He  again  returned  to  taking  theriac  with poppy-j uice,  but  this time the  thcriac  was  aged  and  much  less  strong.  After the  death  of Marcus'  official  doctor  Demetrius,  Galen  himself was  charged with  the  composition  of  the  emperor's  theriac,  and  Marcus  was  entirely satisfied  with  his  services.  Galen  explained  to  him  that  his  theriac  was  the best, precisely because it was composed  according to traditional  proportions.</p><p>Marcus'  problems  with  fatigue  and  insomnia  were,  as  we can sec,  merely temporary.  Marcus  never  sought  out  opium  for  its  own  sake,  but  for  its medicinal  effects,  and  thanks  to  Galen  he seems  to  have  found  the  proper balance in  his  dosage.</p><p>In  the  last  note  to  his  article,  Africa  himself  admits  that,  even  if one consumed as much thcriac as Marcus did,  the quantity of opium  it contained was,  in  all  probability,  insufficient  to  produce  an  opium  addiction.  But,  he adds,  we  must suppose  that  the  prescribed  doses  were  not  always  respected, because we  must find some way of explaining the strangeness of the emperor's Meditations and  the bizarre nature of the  visions he describes.</p><p>Here  the  weakness of Africa's reasoning leaps to  the eyes.  We are  not at all certain,  he  argues,  that  Marcus  Aurelius  was an opium  addict,  but  we  have to presume that he was,  since we have somehow  to  explain  the strangeness of the Medittttions. This is a double sophism: first, even if Marcus' visions in the Meditations  are  bizarre,  nothing  obliges  us  to  explain  them  by  means  of opium; after  all,  Dailly  and van  Effenterre were content to explain  them by a gastric ulcer!</p><p>Africa thinks he can detect analogies between the Meditations and Thomas De Quincey's Confessions of an English  Opium-eater.  But  is such a comparison really possible?</p><p>We shall  let  Africa speak  for himself: 12</p><p>Marcus'  vision  of time as a  raging river carrying  all  before  it  into  the abyss of the future was no school doctrine of life viewed from the Porch but an  attempt  to  express  the extended  perspectives  of time  and  space which  opium had opened  up  to him.  Temporal  and  spatial  dimensions were accelerated  until  Europe was but a  speck and the  present  a  point and  men  insects crawling on  a  clod.  History  was  no longer a  reference hut  an  actual  pageant  of the  past  and  Marcus  shared  the  exacerbated scns;UionN  of his  follow-addict,  De  Quincey:  "The  sense  of space,  and in  the eml  t ill'  sense  of time,  were  both  powerfully  affected.  Buildings,</p><p><image l:href="#165"/></p><p>1 82</p><p>Figures</p><p>landscapes, etc., were exhibited  in  proportions so  vast as  the bodily eye  is not  fitted  to  receive.  Space  swelled  and  was  amplified  to  the  extent  of unutterable  and  self-repeating infinity.  This  disturbed  me  very  much  less than  the  vast  expansion  of time.  Sometimes  I  seemed  to  have  lived  for seventy  or  a  hundred  years  in  one  night;  nay,  sometimes  had  feelings representative of a  duration far beyond  the limits of human  experience." 13</p><p>The passages from Marcus Aurelius to which  Africa refers are the following: Eternity is a kind of river of events, and a violent torrent; no sooner has each  thing  been  seen,  than  it has been carried  away;  another  is  being carried along, and it too will be swept away. 14</p><p>Think often of the speed  with which all that is and comes  to be passes away and vanishes; for Being is like a river in perpetual  flux, its activities are  in  constant  transformation,  and  its  causes  in  myriad  varieties.</p><p>Scarcely anything is stable, even that which is close at hand. Dwell, too, on the infinite gulf of the past and the future, in which all things  vanish away.15</p><p>Pace  Mr Africa,  this  theme  is abundantly  attested  in  Stoicism.  Talce,  for example,  the  following passages  from  Seneca:</p><p>Place  before  your  mind's  eye  the  vast  spread  of  time's  abyss  and embrace  the  universe;  and  then compare what we call  human  life  with infinity . . . rn</p><p>Everything  falls  into  the  same abyss . . .  time  passes  infinitely  quickly . . .</p><p>Our  existence  is  a  point;  nay,  even  less;  but  nature,  by  dividing  this puny thing,  has given it the appearance of a longer duration. 17</p><p>This  image  is  a  venerable  one;  we  find  it  in  the  following  fine  verses  of Leonidas of Tarentum: "0 man, infinite was the time before you came to the dawn,  and  infinite  will  be  the  time awaiting you  in  Hades.  What  portion  of life remains for you,  but that of a  point, or  if there  is anything tinier than  a point?" 18  To  be  sure,  Marcus'  river  is  none  other  than  the  Stoic  river  of being, which "flows without ceasing," 19 but in the last analysis,  it is also the river of Heraclitus, who, Plato tells us, compared all beings to a river's flow.20</p><p>It is also, moreover, the river of the Platonists as mentioned by Plutarch:  "All things  simultaneously  come  to  be and  perish :  actions,  words,  and  feelings  -</p><p>for Time like a river carries everything away." 21  The  same  river is  mentioned by  Ovid :  "Time itself flows on  in  constant  mot ion,  just  like  a  river . . .  wave is  pushed  on  by  wavc." 21</p><p><image l:href="#4"/></p><p>Marcus Aurelius</p><p>1 83</p><p>When,  in  the  passage  quoted  above,  Seneca  uses  the  expression propone -</p><p>"place  before  your  mind's  eye'',  that  is,  "represent  to  yourself the  abyss  of time"  - he  makes  it  clear  that  he  is  talking  about  an  exercise  of  the imagination which  the S toic must practice.  It is an instance of the same kind of exercise  when,  in  his  Meditations,  Marcus  Aurelius  tries  to  embrace  the dimensions of the universe  in his imagination,  and  to look at things  from on high, 2l  in order  to  reduce them to  their  true  value.</p><p>Think  of the  whole  of being,  in  which  you  participate  to  only  a  tiny degree; think of the whole of eternity, of which a brief, tiny portion has been  assigned  to  you;  think  about  fate,  of  which  you  are  such  an insignificant part. 24</p><p>If  you  were  to  find  yourself  suddenly  raised  up  into  the  air,  and observed  from  on  high  the  busy  hodgepodge  of  human  affairs,  you would despise them, as you saw at the same time how vast is the domain of the beings inhabiting the air and  the ether.25</p><p>You  have  the  power  to  strip  off  many  superfluous  things  that  are obstacles to you, and that depend entirely upon your value-judgements; you  will  open  up  for  yourself  a  vast  space  by  embracing  the  whole universe  in  your  thoughts,  by  considering  unending  eternity,  and  by reflecting  on  the  rapid changes  of each  particular  thing;  think  of how short is the span between birth and dissolution, and how vast the chasm of time before  your birth, and  how  the span  after  your dissolution  will likewise be infinite.26</p><p>The  rational  soul  . . .  travels  through  the  whole  universe  and  the  void that surrounds  it . . .  it reaches out into the boundless extent of infinity, and it examines and contemplates the periodic rebirth of all things. 27</p><p>Asia and Europe arc little corners of the world; every sea is a droplet in the world; each present instant of time is a point in eternity; everything is puny, unstable,  and  vanishing.28</p><p>How puny a  portion of infmite,  gaping eternity has been assigned to each man;  it  vanishes  with  all  speed  into  the  Unending.  How  puny a  portion of the substance of the All; how puny a portion of the soul of the All.  Of the  whole  of the earth ,  how  puny  is the lump you are crawling on!29</p><p>The difference  between  these texts and  the passage quoted above from De Q�incey  lcnpN  to  t he  eye.  For  the  latter,  the distortion of time and  space  is, n11  it  wc1�c,  impoNcd  upon  him  from  outside;  the addict  is  the  passive  victim</p><p>1 84</p><p>Figures</p><p>of his  impressions. For Marcus, by contrast,  the  consideration of the infinity of time  and space is an active  process;  this is made quite  clear by his repeated admonitions  to  "represent  to  himself" and  "think  of"  the totality of things.</p><p>We  have  to  do  here  with  a  traditional  spiritual  exercise  which  utilizes  the faculties of the imagination.  De Quincey speaks of a distortion of the instant, which  takes  on  monstrous  proportions.  Marcus,  by  contrast,  speaks  of an effort  to  imagine the  infinite  and  the all, in order that all instants  and  places may  be  seen  reduced  to  infinitesimal  proportions.  In  Marcus'  case,  this voluntary exercise of the imagination presupposes a belief in the classical Stoic cosmological scheme:  the universe is situated  within an infinite  void,  and its duration  is  comprised  within  an  infinite  time,  in  which  periodic  rebirths  of the  cosmos  are  infinitely  repeated.  Marcus'  exercise  is  intended  to  provide him  with  a  vision  of human  affairs  capable  of  replacing  them  within  the perspective of universal nature.</p><p>Such a  procedure is  the very essence of philosophy.  We find  it repeated -</p><p>in  identical  form,  beneath  superficial  differences  of vocabulary  - in  all  the philosophical schools of antiquity.30 Plato, for instance, defines the philosophical  nature  by  its  ability  to  contemplate  the  totality  of time  and  being,  and consequently  to  hold  human  affairs  in  contempt.31  We  encounter  this  same theme32  among  Platonists  like  Philo of Alexandria�13  and  Maximus of Tyre;34</p><p>in Neopythagoreanism35 among the Stoics,36 and  even  among the Epicureans, as we  have seen  in the passage from  Metrodorus quoted above. 37</p><p>In Cicero's Dream of Scipio, the grandson of Scipio Africanus contemplates the  earth  from on  top  of the Milky Way.  The  earth appears so  small  to him that the Roman empire seems imperceptible, the inhabited world resembles a tiny island in the midst of the ocean, and  life itself seems  less substantial than a point.38 This theme was kept alive throughout Western tradition. One thinks of Pascal's "two infinities":  "Let the earth seem  like a  point . . .  compared  to the  vast orbit  described  by this star . . .</p><p>" 39</p><p>Marcus Aurelius'  notes  to  himself give  us  very  little information  about his personal experiences.  To be sure, in some chapters of the Meditations we can discern  some  minimal  autobiographical  data,  but  these  are  few  and  far between (only 35-40  chapters, out of 473, contain  such information). Often, these  details  consist  in  no more  than  a  name,  such  as  Pantheia,  mistress  of Lucius  Verus,  who  sat  next  to  her  lover's  tomb,  or  the  mimes  Philistion, Phoibos, and  Origanion.  Marcus tells  us practically nothing about himself.</p><p>But what about those numerous statements by  Marcus  which  seem steeped in  pessimism?  Don't they  tell  us  anything  about  his  psychological  states?  If one gathers  them  together,  they  certainly give the impression  of a  complete disdain  for  human  affairs.  We  seem  to  find  in  them  the  expression  of bitterness, disgust, and  even  "nausea" 40  in  the  face of hum an existence:  "Just like  your  bath-water  appears  to  you  - oil,  sweat,  filth,  dirty  water, all  kinds of loathsome  stuff - such  is  ench  port ion  of life,  11nd  every  Nllh11t11ncc." 41  In</p><p><image l:href="#22"/></p><p>Marcus  Aurelius</p><p>1 85</p><p>the  first  instance,  this  kind  of contemptuous  expression  is  reserved  for  the flesh  and  the body, which Marcus calls "mud," "dirt," and  "impure blood." 42</p><p>Yet  the  same  treannent  is  reserved  for  things  mankind  usually considers  as important values:</p><p>These  foods  and  dishes . . .  are  only  dead  fish,  birds  and  pigs;  this Falemian  wine  is  a  bit of grape-juice;  this  purple-edged  toga  is  some sheep's hairs dipped in the blood of shellfish; as for sex, it is the rubbing together of pieces of gut, followed by the spasmodic secretion of a little bit of slime.43</p><p>Marcus takes a similarly illusion-free view of human activities:  "Everything highly  prized  in  life is empty, petty,  and  putrid;  a  pack of little  dogs biting each other; little children who fight, then laugh, then burst out crying." 44  The war  in  which  Marcus defended  the  borders  of the empire  was,  for him,  like a hunt for Sarmatian slaves, not unlike a spider's hunt for flies.45 Marcus cast a pitiless glance on  the chaotic agitation of human marionettes:  "Think about what they're like when they're eating, sleeping,  copulating, defecating. Then think  of what  they're  like  when  they're  acting  proud  and  important,  when they get angry and upbraid their inferiors. " ""  Human agitation is all the more ridiculous  because  it  lasts  only an instant,  and  ends up as very  little indeed:</p><p>"Yesterday,  a  little  bit of slime,  tomorrow  ashes  or a  mummy." 47</p><p>Two  words  suffice  to  sum  up  the  human  comedy:  all  is  banal,  and  all  is ephemeral.  Banal, because  nothing is new  under the sun: Always bear in mind that everything is exactly  the way it comes to pass right now; it has happened  that way before, and it will  happen that way again.  Make them come alive before your mind's eye, these monotonous dramas  and  scenes,  which  you  know  through  your  own  experience  or through ancient history; picture the whole court of Hadrian, of Antoninus,  of  Philip,  Alexander,  and  Croesus.  All  these  spectacles  were identical;  the only thing that changed  were the actors.48</p><p>Banality and boredom reach the point of being sickening: Just as you  get sick of the games  in  the arena and such places,  because they  arc  always  the  same,  and  their  monotony  makes  the  spectacle tedious, so feel the same way about life as a  whole.  From top to bottom, everything is the same, and comes from the same causes. How long will this go on?49</p><p>Not  only  arc  hum1tn  nffnirs  tedious:  they  arc  also transitory.  Marcus tries  to mnkc the hunutn 11wnrm11 of 11ast ages come  alive  in  his imagination,111 picturing</p><p>i86</p><p>Figures</p><p>the  days of Trajan or Vespasian,  with  their weddings, illnesses,  wars,  feasts, trading,  agriculture,  ambition,  and  intrigues.  All  these  human  masses  have disappeared  without  a  trace,  observes  Marcus,  along  with  their  activities.</p><p>Marcus  also  tries  to  imagine  this  incessant  process  of destruction  at  work upon  those  around  him.51</p><p>Marcus has no patience  for those who would try to console themselves for the  brevity  of existence by  the  hope  that  they  will survive  in  the  name  they leave  to  posterity.  "What's  in  a  name?"  he  asks:  "A  mere  noise,  or  a  faint echo." 52  At best,  this  miserable,  fleeting  thing  will  be  transmitted  to  a  few generations, each  of which will last as  long as a  lightning-flash in  the infinity of time.53 We ought not to be fooled  by such  an  illusion:  "How many do not even know your name, and how many will very soon  forget  it." 54  "Soon  you will  have  forgotten  everything;  soon,  too,  everything  will  have  forgotten you." ss</p><p>Such  an  accumulation  of pessimistic  utterances  is  indeed  impressive.  We should  be  careful,  however,  of deducing  from  them over-hasty conclusions about  Marcus'  own  psychology.  It  is  too  facile  for  us  to  imagine  that,  like many modem authors, ancient writers wrote in order directly to communicate information,  or  the  emotions  they  happened  to  be  feeling.  We  assume,  for instance,  that  Marcus'  Meditations  were  intended  to  transmit  his  everyday feelings  to  us;  that  Lucretius  was  himself an  anxious  person,  and  used  his poem  On  the  Nature  of  Things  to  try  to  combat  his  anxiousness;  that Augustine  was  really  confessing  himself in  his  Confessions.  In  fact,  however, it is not enough to consider the obvious, surface meaning of the phrases in an ancient text in order fully to understand it. Rather, we must try to understand why  these phrases were written  or spoken;  we  must discover  their finality.</p><p>Generally speaking,  we can  say  that  Marcus' seemingly pessimistic declarations  are  not  expressions of his  disgust  or disillusion  at  the  spectacle of life; rather, they are a  means  he employs  in order to change  his way of evaluating the events and  objects which  go to  make  up human  existence.  He does  this by  defining  these events  and  objects  as  they  really  are  - "physically,"  one might  say  - separating  them  from  the  conventional  representations  people habitually  form  of them.  Marcus'  definitions of food,  wine,  purple togas,  or sexual union arc intended to be "natural. "  They are technical, almost medical definitions  of  objects  which,  when  considered  in  a  purely  "human"  way, provoke  the  most  violent  passions,  and  we are  to  use  them  to  free  ourselves from  the  fascination  they  exercise  upon  us.  Such  definitions  do  not express Marcus'  impressions;  on  the  contrary,  they  correspond  to  a  point  of  view intended to be objective, and which is by no means Marcus' invention. Already in  antiquity,  for  instance,  Hippocrates  and  Democritus  were  said  to  have defined  sexual  union  as "a little epilepsy."</p><p>When  Marcus pitiles.11ly  imagines  the  intimate  life of the arrogant  "eating, sleeping,  copulating,  defecating,"  he  iH  t rying  lo  ((ivc  11  p/011fral  viNinn  of</p><p><image l:href="#42"/></p><p><image l:href="#1"/></p><p>Marcus Aurelius</p><p>1 87</p><p>human  reality.  We  find  a  similar  reflection  in  Epictetus,  concerning people who  are  content  just  to  discourse  about  philosophy:  "I'd  like  to  stand  over one  of these philosophers when  he's  having  sex,  so  as  to see  how  he sweats and  strains,  what  kind  of grunts  and  groans  he  utters;  whether  he can  even remember his own name, much less the philosophical discourses he has heard, declaimed, or read!" 56 Marcus  applies  the same method to  our idea  of death:</p><p>"consider  what  it  is  to  die;  and  that,  if  one  looks  at  death  in  and  of itself, dissolving  the  images  associated  with  death  by  taking  apart  our  common conception  of it,  he will not  suspect it to be anything other than a product of Na tu re. "  57</p><p>As we have seen,  Marcus' effort to confront existence in all its naked reality leads him to glimpse processes of decay and dissolution already at work in the people and  things  around  him, or to  make  the court of Augustus come alive before his eyes for an instant, so  as to realize that all these people, so alive in his imagination, are in fact long dead.  Yet we have no more right to interpret this as  obsession  with  death  or  morbid  complacency  than  when,  in  the  film Dead Poets ' Socie&#xFFFD;y, Robin Williams makes his students study a picture of the school's  old boys.  Williams'  character  is  trying  to  make  his  charges  understand  the  meaning of carpe diem ("seize  the  day"),  the  irreplaceable  value of each  instant of life,  and  it  is  with  this  goal  in  mind  that  he emphasizes  that all the faces in the class photograph, so  young and alive, arc  now  long dead.</p><p>Moreover,  when Marcus speaks of the  monotony of human existence,  it  is not  in  order  to  express  his own  boredom,  but  in  order  to  persuade  himself that death  will  not  deprive  us  of anything essential.  In Lucretius,  the  same argument  is  used  by  nature  herself,  to  console  man  for  the  misfortune  of death:  "There is  no  new  invention  I  can  think  up  to  please  you;  everything is  always the same . . .  what lies  in  store  for you is always the same even</p><p>.</p><p>.</p><p>.</p><empty-line/><p>if you  were  never to die." 58</p><p>In  the  case  of Marcus  Aurelius,  all  these  declarations  are  the  conscious, voluntary application of a method which he formulates in the following terms: always make a definition or description of the object that occurs in your representation,  so as  to  be able to  see it as  it is iri  its essence, both as  a whole  and  as  divided  into  its  constituent parts,  and  say  to  yourself its proper name and the names of those things out of which it is composed, and  into  which  it  will be dissolved.59</p><p>This method is quintessentially Stoic: it consists in refusing to add subjective value-judgments  - such  as  "this  object  is  unpleasant,"  "that  one  is  good,"</p><p>"this one is bad," "that one is beautiful,"  "this is ugly" - to the  "objective"</p><p>representation  of things  which  do not  depend  on  us,  and  therefore  have  no morn!  v11luc.�.  The  StoicK'  notorious  phantasia  kata/eptike which  we  have</p><p>-</p><p>trn11Nl11tt�d  1111  1111hl,�t�1 ivc  representation"</p><p>tokes  place  precisely  when  we</p><p>-</p></section><section><p>1 88</p><p>Figures</p><p>refrain  from  adding any  judgment  value  to  naked  reality.60  In  the  words  of Epictetus:  "we shall never give our assent  to anything but that of which  we have an objective representation," 61  and he adds the following illustration: So-and-so's  son  is dead.</p><p>What happened?</p><p>His  son  is  dead.</p><p>Nothing else?</p><p>Not a  thing.</p><p>So-and  so's  ship sank.</p><p>What happened?</p><p>His ship  sank.</p><p>So-and-so  was carted  off to prison.</p><p>What happened?</p><p>He was carted  off to prison.</p><p>- But if we now add  to this "He has had  bad  luck,"  then  each  of us  is adding this observation  on  his own  account.62</p><p>In  these  objective/realistic  definitions,  some  historians63  believe  they  can discover the  traces  of an attitude of repugnance in the  face of matter and  the objects of the physical  world.  Thus, according to  this  view, Marcus Aurelius renounced the Stoic doctrine of the immanence of divine reason in the world and  in matter,  and  there  is no  longer any  trace  in him of the  admiration  felt by Chrysippus for the phenomenal world. We can therefore, it is alleged, find traces  in  Marcus  of  a  tendency  to  affirm  the  transcendence  of  a  divinity existing apart  from  the phenomenal  world.</p><p>Some  passages  in  Marcus  do  indeed  seem  provocative  in  this  regard,  but they require the most painstaking interpretation.  When, for instance, Marcus evokes  "the  putridity  of  the  matter  underlying  all  things . . .  liquid,  dust, bones,  stench," M  he  does  not mean  to  say  that matter  itself is  putrefaction; rather, he wants to emphasize that  the transformations of matter, qua natural processes, are necessarily accompanied by phenomena which seem to  us  to be repugnant, although  in  reality they too are natural.</p><p>The passage  we have cited  above65 may seem even more provocative: "Just like  your bath-water appears to  you  - oil,  sweat,  filth,  dirty  water,  all  kinds of loathsome  stuff - such  is each  portion  of life,  and  every  substance." This concise text can be interpreted in several different ways. In the first place, we could  say  that  Marcus  is  here  applying  his method  of objective  definitions.</p><p>What  he  means  to  say  would  be  this:  "when  I  observe  physical  and physiological  phenomena  as  they  truly  are,  I  have  to  admit  that  there  nre many  aspects  of  them  which  seem  to  me  to  he  diNl(UNt inl(  or  1 rlvi11l:  1 hcy</p><p>Marcus Aurelius</p><p>1 89</p><p>consist  of dust,  the  filth  which  covers  abandoned  objects,  bad  smells,  and stenches.  Our  objective  representation  must  recognize  all .these  aspects  of reality, without seeking to conceal any of them." Yet this realist vision has a threefold  function.  In the  first place,  it is intended  to prepare us  to confront life  such as it is.  As Seneca remarks,</p><p>To be offended by these things  is just as ridiculous as to complain that you got splashed in the bath, or that you got pushed around in a crowd, or that you got dirty  in  a mud-puddle. The same things  happen  in  life as  in  the  baths,  in  a  crowd,  or  on  the  road . . .  Life  is  not  a  delicate thing.66</p><p>Secondly,  the  realistic  outlook  is  not  intended  to  deny  the  immanence  of reason  in  the  world, but to  persuade  us  to search  for reason  where  it  can  be found  in its purest state:  in the daimon or inner genius, that guiding principle within  man, source of freedom  and  principle of the moral  life.</p><p>Finally,  by  reinforcing  the  sombre  tones  of disgust  and  repulsion,  such definitions are intended  to  provide a contrast with  the splendid illumination which transfigures all things when we consider them from  the perspective of universal reason.  Elsewhere,  Marcus  does  not  hesitate to  declare: Everything comes from above, whether it has originated directly in that common  directing  principle,  or  whether  it  is  a  necessary  consequence thereof.  Thus,  the  gaping  jaws  of  a  lion,  poison,  and  all  kinds  of unpleasant  things,  like  thorns  and  mud,  are  by-products  of  those venerable, beautiful things on high. Don't imagine,  therefore,  that these unpleasant  things  are  alien  to  that  principle  you  venerate,  but  rather consider that source of all  things. 67</p><p>Here  it  is  quite  clear  that  filth,  dust,  and  other  such  apparently  repulsive aspects of reality are the necessary consequence of a natural process which, in the  last  analysis,  goes  back  to  universal  reason.  It  is  thus  not  matter  itself which seems repulsive to  us, but the accessory phenomena which accompany its  transformations.  Here  Marcus68  is  in  complete  accord  with  Stoic  orthodoxy,  according  to  which  matter  is  docile  and  subservient  to  reason,  which molds and governs it.  The function of Marcus'  physico/objective definitions is  precisely  to  make  us  realize  that  the  feelings  of repulsion  we  feel  in  the presence of some phenomena which accompany natural processes are nothing but an anthropocentric prejudice. In the following charming passage, Marcus expresses his belief that  nature  is beautiful in all its aspects: There  iK  Komc:thing  pleasant  and  attractive  about  even  the  incidental hy-prudm�111 of 11111ur1d  l'hc:nomc:na.  For  instance,  when  bread  is being</p><p><image l:href="#79"/></p><p>190</p><p>Figures</p><p>baked,  some  parts of it  split open,  and  it  is precisely  those  parts  which split apart  in  this  way,  and  which,  in  a  sense,  have  nothing to  do  with bread-making  itself,  which  are  somehow  quite  appropriate,  and  excite our appetite in a most particular way. The same is true of figs: it is when they  are  at  their  ripest  that  they  burst  open.  In  the  case  of very  ripe olives,  it  is  precisely  their  proximity  to  decay  which  adds  to  them  a certain  beauty.  The  same  is  true  with  ripe  ears  of corn  which  bend towards  the  ground;  with  the  lion's  wrinkled  forehead;  with  the  foam spuming  forth  from  the  mouths  of  wild  pigs,  and  many  other  such things:  if we look at them in isolation,  they are far from being beautiful.</p><p>Nevertheless,  because  they are incidental  by-products  of natural  processes, they add to the beauty of these processes and have an attractive effect  on  us.  Thus,  as  long  as  one  has  a  feeling  for,  and  a  deep understanding of Nature's processes,  there is scarcely any of the things that occur  as incidental by-products  which will not present itself to one as  pleasant,  at  least  in  some  of its  aspects.  Such  a  person  . . .  will  look upon  the  actual  gaping  jaws  of wild  beasts  with  no  less  pleasure  than upon  all the imitations of them that sculptors and painters offer us. With his wise vision,  he  will  be able to discern  the rich maturity of old men and  women,  as  well  as  the  lovely  charm  in  young children;  and  there arc  many  such  things,  which  do  not  appeal  to  everyone;  only  to  that person who has truly familiarized himself with nature and its workings.69</p><p>It  is instructive  to  compare  this  text  with  the  passage  from  Aristotle  quoted abovc.70</p><p>Already  in  Aristotle,  but  especially  in  Marcus  Aurelius,  we  can  see  a revolution taking place.  In the place of an idealistic aesthetics, which considers as  beautiful only  that  which  is rational  and  functional,  manifesting beautiful proportions and an ideal form, there appears a realistic aesthetics which finds beauty in things just the way they are,  in everything that lives and exists.  We know  from  Aulus  Gellius,71  moreover,  that  Marcus'  distinction  between nature's  original  plan  and  the  unforeseen  consequences  resulting  from  this plan goes back to Chrysippus. Thus, in this case as well, Marcus stands firmly within orthodox  Stoic tradition.</p><p>To  return  to the  "provocative" passage with  which  we began:72  it appears that  Marcus'  meaning  is  as  follows.  When  dealing  with  what  the  Stoics termed  indiflerentia73</p><p>that  is,  things  which  depend  not  upon  us,  but  upon</p><p>-</p><p>universal nature- we must not make any  distinction between what is  repulsive and  what  is  pleasant;  any  more  than  does  nature  itself.74  Dirt,  mud,  and thorns, after  all, come from the same source as  the  rose  and  the springtime.</p><p>Thus,  from  the  point  of view  of  nature,  and  therefore  also  of  whoever  is familiar  with  nature,  there  is  no  distinction  t.o  he  made  between  hath-water and  the rest of ercntion :  cvcrythinl{ iN</p><p>"nnt ur11I . "</p><p><image l:href="#93"/></p><p>Marcus Aurelius</p><p>1 9 1</p><p>We  can  hardly  hope  to  deduce  Marcus'  psychological  states  from  any  of the  preceding.  Was  he  an  optimist  or  a  pessimist?  Did  he  suffer  from  a stomach  ulcer? The Meditations do not allow us to respond to these questions.</p><p>All  we  can  learn  from  them  is  about  spiritual  exercises,  as  they  were traditionally practiced by the Stoics.</p><p>2  Epictetus</p><p>In  Marcus Aurelius'  day,  the greatest authority in questions of Stoicism  was Epictetus.  As  the  slave of Epaphroditus,  one  of Nero's  freedmen,  Epictetus had attended the classes of the Stoic Musonius Rufus. When Epictetus in turn was  subsequently  freed  by  Epaphroditus,  he  opened  a  philosophy  school  at Rome.  In  AD  93-4,  Epictetus  fell  victim  to  the  edict  by  which  the emperor Domitian banished philosophers from Rome and Italy, and he set himself up in  Nicopolis  in  Epirus.  There  he opened another school,  where  one  of his regular students was  the  future  civil servant and  historian  Arrian of Nicomedia.  It was Arrian who was responsible for transmitting what we know about Epictetus' teaching; for Epictetus, like many philosophers in antiquity, never wrote anything down.</p><p>What Arrian  thus  preserved  for us  was  not  the technical  part  of Epictetus'</p><p>philosophical  instruction  - his  commentaries  on  Stoic  authors  such  as Chrysippus,  for  example,  or  his  more  general  explanations  of  doctrine.</p><p>Rather, what Arrian copied  down was the discussions which, as  was usual in ancient philosophical schools,  took  place after the technical part of the class.</p><p>In  these  discussions,  the  master would reply to  questions from his audience, or  enlarge  upon  particular  points  which  were  of  importance  for  leading  a philosophical life.75  It  is important to emphasize  this  point, for it means that we  must not expect  to  find  technical,  systematic  expositions of every aspect of Stoic  doctrines  in  Epictetus'  Discourses.  Instead,  they  deal  with  a  rather limited  number of problems,  for the  most  part restricted  to  ethical  matters.</p><p>This does  not  prove,  of course,  that  Epictetus  did  not  take  up  the  whole  of the  Stoic  system  in  the  course  of his  theoretical  teaching.  Besides,  only  the first  four books of Arrian's  work  have survived.  We know from a  passage in Aulus  Gellius,76  who  cites  an  extract  from  the  fifth  book  of  Epictetus'</p><p>Discourses,  that a  part of the work has been lost.  For these two reasons, then, we  must be  wary  of concluding,  on  the  basis of these  collections of Arrian's notes, that theoretical  philosophical  teaching gradually became  impoverished in the course of later Stoicism.</p><p>What we can  say  is  that  Epictetus did  insist  very  strongly  upon  a  concept that  was  traditional  in  Stoicism:n  the  difference  between  discourse  about philosophy  and  the practice of philosophy itself.</p><p>h  is 11omc1 ime11 claimed  that  the  Stoics recognized  two  parts of philosophy: on  the cmc  h111ul ,  t h&#xFFFD;y  di11tinguished  :i  t heoretical discursive  part, comprising</p><p>-</p><p><image l:href="#110"/></p><p>192</p><p>Figures</p><p>physics  and  logic;  that  is,  the  study  of nature  and  of the  rules  of discourse.</p><p>On  the  other,  there  was  the  practical  part  of philosophy,  corresponding  to ethics.  This  is  incorrect.  Rather,  both  theoretical  philosophical  discourse  and philosophy  itself  as  it  was  lived  and  experienced  were  made  up  of  three constituent parts.</p><p>In  theoretical  philosophical  discourse,  the  three  parts  of philosophy  were necessarily distinguished. They  were made  the object of separate explanations, developed  according  to  a  logical  principle  of succession,  and  they  laid  the foundations  for  and  developed  the  basic  principles  of Stoic  doctrine.  On  the level  of theoretical  discourse,  then,  the  parts  of philosophy  were  in  a  sense external  to  one  another,  in  accordance  with  the  requirements  of  didactic exposition.  Philosophy itself,  however,  is  the exercise of wisdom;  it  is  a  unique act,  renewed  at  each  instant,  and  it  may  be  just  as  well  described  as  the exercise of logic,  physics,  or ethics,  according to  the subject-matter on  which it  is  exercised,  without  its  unity  being  in  any  way  diminished.  On  this  level, we  are  no  longer  concerned  with  theoretical  logical  - that  is,  the  theory  of correct  reasoning - rather,  we are concerned  not to let ourselves  be  deceived in  our  everyday  lives  by  false  representations.  We  arc  no  longer  concerned with  theoretical physics - the theory of the origin and evolution of the cosmos</p><p>- we  are  concerned  with  being aware  at  every  instant  that  we  are parts of the cosmos, and  that  we  must make our desires conform  to  this  situation .  We no longer  do  ethical  theory  - the  definition  and  classification  of  virtues  and duties - we simply act in  an  ethical  way.</p><p>Concrete  philosophical  praxis  requires  that  we  always  bear  in  mind the  Stoics'  fundamental  dogmas.  These  dogmas  were  intended  to  constitute  the  basis  for  our  rectitude  of  judgment,  our  attitude  toward  the cosmos,  and  the  conduct  we  should  adopt  towards  our  fellow  citizens  within the  city.  Philosophy  as  it was  lived  and  experienced  thus  implied continuous exercises  of meditation and  constant vigilance,  in order to  keep alive  in  one's mind  the  principles  taught  by  theoretical  discourse.</p><p>If we  want  to  understand  why  Epictetus  attaches  so  much  importance  to what  he  terms  "the  three  areas  of exercises,"  we  shall  have  to  bear  in  mind this  distinction  between  theoretical  philosophical  discourse  and  concrete philosophy  as  it  is  lived  and  experienced.  In  the  Discourses  as  reported  by Arrian,  these  three  areas are  presented  with  such  systematic  rigor  that  we are justified  in  suspecting  that  this  doctrine  had  an  important  role  to  play  in Epictetus'  theoretical  teaching.</p><p>Epictetus  bases  his  doctrine  on  the  traditional  Stoic  distinction  between things  which  depend  on  us  and  things  which  do  not:  "What  depends  on  us is  value-judgments,  inclinations  to  act,  desires,  aversions,  and,  in  a  word, everything that  is our  doing.  What does  not  depend on  us  is  the body, wealth, glory,  high  political  positions,  and,  in  a  word,  everything that  is not  our own doing." 78  What  depends  u1,on  us is  t he  nets of our own  soul, hcc11u11c  we  11rc</p><p>Marcus Aurelius</p><p>1 93</p><p>able  freely to  choose  them.  What does  not  depend  on  us is  those  things  that depend  on  the  general course of nature  and of fate.  Among  the  acts  of the soul  which  do  depend  on  us, some correspond  to  the area of judgment and assent, others to the area of desire, and, finally, still others correspond  to the area of inclinations to action.</p><p>For  Epictetus,  then,  it  is  these  three  areas,  acts  of the  soul,  or  aspects  of</p><p>"that  which  depends  on  us"  which  define  the  three  forms  of philosophical exercises.  By  comparing  the  relevant  passages  in  Epictetus'  Discourses,19  we can present the theory of the three  forms  or areas of philosophical exercises as  follows.</p><p>The first area is that of desire and  aversion. People are  unhappy because they desire things they may  either  lose or fail to obtain, and  because they try to  avoid  misfortunes  which  are often  inevitable.  This  happens  because such desiderata  as  wealth  and  health,  for  example,  do  not  depend  on  us.  The discipline  of  desire  consequently  consists  in  accustoming  ourselves  to  the gradual  renunciation  of such  desires and  aversions,  so  that,  in  the  end,  we shall desire only that which does depend on us - moral virtue - and shall also avoid only that which depends on us - moral evil. We are to regard everything which does not depend on us as indifferent; that is to say, we must not make any difference between such things. Rather, we must accept them  all,  willed as they  are by  universal  nature.  The  discipline of desire concerns  the  passions or emotions ( pathe)  which  we feel as a  result of what happens to  us.</p><p>The  second  area  of exercises  is  that of motivating  inclinations,  or  action.</p><p>For  Epictetus,  this  area  is  related  first  and  foremost  to  human  relationships within  the  city.  It  corresponds  to  what  the  Stoics  traditionally  called  "the duties" (ta kathekonta): those actions which are appropriate to the inclinations of our nature.  Duties are actions - they thus fall under the category of things which depend on us - bearing upon objects which do not depend on us - such as other people, politics, health, art, etc. As we have seen, such objects ought to  be  matters  of indifference;  yet,  by  dint of a  reasonable  justification,  they can  be considered  as corresponding to that deeply-embedded  instinct  which impels rational human nature to act for its own conservation. Duties are thus actions  "appropriate"  to  our  rational  nature,  and  they  consist  in  placing ourselves in the service of the human community, in the form of the city/state and  of the  family.</p><p>The third  area of exercises is that of assent (sunkatathesis).  Epictetus urges us  to  criticize  each  representation  ( phantasia)  as  it  presents  itself to  us,  and give our assent only to that  which  is  "objective." In other  words, we are  to set  aside  all  subjective  value-judgments.  Epictetus  formulates  the  principle guiding  this  exercise  as  follows:  "People are  not troubled  by  things, but by their j udgements abo111  things. " 80</p><p>For  Epk-u:tu11,  these  three  areas  (topoi)  of  exercise  correspond  to  the t hree  1111pcL'IN  1 11'  11hil111111phy  as  it  is  lived  and  experienced ,  as  opposed  to</p><p><image l:href="#126"/></p><p>194</p><p>Figures</p><p>the  three  parts of philosophical discourse.  This  becomes  clear  from  a  passage in the Discourses in which he criticizes pseudo-philosophers, who are content just to  read  theoretical discourses about philosophy.  Here  we can  clearly  see that  the  second  and  third  areas  correspond  respectively  to  ethics  and  to dialectics.  The  connection  between  logic  and  the  third  of  our  topoi  is particularly evident:</p><p>It is as  if,  in the area of the exercise of assent,  we were surrounded  by representations, some of them "objective" and others not, and we did not want  to  distinguish  between  them,  but  preferred  to  read  treatises  with titles  like  On  Comprehension!  How  does  this come  about?  The  reason  is that we have never carried  out our  reading or our writing in  such a  way that, when it comes to action, we could use the representations we receive in a  way  consonant  with  nature;  instead,  we  arc content  when  we  have learned  what  is  said  to  us,  and  can  explain  it  to  others;  when  we  can analyze  syllogisms and  examine hypothetical  arguments.81</p><p>In this passage, Epictetus underlines the opposition between, on the one hand, theoretical logic, as  it  was  set  forth  in treatises with  titles like On  Comprehension; and, on  the  other, what we might  term  "lived  logic," or logic as applied to  life,  which  consists  in  the  discipline  of assent,  and  the  critique  of those representations  which actually do present  themselves to  us.  In the rest of this passage,  we  find  the  same  opposition  between  theoretical  discourse  and practical, "lived" exercises, this time with regard to the second area. Epictetus shows  that  the  only  justification  for  reading  theoretical  treatises  like  On Inclination  or  On  Duties  is  so  that,  in  concrete  situations,  we  can  act  in conformity with  mankind's rational nature.</p><p>In  the tripartite division  of philosophy,112  the  areas  of logic and  ethics are followed by that of physics. Can physics, then, be made to correspond to the discipline of desire? It would seem as though the passage we have just quoted prohibits  such  an  identification.  When,  in  the  context  of the  discipline  of desire,  Epictetus  speaks  of treatises  entitled  On  Desire  and Aversion, we  have every  reason  to believe these  were  treatises  relating to  ethics.  However, even though  the abstract theory  of "desire"  as  such,  insofar as it is an  act of the soul,  pertains  to  the  areas of ethics and  psychology, the lived attitude which corresponds  to  the  discipline  of desire  does  indeed  seem  to  be  a  kind  of applied  physics,  which one lives and experiences  in  the  manner of a  spiritual exercise.  On several occasions,  Epictetus  insists  that  the  discipline of desire consists  in  "learning  to  desire  that  everything  happen  just  the  way  it  does happen." 83 We  are  to  "keep our will  in  harmony  with  what happens," JH  and to "be well-pleased  with  the divine government of things." Hl  "If a  good  man could  foresee  the  future,  he  would  cooper11te  with  Nickness,  death,  and mutilation; for he would he awnrc  lhnl  thiK lml lll'cn ord11ined  hy the  univcrNal</p><p>Marcus Aurelius</p><p>195</p><p>order of things,  and that the whole is more important  than  its  parts." 86 We have here a  true case of physics lived and experienced as a  spiritual exercise.</p><p>Since,  in  order  to  discipline  their  desires,  people  need  to  be  intensely conscious  of the  fact  that  they  are  a  part  of the  cosmos,  they  must  replace each event within the perspective of universal  nature.</p><p>Such, for Epictetus, is the practice and exercise of philosophy, and we find this  fundamental  scheme  repeated  throughout  the  Discourses.  Epictetus'</p><p>disciple  Arrian,  who was  responsible for the redaction of both  the  Discourses and  the Manual,  made no  mistake in  this regard, when he chose to group the sayings which make up the Manual according to the three disciplines or areas we have just distinguished. 87</p><p>3  Marcus Aurelius and  Epictetus</p><p>It is fair to say that the essential substance of Marcus Aurelius' Meditations c.-omes from  Epictetus.  In  the first place,  it is probably  from Epictetus that Marcus got the very idea of the  literary genre of meditation by means of writing:  "These are the  kinds of things on  which  lovers of wisdom  ought  to meditate; they ought to write  them  down  every  day,  and  use  them  to  train  themselves." 811  "Let  these thoughts be 'at hand' for you, day and night Write them down and re-read them; talk about them, both to yourself and  with others." 119</p><p>The  idea  of dialogue  with  oneself had  existed  for  a  long  time;  one  thinks of  Homer's  depiction  of  Odysseus  admonishing  himself:  "Bear  up,  my heart." 90  The  custom  of writing  down,  for  one's  personal  use,  either  one's own  thoughts  or  the  sayings  one  has  read  is  also  no  doubt  extremely  old .</p><p>Nevertheless,  we have every  reason  to believe that it  was from Epictetus  that Marcus  derived  the  idea  of  this  particular  form  of  self-exhortation  and conversation  with  oneself,  bearing  as  it does  upon  the same  rules  of life  and principles of action upon which Epictetus had advised his readers to meditate.</p><p>The  object  of  Marcus'  meditations  and  exercises  was  none  other  than Epictetus'  three  fundamental  themes:  the  discipline  of desire,  the  discipline of inclinations,  and  the  discipline of judgment.  This conceptual  structure  is peculiar to Epictetus, and is found nowhere else in the philosophical literature of  antiquity.91  Moreover,  in  the  course  of  a  series  of  quotations  from Epictetus, Marcus cites a  fragment which  clearly  sets  forth  the three  themes we have been  examining:</p><p>What must be  found  is a method with  regard to assent  [to sugkatatit/1es-1hai ].  In  the  area  [topos]  of  the  inclinations  [honnai ],  we  must  keep vigilant our attentive faculty, so that these inclinations may operate with reserve:,  in l hc  11crvicc of the community, and in a  way corresponding to t he  v11lur  uf lhl'ir ohjcclN.  Finally,  when  it comes to  things  that do not</p><p>1 96</p><p>Figures</p><p>depend on  us, we  must abstain totally from desire [orekseos apekhesthai ]</p><p>and  feel no aversion  towards any of them.92</p><p>Additionally, Marcus repeatedly formulates the triple rule of life himself.  We can easily recognize it in  the following passages: What is enough  for you?</p><p>- Your  present  value-judgement,  so  long as  it is objective;</p><p>- The action you are accomplishing at the present moment, so long as it is done for the benefit of the human community;</p><p>- Your  present  inner  disposition,  as  long  as  it  rejoices  in  every  event brought about  by causes outside yoursclf.93</p><p>A  rational  nature  is  proceeding as  it should  if it  fulfills  the  following conditions:</p><p>- If,  in  its  representations  [ phantasiai ],  it  does  not  give  its  assent</p><p>[sugkatatithemene]  either to  what is false, or to what is  unclear;</p><p>- If it  guides its inclinations [honnas] only towards those actions which serve the human community;</p><p>- If it has desire [orekseis] or aversion only for things that depend on us, while joyfully greeting everything allotted  to it by universal nature.94</p><p>Wipe out  your  representations [ phantasian].</p><p>Check your inclinations [honnaij.</p><p>Extinguish your desire  [oreksin].</p><p>Keep your directing principle [hegemonikon]  under your control.95</p><p>On what,  then, should we exert our efforts? Only  this:</p><p>- correct intentions;</p><p>- actions [prakseis]  carried out in  the service of the community;</p><p>- speech [logos]  which could  never be used to deceive;</p><p>- an  inner  disposition  [diathesis]  which  joyfully  greets  each  event  like something  necessary  and  familiar,  since  it  flows  from  so  grand  a principle,  and  so  great  a  source.'16</p><p>The reader will perhaps have noticed  that, although it is quite obvious that Marcus  Aurelius  took  over  his tripartite  structure  from  Epictetus,  there  is nevertheless a  difference in  tone and emphasis in Marcus' presentation of it.</p><p>When, for instance, Marcus speaks of the discipline of desire, he does not, as Epictetus had done, insist on the necessity of desiring only those things which depend on us - that is, moral good  so that our desires may not  be frustrated.</p><p>-</p><p>Rather, Marcus, in n  much  more explicit  way  thlln  EpictctuK, conceives of this exercise  as  putting  our  desires  in  harmony  with  the  will  of  fate  1111d  of</p><p><image l:href="#142"/></p><p>Marcus Aurelius</p><p>1 97</p><p>universal reason.  Its goal is to bring about within us an attitude of indifference to  indifferent  things;  that  is,  whatever  does  not depend  on  us.  For  Marcus, much  more  than  for  Epictetus,  the discipline of desire  takes  on  the  form of applied "physics," or physics transformed  into a spiritual exercise.</p><p>The  discipline  of  desire  culminates  in  a  joyful,  loving  satisfaction97  in the  events  willed  by  nature.  But  in  order  to  achieve  this  state,  we  must totally change our way of looking at things. We must consider them from the point  of view  of universal  nature,  and  this  implies  learning  to  recognize  the chain of causes  which  produce each  event.  We are  to  consider  each  event  as woven  by  destiny,  and  as  flowing  forth  by  natural  necessity  from  the  first causes.  The  discipline  of desire  thus  obliges  us  to  relocate  the  totality  of human  life within a coi.mic perspective, and become aware of the fact that we are  a  part  of the  world:  "He  who  doesn't  know  what  the  world  is  doesn't know where he himself is, either. He who doesn't know for what purpose the world  exists,  doesn't  know  who  he  is  himself.  Whoever  doesn't  know  the answer to one of these questions is unable to say for what purpose he himself exists." 98</p><p>In  order  to  practice  this kind  of "physics," Marcus,  as  we  have seen,  tries to  follow  a  rigorous  method  of definition,99  which  consists  in  relocating  all objects within  the totality of the  universe, and all events  within the nexus of causes  and  effects.  They  are  to  be  defined  in  and  for  themselves,  and separated  from the conventional, anthropomorphic  representations  mankind habitually makes of them.</p><p>Here  we  can  perhaps  glimpse  in  what  way  the  three  disciplines,  like  the three  parts  of  philosophy,  imply  one  another  within  the  single  act  of philosophizing.  The  method  of  "physical"  definition  discussed  by  Marcus corresponds  to  the  discipline  of assent,  which  prescribes  that  we  must  give our assent only  to  those representations  which  are objective and  freed from all subjective value-judgments.</p><p>Once  prolonged  experience  has allowed us to come to know  nature's  ways and  laws,  "physics,"  when  practiced  as  a  spiritual  exercise,  leads  us  to</p><p>"familiarity"  with  nature.11lD  Thanks  to  this  familiarity,  we  can  perceive  the links  between  all  phenomena  which  seem  strange  or  repugnant  to  us,  and between  these  phenomena and  universal  reason, the source from which  they flow.  From  such  a  perspective,  every  event  will  seem  to  us  beautiful  and worthy of our affectionate assent. To be indifferent to indifferent things means to make no difference between them; in other words, to love them equally, just as  nature  does:  " 'The  earth  loves  the  rain;  she  also  loves  the  venerable Ether.'101  And the Universe, too,  loves  to  produce all that must be produced.</p><p>Thus,  I  say  to  the  Universe:  'I  love  along with  you!' Isn't this,  after all, the meaning  of of the  phrase,  'Such-and-such  an  event  "loves"  to  happen?' " 102</p><p>When,  in  ancient  Greek, one  wished  to  say  that something "usually occurs,"</p><p>m  "iN  lll'CUNtomcd  to  occur,"  n  common  idiom  made  it  pm;siblc  to  sny  the</p><p><image l:href="#153"/></p><p>198</p><p>Figures</p><p>event "loves" to occur ( philei ginesthai).  Here, Marcus gives us to understand that events literally  "love"  to  happen.  We are to "love" to see  them  happen, because universal  nature  "loves" to produce  them.</p><p>In  the  last  analysis,  such  an  attitude  of  joyful  consent  to  the  world corresponds to an attitude of obedience to the divine will. This is why Marcus sometimes  describes  the discipline of desire  as  an  invitation  to  "follow  the gods"  or  "God,"  as  in  the  following  presentation  of  the  three  disciplines:</p><p>"Keep  the daimon within  you  in a  state of serenity;  so  that  it  may follow God in an appropriate way, neither saying anything contrary to the truth, nor doing anything  contrary  to justice." 103  In  the  formulation  of  the  second  theme, Epictetus placed  more emphasis on  the  fact  that our  inclinations  and actions must be related to our duties (kathekonta) toward our fellow-men. Marcus, by contrast,  speaks  more  often  about just  actions,  done  in  the  service  of  the human  community.  As was the case  with  the  first  theme,  the  second  theme takes on a strongly emotional tonality for Marcus:  we must love other people with  all  our hearts,  he  writes,1�" for rational  beings  are  not  only  parts of the same  whole, but the limbs of the same body. Moreover, we arc to extend our love even toward those who commit injustices against us, bearing in mind that they  belong to  the same  human  race as  we do,  and  that,  if they  sin, they do so  involuntarily, and  out of ignorance.105</p><p>Marcus  differs  the  least  from  Epictetus  in  his  presentation  of  the  third theme,  the  discipline  of assent.  The  discipline  Marcus  imposes  on  himself relates, however, not only  to  the  inner logos - that is,  to the  assent we give to  our representations  (phantasia1)  - but  also  to  the  outer logos;  that  is,  our manner  of expressing  ourselves.1111�  Herc,  the  fundamental  virtue  is  that  of truth,  understood  as  rectitude  of  thought  and  speech.  Lies,  even  when involuntary, arc the result of the deformation  of our faculty of judgment.107</p><p>When  formulating the triple rule of life, Marcus also likes  to  insist on  the fact that we  must concentrate on  the prese111  moment:  the present  representation,  the present action, and the present inner disposition (whether of desire or of aversion).</p><p>We find nothing of the sort in Epictetus, yet Marcus' attitude here is in complete accord  with  the  fundamental  Stoic  attitude  of attention  (prosoche)  as  directed toward  the  present  moment. 'Oii  Nothing must escape  the  vigilance of consciousness:  neither  our  relationship  to  destiny  and  the way of the  world  - this is the discipline of desire - nor our  relationship with our fellow men (discipline of the active will), nor,  finally, our relationship to  ourselves (discipline of assent).</p><p>Elsewhere,  Marcus  links  the  three  philosophical  exercises  to  their  corresponding virtues.  We  thus  have  the  following schema: Discipline</p><p>Corresponding virtue</p><p>Of desire</p><p>Temperance (sophro&#xFFFD;J'1fe); absence of worries (al&lt;1rtu�ia) Of inclinations</p><p>Justice (dikaitJ&#xFFFD;J'llt')</p><p>Of assent</p><p>Truth (11/etl1ei&lt;1); 11hi;cncc  of hurry  (t1prt1ptosi11).</p><p><image l:href="#172"/></p><p>Marcus Aurelius</p><p>1 99</p><p>Marcus enumerates the three  virtues corresponding to the three disciplines in the following terms: "Absence of hurry, love of our fellow-men, obedience to the gods." 109</p><p>This vocabulary is totally absent from Epictetus' Discourses.  How are we to explain  these  differences  in  the  way  Marcus  and  Epictetus present the  three fundamental exercises of philosophy?</p><p>In the first place,  it seems certain  that Marcus possessed  more  information about  Epictetus'  teachings  than  we  do  today.  In  the  first  book  of  his Meditations,1 10 Marcus tells us that he came to know the writings of Epictetus thanks  to  Quintus  Junius Rusticus,  a  statesman  who  had  taught Marcus  the fundamentals  of  Stoic  doctrine  before  going  on  to  become  one  of  his counsellors.  Marcus  states  that  Rusticus  loaned  him  his  personal  copy  of Epictetus'  hypomnemata;  that is,  a  book  of notes  taken down  at  his  classes.</p><p>This statement can  be interpreted in two ways:</p><p>The  book  in  question  could  be  a  copy  of  the  work  by  Arrian.  In  the prefatory  letter  he  placed  at  the  beginning  of  his  edition  of  Epictetus'</p><p>Discourses,  Arrian himself describes his work as  a collection of hypomnemata: Whatever I  heard him  say,  I  tried  to write  down, using his very words as  far  as  possible,  so  that  I  should  have  in  the  future  some  "notes intended  to  help  me  remember"  [hypomnemata]  of his  thought and  his frankness.  As was to be expected,  these  notes often  have the appearance of an improvised,  spontaneous  conversation between  two  men,  not such as one  would  write  if he was expecting them  to  be  read  one day. 11 1</p><p>Now, Arrian had come to attend the classes o f  Epictetus sometime between AD  107  and  1 09.  His  prefatory  letter  to  Lucius  Gellius  was  probably written  after  Epictetus'  death,  some  time  between  1 25  and  1 30,  and  the Discourses themselves were published ca. AD 1 30. Aulus Gellius recountsl lZ</p><p>that,  in  the  year  he spent studying at Athens - around  AD  1 40  he  had</p><p>-</p><p>been  present at a discussion  in the course of which the  famous millionaire Herod  Atticus  had  brought  to  him  from  a  library  a  copy  of what  Gellius refers to as the dissertationes of Epictetus, arrangei:l (digestae) by Arrian.  He also  tells how, on  the  way from  Cassiopeia  to Brindisium, he came  across a philosopher who had a copy of the same  work in his baggage.  This shows that  is  was  at  least  possible  that Marcus  read  a  copy  of this  book,  which had been  loaned  to  him by Rusticus.</p><p>2  We  might  also  consider  another  suggestion,  which  has  already  been proposed  by  Farquharson.  What  Rusticus  loaned  to  Marcus,  on  this hypothesis,  would  have been  Rusticus'  own  notes,  which  he  himself had taken  durinic Epictetus'  lectures.  From  the  chronological  point of view,  if we  Rl'1111t  1 h11 t   l�:11i,�1ct us  died  between  AD  1 25 and  1 30, and  if Rusticus  was</p><p>200</p><p>Figures</p><p>born  at  the  beginning of the  second  century, as  we  are  entitled  to  deduce from  his official  cursus,  it would  then  be  entirely  possible  for  Rustious  to have been  Epictetus'  student.  Moreover,  it is  hard  to  imagine  that  there was  no copy of Epictetus' Discourses  available  in Rome  around AD  145-6, even though the work had been widely diffused in Greece by  140.  Besides, Marcus  represents  Rusticus'  gift  as  something  exceptional;  we  are  thus entitled  to  wonder  if the gift may  not,  after  all,  have been  Rusticus'  own notes.  It is, moreover,  more or  less certain  that Marcus had  read  Arrian's work,  since  the Meditations are  full of literal citations  taken  from  it.</p><p>Whether  Marcus  had  read  only  the  Discourses  as  arranged  by  Arrian,  or whether  he  had  read  Rusticus'  notes  as  well,  one  thing  is  beyond  doubt: Marcus was familiar with more texts concerning Epictetus'  teaching than we are today. We possess only a part of Arrian's work;  and if Rusticus' notes did in  fact  exist,  they  may  well  have  revealed  to  Marcus  some  aspects  of Epictetus' teachings which  had not been  noted  down by Arrian.</p><p>It is  thanks to Marcus  that we know  some  otherwise  unknown  fragments of Epictetus, such as the following:  "You  are a  little soul, bearing the weight of  a  dead  body." 113  This  fragment  also  goes  to  show  that  "pessimistic"</p><p>features  are  not  exclusively  characteristic  of Marcus  Aurelius,  as  has  often been claimed.  Thus,  we  may  suppose  that  the differences  in  presentation  of the  three  exercises  which  we  find  in  Marcus  and  in  the  extant  works  of Epictetus  can  be  explainc:d  by  the  influence  of passages  of Epictetus which were known to  Marcus, but subsequently were  lost.</p><p>Finally, we must  not  forget that there is a  profound difference between  the literary  genre  of  Epictetus'  Discourses  and  Marcus  Aurelius'  Meditations.</p><p>Arrian's  work,  even  if it  was  more  extensively  rearranged  than  its  author  is willing  to  admit  in  his  preface,  is  quite  literally  a  series  of Discourses  given before  an  audience.  Their  subject-matter  was  inspired  by  specific  circumstances:  questions directed  to  the master, or visits of people from outside the school. The argumentation was adapt&lt;.&gt;d  to the capacities of the audience, and its goal was to  persuade them.</p><p>By contrast, Marcus wa"&gt;  alone  with himself.  For my part,  I  cannot discern in  the  Meditations  the  hesitations,  contradictions,  and  strugglings  of a  man abandoned  to  his  solitude,  which  some  scholars  have  thought  to  detect  in them. 1 1&#xFFFD; On  the contrary,  one is rather astounded by the firmness of thought and  technical  nature  of  the  philosophical  vocabulary  one  encounters  from beginning to  end  of the  Meditations.  Everything points to the  conclusion  that either  Marcus  had  perfectly  assimilated  the  teachings  of  Rusticus  and Epictetus,  or  else  that  he  always  had  Epictetus'  own  texts  at  hand,  for  the practice of his meditation exercises. One is also  astonished,  moreover,  by  the extraordinary  literary  quality  of  the  majority  of  the  Medittitions.  M11rcus'</p><p>former  teacher  of  rhetoric,  Fmn10,  had  tnuicht  him  how  tu  finely  chiHd  his</p><p>Marcus Aurelius</p><p>20 1</p><p>sentences,  and  Marcus always sought to  give  to  his  thoughts the clarity, rigor, and  striking  formulations  necessary  to  give  them  the sought-after  therapeutical  and  psychagogic  effect.  After  all,  it is  not  enough  merely  to  repeat  some rational  principle  to  oneself,  in  order  to  be  persuaded  of  it; 1 15  everything depends  on  how  you  formulate  it.  The  Meditations  have  the  appearance  of variations,  sometimes  executed  with  supreme  virtuosity,  on  a  small  number  of fundamental  themes;  indeed,  they  are  variations  almost  exclusively  on  the  three themes  first  taken  up by  Epictetus.  In some passages,  such as  those  we  have seen cited  above,  the  triple  schema,  enunciating  the  three  philosophical  exercises  we must  practice  at  each  instant,  is  presented  in  its  entirety,  with  only  some  slight variations. Elsewhere, only two of the themes, or even a single one, are presented.</p><p>As for the variations: sometimes  they develop one or another of the three themes, at other  times  they  set  forth  motifs  associated  with  these  principal  themes.  For instance,  under the  heading of the  discipline of desire,  we are presented  with  the theme  of destiny  weaving  for  us  in advance  all  that  is  going  to  happen  to  us;1 16</p><p>or  a  discussion  of the "physical"  definition  of objects;117 the  natural  character  of the  accessory  phenomena  which  accompany  natural  phenomena;1 18 or  the  theme of death. 1 19  Under  the  heading  of the  second  discipline,  that  of inclinations,  we find  the associated  themes of love  for others,120  or of rational  action. 121</p><p>Thus  Marcus,  in  the  course  of  his  solitary  meditations,  was  led  to orchestrate  and  make explicit everything  that was implied  by  the  doctrine  of the three disciplines as proposed by Epictetus.  Often,  Marcus does little more than  expand  upon  brief notes  which  were  already  sketched  in  the  Discourses arranged  by  Arrian :  this  is  the  case  for  the  theme  of joyous  satisfaction  with the  events  willed  by  universal  reason,  for  example,  or  with  the  theme  of obedience  to the gods. 122</p><p>To conclude: each time Marcus wrote down  one of his Meditatiom, he knew exactly  what  he  was  doing:  he  was  exhorting  himself to  practice  one  of the disciplines:  either  that of desire,  of action,  or of assent.  At  the  same  time,  he was  exhorting  himself to  practice  philosophy  itself,  in  its  divisions of physics, ethics,  and  logic. 123</p><p>Perhaps  now  we  are  in  a  better position  to  understand  what  it  is  that  gives Marcus  Aurelius'  Meditations  the  fascinating  power� they  have  exerted  over generations  of  readers.  It  is  precisely  the  fact  that  we  have  the  feeling  of witnessing  the  practice  of  spiritual  exercises  - captured  live,  so  to  speak.</p><p>There have been a great many preachers,  theoreticians, spiritual directors, and censors in  the  history  of world  literature.  Yet  it  is extremely  rare  to  have  the chance  to  see someone  in the  process of training himself to  be a  human being:</p><p>"When  you  have  trouble  getting  up  in  the  morning,  let  this  thought  be  in your  mind:  I'm  waking up  in  order  to do  a  man's  work." 124</p><p>We  have  already  stressed  that  Marcus  seldom  seems  to  hesitate,  stumble, or  foci his way as he  practices  exercises  which  follow  the directions  Epictetus had  skctclml  in  1ulv11ncc  so  precisely.  Nonetheless,  we  feel  a  quite  particular</p><p><image l:href="#11"/></p><p>202</p><p>Figures</p><p>emotion  as  we  catch  a  person  in  the  process  of  doing  what  we  are  all  trying to  do:  to  give  a  meaning  to  our  life,  to  strive  to  live  in  a  state  of  perfect awareness  and  to  give each  of life's instants its  full  value.  To be sure, Marcus is  talking to himself,  but  we  still  get the  impression  that  he  is  talking  to each one  of us  as  well.</p><p>NOTES</p><p>[Ernest Renan  ( 1 823-92)  dominated  French  religious  studies  in  the  nineteenth century,  not  without  provoking occasional  scandalous  controversies.  His  Marc Aurilt was published  in  1882. - Trans.)</p><p>2  E.R. Dodds,  Pagan and Christian in an Age  of Anxitty,  Cambridge  1 965, p. 29, n.  1 ,  with  reference  to Marcus  Aurelius, Meditations,  8,  1,  I ;  10,  8,  1-2;  1 1 ,  1 8, S;  S,  10,  l .</p><p>3  Dio Cassius, 7 1 ,  36, l .</p><p>4  Dodds, Pagan and Christian, p .  29, n .  I .</p><p>S  R. Dailly and H .  van Effenterre, "Le cas  Marc  AurCle. Essai de psychosomatique historique,'' Rtvue dts Etwits Ancitnnts S6 ( 19S4),  pp.  347-6S.</p><p>6  Dio  Cassius, 7 1 ,  6, 4.</p><p>7  Dailly and Effenterre, "Le cas  Marc Auri:le," p. 3S4.</p><p>8  Ibid,  p. 3SS.</p><p>9  T.W. Africa,  The opium addiction</p><p>"</p><p>of Marcus Aurelius,'' Journal of the History</p><p>of Ideas ( Jan.-Mar.  1961), pp. 97-102.</p><p>10  Dio Cassius,  Roman Histories,  71, 6, 4.</p><p>1 1   Galen,  Works,  vol.  14,  p. 3  Kilhn.</p><p>12  Africa,  "Opium addiction," p.  1 0 1 .</p><p>1 3   Thomas  De  Quincey,  Conji:ssions  of an  English  Opi11m-eater,  1st  edn  in  London Maga:z:int, Sept./Oct.  1 82 1 -Dec.  1822, repr.  New  York  19SO, p. 60.</p><p>1 4   Marcus  Aurelius,  Mtditations,  4, 43 .</p><p>I S   Ibid,  S,  23.</p><p>16  Seneca,  letttr, 99.</p><p>17  Seneca,  letter, 49, 3.</p><p>1 8   Leonidas of Tarentum, in  Tl1t  Greek Anthology,  7, 472, vol.  2  Paton.</p><p>19  SVF vol.  2, �762 (=  Plutarch, On Common  Conceptions,  1 083 D):  "substance  . . .</p><p>always in  flux and  in motion."</p><p>20  Plato,  Cratylus,  402a;  cf.  A.A.  Long,  "Heraclcitus and  Stoicism,'' in Philosophia (Academy  of Athens)  S-6 ( 1 975-6).</p><p>21  Plutarch, On  tht Obsoltsunct  of Oracles,  432a.</p><p>22  Ovid, Mttamorphosts,  I S,  1 79.</p><p>23  On the view from  on  high, see below.</p><p>24  Marcus  Aurelius, Meditations,  S,  24.</p><p>2S  Ibid,  1 2,  24.</p><p>26  Ibid, 9, 32.</p><p>27  Ibid,  1 1 ,  I ,  3.</p><p>28  Ibid,  6,  36,  I .</p><p>Marcus Aurelius</p><p>203</p><p>29  Ibid,  1 2, 32.</p><p>30  See above.</p><p>31  Plato, Republic, 486a.</p><p>32  Sec below.</p><p>33  Philo Judaeus, On lhe Special UJl)S,  3,  1-2.</p><p>34  Maximus of Tyre, 22, 6, p. 91  Dilbner.</p><p>35  Ovid, Metamorphoses,  J S,  147.</p><p>36  For instance, Seneca, Natural Questions,  "Preface," 7-1 3, quoted above.</p><p>37  See above.</p><p>38  Cicero,  Scipio 's  Dream,  3,  1 6ff.  Cf.  the  remarks  on  this  passage  by  A.-J.</p><p>Festugiere, La revelation d'Hmnis  Trismegiste, vol. 2, Paris  1949,  pp. 44 1 ff.</p><p>39  Blaise Pascal, Pensees, Section 2, �72, p.  347 Brunschvicg. Cf. the quotation from Ernest  Renan,  below.</p><p>40  [The word "nausea" is here used in the Sartrean sense of sudden, almost physical disgust before the absurd meaninglessness oflife; cf. Jean-Paul Sartre, La Nausee, Paris 1938. - Trans.]</p><p>41  Marcus Aurelius, Meditations, 8, 24.</p><p>42  Ibid, 2, 2.</p><p>43  Ibid, 6,  13.</p><p>44  Ibid, S, 33, 2.</p><p>45  Ibid, 10,  10.</p><p>46  Ibid,  1 0,  19.</p><p>47  Ibid, 4, 48, 3.</p><p>48  Ibid,  10, 27.</p><p>49  Ibid, 6, 46.</p><p>SO  Ibid, 4, 32.</p><p>51  Ibid,  10,  1 8; 3 1 .</p><p>52  Ibid, S, 33.</p><p>53  Ibid, 3,  10.</p><p>54  Ibid, 9, 30.</p><p>55' Ibid, 7, 2 1 .</p><p>56  Epictetus, Discourses, 4,  1 ,  143.</p><p>57  Marcus Aurelius, Meditations,  12, 2, 3.</p><p>58  Lucretius, On the Nature of Things,  3, 944-9.</p><p>59  Marcus Aurelius, Meditations, 4,  1 1 ,  1-2.</p><p>60  [In  Stoic epistemology,  a phantasia leataleplilee  was a 'sense-presentation so clear and  irrefutable  that  it  entailed  immediate  assent.  Since  the  correspondence between representations and objects could  not otherwise be  verified,  it was thus the Stoics' only criterion of judgment between truth and falsehood. - Trans.]</p><p>61  Epictetus,  Discourses,  3, 8, 4.</p><p>62  Ibid.</p><p>63  E.g. R.B.  Rutherford,  The Meditations of Marcus Aurelius: A Study, Oxford 1989, p. 243.</p><p>64  Marcus  Aurelius, Meditations, 9, 36.</p><p>65  Ibid, 8, 24, cited above., n. 41.</p><p>M  Sc:m:co,  l.rtt,.,. to  /,11rili11s,  1 07, 2 .</p><p><image l:href="#30"/></p><p>204</p><p>Figures</p><p>67  Marcus Aurelius, Meditations, 6, 36, 2.</p><p>68  Ibid, 6,  l; 6,  S.</p><p>69  Ibid, 3, 2.</p><p>70  Cf.  above.</p><p>71  Aulus Gellius, Attic Nights,  1 2,  I .</p><p>72  Marcus Aurelius, Meditations,  8, 24.</p><p>73  Cf.  above.</p><p>74  Ibid, 9,  l,  9.</p><p>75  Cf.  I. Hadot, Seneca  und die griectisch-romische  Tradition der Seelenleitung,  Berlin 1 969, pp.  56--7.</p><p>76  Aulus Gellius, Attic Nights,  1 9,  I ,  1 4.</p><p>77  Cf.  below.</p><p>78  Epictetus, Manual, I,  I .</p><p>79  Cf.  esp. Epictetus, Discourses, I ,  4,  1 1 ;  3 ,  2 ,  1 ;  3 ,  1 2,  I .</p><p>80  Epictetus, Manual, S .</p><p>8 1   Epictetus, Discourses, 4 ,  3 ,  13ff.</p><p>82  [On  the  tripartite  division  of  philosophy  in  ant1qutty,  cf.  P.  Hadot,  "La mi:taphysique  du  Porphyrc,"  in  Porphyre  (=  Entreticns  Hardt  sur  l'Antiquiti: Classique  1 2), Vandoeuvrcs/Geneva  1 966;  Hadot, "La division des  parties de la philosophic  dans  l'Antiquite,''  Museum  Helevetfrum  36  (1 979),  pp.  201-23.</p><p>- Trans.]</p><p>83  Epictetus, Discourses,  I,  1 2,  I S.</p><p>84  Ibid, I,  1 2,  1 7.</p><p>85  Ibid,  I,  1 2, 8.</p><p>86  Ibid, 2,  10,  S.</p><p>87  This  was already  noticed  by  M.  Pohlenz,  Die  Stoa.  Geschichtt  einer  geistigen Be111egung,  1948-9; Sth edn, 2  vols, Gt;ttingcn  1978-80,  vol.  2,  p.  162.</p><p>88  Epictetus, Discourses,  I,  I,  25.</p><p>89  Ibid,  3,  24,  103.  On  the  importance  of having  memorable  sayings  "at  hand"</p><p>(procheiron), see above.</p><p>90  Homer, Odyssey,  20,  18-23.</p><p>91  The  resemblances  which  have  been  proposed  between  Epictetus  and  Panaitios, Eudorus, and  Seneca (cf. Pohlenz, Die Stoa, vol. 2, p.  162) are not very convincing.</p><p>92  Marcus Aurelius, Meditations,  1 1 ,  37.</p><p>93  Ibid, 9, 36; cf.  above.  Cf.  also ibid, 7,  54, quoted above.</p><p>94  Ibid,  8, 7.</p><p>95  Ibid, 9, 7.</p><p>96  Ibid, 4,  33.</p><p>97  Euarestein.  The same term is used  by Epictetus; cf.  Discourses,  I,  1 2,  8.</p><p>98  Marcus Aurelius, Meditations,  8,  52.</p><p>99  Ibid, 3, 1 1 .</p><p>1 00  Cf. ibid, 4, 33; 3, 2, 6; 4,  44.</p><p>101  [An adaptation  of Euripides,  fr. 898 Nauck, 2nd  edn. The same  quotation  had already  been  used  by  Aristotle  in  his  discussion  of friendship  at  Nicomacheari Ethics, 8, 2,  l l S5a32ff.  - Trans.]</p><p>1 02  Ibid,  1 0,  2 1 .</p><p>Marcus Aurelius</p><p>205</p><p>103  Ibid,  3,  1 6,  2.</p><p>104  Ibid,  7,  1 3 .</p><p>105  Ibid, 7 ,  22.</p><p>1 06  [For the Stoics, there was a fundamental identity between the "inner [endiathetos]</p><p>logos," or thought, and the  "outer  [prophorikos]  logos," or speech. - Trans.]</p><p>1 07  Ibid, 9,  l ,  2-4.</p><p>108  On  the concept of prosoche, cf. above.</p><p>109  Meditations,  3, 9.</p><p>1 10  Ibid., I, 7,  3.</p><p>1 1 1   Arrian, ltller to Lucius Gellius, in Epictetus, Discourses, vol. I, p. 4, 2-4 Oldfather.</p><p>1 12  Aulus Gellius, Allie Nights,  I,  2.</p><p>l l3  Marcus Aurelius, Meditations, 4, 41  =  Epictetus fr.  26, vol.  2, p. 47 1  Oldfather.</p><p>1 1 4  Cf., for  example,  Rutherford,  Meditations,  p.  229.</p><p>1 1 5   Cf.  M.  Alexandre, "Le travail de la sentence chez Marc  Aurele:  philosophic et rhetorique,"  in  Formes  breves  (=  Publications  de  la  Faculte  des  Lettres  et  des Langues de l'Universite de Poitiers 3), Poitiers  1 979.</p><p>1 16  Marcus Aurelius, Meditations, 3, 4, 5; 3, 1 1 , 4; 3,  1 6, 3; 4, 26, 4. In this and in the following  notes, I  have  given  only  the minimum number of examples,  so as  not to strain the  reader's patience with  an  excess of tedious references.</p><p>1 17  Ibid, 3,  I I ;  8, 6;  1 1 ,  2.</p><p>1 18  Ibid,  3, 2; 4, 36, 2.</p><p>1 19  Ibid,  2,  12, 3; 2,  14; 2,  17, 4-5; 3, 3.</p><p>1 20  Ibid, 7,  1 3,  3; 7, 22.</p><p>121  Ibid, 2,  1 6, 6;  12, 20.</p><p>1 22  Cf.  ibid,  1,  1 2,  8.</p><p>1 23  Cf.  ibid, 8,  1 3 .</p><p>1 24  Ibid,  5,  1 .</p><p><image l:href="#49"/></p><p>7</p><p>Reflections  on  the  Idea  of the</p><p>"Cultivation  of the  Self"</p><p>In  his  preface to  The  Use  of Pleasure,  as well  as in a  chapter  of  The  Care  of the Self,1  Michel  Foucault made mention  of.my article 'Exercices spiritucls', the  first  version  of which  dates  back  to  1976.2 Foucault seems  to  have been particularly  interested  by  the  following  points,  which  I  developed  in  this article:  the  description  of ancient  philosophy  as an  art,  style,  or  way  of life; the  attempt  I  made  to  explain  how  modern  philosophy  had  forgotten  this tradition,  and  had  become  an  almost  entirely  theoretical  discourse;  and  the idea I  sketched  out in  the article,  and  have developed  more  fully above, that Christianity had taken over as its own certain techniques of spiritual exercises, as they  had already been practiced in  antiquity.</p><p>Here,  I  should  like  to  offer  a  few  remarks  with  a  view  to delineating  the differences of interpretation,  and  in  the  last analysis of philosophical  choice, which  separate  us,  above  and  beyond  our  points  of  agreement.  These differences  could  have  provided  the  substance  for  a  dialogue  between  us, which,  unfortunately, was interrupted  all too soon  by  Foucault's  premature death.</p><p>In  The  Care of the Self,  Foucault meticulously  describes what he terms the</p><p>" practices of the self" (pratiques de soi),  recommended  in antiquity  by  Stoic philosophers.  These  include  the care of one's self,  which  can  only  be carried out  under  the  direction  of a  spiritual  guide;  the  attention  paid  to  the  body and  the  soul  which  the  "care  of  the  self"  implies;  exercises  of abstinence; examination  of the  conscience;  the  filtering  of representations;  and,  finally, the conversion  toward  and  possession  of the self.  M.  Foucault  conceives  of these practices as  "arts of existence" and  "techniques of the self. "</p><p>I t  i s  quite true  that, i n  this connection,  the ancients d i d  speak o f  a n  "art of living. "  It  seems  to  me,  however,  that  the  description  M .   Foucault  !(ives  of what  I  h11d  termed  "spirit ual  exercises,"  anti  which  he  prcfc1�11  111  cilll</p><p><image l:href="#67"/></p><p>Reflections on the Idea  of the  "Cultivation of the Self"</p><p>207</p><p>"techniques of the  self,"  is precisely focused  far too much on the "self," or at least on a specific conception of the self.</p><p>In  particular,  Foucault  presents  Greco-Roman  ethics  as  an  ethics  of the pleasure one takes in oneself:  "Access to  the self is liable to replace this kind of violent,  uncertain,  and  temporary  pleasures  with  a  form  of pleasure  one takes in oneself, serenely and forever." 3 To illustrate his point, Foucault cites Seneca's twenty-third Letter, where  he  speaks  of the joy one can  find  within oneself,  and  specifically within  the best portion of oneself.  In fact, however, I  must  say  that  there  is  a  great  deal  of  inexactitude  in  this  way  of presenting  the  matter.  In  Letter  23,  Seneca  explicitly  opposes  voluptas and  gaudium  - pleasure  and  joy  - and  one  cannot,  therefore,  speak  of</p><p>"another  form  of  pleasure,"  as  does  Foucault  (Care  of  the  Self,  p.  83) when  talking  about  joy.  This  is  not  just  a  quibble  over  words,  although the  Stoics  did  attach  a  great  deal  of  importance  to  words,  and  carefully distinguished  between  hedone - "pleasure" - and  eupatheia  "joy".4 No,</p><p>-</p><p>this  is  no  mere  question  of  vocabulary.  If  the  Stoics  insist  on  the  word gaudimn/"joy,"  it  is precisely because  they  refuse to  introduce  the  principle of pleasure into moral life.  For them,  happiness does not consist in pleasure, but  in  virtue  itself,  which  is  its  own  reward.  Long  before  Kant,  the Stoics  strove  jealously  to  preserve  the  purity  of  intention  of  the  moral consciousness.</p><p>Secondly  and  most  importantly,  it is  not  the  case  that  the  Stoic  finds  his joy in his "self;" rather, as Seneca says, he finds it "in the best portion of the self,"  in  "the  true  good." 5  Joy  is  to  be  found  "in  the  conscience  turned towards the good; in intentions which have no other object than  virtue; in just actions." 6 Joy can be found in what Seneca calls "perfect reason" 7  (that is to say,  in  divine  reason)8  since  for  him,  human  reason  is  nothing  other  than reason capable of being made perfect. The "best portion of oneself," then, is, in  the  last  analysis,  a  transcendent  self.  Seneca  does  not  find  his  joy  in</p><p>"Seneca," but by  transcending "Seneca"; by discovering that there  is within him - within all human beings, that is, and within the cosmos itself - a reason which is a  part of universal  reason.</p><p>In  fact,  the  goal  of Stoic  exercises  is  to  go beyond  the self,  and think  and act in unison with  universal reason.  The three exercises described by Marcus Aurelius,9 following Epictetus, are highly significant in this regard.  As we saw above, they are as follows:</p><p>1  to  judge objectively, in accordance with  inner  reason; 2  to  act  in  accordance  with  the  reason  which  all  human  beings  have  in common;  and</p><p>3  to  accept  the  destiny  imposed  upon  us by cosmic reason.  For  the  Stoics, there  is only  one single reason  at work here,  and  this  reason  is man's  true Relf.</p><p>208</p><p>Figures</p><p>I  can  well  understand  Foucault's  motives  for  giving short  shrift  to  these aspects,  of which  he was perfectly aware.  His description of the  practices  of the self - like, moreover,  my description of spiritual exercises - is not merely an  historical  study,  but  rather a tacit attempt to offer contemporary mankind a  model  of  life,  which  Foucault  calls  "an  aesthetics  of  existence."  Now, according to  a more or less universal tendency of modern thought,  which  is perhaps  more  instinctive  than  reflective,  the  ideas  of "universal  reason" and</p><p>"universal  nature"  do  not  have  much  meaning  any  more.  It  was  therefore convenient to "bracket"  them.</p><p>For  the  moment,  then,  let  us  say  that,  from an  historical point of view,  it seems  difficult  to  accept  that  the  philosophical  practice  of  the  Stoics  and Platonists was nothing but a relationship to one's self, a culture of the self, or a  pleasure  taken  in oneself.  The  psychic content  of these exercises  seems  to me  to  be  something else  entirely.  In  my  view,  the  feeling of belonging  to  a whole is an essential element: belonging, that  is,  both  to the whole constituted by  the  human  community,  and  to  that  constituted  by  the  cosmic  whole.</p><p>Seneca  sums  it  up  in  four  words:  Toti se  inserens mundo,10 "Plunging oneself into  the totality of the world." In his adminble Anthropo/ogie philosophique, 1 1</p><p>Groethuysen  pointed  out  the  importance  o f  this  fundamental  point.  Such  a cosmic perspective radically transforms  the feeling one has of oneself.</p><p>Oddly,  Foucault  does  not  have  much  to  say about the  Epicureans.  This is all  the  more  surprising  in  that  Epicurean  ethics  is,  in  a  sense,  an  ethics without  norms.  It  is  an  autonomous  ethics,  for  it  cannot  found  itself upon nature, which according to  its  views  is  the product of chance.  It would  seem, therefore,  to  be  an  ethics  perfectly  suited  to  the  modern  mentality.  Perhaps the reason  for  this  silence  is to  be found  in the  fact  that  it is  rather difficult to  integrate  Epicurean  hedonism  into  the  overall  schema  of  the  use  of pleasures  proposed  by  M.  Foucault.  Be  this  as  it  may,  the  Epicureans  did make use of spiritual exercises, for instance the examination of conscience. As we have said, however, these practices are not based on the norms of nature or universal reason, because for the Epicureans the formation of the  world  is the  result  of mere  chance.  Nevertheless,  here  again,  this  spiritual  exercise cannot  be  defined  simply  as  culture  of the  self,  a  relationship  of the  self to the  self, or pleasure  that  can  be  found  in one's own  self.  The  Epicurean  was not  afraid  to  admit  that  he  needed  other  things  besides  himself in  order  to satisfy his desires and to experience pleasure.  He needed bodily nourishment and  the  pleasures  of  love,  but  he  also  required  a  physical  theory  of  the universe,  in order to  eliminate the  fear of the  gods and  of death.  He needed the company of the other members of the Epicurean  school, so  that  he could find  happiness  in  mutual  affection.  Finally,  he  needed  the  imaginative contemplation of an infinite number of universes in the infinite void, in order to  experience  what  Lucretius  calls  tlivi11a  vo/uptt1s  et  lwm1r.  MctroJorus,  n disciple of Epicurm1 givcK n  good  nccmml  uf 1 hc  1':tlicurcnn 1;ngc'li immcrKion</p><p>,</p><p>Reflections on the Idea of the  ' "Cultivation  of the Self"</p><p>209</p><p>in  the  cosmos:  "Remember  that,  although  born  mortal  with  a  limited life-span,  you  have  risen  in  thought  as  far  as  the  eternity  and  infinity  of things, and that you have seen everything that has been, and everything that shall be." 12 In Epicureanism, there is an extraordinary reversal of perspective.</p><p>Precisely  because  existence  seems  to  the  Epicurean  to  be  pure  chance, inexorably  unique,  he  greets  life  like  a  kind  of  miracle,  a  gratuitous, unexpected  gift of nature, and existence for him is a  wonderful celebration.</p><p>Let  us  consider  another  example  to  illustrate  the  differences  between  our interpretations  of  the  "care  of  the  self."  In  an  interesting  article  entitled</p><p>"Ecriture de soi," 13 M.  Foucault took as his point of departure a remarkable text  concerning  the  therapeutic  value  of  writing,  which  I  had  studied  in Exercices  spirituels. 14  According  to  this  text,  St  Antony  used  to  advise  his disciples to write down their actions and the emotions of their souls, as if they were going to make them  known to others.  "Let writing take the place of the eyes of other people," Antony used  to say .  This anecdote leads  M.  Foucault to  reflect  on  the  various  forms  adopted  in  antiquity  by  what  he  calls  the</p><p>"writing  of  the  self."  In  particular,  he  examines  the  literary  genre  of hypomnemata,  which  one  could  translate  as  "spiritual  notebooks,"  in  which one writes down other people's thoughts,  which  may serve for the edification of the person writing them down. Foucault15 describes the goal of this exercise in  the  following  terms:  the  point  is  to  "capture  what-has-already-been-said</p><p>[capter le dijti-dit]," and  to  "collect what one may have heard  or read,  with  a view  to nothing less  than  the constitution  of the self." He  then  asks himself,</p><p>"How  can we be placed  in  the  presence of our selves  with  the help of ageless discourses,  picked  up  from  any  old  place?" And  he  replies  as  follows:  "this exercise  was  supposed  to  allow  one  to  turn  back  towards  the  past.  The contribution  of the hypomnemala  is one of the means by  which one detaches the soul from worries about the future, in order to inflect it toward meditation on  the  past. "  Both  in  Epicurean  and  in  Stoic  ethics,  Foucault  thinks  he perceives the refusal of a mental attitude directed  toward the future, and the tendency to accord  a positive value to the possession of a past which one can enjoy autonomously and without worries.</p><p>It  seems  to  me  that  this  is  a  mistaken  interpretation.  It  is  true  that  the Epicureans - and on{v the Epicureans - did consider the memory of pleasant moments in  the past  as one of the principal sources of pleasure,  but this has nothing to do with the meditation on "what-has-already-been-said" practiced in  hypomnemala.  Rather,  as  we  saw  above, 16  Stoics  and  Epicureans  had  in common  an  attitude  which  consisted  in  liberating  oneself  not  only  from worries  about  the  future,  but also  from  the  burden  of the  past,  in  order  to concentrate  on  the  present  moment;  in  order  either  to  enjoy  it,  or  to  act within  it.  From this point of view, neither the Stoics nor even the Epicureans accorded  a  positive  value  to  the  past.  The  fundamental  philosophic  attitude consisted  in  li1�l1tR  ;,,  tht  flrtsmt,  and  in  possessing  not  the  past,  but  the</p><p><image l:href="#1"/></p><p>2 1 0</p><p>Figures</p><p>present.  That the  Epicureans also  attached  a  great deal  of importance to  the thoughts  formulated  by  their predecessors  is a  wholly different  matter.  But although hypomnemata deal with what has already been said,  they do not deal with just anything "already said," the only merit of which would be that it is a  part of the past.  Rather, it is because one recognizes  in this  "thing already said"  - which  usually  consisted  in  the  dogmas  of  the  school's  founding members - that which reason itself has to say to the present.  It is because one recognizes,  in  the dogmas of Epicurus or  Chrysippus,  an  ever-present value, precisely because they are the very expression of reason. In other words, when one writes or notes something down, it is not an alien thought one is making one's  own.  Rather,  one  is  utilizing  formulae  considered  as  apt  to  actualize what is already present  within  the  reason  of the person  writing,  and  bring it to life.</p><p>According  to  M.  Foucault,  this  method  made  a  deliberate  attempt  to  be eclectic,  and  therefore  implied  a  personal  choice;  this  then  explains  the</p><p>"constitution  of the self."</p><p>Writing as a personal exercise, done by oneself and for oneself,  is an art of  disparate  truth;  more  precisely,  it  is  a  way  of  combining  the traditional authority of what  has already been said,  with  the singularity of  the  truth  which  asserts  itself  in  it,  and  the  particularity  of  the circumstances which  determine its  utilization.</p><p>In  fact,  however, personal choice is not to be found in eclecticism, at least  for the Stoics and Epicureans.  Eclecticism  is only used for converting beginners.</p><p>At  that  stage,  anything  goes.  For  instance,  Foucault  finds  an  example  of eclecticism in  the Letters to Lucilius, in which the  Stoic Seneca quotes sayings of Epicurus. The goal of these letters, however, is to convert Lucilius, and to cause  him  to  begin  to  lead  a  moral  life.  The  utilization  of Epicurus  appears only  in  the  first  Letters,  and  soon  disappears. 17  On  the  contrary,  personal choice in fact intervenes only  when' one adheres  exclusively  to a  precise form of  life,  be  it  Stoicism  or  Epicureanism,  considered  as  in  conformity  with reason.  It is only in the New Academy - in the person of Cicero, for instance</p><p>- that  a  personal choice  is made according to  what reason considers as most likely  at a  given moment.</p><p>It  is thus not the case, as Foucault maintains,18 that the individual forges a spiritual  identity  for  himself  by  writing  down  and  re-reading  disparate thoughts.  In the first place,  as we have seen, these thoughts  are not disparate, but chosen because of their coherence.  Secondly,  and  most  importantly,  the point  is  not  to  forge  oneself a  spiritual  identity  by  writing,  but  rather  to liberate  oneself  from  one's  individuality,  in  order  to  raise  oneself  up  to universality.  It  is  thus  incorrect  to speak  of "writing of' the  11el f":  not  only  is it  not  the  case  t hat  one  11write11 onc11t�lf,"  hut  wh111  iN  more,  it  iN  not  t he  t&#xFFFD;llsc</p><p>Reflections on the  Idea  of the  "Cultivation  of the Self"</p><p>2 1 1</p><p>that  writing  constitutes  the  self.  Writing,  like  the  other  spiritual  exercises, changes  the  level of the self.  and  universalizes it. The miracle of this exercise, carried  out  in  solitude,  is  that  it  allows  its  practitioner  to  accede  to  the universality of reason  within  the confines of space and time.</p><p>For the monk Antony,  the therapeutic  value of writing consisted  precisely in  its  universalizing  power.  Writing,  says  Antony,  takes  the  place  of other people's  eyes.  A  person  writing  feels  he  is  being  watched;  he  is  no  longer alone,  but  is  a  part  of  the  silently  present  human  community.  When  one formulates  one's personal acts in  writing,  one  is  taken  up by  the machinery of reason, logic, and universality. What was confused and subjective becomes thereby objective.</p><p>To  summarize:  what  Foucault  calls  "practices  of  the  selr'  do  indeed correspond,  for  the  Platonists  as  well  as  for  the  Stoics,  to  a  movement  of conversion toward  the self. One frees oneself from exteriority, from  personal attachment to exterior objects, and from the pleasures they may provide. One observes oneself, to determine whether one has made progress in this exercise.</p><p>One seeks to be one's own master, to possess oneself, and find one's happiness in freedom and  inner  independence. I  concur on  all  these points.  I  do think, however, that this movement of interiorization is inseparably linked to another movement,  whereby  one  rises  to  a  higher  psychic  level,  at  which  one encounters  another  kind  of  exteriorization,  another  relationship  with  "the exterior."  This  is  a  new  way  of  being-in-the-world,  which  consists  in becoming  aware  of oneself as  a  part  of nature,  and  a  portion  of universal reason.  At  this  point,  one  no  longer  lives  in  the  usual,  conventional  human world,  but  in  the  world  of nature.  As  we  have  seen  above, 19  one  is  then practicing "physics" as a spiritual exercise.</p><p>In  this  way,  one  identifies  oneself with  an  "Other":  nature,  or  universal reason,  as  it  is  present  within  each  individual.  This  implies  a  radical transformation of perspective, and contains a  universalist, cosmic dimension, upon  which,  it  seems  to  me,  M.  FoU&lt;.-ault  did  not  sufficiently  insist.</p><p>lnteriorization is a going beyond oneself;  it is  universalization.</p><p>The preceding remarks are not intended  to be relevant only to an historical analysis of ancient philosophy. They are also an attempt at defining an ethical model  which  modern  man  can  discover  in  antiquity.  What  I  am  afraid  of is that, by  focusing his interpretation  too  exclusively on  the culture  of the self, the  care  of  the  self,  and  conversion  toward  the  self - more  generally,  by defining  his  ethical  model  as  an  aesthetics  of  existence  - M.  Foucault  is propounding a  culture  of the self which  is too aesthetic.  In other words, this may be a new form of Dandyism, late twentieth-century style. This, however, deserves a more attentive study than I am able to devote to it here. Personally, I  believe  firmly - albeit perhaps naively - that it is possible for modern man to  l i ve,  nor  ns  a  Rage  (.ffJphos)  - most of the ancients  did not hold  this to be possible  hut  ''"  11  1m1cti1ioner of t he ever-fragile e.\'ercisc of wisdom. This can</p><p><image l:href="#99"/></p><p><image l:href="#117"/></p><p>2 1 2</p><p>Figures</p><p>be  attempted,  starting  out  from  the  lived  experience  of  the  concrete,  living, and  perceiving  subject,  under  the  triple  form  defined,  as  we  saw  above,  by Marcus  Aurelius:</p><p>1  as  an  effort  to  practice objectivity of judgment; 2  as  an  effort  to  live  according  to  justice,  in  the  service  of  the  human community;  and</p><p>3  as an effort to become aware of our situation  as a  part of the  universe.  Such an  exercise of wisdom will  thus be an attempt to  render oneself open  to  the universal.</p><p>More  specifically,  I  think  modern  man  can  practice  the  spiritual  exercises  of antiquity,  at  the  same  time  separating  them  from  the  philosophical  or  mythic discourse  which  came  along  with  them.  The  same spiritual  exercise  can,  in  fact, be  justified  by  extremely  diverse  philosophical  discourses.  These  latter  are nothing  but  clumsy  attempts,  coming after the  fact,  to  describe  and  justify  inner experiences whose existential density  is not, in the last analysis, susceptible of any attempt  at  theorization  or  systemati7.ation.  Stoics  and  Epicureans,  for  example  -</p><p>for  completely  different  reasons  - urged  their  disciples  to  concentrate  their attention  on  the  present  moment,  and  free  themselves  from  worries  about  the future  as  well  as  the  burden  of  the  past  Whoever  concretely  practices  this exercise,  however,  sees  the  universe  with  new  eyes,  as if he were seeing it for the first  time.  In  the  enjoyment  of the  pure  present,  he  discovers  the  mystery  and splendor of existence.  At such moments, as Nietzsche said,20 we say yes "not only to ourselves, but to all existence." It is therefore not necessary, in order to practice these exercises,  to  believe in  the  Stoics'  nature  or universal  reason.  Rather,  as one practices  them,  one  lives concretely  according  to  reason.  In the  words of Marcus Aurelius:21  "Although  everything  happens  at  random,  don't  you,  too,  act at  random."  In  this  way,  we  &lt;.-an  accede  concretely  to  the  universality  of the  cosmic  perspective,  and  the  wonderful  mystery  of  the  presence  of  the universe.</p><p>NOTES</p><p>M.  Foucault,  The  Care  of tl1e Self (=  History  of Sexuali&#xFFFD;y,  vol.  3),  trans.  Robert Hurley,  New  York  1 986.  [References  are  to  the  French  edition,  Le  Souci de soi, Paris  1984 - Trans.]</p><p>2  Am1uaire  de  la  5'  Section  de  /'Ecole pratique des  Hautes  Etudes,  1975-6.</p><p>3  Foucault, Souci,  pp. 83--4.</p><p>4  We  find  this  distinction  again  in  Plotinus  and  in  Bergson,  the  latter  linking together joy and creation;  cf. Henri Bergson,  L 'E11ergir spiri111elle,  1 4th c&lt;ln, P11ris 1 930,  p.  24.</p><p>5  Scncc11,  Ll'llrr,  2.l, (),</p><p>Reflections  on  the Idea of the  "Cultivation  of the Self"</p><p>213</p><p>6  Ibid, 23, 7.</p><p>7  Seneca, Letter,  1 24, 23.</p><p>8  Seneca, Letter, 92, 27.</p><p>9  Marcus Aurelius, Meditations, 7,  54; 9, 6; 8,  7.</p><p>10  Seneca, Letter, 46, 6.</p><p>1 1   B. Groethuysen, Anthropo/ogie philosophique,  Paris  1952,  repr.  1980, p.  80.</p><p>12  Cf. above.</p><p>13  ["Writing of the self"; M. Foucault, "L'ecriturc de soi," Corps ecrit 5 ( 1983), pp.</p><p>3-23 - Trans.]</p><p>14  Cf.  above.</p><p>1 5  Art.  cit., p.  8.</p><p>16  Above.</p><p>17  Cf.  I.  Hadot,  "Epicure  et  l'enseignement  philosophique  hellenique et  romain,"</p><p>in Actes du  Ville  Congres Bude, Paris  1969, p. 35 1 .</p><p>1 8   Loe.  cit., pp.  1 1-13.</p><p>19  Cf. above.</p><p>ZO  Reference [?]</p><p>Zl  Marcus Aurelius, Meditatiom,  10, 28, 3.</p><p><image l:href="#131"/></p><p>Part  IV</p><p>Them es</p><p><image l:href="#145"/></p><p><image l:href="#160"/></p><p><image l:href="#5"/></p><p>8</p><p>"Only  the  Present  is  our  Happiness": The  Value  of the  Present  Instant  in</p><p>Goethe  and  in  Ancient  Philosophy</p><p>"Then  the  spirit  looks  neither  ahead  nor  behind.  Only  the  present  is  our happiness." 1  In  this  verse  from  Goethe's Set'ond Fa11st,  we  find an  expression  of the  art  of concentrating  on  and  recognizing  the  value  of the  present  instant.  It corresponds to an experience of time which  was lived  with  particular intensity in such ancient philosophies as Epicureanism  and Stoicism, and  in  what follows we shall  be  especially  concerned  with  this  type  of  experience.  We  ought  not, however,  to  forget  the  literary  context  in  which  these  lines  arc  spoken,  the meaning they take on  within the context of the Second Faw;/, and, more generally, within the work of Goethe. In  the proces.o;,  we  will  find  that  Goethe  himself is  a remarkable  witness  for  the  type  of experience  we  have  mentioned.</p><p>The  verses quoted mark one of the climaxes of the Second Fa11s1;  a moment when Faust seems to reach the culminating point of his "quest for the highest existencc." 2</p><p>Beside  him,  on the throne which he has had  built for her, sits Helen,  whom he had evoked  in  the  first act,  after  a  terrifying  journey  to  the . realm  of the  Mothers,  in order to  amuse the emperor;  but had  since  fallen  hopelessly in  love  with  her: Has  the  Source  of Beauty,  overflowing  its  banks, Flowed into  the deepest  recesses  of my being? . . .</p><p>To  you  I  dedicate  the stirring of all  strength, The  essence  too  of passion;</p><p>To  you,  affection,  love,  worship,  and  madness.3</p><p>It  is llcll�n  for whom he has searched  throughout the second act, throughout 1111  l hl'  111y1 hk11I  formN  of clntisical  Green�.  I le  has  spoken  of her  with  1hc</p><p>2 1 8</p><p>Themes</p><p>centaur  Chiron,  and  with  Manto  the  Sibyl,  and  finally,  it  is  she  who,  in the  third  act,  has  come  to  take  refuge  in  the  medieval  fortress  -</p><p>perhaps  Mistra  in  the  Peloponnese  - of  which  he  appears  as  the  lord  and master.</p><p>It  is  then  that  the  extraordinary  encounter  takes  place  between  Faust and  Helen;  Faust,  who,  although  he  appears  in  the  guise  of a  medieval knight, is really the personification of modern man, and Helen, who, although she  is evoked  in  the  form  of the  heroine  of the  Trojan  War,  is,  in  fact,  the figure  of beauty  itself,  and  in  the  last  analysis  of  the  beauty  of  nature.</p><p>With  consummate  mastery,  Goethe  has  succeeded  in  bringing  these  figures and  symbols  to  life,  in  such  a  way  that  the  encounter  between  Faust and  Helen  is  as  highly-charged  with  emotion  as  the  meeting  between  two lovers,  as  laden  with  historical  significance  as  the  meeting  between two  epochs,  and  as  fu ll  of meaning as  the  encounter  of a  human  being  with his destiny.</p><p>The  choice  of poetic  form  is  used  very  skillfully  to  represent  both  the dialogue of the  two  lovers  and  the encounter  between  two  historical  epochs.</p><p>Since  the  beginning  of  the  third  act,  Helen  had  been  speaking  in  the manner of ancient tragedy,  and  her words were set to the  rhythm  of iambic trimeters,  while  the  chorus  of captive  Trojan  women  responded  to  her  in strophe  and  antistrophc.  Now, however, at  the moment when  Helen  meets Faust  and  hears  the  watchman  Lynccus  speak  in  rhymed  distichs,  she  is astonished and charmed by this  unknown poetic form: No  sooner  has  one  word  struck  the  car</p><p>Than  another comes to caress its predccessor.4</p><p>The  birth  of Helen's  love  for  Faust  will,  moreover,  express  itself in  the same rhymed  distichs,  which Faust begins and  Helen  finishes,  inventing  the rhyme  each  time.  As  she  learns  this  new  poetic  form,  Helen  learns,  as Phorkyas says,  to  spell out the alphabet of love.; Helen begins: Tell me, then, how can I, too,  speak so prettily?</p><p>"That's easy enough," replies Faust;</p><p>It must come from the heart,</p><p>And  when  one's breast with  longing overflows,</p><p>One looks around, and  asks -</p><p>llelt'n:</p><p>who sh11ll enjoy  ii  w ilh  us.</p><p><image l:href="#17"/></p><p><image l:href="#36"/></p><p>"Only the Present is our Happiness "</p><p>219</p><p>Faust begins again:</p><p>Now the spirit looks not forward,  nor behind</p><p>Only the present -</p><p>Helen:</p><p>is our  happiness.</p><p>Faust:  It is our treasure, our highest prize,  our possession and our pledge.</p><p>But who confirms it?</p><p>Helen:</p><p>My  hand.6</p><p>The love duet ends, for the moment, with this sign  of Helen's yielding, and the rhyme-play thus ends in a  "confinnatio" which  is now no longer the echo of a  rhyme,  but  the  gift  of a  hand.  Faust  and  Helen  then  fall  silent,  and embrace each other  without a word,  while  the chorus, adopting the tone of an epithalamion, describes  their embrace. Then the dialogue of love - and also of rhyming  verses - starts  up  again  between  Faust  and  Helen, and  causes  us  to live  a  moment  of such  intensity and  pregnancy  that  both  time and  the drama seem to  stop.  Helen says:</p><p>I  feel  myself so  far away and  yet so close;</p><p>And  I  say only too gladly:  Here  Am  I!  Here!</p><p>Faust:  I  can  scarcely  breathe; my  words  tremble  and  falter; This  is a  dream,  and  time  and  place  have  disappeared.</p><p>Helen:  It  seems  to  me that I  am  broken  down  with  age, and  yet  I  am  so new;</p><p>Mingled  with  you,  I  am  faithful to  the  Unknown.</p><p>Faust:  Don't rack  your  brains about  your destiny, so  unique!</p><p>Existence is a  duty, be it only  for an  instant.7</p><p>Here the drama  seems  to  stop.  We think  that Helen and Faust have nothing left to desire, fulfilled as  they are by each other's presence.  But Mephistopheles, who, in order to adapt himself to  the Greek  world,  has  taken on  the monstrous mask  of Phorkyas, breaks off this  perfect moment by  announcing  the  menacing approach of the troops of Menelaus, and  Faust reproaches  him  for  his ill-timed interruption. The marvelous instant has now disappeared, but the dispositions of Faust  anJ  of I lclcn  will  still  be reflected  in  the deS&lt;..Tiption  of the  ideal  Arcadia in  which  F11UNI  1111J  Helen  arc  to  engender  Euphorion, the genius of poetry.</p><p><image l:href="#55"/></p><p><image l:href="#74"/></p><p>220</p><p>Themes</p><p>The  dialogue  we  have  quoted  may  be  understood  at  several  levels.  First  and foremost,  it  is the dialogue between  two  lovers,  who,  as such, resemble all lovers everywhere.  Faust  and  Helen  are  two  lovers  absorbed  by  the  living  presence  of the beloved:  they  forget everything - both  past and  future - which  is other  than this  presence.  Their excess  of happiness  gives  them  an  impression  of dreamlike unreality:  time  and  space  disappear.  We are  entering the  unknown,  and  it is the moment of love  fulfilled.</p><p>On  a  second  level  of  interpretation,  however,  the  dialogue  takes  place between  Faust  and  Helen  as symbolic  figures,  representing, on  the one hand, modem man  in  his  ceaseless  striving,  and  on  the other, ancient beauty  in  its soothing  presence;  both  are  miraculously  reunited  by  the  magic  of  poetry, which  abolishes  the centuries.  In  this  dialogue,  Faust  as  modern  man  tries  to make  Helen  forget  her  past, so  that she  may  be wholly  in  the  present instant, which she is incapable of understanding. She feels herself to be so distant and yet  so  close,  abandoned  by  life  and  yet  in  the  process  of rebirth,  living  in Faust, mingled  with  him, and  trusting in  the unknown.  Faust asks her not to reflect  upon  her  strange  destiny,  but  to  accept  the  new  existence  which  is being  offered  to  her.  In  this  dialogue  between  two  symbolic  figures,  Helen becomes  "modernized,"  if one  may  say  so;  as  she  adopts  rhyme,  the  symbol of modern  interiority,  she  has  doubts,  and  reflects  upon  her  destiny.  At  the same  time,  Faust  becomes  "antiquated":  he  speaks  as  a  man  of antiquity, when  he  urges  Helen  to  concentrate  on  the present moment,  and  not  to lose it in  hesitant  reflection  on  the  past  and  the future.  As  Goethe  said  in a  letter to  Zelter,  this  was  the  characteristic  feature  of ancient  life  and  art:  to  know how  to  live  in  the present, and  to  know  what he called  "the healthiness of the moment."  In  antiquity,  says  Goethe,  the  instant  was  "pregnant;"  in  other words,  filled  with  meaning,  but  it  was  also  lived  in  all  its  reality  and  the fullness of its  richness,  sufficient  unto  itself.  We  no longer know  how  to  live in  the  present,  continues  Goethe.  For  us,  the  ideal  is  in  the  future,  and  can only  be the object  of a  sort of nostalgic desire, while  the  present  is considered trivial  and  banal.  We  no  longer  know  how  to  profit  from  the  present;  we  no longer  know  - as  the  Greeks  did  - how  to  act  in  the  present,  and  upon  the present.8 Indeed,  if Faust  speaks to Helen  as a  man  of the  ancient  world,  it  is precisely  because  the  presence  of Helen  - that  is,  the  presence  of ancient beauty  - reveals  to  him  what  presence  itself is:  the  presence  of the  world,</p><p>"That  splendid  feeling  of the  present"  (He"liches  Gefiihl der  Gegenwart)  as Goethe  wrote  in  the East- West  Divan.9</p><p>This,  finally,  is  the  reason  why  the  dialogue  can be understood  at  a  third level.  Here,  it  is  no  longer  the  dialogue  of  two  lovers,  nor  of  two  historical figures,  but  rather  the  dialogue  of  man  with  himself.  The  encounter  with Helen  is  not  only  the  encounter  with  ancient  beauty  emanating  from  nature; it  is  also  the  encounter  wit h  n  living  wisdom  1md  art  of  living:  that</p><p>"hcnhhincss  of t he  moment "  which  we  mt�nt lnncd  nhovc.  The  nlhili111  Fnust</p><p>"Only  the Present is our Happiness "</p><p>221</p><p>had  wagered  with  Mephistopheles  that  he  would  never  say  to  an  instant:</p><p>"Stay, you are so beautiful!" But now, following after humble Gretchen,  it is ancient,  noble  Helen  who  reveals  to  him  the splendor of being - that  is,  of the present instant - and teaches him  to say yes to the world and  to himself.</p><p>We must now  define the  ancient experience of time  which we saw  expressed in  the  above-quoted  verses  from  Faust.  Basing ourselves on  the  letter  from Goethe  to  Zeller we  cited  above,  we  might think  that  we  have  to  do  with  a generalized,  common  experience  of ancient man,  and  that  it  was  natural  for ancient  man  to  be  familiar  with  what  Goethe  calls  the  "healthiness  of the moment."  Moreover,  following  Goethe,  many  historians  and  philosophers, from  Oswald  Spengler10  to  the  logician  Hintikka, 11  have  alluded  to  the  fact that  the  Greeks  "lived  in  the  present  moment"  more  than  did  the  representatives  of other cultures.  In  his  book Die Zauberflote,12 Siegfried  Morenz gives  a  good  summary  of this  conception:  "No one  has better  characterized the  particular  nature  of  Greece  than  Goethe . . .  in  the  dialogue  between Faust and Helen:  ' . . .  then the spirit looks neither backwards nor ahead.  Only the present  is our happiness. ' "</p><p>We must  certainly agree  that the Greeks in general gave particular attention to  the  present  moment,  and  this  attention  could  take  on  several  different ethical  and  artistic  meanings.  Popular  wisdom  advised  people  both  to  be content  with  the  present,  and  to  know  how  to  utilize  it.  Being  content  with the  present  meant,  on  the  one  hand,  being  content  with  earthly  existence.</p><p>This  is  what  Goethe  admired  in  ancient  art,  particularly  in  funerary  art, where  the  deceased  was  represented  not  with  his  eyes  raised  toward  the heavens,  but  in  the  act of living his  daily  life.  On  the  other  hand,  knowing how  to  utilize  the  present  meant  knowing  how  to  recognize  and  seize  the favorable  and  decisive instant  (kairos).  Kairos  designated  all  the  possibilities contained  within a given moment:  a good general, for example, knows how to strike at the opportune kairos, and sculptors fix in marble the most significant kairos of the scene  which  they  wish  to  bring  to  life.</p><p>It does seem,  then,  that the Greeks paid particular attention to the present moment.  This,  however,  does  not justify  us in  imagining - as did  Winckelmann,  Goethe,  and  Holderlin  - the  existence  of  an  idealized  Greece,  the citizens of which, because they lived in the present moment, were perpetually bathed  in beauty and  serenity.  As  a  matter of fact, people in  antiquity  were just as filled with anguish as we are today, and  ancient poetry often  preserves the echo of this anguish,  which sometimes goes as far  as despair.  Like  us, the ancients  bore  the  burden  of the  past,  the  uncertainty  of the  future,  and  the fear of death.  Indeed, it was for this human anguish that ancient philosophies</p><p>- particularly  F.picurcanism  and  Stoicism  - sought  to  provide  a  remedy.</p><p>These  philo!IUllhics  were  therapies,  intended  to  provide  a  cure  for  anguish, and to hrintc f'rt�t�dom  and self-mastery,  and  their goal  was  to allow people to</p><p>222</p><p>Themes</p><p>free  themselves  from  the  past  and  the  future,  so  that  they  could  live  within the present.  Here  we have to do  with  an  experience  of time wholly  different from  the  common,  general  experience  we  have  been  describing.  As  we  shall see, this experience corresponds precisely to that expressed in the verses from Faust:  "Only  the present  is our happiness  . . .  don't  think  about your destiny.</p><p>Existence  is  a  duty."  We  are  dealing  with  a  philosophical  conversion, implying  a  voluntary,  radical  transformation  of  one's  way  of  living  and looking  at  the  world.  This  is  the  true  "healthiness  of the  moment,"  which leads to  serenity.</p><p>Despite  the  profound  differences  between  Epicurean  and  Stoic  doctrine,  we find an extraordinary  structural analogy between  the experiences of time as it was lived  in  both  schools.  This  analogy  will  perhaps  allow  us  to  glimpse  a  certain common  experience  of the  present  underlying  their  doctrinal  divergences.  We can  define  this analogy as  follows:  both  Epicureanism and  Stoicism  privilege  the present,  to  the  detriment  of the  past  and  above  all  of the  future.  They  posit  as an  axiom  that  happiness  can  only  be  found  in  the  present,  that  one  instant  of happiness  is equivalent  to  an  eternity  of happiness,  and  that  happiness  can  and must  be  found  immediately,  here  and  now.  Both  Epicureanism  and  Stoicism invite us to rcsituate the present instant within  the perspective of the cosmos, and to  accord  infinite  value  to  the slightest moment of existence.</p><p>To  begin  with  Epicureanism:  it  is  a  therapy  of anguish,  and  a  philosophy which seeks, above all,  to  procure  peace  of mind.  Its goal  is  consequently  to liberate  mankind  from  everything  that  is  a  cause of anguish  for  the  soul:  the belief  that  the  gods  are  concerned  with  mankind;  the  fear  of post-mortem punishment;  the  worries  and  pain  brought  about  by  unsatisfied  desires;  and the  moral  uneasiness  caused  by  the  concern  to  act  out  of perfect  purity  of intention.</p><p>Epicureanism  does  away  with  all  this.  With  regard  to  the  gods,  it  affirms that  they themselves live  in perfect tranquillity. They are not troubled by the worry of producing or  governing the  universe,  since the latter is the result of a  fortuitous coming together of eternally existent atoms.  With regard to death, Epicureanism  asserts  that  the  soul  docs  not  survive  the  body,  and  that death is not an  event  within  life.  With  regard to desires,  it affirms  that they trouble us  to  the  extent  that  they  are  artificial  and  useless.  We  must  reject  all  those desires  which  are  neither  natural  nor  necessary,  and  satisfy  - with  prudence</p><p>- those  of our  desires  which  are  natural  but not  necessary.  Above  all,  we  are to  satisfy  those  desires  which  are  indispensable  for  the  continuation  of our existence.  As  for  moral  worries,  they  will  be  completely  appea.o;ed  once  we realize  that man,  like all  other  living  beings, is  always motivated  by  pleasure.</p><p>If we seek for wisdom, this is simply because it brings peace of mind:  in other words,  a  pleasurable  state.</p><p>What  Epicureanism  proposes  is  a  fom1  of wisdom,  which  tc11chcs  Uli  how to  relax  and  to suppre11s  our  worries.  This only appc11rs  to be easy, mcll'covcr;</p><p>"Only the Present is  our Happiness "</p><p>223</p><p>for  we  must  renounce  a  great  deal,  in  order  that  we  may  desire  only  that which we are certain of obtaining, and submit our desires to the judgment of reason.  What  is  required,  in  fact,  is a  total  transformation  of our  lives,  and one of the principal aspects of this transformation is the change of our attitude toward  time.  According  to  Epicureanism,  senseless  people  - that  is,  the majority of mankind  - are tormented by  vast,  hollow  desires  which  have to do with wealth, glory, power, and the unbridled pleasures of the flesh. 13 What is  characteristic  of all  these  desires  is  that  they  cannot  be  satisfied  in  the present. This is  why, for the Epicureans,</p><p>senseless  people  live  in  hope  for  the  future,  and  since  this  cannot  be certain,  they  are  consumed  by  fear  and  anxiety.  Their  torment  is  the most  intense  when  they realize  too  late  that  they  have  striven  in  vain after money or power or glory, for they do not derive any pleasure from the  things  which,  inflamed  with  hope,  they  had  undertaken  such  great labors  to  procure. H</p><p>According to  an  Epicurean  saying,  "The  life  of a  foolish  man  is  fearful  and unpleasant;  it  is  swept  totally  away  into  the  future." 15  Thus,  Epicurean wisdom  proposes  a  radical  transformation,  which  must  be  active  at  each instant of life, of mankind's attitude  toward  time.  We must, it  teaches,  learn how  to  enjoy  the  pleasure  of  the  present,  without  letting  ourselves  be distracted  from  it.  If  the  past  is  unpleasant  to  us,  we  are  to  avoid  thinking about  it,  and  we  must  not  think  about  the  future,  insofar  as  the  idea  of it provokes  in  us  fears or  unbridled expectations.  Only thoughts about what is pleasant  - of pleasure,  whether past or  future  - are  to  be  allowed  into  the present  moment,  especially  when  we  are  trying  to  compensate  for  current suffering. This transformation presupposes a specific conception of pleasure, peculiar to  Epicureanism, according to  which the quality of pleasure depends neither on the quantity of desires it satisfies, nor on the length of time it lasts.</p><p>The  quality  of  pleasure  does  not  depend  on  the  quantity  of  desires  it satisfies.  The  best  and  most  intense  pleasure  is  that  which  is  mixed  to  the least  extent  with  worry,  and  which  is  the  most  certain  to  ensure  peace  of mind. It can therefore be procured by the satisfaction of natural and necessary desires;  that  is,  those  desires  which  are  essential  and  necessary  for  the preservation  of existence.  Now,  such  desires  can  easily  be  satisfied,  without our  having  to  rely on  the  future for them, and  without our being exposed  to the worry  and  uncertainty of lengthy pursuit.  "Thanks be to  blessed  nature, who made necessary things easy to obtain, and things which are hard to obtain unnecessary. "  111</p><p>What causes  us  to  think about  the  past or  the  future  are  such  illnesses  of the  sou l  llN  1 hc  human  passions,  desires  for  wealth,  power,  or  depravity;  but the  purc111 ,  11111111  in1 cni;c  pleasure  can  easily  be  obtained  within  the  present.</p><p>224</p><p>Themes</p><p>Not only  does pleasure not depend  upon  the quantity of satisfied  desires, but -</p><p>above  all - it does not depend upon duration. It has no need to be long-lasting in  order to  be  perfect:  "An  infinite period  of time could  not cause  us  more pleasure  than  can  be  derived  from  this  one,  which  we  can  see  is  finite." 17</p><p>"Finite  time  and infinite  time bring us the  same pleasure,  if we measure  its limits  by  reason. "  18  This  may  seem  paradoxical,  but  it  is  founded  on  a theoretical conception.  As  the  Stoics  were  to  repeat, a  tiny circle is no more of a  circle than  a  large  one. 19 The Epicureans  thought of pleasure  as a  reality in  and  for itself,  not  situated  within  the category  of time.  Aristotle  had  said that pleasure  is  total  and  complete  at each  moment of its duration,  and  that its prolongation does not change its essence.2� For the Epicureans, a  practical attitude is joined  to  this  theoretical representation:  if pleasure  limits  itself to that  which  procures perfect  peace  of mind, it attains a summit which cannot be  surpassed,  and  it  is  impossible  for  it  to  by  increased  by  duration.  In  the words  of  Guyau:  "In  enjoyment,  there  is  a  kind  of  inner  plenitude  and over-abundance which makes it independent of time, as well as of everything else. True pleasure bears its infinity within itself." 21</p><p>Thus, pleasure is wholly within the present moment, and we need not wait for anything  from  the  future  to  increase  it.  Everything we  have  been  saying so far could be summed  up in the following verses from Horace:  "Let the soul which  is  happy  with  the  present  learn  to  hate  to  worry  about  what  lies ahead." 22 The happy mind  does not look towards the future.  If we  limit our desires  in a  reasonable  way,  we can be happy right now.  Not only can  we be happy,  but  we  mus/:  happiness  must  be  found  immediately,  here and  now, and in the present. Instead  of reflecting about our lives as a whole, calculating our hopes and  worries,  we  must seize happiness  within  the present moment.</p><p>The matter is urgent; in the words of an  Epicurean  saying: We  are  only  born  once - twice  is  not  allowed  - and  it  is  necessary that  we  shall  be  no  more,  for  all  eternity;  and  yet  you,  who  are  not master of tomorrow, you keep on  putting off your  joy?  Yet  life  is  vainly consumed  in  these  delays,  and  each  of  us  dies  without  ever  having known peace. 23</p><p>Once again,  we  find  the echo of this idea in  Horace:  "While  we  are talking, jealous  time  has  fled.  So  seize  the  day  [carpe  diem],  and  put  no  trust in  tomorrow." H  Horace's  carpe  diem  is  by  no  means,  as  is  often  believed, the  advice  of  a  sensualist  playboy;  on  the  contrary,  it  is  an  invitation to conversion.  We are invited to become aware of the  vanity of our immensely  vain  desires,  at  the  same  time  as  of  the  imminence  of  death,  the uniqueness  of  life,  and  the  uniqueness  of  the  present  instant.  From  this perspective,  each  instant  appears as  a  marvclom1  gift  which  fillH  itR  recipient with grat itude:</p><p>"Only  the Present is  our  Happiness "</p><p>225</p><p>Believe that each new day that dawns  will be the last for you: Then  each  unexpected  hour shall  come  to  you  as a  delightful gift. 25</p><p>There  is  perhaps  an  echo here of the  Epicurean  Philodemus:  "Receive each additional moment of time in a manner appropriate to its value; as if one were having  an  incredible  stroke of luck." 26</p><p>We  have  already  encountered  the  Epicureans'  feelings  of  gratitude  and astonishment, in  the context of the miraculous coincidence between  the  needs of living beings  and  the  facilities provided  for them by nature.  The secret of Epicurean joy and serenity is to live each instant as if it were the last, but also as if it were the first. We experience the same grateful astonishment when we accept the instant as  though  it were  unexpected,  or by greeting it as entirely new: "If the whole world  were appear to mortals now, for the first time; if it was suddenly and unexpectedly exposed  to their view; what could one think of more marvelous  than  these  things,  and  which  mankind  would  less  have dared  to  believe?" 27  In  the  last  analysis,  the  secret  of  Epicurean  joy  and serenity  is  the experience of infinite  pleasure  provided  by  the consciousness of existence,  even  if it be  only  for a  moment.  In  the  words of an  Epicurean saying:  "The cry of the  flesh  is:  Not  to  be  hungry,  not  to  be  thirsty,  not to be  cold.  Whoever  has  these  things,  and  hopes  to  keep  on  having them,  can rival  in  happiness with Zeus himself." 28  The  lack  of hunger and  thirst is thus the condition  for being able to  continue to exist, being conscious of existing, and  enjoying this consciousness of existing.  God has nothing more than  this.</p><p>It could be objected that God's pleasure consists in his knowledge that he has the happiness of existing forever. Not so, replies Epicurus; for the pleasure of one instant of existence  is just as  total  and complete  as a  pleasure of infinite duration,  and  man  is just as immortal  as  God, because death is not a  part of life.2'1</p><p>In order to  show that one single instant of happiness is  enough to give such infinite  pleasure,  the  Epicureans  practiced  telling  themselves  each  day:  "I have had all the pleasure I  could have expected." In the words of Horace: "He will  be  master  of himself and  live  joyfully  who  can  say,  every  day:  'I  have lived.' " �10  Seneca  also takes up this Epicurean  theme: When  we are about to go to sleep,  let  us  say  in  joyous cheerfulness:  "I have lived; I  have travelled  the route that  fortune had assigned to me."</p><p>If God should grant us tomorrow as well, let us accept it joyfully. That person is  most happy and  in  tranquil  possession  of himself who awaits tomorrow without worries.31 Whoever says: "I have lived", gets up every day to  receive  unexpected  riches.32</p><p>We  c11n  Rhm  sec  here  the  role  played  in  Epicureanism  by  the  thought  of deat h .  T11 1111 y ,  cn�ry c\�cning:  "I  have lived," is to say  "my  life is over." It  is</p><p><image l:href="#89"/></p><p><image l:href="#104"/></p><p><image l:href="#119"/></p><p>226</p><p>Themes</p><p>to practice the  same  exercise as  that  which consists in saying:  "Today will be the last  day of my life." Yet it is precisely  this  exercise of becoming aware of life's finitude which reveals the infinite value of the pleasure of existing within the present instant. From the point of view of death, the mere fact of existing</p><p>- even  if only  for  a  moment  - seems  to  be  of infinite  value,  and  gives  us pleasure of infinite intensity. Only once we have become aware of the fact that we  have already - in one instant  of existence - had  everything there was to be had, can  we say with equanimity:  "my  life  is over."</p><p>It  is  here,  moreover,  that the  cosmic  perspective  comes  into  play.  The Epicureans  had  their  own  particular  vision  of  the  universe.  As  Lucretius put  it:  thanks  to  the  doctrine  of  Epicurus,  which  explained  the  origin  of the  universe  by  the  fall  of atoms  in  a  void,  the  walls  of  the  world  burst open  for  the  Epicurean:  he  saw  all  things  come  into  being  within  the immense void,33  and  traversed  the  immensity  of  the  all.  Alternatively,  he exclaims,  in  the  words  of  Metrodorus:  "Remember  that,  born  a  mortal, with  a  limited  life-span,  you  have  risen  up  in  soul  to  eternity  and  the infinity  of things,  and  that  you  have seen  all  that has  been  and  all  that shall be." 34 Here again, we encounter the contrast between finite and infinite time.</p><p>Within finite time, the sage grasps all that takes place within infinite  time, or as  Leon  Robin  puts  it  in  his  commentary  on  Lucretius:  "The  sage  places himself within  the  immutability  of eternal  Nature,  which  is  independent  of time." 35</p><p>Thus, the sage perceives the totality of the cosmos within  his consciousness of the  fact  of existing.  Nature  gives  him  everything  within  an  instant,  and since she has already  given him everything, she has  nothing  left to give him, as  she says in  Lucretius'  poem:  "You  must  always  expect  the same things, even though the span of your life should triumph over all the ages; nay, even were you  never to die." �11�</p><p>The fundamental attitude that the Stoic must maintain  at  each instant of his life  is  one  of  attention,  vigilance,  and  continuous  tension,  concentrated upon each and every moment, in order not to miss anything which is contrary to  reason.  We  find  an  excellent  description  of  this  attitude  in  Marcus Aurelius:</p><p>Here  is what is enough  for  you:</p><p>1 .  the judgment you are bringing to bear at this moment upon  reality, as long as  it is objective;</p><p>2.  the  action  you  are  carrying  out  at  this  moment,  as  long  as  it  is accomplished  in the service of the human community;  and 3.  the  inner  disposition  in  which  you  find  yourself at  this  moment ,  as long as  it is  a  disposition  of joy  in  the  face of the conjunction of events caused  by  cx1 rnncom1 cnus11lit y . 11</p><p><image l:href="#137"/></p><p>"Only the Present  is  our Happiness "</p><p>227</p><p>Thus, Marcus used  to  train himself to concentrate upon the present moment; that  is,  upon  what  he  was  thinking,  doing,  and  feeling  within  the  present instant.  "This  is  enough  for  you,"  he  tells  himself,  and  the  expression  has  a double meaning:</p><p>It  is  enough  to  keep  you  busy;  you  have  no  need to  think  about anything else; and</p><p>2  It is enough  to make  you  happy;  there  is no need to seek for anything else.</p><p>This  is the spiritual exercise Marcus himself calls  "delimiting the  present." 38</p><p>Delimiting the present means  turning one's attention  away from  the past and the future, in order to concentrate it upon what one is in the process of doing.</p><p>The  present  of  which  Marcus  speaks  is  a  present  delimited  by  human consciousness.  The  Stoics  distinguished  two  ways of defining the  present.39 The first consisted  in  understanding  the present as  the  limit between the past and  the future:  from  this  point  of view,  no  present  time  ever actually exists,  since  time  is infinitely  divisible.  This,  however,  is  an  abstract,  quasi-mathematical  division, with  the  present  being  reduced  to  an  infinitesimal  instant.</p><p>The second  way  consisted  in  defining the  present  with  reference  to  human consciousness.  In  this  case,  the  present  represented  a  certain  "thickness"  of time,  corresponding  to  the  attention-span  of  lived  consciousness.  When Marcus  advises  us  to  "delimit  the  present,"  he  is  talking  about  this  lived present,  relative  to  consciousness.  This  is  an  important  point:  the  present  is defined  by  its  reference  to  man's  thoughts and  actions.</p><p>The present  suffices  for our happiness,  because  it is  the only  thing  which belongs  to  us,  and  depends  upon  us.  For  the  Stoics,  it  was  essential  to distinguish  between  what does  and  does  not  depend  upon  us.  The  past  does not  belong  to  us,  since  it  is  definitively  fixated,  and  the  future  does  not depend  on  us,  because  it docs  not  yet  exist.  Only  the  present  depends on  us, and  it is therefore the only  thing which  can  be either  good  or  bad,  since  it is the only thing which  depends upon our will. Since the past and the future do not depend on us, they do not come under the category of moral  good or evil, and  must therefore be  indifferent to us.&#xFFFD;0 It is a  waste  of time  to worry about what  is  long  gone,  or  what  will  perhaps  never  occur;  we  must  therefore</p><p>"delimit  the  present."  "All  the  happiness  you  are  trying  to  achieve  by  long, roundabout  ways:  you  can  have  it  all  right  now . . . .  that  is,  if  you  leave everything  past  behind  you,  entrust  the  future  to  providence,  and  if  you arrange  the  present  in  accordance  with  piety  and  justice. " &#xFFFD;1</p><p>Elsewhere,  Marcus  describes  the  exercise  of delimiting  the  present  in  the following terms:</p><p>if you  licpnrntc  from  yourself,  that  is,  from  your thought . . .  everything you  h11\'l'  1111id  or  done  in  the  past,  everything  that  disturbs  you  about</p><p><image l:href="#149"/></p><p><image l:href="#166"/></p><p><image l:href="#6"/></p><p>228</p><p>Themes</p><p>the  future;  all  that . . .  attaches  itself to  you against  your  will . . .  if you separate  from  yourself  the  future  and  the  past,  and  apply  yourself exclusively  to  living  the  life  that  you  are  living  - that  is  to  say,  the present - you can live all the time that remains to you  until  your death, in calm, benevolence, and serenity.0</p><p>Seneca describes the same exercise as follows:</p><p>Two things  must be cut short:43 the fear of the future and the memory of past discomfort; the one does not concern me any more, and the other does not concern  me yet.44</p><p>The  sage  enjoys  the  present  without  depending  on  the  future . . . .</p><p>Liberated  from  the burden of worries which  torture  the mind, he does not  hope  for  or  desire  anything.  He does  not  plunge  forward  into  the unknown,  for he is  happy  with  what  he has  [i.e.  the  present,  which  is all that belongs to us].  And don't believe that he is content with not very much,  for  what he has is everything.45</p><p>Here  we witness  the  same  transformation of the  present that we encountered in Epicureanism.  In  the present, say  the Stoics, we have everything, and only the  present  is  our  happiness.  There  are  two  reasons  why  the  present  is sufficient  for  our  happiness:  in  the  first  place,  Stoic  happiness  - like Epicurean  pleasure - is complete at every instant and does not increase over time. The second reason is that we already possess the whole of reality within the present instant,  and  even  infinite  duration  could  not  give  us more than what  we have  right  now.</p><p>Happiness, then - that is, for the Stoics,  moral action or virtue - is always total  and  complete,  at  each  moment  of its  duration.  Like  pleasure  for  the Epicurean  sage,  the happiness  of the  Stoic  sage  is  perfect.  It lacks  nothing, just as a circle,  whether it is large or small, still  remains a circle. The same is true  of a  propitious or opportune  moment or  favorable opportunity:  it is an instant, the perfection of which depends not on its duration, but rather on its quality,  and  the  harmony  which  exists  between  one's  exterior  situation  and the possibilities  that one has.46 Happiness  is nothing more nor  less than that instant in  which man  is wholly in accord with  nature.</p><p>Just  as  was  the  case  for  the  Epicureans,  one  instant  of  happiness  is, according to  the Stoics, equivalent to an eternity. In the words of Chrysippus:</p><p>"If a  person  has  wisdom  for  one  instant,  he  is  no  less  happy  than  he  who possesses  it  for  an  eternity." 47  Similarly,  as  for  the  Epicureans,  so  for  the Stoics:  we  will  never be happy  if we  arc not  so right  now .  It's  now  or never.</p><p>The  matter  is  urgent :   we  must  hurry,  for  death  is  imminent,  1md  nil  we require  in order Lo  he  hnppy  h1 tu "''"''  10  he No. The 11nNt  nnJ  t he  f'utur&#xFFFD;�  nrc</p><p><image l:href="#23"/></p><p>"Only tire Present is our  Happiness "</p><p>229</p><p>of no  use.  What  is  needed  is  the  immediate  transformation  of  our  way  of thinking,  of acting, and  of accepting events.  We must  think  in  accordance with truth, act in accordance with justice, and lovingly accept what comes to pass.  In the words of Marcus  Aurelius: "How easy  it is  to  find oneself,  right away, in a state of perfect peace of mind." 411  In other  words,  it is enough just to  want it.</p><p>For  the  Stoics,  as  for  the  Epicureans,  it  is  the  imminence  of  death  which gives the present instant its value. "We must carry out each action of our lives as  if it  were  the  last." 49  This  is  the  secret  of concentration  on  the  present moment:  we are to give it all  its seriousness,  value, and  splendor,  in order to show  up  the  vanity of all  that we  pursue  with  so  much  worry:  all  of which, in the end, will be taken away from us by death.  We must live each day with a  consciousness  so  acute,  and  an  attention  so  intense,  that  we  can  say  to ourselves each evening: "I have lived; I  have actualized my life, and have had all  that  I  could expect  from  life." In  the  words of Seneca:  "He  has  peace of mind  who  has lived  his entire  life every day. 11 5o We  have  just seen  the  first  reason  why  the  present  alone  is  sufficient  for our happiness:  namely, that one instant of happiness is equivalent to a  whole eternity  of  happiness.  The  second  reason  is  that,  within  one  instant,  we possess the totality of the universe.  The present  instant  is  fleeting - Marcus insists  strongly  on  this  point51  - but even  within  this  flash,  as  Seneca  says,</p><p>"we can proclaim, along with God:  'all this belongs to me.' 11 52  The  instant  is our  only  point of  contact  with  reality,  yet  it  offers  us  the  whole  of reality; precisely  because  it  is  a  passage  and  a  metamorphosis,  it  allows  us  to participate  in  the  overall movement of the  event of the  world, and  the  reality of the world's  coming-to-be.</p><p>In  order  to  understand  the  preceding,  we  must  bear  in  mind  what  moral action,  virtue, and wisdom  meant  for the Stoics.  Moral good - for the Stoics, the  only  kind  of  good  there  is  - has  a  cosmic  dimension:  it  is  the harmonization  of  the  reason  within  us  with  the  reason  w&#xFFFD;ich  guides  the cosmos, and produces the chain of causes and effect  which makes up fate.  At each  moment,  we  must  harmonize  our  judgment,  action,  and  desires  with universal  reason.  In  particular,  we  must  joyfully  accept  the  conj unction  of events  which  results  from  the  course  of  nature.  At  each  instant,  we  must therefore  resituate  ourselves  within  the  perspective  of  universal  reason,  so that, at each instant, our consciousness may become  a  cosmic consciousness.</p><p>Thus,  if  one  lives  in  accord  with  universal  reason,  at  each  instant  his consciousness expands into the infinity of the cosmos, and the entire universe is  present  to  him.  For  the  Stoics,  this  is  possible  because  there  is  a  total mixture and mutual implication of everything with  everything else:  Chrysippus,  for example, spoke of a  drop of wine being mixed with  the whole of the sea,  and  spreading to  the  entire  world.53  "He  who sees  the  present  moment secs  all  thnr  hns  happened  from  all  eternity,  and  all  that  will  happen t h rouicho u l   i n fi n i l l'  l ime. 11 &#xFFFD;&#xFFFD;  This explains the attention given  to each current</p><p>230</p><p>Themes</p><p>event, and  to  what is happening to  us at each  instant. Each event implies  the entire world:  "Whatever  happens  to  you  has  been  prepared  for  you  from  all eternity,  and  the  mutual  linkage  of cause  and  effect  has,  from  all  eternity, woven  together your existence and  the occurrence of this event." 55</p><p>One could speak here of a mystical dimension of Stoicism.  At each moment and every  instant,  we  must  say  "yes"  to  the  universe;  that is,  to  the  will of universal  reason.  We  must  want  that  which  universal  reason  wants:  that  is, the  present  instant,  exactly  as  it  is.  Some  Christian  mystics  have  also described  their state as  a  continuous  consent to  the  will  of God.  Marcus,  for his part, cries out:  "I say to the universe:  'I  love along with  you.' " 56 We have here a  profound  feeling of participation  and  identification;  of belonging to  a whole  which  transcends  our  individual  limits,  and  gives  us  a  feeling  of intimacy  with  the  universe.  For  Seneca,  the  sage  plunges  himself into  the whole of the  universe (toti se inserens mundo).57</p><p>Because  the sage  lives  within  his consciousness  of the  world,  the  world  is constantly present to  him.  In Stoicism, even more than  in Epicureanism, the present  moment  takes  on  an  infinite  value:  it  contains  within  it  the  entire cosmos,  and  all the  value and  wealth of being.</p><p>It  is quite  remarkable  that  the  two  schools  of Stoicism  and  Epicureanism, in  other  respects  so  opposed,  should  both  place  the  concentration  of consciousness upon the present moment at the very center of their way of life.</p><p>The  difference  between  the  two attitudes  consists  only  in  the  fact  that  the Epicurean enjoys the present moment, whereas the Stoic wills it intensely; for the one, it is a  pleasure;  for the other,  a  duty.</p><p>Our scene from Faust echoes this double motif in two key phrases:  "Only the present is our happiness," and "Existence is a  duty." SR</p><p>In his conversations with Falk,.&#xFFFD;1 Goethe had spoken of certain beings who, by virtue of their innate  tendencies,  arc  half Stoic and  half Epicurean.  He  found nothing  surprising,  he  said,  in  the  fact  that  they  accepted  the  fundamental principles of the two systems at the same time, and even that they tried  to unite them  as  far  as  was  possible.  One  might  say  that Goethe  himself,  in  his  way  of living the present moment, was also "half Stoic and half Epicurean." He enjoyed the present moment like an Epicurean, and  willed  it  intensely  like  a  Stoic.</p><p>In Goethe, we re-encounter most of the themes we have enumerated above; in  particular,  the  delimitation  of the  present  followed  by  expansion  into  the totality  of the cosmos,  which  we  observed  in  Epicureanism  and  in  Stoicism.</p><p>In  this regard,  Goethe  could  have mentioned an opposition  that  was  dear  to him: that between "systole"  and  "diastole."</p><p>First of all, let us consider concentration on and delimitation of the present.</p><p>In moments  of happiness,  these  processes  take  place  spontaneously:  "Then the spirit  looks neither  forward nor behind . "  This verse  from  Faust  is ed10ed by  a  poem  dedicated  to  Count  Puar:w</p><p>"Only the Present  is our  Happiness "</p><p>23 1</p><p>Happiness  looks  neither forward nor backwards;</p><p>And thus the instant becomes eternal.</p><p>The  present  instant  is  perceived  as  a  grace  which  is  accorded  us,  or  an opportunity  we are offered.</p><p>The  mind  may  also,  however,  turn  voluntarily away from  the  past and  the future,  in order  to  more  fully enjoy  the present  state of reality.  Such  is the attitude of Goethe's  Egmont:61</p><p>Do I  live only in order to think about life? Must I  prevent myself from enjoying the present moment, that I may be sure of the one that follows, and then waste that one, too,  in cares and useless worries? .  .  . Does the sun illuminate me today, that I  may ponder what happened yesterday?</p><p>That  I  may  guess  at  and  arrange  that  which  cannot  be  guessed  nor arranged:  the  fate of the oncoming day?</p><p>This  is  the same secret  of happiness  which Goethe  formulated  in  the  "Rule of Life":62</p><p>Would you  model  for yourself a  pleasant life?</p><p>Worry  not about the past</p><p>Let not anger get the upper hand</p><p>Rejoice in the present without ceasing</p><p>Hate no  man . . . .</p><p>And  the  future? Abandon  it to  God.</p><p>This  is  the  height  of  wisdom;  the  wisdom  of  the  child  in  the  Marienbad Elegy:63</p><p>Hour by  hour, life  is kindly offered  us</p><p>We  have  learned  but  little from  yesterday</p><p>Of tomorrow,  all knowledge  is  forbidden,</p><p>And  if I  ever  feared  the  coming evening,  �</p><p>The setting sun  still saw  what brought me  joy.</p><p>Do like me, then:  with joyful wisdom</p><p>Look  the instant in  the eye!  Do not delay!</p><p>Hurry!  Run  to  greet  it,  lively and  benevolent, Be it for action, for joy or  for  love!</p><p>Wherever you may be, be  like a  child, wholly and always; Then  you  will  be the All;  and  invincible.</p><p>The  "rule  of  life"  - that  "high  wisdom"  - consists  in  looking  neither forwnrd  1101�  hehind,  but  in  becoming  aware  of  the  uniqueness  and</p><p><image l:href="#31"/></p><p>232</p><p>Themes</p><p>incomparable value of the present.  In  Goethe, then,  we find the  same  exercise of delimitation of the present that we had encountered  in  ancient  philosophy.</p><p>This  exercise  is,  however,  inseparable  from  another  exercise,  which consists  in  becoming  aware  of the  inner  richness  of the  present,  and  of the totality contained within the instant. By delimiting the present, consciousness, far  from  shrinking,  swells  to  fill  the  dimensions  of  the  world;  for  that vision  which  "looks  the  instant  in  the  eye"  is  the  disinterested  vision  of the artist,  the  poet,  and  the  sage,  which  is  interested  in  reality  for  its  own sake.</p><p>Enjoying  the  present,  without  thinking  about  the  past  or  the  future, does not mean  living  in  total  instantaneousness.  Thoughts about the past and the  future  are  to  be  avoided  only  insofar  as  rehashing  past  defeats, and  cowering  in  fear  of  future  difficulties,  can  cause  distractions, worries,  hopes,  or  despair,  which  turn  our  attention  away  from  the  present, where  it ought  to  be concentrated.  When  we  do concentrate  our  attention on the  future,  however,  we  discover that the present itself contains  both the  past and  the  future,  insofar  as  it  is  the  genuine  passage  within  which  the  action and  movement  of reality  are  carried  out.  It  is  this past and  this  future  which are  seized  by  the  artist's  vision,  in  the  instant  which  he  chooses  to  describe or  to  reproduce.  The  artists  of  antiquity,  says  Goethe,  knew  how  to choose  the  "pregnant"  instant,  heavy  with  meaning,  "which  marks a  decisive  turning-point  between  time  and  eternity." "'  To  use  one  of Goethe's  favorite  terms,  such  instants  "symbolize"  an  entire  past,  and  an entire  future.</p><p>Likewise,  when  an  artist  seizes  an  instant  of  the  movement  of a  dancer, it  allows  us  to  glimpse  both  the  "before"  and  the  "after":  "The marvelous  suppleness  with  which  a  dancer  moves  from  one  figure  to another,  and  provokes  our  admiration  in  the  face  of  such  artistry:  it  is fixated  for  a  moment,  so  that  wc  can  see,  simultaneously,  the  past,  the present  and  the  future,  and  wc  are  thus  transported  into  a  supra terrestrial state." 65</p><p>Whoever  practices  the  art  of living  must  also  recognize  that  each  instant is  pregnant:  heavy  with  meaning,  it  contains  both  the  past  and  the  future; not  only  of  the  individual,  but  also  of  the  cosmos  in  which  he  is plunged.  This  is  what  Goethe  gives  us  to  understand  in  his  poem  "The Testament:" "'</p><p>Let reason b e  present everywhere</p><p>Where  life  rejoices  in  life.</p><p>This  point  at  which  life  rejoices  in  life  iK  nothing  other  thnn  t he  prcitcnt instnnt.  "Then," cont in ucN  Goet he,</p><p>"Only the Present is our  Happiness "</p><p>233</p><p>the past  has  gained steadfastness</p><p>The present is alive beforehand,</p><p>The  Instant is eternity.</p><p>Goethe  is  even more explicit on  this  point  in one  of his  conversations  with Eckermann:67  "Hold fast  to  the present.  Every circumstance, every instant is of infinite  value,  for it is the representative of an entire eternity."</p><p>Some  commentators have believed  they  could  explain Goethe's conception of the instant as eternity by Neoplatonic or Pietistic influence.68 It is true that we  do  find  within  these  traditions  the  representation  of  God  as  eternal present; but such a conception is not to be  found  in Goethe's writings. When Goethe speaks of the eternal in  his poem entitled "Testament," for example, he is talking about the eternity of the cosmic process of becoming: Throughout all things,  the Eternal  pursues its course . . . .</p><p>Being is eternal, for laws</p><p>Protect the  living treasures</p><p>With  which  the All adorns itself.</p><p>In  order  to  explain  the  Goethean  notion  of  the  instant  as  representative  of eternity,  we  must  rather  think  of  the  Epicurean  and  Stoic  tradition  of which  I  have  spoken  above.  This  tradition  affirmed,  in  the  first  place,  that one instant of happiness  is  equivalent to  an  eternity;  and,  secondly, that one instant of existence  contains  the  whole eternity of the  cosmos.  In  Goethean terms,  this  second  idea  could  be  expressed  by  saying  that  the  instant  is  the symbol of eternity.  Goethe  defined  the  symbol  as  "the  living,  instantaneous revelation  of  the  unexplorable," 69  but  we  could  just  as  well  define  the instant  as  "the  living  symbol  of  the  unexplorable."  The  idea  of  the</p><p>"unexplorable" corresponds to what, for Goethe, is the inexpressible mystery at the basis of nature and of all reality.  It is its very fleetingness and perishable nature  that  make  the  instant  the  symbol  of eternity,  because  its  ephemeral nature  reveals  the  eternal  movement  and  metamorphosis  which  is,  simultaneously,  the  eternal  presence  of  being:  "All  that� is  perishable  is  only  a symbol." 70</p><p>It  is  here  that  the  thought  of  death  comes  into  play,  for  life  itself  is perpetual  metamorphosis,  and,  inseparably,  the  death  of  every  instant.</p><p>Sometimes,  for Goethe, this theme takes on a  mystical tone: In order to find himself in the Infinite</p><p>The individual  willingly accepts to disappear.</p><p>It  is a  pleasure  to abandon oneself.71</p><p>l  would  1m1i11&amp;:  the living creature  who aspires  to  death  in  the  flame.72</p><p>234</p><p>Themes</p><p>In  the  last analysis,  then,  it  is  eternity - that  is,  the totality of being - which gives the  present  moment  its  value,  meaning, and pregnancy.  "If the eternal remains present to  us at each  instant,  we do not suffer from  the fleetingness of time." 73  The  ultimate  meaning of Goethe's  attitude toward  the  present is thus, as it was for ancient  philosophy,  the happiness and  the duty of existing in  the  cosmos.  It is a  profound  feeling of participation  in  and  identification with  a reality  which  transcends the limits of the individual.  "Great is the joy of existence,  and  greater  yet  the joy we  feel in  the presence of the world." 7&#xFFFD;</p><p>"Throughout all things, the Eternal pursues its course. Hold on to Being with delight!" 75</p><p>We  ought  here  to  cite  the  entire  song  of the  watchman  Lynceus  near  the end of the Second Faust:</p><p>In all things, I  see</p></section><section><p>The eternal adornment,</p><p>And  since it pleases me,</p><p>I  please myself as  well.</p><p>You, my happy eyes:  �</p><p>Whatever you  have seen,</p><p>Be  it what it may,</p><p>It certainly was beautiful.71�</p><p>In  his  work  on  Winckelmann,  Goethe  presents  this  wonderstruck  consent to  being - to  the being of the entire cosmos  - as characteristic of the  ancient soul.</p><p>If man feels at home in the world as within an All, an All which is great, beautiful, noble and precious;  if the  pleasure  of living in  harmony  with this  All  gives him  a  pure,  free delight, then  the universe - if it could be conscious of itself - would exult with joy; it would have attained its goal, and would be amazed at this summit of its becoming and its being. After all,  what good  is all  this  profligate  abundance  of suns,  planets,  moons, stars,  Milky  Ways,  comets,  nebula,  worlds  in  the  process  of becoming and  which  have  come  to  be,  if,  when  all  is  said  and  done,  one  happy man  does not rejoice, unconsciously, in his own existence?77</p><p>When  Goethe  says  "unconsciously,"  he  means  that  the  reasons  why  people may be happy, and may be  in  harmony  with the  universe, arc  unknown  and completely  incomprehensible to them.  Here we  come across  another  case  of the  "unexplorable," 78  to  use  one  of Goethe's  favorite  expressions.  Y ct  the innocent  joy  of existing,  and  the spontaneous,  unrcflccting  pleasure  which living beings  take in existence, arc an original  phenomenon  which  reveals  the presence  of 1m  uncxplorahlc  my11tcry:  "The  child  iN  plcni;cd  by  l ht�  cnkc,</p><p>"Only  the Present is  our  Happiness "</p><p>235</p><p>without knowing anything about the pastry-cook; and starlings like cherries, without them stopping to think about where they came  from." 79</p><p>We again  find  this  "yes"  to  the  world  and  consent  to  being  in  the  following passage from Nietzsche, whatever reservations about it he himself may have had: Let  us  assume  we say  "Yes!"  to  one  single,  unique  moment:  we  have thus said  yes,  not only to ourselves, but to  the whole of existence.  For nothing is isolated, neither in ourselves nor in things. And if, even once, our  soul  has  vibrated  and  resounded  like  a  string  with  happiness,  all eternity  was  necessary  to  create  the  conditions  for  this  one  event;  and all eternity has been approved,  redeemed, justified, and affirmed.80</p><p>Not long ago, Georges Friedmann courageously denounced  the tragic lack of balance  which  has  come about  in  the  modern  world  between  "power"  and</p><p>"wisdom." 81  If we  have  chosen  here  to  present some  aspects  of one  of the fundamental themes of the  European  spiritual  tradition,  it was  not  in  order to  satisfy  some  historical  or  literary  curiosity,  but  to  describe  a  spiritual attitude:  an  attitude  which,  for  ourselves  and  for  modern  man  in  general, hypnotized as we arc by  language,  images,  information, and the  myth of the future,  seemed  to  us  to  provide  one  of  the  best  means  of  access  to  this wisdom,  so  misunderstood  and  yet so necessary.  The call of Socrates speaks to  us  more  now  than  ever  before:  "Take  care  for  yourself." 82  This  call  is echoed by Nietzsche's remark: "Is it not the case that all human institutions"</p><p>- to which we might add: "as well as the whole of modern life'' - are intended to  prevent  mankind  from  feeling  their  life,  by  means  of  the  constant dispersion of their thoughts?" 83</p><p>NOTES</p><p>I  Johann Wolfgang von  Goethe, Faust, 938 1 .</p><p>2  Ibid, 4685.</p><p>3  Ibid, 6487-500.</p><p>4  Ibid, 9370.</p><p>5  Ibid, 94 1 9.</p><p>6  Ibid, 9377-84.</p><p>7  Ibid, 941 1 - 1 8.</p><p>8  Johann  Wolfgang von  Goethe,  Letter  to Zclter of October  19,  I 829,  in  Goethes Briefe, ed.  K.R.  Mandelkow, Munich  1 967,  vol.  4, p.  346.</p><p>9  "Book of the Cup-Bearer" ("Das Schenkenbuch"), in Goethes Werke, Hamburger Ausgabe (hereafter HA), vol.  2, p. 94.</p><p>10  0.  Spengler, Der Unterga11g des Abendlandes,  Munich  1 923,  vol.  I, p.  1 1 .</p><p>1 1   J .  I lin1 ikka,  Timr a11tl Necessity,  Oxford,  1 973, p. 86.</p><p>1 2  S.  Mon�ni,  /Jir 7.t111ber_/liite,  M unster,  1 952, p.  89.</p><p>236</p><p>Themes</p><p>13  Cicero, Dt finibus, I,  18,  S9.</p><p>14  Ibid,  I,  18, 60.</p><p>15  Seneca, Letters to Lu,ilius,  I S, 9.</p><p>16  Epicurus,  fr.  240,  p.  S67 Arrighetti =  Stobaeus vol. ill,  17, 22 Hense.</p><p>17  Cicero, Dt finibus, I,  19,  63.</p><p>18  Epicurus, Ratat Smtentiat,  1 9,  p.  1 27  Arrighetti.</p><p>19  Seneca, Letters to Lucilius, 14, 27.</p><p>20  Aristotle,  Ni,homa,hean  Ethfrs,  10,  3,  1 1 74a1 7ff;  cf.  H.-J.  Kramer,  Platonismus und hel/misti1'he Philosoph&#xFFFD;, Berlin/New York  1 97 1 ,  pp.  1 88fT.</p><p>2 1   J.M. Guyau, La  morale d'Epfrure, Paris  1 927,  pp.  l 12fT.</p><p>22  Horace,  Otks, 2,  16,  2Sf.</p><p>23  Epicurus, Gnomologi,um  Vatfranum �14,  p.  1 43  Arrighetti.</p><p>24  Horace,  Otks,  I,  1 1 ,  7.</p><p>2S  Horace, Lt11er, I, 4,  1 3.</p><p>26  Cf.  M.  Gigante, Rfrhmhe Filodemee,  Naples  1 983,  pp.  181, 2 1 S-16.</p><p>27  Lucretius,  On the Nature of T/1ings,  1033-6.</p><p>28  Epicurus, Gnomologicum  Vaticanum, �33, p.  1 46 Arrighetti.</p><p>29  Epicurus, Lt11er 10 Menoeceus, ��1 2+..S, p.  108 Arrighetti.</p><p>30  Horace,  Odes,  3,  29,  42.</p><p>31  Without  worries  (sine  sollicitudine),  because  h&#xFFFD;  knows that on  that  day  he  has received  all  that  it  was  possible  to  have,  and  that  there  is  nothing  left  to  be desired.</p><p>32  Seneca, Letters lo Lucilius,  1 2, 9.</p><p>33  Lucretius,  On  the Nature of Things,  3,  16-- 1 7.</p><p>34  The  most  accessible  text  of  this  saying  has  been  preserved  by  Clement  of Alexandria, Stromata,  V,  14,  138,  2.  Cf.  the commentary  of A.  Le  Boulluec  in Clement d'Alexandrie,  Stromates,  V, Paris  1 981 ,  p.  369.</p><p>JS  L.  Robin,  Lucrece,  Dt  la  Nature,  Commentaire  des  livres  III-JV,  Paris  1926, repr.  1 962,  p.  I S i .</p><p>3 6  Lucretius,  On the  Nature of Things,  III, 947-9.</p><p>37  Marcus Aurelius, Meditations, 9,  6.</p><p>38  Ibid, 7, 29,  3;  3,  12,  1 .</p><p>39  The principal  text may be  found i n  S VF 2 ,  S09 [ =  Arius Didymus fr .  26 Dicls, in Stobaeus vol. 1, p.  l OS, Sff. Wachsmuth]; for a commentary cf. P. Hadot, "Zur Vorgeschichte des Begritls  Existenz," Arthivfiir Begriffigesch1&amp;hte  13  ( 1969),  pp.</p><p>1 1 8-19.</p><p>40  Marcus Aurelius, Meditations, 6, 32, 3.</p><p>41  Ibid,  1 2,  I ,  1 -2.</p><p>42  Ibid,  1 2,  3, 3-4.</p><p>43  [Circumcidenda.  Literally,  to cut a  circle off the  bark  of a  tree,  thereby  pruning or even killing it.  - Trans.]</p><p>44  Seneca, Letters to  Lu,ilius,  18,  14.</p><p>45  Seneca,  On Benefits, 1,  2, +-5.</p><p>46  Cicero, De finibru,  3,  1 4,  4S.</p><p>47  Plutarch, On  Common  Ctm,eptions,  8,  1 062a.</p><p>48  Marcus Aurelius, Meditalitms,  5,  2.</p><p>49  Ibid, 2,  5,  2: 7, (19.</p><p><image l:href="#60"/></p><p>"Only  the Present  is  our Happiness "</p><p>237</p><p>SO  Seneca, Letters to Lucilius,  IOI, 10.</p><p>S I   Marcus Aurelius, Meditations,  2,  1 4,  3.</p><p>S2  Seneca, On Benefits,  7, 3, 3.</p><p>S3  Plutarch, On Common Conceptions,  37,  1 078e.</p><p>S4  Marcus Aurelius, Meditations,  6,  37.</p><p>SS  Ibid,  10,  S.</p><p>S6  Ibid,  10,  2 1 .</p><p>S7  Seneca,  Letters to Lucilius,  66, 6.</p><p>S8  Goethe, Faust, 9382, 9418.</p><p>S9  Conversation  with  J.D.  Falk,  in  F.  von  Biedermann,  ed.,  Goethes  Gespriiche, Leipzig  1 9 1 0,  vol.  4, p.  469.</p><p>60  "An  Grafen  Paar,"  in  Goelhes  Siimtliche  Werke  (Cottasche Jubilaumsausgabe), Stuttgart  1 902, vol.  3,  p.  1 3 .</p><p>61  Johann  Wolfgang von Goethe, Egmont, Act 2.</p><p>62  Johann Wolfgang von Goethe, "Lebensregel," in Sprikhe, 971T,  in Goethes Werke, HA,  vol.  I,  p.  3 19.</p><p>63  Johann  Wolfgang  von  Goethe,  Elegie,  v.  9 1 1T,  in  Goelhes  Werke,  HA,  vol.  I, p.  384.</p><p>64  Goethe, Letter to Zelter of October  1 9,  1 829, in Goethes Briefe, vol.  4,  p.  347.</p><p>6S  Goethe,  Letter to Sickler of April  28,  1 8 1 2,  in  ibid,  vol.  3, p.  1 84.</p><p>66  Johann Wolfgang von Goethe,  Vermiichtnis, in Goethes Werke, HA, vol.  I, p. 370.</p><p>67  J.P.  Eckermann,  Gespriiche  mit  Goethe,  Wiesbaden  19SS  (conversation  of November 3,  1 823),  p.  61 .</p><p>68  Neoplatonism:  H.  Schmitz,  Goethes Altesdenken,  Bonn  19S9,  pp.  1 S2ff.  Pietism: W.  Schadewelt,  Goethestudien, Zurich  1 963,  p. 44S.</p><p>69  Maximen und Reflexionen, 3 1 4  Hecker =  Goethes  Werke,  HA,  7S2.</p><p>70  Goethe, Faust,  1 2 1 04.</p><p>71  "Eins und Alles," in  Goe1hes  Werke, HA,  vol. I, p. 368.</p><p>72  "Sclige  Sehnsucht,'' in Diwan,  in Goethes  WerJ:e,  HA,  vol.  2, p.  18.</p><p>73  Letter to August von Bernstorff of April 1 7,  1 823, in Goethes Briefe,  vol. 4, p. 63 .</p><p>74  Book of Suleika,  in  the  East-West Divan, in Goethes  Werke,  HA,  vol.  2,  p.  70.</p><p>7S  "Testament,'' foe.  di.</p><p>76  Faust,  1 1 296-303.</p><p>77  "Winckelmann,'' in Goethes  Werke, HA,  vol.  1 2,  p.  98.</p><p>78  Cf.  Maximen und Reflexionen  1 207  Hecker =  Goethes  Werke,  HA  vol.  1 2, 7 1 8.</p><p>79  Eckermann,  Gespriiche (conversation of February  28, "183 1 ),  p.  438.</p><p>80  Friedrich  Nietzsche,  Posthumous  Fragments,  Ende  1 886-Friljahr  1887, 7[38], in Friedrich  Nietzsche,  Siimtliche  Werke,  eds  G.  Colli  and  M.  Montinari,  I S  vols, Berlin  1 980 (hereafter Colli/Montinari), vol.  1 2,  pp.  307-8.</p><p>81  G.  Friedmann, La Puissanee et la Sagesse,  Paris  1970.</p><p>82  Plato, Alcibiades,  1 20d4; Apology,  36c.</p><p>83  Friedrich  Nietzsche,  Untimely Meditations,  3,  4:  Schopenhauer as Educator,  3,  4, vol.  I,  p.  373 Colli/Montinari.</p><p><image l:href="#80"/></p><p>9</p><p>The  View  from  Above</p><p>No one has better expressed our longing for a view from above and flight of the  soul  than  Goethe's  Faust,  as  he  went  for  his  Easter  promenade  with Wagner and glimpsed  the evening sunset:1</p><p>0  why  does  no  wing  lift  me  from  the  ground To strive after the sun  for ever?</p><p>In  an  endless evening dusk,  I'd  see</p><p>The silent earth beneath my feet.</p><p>Each hill would be ablaze, each vale bestilled,</p><p>And  silver  brooks  would  flow  in  golden  streams . . .</p><p>Before me day, behind the night</p><p>Heaven above  and underneath  the waves:</p><p>A  lovely  dream,  until  it disappears! . . .</p><p>Alas!  To  the Spirit's wings</p><p>No mortal  wing can  join so  easily.</p><p>And yet, when high  above  us, lost in  vast blue spaces The skylark sings  her warbling tune,</p><p>It is inborn  in  every man,</p><p>That his mind surges onwards and  upwards.</p><p>To the casual reader,  this text seems to be nothing more than a dream about flying: the banal desire, innate in every  human being, to be able to fly. A mere topos,  in  other  words, as  historians are often  only too  quick  to categorize  it.</p><p>In  fact,  however,  the  theme  of  the  flight  of  the  soul  plays  a  role  of extraordinary  importance  in  Goethe,  as  we  can  already  glimpse  from  the following  lines  of his  letter to  Schiller of May  1 2,  1 798:  "Your  letter  found me</p><p>in  the  Iliad,  to which  I</p><p>.</p><p>.</p><p>.</p><empty-line/><p>always  return  with  delight.  It  is  always  as  if one  were  in  a  balloon,  far  above everything  earthly;  as  if one  were truly  in that  intermediate :1.one where  the  gmls  11111&amp;1  hither 1111d  t hither. " '  In  filct, num</p><p>The  Vie11J from Above</p><p>239</p><p>had succeeded in freeing himself from the weight of the earth only a few years previously.  The  Montgolfier  brothers  had  carried  out  their  first  flight  on November 2 1 ,  1 783. Goethe had been deeply impressed by this event, and in an  entirely  unexpected  way,  this  experience  helped  him  to  understand Homeric poetry.</p><p>Besides the events they narrate, the Homeric epics show us the whole world from  the  point  of view of the gods,  who  look  down  upon  mankind's battles and  passions  from  the heights  of the  heavens or  the mountaintops,  without, however, being able to resist the temptation  of intervening from time to time on  behalf of one  or  the  other  contending  parties.  For  example,  in  the  fifth book  of  the  Iliad,  we  speed  through  the  space  between  heaven  and  earth together with the steeds of Hera:</p><p>The  horses winged  their  way  unreluctant</p><p>through the space between the earth and the starry heaven.</p><p>As  far as  into  the  hazing distance a  man  can see with his eyes, who sits  in  his eyrie gazing on  the wine-blue water, as  far as  this is the stride of the gods' proud  neighing horses.3</p><p>At the beginning of book  13, we adopt the point of view of Zeus, and observe along  with  him  the  lands  of  the  Thracians,  the  Mysians,  and  other  such peoples,  while  elsewhere,  sitting with  Poseidon  high  on  the  loftiest  peak  of the green-wooded island of Samothrace, we gaze at the battle and  the clamor of arms before  the walls of Troy.</p><p>For Goethe, the reason Homeric poetry can raise us  above all earthly things, and  allow  us to  observe  them  from the point of view of the gods, is  because it  represents  the  paradigm  of true  poetry.  As  Goethe  puts  it  in  Poetry  and Truth:</p><p>True  poetry  can  be  recognized  by  the fact  that,  like a  secular  Gospel, through  the  inner cheerfulness  and  outward  pleasure  it  procures  us,  it can  free  us  from  the  mundane  burdens  which  weigh  upon  us.  Like  a hot-air balloon,  it lifts  us up  into  higher regions, along with  the  ballast that  clings  to  us,  and  lets  us  see,  from  a  bird's-eye  view,  the  mad labyrinths of the world spread out before  us. 4</p><p>In the  last  sentence, Goethe has  in mind not only the view from above of the Homeric gods,  but also the wings which Daedalus fashioned, in order to free himself from  the  Labyrinth  in  which  Minos  had  imprisoned  him.  We  shall later see  in more detail  why it is  that,  in  Goethe's  view,  poetry  has such  an astonishing power.</p><p>The  int imntcly  connected  themes of the  bird's-eye  view  and  flight of the soul hll\'l'  n  Ionic, complex history.  Before  we go on  to examine  the  moral  and</p><p><image l:href="#94"/></p><p><image l:href="#111"/></p><p><image l:href="#127"/></p><p><image l:href="#143"/></p><p>240</p><p>Themes</p><p>existential meaning attributed  to  them,  first  by ancient philosophy,  and  then by Goethe, it may be useful to attempt to classify the various forms in  which they  appear.  Since  our discussion  will  be  concerned  only  with  philosophical and  literary  texts,  we  can  leave  aside  the  question  of the  real  or  ostensible Shamanic origin of these themes. s</p><p>First  of all, we  should emphasize  that  ancient philosophy  and  literature  do not seem to have linked  the  theme  of the  flight of the soul  with the ability to fly; that  is,  with  the  mere  sensory  experience of flight.  Rather,  it went hand in  hand  with  a  specific conception  of the  power  of thought  and  the  divine nature of the soul, which  is able to raise itself above  the categories  of space and  time.  We cannot  consider this power as a  natural capacity of the human soul  qua  inhabitant  of  the  terrestrial  regions,  nor  it  is  a  supernatural phenomenon.  With regard to the first point, it is only natural that thought or the  thinking  soul  can  transport  itself  rapidly,  even  instantaneously,  to wherever the object of thought happens to be.  Already in the seventh  book of the  Odyssey,6  the  swiftness  of ships  is  compared  with  that  of wings  and  of thought, while Xenophon, in his MemfJrabilia, remarks that the thought of the soul, just like the divine thought, can instantarieously transport itself to Egypt or to Sicily.7 This idea  was  frequently taken  up by Philo of Alexandria,  who used  it to  illustrate  the themes of the  immortality of the soul,  the  greatness of man,  and  his  likeness to  God."</p><p>According  to  another  conception,  however,  the  flight  of the  soul  did  not consist  in  the  mere  experience  of  thinking,  which  is  in  a  sense  a  banal, everyday  phenomenon.  Rather,  it  was  something  that  could  only  be experienced  under  extraordinary  circumstances:  in  particular,  it  came  about  as  a consequence of the  separation of the soul  from  the body.</p><p>Here  we  recognize  the  doctrine  of Plato:  according  to  the  myth  of the Phaedrus,9 the soul is provided  with  wings by nature.  Prior to its incarnation in  a  terrestrial  body,  the  soul  is  thus able  to  rise  up  to  the  outermost  limits of the heavens, and  follow the procession of the winged chariots of the gods.</p><p>If, however, the soul proves itself to be too weak for celestial existence, it loses its  wings and  falls  into a body. The soul can only  win  back  its  wings  when it separates  itself from  the  body;  in  other  words, after death.  When  Cicero  in the Tuscula11  Disputations,111 or Seneca  in  his  Consolation to Marcia,1 1  speak of the soul's post-mortem existence, they describe how souls discover the secrets of nature  and  look  down  on  the  earth  from  above.  Plato,  however,  would above all have underlined  the  fact that, during its celestial  journeys, the soul can  contemplate  the  supracelestial  world  of eternal  forms,  as  it  did  in  its previous life, before its  fall into the corporeal  world.</p><p>Shortly  before  death,  the  soul  already  begins  to  feel  the  effects  of  its imminent  separation  from  the  body;  hence  it  is  able  to  journey  into  the beyond.  In  the  tenth  book  of  the  Rep11Mit',  Plato  tells  1 he  !ltory  of  Er  t he Pnmphylian,  who  w1111  leli  for  dead  on  tht�  h111tlclidd,  11nd  whu11t�  1111ul  w11s</p><p>The  View from Above</p><p>24 1</p><p>temporarily  separated  from  his  body.  When  Proclus  discusses  this  passage  in his  Commentary  on  Plato s  Republic, 12  he  reports  a  number  of similar  stories, about  Aristeas  of Proconnesus,  Hermodorus  of Clazomenae,  and  Epimenides of Crete. Democritus also seems to have made a collection of such stories, 13 and Clearchus of Soloi, a  pupil of Aristotle, told the  tale of the psychic flight of a certain  Oeonymus  of Athens,  whose  soul  had  risen  high  up  above  the  earth, and from there had had glimpses of completely unknown regions of the earth.14</p><p>Plutarch,  in  his  essay  On  the  Delays  of  Divine  Vengeance,  recounts  the experiences of a  certain  Thespesius of Soloi, who had  also  been  left  for dead: He saw nothing like what he had seen before:  the stars were enormously large,  and  immeasurably  far  from  one  another,  and  they  shone  forth with a light of great force and marvelous colours, so that the soul, gently and  lightly  transported  by  this  light  like  a  ship  on  a  calm  sea,  could quickly  move to  wherever it wished. 15</p><p>In  the view of the ancients, even  the most insignificant dream  was a separation of soul  from  body,  in  the course of which  the soul  could  rise  up  to  celestial heights.  We need only think of the  example of Cicero's Dream of Scipio.16</p><p>The separation of soul  from body can also occur by purely spiritual means.</p><p>This spiritual  "death  to the body" was carried  out by means of philosophy, for according to Plato, philosophy is nothing but training for death: Shall  we  not  say  that  purification  occurs  . . .  when  man  separates  the soul as much as possible from the body, and accustoms it to gather itself together  from  every  part  of the  body  and  concentrate  itself until  it is completely  independent, and to  have its dwelling, so  far as  it can,  both now  and  in  the  future,  alone  and  by  itself,  freed  from  the  shackles  of the body?17</p><p>We  shall  have  occasion  later  on  to  return  to  the  precise  meaning  of  this philosophical  exercise.  For  the  moment,  suffice  it  to  say  that  when  Plato wants  to  describe  the philosophical  life,  he does so by means of the image of the soul's gathering itself together, and  its subsequent flight into the infinity of the heavens.  This  flight allows the soul to  look down from above at human affairs,  in the  truest sense of the phrase.</p><p>As  for  the  philosopher  himself,  Plato  describes  him  as  follows  in  the Theaetetlls:</p><p>In  fact,  it  is only  his  body that  lives  and  has  its  residence  in  the state; his  soul,  however,  holds  all  this  to  be  puny  and  meaningless,  and con1 cmp1 uously wanders all over the place, "under the earth," as Pindar N11y11, 11 ml mt�u11urinic whatever is on  its surface, and "above the heavens,"</p><p><image l:href="#154"/></p><p>242</p><p>Themes</p><p>observing the  stars,  and  in  general  thoroughly  investigating  the  nature of everything that  is,  but without  lowering  itself to  the  level  of  any  of the objects in its vicinity .1a</p><p>In  the  Republic,  Plato  expresses  the  view  that  greatness  of soul  consists  in precisely such an attitude:  "For smallness is particularly contrary to the soul which  always  strives  after  the  complete  and  perfect,  both  divine  and human." 19  Such  a  soul, capable  of observing  the  totality  of space  and  time, has no fear even of death.</p><p>Here  it might  not  be  inappropriate  to  try  to  formulate  more  precisely  two concepts  with  which  we have been  dealing:  on  the  one hand,  the  concept of philosophy as a means of achieving spiritual death, and, on the other, the  idea of  philosophy  as  the  ascent  of  the  soul  into  the  celestial  heights.  Plato developed  these  ideas and  concepts in a specifically Platonic direction, but in and  of themselves  they  arc  not  specifically  Platonic.  Rather,  they  are  to  be found  in  all  the  ancient  philosophical  schools,  be  they  Epicurean,  Stoic,  or Cynic.</p><p>In  other  words,  in  all  schools  - with  the  exception  of  Skepticism  -</p><p>philosophy  was  held  to  be  an  exercise  consisting  in  learning  to  regard  both society  and  the  individuals  who  comprise  it  from  the  point  of  view  of universality.  This  was  accomplished  partly  with  the  help  of a  philosophical theory  of nature,  but above all  through  moral and  existential exercises.  The goal of such exercises was to help people free themselves from the desires and passions which  troubled  and  harassed  them.  These needs and  desires,  it was thought, were  imposed  on  the individual by  social  conventions and  the  needs of  the  body.  The  goal  of  philosophy  was  to  eliminate  them,  so  that  the individual  might  come  to  see  things  as  nature  herself  sees  them,  and consequently desire nothing other than that which is natural. If we leave aside for  the  moment  terminological  and  conceptual  differences,  we  can  say  that, within each school, philosophy signified the attempt to raise up mankind from individuality  and  particularity  to  universality  and  objectivity.  For  example, philosophical  death  for  the  Platonists  consisted  in  getting  rid  of  one's passions,  in  order  to  attain  to  the  autonomy  of  thought.  For  the  Stoics, philosophical  death  consisted  in  putting  oneself  in  accord  with  universal reason, the all-embracing Logos, both interior and exterior.</p><p>Thus,  in  each  philosophical  school  we  encounter  one  and  the  same conception of philosophy. Similarly, in each philosophical school  we find the same  conception  of the  the  cosmic  flight  and  the  view  from  above  as  the philosophical way par excellence of looking at things. In particular, Platonists, Stoics, and  Epicureans all  discovered,  in addition to their theoretical  physics, a  practical  physics,  which  was  conceived  of  as  an  exercise  in  which  the imagination speeds  through  the infinite v11stnesscs  of the  univc1�sc.  EN11ecinlly for t.hc Plntonists nnd t he  StoicN,  t he  icrntl  of thi11 liwd  11hysic11 of the univerNc</p><p><image l:href="#173"/></p><p>The  View from Above</p><p>243</p><p>was  to  attain  to greatness of soul,  and  in  all  schools  its function  was  to  teach people  to  despise  human  affairs  and  to  achieve  inner peace.</p><p>The  exercise  of practical  physics  is  already  hinted  at  in  Plato's  Timaeus,20</p><p>where  the  soul  is  urged  to  bring  its  inner  movements  into  accord  with  the movements  and harmony  of the all. Again, we  find  the same theme in the area of meteorologia:  that  is,  speech  which  - according to  the  Hippocratic  method, as  Plato  says in  the Phaedrus21  places  the  soul and  human  affairs  within  the</p><p>-</p><p>perspective of the all.  Such  a method, Plato adds, leads to nobility of thought.</p><p>Epicurean  physics  also  opens  up  a  wide  field  for  mental  flight,  in  the infinity  of space  and  the  infinite  number  of worlds.  Thus  Lucretius:  "Since space  stretches  far  beyond  the  boundaries of our  world,  into  the  infinite,  our mind seeks  to sound out what lies within this infinity,  in which the mind can plunge  its  gaze  at  will,  and  to  which  the  mind's  thoughts  can  soar  in  free flight. "  22  Elsewhere,  Lucretius  says  that  Epicurus  has  "boldly  broken  down the  tightly  shut gates of nature,"  and  "Advanced  far beyond  the  the  flaming walls  of our  world. "  23  In  mind  and  thought,  claims  Lucretius,  Epicurus  has sped  through  the  whole of infinity,  thence to return  victoriously and teach us what can  and  cannot come into  being. 24</p><p>This  spiritual  conquest of space  kindled  the  enthusiasm  of the  eighteenth century,  which  dreamed  of  producing  a  new  Lucretius.  Andre  Chenier25</p><p>sought  to  give  new  life  to  this  ideal  in  his  unfinished  poem  "Hermes": Equipped  with  the  wings  of Buff on</p><p>And lit by  the  torch  of Newton,  my  flight</p><p>Often  soars, with  Lucretius, beyond  the  azure  girdle That stretches  around  the  globe.</p><p>I  sec  Being,  Life,  and  their  unknown  Source; And  all  the  worlds  tumbling through  the  Ether.</p><p>I  follow the comet  with  its fiery  tail</p><p>And  the stars,  with  their weight,  form and  distance; I  voyage  with  them  in  their  immense  orbits  . . .</p><p>Before  my avid  gaze,  the  diverse  Elements  unfold, With their Strife  and  their Love, the Causes  and  the Infinite.26</p><p>To  return  to  Epicurean  cosmic  flights:  the  Epicurean  sage's  gaze  upon infinity  probably  corresponds to  that  of the  Epicurean  gods. Unconcerned  by mundane  affairs  in  their  bright,  eternal  tranquillity,  they  spend  their  time contemplating the  infinity  of space, time,  and  the  multiple worlds.</p><p>We encounter  this same  tranquillity  in  the Stoic  tradition,  especially  in  the text  from  Philo  of  Alexandria  cited  more  fully  below,  which  describes philosophers  in  the  following  terms:</p><p>As their gonl is a  life of peace and serenity, they contemplate nature and eve1�y1 hin&#xFFFD; found  within  her:  they  attentively explore  the earth,  the sea,</p><p>244</p><p>Themes</p><p>the  air,  the  sky,  and  every  nature  found  therein.  In  thought,  they accompany  the  moon,  the  sun,  and  the  rotations  of  the  other  stars, whether fixed or wandering. Their bodies remain on earth, but they give wings  to  their souls,  so  that,  rising into  the  ether,  they  may observe  the powers  which  dwell  there,  as is fitting for those  who have  truly  become citizens  of the  world. 27</p><p>For  Marcus  Aurelius,  only  the  "physical"  viewpoint  on  things  is  capable  of giving  us  greatness  of soul;  thus  we  have  often  found  him  practicing  those spiritual  exercises  which  have  to  do  with  the "physical"  viewpoint on things.</p><p>As  he  says  in  book  9  of the Meditations:  "You  have  the  power  to  strip  off many superfluous  things  that are obstacles  to  you and  that  depend  entirely</p><p>,</p><p>upon  your  value-judgments;  you  will  open  up  for  yourself a  vast  space  by embracing  the  whole  universe  in  your  thoughts,  by  considering  unending eternity." 28  In  book 7,  he admonishes  himself as  follows: Watch and  see  the  courses of the stars as  if you  were  running  alongside them,  and  continually  dwell  in  your  mind  upon  the  changes  of  the elements into  one another; for  these imaginations wash away  the foulness of life  on  the  earth.  When  you  are  reasoning  about  mankind,  look  upon earthly  things  below  as  if from  some  vantage  point  above  them.29</p><p>We shall return later to the final phrase.  Elsewhere, Marcus describes the way in  which  the  soul  plunges  itself into  the  totality  of space  and  the  infinity  of time:  "it traverses the whole  Universe and  the surrounding void, and  surveys its  shape,  reaches  out  into  the  boundless  extent  of  time,  embracing  and pondering the periodic rebirth  of the  all." 30 The  goal  of physics  as a  spiritual exercise was to relocate human existence within the infinity of time and space, and  the  perspective  of the  great  laws  of nature.  This  is  what  Marcus  means by  the  all-embracing metamorphosis  he  mentions,31  but  he  also  has  in  mind the correspondence  of all  things, and  the  mutual  implication  of each  thing in everything else.</p><p>Here,  I  believe,  we  have  the  reason  why  Goethe,  in  the  passage  quoted above,  considered  true  poetry as an  exercise consisting in  spiritually elevating oneself high  above  the earth.  For  Goethe, poetry  in  the  truest sense  is a  kind of physics, in  the sense we have defined above:  it is a spiritual exercise, which consists  in  looking down  at  things  from  above,  from  the  point  of view of the nature or the all, and  the great laws of nature.  By  "laws of nature" we are to understand  not only the all-embracing metamorphosis and unity  of all  things, but  also  the  two  universal  principles  Goethe  refers  to  as  "polarity"  and</p><p>"increase,"  and  which  he  loved  to  observe  bo1 h  in  nature  and  in  individual human life.32 We can detect the inspiration of 1 heHe idens not  only in Goethe's youthful  poetic cycle  "God and  the Wor l ll ,  11  h111  11hm  in lhc more  modcsl  1111d</p><p><image l:href="#12"/></p><p>The  View from Above</p><p>245</p><p>unassuming poems of the older  Goethe.  Like  the  physics  of antiquity,  poetry thus conceived  is  intended  to  bring  about in  its readers or listeners  greatness of soul  and  inner peace.</p><p>We  now  move  on  to  another  aspect  of  this  spiritual  exercise.  The  view from  above  can  also  be  directed  pitilessly  upon  mankind's  weaknesses  and shortcomings.  All  the  philosophical  schools  dealt  with  this  theme  at  length, but,  as  we  shall  see,  it  was  treated  with  particular  relish  by  the  Cynic tradition.  In Ovid's Metamorphoses,  we find a  Nee-Pythagorean version of the theme:  "It  is  a  delight  to  travel  along  the  starry  firmament  and,  leaving  the earth  and  its  dull  regions  behind,  to  ride  on  the  clouds,  to  stand  upon  stout Atlas'  shoulders  and  see,  far  below,  men  wandering  aimlessly,  devoid  of reason,  anxious  and  in  fear  of the  hereafter,  thus  to  exhort  them  and  unroll the book of fate!" 33 We  encounter an  Epicurean  version of it at the beginning of book 2  of Lucretius'  On  the  Nawre  of  Things:  "nothing is more delightful than  to  possess  well-fortified  sanctuaries serene,  built  up by  the  teachings  of the  wise,  whence you  may  look  down  from  on  high  upon  others and  behold them  all  astray,  wandering  abroad  and  seeking  the  paths  of life." 34</p><p>The  theme  takes on  a  Stoic  coloration  in  Seneca's Natural QJlestions.35  Here the  soul  of the  philosopher,  looking  down  from  the  heights  of the  heavens, becomes aware of the puniness of the earth, and the ridiculousness of the wars fought by  human  armies  - which  resemble  swarms  of ants - over  minuscule stretches of territory.  In  Marcus Aurelius, the theme appears in a  particularly realistic  form:  "look  upon  earthly  things  below  as  if from  some  place  above them - herds,  armies,  farms,  weddings,  divorces,  births,  deaths,  the  noise  of law courts, lonely places, various foreign nations, festivals, mournings, market places:  a  mixture  of  everything  and  an  order  composed  of  contraries." 36</p><p>Elsewhere,  Marcus  enjoins  us  to:  " 'Look  from  above'  at  the  spectacle  of myriad  herds,  myriad  rites,  and  manifold  journeyings  in  storm  and  calm; diversities of creatures  who are being born,  coming together, passing away." 37</p><p>The  view  from  above  thus  leads  us  to  consider  the  whole  of human  reality, in  all  its  social,  geographical,  and  emotional  aspects,  as  an  anonymous, swarming  mass,  and  it  teaches  us  to  relocate  human  existence  within  the immeasurable dimensions of the cosmos.  Everything that does not depend on us,  which  the  Stoics  called  indifferent  (indiflerentia)  - such  as  health,  fame, wealth,  and  even  death  - is  reduced  to  its  true  dimensions  when  considered from  the  point of view  of the  nature  of the  all.</p><p>When  the view  from  above  takes on this specific  form  of observing  human beings on earth,  it  seems  more  than  ever  to belong to the  Cynic tradition.  We find  it  being used  with  particular effectiveness  by  Lucian,  a  contemporary  of Marcus Aurelius who  was strongly influenced by  Cynic doctrines.  In  Lucian's dialogue entitled lcaromenippus,  or the Sky-man, the Cynic Menippus confides to  a  friend  thnt  he was  so  disillusioned  by  the  contradictory  teachings  of the philusuplll'n�  l"onct�rning  tht�  ultimate  principles  and  the  universe  that  he</p><p><image l:href="#31"/></p><p>246</p><p>Themes</p><p>resolved  to fly up heaven to see for himself how things were.38 He fitted himself out with a  pair of wings - on  the  left  side  a  vulture's  wing and  on  the right side that of an eagle - and soared upwards towards the moon.  Once there, he reported,  "I  rested  myself,  looking down on  the earth  from  on  high  and like Homer's  Zeus,  now  observing  the  land  of  the  horse-loving Thracians,  now the  land of the  Mysians,  and  presently,  if I  liked,  Greece,  Persia  and  India; and  from all this I got my fill of kaleidoscopic pleasure." 39 Once his eyes had become  accustomed  to  the  tiny  dimensions  of  human  beings,  however, Menippus began to observe mankind.  He could see "not only  the nations and cities but the people themselves as clear as could be, the traders, the soldiers, the farmers, the litigants, the women, the animals, and,  in a word,  all  the life that the good  green  earth  supports." "�  Not  only  could  Menippus  see  what people were doing in the open air, but also what they were about inside their own  homes,  when they thought no one was observing them. 41</p><p>After  Menippus  has recited  a  long list of the crimes and  adulteries he had seen  committed  inside  people's  homes,  he  sums  up  his  overall  impression: what he saw was a  cacophonous,  ridiculous hodge-podge of a  play.  What he found  most  ridiculous of all were  those  people  who  fought  over  the borders of their cities and private land-holdings, since the earth itself appeared to him so  absurdly  tiny  and  insignificant.  Rich  people, says Menippus, are proud of completely  unimportant  things.  Their  domains  arc  no  bigger  than  one  of Epicurus'  atoms,  and  the  sight  of man's  cities  reminded  him  of an  anthill, with all its  inhabitants scurrying about aimlessly.</p><p>Once he leaves the moon, Menippus travels among the stars until he arrives at  the  dwelling-place  of  Zeus.  There,  he  has  a  good  laugh  over  the ridiculously contradictory  nature of the prayers  mankind address to  Zeus.</p><p>In  another  of  Lucian's  dialogues,  entitled  Charo11,  or  the  lnspeclors,42</p><p>Charon,  ferryman  of the dead,  asks  for a  day off, so  that  he can go up to  the surface of the  earth  and  sec just  what  this  earthly existence  is  which  people miss so much once they arrive in the underworld.  With  the help of Hermes, he  piles  up  several  mountains  on  top  of one  another,  so  as  to  be  able  to observe  mankind  better  from  on  high.  There  follows  the  same  kind  of description we have already seen in Marcus Aurelius and in the lcaromenippus: Charon  sees  sea-travellers,  trials,  farmers - in  a  word,  every  kind  of human activity, but all with one thing in common: an existence  full of pain.  Charon remarks:  "If  only  humans  could  get  it  straight  from  the  beginning:  that they're  going to  die;  that, after a  brief stay  in  life, they have  to  depart from this life  like  a  dream  and  leave  everything on  earth  behind,  then  they'd  live more wisely and die with fewer regrets." But man is thoughtless; he resembles the  bubbles thrown up by a  waterfall, which  burst as soon as  they come into existence.</p><p>As we  have said,  this kind of view  from  above,  directed  tow11rd  mankind'!!</p><p>earthly  existence,  is  a  typical  manifCi1t111 ion  111' Cynicism.  We  can  Nee  thi11  by</p><p>The  View from  Above</p><p>247</p><p>the fact that the dialogue Charon bears the Greek subtitle Episleopountes,  "The Observers," or rather  "The Overseers."  The  Cynic  philosopher saw it as his duty  to supervise  the actions  of his  fellow  men, like a  kind  of spy,  lying  in wait for  their mistakes, so as to denounce  them.43 The Cynic had the task of watching over his fellow men like their censor, surveying their behavior from the  heights of a  watchtower.  The words episleopos or leatasleopos  "overseer"</p><p>-</p><p>or  "spy"  - were  used  in  antiquity as  nicknames  for  the  Cynics.""  For  them, the  view  from above was  intended  to  denounce  the  absurdity of human  life.</p><p>It  is  no  accident  if,  in  one  of Lucian's  dialogues,  it  is  precisely  Charon, ferryman  of the  dead,  who  plays  the  role  of observing  human  affairs  from above;  he  is,  after  all,  peculiarly  well  placed  to  observe  them  from  the perspective of death.</p><p>To observe human affairs from  above  means,  at  the same time, to  see them from  the point of view of death.  It is only this perspective which brings about the  necessary  elevation  and  loosening  of the  spirit,  which  can  provide  the distance  we  need  in order to see things  as  they  really are.  The  Cynic never ceases denouncing mankind's delusions: forgetful of death, people passionately attach  their hearts to some object - luxury or power,  for example - which, in the course of time, they will  inevitably be  forced  to give up.  This  is  why the Cynics called upon mankind to rid themselves of superfluous desires, and to reject social conventions,  and  the  whole  of artificial  civilization,  as  being nothing but a source of worries, care, and  suffering. The Cynics would have us return  to a  simple,  purely natural  way of life.</p><p>To return to Lucian:  we learn  from  his short essay How  One Should  Write History  that  the  view  from  above  is appropriate  not  only  to  the  philosopher but also to the historian. More precisely, the historian's gaze must be the same as  the  philosopher's:  courageous,  free of party affiliations,  not  bound  to  any nation, but equally well disposed towards all, making no concessions either to friendship  or  to  hate.  This  attitude  must  be  expressed  in  the  historian's presentation  of  his  materials.  The  historian,  says  Lucian,  must  be  like Homer's  Zeus:  gazing now  at  the  land  of the  Thracians,  now  at  the  land  of the Mysians.45</p><p>For the third time now,  we encounter  the  Homeric topos  of a god casting his gaze down at the earth.  This  time,  however,  the Homeric source is quoted so as to serve as a model of that impartiality which must characterize historical reporting,  thanks  to  the  elevated  viewpoint  the  historian  has  elected  as  his own. This is what a modern writer might refer to as "the viewpoint of Sirius."</p><p>Thus we find Ernest Renan writing in  1 880:  "Viewed  from  the solar system, our  revolutions  have  scarcely  the  extent  of  the  movements  of  atoms.</p><p>Considered from Sirius, they are even smaller still. " &#xFFFD;6 To adopt the viewpoint of Sirius means,  here  again, to undertake  the spiritual exercise  of letting go and  usin!(  reserve,  so  as  to  achieve  impartiality,  objectivity,  and  critical judgmcnl .</p><p>248</p><p>Themes</p><p>I  have  only  been  able  to  bring  up  here  a  few  aspects  of an  extraordinarily rich  tradition.  If - as I  hope to  do  one day - one were  to  write the complete history of the theme of the  view from  above, many other texts would have to be taken into consideration.  Here, by way of conclusion,  I shall restrict myself to citing Baudelaire's poem "Elevation," in which the great Symbolist describes the  experience of the poet.  For  him,  the  poet  was  a  being not  meant  for  this world  (as  he  put  it  in  "The  Albatross,"  "His  huge  wings  prevent  him  from walking").  Yet,  thanks  to  his  poetic  gifts,  which  allow  him  to  observe  things from above, the poet is also a being capable of seizing the hidden correspondences in  things.  We thus return to the theme of Goethe's "true poetry," which is  really  a  kind  of physics  in  the  sense  in  which  we  have  defmed  this  term above:  an  intensive attempt  to  plunge  into  the secrets of nature.</p><p>[Elevation]</p><p>Above the ponds, above the  valleys,</p><p>The  mountains, woods,  the clouds, and seas,</p><p>Beyond  the sun, beyond the ether-,</p><p>Beyond  the  limits of the  starry spheres,</p><p>My spirit, you move with swift agility.</p><p>Like a  good swimmer at home in the sea,</p><p>You slice gay  furrows through  the measureless depths, With  ineffable, masculine joy.</p><p>Fly far away from these pestilent fumes,</p><p>Go cleanse yourself in  the  upper air.</p><p>Go drink, like a pure, celestial  liquor,</p><p>The bright fire that fills  transparent space.</p><p>Left  behind,  all cares and endless sorrow</p><p>That  weigh  upon  our  foggy  life  like  stones!</p><p>Oh happy man, who  soars  on sturdy wings</p><p>To calm and luminous fields!</p><p>In  the morning, his thoughts,  in  their freedom,</p><p>soar up to  the heavens  like  larks.</p><p>- He sails over life, understanding with ease</p><p>The language of flowers  and  voiceless  things. �7</p><p>The  View from Above</p><p>249</p><p>NOTES</p><p>I  Johann  Wolfgang von Goethe, Faust,  I,  1074-9,  1088-95.</p><p>2  Johann  Wolfgang von Goethe,  Letter  to  Schiller,  in  Goelhes  Brieftn,  in Goethes Werke,  Hamburger Ausgabe (hereafter  HA),  vol.  2, p.  344.</p><p>3  Homer, Iliad,  bk S, 767-73.</p><p>4  Johann Wolfgang von  Goethe, Dichtung und  Wahrheit,  bk  13, HA,  vol. 9, p. 580.</p><p>S  See above.</p><p>6  Homer,  Odyssey,  1, 36.</p><p>7  Xenophon, Memorabilia,  I, 4,  1 7 .</p><p>8  Philo Judaeus, Legum  A/legoriae,  I, 62; Q�od delerius,  86; De mutatione  nominum, 178-80; De  opijicio  mundi,  69-7 1 .</p><p>9  Plato,  P/1aedrus,  246c--8c.</p><p>lO  Cicero,  Tuswlan  Disputations,  I, 1 9, 43-5.</p><p>1 1   Seneca,  Consolatio ad Marciam,  25, 2.</p><p>12  Proclus, In Rempublicam, vol. 2, p. 1 1 3, 20fT Kroll; French trans. A.-J. Festugiere 1 970,  vol.  3,  p. 58.</p><p>1 3   Cf.  Proclus, In Rempublicam,  p.  1 13, 6  Kroll.</p><p>14  Ibid, p.  1 1 4,  I  Kroll. Cf.  F. Wehrli, Die  Schute des Aristoteles,  vol.  3, Basel  1948, fragment 8, pp.  1 1 ,  47-9.</p><p>IS  Plutarch, De sera  numinis vintlicta,  22, S63b-8a.</p><p>16  Cf.  above, Meditatio11s.</p><p>1 7   Plato,  Phaetlo, 67c.</p><p>18  Plato,  Theaetttus,  173c.</p><p>19  Plato,  Republir,  486a.</p><p>20  Plato,  Timaeus,  90c.  It is instructive to compare this  text  with  the  description of Makarie in Goethe's  Wilhelm Meis1ers Apprenticeship and Travels (3, 1 5, in Goethes Werke,  HA,  vol.  8,  p.  449):  "Makarie's  relationship  to  our  solar  system  can scarcely be described. Not only does she preserve and observe it in her mind, her spirit and imagination, but she makes herself as it were a  part of it.  She pictures herself swept away  into the celestial spheres,  but in a  highly  peculiar way:  since her  childhood,  she  has  been  wandering  around  the  sun . . �  in  a  spiral,  getting farther and  farther away from  the middle point  and  circling ever closer  to the outermost regions."</p><p>21  Plato, Phaedrus,  270a-c.</p><p>22  Lucretius, On  the  Nature  rif Thi11gs,  2,  1044.</p><p>23  Ibid, 2,  72-7.</p><p>24  Ibid, 2, 7+-S.</p><p>25  [The  French  Romantic poet  Andre  Chenier,  born  1762  in  Constantinople,  was guillotined  during the French  Revolution  on July 25,  1 794. - Trans.]</p><p>26  Andre  Chenier, "Hermes," in A.  Chenier, &lt;Euvres completes,  Paris 1966, p. 392.</p><p>27  Philo Judaeus, On the Special la111s,  2, 44. Cf ibid, 3, 1 .</p><p>28  Marcus Aurelius,  Meditations,  9,  32.</p><p>29  Ibid, 7, 47 -8.</p><p>30  Ibid,  1 1 ,  I  2.</p><p>3 1  /,uf.  I'll ..  2.  1 7.</p><p><image l:href="#50"/></p><p>250</p><p>Themes</p><p>32  Cf.  C.F.  von  Weizsiicker,  "Einige  Begriffe  aus  Goethes  Naturwissenschaft,"  in Goethes  Werke,  HA,  vol.  13, p.  548.</p><p>33  Ovid, Metamorphoses,  1 5,  147  ff.</p><p>34  Lucretius,  On  the  Nature  of  Things,  2,  7  ff.</p><p>35  Seneca, Natural fbestions,  Preface,  7-1 1 .</p><p>36  Marcus Aurelius, Meditations,  7, 48.</p><p>37  Ibid, 9,  30.</p><p>38  Lucian, lcaromenippus,  vol.  2, pp.  268 ff. Harmon.</p><p>39  Ibid,  1 1 ,  p.  287.</p><p>40  Ibid,  1 2,  p.  289.</p><p>41  This  is  also  the  theme  of Lesage's  eighteenth-century  novel,  u  diable  boiteux</p><p>["The  Limping Devil "  - Trans.]. The  idea of a  trip  to  the  moon  or to  the stars was  the  inspiration  for  many  a  seventeenth- and  eighteenth-century  novel;  an example  would  be Voltaire's Micromegas.</p><p>42  Lucian, Charon sive contemplantes,  vol.  2,  pp.  397ff.  Harmon.</p><p>43  Lucian  himself describes the Cynic in this way. Cf. Dialogues  of the  Dead,  10,  2.</p><p>44  Cf.  E.  Norden,  "Beitriige  zur  Gcschichte  der  gricchischen  Philosophic,"</p><p>Jahrbiicher jiir  dassische  Philologie,  supplementary vol.  1 9, Leipzig  1 893; Epictetus, Discourses,  3,  22, 24.</p><p>45  Lucian, Quomodo  historia  conscribenda  sit,  ch. 49.</p><p>46  Ernest Renan, &lt;Euvres  completes,  vol. 2, Paris,  1 948, p.  1 037.</p><p>47  Charles Baudelaire, "Elevation."</p><p><image l:href="#68"/></p><p>1 0</p><p>The  Sage  and  the  World</p><p>1  Definition of the  Problem</p><p>No one has described the relationship between the ancient sage and the world around  him better than Bernard  Groethuysen:</p><p>The  sage's  consciousness  of  the  world  is  something  peculiar  to him  alone.  Only  the  sage  never  ceases  to  have  the  whole  constantly present  to  his  mind.  He  never  forgets  the  world,  but  thinks  and acts  with  a  view  to  the  cosmos.  .  .  . The  sage  is  a  part  of the  world; he  is  cosmic.  He  does  not  let  himself be  distracted  from  the  world, or  detached  from  the  cosmic  totality . . . .  The  figure  of  the  sage forms, as it were, an  indissoluble unity with man's  representation of the world.1</p><p>This  is  particularly  true  of  the  Stoic  sage,  whose  fundamental  attitude consisted  in a  joyful "Yes!" accorded  at each instant to  the movement of the world,  directed  as  it  is  by  universal  reason.  We  recall  Marcus  Aurelius'</p><p>well-known prayer to the universe:  "All that is  in tune with you, 0  universe, is in tune with  me." 2 Perhaps less well known is the aesthetic theory Marcus developed from the same point of view:</p><p>If a  person  has  experience  and  a  deeper  insight  into  the  processes  of the  universe,  there  will  be  hardly  any  phenomenon  accompanying these  processes  that  does  not  appear  to  him,  at  lea'&gt;t  in  some  of its  aspects,  as  pleasant.  And  he  will  look  upon  the  actual gaping jaws of  wild  beasts  with  no  less  pleasure  than  upon  all  the  imitations  of them  that  sculptors  and  painters  off er  us . . . .  and  there  are  many such  things,  which  do  not  appeal  to  everyone;  only  to that  person  who  has  truly  familiarized  himself  with  nature  and  her wurkintCI'� 1</p><p>252</p><p>Themes</p><p>We recall, moreover,  that  the  Stoic  sage,  like  Seneca, was conscious of being a  part of the world, and plunged  himself into  the totality of the cosmos:  Ioli se inserens mundo.4</p><p>The same could be  said of the Epicurean sage, even  though the physics he professed considered the world to be the result of chance, excluding all divine intervention. Nevertheless, this conception of the world suited the Epicurean perfectly: it brought  with  it pure pleasure and peace of mind, freed him from unreasonable  fear of the gods,  and  made  him  consider each  instant as a  kind of unexpected  miracle.  As Hoffmann pointed  out,5 it is precisely because the Epicurean considered existence to be the result of pure chance that he greeted each  moment  with  immense  gratitude,  like  a  kind  of  divine  miracle.  The sage's pleasure came from contemplating the world  in peace and serenity; and in  this  he  resembled  the  gods,  who  took  no  part  in  the  management of the world, lest their eternal repose be disturbed. Describing the sage's contemplation,  analogous  to  that of the gods, Lucretius exclaimed: the  terrors  of the  mind  fly away, the walls of the  world  part  asunder,  I see things moving on  through  all  the void  .  : .  At these things, as it were, some godlike pleasure and a thrill of awe seizes on me, to think that  thus</p><p>. . .  nature  is  made  so  clear  and  manifest,  laid  bare  to  sight  on  every side.6</p><p>This cosmic dimension  is thus essential to  the figure of the antique sage.</p><p>Here the reader may object:  it could well be that ancient wisdom - whether Platonic,  Aristotelian,  Stoic,  or  Epicurean  - was  intimately  linked  with  a relationship to the  world; but isn't this ancient vision of the world out of date?</p><p>The  quantitative  universe  of modern  science  is totally  unrepresentable,  and within  it the individual  feels isolated and lost. Today, nature  is nothing more for us  than  man's  "environment"; she has become a  purely  human problem, a problem of industrial hygiene. The idea of universal  reason no longer makes much  sense.</p><p>All  this is quite true.  But can the experience of modern man be reduced to the  purely  technico-scientific?  Does  not  modern  man,  too,  have  his  own experience of the world qua world? Finally, might not this experience be able to open  up for him  a  path toward  wisdom?</p><p>2  The  World  of Science and  the World of Everyday Perception It  would be stating the obvious to affirm  that  the world which  we perceive  in our everyday experience  is radically different from  the  unrepresentable world constructed  by  the  scientist.  The  world  of science  docs  indeed,  by  mennK  of its  multiple  tcchnic11I  npplicnl ions,  r11d ic111ly  1 rnm1form  1mme  11s11ectK  of our</p><p>The Sage and the  World</p><p>253</p><p>daily life. Yet it is essential to realize that our way of perceiving the world in everyday life  is  not radically  affected  by  scientific concepti9ns.  For all of us</p><p>- even for the astronomer,  when he goes home at night - the sun rises and sets, and the earth is immobile.</p><p>Following  Husserl,  Merleau-Ponty  developed  some  noteworthy  reflections  on  this  opposition  between  the  world  of  science  and  the  world  of perception:</p><p>The entire  world  of science  is constructed  on  the basis of the  world  as we experience  it  [sur le monde vecu], and  if we  want  rigorously to  think through  science  itself,  in order  precisely  to appreciate  its  range and its meaning, we must first of all reawaken  this experience of the world, of which science is the secondary expression.7</p><p>For lived, existential experience, the earth is nothing other than the immobile ground8  in  relation  to  which  I  move,  the  fundamental  referent  of  my existence. It is this earth, immobile in relation to our experienced movements, that  even  the  astronaut uses as  a  reference  point,  including when,  from  the depths of space, the earth appears to  him like a  little blue ball.  The analyses of Husserl and  Merleau-Ponty thus let us see that the Copernican revolution, of which so  much is made in philosophy handbooks, upset only the theoretical discourse  of  the  learned  about  the  world,  but  did  not  at  all  change  the habitual, day-to-day  perception  we have of the world.</p><p>We  must,  however,  be  more  specific  about  the  opposition  between  the world  of  science  and  the  world  of  everyday  perception.  The  reason  why Husserl  and  Merleau-Ponty  want  us  to  return  to  the  world  of  lived perception, or rather to this  perception-as-a-world, is so  that we may become awa.re  of  it.  This  awareness,  in  tum,  will  radically  transform  our  very perception  of the  world,  since  it  will  no  longer  be  a  perception  of distinct objects, but perception  of the world  as  a  world,  and,  especially  for  Merleau</p><p>Ponty,  perception of the uni()' of the  world  and of perception.  In  their view, philosophy is nothing other than this  process  by  means of which  we  try  "to relearn  to see the world." 9</p><p>In  a  sense,  one  might  say  that  the  world  of  science  and  the  world  of philosophy  are  both,  in  their  own  way,  opposed  to  the  world  of  habitual perception.  In  the  case  of  science,  this  opposition  takes  the  form  of  the elimination of perception.  Science discloses to us a universe reduced, by both mathematical and technological means, to its quantitative aspects.  Philosophy, for its part, deepens and transforms h:\_bitual perception, forcing us to become aware  of the  very  fact  the  we  are perceiving  the  world,  and  that  the  world  is that which  we  perceive.</p><p>We fine.I n  Himilar di11tinction between habitual and philosophical perception in  the  wri1 inl(N  of UcrgKon He describes  this  difference as follows:10</p><p>.</p><p>254</p><p>Themes</p><p>Life  requires  that  we put on  blinkers; we must not look  to  the right, to the  left,  or  behind,  but  straight  ahead,  in  the  direction  in  which  we are  supposed  to  walk.  In  order  to  live,  we  must  be  selective  in our  knowledge  and  our  memories,  and  retain  only  that  which  may contribute to our action upon things.</p><p>Bergson  continues:  "We could  say  the same  thing about  perception.  As  an auxiliary  of  action,  it  isolates,  out  of  the  totality  of  the  real,  that  which interests us." Some people,  however, are born detached:  artists.</p><p>When they look at a thing, they see itfor itselJ, and no longer for lhem. They no longer perceive merely for the sake of action: they  perceive  for the sake of perceiving;  that  is, for no reason, for  the  pure  pleasure  of it . . .</p><p>That which  nature does once  in a long while, out of distraction, for a few privileged people; might not philosophy . . .  attempt the same  thing, in another sense and in another way,  for everybody?  Might not the role of philosophy be  to  bring  us  to  a  more complete  perception  of reality, by means of a  kind of displacement of our attention?</p><p>The  "displacement of attention"  of which Bergson  speaks,  as  in  the case of Merleau-Ponty's  "phenomenological  reduction,"  is  in  fact  a  conversion: 1 1   a radical  rupture  with  regard  to  the  state  of  unconsciousness  in  which  man normally  lives.  The  utilitarian perception  we have of the  world, in everyday life,  in  fact  hides  from  us  the  world  qua  world.  Aesthetic  and  philosophical perceptions of the  world  are  only  possible by means of a  complete  transformation of our  relationship  to  the  world:  we have to  perceive it for itself,  and no longer for ourselves.</p><p>3  Aesthetic  Perception</p><p>Bergson  and,  as  we  shall  see  later,  Merleau-Ponty  consider  the  aesthetic perception  of the  world  as  a  kind  of model  for  philosophical  percep,tion.  In fact,  as J.  Ritter  has  pointed  out,12 it  is only  with  the  flourishing of modem science,  from  the  eighteenth  century  on,  and  the  transformation  of  the philosopher's relationship to nature which came about as a result, that we find an  awareness of the  necessity  of an  "aesthetic" mode of perception,  in order to allow existence - man's Dasein - to maintain the cosmic dimension essential to  human  existence.  As  early  as  1 750,  Baumgarten,u  in  his  Aeslhetica,  had opposed veritas /ogica  to verilas aesthetica1�: veritas /ogica  was, for example, the knowledge  of an  eclipse  appropriate  to  an  astronomer,  while  aesthetic  truth might  be,  for  example,  a  shepherd's  emotional  perception  of  the  same phenomenon,  1111  he  dcKcribcs it  tu  his hclovcd .  In  hiH C:riti1111e njJ111lxemt111 of</p><p><image l:href="#86"/></p><p>The Sage and the  World</p><p>255</p><p>1 790, Kant also opposed aesthetic perception to scientific knowledge. In order to perceive the ocean as  sublime,  writes  Kant, it is not necessary to associate with  it all sorts of geographical or meteorological knowledge  while we look at it. Rather:  "one must come to see  the ocean,  all by itself - just as the poets do, exclusively according to  what it displays to the eye, when it is contemplated either at rest, in the form  of a limpid mirror of water, or when it is violently stirred, like an abyss threatening to swallow up everything." 15 When, between 1 8 1 5  and  1 830,  C.G.  Carus  wrote  his  Lettres  sur la  peinture de paysage,16 he characterized  landscape-painting as  the  "art of the representation  of the  life of the earth [Erdlebenbildkunst]." For Carus,  it is thanks to  aesthetic  perception  that we  may continue to  live  in  that  perceptive,  lived  relationship  with the earth,  which  constitutes  an essential dimension of human existence.</p><p>Thus,  a  disinterested,  aesthetic  perception  of the  world  can  allow  us  to imagine  what cosmic consciousness  might signify  for  modern  man.  Modern artists,  reflecting  on  their  art,  regard  it  as  inseparable  from  a  completely characteristic experience of the world.</p><p>In  the first place,  the modern artist  consciously  participates  in cosmic life as  he creates.  "The dialogue  with nature,"  writes  Paul Klee, 17 "remains  for the artist the condition sine qua non. The artist is a man. He is himself nature, a  part  of  nature  within  the  domain  of nature."  This  dialogue  with  nature presupposes an intense communication with  the world, carried out  not merely through  visual  channels:  "Today, the artist  is better and  more subtle  than  a camera . . .  he  is  a  creature  upon  earth  and  a  creature  within  the  universe;  a creature on  one  star  among  the other stars." This is why  there are,  according to Klee, means other than visual for establishing the relationship between the self and  its  object.  There  is the  fact  that  we  plunge  our roots into  the same soil,  and  that  we  share  a  common  participation  in  the  cosmos.  This means that the  artist must paint in a state in  which he feels his unity with  the earth and with  the  universe.</p><p>For  Klee,  then, abstract art  appears  as  a  kind  of prolongation of the work of nature:</p><p>[The artist's] progress in the observation and vision of nature gradually lets him  accede  to  a  philosophical  vision of the  universe  which  allows him freely to create abstract  forms . . .  Thus, the artist creates works of art, or participates  in  the creation  of works,  which  are an  image  of the creative  work  of God . . .  Just  as  children  imitate  us  while  playing,  so we,  in  the  game of art,  imitate the  forces  which  created,  and  continue to create, the world . . .  Natura naturans is more important to the painter than  ttaturti  ttaturata. 18</p><p>We  rc-enl�ountcr  this  cosmic  consciousness  in  Cezanne. 19  "Have  you  seen thnt l(il{1mtk Tintorclto  in  Venice," he writes,</p><p>256</p><p>Themes</p><p>in  which  the  earth  and  the  sea,  the  terraqueous  globe,  are  hanging above  people's  heads? The horizon  is moving off into the distance;  the depth,  the  ocean  distances,  and  bodies  are  taking  flight,  an  immense rotundity,  a  mappamundi;  the  planet  is  hurled,  falling  and  rolling  in mid-ether! . . .  He  was  prophesying  for  us.  He  already  had  the  same cosmic  obsession  which  is  consuming  us  now . . . .  As  for  me,  I  want  to lose myself in  nature,  to  grow  again  with  her,  like her . . . .  In  a  patch of green,  my  whole  brain  will  flow  along  with  the  flowing  sap  of the trees . . . .  The  immensity,  the  torrent  of the  world,  in  a  tiny  thumb's worth of matter.</p><p>As  we  saw,  the  painter,  according  to  Klee,  feels  himself  to  be  a</p><p>"piece  of  nature,  within  the  domain  of  nature."  We  find  the  same  theme in  Roger  Caillois'  Generalized  Aesthetics,11.l  apropos  of  the  experience  of beauty:</p><p>Natural  structures  constitute  both  the  initial  and  the  final  reference point  of all  imaginable  beauty,  although  beauty  is human  appreciation.</p><p>Since man himself belongs to nature, the circle can easily be closed, and the  feeling man  has  of beauty merely  reflects  his  condition  as  a  living being and integral part of the universe. It does not follow from this that nature  is  the  model  of art,  but  rather  that  art  constitutes  a  particular instance of nature:  that which occurs  when  the aesthetic act  undergoes the  additional process of design  and  execution.</p><p>The  artistic  process  shares  with  the  creative  process  of nature  the  characteristic  of rendering  things  visible,  causing  them  to  appear.  Merleau-Ponty laid great stress on  this idea:21  "Art no longer imitates visible things; it makes things visible. 22 It is the blueprint of the genesis of things. Paintings show how things  become  things  and  how  the  world  becomes a  world . . . .  how  mountains  become,  in  our  view,  mountains." Painting makes  us  feel  the  presence of things: the fact that "things arc here.'' "When  CCzannc strives after depth,"</p><p>continues  Mcrleau-Ponty,  "what  he's  really  seeking  is  the  combustion  of being."</p><p>The  experience  of modern  art  thus  allows  us  to  glimpse  - in  a  way  that is,  in  the  last  analysis,  philosophical  - the  miracle  of  perception  itself, which  opens  up  the  world  to  us.  Yet  we  can  only  perceive  this  miracle  by reflecting  on  perception,  and  converting  our  attention.  In  this  way,  we  can change  our  relationship to  the  world, and  when  we do so,  we  arc astonished by  it.  We break off "our familiarity with  the  world,  and  this  break can  teach us nothing other than the unmotivated surging f</p><p>-</p><p>orth of the world ." 2�1  At such</p><p>moments,  it is as if we  were  seeing the  world  nppcnr before  our  eyes  for  the first  t ime.</p><p>The Sage and the  World</p><p>257</p><p>4  Spectator Novus</p><p>There  is  nothing new in  what  we have said so far.  Our  reason for recalling it was  in  order  to  define  the  area  of our  experience  in  which  there  might be possible  a  relationship  to  the  world  bearing some  resemblance  to  that which existed  between  the  ancient  sage  and  the  cosmos:  the  world,  that  is,  of perception.  We are now  in a position to show that, since ancient times, there have existed exercises by means of which philosophers have tried to transform their  perception  of  the  world,  in  a  way  analogous  to  Merleau-Ponty's phenomenological  reduction, or  to  the  conversion  of attention  spoken  of by Bergson. Obviously, the philosophical discourses by which Bergson, Merleau</p><p>Ponty,  and  the  philosophers  of  antiquity  express  or  justify  the  procedure which  leads  to  the  transformation  of perception  are  very  different  from  one another, just as the discussions of Klee or CCzanne about painting are not to be  confused  with  the  phenomenology  of  Merleau-Ponty.  Be  that  as  it  may, Mcrleau-Ponty was deeply conscious of the sense in which, above and beyond differences  of discourse,  the experiences  of Klee or  CCzanne  coincided  with his  own.  One could  say  the  same about the similar  experience  which  can  be glimpsed behind certain quite striking texts  from antiquity.</p><p>For example,  let  us  consider  this  passage  from  one of Seneca's  Leuers  lo Luci/ius:  "As for me, I usually spend a great deal of time in the contemplation of wisdom.  I  look  at  it  with  the  same  stupefaction  with  which,  on  other occasions,  I  look  at  the  world;  this  world  that  I  quite  often  feel as  though  I were  seeing  for  the  first  time  [ 1amquam spectatt1r  novus ]. " 24  If Seneca  speaks of stupefaction,  it is because he sometimes  finds  that  he  discovers  the  world all  of a  sudden,  "as  though  [he]  were  seeing  it  for  the  first  time."  At such moments,  he  becomes  conscious  of  the  transformation  taking  place  in  his perception of the world. Normally, he had not been in the habit of seeing the world, and  consequently  was  not astonished  by  it.  Now,  all  of a  sudden,  he is stupefied,  because  he sees the  world  with  new  eyes.</p><p>The Epicurean Lucretius was familiar with the same experience as the Stoic Seneca.  In  book  2  of his  On  the  Ntiture  of  Things,- he  announces  that  he  is going to  proclaim a  new  teaching:  "A  truth wondrously new  is struggling  to fall upon your ears, and a new  face  of things to  reveal itself." Indeed, it  is  not surprising if this  new  teaching strikes  the  imagination:  Lucretius is about to assert  the  existence  of  infinite  space,  and,  within  this  infinite  space,  of a plurality of worlds.  In order to prepare  his  reader for this novelty, Lucretius introduces  some  considerations  about  mankind's  psychological  reactions  to novelties.  On  the  one  hand,  he  says,  we  find  that  which  is  new  difficult  to believe;  whatever  disturbs  our  mental  habits  seems  to  us  a  priori  false  and inadmissible.  Once  we  have  admitted  it,  however,  the  same  force  of habit which  mudt�  1 hc  novelty  surprising  and  paradoxical  subsequently  makes  it</p><p>258</p><p>Themes</p><p>seem  banal,  and  our  admiration  gradually  diminishes.  Lucretius  then  describes how the world  would  look  to  us  if we saw it for the first  time: First of all,  the bright,  clear  colour  of the  sky,  and  all  it  holds  within it,  the  stars  that  wander  here  and  there,  and  the  moon  and  the radiance of the sun with its brilliant light; all these, if now they had been seen  for  the  first  time  by  mortals,  if,  unexpectedly,  they  were  in  a moment  placed  before  their  eyes,  what  story  could  be  told  more marvelous than  these  things, or what  that the nations would less dare to believe beforehand? Nothing, I believe; so worthy of wonder would this sight  have  been.  Yet  think  how  no  one  now,  wearied  with  satiety  of seeing, deigns to gaze up at the shining quarters of the sky!25</p><p>These  texts  are  extremely  important  for  our  purpose.  They  show  that, already  in  antiquity,  people were not conscious of living  in  the world.  They had  no  time  to  look  at  the  world,  and  philosophers  strongly  sensed  the paradox and scandal  of the human condition:  man lives  in  the world without perceiving the  world.  Bergson  correctly  grasped  the reason for this situation, when  he distinguished between habitual,  utilitarian perception, necessary  for life,  and  the  detached,  disinterested  perception  of the  artist  or  philosopher.</p><p>What separates us from  the world is thus not the irrepresentable character of the  scientific  universe  - the  world  we  live  in  is,  after  all,  that  of  lived perception  - and  neither  is  it  contemporary  doubts  about  the  rational character of the  world:  Lucretius had  already  denied  this  rationality.  People in  antiquity  were  unfamiliar  with  modern  science,  and  did  not  live  in  an industrial,  technological society; yet the ancients didn't look at the  world  any more  than  we  usually  do.  Such  is  the  human  condition.  In  order  to  live, mankind must "humanize" the world;  in other  words transform it, by action as  well  as  by  his  perception,  into  an  ensemble  of "things"  useful  for  life.</p><p>Thus,  we  fabricate  the  objects  of  our  worry,  quarrels,  social  rituals,  and conventional values. That is what our world is like; we no longer see the world qua world. In the words of Rilke,  we  no  longer see "the Open";  we see only the "future." Ideally, we would</p><p>see everything</p><p>and ourselves in everything</p><p>healed and  whole</p><p>forever.26</p><p>The  obstacle  to  perceiving  the  world  is  not  to  be  found  in  modernity,  but within man himself.  We must separate ourselves from the world qua world  in order  to  live  our  daily  life,  but  we  muHI  11cpnrate  oursclve11  from  the</p><p>"everyday"  world  in  order tu 1�edi11covcr  1hc  wcll'ld  llllll  world .</p><p>The Sage and the  World</p><p>259</p><p>S  The Instant</p><p>There  is  a  well-known  text,  in  which  we  can  see  both  the  echo  of ancient traditions  and  the  anticipation  of  certain  modern  attitudes:  Rousseau's Reveries du promeneur solitaire.21 What is remarkable in this passage is that we cannot help but recognize the intimate connection which exists, for Rousseau, between  cosmic  ecstasy  and  the  transformation  of  his  inner  attitude  with regard  to  time.  On  the  one  hand,  "every  individual  object  escapes  him;  he sees  and  feels  nothing  which  is  not  in  the  whole." 28  Yet,  at  the  same  time,</p><p>"Time  no  longer  means  anything  [to  him] . . .  the  present  lasts  forever, without  letting  its  duration  be  sensed,  and  without  any  trace  of succession.</p><p>There  is no sensation - either of privation or of enjoyment, pleasure or pain, desire or fear - other than the one single  sensation of our existence. "  29 Here Rousseau  analyzes,  in a  most remarkable  way,  the  elements  which  constitute and  make  possible a  disinterested  perception  of the  world.  What is required is concentration on  the  present  moment,  a  concentration  in  which  the spirit is, in a sense, without past nor present, as it experiences the simple "sensation of  existence."  Such  concentration  is  not,  however,  a  mere  turning  in upon  oneself.  On  the  contrary:  the  sensation  of  existence  is,  inseparably, the sensation  of being in  the whole and  the sensation of the existence of the whole.</p><p>In  Rousseau,  all  this  is  a  passive,  almost  mystical  state.  For  the ancients,  however,  it  is  quite apparent  that  the  transformation of one's  view of  the  world  was  intimately  linked  to  exercises  which  involved  concentrating  one's  mind  on  the  present  instant.30  In  Stoicism  as  well  as  in Epicureanism,  such  exercises  consisted  in  "separating  oneself  from  the future  and  past,"  in  order  to  "delimit  th e  present  instant." 31  Such  a  technique  gives  the  mind,  freed  from  the  burden  and  prejudices  of the  past,  as well  as  from  worry  about  the  future,  tha t  inner  detachment,  freedom,  and peace  which  are  indispensable  prerequisites  for  perceiving  the  world  qua world.  We  have  here,  moreover,  a  kind  of  reciprocal  causality:  the  mind acquires  peace  and  serenity  by  becoming  aware  of its  relationship  with  the world,  to  the  extent  that  it  re-places  our  existence  within  the  cosmic perspective.</p><p>This  concentration  on  the  present  moment  lets  us  discover  the  infinite  value and  unheard-of miracle of our  presence  in  the  world. Concentration  on  the  present  instant  implies  the  suspension  of our  projects  for  the future.  In  other  words,  it  implies  that  we  must  think  of  the  present moment  as  the  last  moment,  and  that  we  live  each  day  and  each  hour as  if it  were  our  last.  For  the  Epicureans,  th is  exercise  reveals  the  incredible stroke  of  luck  thnnks  to  which  each  moment  we  live  in  the  world  is  made po1111ihlc.</p><p><image l:href="#100"/></p><p><image l:href="#118"/></p><p>260</p><p>Themes</p><p>Believe that  every  day  that dawns  will be  the  final  one  for you.  If you do,  you  will receive each  unexpected hour with gratitude.32</p><p>Receive each moment of accumulating time  as though it came about by an  incredible stroke of luck. 33</p><p>Let the  soul  find  its joy  in the present, and  learn  to  hate  worries about the future. 34</p><p>Albeit  for  different  reasons,  the  Stoics  also  shared  this  attitude  of wonder  at  what  appears  and  occurs  in  the  present  instant.  For  them,  each instant  and  each  present  moment  imply  the  entire  universe,  and  the  whole history  of  the  world.  Just  as  each  instant  presupposes  the  immensity  of time,  so  does our body  presuppose the whole  universe.  It is  within  ourselves that  we  can  experience  the  coming-into-being of reality and  the  presence of being.  By  becoming  conscious  of one  single instant  of our  lives, one  single beat of our hearts, we can feel ourselves linked to the entire immensity of the cosmos,  and  to  the  wondrous  fact  of  the  world's  existence.  The  whole universe  is present in each  part of reality.  For  the  Stoics,  this experience of the  instant corresponds  to  their theory of the mutual  interpenetration of the parts of the universe.  Such an  experience,  however,  is not necessarily linked to  any  theory.  For  example,  we  find  it expressed  in  the  following verses by Blake:</p><p>To see a  World  in  a  Grain of Sand</p><p>And  a Heaven in  a  Wild Flower,</p><p>Hold  Infinity in the palm of your hand</p><p>And Eternity in an  hour.35</p><p>To sec the world for the last time is the same thing as to see it for the first time, tamqutim spectator 11ovus. 36  This impression can be caused by the thought of death,  which  reveals  to  us the  miraculous character of our relationship to the  world:  always  in  peril,  always  unforeseeable.  Alternatively,  it  can  be caused  by  the  feeling  of  novelty  brought  about  by  concentrating  one's attention on  one  instant,  one moment of the  world:  the  world  then seems to come  into  being and  be born before  our  eyes.  We then  perceive  the  world  as a  "nature"  in the etymological sense of the  world:  physis,  that movement of growth  and  birth  by  which  things  manifest  thcmselves.37  We  experience ourselves as a moment or instant of this movement; this immense event which reaches beyond us, is always already there before us, and is always beyond us.</p><p>We  are  born  along  with38  the  world.  The  feeling  of  existence  of  which Rousseau  spoke is  precisely  this  feeling  of identity  between  univl&#xFFFD;rsul  bcinic and our own existence.</p><p><image l:href="#132"/></p><p>The Sage and the  World</p><p>261</p><p>6  The Sage  and  the  World</p><p>Seneca  was  equally  stupefied  by  the  spectacle  of  the  world  (which  he contemplated  tamquam  spectator novus),  and  by  the  spectacle  of wisdom.  By</p><p>"wisdom,''  he  meant  the  figure  of the  sage,  as  he  saw  it  personified  in  the personality  of the  philosopher  Sextus.</p><p>This  is a  very  instructive parallel.  There  is in  fact a  strict analogy  between the  movement  by  which  we  accede  to  the  vision  of the  world,  and  that  by which  we postulate  the figure of the sage.  In the first place, ever since Plato's Symposium,  ancient  philosophers  considered  the  figure  of  the  sage  as  an inaccessible  role model,  whom  the philo-sopher (he  who loves  wisdom)  strives to imitate,  by  means of an  ever-renewed  effort,  practiced  at each  instant. 39 To contemplate  wisdom  as  personified  within  a  specific  personality  was  thus  to carry  out  a  movement  of  the  spirit  in  which,  via  the  life  of this  personality, one  was  led  toward  the  representation  of  absolute  perfection,  above  and beyond all of its possible realizations. Similarly, in considering a partial aspect of the world,  contemplation  discovers  the  totality  of the  world, going beyond the  landscape&#xFFFD;0  glimpsed  at a  given  moment,  and  transcending  it  on  the  way to  a  representation  of totality  which surpasses  every  visible object.</p><p>The  contemplation  mentioned  by  Seneca  is,  moreover,  a  kind  of  unitive contemplation. In order to perceive the world, we must,  as it were, perceive our uni()! with the  world,  by  means  of an  exercise of concentration  on  the  present moment.  Similarly,  in  order  to  recognize  wisdom,  we  must,  so  to  speak,  go into  training  for  wisdom.  We  can  know  a  thing  only  by  becoming similar  to our  object.  Thus,  by  a  total  conversion,  we  can  render  ourselves  open  to  the world  and  to  wisdom.  This is  why  Seneca  was just as  stupefied  and  filled  with ecstasy  by the spectacle of wisdom as he was by the spectacle of the world.  For him,  in  both  instances,  it  was  a  case  of a  discovery  obtained  by  dint  of an interior  transformation  and  complete  change  in  his  way  of seeing  and  living.</p><p>In  the  final  analysis,  both  the world  as  perceived  in  the  conseiousness  of the sage,  and  the  sage's  consciousness  itself,  plunged  in  the  totality  of the  world, are  revealed  to  the  lover  of wisdom  in  one  single,  unique movement.</p><p>NOTES</p><p>B.  Groethuysen, Anthropologie philosophique,  Paris  1 952, rcpr.  1980,  p.  80.</p><p>2  Marcus Aurelius,  Meditations, 4, 23,</p><p>3  Ibid 3,  2.</p><p>4  Seneca, Letters to Lucilius, 66, 6.</p><p>5  E. Hoffmann,  "Epikur,"  in M.  Dessoir,  ed., Die  Geschichte der Philosophie,  vol.</p><p>I,  W icshn&lt;lcn  1 925,  p.  223.</p><p>(1  l .uc1'l'l i11-, 011 1/11�  N111111�r 11./' 111i11xs, 3,  I &lt;&gt;  1 7,  28 -30.</p><p><image l:href="#9"/></p><p><image l:href="#161"/></p><p>262</p><p>Themes</p><p>7  M.  Merleau-Ponty, La  Phenomenologit dt la perception,  Paris  1 945, pp.  ii-iii.</p><p>8  M. Merleau-Ponty,  Elogt  de  la  philosoph&#xFFFD; ti aulres essais,  Paris  1953, pp. 285-6.</p><p>Cf.  E.  Husserl,  "Grundlegende  Untersuchungen  zum  phiinomenologiscen  Ursprung der Rliumlichkeit der  Natur"  (=  Umsturz  der  Kopeinkanischen  Lehre), in  Marvin  Faber,  ed., Philosophical  Essays  in  Memory  of  E.  Husserl,  Cambridge MA  1 940,  pp.  309-25.</p><p>9  Merleau-Ponty, La  Phenomenologit,  p.  xvi.</p><p>10  H. Bergson,  La  Pensee el  It  mouvanl,  Paris  1 946, pp.  1 52f.</p><p>1 1   [Cf.  P.  Hadot's  important  article  "Conversion"  in  En,ydopaedia  Universalis, pp.  979-81 .  - Trans.]</p><p>12  J.  Ritter, Subju1ivitiit.  Suhs Aufiiilu,  Frankfurt  1 974.</p><p>13  Cited in Ritter, Subjtlttivitllt,  p.  1 55.</p><p>14  ["Logical truth" versus "aesthetic truth." - Trans.]</p><p>15  Immanuel Kant, Critique  of'Judgement,  �29 (general remark).</p><p>16  ["Letters on Landscape-painting." They  may  be  found in French translation  in C.D. Friedrich and C.G. Carus, De la  peinture de paysage,  Paris 1988. - Trans.]</p><p>17  P.  Klee,  Theorie de /'art  modeme,  Paris  1964,  repr.  1 985, pp. 42-6.</p><p>18  ["La  11aturt  naluranle  importe  advantage  au peintrt que la nature naturee."  I  have translated  nature  naturanlt  back  into  its  Latin  form,  in  which,  issuing  from Scholastic  philosophy,  it  was  made  famous  by  Spinoza  (cf.  Ethics,  I,  29).</p><p>According  to  Lalande's  Vo,abulaire  ttchnique  et  'ritique  de  la philosophit  (Paris 1 988,  1 6th edn,  p.  673), natura  naturans  traditionally designates God,  insofar as he  is creator and  principle  of all  action;  while  11atura  naturata  is "the totality of beings  and  laws  he  has  created."  Klee's  meaning  is  that  the  artist  is  more interested  in  the  dynamics  of  creative  processes  than  in  the  visible  world  as end-result of these processes. - Trans.]</p><p>19  Cf. J.  Gasquet,  Cezanne,  Paris  1 988,  p.  1 54.</p><p>20  R.  Caillois,  Esthetique gb1eralisee,  Paris  1 962,  p.  8.</p><p>21  M.  Merleau-Ponty,  "L'oeil  et l'esprit,"  Les  Temps  Modemes  27  ( 1961 ),  pp. 2 1 7, 219.</p><p>22  This idea was borrowed from Klee; cf.  Klee,  Theorie,  p.  34.</p><p>23  Merleau-Ponty,  la  Phenomtnologie,  p.  viii.</p><p>24  Seneca,  Letters to Ludlius,  64, 6.</p><p>25  Lucretius,  On  the  Nature  of  Things,  2,  1023-5,  1030-9.  Similar remarks can be found in Cicero, On the Nature  of the  Gods,  3, 38,  96; Seneca, Natural Questions, 7,  I ;  Augustine,  On  the  Usefulness  of Belief,  1 6,  34.</p><p>26  Rainer Maina Rilke,  Duino  Elegies,  Eighth Elegy.</p><p>27  ["Musings of a Solitary Stroller," written between  1 776 and Rousseau's death  in 1 n8.  - Trans.)</p><p>28  J .-J.  Rousseau  1 964, 7th Promenade,  p.  1 26.</p><p>29  Ibid, 5th Promenade,  p.  102.</p><p>30  See above.</p><p>3 1   Marcus Aurelius, Meditatio11s,  1 2,  3,  3--4;  7,  29,  3;  3,  1 2,  I .</p><p>32  Horace,  Epistle,  I ,  4,  13.</p><p>33  M .  Gigante,  Richerd1e  Fil11Jemee,  Naples  1 983, 1&gt;1&gt;.  1 8 1 ,  2 1 5- 1 (,, 34  Horace,  OJrs,  2,  H1,  25.</p><p>The Sage and 1he  World</p><p>263</p><p>35  William  Blake,  "Auguries  of  Innocence"  in  Complete  Writings  111ith  Variant Readings,  ed.  Geoffrey  Keynes,  London  1 972, p.  435,  1 -5.</p><p>36  ["Like a new spectator."  - Trans.]</p><p>37  [Cf.  P.  Hadot,  "Remarques  sur  la  notion  de  &lt;C physis l!&gt;  et  de  nature,"  in Hermineutique el ontologie:  Hommage  ti  Pie"e-Aubenque,  Paris  1990,  pp.  1-15. -</p><p>Trans.]</p><p>38  "Nous co-naissons au monde." The phrase is that of Paul Claude!, Ari  Poitique, Paris  1946, pp.  54ff.</p><p>39  Cf.  above.</p><p>40  Cf. Ritter,  Subjelttiviliil,  p.  1 5 1 .</p><p><image l:href="#24"/></p><p>1 1</p><p>Philosophy  as  a  Way  of Life</p><p>Every  person  - whether  Greek  or  Barbarian  - who  is  in  training for wisdom,  leading  a  blameless,  irreproachable  life,  chooses  neither  to commit injustice  nor  return it  unto others, but to avoid the company of busybodies,  and  hold  in  contempt  the  places  where  they  spend  their time - courts,  councils, marketplaces, assemblies - in short, every  kind of meeting or  reunion  of thoughtless people.  As  their  goal  is  a  life  of peace  and  serenity,  they  contemplate  nature  and  everything  found within  her:  they attentively explore  the earth,  the  sea,  the air,  the  sky, and every nature found therein. In thought, they accompany the moon, the sun, and  the rotations of the other stars, whether fixed or wandering.</p><p>Their bodies remain on earth, but they give wings to their souls, so that, rising into the ether, they may observe the powers which dwell there, as is  fitting  for  those  who  have  truly become citizens of the  world.  Such people  consider  the  whole  world  as  their  city,  and  its  citizens  are  the companions of wisdom; they  have received their civic rights from virtue, which  has  been  entrusted  with  presiding  over  the  universal  commonwealth.  Thus,  filled  with  every  excellence,  they  are  accustomed  no longer to take account of physical discomforts or exterior evils, and they train  themselves to  be  indifferent  to  indifferent things;  they are armed against both  pleasures  and  desires,  and,  in short,  they  always  strive to keep  themselves above passions . . .  they do not give in  under the blows of fate, because they have calculated its attacks in advance (for foresight makes  easier  to  bear  even  the  most  difficult of the  things  that  happen against our will; since then  the  mind  no longer supposes what happens to be strange and novel, but its perception of them is dulled, as if it had to  do with old  and  worn-out  things).  It  is obvious  that  people  such  as these,  who  find  their  joy  in  virtue,  celebrate  a  festival  their  whole  life long. To be sure, there is only a  small number of such people; they arc like embers of wisdom kept smouldering in  our cities, so that virtue may not  be  altogether  sn uffed  out  111ul  d i!111ppe11r  from our  ritl'C.  But  if only</p><p>Philosophy  as a  Way  of Life</p><p>265</p><p>people everywhere felt the same way as this small number, and became as nature  meant for them to  be:  blameless, irreproachable, and lovers of wisdom,  rejoicing  in  the  beautiful  just  because  it  is  beautiful,  and considering  that  there  is  no  other  good  besides  it .  .  . then  our  cities would be brimful of happiness. They would know nothing of the things that cause  grief and  fear,  but  would  be  so  filled  with  the  causes of joy and  well-being  that  there  would  be  no  single  moment  in  which  they would  not lead  a  life  full  of joyful  laughter;  indeed,  the  whole cycle of the year would be a  festival for them.1</p><p>In  this  passage  from  Philo  of Alexandria,  inspired  by  Stoicism,  one of the fundamental  aspects  of philosophy in  the Hellenistic and  Roman  eras  comes clearly to the forefront. During this period, philosophy was a way  of life. This is not  only  to say  that  it  was a  specific  type of moral  conduct;  we can  easily see the role played  in the passage from Philo by  the contemplation of nature.</p><p>Rather,  it means that philosophy was a mode of existing-in-the-world, which had  to  be  practiced  at each instant,  and  the goal of which  was  to  transform the  whole of the individual's life.</p><p>For  the  ancients,  the mere  word  philo-sophia</p><p>the love  of wisdom  - was</p><p>-</p><p>enough to express this conception of philosophy. In the Symposium, Plato had shown that Socrates, symbol of the philosopher, could be identified with Eros, the son of Poros (expedient) and of Penia (poverty). Eros lacked  wisdom,  but he  did  know  how  to  acquire  it. 2  Philosophy  thus  took  on  the  form  of an exercise of the thought, will, and  the totality of one's being, the goal of which was to achieve a state practically inaccessible to mankind: wisdom. Philosophy was a method of spiritual progress which demanded  a radical conversion and transformation of the individual's way of being.</p><p>Thus,  philosophy  was  a  way  of  life,  both  in  its  exercise  and  effort  to achieve  wisdom,  and  in  its  goal,  wisdom  itself.  For  real  wisdom  docs  not merely  cause  us  to  know:  it  makes  us  "be"  in  a  different  way.  Both  the grandeur  and  the paradox of ancient  philosophy are  that  it  was,  at  one  and the  same  time,  conscious  of  the  fact  that  wisdom  is  inaccessible,  and convinced  of the  necessity  of pursuing  spiritual  progress.  In  the  words  of Q�intillian :  "We  must . . .  strive  after  that  which  is  highest,  as  many  of the ancient&lt;&gt; did. Even though they believed that no sage had ever yet been found, they nevertheless continued to teach the precepts of wisdom." �1  The ancients knew  that  they  would never be able to realize wisdom within themselves as a stable,  definitive  state,  but  they  at  least  hoped  to  accede  to  it  in  certain privileged  moments,  and  wisdom  was  the  transcendent  norm  which  guided their action.</p><p>Wisdom,  then,  was a  way  of life  which  brought  peace  of mind  (alaraxia), inner  freedom  (11u1arkeia),  and  a  cosmic  consciousness.  First and  foremost, philrnmphy  Jll'l'Mcrllcd  itself  as  n  therapeutic,  intended  to  cure  mankind's</p><p>266</p><p>Themes</p><p>anguish.  This  concept  is  stated  explicitly  in  Xenocrates;  and  in  Epicurus:5</p><p>"We  must  not  suppose  that  any  other  object  is  to  be  gained  from  the knowledge  of the  phenomena  of  the  sky  . . .  than  peace  of mind  and  a  sure confidence."  This  was  also  a  prominent  idea  for  the  Stoics6  and  for  the Skeptics,  apropos  of whom  Sextus  Empiricus7  utilizes  the  following splendid image:</p><p>Apelles,  the  famous  painter,  wished  to  reproduce  the  foam  from  a horse's mouth in a  painting.  He  was  not  able to  get  it  right,  and  decided to give  up.  So,  he  threw  the sponge he used  to  wipe  his  brushes against the  painting.  When  the  sponge  hit  the  painting,  it  produced  nothing other than  an imitation of a  horse's  foam.  In the same way,  the  Skeptics start  off like  the  other  philosophers,  seeking  peace  of mind  in  firmness and  confidence  in  their  judgments.  When  they  do  not  achieve  it,  they suspend  their  judgment.  No  sooner  do they  they  do this  than,  by  pure chance,  peace  of mind  accompanies  the  suspension  of judgment,  like  a shadow  follows  a  body.</p><p>Philosophy  presented  itself as  a  method  for  achieving  independence  and inner  freedom  (autarkeia),  that  state  in  which  the  ego  depends  only  upon itself.  We  encounter  this  theme  in  Socrates,8 among  the  Cynics,  in  Aristotle</p><p>- for  whom  only  the  contemplative  life  is  independent9  - in  Epicurus,10 and among  the  Stoics. 1 1   Although  their  methodologies  differ,  we  find  in  all philosophical  schools  the  same  awareness  of the  power  of the  human  self to free  itself from  everything  which  is  alien  to  it,  even  if,  as  in  the  case  of the Skeptics,  it  does  so  via  the  mere  refusal  to  make  any  decision .</p><p>In  Epicureanism  and  in  Stoicism,  cosmic  consciousness  was  added  to  these fundamental  dispositions.  By  "cosmic  consciousness,"  we  mean  the  consciousness  that  we  are  a  part  of the  cosmos,  and  the  consequent  dilation  of our self throughout the  infinity  of universal  nature.  In  the words of Epicurus'</p><p>disciple Metrodorus: "Remember that, although you are mortal and have only a  limited  life-span,  yet  you  have  risen,  through  the  contemplation  of nature, to  the  infinity  of space and  time,  and  you  have  seen  all  the past  and  all  the future." 12  According  to  Marcus  Aurelius:  "The  rational  soul . . .  travels through  the  whole  universe  and  the  void  that  surrounds  it . . .  it  reaches  out into  the  boundless  extent  of infinity,  and  it  examines  and  contemplates  the periodic  rebirth  of  all  things. " 13  At  each  instant,  the  ancient  sage  was conscious  of living in  the cosmos,  and  he  placed  himself in  harmony  with  the cosmos.</p><p>In  order  better  to  understand  in  what  way  ancient  philosophy  could  be  a way  of life, it is perhaps necessary to have recourse to the dist inct ion  proposed by  the  Stoics, 1&#xFFFD;  between  discourse  a/10111  philosophy  and  pllilosopliy  its1.�(/:  For the Stoics,  the  parts of philosophy  physici;, cthicH, nnd  logic  W(&#xFFFD;rc  nor, in</p><p>Philosophy as a  Way  of Life</p><p>267</p><p>fact, parts of philosophy itself,  but rather parts of philosophical discourse.  By this they meant that when it comes to teaching philosophy, it is necessary to set forth  a  theory of logic,  a  theory of physics,  and  a  theory of ethics.  The exigencies  of  discourse,  both  logical  and  pedagogical,  require  that  these distinctions be made.  But philosophy itself - that is, the philosophical way of life - is no longer a theory divided into parts, but a unitary act, which consists in  living  logic,  physics,  and  ethics.  In  this  case,  we  no  longer  study  logical theory - that is,  the theory of speaking and  thinking well - we simply think and speak well. We no longer engage in theory about the physical world, but we  contemplate  the cosmos.  We  no  longer theorize about  moral  action,  but we act in a correct and just way.</p><p>Discourse aboul philosophy  is not the same thing as philosophy.  Polemon, one of the heads of the Old Academy, used to say:</p><p>we should exercise ourselves with  realities, not with dialectical speculations,  like a  man  who  has  devoured  some  textbook  on  harmonics,  but has never put his knowledge into practice. Likewise, we must not be like those  who  can  astonish  their  onlookers  by  their  skill  in  syllogistic argumentation,  but  who,  when  it comes  to  their  own  lives,  contradict their own teachings. 15</p><p>Five centuries  later, Epictetus echoed  this view: A carpenter does not come up to  you  and say, "Listen to me discourse about  the  art  of carpentry,''  but  he  makes  a  contract  for  a  house  and builds  it . . . .  Do  the  same  thing  yourself.  Eat  like  a  man,  drink  like  a man  . . .  get married, have children,  take  part  in civic life,  learn  how  to put  up  with insults,  and  tolerate  other  people. 16</p><p>We  can  immediately  foresee  the  consequences  of  this  distinction,  formulated  by  the  Stoics but admitted by  the  majority of philosophers, concerning the  relationship  between  theory  and  practice.  An  Epicurean  saying  puts  it clearly:  "Vain  is  the  word  of  that  philosopher  which  does  not  heal  any suffering of man." 11 Philosophical theories are in the service of the philosophical  life.  That  is  why,  in  the  Hellenistic  and  Roman  periods,  they  were reduced  to  a  theoretical, systematic,  highly  concentrated  nucleus,  capable of exercising a  strong psychological  effect, and easy enough  to handle so  that  it might always be kept close at hand  (procheiro11).18 Philosophical discourse was not systematic because  it  wanted  to  provide  a total, systematic explanation of the whole of reality.  Rather,  it  was systematic in order  that  it might provide the  mind  with  a  small  number  of principles,  tightly  linked  together,  which derived  greater  persuasive  force  and  mnemonic  effectiveness  precisely  from suc:h  systcm111ii111ion. Short  sayings summed up, sometimes in striking form,</p><p>268</p><p>Themes</p><p>the essential dogmas, so that the student might easily relocate himself within the fundamental disposition in which he was to live.</p><p>Does the philosophical  life,  then,  consist only  in  the application,  at every moment,  of well-studied  theorems,  in  order  to  resolve  life's  problems?  As  a matter  of  fact,  when  we  reflect  on  what  the  philosophical  life  implies,  we realize that there is an abyss between philosophical theory and philosophizing as living action. To take a similar case: it may seem as though  artists, in their creative  activity,  do  nothing  but  apply  rules,  yet  there  is  an  immeasurable distance  between  artistic  creation  and  the  abstract  theory  of art.  In  philosophy,  however,  we are not dealing  with  the  mere creation  of a  work  of art: the  goal  is  rather  to  transform  ourselves.  The  act  of  living  in  a  genuinely philosophical  way  thus  corresponds  to  an  order  of  reality  totally  different from that of philosophical  discourse.</p><p>In  Stoicism,  as  in  Epicureanism,  philosophizing  was  a  continuous  act, permanent  and  identical  with  life  itself,  which  had  to  be  renewed  at  each instant.  For  both  schools,  this  act  could  be  defined  as  an  orientation  of the attention.</p><p>In  Stoicism,  attention  was  oriented  toward  the  purity  of one's  intentions.</p><p>In other words,  its objective  was the conformity  of our individual  will  with reason, or the will of universal nature. In Epicureanism, by contrast, attention was  oriented  toward  pleasure,  which  is,  in  the  last  analysis,  the  pleasure  of existing.  In  order  to  realize  this  state  of attention,  however,  a  number  of exercises  were  necessary:  intense  meditation  on  fundamental  dogmas,  the ever-renewed  awareness  of  the  finitude  of  life,  examination  of  one's  conscience, and, above all, a specific attitude  toward  time.</p><p>Both  the  Stoics  and  the  Epicureans  advised  us  to  live  in  the  present, letting  ourselves  be  neither  troubled  by  the  past,  nor  worried  by  the uncertainty  of the  future.  For  both  these  schools  of  thought,  the  present sufficed for happiness,  because it was the only  reality which belongs to us and depends on  us.  Stoics and Epicureans agreed  in  recognizing the infinite value of each  instant:  for  them,  wisdom  is  just  as  perfect  and  complete  in  one instant  as  it  is  throughout  an  eternity.  In  particular,  for  the  Stoic sage,  the totality of the cosmos is contained and  implied  in  each instant. Moreover, we not only can  but we  must  be  happy  right  11ow.  The  matter  is  urgent,  for  the future  is  uncertain  and  death  is  a  constant  threat:  "While  we're  waiting to  live,  life  passes  us  by." 1'1  Such  an  attitude can  only  be  understood  if we assume  that  there  was,  in  ancient  philosophy,  a  sharp  awareness  of the  infinite,  incommensurable  value  of  existence.  Existing  within  the cosmos,  in  the  unique  reality  of the  cosmic  event,  was  held  to  be  infin itely precious.</p><p>Thus, as we have seen,  philosophy  in the  1-lellcnistic nnd  Greek  period rook on  the  form  of  a  way  of  life,  1m  arr  of  living,  and  a  wny  of  hcing.  Thi11, however,  was  not hinl( new: nncicn r  llhilm;ophy  hud lml  t hi11 ch1l l'lll'tcr nt  lc11111</p><p>Philosophy as a  Way  of Life</p><p>269</p><p>as  far back  as Socrates.  There was a  Socratic  style of life  (which  the Cynics were  to  imitate),  and  the  Socratic  dialogue  was  an  exercise  which  brought Socrates' interlocutor  to  put himself in question,  to take care of himself,  and to make  his soul  as  beautiful and wise as  possible.20 Similarly, Plato  defined philosophy  as  a  training  for  death,  and  the  philosopher  as  the  person  who does  not  fear  death,  because  he  contemplates  the  totality  of  time  and  of being.21</p><p>It is sometimes claimed that Aristotle was a  pure theoretician, but for him, too, philosophy was incapable of being reduced to philosophical discourse, or to a body of knowledge. Rather, philosophy for Aristotle was a quality of the mind,  the  result  of an  inner  transformation.  The  form  of life  preached  by Aristotle was the life according to the mind. 22</p><p>We  must  not,  therefore,  as  is  done  all  too  often,  imagine  that philosophy was completely transformed  during the Hellenistic period,  whether after the Macedonian domination over the Greek cities, or during  the imperial period.</p><p>On  the  one  hand,  it  is  not  the  case,  as tenacious,  widely-held  cliches  would have us believe, that the Greek city-state died after 330 BC, and political  life along with  it.  Above all,  the conception  of philosophy as  an art and  form of living  is  not  linked  to  political  circumstances,  or  to  a  need  for  escape mechanisms  and  inner  liberty,  in  order  to  compensate  for  lost  political freedom.  Already  for  Socrates  and  his  disciples,  philosophy  was  a  mode  of life,  and  a  technique  of inner  living.  Philosophy  did  not  change  its  essence throughout  the entire course of its history in antiquity.</p><p>In  general,  historians  of philosophy  pay  little  attention  to  the  fact  that ancient  philosophy  was,  first  and  foremost,  a  way  of  life.  They  consider philosophy as, above all, philosophical discourse.  How can  the origins of this prejudice  be  explained?  I  believe  it is  linked  to  the  evolution  of philosophy itself in the Middle Ages and  in modem times.</p><p>Christianity  played a considerable role in  this phenomenon.  From  its very beginnings  - that  is,  from  the  second  century  AD  on  - Christianity  had presented  itself as  a  philosophy:  the Christian  way of lifc.23 Indeed,  the  very fact that  Christianity  was able  to  present  itself as  a  philosophy confirms  the assertion that philosophy was conceived  in antiquity as a  way of life.  If to  do philosophy was to  live in conformity with  the  law of reason, so the argument went, the Christian was a  philosopher, since he lived  in conformity with the law of the Logos - divine reason.24 In order to present itself as a  philosophy, Christianity  was obliged  to  integrate  elements  borrowed  from  ancient  philosophy.  It had to make the  Logos  of the gospel according to John coincide with Stoic cosmic  reason,  and  subsequently  also  with  the  Aristotelian  or  Platonic intellect.  It also had  to  integrate  philosophical spiritual  exercises  into  Christian  life.  The  phenomenon of integration appears  very  clearly  in  Clement of Alexnndrin,  and  was  intensely  developed  in  the  monastic  movement,  where we  find  l hl.'  S1oico/ Plntonic  exercises  of  attention  to  oneself  ( prosoche),</p><p>270</p><p>Themes</p><p>meditation,  examination  of conscience,  and  the  training  for  death.  We  also re-encounter the high  value accorded  to peace of mind and  impassibility.</p><p>The Middle Ages was to inherit the conception of monastic life as Christian philosophy,  that  is,  as  a  Christian  way  of  life.  As  Dom  Jean  Leclerq  has written:  "As  much  as  in antiquity, philosophia  in  the monastic  Middle  Ages designates  not  a  theory  or  a  way  of knowing,  but  a  lived  wisdom,  a  way  of living  according  to  reason." 25  At  the  same  time,  however,  the  medieval universities witnessed  the elimination  of the confusion  which  had  existed  in primitive  Christianity  between  theology,  founded  on  the  rule  of  faith, and traditional philosophy, founded on reason. Philosophy was now no longer the  supreme  science,  but  the  "servant  of theology;"  it  supplied  the  latter with  the  conceptual,  logical,  physical,  and  metaphysical  materials  it  needed.</p><p>The  Faculty  of Arts  became  no  more  than  a  preparation  for  the  Faculty  of Theology.</p><p>If we  disregard,  for  the  moment,  the  monastic  usage  of the  word  philnsophia,  we  can  say  that philosophy  in  the Middle Ages  had become  a  purely theoretical  and  abstract  activity.  It  was  no  longer  a  way  of  life.  Ancient spiritual exercises were no longer a  part of philosophy, but found themselves integrated into Christian spirituality. It is in this form that we encounter them once again in the Spiritual Exercises of Saint Ignatius. 26 Neoplatonic mysticism was  prolonged  into  Christian  mysticism,  especially  among  such  Rhineland Dominicans as Meister Eckhardt.</p><p>Thus,  the  Middle Ages saw a  radical  change  in  the content of philosophy as  compared  to  antiquity.  Moreover,  from  the  medieval  period  on,  theology and  philosophy were  taught  in those universities which had been  creations of the medieval church.  Even though attempts  have been made to  use the word</p><p>"university"  in  reference  to  ancient  educational  institutions,  it  appears  that neither  the  notion  nor  the  reality  of  the  university  ever  existed  during antiquity,  with  the  possible exception  of the Orient  near the  end of the late antique  period.</p><p>One  of  the  characteristics  of  the  university  is  that  it  is  made  up  of professors who  train  professors,  or professionals training professionals. Education  was  thus  no  longer  directed  toward  people who  were  to  be  educated with a  view  to becoming fully  developed  human  beings,  but to specialists, in order that  they might learn  how  to  train other specialists.  This is the danger of "Scholasticism,"  that  philosophical  tendency  which began to  be  sketched at the end of antiquity, developed  in the Middle  Ages, and whose presence is still recognizable in philosophy today.</p><p>The  scholastic  university,  dominated  by  theology,  would  continue  to function  up to the end  of the eighteenth  century,  but  from  the  sixteenth  to the  eighteenth  centuries,  genuinely  creative  philosophical  activity  would develop  outside  the  university,  in  the  persons  of Descartes,  Spinoza,  Mnk'branche,  and  Leibn iz.  Philosophy  l ltuH  reconquered  it11  lllllonomy  vi11-1\-vis</p><p><image l:href="#1"/></p><p>Philosophy  as  a  Way  of Life</p><p>27 1</p><p>theology, but this  movement - born  as a reaction against medieval Scholasticism - was situated on the same terrain as the latter. In opposition to one kind of  theoretical  philosophical  discourse,  there  arose  yet  another  theoretical discourse.</p><p>From  the  end of the eighteenth century onward,  a  new  philosophy made its  appearance  within  the  university,  in  the  persons  of Wolff,  Kant,  Fichte, Schelling,  and  Hegel.  From  now  on,  with  a  few  rare  exceptions  like Schopenhauer or  Nietzsche,  philosophy  would  be  indissolubly linked  to  the university.  We see this in the case of Bergson,  Husserl, and Heidegger.  This fact  is  not  without  importance.  Philosophy  - reduced,  as  we  have  seen,  to philosophical  discourse  - develops  from  this  point  on  in  a  different  atmosphere and environment from that of ancient philosophy.  In modern university philosophy, philosophy.is obviously no longer a way of life or form of life</p><p>- unless  it  be  the  form  of  life  of  a  professor  of  philosophy.  Nowadays, philosophy's element and vital  milieu  is the state educational institution; this has always been, and may still be, a danger for its independence. In the words of Schopenhauer:</p><p>Generally speaking, university  philosophy  is mere fencing in  front of a mirror.  In  the  last  analysis,  its  goal  is  to  give  students  opinions  which are  to  the  liking  of  the  minister  who  hands  out  the  Chairs . . . .  As  a result, this  state-financed  philosophy  makes  a  joke of philosophy.  And yet, if there is one thing desirable in this world, it is to see a ray of light fall  onto  the darkness of our lives,  shedding some kind  of light on  the mysterious enigma of our existence. 27</p><p>Be  this  as  it  may,  modern  philosophy  is  first  and  foremost  a  discourse developed  in  the classroom,  and  then  consigned  to  books.  It is  a  text  which requires exegesis.</p><p>This is not to say that modern philosophy has not rediscovered, by different paths, some of the existential aspects of ancient  philosophy.  Besides,  it must be added that these aspects have never completely disappeared.  For example, it was no accident that Descartes entitled one of his �works Meditations.  They are indeed meditations - meditatio  in the sense of exercise - according to the spirit of the Christian philosophy of St Augustine, and Descartes recommends that they be  practiced  over a certain period  of time.  Beneath  its  systematic, geometrical form, Spinoza's Ethics  corresponds rather well to what systematic philosophical  discourse  could  mean  for  the  Stoics.  One  could  say  that Spinoza's  discourse,  nourished  on  ancient  philosophy,  teaches  man  how  to transform,  radically  and  concretely,  his  own  being,  and  how  to  accede  to beatitude.  The  figure  of the sage, moreover, appears  in  the  final  lines of the Ethics: "the sage,  in so far as he is regarded as such, is scarcely at all disturbed in  spirit,  hut,  hring  conscious  of himself,  and  of God,  and  of things,  by  a</p><p>272</p><p>Themes</p><p>certain  eternal  necessity,  never  ceases  to  be,  but  always  possesses  true acquiescence of the spirit." 28 The philosophies of Nietzsche and of Schopenhauer  are  also  invitations  to  radically  transform  our  way  of life.  Both � men were, moreover, thinkers steeped in the  tradition  of ancient  philosophy.</p><p>According  to  the  Hegelian  model,  human  consciousness  has  a  purely historical character; and the only lasting thing is the action of the spirit itself, as it constantly engenders new forms. Under the influence of Hegel's method, the  idea  arose  among  Marx  and  the  young  Hegelians  that  theory  cannot  be detached from practice, and that it is man's action upon the world which gives rise  to  his  representations.  In  the  twentieth  century,  the  philosophy  of Bergson and the phenomenology of Husserl appeared less as systems than as methods for transforming our perception of the world.  Finally, the movement of thought inaugurated by Heidegger and  carried on by existentialism seeks -</p><p>in  theory  and  in  principle  - to  engage  man's  freedom.  and  action  in  the philosophical  process,  although,  in  the  last  analysis,  it  too  is  primarily  a philosophical discourse.</p><p>One could  say  that  what  differentiates  ancient  from  modern  philosophy  is the  fact that, in ancient  philosophy, it was  not only Chrysippus or Epicurus who,  just  because  they  had  developed  a  philosophical  discourse,  were considered  philosophers.  Rather,  every  person  who  lived  according  to  the precepts of Chrysippus or  Epicurus  was  every  bit as  much  of a  philosopher as they. A politician like Cato of Utica was considered a philosopher and even a  sage,  even  though  he  wrote  and  taught  nothing,  because  his  life  was perfectly  Stoic.  The  same  was true  of Roman  statesmen  like  Rutilius Rufus and  Q�intus Mucius  Scaevola  Pontifex,  who  practiced  Stoicism  by  showing an  exemplary  disinterestedness  and  humanity  in  the  administration  of the provinces  entrusted  to  them.  These  men  were  not  merely  examples  of morality,  but  men  who  lived  the  totality  of Stoicism,  speaking  like  Stoics (Cicero tells us explicitly29 that they  refused  to  use a  certain  type of rhetoric in  the  trials  in  which  they  testified), and  looking  at  the  world  like  Stoics;  in other  words,  trying  to  live  in  accord  with  cosmic  reason.  They  sought  to realize  the  ideal  of Stoic  wisdom:  a  certain  way  of being  human,  of living according to  reason,  within  the cosmos  and along with other human beings.</p><p>What constituted  the  object  of their  efforts  was not merely  ethics,  but  the human  being as a  whole.</p><p>Ancient  philosophy  proposed  to  mankind  an  art  of  living.  By  contrast, modern philosophy appears above all as the construction of a technical jargon reserved  for specialists.</p><p>Everyone  is  free  to  define  philosophy  as  he  likes,  to  choose  whatever philosophy he wishes, or to  invent - if he can  - whatever philosophy  he  may think  valid.  Descartes  and  Spinoza  still  remained  faithful  to  the  ancient definition:  for them, philosophy wai; "the 1m1cticc of wisdom. " 111  I f,  following their  cx11mplc,  we  believe  t hat  it  iN  eNNcntii1l  fur  m1111kind  to  try  111 11n:cdc  lo</p><p>Philosophy as a  Way  of Life</p><p>273</p><p>the  state  of wisdom,  we  shall  find  in  the  ancient  traditions  of the  various philosophical schools - Socratism, Platonism, Aristotelianism, Epicureanism, Stoicism,  Cynicism,  Skepticism  - models  of  life,  fundamental  forms  in accordance  with  which  reason  may  be  applied  to  human  existence,  and archetypes  of the  quest  for  wisdom.  It  is  precisely  this  plurality  of ancient schools that is precious.  It allows  us to  compare  the consequences of all  the various  possible  fundamental  attitudes  of  reason,  and  offers  a  privileged field  for  experimentation.  This,  of  course,  presupposes  that  we  reduce these  philosophies  to  their  spirit  and  essence,  detaching  them  from  their outmoded cosmological or mythical elements, and disengaging from them the fundamental  propositions  that  they  themselves  considered  essential.  This  is not,  by  the  way,  a  matter  of choosing  one  or  the other  of these  traditions to  the  exclusion  of  the  others.  Epicureanism  and  Stoicism,  for  example, correspond  to  two  opposite  but  inseparable  poles  of  our  inner  life: the  demands  of  our  moral  conscience,  and  the  flourishing  of our  joy  in existing.31</p><p>Philosophy in antiquity  was an  exercise  practiced  at each  instant.  It invites us to concentrate on each instant of life, to become aware of the infinite value of each  present moment, once  we  have replaced  it  within  the  perspective of the cosmos. The exercise of wisdom entails a cosmic dimension.  Whereas the average person has lost touch with the world, and does not see the world qua world, but rather treats the world as a means of satisfying his desires, the sage never ceases to have the whole constantly present to mind. He thinks and acts within a cosmic perspective. He has the feeling of belonging to a whole which goes  beyond  the  limits  of  his  individuality.  In  antiquity,  this  cosmic  consciousness  was  situated  in  a  different  perspective  from  that  of the  scientific knowledge of the universe that could be provided by, for instance, the science of astronomical  phenomena.  Scientific  knowledge  was  objective  and  mathematical,  whereas  cosmic consciousness  was  the  result of a  spiritual  exercise, which  consisted  in  becoming aware of the place of one's individual existence within  the  great current of the cosmos and  the perspective of the  whole,  Ioli se  inserens  mundo,  in  the words of Seneca.32 This exercise  was situated  not in the absolute space of exact science, but in the lived experience of the concrete, living, and  perceiving subject.</p><p>We have here to do with two radically different kinds of relationship to the world.  We  can  understand  the  distinction  between  these  two  kinds  by recalling the opposition  pointed  out by HusserP3 between  the rotation of the earth,  affirmed  and  proved  scientifically,  and  the earth's  immobility,  postulated  both  by our  day-to-day  experience  and  by  transcendental/ constitutive consciousness. For the latter, the earth is the immobile ground of our life, the reference  point of our  thought,  or,  as  Merleau-Ponty  put  it,  "the  womb  of our  time  and  of our  space." :w  In  the  same  way,  nature  and  the  cosmos  are, for  our  livintit llcrccption,  the  infinite  horizon of our  lives,  the enigma of our</p><p>274</p><p>Themes</p><p>existence which, as Lucretius said, inspires  us  with  ho"or et divina  voluptas, a shudder and  a  divine pleasure.  As Goethe  put  it in  admirable verses: The best part of man is the shudder.</p><p>However dearly the world makes him pay for this emotion, He is seized  by amazement when he feels the Prodigious. 35</p><p>Ancient philosophical traditions can  provide guidance in our relationship to ourselves,  to  the  cosmos,  and  to  other  human  beings.  In  the  mentality  of modem historians, there is no cliche more firmly anchored, and more difficult to uproot, than the idea according to which ancient philosophy was an escape mechanism,  an  act of falling back  upon  oneself.  In  the &lt;."Ilse of the Platonists, it was an  escape into  the  heaven of ideas,  into  the  refusal  of politics  in  the case of the Epicureans,  into  the submission  to  fate  in  the case of the Stoics.</p><p>This  way  of looking  at  things  is,  in  fact,  doubly  false.  In  the  first  place, ancient philosophy was always a  philosophy practiced in a  group, whether in the case of the Pythagorean communities, Platonic love, Epicurean friendship, or  Stoic  spiritual  direction.  Ancient  philosophy  required  a  common  effort, community  of research,  mutual  assistance,  and  spiritual  support.  Above  all, philosophers  - even,  in  the  last  analysis,  the  Epicureans  - never  gave  up having  an  effect  on  their  cities,  transforming  society,  and  serving  their citizens,  who  frequently  accorded  them  praise,  the  vestiges  of  which  are preserved for us by inscriptions. Political ideas may have differed from school to  school,  but  the  concern  for  having  an  effect  on  city  or  state,  king  or emperor,  always remained  constant. This is particularly true of Stoicism, and can easily be seen in many of the texts of Marcus Aurelius. Of the three tasks which  must  be  kept  in  mind  at  each  instant,  alongside  vigilance  over  one's thoughts and  consent  to  the events  imposed  by  destiny, an  essential  place  is accorded  to  the  duty  always  to  act  in  the  service of the  human  community; that is, to act in accordance  with  justice.  This last requirement is, moreover, intimately  linked  to  the  two  others.  It  is  one  and  the  same  wisdom  which conforms  itself to  cosmic  wisdom  and  to  the  reason  in  which  human  beings participate.  This concern  for living in  the service of the  human community, and  for  acting  in  accordance  with  justice,  is  an  essential  element of every philosophical  life.  In  other  words,  the  philosophical  life  normally  entails  a communitary engagement. This last  is probably the hardest part to  carry  out.</p><p>The trick is to maintain oneself on  the level of reason, and not allow oneself to be blinded  by political  passions, anger,  resentments, or prejudices.  To he sure,  there  is  an  equilibrium  - almost  impossible  to  achieve  - between  the inner peace brought about by  wisdom,  and  the  passions to  which  the  sight of the  injustices,  sufferings,  and  misery  of  mankind  cannot  help  but  give  rise.</p><p>Wisdom,  however,  consists  in  precisely  such  nn equilibrium,  nnd  inner  l'cnce is  indispensable  for cnicnciuu11 act ion .</p><p><image l:href="#37"/></p><p>Philosophy as a  Way  of Life</p><p>275</p><p>Such is the lesson of ancient philosophy: an  invitation to each human being to transform  himself.  Philosophy  is  a  conversion,  a  transformation  of one's way of being and  living, and a quest for wisdom.  This is not an easy matter.</p><p>As Spinoza  wrote at the end of the Ethics:</p><p>If  the  way  which  I  have  pointed  out  as  leading  to  this  result  seems exceedingly hard,  it may nevertheless be discovered. It must indeed be hard,  since  it is so seldom found.  How  would  it be possible,  if salvation were  easy  to  find,  and  could  without  great  labour  be  found,  that  it should be neglected by almost everybody? But all excellent things are as difficult as  they  are rare.36</p><p>NOTES</p><p>Philo Judaeus,  On  the  Special Laws, 2, #-8.</p><p>2  Cf. above.</p><p>3  Quintillian, Oratori,al Institutions,  bk I, Preface,  19-20.</p><p>4  Xenocrates,  fr. 4 Heinze.</p><p>5  Epicurus, Letter to  Pythodes,  �85.</p><p>6  Marcus Aurelius,  Meditations,  9, 3 1 .</p><p>7  Sextus Empiricus,  Outlines of Py"ho11ism,  I ,  28.</p><p>8  Xenophon, Memorabilia,  I, 2,  14.</p><p>9  Aristotle,  Ni,omad1ean  Ethi,s,  1 0,  7,  1 1 78b3.</p><p>10  Epicurus, Gnomologicum  Vati,anum, �77.</p><p>1 1   Epictetus,  Dis,ourses,  3,  13, 7.</p><p>12  Cf.  above.</p><p>13  Marcus Aurelius, Meditations,  1 1 ,  1 .</p><p>14  E.g. Diogenes Laertius,  Lives  of the  Philosophers,  7, 39.</p><p>15  Ibid, 4,  1 8.</p><p>16  Epictetus, Dis,ourses,  3,  2 1 ,  4--6.</p><p>1 7   Cf.  below.</p><p>18  On  the concept of pro,heiron, see above.</p><p>19  Seneca,  Letters  lo  L1uilius,  I,  1 .</p><p>20  Plato, Apology,  29e 1 ff.</p><p>21  Plato,  Republic,  486a.</p><p>22  Aristotle, Ni,oma,hean  Ethi(S,  1 0,  7,  1 1 78aff.</p><p>23  Cf.  below.</p><p>24 Justin, Apology,  I, 46,  1-4.</p><p>25  J.  Leclerq,  "Pour l'histoire de l'exprcssion 'philosophic chri:tienne'," Melanges de S,ience Religieuse  9 ( 1 952),  p.  22 1 .</p><p>26  Cf.  below.</p><p>27  A.  Schopenhauer,  The  World  as  Will  and  Representatio11,  trans.  E.F.J.</p><p>Payne,  2 vols,  Indian  Hills  CO  1958, London/Toronto  1909,  ch.  1 7,  vol. 2, pp.</p><p>1 63-4.</p><p>28  Spinozn,  fl't/1ir1,  Pnrt  5, Prop.  42, p.  270 Elwcs.</p><p>276</p><p>Themes</p><p>29  Cicero,  On  Oratory,  I, 229ff.</p><p>30  Rene  Descartes,  Principii philosophiae,  Foreword  to Picot.</p><p>31  See the references from Kant, Goethe, and Jaspers cited above.</p><p>32  "Plunging oneself into  the totality of the  world." Seneca,  Lellers  lo Lucilius,  66, 6.</p><p>33  E. Husserl,  "Grundlegende Untersuchungcn zum  phiinomenologiscen  Urspung der  Riiumlichkeit  der  Natur"  (=  Umsturz  der  Kopernikanischen  Lehre),  in Marvin Faber, ed., Philosophical Essays  in Memo')' of E.  Husserl,  Cambridge MA 1 940, p.  1 32.</p><p>34  M. Merleau-Ponty, Eloge  de la  pliilosoplzie et autres essais,  Paris  1 953, p. 285.</p><p>35  Johann Wolfgang von Goethe, Faust,  6272ff.</p><p>36  Spinoza, Ethics,  pp.  270-1 .</p><p><image l:href="#56"/></p><p>Postscript:  An  Interview  with  Pierre</p><p>Hadot</p><p>M. C.  Pierre  Hadot,  you  were  born  in  Reims,  France,  in  1922.  What  were the  earliest  and  strongest  influences  on  your  spiritual  and  intellectual  development?</p><p>P.H.  I  received  a  very  intense  Catholic  religious  education.  I  gradually became  detached  from  it,  but  it  played  a  considerable  role  in  my  formation, both  because  of the  first  impressions  it  made  upon  me,  and  because  of the problems  it raised  for  me.</p><p>The  first  philosophy  I  came  across  was  Thomism,  which  I  encountered especially in  the  books  of Jacques Maritain;  thus  it  was  a  kind of Aristotelianism  tinged  with  Neoplatonism.  I  think  it  was  a  good  thing  for  me  to  have begun  my  philosophical  studies  with  a  highly  systematic,  structured  philosophy,  which  was  based  on  a  long ancient  and  medieval  tradition.  It  gave  me a  lasting  distaste  for  philosophies  which  don't  clearly  define  the  vocabulary they  use.  Besides,  it  was  thanks  to  Thomism,  and  especially  to  Etienne Gilson,!  that  I  discovered  very  early  on  the  fundamental  distinction  between essence  and  existence,  which  is  dear  to  existentialism.</p><p>At  the  time,  I  was  very  much  influenced  by  Newman's  Grammar of Assent.</p><p>Newman  shows  in  this work  that  it's  not  the  same  thing  to  give  one's  assent to an affirmation  which  one understands  in a  purely abstract way, and  to  give one's  assent  while  engaging  one's  entire  being,  and  "realizing"  - in  the English sense of the word - with  one's  heart and  one's  imagination, just what this  affirmation  means  for  us.  This  distinction  between  real  and  notional assent  underlies my research  on  spiritual  exercises.</p><p>My religious  education  also  made me come  face to face  with  the  phenomenon of mysticism,  which  I  probably didn't understand  at the  time,  but  which has  continued  to  fascinate  me  all  my  life.</p><p>We would need a  very long discussion if we  were seriously  to approach  the problem  posed  by the  survival  of Christianity  in the modern  world.  From  the point  of view  of my  uwn  personal  experience,  I  can  say  that one  of the  great</p><p><image l:href="#75"/></p><p>278</p><p>Postscript</p><p>difficulties of Christianity - I'm thinking here of the  textual criticism of the Bible  - was  what revealed  to  me  a  more  general  problem,  which  could  be formulated in the following terms: is modem man still able to  understand the texts  of antiquity,  and  live  according  to  them?  Has  there  been  a  definitive break between the contemporary world  and  ancient tradition?</p><p>While  studying at  the  Sorbonne in  1946  and  1947,  I  discovered  Bergson, Marxism, and  existentialism, three  models which  have  had  a strong influence on my conception of philosophy. Bergsonism was not an abstract, conceptual philosophy, but rather took  the  form  of a  new  way of seeing the  world, and of transforming one's perception. Existentialism - Heidegger, Sartre, Merleau</p><p>Ponty,  Albert  Camus;  but  also  Gabriel  Marcel  - made  me  become  aware of my simultaneous engagement in the world of experience, in perception, in the experience  of  my  body,  and  in  social  and  political  life.  Marxism,  finally, proposed  a  theory  of philosophy  in  which  theory and  praxis were intimately linked, and where daily life was never separated from theoretical reflection.  I found  this  aspect of Marxism  very  seductive,  but  economic  materialism  was profoundly alien to  me.  I  also  had  other influences:  Montaigne, whom  I  have been  reading since my adolescence, and  the poet  Rilke; for a  while, I  thought about writing my thesis on "The Relationship between Rilke and Heidegger."</p><p>M. C.  Your career has always taken place more or less on the outskirts of the French  intellectual  "establishment." You  took  your  diploma  from  the  Ecole Pratique des Hautes Etudes in  196 1 ,  and  you then became director of studies at the same institution, where you remained from  1964 on.  In  1 982, you were elected  to  the chair of the  History  of Hellenistic and  Roman  Thought at the College  de  France.  Now,  in  France,  this  is  the  most  prestigious  position which  a  historian  of philosophy  can  obtain,  and arrived  there  without</p><p>passing through the almost obligatory stage of the</p><p>Normale Superieure,</p><p>or any other of the so-called "great schools."</p><p>Did  these  somewhat  unusual  circumstances  contribute  anything  to  your conception  of philosophy?  I'm  thinking in  particular of your remarks on  the negative influence  which  the university has exerted on  philosophy.</p><p>P.H.  My remarks on the negative influence which the university has exerted on  philosophy have nothing to do with the fact that my career has taken  place outside  the  university.  Generally  speaking,  I  admired  the  professors  who taught me philosophy at the Sorbonne, from either an intellectual or a human point of view - or both. They devoted themselves to the task of teaching with exemplary dedication, and  they had a highly-developed  moral conscience. I'm thinking here of men like Emile Brehier,2 R. Bayer, jean Wahl,3 Paul Ricoeur, Maurice de Gandillac,� Jean Hyppolite,5 R. Le Senne, Louis Lavelle, Maurice Merlcau-Ponty,  and j.  Vuillemin.</p><p>The idea of a  conflict  between  philosophy and  the teaching of philosophy goes  back  to  my  youth .  I  think  I  came  across  it  in  C:h11rlcs  Pc((uy, who said :</p><p>"Philosophy  doesn't  go  to  philosophy  d111111c11,"  1md  l:crt11inly  in  j&amp;1ClJUC11</p><p>Postscript</p><p>279</p><p>Maritain,  who  wrote:  "Thomist  metaphysics  is  called  'Scholastic'  after  its most severe  trial.  Scholastic pedagogy is its  own  worst enemy:  it always  has to  triumph  over  its  intimate  adversary,  the  professor."  Ever  since  I  started doing  philosophy,  I've  always  believed  that  philosophy  was  a  concrete  act, which changed our perception of the world, and our life: not the construction of a system.  It is a  life,  not a  discourse.</p><p>M. C.  Your  own  philosophical  trajectory  is  rather  remarkable.  To  begin with,  in  the  1950s,  you  wrote  reviews  of  Wittgenstein,  Heidegger,  and Berdiaev.  At the same time, you were making a name for yourself on the one hand in Latin Patristics and  textual criticism,  and on  the other as a specialist on  Plotin us.  In  19 57, you presented a remarkable paper at the meeting of the Fondation Hardt devoted to Plotinus; this was followed, in  1 963 by your first book, Plotinus or the Simplicity of  Vision.6 In  1 96 1 ,  in collaboration  with  Paul Henry, you had translated and given a copious commentary on the theological treatises  of the  Latin  church  Father  Marius  Victorious.  The  year  1 968  saw the  publication  of your  monumental  work  Porphyre  et  Victorinus,1  in  which you gave a critical edition, with translation and commentary, of a commentary on  Plato's Parmenides,  which you attributed  for the first time to Porphyry  of Tyre.  But  this  wasn't  all;  the  work  contained  a  summa  of  Neoplatonic metaphysics,  in  which  you  covered  the  immensely  complex,  hierarchic conceptual  constructions  of  post-Plotinian  metaphysics.  After  you  were named  to  the  College  de  France,  you  devoted  your  attention  mainly  to  the seemingly more simple  philosophies of Stoicism and Epicureanism, as well as continuing your  study  of Plotinus.</p><p>Perhaps  your career  could  be  summed  up  as  follows:  beginning with  the bone-dry  discipline  of textual  criticism,  you  then  moved  on  to  master  the ontological complexities of Neoplatonism; surely among the most complicated creations of the  human  spirit. Then, however,  it's  as  if you had turned  back, in  a  way,  to  your  point  of departure:  from  this  point  on,  it's  no  longer  the great speculative edifices which occupy your attention, but those philosophers who  teach  us  how  to  live:  Marcus  Aurelius,  Epictetus,  Lucretius,  and,  of course, your beloved Plotinus. Wouldn't you say that your own philosophical trajectory  can  serve  as  a  paradigm  for  the  "return  to  simplicity,"  the importance of which  you  have stressed in your teaching?</p><p>P.H.  I'd  be  inclined  to  look  at  my  intellectual  and  spiritual  itinerary somewhat  differently.  From  1942  to  1946,  I  was  only  interested  in  metaphysics and  in mysticism, in all their forms: Christian first and  foremost,  but also  Arabic,  Hindu, and  Neoplatonist.  It was my  interest  in  mysticism  that led  me  to  Plotinus,  and  to  the  great Plotinian  specialist  Paul  Henry.  I  went to see  him  in  1 946,  so  that he  could  guide  me  in  my  Plotinian  studies.  He was  interested,  above  all,  in  the  influence  of Plotinus on  St  Augustine,  and on  Christianity in general; he had written a book on the subject entitled Plotin et  / 'OcciJmt."  He  ndvised me to study Marius Victorious, in  the  belief that  I</p><p><image l:href="#1"/></p><p>280</p><p>Postscript</p><p>would find, in the almost incomprehensible Latin of this ecclesiastical author, some  translated  fragments  of  Plotinus.  He  suggested  that  we  edit  the theological  works  of  Victorious  together,  leaving  the  translation  and  the commentary  up  to  me.  Thus,  he  was  the  one  who  initiated  me  to  textual criticism  and  philological  studies;  being  a  pure  philosopher,  I  had  had  no preparation  in either of these  fields,  and the only knowledge I  had  of Greek and Latin  was what I  had been taught by my secondary-school  teachers.</p><p>All this was a  long way from mysticism.  I can say  that I  worked for twenty years on a subject that I  had not chosen;  I  was interested in it, of course, but not fascinated by it. It was then that I  learned how to read Latin manuscripts and,  thanks  to  Paul  Henry,  how  to  prepare  a  critical  edition.  I  also  tried  to understand,  and  explain  as  well  as  I  could,  the  text of Victorious.  My book Porphyre et  Victorinus was the result of this exegetical work,  and in it I showed that Victorious was the disciple of Porphyry  rather than  of Plotinus.</p><p>What attracted  me in Wittgenstein - whom  I  first read around  1 960  was</p><p>-</p><p>the  problem  of  mysticism,  which  he  mentions  in  the  last  pages  of  the Tractalus.  My  reading  of Wittgenstein  was  very  stimulating  for  me,  and  it brought about my lasting interest in the question of "language games," which are,  he  tells us, "forms of life." These ideas had a  great  deal  of influence on my subsequent studies of ancient  philosophy.</p><p>I  returned  to the mysticism of Plotinus in  1963, when Georges and Angele de Radkowski asked me to write  the little book entitled Plotin ou la simplicite du  regard.</p></section><section><p>When, in  1 964, I  was  elected to  the  Fifth Section of the Ecole Pratique des Hautes  Etudes,9  my  colleagues  viewed  me  above  all  as  the  translator  of Victorin us, and it was natural for me to have been elected to the chair of Latin Patristics. Among other factors, this explains how I came to publish an edition and  translation  of the Apologia  David of Bishop  Ambrose  of Milan.10 I  must confess,  however,  that Latin Patristics didn't really interest  me.  Fortunately, my  colleagues  agreed  to  change  the  title  of  my  chair,  which  became</p><p>"Theologies  and  Mysticisms  of  Hellenistic  Greece  and  of  the  End  of Antiquity." Thus I  was able to  return to the mystical passages of Plotinus, on which  I  commented  before my auditors  for many  years.</p><p>However,  it was also  at this time that my relationship  with  Plotinus began to  become  more  complex, and  that I  arrived  at my present  position.  On  the one  hand,  I  believe  that  this  great  author  has  yet  to  be  explained  in  the detailed  way  he  deserves,  and  that's  why  I  have  undertaken  the  translation with commentary of the totality  of his works.  Moreover, the phenomenon of mysticism, which is so striking in Plotinus, continues to intrigue me.  Y ct, as I  grow  older,  Plotinus  speaks  to  me  less  and  less,  if I  may  say  so I  have</p><p>.</p><p>become  considerably  detached  from  him.  From  1 970  on,  I  have  felt  very strongly  that  it  was  Epicurcnnism  and  Stoicism  which  could  nouri11h  the spiritual  l i fe  of men  and  women  of our  times,  1111  well  1111  my  own .   Tlllll  w1111</p><p>Postscript</p><p>281</p><p>how  I  came  to  write my  book on  spiritual exercises.  Indeed,  here  at  the  end of the  century  - and  no  one  is  more surprised  at  this  than  myself - we  are witnessing an increasing interest in these two philosophies on  the part of the reading public. This is  a remarkable phenomenon, hard to explain.</p><p>To sum  up my inner evolution, I would say the following: in  1 946, I naively believed that I, too, could relive the Plotinian mystical experience. But I  later realized that this was an illusion. The conclusion of my book Plotinus already hinted that the idea of the "purely spiritual" is untenable.  It is true that there is something ineffable in human existence, but this ineffable is within our very perception  of  the  world,  in  the  mystery  of our  existence  and  that  of  the cosmos. Still, it can lead to an experience which could be qualified as mystical.</p><p>M. C.  What  do  the  expressions  "philosophy"  and  "living  a  philosophical life" signify  for you?</p><p>P.H.  For  me,  the  word  "philosophy" corresponds first of all  to an historical phenomenon.  In was the Greeks who created the word, probably in the sixth or  fifth  century  BC,  and  it  was  Plato  who  gave  it  its  strongest  meaning: philo-sophia,  "love of wisdom," the wisdom  which one lacks.  Since that time there  has  been  an  intellectual,  spiritual,  and  social  phenomenon,  which  has taken on a variety of forms, and which has been called philosophy. From this point  of  view,  it  is  legitimate  to  ask  whether  there  exists  a  "philosophy"</p><p>outside  of the  Western  tradition,  or  of the  Arabic  tradition,  insofar  as  the latter is the inheritor of Greek philosophy.</p><p>Now,  an  historical  phenomenon  is  in  constant  evolution.  Contemporary</p><p>"philosophy"  is obviously  very  different  from  the  "philosophy"  of Socrates and  Plato,  just  as  contemporary  Christianity  is  very  different  from  the Evangelistic  message.  Is this evolution a  good  thing?  Is it an  evil?  I  won't go into  that.  I  do think,  however,  that  it  is  always  legitimate  to  go  back  to  the origins, in order better to understand the meaning of a  phenomenon, and that is what I  try  to  do.</p><p>I  have tried to define what philosophy was for a person in antiquity. In my view, the essential characteristic of the phenomenon "philosophy" in antiquity was  that  at  that  time  a  philosopher  was,  above  all,  someone  who  lived  in  a philosophical  way.  In  other  words,  the  philosopher was  someone  whose  life was  guided  by  his  or  her  reason,  and  who  was  a  practitioner  of the  moral virtues.  This  is  obvious,  for  example,  from  the  portrait  Alcibiades  gives  of Socrates at the end of Plato's Symposium. We can also observe it in Xenophon, where  Hippias  asks  Socrates  for  a  definition  of  justice.  Socrates  replies:</p><p>"Instead of talking about it, I make it appear through my actions." Originally, then,  philosophy  is  above  all  the  choice  of  a  form  of  life,  to  which philosophical  discourse  then  gives  justifications  and  theoretical  foundations.</p><p>Philosophical  discourse  is  not  the same thing as  philosophy:  the  Stoics said so explicitly, and the other schools admitted it implicitly. True, there can be no philosophy without some discourse - either inner or outward - on the part</p><p>282</p><p>Postscript</p><p>of the  philosopher. This can  take  the  fonn  of pedagogical activity carried out on  others,  of inner  meditation,  or  of the  discursive  explanation  of intuitive contemplation.  But  this  discourse is not  the  essential part of philosophy, and it will  have  value only  if it has  a  relationship  with  philosophical  life.  As an Epicurean sentence puts  it: "The discourse of philosophers is in vain, unless it heals some passion of the soul."</p><p>M. C.  Are  spiritual  exercises  still  possible  today?  They  were  thought  up  in the  very  distant  past,  as  responses  to  specific  social  structures  and  material conditions,  but our  current  living conditions  bear  very  little resemblance  to those  of antiquity.  The spiritual exercises  of  the  Stoics  and  the  Epicureans, for example, are the consequences of the basic hypotheses of each school: on the one hand, faith  in the providential  Logos;  on the other,  atomism,  belief in chance, and denial of post-mortem existence. Nowadays, however, we may no  longer  believe  in  these  hypotheses.  Is  it  still  possible  to  practice  the spiritual  exercises  of antiquity,  separating  them  from  the  systems  of which they were a part, and substituting our own basic hypotheses for the outmoded ones of antiquity?</p><p>Let's take the example of injustice.  One of the greatest sources of pain for modern man  is,  I  would  think,  the suffering of innocent  people.  Every day, the media overwhelm us with images of this suffering, and we witness it every day  in  the streets of our cities.  How can  we  avoid  giving in  to  despair  if we no longer believe, like Marcus Aurelius, in a divine providence, consubstantial with  ourselves,  which  arranges  everything  for  the  best,  and  ensures  that injustices are only apparent?</p><p>P. H.  To  reply to your question, I  refer you  to  the beginning of the chapter entitled  "Spiritual  exercises,"  where  I  quote  the  passage  from  the  diary  of Georges Friedmann which he quotes  in  his book La  Puissance et la Sagesse:11</p><p>"A  'spiritual  exercise'  every  day  - either  alone  or else  in  the company  of someone who also  wants to improve  himself.  . . .  Step out of duration . . .  try to get rid of your own passions." I  think this testimony suffices to prove that spiritual  exercises arc still being practiced  in our day and age.</p><p>Spiritual exercises do not correspond to specific social structures or material conditions. They have been, and continue to be, practiced in every age, in the most  widely  diverse  milieus,  and  in  widely different latitudes:  China, Japan, India; among the Christians, Muslims, and Jews.</p><p>If one  admits,  as  I  do,  that  the  various  philosophical  schools  of antiquity were characterized  above  all  by  their choice of a  form  of life,  which  is then justified  after  the  fact  by  a  given  systematic  construction  (for  instance, Stoicism is the choice of an attitude of coherence with  oneself,  which  is later justified  by  a  general  theory of the  coherence of the  universe  with  itself) -</p><p>then  it  is easy  to  understand how  one  can  can  remain  faithful to one's choice of a  form  of life without  being obliged  to adhere  to  the  systemat ic  construction  which claims  to  found it.  As  Ruyer haH w1�inen112 "Excel''  for  s1,cc:iali111s,</p><p>Postscript</p><p>283</p><p>no one is very interested in  the motives of Stoicism, taken over for the most part  from  Heraclitus,  or  in  those  of  Epicurean  ethics  or  Democritean atomism.  Nevertheless, as  attitudes,  Stoicism and Epicureanism are still very much alive." As a  matter of fact, ethics - that is to  say, choosing the good -</p><p>is not the consequence of metaphysics, but metaphysics is the consequence of ethics.</p><p>You give the example of injustice and the suffering of innocent people.  For Marcus Aurelius, the  fact  that  there  is a providence (that is,  simply, that there is coherence in the world), does not mean that injustice is only an appearance.</p><p>It is quite real, and in his Meditations Marcus often expresses his anger against liars  and  the  unjust.  For  him,  the  discipline  of action  consists  precisely  in acting in the service  of the  human community; in other words,  in practicing justice oneself and in correcting injustices. Such an attitude is independent of any theory of providence.  Besides, Marcus himself says: "Whether or not the world  is ruled  by  reason  (and  thus by  providence),  don't you act unreasonably. "  He  then  goes  on  to  add  that  if we  do  act  according  to  reason,  that proves  that  there  is  also  reason  in  the  world.  This  is  proof that  it  is  one's choice of life which precedes metaphysical theories, and that we can make our choice  of  life,  whether  or  not  we  justify  it  by  improved  or  entirely  new arguments.</p><p>M. C.  You  often  speak  of "nature"  or "universal  nature"  in  the  context  of the triple discipline of the Stoics. For example, according to Marcus Aurelius we  must  learn  "the  ways  and  laws  of . nature."  What  is  meant  here  by</p><p>"nature"? Is it the "nature" in which we stroll and have picnics? The "nature"</p><p>which  "makes no leaps"?</p><p>P. H.  For  the  Stoics,  nature  is  at the same time the  program  in  conformity with  which the events which constitute the  universe are necessarily  linked to one another, and  the programmed sequence which results from them.  Thus, it is the rational order which presides over the evolution of the visible world.</p><p>It is this programming and this rationality which give the world its coherence.</p><p>To  act  according  to  nature  is  therefore  to  act  in  a  programmed,  rational manner,  in full awareness of the  fact  that  one is a  part of the cosmic  whole, as well as a  part of the whole formed  by the city of l:hose beings  which share in  reason.  On  the  one  hand,  then,  it  is  to  act  in  the  service  of the  human community,  and,  on  the  other,  to  consent  to  the  general  movement of the universe. The Stoics were saying exactly the same thing as Einstein, when he denounced  the  optical  illusion  of a  person  who  imagines  himself  to  be  a separate  entity,  while  he  is  really  a  part  of  that  whole  which  we  call  the universe.  Einstein  also  declared  that  it is our  duty  to  open  our  hearts  to  all living beings,  and to  all of nature in her magnificence.</p><p>M. C.  The  triple  discipline  of  spiritual  exercises  is  intended  to  lead  me towards  the  inner  transformation  of  my  way  of seeing,  and  eventually,  to restore  me ns  nn  integrnl and integrated part of the  cosmos.  According to this</p><p>284</p><p>Postscript</p><p>theory,  my  task  is  to  discipline  my  desires,  my  inclinations,  and  my  assent.</p><p>The last two domains correspond  respectively to ethics - I  must observe my duties toward my fellow citizens - and to logic or epistemology:  I must accept as true only that  which  is freed  from  my subjective prejudices.</p><p>All  this  seems  feasible  enough.  But  as  far  as  the  discipline  of desire  is concerned:  it is surely true that the majority of our unhappiness comes from our unsatisfied  desires;  this was taught by the Buddha, among others.  But  is it really possible for me  to  discipline my desires; that  is,  to  persuade  myself by  means  of rational  considerations  no  longer  to  desire  a  particular  object?</p><p>Let's  take  sexual  desire  as  an  example.  If I  feel  desire  for  a  woman,  it  is perfectly possible for me to tell myself that I will not act according to "'J' desire; in  other  words, that I  will  not  attempt to  satisfy  my  desire.  But can  I  really go  further  than  that,  and,  in  the  presence  of the  desired  object,  command myself not to desire  it at{v longer?  I  have  difficulties  with  this  point.</p><p>P. H.  Can  purely  rational  considerations  be  effective  against  passion  or sexual desire? Here we return to the very idea of spiritual exercises.</p><p>What's interesting about the idea of spiritual exercises is precisely that it is nor a matter of a  purely  rational consideration, but  the putting  in  action of all kinds of means,  intended  to  act  upon  one's  self.  Imagination  and  affectivity  play  a capital  role  here:  we  must  represent  to  ourselves  in  vivid  colors  the  dangers  of such-and-such a passion, and  use striking formulations of ideas in  order to exhort ourselves.  We  must  also  create  habits,  and  fortify  ourselves  by  preparing ourselves against  hardships  in  advance.  In  Epicurean  communities,  people  help one another, admit their weaknesses to each other, and warn others of such-andsuch  a  dangerous  tendency which is  beginning to manifest  itself in them.</p><p>All these techniques can be useful in crisis situations. Yet we must not allow them  to  make  us  forget  that  what  is  most  important  is  the  profound orientation  of our  lives,  the  fundamental  choice  of a  life,  which engages  us passionately. The problem is not so much to repress such-and-such a passion, as  it  is  to  learn  to see things  "from  above,"  in the  grandiose  perspective  of universal  nature  and  of  humanity,  compared  to  which  many  passions  may appear  ridiculously  insignificant.  It  is  then  that  rational  knowledge  may become force and  will,  and thereby become extremely efficacious.</p><p>M. C.  On May 22,  1 99 1 ,  you gave your last lecture at the College de France.</p><p>After  some  three  decades  of teaching,  the  last  words  you  pronounced  in public  were:  "In  the  last  analysis,  we  can  scarcely  talk  about  what  is  most important."</p><p>This  seems paradoxical .  After a lifetime devoted to humanistic studies, have you  finally come to  the conclusion  of the  Neoplatonist  philosopher  Damascius,13  who  wrote  "What  will  be  the  limit  of  our  discourse,  if  it  is  nut  an impotent  silence,  and  the  admission  of  our  absolute  lack  of  knowledge concerning  those  things  about  which  we  mny  never  gnin  knowlcdl(c,  Hince they ore  inncce1111iblc11?</p><p>Postsm'pt</p><p>285</p><p>P.H.  You're alluding to the last words of my last class: "In the final analysis, we can  scarcely  talk about  what  is most important."  I  was saying that about Plotinus,  for whom  the  most  important  thing  was  not his teaching,  but the unutterable experience of union with the One. For Plotinus, abstract teaching could  allude to this experience, but could not lead to it. Only asceticism and a moral life could truly prepare the soul for such a union (and here again,  we find  the same opposition  between  philosophical  discourse  and  the  philosophical  life).</p><p>Obviously,  however,  when  I  used  this  phrase,  I  was  hinting  at  my  own experience as a teacher and my experience of life. I  wasn't only talking about the  experience  of the  ineffable  among  the  Neoplatonists,  but  about  a  more general experience.</p><p>Everything which  is "technical" in the broad  sense  of the  term,  whether we arc talking about the exact sciences or the humanistic sciences, is perfectly able to  be communicated  by  teaching or conversation.  But everything that touches the  domain  of the  existential  - which  is  what  is  most  important  for  human beings - for instance, our feeling of existence, our impressions when faced by death,  our  perception  of nature,  our  sensations,  and  a  fortiori  the  mystical experience, is not directly communicable. The phrases we use to describe them are  conventional  and  banal;  we  realize  this  when  we  try  to  console  someone over  the  loss of a  loved  one.  That's  why  it often  happens  that  a  poem  or  a biography are more philosophical  than  a philosophical treatise, simply because they  allow  us to glimpse this unsayable in an indirect way.  Here again, we find the kind of mysticism evoked in Wittgenstein's Tractatus: "There is indeed the inexpressible.  This  shows  itself;  it is  the  mystical."</p><p>NOTES</p><p>[In April-May  1992, M.  Hadot was kind enough to respond to some questions I  had asked  him  during the course of the preparation  of this translation.  What  follows is a translation of our exchange.  All notes arc my own. - Trans.]</p><p>1  [Etienne Gilson,  author of many highly influential  works on  Medieval  thought; cf. History of Cliristian  Philosophy in tile Middle Ages,  New York  1955.]</p><p>2  [Emile  Brehier,  the  first  modem  editor  and  translator  of Plotinus,  also  wrote important  works  on  Stoicism,  and  a  three-volume  History  of Pliilosophy  which was,  for many  decades,  the standard reference work on  the subject in France.]</p><p>3  Uean  Wahl, expert  on  Existentialism,  was the  author  of such  works  as  Etudes kierkegaardiem1es ("Studies on Kierkegaard"), 3rd edn, Paris  1967.]</p><p>4  [Maurice de Gandillac, a specialist on Neoplatonism, was author of important works on  Plotinus (la s11gesse de  Plotin,  Paris  1966), and  Nicolas of Cusa,  among others.]</p><p>5  LJean  Hyppolite  was  the  translator and exegete  of Hegel  (Genest  et Structure de la  Pl1e110111bwl0Kit� tie /'esprit tie  Hegel,  Paris  1946), who exercised a great influence un  French  Marxi11m. I</p><p>286</p><p>Postscript</p><p>6  [3rd edn, Paris  1 989.  An  English translation  is  in  preparation.]</p><p>7  [2 vols, Paris 1 968.]</p><p>8  [P.  Henry,  Plolin  ti  /'Ocrident.  Firmicus  Maltrnus,  Marius  Virtorinus,  Saini Augustin  ti  Marrobe  (=  Spicilegium  sacrum  Lovaniense,  Etudes et  Documents 1 5), Louvain  1934.]</p><p>9  [The Practical School of Higher Studies, of which the fifth section is the Section of  Religious  Sciences.  Hadot  had  as  his  colleagues  at  this  institution  such eminent  scholars  as  Qaude  Levi-Strauss,  Georges  Dumezil,  Henry  Corbin, Henri-Charles  Puech,  and  the  great  Hellenist  AndrC-Jean  Festugiere,  to  name but a  few.]</p><p>10  [Ambroist  de Milan,  Apologie  tie David,  intro.  Latin  text,  notes and index Pierre Hadot,  trans. Marius Cordier (= Sources  Chretiennes  239),  Paris  1 977.) 11  ["Power and Wisdom," Paris  1 970.]</p><p>12  [R. Ruyer,  Tl1t  Gnosis of Princeton,  p.  220.]</p><p>13  [On  the Finl  Principles,  I, 7, p.  1 5, 22-5 Ruelle.J</p><p><image l:href="#105"/></p><p>Select  Bibliography</p><p>ANTHOLOGIES</p><p>Von Amim,  H.,  ed., Stoicorum  Vettrum Fragmenta, 4  vols, Leipzig  1903 (abbreviated SVF).</p><p>Diets, H., and W. Kranz, eds, Die  Fragme11te der  Vorsokatiker,  3  vols, Dublin/Zurich 1956, 8th  edn,  repr.  1974.</p><p>Long,  A.A.  and  D.N.  Sedley,  The  Hellenistic  Philosophers,  vol.  1 :   Translations  of the Principal Sourm, with Philosophical Commentary, vol.  2:  Greele and Lati11  Texts TPith Note.f and Bibliography, Cambridge  1987, repr.  1 988.</p><p>Nauck,  A.,  ed.,  Tragicorum  Graecorur11  Fragmenta,  Leipzig  1 889,  2nd  edn, repr.  Hildesheim  1964.</p><p>ANCIENT AUTHORS</p><p>Apoplrthegmata Patrum (Tire Sayings  of tire Fathm), PG  65.</p><p>-- English  trans. :  Tire  Sayings  of  tire  Dmrt  Fatlrers,  trans.  Benedicta  Ward, Mowbray  1 975.</p><p>Aristophanes, Nubes (Clouds), ed. K.J .  Dover, Aristoplranes ' Clouds, Oxford  1 968, repr.</p><p>1970.</p><p>-- English  trans.: Aristoplranes:  The  Achamians,  Tire  Clouds,  Lysistrata,  trans.  and intro.  Alan  H.  Sommerstcin, Harmondsworth  1973, repr.  1985.</p><p>Aristotle,  Opera,  ed.  I. Bekker, Aristotelis  opera,  5  vols, Berlin  1 83 1 ,  repr.  1 960.</p><p>-- English  trans.:  The  Complete  Works  of  Aristotle,  Revised  Oxford  Translation, ed . Jonathan Barnes (= Bollingen Series 71 .2), Princeton NJ  1984.</p><p>Ariinotlc,  Sop/1istici  Elenchi  (On  Sophistical  Refutations),  trans.  W.A.  Pickard</p><p>C11mbridge.</p><p>AriHtotlc, IJe  partil111s 1mimali11m (Part.f  of Animals), trans.  W.  Ogle.</p><p>288</p><p>Select  Bibliography</p><p>Aristotle,  Protrepticus,  ed. W .D. Ross, Aristotelis  Fragmenta Selecta,  Oxford  1 955.</p><p>-- English  trans.: J. Barnes and G.  Lawrence in J. Barnes, ed.,  1 984,  vol. 2.</p><p>-- German  trans.:  Der  Protreptikos  des Aris1oteles,  trans.,  intro.  and  commentary Ingemar During, Frankfurt  1 969.</p><p>Athanasius,  Vila Antonii (Life of Antony),  PG 26, 835-976B.</p><p>-- English  trans.: Athanasius.  The  Life of Antony and the Lei/er to Marce/linus,  trans.</p><p>and  intro.  Robert  C.  Gregg,  preface  William  A.  Clebsch  (Classics  of  Western Spirituality),  New York/Ramsey  NY /Toronto  1 980.</p><p>Augustine, De  Trinitate  (On  tile  Trinity), PL  42, 8 1 9-1098.</p><p>Basil of Caesarea, In 11/ud Allende tibi ipsi (Homily on the Words,  "Give  Heed to  ThysefF')</p><p>-- L 'homilie  de  Basile  de  Cesaree sur le  mot  "observt-loi  toi-mime ':  ed.  S.Y.  Rudberg (= Acta  Universitatis Stockliolmensis,  Studia Graeca Stockholmensia  2),  Stockholm  1962.</p><p>-- English  trans.:  Saini  Basil:  Ascttical  Works,  trans.  Sister  M.  Monica  Wagner, CSC (=  FC 9),  Washington DC  1 950, repr.  1 970.</p><p>Basil  of  Caesarea,  Regulae  fusius  trat�tatae  ( The  Long  Rules;  otherwise  known  as Asi:eticon  magnum  or Q�aestiones),  PG  3 1 ,  901-1 052.</p><p>-- English  trans.:  Saint  Basil:  Ascetical  Works,  trans.  Sister  M.  Monica  Wagner, CSC {= FC 9), Washington DC  1 950, repr.  1 970.</p><p>Clement  of  Alexandria,  Stromata,  eds  0.  Stahlin,  L.  Friichtel  and  U.  Treu,  in Clemens  Alexandrinus  [ =  GCS  52 ( 1 5),  17], vol. 2, 3rd cdn, Berlin 1960; vol. 3, 2nd edn,  1 970.</p><p>-- English trans.: in ANF Z, trans. W.A. Wilson, Buffalo  1885, repr. Grand Rapids 1 977.</p><p>Damascius,  Vita  Isidori,  ed. C. Zinzten,  Life of Isidorus: Damascii vitae  Isidori reliquiae</p><p>{=  Bibliollieca graeca  et  Latina  mppletoria  I), Hildesheim  1967.</p><p>Diadochus  of  Photice,  Kephalaia  Gnoslica  (G11ostic  chaptel"s);  Capita  ce111um  de perfectione spirituali (One Hu11dred Cliaptm on Spirilual Perfection), ed. Edouard des Places, SJ,  in Diadoque de Photici,  Oeuvres spiritue/les (= SC 5bis), Paris  1 955, repr.</p><p>with suppl.  1966.</p><p>Diogenes  Laertius,  Vitae  pl1ilosopliorum  (Lives  of the  Plti/o.(ophers),  ed.  R.D.  Hicks, Diogenes  Laertius,  Lives of Emi11et1I Philosophers,  with English trans. R.D.H. (LCL), 2 vols, London/Cambridge  MA  1 925, repr.  1950.</p><p>Dorotheus  of  Ga1.a,  Didaskaliai  (Instructions),  ed.  with  French  trans.,  in  Oeuvres spirituelles,  eds  L.  Regnault and J.  de  Prcville (=  SC 92), Paris  1 963.</p><p>-- English  trans.:  Dorotheus  of  Gaza:  Discourses  and  Sayittgs,  trans.  E.P.  Wheeler (=  Cistercia11 Studies  33),  Kalama1.oo  1977.</p><p>Epictetus,  Opera,  ed.  W.A.  Oldfather, Epictetus,  The  Discourses as  reported by  Arrian, the  Manual,  and  the  Fragments,  with  English  trans.  W.A.0.  (LCL),  2  vols, London/Cambridge MA  1928, repr.  1 959.</p><p>Epicurus,  Opera,  ed.  H.  Usener, Epicurea {Sammlung Wissenschaftlicher Commentaren), Stuttgart  1 887, repr.  1 966.</p><p>-- ed.  with  English  trans.:  Epicurus,  The  E.\"lattt  Remaitts,  short  critical apparatus,  trans.  and  notes  Cyril  Bailey,  Oxford  1926,  rcpr.  Hildesheim/New York,  1970.</p><p>-- ed.  with  Italian  trans.:  Epic11ro,  Opere,  t r11n11.  Gr11zi1mo Arrighett i  (=  Biblio1/1er11</p><p>di  rnl111r11 filMt!/ica  41 ), Turin  I %0;  2nd c:dn,  197.1.</p><p><image l:href="#122"/></p><p>Select Bibliography</p><p>289</p><p>Eusebius, Historia etclesiastica (Ecclesiastical History), ed. with French trans. G. Bardy, Eusibe de  Cesaree.  Histoire mlesiastique,  3  vols (= SC 3 1 ,  4S,  SS), Paris  1 9S2-8.</p><p>Evagrius of Pontus, Praktikos,  ed.  with French  trans.  A.  and C. Guillaumont, Evagre le Pontique:  Traite pralitJUe ou le moine,  vol.  2  (=  SC 1 7 1 ),  Paris  1 97 1 .</p><p>-- English  trans.:  Evagrius  Ponti&amp;us.  The Praktikos.  Chapters  on Prayer,  trans ., intro.</p><p>and notes John Eudes  Bamberger (= Cisterdan Studies 4), Kalamazoo  1978.</p><p>Galen, De cognoscendis rurandisque animi morltis (On Diagnosing and Curing the Illnesses of  the  Soul ),  ed.  Joann.  Marquardt  (=  C/audii  Galeni  Pergameni  scripta  minora, vol.  I),  Leipzig  1 884.</p><p>-- English trans:  Galen On the Passions and Errors of the Soul,  trans.  P.W. Harkins, Columbus OH  1 963.</p><p>Gregory  Nazianzen, Apologeticus de fuga  (In  Defense for his Flight to  Pontus),  PG 3S, 408-S l 3 .</p><p>Gregory  Nazianzen,  Epistula  31, trans.  P .   Gallay,  in  Gregoire  de  Nar.iarrr.e,  Lettres t/rtologiques  (=  SC 208),  Paris  1 974.  @BIB  PLUS  =  Gregory  Thaumaturgus,  In Origenem  oratio panegyrica  (Speech  in  Praise of Origen), ed.  H.  Crouzel,  Gregoire le Thaumaturge.  Remerciement  ti  Origine  suivi  de la  lettre  d Origine  ti  Gregoire</p><p>'</p><p>(=  SC</p><p>148),  Paris  1 969.</p><p>-- English  rrans.:  in ANF 6,  trans.  S.D.F.  Salmond.</p><p>Homer,  Iliad,  English  trans. :  Tire  Iliad  of  Homer,  trans.  and  intro.  Richmond Lattimore, London  19S l ,  repr.  1961 .</p><p>Homer,  Odyssey,  English  trans.:  The  OtJ.vsse.J'  of Homer,  trans.  Richmond  Lattimore, New York  196S, repr.  1 97S.</p><p>Horace,  Horace,  Satires,  Epistks  and  Ars  Poetica,  with  English  trans.  H.  Rushton Fairclough  (I.CL),  London/Cambridge MA  1926, repr.  1 947.</p><p>Horace,  Horace,  the  Odes  and  Epodes,  with  English  trans.  C.E.  Bennett  (LCL), London/C..amhridgc MA  1 9 1 4;  2nd edn,  1947.</p><p>Horace, Odes, English tnins.: Horace:  T/1e Complete Odes and Epotles with the Centennial H.vmn,  trans.  with  notes W.G. Shepherd,  Harmondsworth  1983.</p><p>John Cassian,  Collationes Sanctorum  Patrum (Conferences of the Ho(v Fathers).</p><p>--Jean  Cassien,  Conftrences,  ed.  and  French  trans.  E. Pichery, Paris,  vol.  1  (= SC</p><p>42)  1 966,  vol.  2 (=  SC 54)  1958, vol.  3  (=  SC 64)  1 959.</p><p>-- English  trans. :  John  Cassian,  Conferences,  trans.  and  preface  Colin  Luibheid, intro.  Owen Chadwick (CWS), New York/Mahwah  NJ/Toronto  1 985.</p><p>John Chrysostom, Ar/versus oppugnatores vitae monasticae .(Against  the  Opporrents of the Monastic  Life),  PG 47, 3 1 9-86.</p><p>John  Chrysostom,  Non  esse  ad  gratiam  con&amp;ionandurn  ( That  One  s/1ould  not  make Speeches intended to  Please  the Public), PG  SO,  653-62.</p><p>John  of Salisbury, Po(vcraticus,  ed.  C.C.J. Webb, Oxford  1 909, repr.  1 965.</p><p>-- partial English trans.: John Dickinson,  The Statesman 's  Book of John of Salisbury, New  York  1927.</p><p>--Joseph B. Pike, Frivolities of Courtiers and Footsteps of Philosophers, Oxford,  1938.</p><p>Flavius Josephus, Antiquitates ludaeorun1  (Antiquities of the Je11Js), ed. B. Niese, Flavii losephi opera,  4 vols, Berlin  1 887-90.</p><p>Justin, Dialol(llS mm Tryphone (Dialogue 11Jith  Trypho), ed. E.J. Goodspeed, Die iiltesten ApoloRtlttl,  G6ttiniccm  191 5.</p><p>290</p><p>Select  Bibliography</p><p>Justin,  Apologia  (Apology),  ed.  E.J.  Goodspeed,  Die  iiltesten  Apologeten,  Gt&gt;ttingen 191 5.</p><p>Justin, Apologia secunda  (Second Apology), ed. E.J. Goodspeed, Dit iiltesten Apo/ogeten, Gt&gt;ttingen  1 9 1 5 .</p><p>Lactantius, Divinae institutiones (Divine Institutes), ed. and French trans. Pierre Monat</p><p>[= SC 204 ( 1 973); 205  (1973); 326 ( 1 986); 337  (1987), etc.].</p><p>-- English  trans.:  in  Lactantius,  The  Divine  Institutes,  Boo/es  I-VII,  trans.  Sister Mary Francis McDonald (= PC 49),  Washington DC  1964.</p><p>Leonidas of Tarentum,  Opera, ed.  W.R. Paton,  in  The Grtele Anthology,  with  English trans.  W.R.P. (LCL),  5  vols, London/Cambridge MA  1 953.</p><p>Lucian,  Opera,  eds  A.M.  Harmon,  K.  Kilburn,  et  al.,  Lucian  111ith  an  English Translation (LCL). 8  vols, London/Cambridge  MA  191 3ff.</p><p>Lucian,  lcaromennipus,  in  Opera,  eds  Hamon  et  al.,  vol.  2,  ed.  Harmon,  19 1 5, repr.  1 960.</p><p>Lucian, Charon sive tontemp/antes (Charon  or tht  Overseers),  in  Opera, eds Harmon et al., vol.  2, ed.  Harmon,  1 9 1 5,  repr.  1 960.</p><p>Lucian,  Dialogi  mortuorum  (Dialogues  of the  Dead),  in  Opera,  eds  Harmon  et  al., vol. 7, ed.  MacLeod,  1 96 1 .</p><p>Lucian, fluomodo  historia  conscribenda  sit  (Ho111  One  Should  Write  History),  i n  Opera, eds Harmon et al., vol. 6, ed.  K.  Kilburn,  1959,  repr.  1968.</p><p>Lucretius, De  rerum  natura  (011  the  Nature  of Things), ed.  W.H.D. Rouse, Lucretius, De rtrom natura, revised with new  text, introduction, notes, and  index M.F. Smith (LCL), 2nd edn, London/Cambridge MA  1982.</p><p>Marcus  Aurelius,  Opera,  ed.  A.S.L.  Farquharson,  The  Meditations  of  tl1t  Emperor Marcus  Aurelius,  ed., trans.  and  commentary  A.S.L.F.,  vol.  1 :  Text  and  Translation;  vol.  2:  Greek  Commentary,  Oxford,  1944, repr.  1968.</p><p>Marcus Aurelius,  Marti A11rtlii Antonini  ad se  ipsum  libri  XII,  ed. Joachim  Dalfen, Leipzig  1 979.</p><p>Maximus Confessor,  Various writings, in PG 4;  19; 90-1 .</p><p>Maximus Confessor, Maximus Confessor: Selected  Writings, trans. and  notes George C.</p><p>Berthold, intro. Jaroslav Pelikan, preface lrenee-Henri Dalmais, O.P.  (CWS), New York/Mahwah NJ/Toronto 1985.</p><p>Metrodorus, ed. A. Korte,  "Metrodori epicurei  fragmenta," Jahrbiithtr fiir Classische Philologit,  Suppl.  XVII (1 890), pp.  529ff.</p><p>Olympiodorus, b1 Altibiadem, ed. L.G. Westerink, Commentary on the First Alcibiades of Plato, critical text and indices L.G.W., Amsterdam  1 956.</p><p>Origen, Contra Ce/sum (Against Ce/sus). ed.  M. Borret, Origene,  Contre Geise, 4 vols (=</p><p>SC  1 32;  136;  147;  1 50), Paris  1967-9.</p><p>-- English  trans.:  H.E. Chadwick, Cambridge  1 965.</p><p>Origen,  In  Canticum  Can1icor11m  (Commemary  on  the  Song  of  So11gs),  ed.  W.A.</p><p>Baehrens, GCS 33, Berlin  1 925.</p><p>-- English  trans. :  Origen,  The So11g of So11gs,  Com111e11tal')' and Homilies,  trans.  and annotated  R.P. Lawson (= ACW 26), London/Westminster MD  1 957.</p><p>Ovid, Metamorp/1oses,  with English trans.  Frank Justus Miller (I.CL), 2 vols, London 1 9 1 6.</p><p>Phil0 Jmlac:u111  Optr11, ed11  l ..  Cohn ond  P.  Wemll1md, (1  voh1, llcrlin  1 8116  I CJ I S .</p><p><image l:href="#138"/></p><p>Select Bibliography</p><p>29 1</p><p>Philo Judaeus,  De  Specialibus  /egibus  (On  the Special  Laws),  in  Opera,  eds  Cohn  and Wendland,  vol.  5, ed. Cohn,  1 906,  repr.  1 962.</p><p>-- Text  and  English  trans.:  F.H.  Colson  (LCL),  vol.  7-,  London/Cambridge  MA 1937, repr.  1 958.</p><p>Philo Judaeus,  Vita  Mosis  (Life of Moses),  in Opera, eds Cohn and Wendland, vol. 4, Cohn,  1902,  repr.  1 962.</p><p>Philo Judaeus,  Ltgatio  ad  Gaium  ( The  Legation  to  Gaius),  in  Opera,  eds  Cohn  and Wendland, vol.  6, eds Cohn and  S.  Reiter,  1 9 1 5,  repr.  1 962.</p><p>Philo Judaeus, De  vita  contemplativa  (On  the Contemplative life),  in  Opera, eds Cohn and  Wendland,  vol.  6, eds Cohn and  S.  Reiter,  1 9 1 5,  repr.  1 962.Plato,  Opera,  ed.</p><p>J. Burnett, Oxford  1 900-7.</p><p>-- English  trans.:  The  Collected Dialogues  of  Plato,  including  the  Letters,  eds  Edith Hamilton and Huntington Cairns (= Bollingen Series 7 1 ), Princeton, NJ 1 96 1 ;  2nd edn  1 %3.</p><p>Plato,  Apologia  Socratis  (Apology),  trans.  H.  Tredennick,  in  Collected Dialogues,  eds Hamilton  and Cairns.</p><p>Plato, lathes,  trans.  B. Jowett, in  ColleGted Dialogues, eds Hamilton and Cairns.</p><p>Plato, Pl1aedo,  trans. H. Tredennick, in Collected Dialogues,  eds Hamilton and Cairns.</p><p>Plato, Phaedrus,  trans. R. Hackforth, in Col/ecud Dialogues, eds Hamilton and Cairns.</p><p>Plato, Republic,  trans. P. Shorey,  in  Collected Dialogues,  eds Hamilton and Cairns.</p><p>Plato,  Seventh  Leiter,  trans.  A.L.  Post,  in  Collected  Dialogues,  eds  Hamilton  and Cairns.</p><p>Plato,  Politicus  ( The  Statesman),  trans.  J.B.  Skemp,  in  Collected  Dialogues,  eds Hamilton and  Cairns.</p><p>Plato, Symposium,  trans. M. Joyce, in  Co/lectetl Dialogues,  eds Hamilton and Cairns.</p><p>Plotinus,  Enneades,  eds  P.  Henry  and  H.-R.  Schwyzer,  Plorini opera,  3  vols,  Leiden 1951-73.</p><p>--�English  trans. :  Plotinus,  trans.  Arthur  Hilary  Armstrong  (LCL),  7  vols,  Cambridge MA  1 966-88.</p><p>Plutarch, Moralia, ed. and trans. F.C. Babbitt, Plutarch s Moralia, with English trans.</p><p>(LCL), London/Cambridge MA.</p><p>Plutarch, De com111u11ibus  notitiis  contra  Stoicos  (On  Common  Conceptions),  in  Moralia, ed.  Babbitt,  vol.  1 3,  pt.  2,  ed.  H.  Cherniss,  1 976.</p><p>Plutarch,  De  deftctu  oraculorum  (On  the  Obsolescet1&amp;e  of  Oracles),  in  Moralia, ed.  Babbitt, vol.  5, ed. F.C. Babbitt,  1957.</p><p>Plutarch, De tranquillilate animi  (On  Peace  of Mind),  in  Moralia,  ed.  Babbitt,  vol.  6, ed.  W .C.  Helmbold.</p><p>Plutarch,  Quaestiones  conviviales  (Table-talk),  in  Moralia,  ed.  Babbitt,  vol.  4,  ed.</p><p>C.  Hubert,  1938, repr.  1971 .</p><p>Plutarch, Quomodn qw's suos in virtute sen1ia1 proftctus (How Ot1e may K11ow One is Maki11g Progress  in  Virtue), in Moralia, ed. Babbin, vol.  1 ,  ed. F.C. Babbitt,  1927, repr.  1969.</p><p>Porphyry,  Ad  Marcel/am,  ed.  W.  Potscher,  Porphyrios.  trpoa  MapKElla�,  Leiden 1 969.</p><p>-- English trans.: Porphyry the Philosopher,  To  Marcella, text, trans. intro. and notes by K. O'Brien Wicker (= Society of Biblical Literature, Texts and Translations 28, Groeco-Roman  Religion  Series I O), Atlanta  1 987.</p><p><image l:href="#1"/></p><p>292</p><p>Select Bibliography</p><p>Porphyry,  De  abstinentia  (On  Abstinence),  text  and  French  trans.,  Porphyre:  De L 'abstinence,  Livre  I,  vol.  I ,  text and trans. Jean Bouffartigue, Paris  1977.</p><p>-- Livres  2 et 3, vol.  2, text jean Bouffartigue,  trans. Jean Bouffartigue and Michel Patillon, Paris  1 979.</p><p>-- English  trans.:  Select  Works  of  Porphyry . . .  Translated from  the  Greek,  trans.</p><p>Thomas Taylor,  London  1 823, repr.  Ann  Arbor  1965.</p><p>Porphyry, Sententiae (Sentences), ed. E. Lamberz:  Porphyrius,  Sententiae ad lntelligibilia  Ducentes,  Leipzig 1975.</p><p>-- English  trans.:  Select  Works  of  Porphyry . . .  Translated from  the  Greek,  trans.</p><p>Thomas Taylor, London  1 823, repr.  Ann Arbor  1965.</p><p>Proclus, Jn Alcibiadem (Commentary on Plato s First Alcibiades), text and  French trans., Proclus:  Sur le  Premier Alcibiade  de  Plato11, text and  trans.  A. Ph. Segonds, 2  vols, Paris  1 985--6.</p><p>Quintillian,  lnstitiutio  Oratorica  (Oratorical  Institutions),  text  and  English  trans.</p><p>ed.  H.E. Butler (LCL),  2  vols,  1921-2.</p><p>Rufinus, Historia  Monachorum  (History of the Monks), PL  2 1 .</p><p>Sallustius, De  diis  et  mundo,  text  and  English  trans., Sallustius:  Concerning  the  Gods and the  Universe,  ed., prolegomena and trans.  A.O. Nock, Cambridge  1 926.</p><p>Seneca,  Opera,  ed.  and  English  trans.  Thomas  H.  Corcoran  (LCL),  10  vols, London/Cambridge MA.</p><p>Seneca,  Ad  Lucilium  epistulae  morales  (Letters  to  Lucilius),  ed.  and  English  trans.</p><p>Richard C. Gummere, 3  vols, London/Cambridge MA,  1 934.</p><p>Seneca, De beneficiis  (011  Benefits)  in Se11eca:  Moral Essays,  with English trans. John.</p><p>W. Basore (LCL), 3  vols,  London/Cambridge MA  1 935, repr.  1 958.</p><p>Seneca,  Questiones  r1aturales  (Natural  Q�estions),  in  Opera,  ed.  Corcoran,  vol.  7, London/Cambridge MA  1 97 1 .</p><p>Septuagint,  ed.  A.  Rahlfs,  Sep111agin1a,  Id  est  Vetus  Testamentum  graece  iu,.�ta  LXX</p><p>itllerpretes,  Stuttgart  1935.</p><p>Sextus Empiricus, Opera, ed.  and  English trans.  R.G. Bury, Sel'tt1s Empiricus (LCL), 4  vols, London/Cambridge MA  1933-49.</p><p>Tatian,  Oratio  ad  Graecos  (Address  to  the  Greeks),  ed.  E.J.  Goodspeed,  Die  iiltesten Apologeten,  Gtittingen  1915.</p><p>Theodoret of Cyrrhus, Historia Religiosa (= Philotheus) (History of the Monks of Syria), ed.  and  French  trans.  P.  Canivet  and  A.  Leroy-Molinghen,  Thtodoret  de  Cyr.</p><p>L 'histoire ths moines de Syrie,  2  vols (=  SC  234; 257), Paris  1977-9.</p><p>Xenophon, Memorabilia, ed. E.C. Marchant, Xenophomis opera omnia, vol. 2, 2nd edn, Oxford  192 1 ,  rcpr.  1 97 1 .</p><p>-- English  trans.:  H .  Tredennick and R .  Waterfield,  in Xenophon:  Conversations of Socrates, Harmondsworth  1990.</p><p>MODERN AUTHORS</p><p>Adnes,  P.,  "Garde du coeur," Dictiomwire de Spiritualitt,  vol. 6, (.'01.  1 08.</p><p>Africa,  T.W.,  "The opium  addiction  of M11rcu11  Aurelius," Jmm1a/ 1&gt;f 1/1t  Ui.fl11ry 1&gt;f lde11s (Jan. -Mar.  I% I ), pp. 97  102.</p><p>Select  Bibliography</p><p>293</p><p>Alexandre,  M.,  "Le  travail  de  la  sentence  chez  Marc  Aurele:  philosophic  et  rhetorique," in Formes brives  (=  Publications de la Faculte  des Leures et des Langues de l'Universite de  Poitiers 3), Poitiers  1 979.</p><p>Andresen, C., Logos und Nomos, Berlin  1955.</p><p>Apelt, 0., Platonische Auftiitu,  Berlin  1912.</p><p>Association  Guillaume  Bude, Actes  du  VIII'  Congris  (Paris,  5-10 April  1 968), Paris 1 969.</p><p>Bacon, Helen  H., "Socrates  crowned,"  The  Virginia IJ]larterly Revit'/lJ  35 ( 1959),  pp.</p><p>41 5-30.</p><p>Bergson,  Henri, L 'E11ergie spirituelle,  14th edn, Paris  1930.</p><p>-- La  Pensee  et le mouvant, Paris  1 946.</p><p>-- English  trans. :  The  Creative Mind,  trans.  Mabelle  L.  Andison,  New  York  1946.</p><p>Bertram,  E.,  Nietzsche.  Versuch  einer  Mytho/ogie,  Berlin  1 9 1 8,  rcpr.  Bonn,  8th  edn, 1965.</p><p>Blake,  William,  Complete  Writings,  with  Variant  Readings,  ed.  Geoffrey  Keynes, London  1 972.</p><p>Blumenberg, Hans, Die legitimitiit der Neuuit,  Frankfurt  1 966.</p><p>Blumenthal,  Henry,  "Soul,  world-soul,  and  individual  soul  in  Plotinus,"  in  Le Neop/atonisme,  1 97 1 .</p><p>Bohlin, T., S.  Kierkegaards  Leben und Wertkn,  1925.</p><p>Bt&gt;hm, B., Soltrates ;,,,  achtuhnttn Jahrhundert.  Studien  zum  Werdegang  Jes  modemen Persiinlichkeitsbewusstseins,  Leipzig  1929.</p><p>Bonitz,  H., lndtJ.' aristottlicus,  Berlin  1 870, rcpr. Graz 1955.</p><p>Borinski,  K., Die Antilte in  Poetik untl Kunsttheorie,  vol.  I, Leipzig  1914.</p><p>Bruns,  I., De schola  Epicteti,  Kiel  1 897.</p><p>Caillois, R., Esthetique generalisee,  Paris  1 962.</p><p>Carus,  C.G., Symbolik Jer menschlichm  Gestalt,  1 858, repr.  Hildesheim/DamlStadt  1962.</p><p>Chadwick, H.,  The  Sentt11ces of Sextus,  Cambridge  1 959.</p><p>Chenu,  M.-D., Introduction a  l'ttude de saint  Thomas d'Aquin, Paris  1 954.</p><p>Courcelle,  Pierre,  La  Consolatio11 de  Philosophie Jans la tradition lilleraire,  Paris  1 967.</p><p>Courcelle,  Pierre,  Com1ais-1oi  toi-mime.  De  Socrate  a  saint  Bernard,  3  vols,  Paris 1 974-5.</p><p>Dailly,  R., and  1-1.  van  Effenterre,  "Le  cas  Marc  Aurele.  Essai  de  psychosomatique historiquc," Revue Jes  Etudes Anciennes 56 ( 1954), pp. 347-65.</p><p>Delcourt, Marie, "Utrumque-neutrum," in Melanges H.-Ch.  Puech,  Paris  1 974.</p><p>Delorme, j.,  Gymnasion,  Paris  1960.</p><p>Descartes, R., Discourse on the Method of Rightly Conducting the Reason and Seekit1g for 1/1e  Truth in the Sciences, English trans. in Descartes: Seltetiot1s, ed. Ralph M.  Eaton, New York  1 927.</p><p>Detienne, M., De la pensee religieuse a la pensee philosop/1ique.  La notio11 de Daimon Jans le pythagorisme ancien, Paris  1963.</p><p>Detienne,  M., Les maitres Je vmte dans la Grice archai'que,  Paris  1 967.</p><p>Detienne, M., and J.-P.  Vemant, Les ruses tie /'intelligence.  La metis ties Crees, Paris 1974.</p><p>Dirlmeicr,  F.,  "Vom  Monolog  der  Dichtung  zum  'inneren'  Logos  bei  Platon  und Aris101cles, ''  in  Auge1Piihl1t  Schrifien  zu  Dichtung  und  Philosophie  der  Gritehen, I lcidclbcrg  1970.</p><p><image l:href="#167"/></p><p><image l:href="#7"/></p><p><image l:href="#25"/></p><p>294</p><p>Select Bibliography</p><p>Dodds, E.R.,  The Gl'etks and lhe Irrational (=  Sather Classical Lectures 25), 3rd edn, Berkeley/London  1963.</p><p>Dodds,  E.R., Pagan and Christian  in an Age of Anxiety, Cambridge  1965.</p><p>Dilring, I., "Aristotle and the heritage  from Plato," Eranos 62 ( 1 964), pp. 84-99.</p><p>Dilring,  I., Aristoteles.  Darstel/ung und Interpretation seines Denkens,  Heidelberg  1 966.</p><p>Dilring,  I., "Von  Aristoteles  bis  Leibniz.  Einige  Hauptlinien  in  der Geschichte des Aristotelismus," in P.  Moraux, ed., Aristoteles in der neueren Forschung (= Wege der Forschung 61),  Darmstadt  1968.</p><p>Eckermann, J.P.,  Gesprache mit Goethe,  Wiesbaden  1 955.</p><p>Emrich, W., Die Symbolik von  Fausl  II, Frankfurt  1957.</p><p>Festugii:re, A.-J., Epicure et ses dieux, Paris 1946.</p><p>Festugii:re,  A.-J., La  revelation d 'Hmnes  Trismegiste,  vol.  2, Paris  1949.</p><p>Festugii:re,  A.-J.,  Conlemplation  et  vie  contemplative  se/on  Platon,  2nd  edn,  Paris 1950.Foucault,  M., "L'ecriture de soi," Corps ecrit  5  ( 1 983), pp.  3-23.</p><p>Foucault, M., Histoire de  la  sexualite,  vol.  2: L 'Usage tks p/aisirs,  Paris  1984.</p><p>Foucault,  M., Histoire tk la  sexualite,  vol.  3:  Le Souci de  soi,  Paris  1 984.</p><p>-- English trans.: The Care of the Self(= History of Se).�ualitJ', vol. 2), trans. Robert Hurley, New York  1986.</p><p>Frank,  K.S.,  ed., Askese  und Monchtum  i11 der  a/ten  Kirche  (=  Wege der  Forschung 409), Darmstadt  1975.</p><p>Friedlander, P., Plato: An lt1troduction (= Bollingen Series 59. 1 ), trans. H. Meyerhoff, vol.  I ,  2nd  edn, Princeton NJ  1 969.</p><p>Friedmann,  G.,  La  Puissa11ce et la Sagesse, Paris  1970.</p><p>Friedmann,  G.,  "Le Sage ct  notrc  sickle,'' Revue de Synthese 99 (1978).</p><p>Friedrich, C.D., and C.G.  Carus, De la peinlure de paysage, Paris  1 988.</p><p>Gaiser,  K.,  Protreptik  und Paranese  bei  P/aton.  Untersuchungen  zur Form  des platonischen Dialogs,  Stuttgart  1959.</p><p>Gaiser,  K.,  Platons  ungeschriebene  Lehre.  Studien zur systematischen und geschicht/ichen Begro11dung der  Wissens1'hafie11  in der platonisd1en Schule,  Stuttgart  1963,  2nd  edn, 1 968.</p><p>Gaiser,  K.,  Platone come scrittore filosofic-o, Naples  1 984.</p><p>Gasquet, J.,  Cezanne, Paris  1 988.</p><p>Gerhard, G.A., Phoini.r  vo11 Ko/op/1011, Leipzig  1 909.</p><p>Gcrnet,  L., An1hropologie de la Grece antique, Paris  1968.</p><p>Van Geytenbeek,  A.C., Muso11ius Rufus and Greek Diatribes,  Assen  1 963.</p><p>Gigante,  M., "Philodi:me:  Sur  la  liberte  de la  parole," Acres du  VIII'  Congres  Bude, Paris  1 969.</p><p>Gigante,  M.,  Ricerche Filodemee, Naples  1 983.</p><p>von Goethe, Johann Wolfgang, Goethes Gespriiche mil Eckermann, ed.  Franz Deibel, 2</p><p>vols,  Leipzig  1 908.</p><p>-- English  trans. :  Co11versati1ms  with  Et:ker111ann,  trans.  John  Oxcnford,  2  vols, 1 850.von Goethe, Johann  Wolfgang,  Wilhelm Meisters Lehrj11/ire.</p><p>-- English  trans. :  Wilhelm  Meister 's  Appre111iceship  a11tl Trtm!ls,  Fmm the Germa11 of Goethe, trans.  Thomas Carlyle, 2  vols, 2nd edn,  U 139.</p><p>Goldschmidt,  V.; "Sur  le  probleme du 111y11rcme  de  Plaron',''  Rhiist"  l'rilfr11  ,/;  111iri11</p><p>tit/la fi/11sofi11  S  ( I  9S1J), pp.  161)  7H.</p><p><image l:href="#43"/></p><p>Select Bibliography</p><p>295</p><p>Goldschmidt,  V.,  Les  dialogues  de  Platon.  Structure  et  mithode  dialmique (=  Bibliotheque  de  philosophic  contemporaine,  Histoire  de  la  Philosophic  et Philosophic gi:nerale), 2nd edn, Paris  1 963.</p><p>Goldschmidt, V., Le systime stoi"cien et l'it/Je de temps, 4th edn, Paris  1 985.</p><p>Gould, Thomas, Platonic Love, London  1 963.</p><p>Goulet-Caze,  M.-0., L 'Ascise cynique.  Un  commentaire  de Diogine Lairce,  VI,  70,  71, Paris  1 986.</p><p>Groethuysen,  B., Anthropologie philosophique,  Paris  1952,  repr.  1 980.  [First  German edn  1928-3 1 .]</p><p>De Guibert, J., "Ascese," in Dictionnaire de Spiritualiti, vol.  I ,  cols  93frl010.</p><p>Guyau, J.M.,  La '11orale d'Epicure,  Paris  1 927.</p><p>Hadot, I.,  Seneca und die griechisch-romische  Tradition tier Seelenleitung, Berlin  1969.</p><p>Hadot, I., "Epicure et l'enseignement philosophique hellenistique et romain,'' in Actes du  VI/I' Congris  Budi,  Paris  1969.</p><p>Hadot,  I.,  "Tradition stolcienne  et  idees  politiques  au  temps  des  Gracques,"  Revue des Etudes Latines 48 ( 1 970),  pp.  1 33-79.</p><p>Hadot,  I.,  "Le  systeme  theologique  de  Simplicius  dans  son  commentaire  sur  le Manuel  d'Epictete,''  in  Le  Nioplatonisme,  197 1 .</p><p>Hadot,  I., Le problime d11 nioplatonisme a/eJ:andrin,  Hiirodis el Simp/icus,  Paris  1 978.</p><p>Hadot,  P.,  "Epistrophe  et  metanoia  dans  l'histoire  de  la  philosophic,"  in  Actes  du Xleme  congris international de philosophie XII, Amsterdam  1953.</p><p>Hadot,  P.,  "I.a  distinction  de  l'ettc  et  de  l'etant  dans  le  'De  Hebdomadibus'  de Boece,''  in  Mi1'ellat1ea  Mediaeva/ia,  vol.  2,  Berlin  1963.  Hadot,  P.,  "La  metaphysique de Porphyre,'' in Porphyre (=  Entret&#xFFFD;ens Hardt sur  l'Antiquite Classique 12), Vandoeuvres/Geneva  1966.</p><p>Hadot,  P.,  Porphyre et  Victorinus,  2  vols,  Paris  1 968.</p><p>Hadot, P ., "Zur V orgeschichte des Begriffs Existenz,'' Archiv for Begriffigeschichte 13 (1969).</p><p>Hadot,  P., "Conversio,'' in Historisches Worterbuch tier Pl1ilosophie, vol.  l ,  cols  1033--6, 1 97 1 .</p><p>Hadot,  P.,  "Les  divisions  des  parties  d e  la  philosophic  dans  l'Antiquite,''  Museum Helveticum  36  ( 1 979),  pp.  201-23.</p><p>Hamann, J.G., Sokratische Denk111iirdigkeiten,  erklart  von  F . . Blanke, Gutersloh  1 959.</p><p>-- English  trans.:  Haman11 's  Socratic  Memorabilia,  A  Translation  and  Commentary, trans. James C. O'Flaherty, Baltimore  1 967.</p><p>Happ,  H.,  Hyle,  Berlin  197 1 .</p><p>Hasse, H . ,  Das  Problem  des  Sokrates bei F.  Nietzsche,  Leipzig  1918.</p><p>Hauser, R., and G. Lanczkowski, "Askese,'' in Historisches  Worterbuch der Philosophie, vol.  I, cols  538--41,  1971 .</p><p>Hegel,  G.W.F.,  Vorlesungen  iiber die Geschichte der Philosophie.</p><p>-- English trans. : E.S. Haldane, Hegel 's  Lmures on. the History of Philosophy, 3 vols, London  1 892, rcpr. London  1955.</p><p>Henry,  P.,  Ploti11  et  l'Occidmt.  Finnicus  Maternus,  Marius  Victorinus,  Saint Augustin  et Mar:robe  (=  Spicilcgium sacrum  Lovaniense, Etudes et Documents  I S), Louvain  1934.</p><p>Heussi,  K., Der Ursprung des Monchtums, Tiibingen  1 936.</p><p>l-lijmans, B.-L., Jr, ASKESlS,  Notes on Epictetus ' Educational System,  Assen  1959.</p><p>Hildebrandt,  K.,  Nietzsdu:s  Wettkampf mil Sokrates ut1d Platon,  Dresden  1922.</p><p>296</p><p>Select Bibliography</p><p>Hillman, J., "On  psychological creativity," Eranos-Jahrbuch  35  ( 1 966), pp. 370-98.</p><p>Himmelstrup, J., S.  Kierleegaards Sokrates-Auffassung,  Neumiinster  1 927.</p><p>Hintikka, J.,  Time and Necessity, Oxford  1973.</p><p>Hoffmann,  E.,  "Epikur,"  in  M.  Dessoir,  ed.,  Die  Geschichtt der Philosophie,  vol.  I, Wiesbaden  1925.</p><p>Holderlin,  Friedrich,  Gedichte,  English  trans.:  Friedrich  Hiilderlin,  Poems and Fragments,  trans.  Michael Hamburger, London  1966.</p><p>Husserl, E., "Grundlegende Untersuchungen zum phiinomenologiscen Ursprung der Riumlichkeit  der  Natur"  (=  Umsturz  der  Kopemikanischen  Lehre),  in Marvin  Faber,  ed .,  Philosophical  Essays  in  Memory  of  E.  Husserl,  Cambridge MA  1 940.</p><p>lngenkamp, H.-G., Plutarchs Schrifien iiber die  Heilung tier Seele, Gottingen  197 1 .</p><p>von  lvanka,  E., "Kephalaia,'' Byzantinische Zeitschrifi 47  (1954), pp. 285-9 1 .</p><p>Jaeger,  Werner, Paideia,  vol. 2 ,  Berlin  1954.</p><p>Jankelevitch, Vladimir, L 'Ironie, Paris 1964.</p><p>Jaspers,  K.,  "Epikur,''  in  Weltbewohner  und  Weimarianer  (Festschrifi  E.  Beutler), Zurich  1960.</p><p>Joly, H., Le renversement platonicien,  Paris  1974.</p><p>Jung, C.G.,  Von tkr1  Wur:r.elr1 ties Bewusstseins, Zurich  1954.</p><p>Kant, Immanuel, Immanuel Kant 's  Werke, ed.  Ernst Cassirer, Berlin  1916.</p><p>Kant,  Immanuel,  Die  Metaph,ysik  der  Sillen  (1797),  Ethische Methodenlehre,  Zwieter Abschnill.  Die ethische Asketik,  in  Werke, ed.  Cassirer vol.  7.</p><p>-- English trans.:  The Metaphysical Principles of Virtue:  Part II of tl1e Metap&#xFFFD;ysics of Morals,  trans. James  Ellington,  1964.</p><p>Kaufmann, Walter, Nietzsche.  Philosopher,  P&#xFFFD;ycho/ogist,  Antichrist, 4th edn,  Princeton NJ  1974.</p><p>Kierkegaard, S0ren,  Gesammelte  Werke, Diisseldorf/Cologne 1961 (abbreviated  GW).</p><p>Kierkegaard, S0ren,  Tligebiicher (Diaries), Dusseldorf/Cologne 1982.</p><p>Kierkegaard,  S0ren,  Der  Cesichtspunlet for  mei11e  Wirksamkeit  als  Schrifisttl/er,  in CW 33.</p><p>-- English  trans . :  Soren  Kierkegaard,  The  Point  of View for &#xFFFD;V  Work as ar1 A11thor, A  Report  to  History,  and Related  Writings,  trans.,  intro.  and  notes  Walter Lowrie, New York  1 962,  1 st edn  1939.</p><p>Kierkegaard, S0ren, Abschliessemle unwissenschajiliche Nachschriji,  in CW 16.</p><p>-- English trans. :  Soren  Kierkegaard,  Concluding  Unscientific Postscript,  trans.  David F.  Swenson  and Walter Lowrie, Princeton NJ  1941 ,  repr.  1974.</p><p>Kierkegaard, S0ren, Der Auger1blick  ( The  Instant),  in  GW 34.</p><p>Kierkegaard, S0ren,  Christliche Reden  (Christian Speeches),  in  CW 20.</p><p>Kierkegaard,  S0ren, Philosophische (Philosophical Fragments),  in  CW 10.</p><p>Kierkegaard, S0ren,  Ober tkn Begriff der Ironie  mil stiindiger Riicksicht auf Socrates, in GW 3 1 .</p><p>-- English  trans.:  The  C011Cep1  1if' Iro1&#xFFFD;y  with  Cor1st11111  Referem�e t o  Socr11tes,  trans., intro.  and  notes  Lee  M.  Capel, New York  1965.</p><p>Klauser,  T.,  "Apophthegma,''  Re11/le.\0ikun  flir  Amilu  111111  Cliriste11111m  I  ( 1 950), pp.  545-50.</p><p>Klee,  P.,  Tl1eririr 1lr  1'11r1  """lm1r,  PnriK  1 %4, 1�cpr.  t i,Ks.</p><p>Select Bibliography</p><p>297</p><p>Kramer,  H.-J.,  Arete  bei  P/aton  und Aristoteles.  Zum  Wesen  und  zur  Geschichte  tier p/atonischen  Ontologie,  Heidelberg  1 959; 2nd edn, Amsterdam  1967.</p><p>Kramer, H.-J., Platonismus und hellenistische Philosophie, Berlin/New York  1 97 1 .</p><p>Kretschmar, G . ,  "Der Ursprung der frtihchristlichen Askese," Zeitschrififiir Theologie untl Kirche  61  ( 1964), pp. 27-67.</p><p>Lain  Entralgo, P., "Die  platonische Rationalisierung der  Besprechung (inco8ft) und die Erfindung der Psychotherapie durch das Wort," Hermes 68 (1958), pp. '298-323.</p><p>Lain Entralgo, P.,  The  Therapy  of the Word in  Classical Antiquity, New Haven  1 970.</p><p>Landmann, M., E/enktik und Maieutik, Bonn  1 950.</p><p>Lausberg,  H.,  Handbuch der literarischen Rhetorik,  Munich  1 960.</p><p>Leclerq, J.,  "Pour  l'histoire  de  !'expression  'philosophic  chretienne',"  Melanges  de Science Re/igieuse 9 ( 1952), pp. 221-6.</p><p>Lemke,  D., Die  Theologie Epikurs,  Munich  1973.</p><p>Leo,  F.,  "Der  Monolog  im  Drama,"  Abhandlungen  tier  Giitting.  Gesellschafi  tier Wissenschafi.,  NF  1 0,  5 ( 1908).</p><p>van Lieshout,  H.,  La thtorie plotinienne de  la vertu.  Essai sur la genese d'un article de  la Somme  Thtologique de  saint  Thomas, Fribourg  1926.</p><p>Lohse, B., Askese und Miinchtum in tier Antike und in tier a/ten Kirche, Munich/Vienna 1969.</p><p>Long,  A.A.,  "Heracleitus  and  Stoicism,"  in  Philosophia  (Academy  of Athens)  5-6</p><p>( 1 975-6).</p><p>Malingrey,  A.N.,  "Philosophia. "  Etude d'un groupe de mots dans la  litltrature grecque, des  Prtsocratiques au  /JI"  siecle ap. J.-C., Paris  1961 .</p><p>Marrou,  H.-1., Saint Augustin et  la fin  de la culture antique,  Paris  1938.</p><p>Marrou, H.-1., Histoire de  l'tducation dans  l'An1iquitt, 6th edn, Paris  1 97 1 .</p><p>Meautis, G . ,  L 'dme hellb1ique, Paris  1 932.</p><p>Merlan,  P.,  Monopsychism,  M,ysticism,  Metaconsciousness.  Problems  of the Soul in the Neoaristotelian and Neoplatonic  Tradition (=  Archives internationaux d'Histoire des idees  2),  The Hague  1963.</p><p>Merleau-Ponty,  M., La  Phenomenologie de la perception,  Paris  1 945.</p><p>-- English  trans.:  The  Phenomenology  of  Perception,  trans.  Colin  Smith,  London/New  York  1 962.</p><p>Merlcau-Ponty,  M., Eloge  de  la  philosophie et autres  essais,  Paris  1 953.</p><p>-- English  trans. :  Maurice  Merleau-Ponty,  In  Praise of Philosophy  and  Other Essays, trans. John Wild and James  Edie,  Evanston IL 1 988.</p><p>Merlcau-Ponty,  M., "L'oeil et !'esprit," Les  Temps Modirnes  27 ( 1961 ).</p><p>Misch, G., Geschichte der Autobiographie,  vol.  I,  Bern  1 949.</p><p>Montaigne,  Essays,  eds  P.  Villey  and  V.-L.  Saulnier,  Les  Essais  de  Michel  de Montaigne,  3rd cdn, Paris  1 978.</p><p>-- English  trans.:  The  Essays  of Michel  de  Montaigne,  trans.  and  notes George  B.</p><p>Ives,  intro.  Andre Gide, comments Grace  Norton,  3  vols, New York  1 946.</p><p>Moraux, P.,  "La joute dialectique d'apres le huitieme livre des Topiques," in G.E.L.</p><p>Owens,  ed.,  Aristotle  on  Dialectic  (=  Proceedings  of  the  Third  Symposium Aristotelicum), Oxford  1968.</p><p>Morenz,  S., Die Zauberfliite, Munster  1 952.</p><p>Nagel,  P.,  Dit  Motivimmg  der  Asktst  in  der  a/ten  Kircht  und  der  Ursprung  des</p><p>298</p><p>Select Bibliography</p><p>Monchtums  (=  Texte  und  Untersuchungen  zur  Geschichte  der  altchristlichen Literatur 95),  Berlin  1 966.</p><p>Nietzsche,  Friedrich,  Friedrich  Nietzsche,  Siimtliche  Werke,  eds.  G.  Colli  and M. Montinari,  IS  vols, Berlin  1980.</p><p>Nietzsche,  Friedrich,  Die  Geburt  der  Tragodie,  in  Siimtliche  Werke,  eds  Colli  and Montinari, vol.  I .</p><p>-- English  trans. :   The  Birth  of  Tragedy  and  the  Case  of  Wagner,  by  Friedrich Nietzsche,  trans.  with commentary Walter Kaufmann, New York  1967.</p><p>Nietzsche,  Friedrich,  Gotzen-Diimmerung,  in  Siimtliche  Werke,  eds  Colli  and  Montinari,  vol.  6.</p><p>-- English  trans.:  Twilight  of the  Idols,  in  The  Portable  Nietzsche,  trans.,  intro., preface  and  notes  Walter  Kaufmann  (=  Viking Portable  Library  62), New  York 1 954, repr.  1 968.</p><p>Nietzsche,  Friedrich,  Ecce  Homo,  Die  Unzeitgemiissen,  in  Siimtliche  Werke,  eds  Colli and Montinari,  vol.  6.</p><p>-- English  trans.:  Ecce  Homo,  trans.  Walter  Kaufmann,  in  Friedrich  Nietzsche,  On the Genealogy of Morals, trans.  Walter  Kaufmann  and  R.J. Hollingdale,  New  York 1 969.</p><p>Nietzsche,  Friedrich, Jenseits  von  Gut  und Riise,  in  Siimtliche  Werke,  eds  Colli  and Montinari, vol.  S.</p><p>-- English  trans.:  Beyond  Good a11d Evil,  Prelude to a  Philosophy  of the  Future,  kv Friedrich Nietzsche, trans.  with  commentary Walter Kaufmann,  New  York  1966.</p><p>Nietzsche,  Friedrich,  English  trans.:  Friedrich  Nietzsche:  The  Will  to  Power,  trans.</p><p>Walter Kaufmann  and  R.J.  Hollingdale,  ed.  with  commentary  Walter  Kaufmann, New York  1 968.</p><p>Nietzsche,  Friedrich,  Menschlic/1es,  Allzumenschlid1es  //,  Der  Wanderer  und  sein Sd1a1ten,  in  Siimt/iche  Werke, eds Colli and  Montinari, vol.  2.</p><p>-- English  trans.: Fn'edrich Nietzsche:  Human, All Too Human,  A Book for Free Spirits (= Texts in Gennan  Philosophy),  trans.  R.J. Hollingdale, Cambridge  1 986.</p><p>Nietzsche, Friedrich, Morgenrote,  in Siimtliche  Werke, eds Colli and  Montinari, vol.  3.</p><p>-- English  trans.:  Extracts in  Portable Nietzsche,  trans.  Kaufmann.</p><p>Nietzsche,  Friedrich,  Unzeitgemiifle Betrac/1111ngen,  in Sii111tlicl1e  Werke, eds Colli and Montinari,  vol.  I .</p><p>-- English trans.: Friedrich  Nietzsche;  Untime(y Meditatitms,  trans.  R.J. Hollingdale, intro. J .P.  Stern,  Cambridge  1 983,  repr.  1 990.</p><p>Nietzsche,  Friedrich,  Die frii/1/iche  Wissemchaji,  in  Sii111tlicl1e  Werke,  eds  Colli  and Montinari,  vol.  3.</p><p>-- English  trans.:  Friedrich  Nietzsche,  The  Gay  Science,  with  a  Prelude  i11 Rhymes and an Appendix of Songs,  trans.  Walter Kaufmann,  New  York  1974.</p><p>Nock, Arthur Darby,  Coni�ersion,  Oxford  1933.</p><p>Norden,  E.,  "Beitriige  zur Geschichte der griechischen  Philosophic," Jahrbiiche1� fiir classische Philo/ogie,  supplementary  vol.  1 9,  Leipzig  1 893.</p><p>Pascal, Blaise, Pensees, ed.  L. Brunschvicg, Paris  1 97 1 .</p><p>Patzer, Andreas, ed., Der historische Socrates (= Wege dcr  Forschung 585), Darmstadt 1 987.</p><p>Pivcevic,  E.,  lro11ie als D1m�imjilr111 /1ei Siir1�11  Kiakef(1111rd,  Giltcrsloh  1 %11.</p><p><image l:href="#61"/></p><p>Select Bibliography</p><p>299</p><p>Pohlenz,  M., Die Stoa. Geschichte einer geistigen Bewegung, Gottingen 1948-9; 5th edn, 2  vols, Gottingen  1 978-80.</p><p>De  Q�incey,  Thomas,  Confessions  of  an  English  Opium-eater,  I St  edn  in  London Magazine,  Sept./Oct.  1821-Dec.  1822,  rcpr. New York  1 950.</p><p>Rabbow,  Paul, Seelenfahrung.  Methodilt  der. Exerzitien in tier Antilte, Munich  1954.</p><p>Ravaisson,  F., Essai sur la Metaphysique d'Aristote, Paris  1 846, repr. Hildesheim 1963.</p><p>Refoule,  F.,  "Reves  et vie spirituelle  d'apres  Evagre  le  Pontique,''  Suppliment de  la Vie Spirituelle 59 (196 1 ),  pp. 470-5 1 6.</p><p>Renan,  Ernest,  Marc Aurtle  ou  la fin  du  monde  antique,  preface  Yves  Bonello,  Paris 1 984.</p><p>Richard,  M.-D., l 'Enseignement oral de  Platon,  une nouvelle  interpretation du platonisme,  preface Pierre  Hadot,  Paris  1986.</p><p>Rilke,  Rainer Maria,  English  trans. :  Rainer Maria  Rilke,  Duino  Elegies,  trans.  David Young,  New York  1978.</p><p>Ritter, J., Subjektivitat.  Sechs A1ifsiitze, Frankfurt  1974.</p><p>Robin,  Leon, la thtorie platonicienne de /'amour, Paris  1933.</p><p>Robin, Leon,  "Introduction," in Platon,  le  Ba11quet (Bude), Paris  195 1 .</p><p>Rodis-Lewis,  G.,  Epicure et son ecole,  Paris  1 975.</p><p>Rutherford, R.B., The  Meditations of Marcus Aurelius: A Study, Oxford  1989.</p><p>Sandvoss,  E., Soltrates und Nietzsche, Leiden  1966.</p><p>Schadewelt, Wolfgang, Monolog und Selbstgespriic/1.  Untersuchungerr zur Formgeschichte der griechischen  Tragodie,  Berlin  1926.</p><p>Schadewclt, Wolfgang,  Goethestudien, Zurich  1963.</p><p>Schaerer,  Rene,  "Le  mecanisme  de  l'ironie  dans  ses  rapports  avec  la  dialectique,''</p><p>Revue de Metaphysique et de Morale 49 ( 1941), pp.  18 l ff.</p><p>Schaerer,  Rene,  La  Question  pla1oniciem1e.  Eludes  sur  /es  rapports  de  la  pensee  el  de</p><p>/ 'expression dans /es Dialogues  (=  Memoires  de l'Universite de Neuchatel  10), 2nd edn  with postscript, Neuchatel  1969.</p><p>Schissel  von  Fleschenberg,  0., Marinos von  Neapolis  u11d die neupla1011ischen  Tugendgrade,  Athens  1928.</p><p>Schmid, W.,  "Das  Sokratesbild  der Wolken," Philologus 97 (1948), pp. 209-28.</p><p>Schmid,  W.,  "Epikur,"  in  Reallexilton far Antike  und Christentum,  vol.  5,  1962,  cols 735--40.</p><p>Schmid,  W.,  Die  Gehurt der Philosophie im Garten der  Liiste,  Frankfurt  1 987.</p><p>Schmidt, H.J., Nietzsche und Sokrates,  Meisenheim  1 969.</p><p>Schmitz, H.,  Goethes Altersdenken, Bonn  1959. Schneider,K., Die sch111eigenden GiJ"tter, Hildesheim  1966.</p><p>Schopenhauer,  Arthur,  English  trans.:  The  World  as  Will  and  Representatio11  by Arthur Schopenhauer,  trans.  E.F.J.  Payne,  2  vols,  Indian  Hills  CO  1958, repr.  London/Toronto  1 969.</p><p>Schrijvers,  P.-H.,  Horror  ac  Divina  Voluptas.  Eludes  sur  la  poetique  et  la poesie  de Lucrece,  Amsterdam  1 970.</p><p>Schuh!, P.-M., and  P. Hadot, eds, Le Neoplatonisme (=  Colloques Internationaux du Centre  National  de  la  Recherche  Scientifique,  Sciences  Humaines,  Royaumont 1 969), Paris  1 971 .</p><p>Schwcingruber,  F., "Sokrates  und  Epiktet,'' Hermes 78 ( 1 943),  pp.  52-79.</p><p>300</p><p>Select Bibliography</p><p>Seebeck, H.-G., Das  Sokratesbild vom  19. Jahrhundert,  Gottingen  1947.</p><p>Spengler,  0.,  Der  Untergang des Abend/andes,  Munich  1923.</p><p>-- English trans.:  The  Decline  of the  West,  by OsJPaU Spengler,  trans. C.H. Atkinson, 2 vols, New York  1946.</p><p>Spiegelberg, H.,  The  Socratic  Enigma,  New York  1964.</p><p>Spies,  A.,  Mi/ital  omnis  amans.  Ein  Beitrag  zur  Bildersprache  der  antiken  Erotik, Ttibingen  1930.</p><p>Spinoza, Benedict de, On the Improvement of the  Understanding,  The  Ethics,  Correspondence,  trans.  and  intro.  R.H.M. Elwes,  New  York  1 955.</p><p>Spoerri,  W.,  "Gnome," in Der kleine  Pauly,  vol.  2,  1 967, cols 822-9.</p><p>Sudhaus,  S.,  "Epikur als  Beichtvater," Archiv fiir Re/igionsDJissenschafi  14  ( 1 9 1 1 ),  pp.</p><p>647ff.</p><p>Taylor,  A.E.,  Varia  Socratica,  Oxford  191 l .</p><p>Thurot,  Charles,  E.t�traits  de  . . .  manuscrits  latins  pour  servir  a  l'histoire  des  doctrines grammatica/es,  Paris  1 869.</p><p>Vauvenargues,  lntroductio11  a  la  connoissance  de  /'esprit  humain,  suivie  de  Reflexions  et Maximes,  1 746.</p><p>-- English  trans. :  F.G.  Stevens,  1 940.</p><p>Vernant, J.-P., Mythe el pensee  chez  /es  Crees,  Paris  197 1 .</p><p>Voobus,  A., A  History of Asceticism  in  the Syrian  Orient  (=  CSCO vol.  1 84, Subsidia 14;  vol.  1 97, Subsidia  1 7), Louvain  1 958-60.</p><p>de  Waelhens,  A., La  philosophie  de  Mar1i11  Heidegger  (=  Bibliotheque  Philosophique de Louvain  2), 4th  edn, Louvain  1955.</p><p>Wahl, J., Etudes kierkegaardiennes,  3rd edn, Paris  1967.</p><p>Weil,  E.,  "La  place  de  la  logique  dans  la  pensee  aristotelicienne,"  Revue  de Me1apl1ysique  et  de Morale  56 ( 195 l ), pp.  283-3 1 5.</p><p>-- English  trans.: As  ch.  6  in J.  Barnes,  M.  Schofield  and  R.  Sorabji, eds,  Articles on  Aristotle,  vol.  I:  Scienet,  London  1 975.</p><p>Wendland,  P., Anaximenes  von  Lampsakos,  Berlin  1 905.</p><p>Wild,  J.,  "Kierkegaard  and  classic  philology,"  Philosophical  Review  49  ( 1 940), pp.  536-7.</p><p>Wippcrn,  J.,  ed.,  Dt1s  Problem  der  ungeschriebenen  Lehre  Platons  (=  Wege  der Forschung  1 86), Darmstadt  1 972.</p><p><image l:href="#81"/></p><p>Index</p><p>Abelard  33</p><p>Boethius'  translation  5 1</p><p>abstraction,  and  oral  tradition of</p><p>dialogue  2 1 ,   22,  105-6</p><p>philosophy  20</p><p>discourse  28</p><p>Academicians  60</p><p>exegesis  7 1 ,  72,  75</p><p>aesthetics</p><p>philosophy  as  a way of life  266, 269</p><p>Aristotle  1 90</p><p>on  Socrates  1 53</p><p>Marcus  Aurelius  1 89-90,  251</p><p>theory  29</p><p>perception  254-6</p><p>Arrian  of Nicomedia  1 9 1 ,  195,  1 99, 200</p><p>Africa, Thomas  W.  180,  1 8 1-2</p><p>artists  254,  255,  256</p><p>Agathon  1 66,  1 69</p><p>ascetidsm  1 28</p><p>Alexander Severus  4</p><p>Asianism  67</p><p>Ambrose</p><p>assent  see judgment</p><p>Philo's  text,  use  of  65</p><p>Athanasius  1 3 1 ,   135</p><p>translation  of Plotinus  3,  5 1</p><p>attention to oneself</p><p>Andronicus o f  Rhodes  72</p><p>Christianity  130-6</p><p>Antisthencs  9 1</p><p>displacement of  254</p><p>Antoninus  Pious  57</p><p>Marcus  Aurelius  1 98</p><p>Antony, St</p><p>Stoic  spiritual  exercises  84-5,  1 30</p><p>attention  to  oneself  1 3 1 ,   1 33,  1 39</p><p>Augustine</p><p>conscience,  examination  of  135</p><p>confessions  in  Conjessiom  186</p><p>conversion  1 3 1</p><p>Confessions, inspiration  of  68</p><p>writing,  therapeutic  value  1 35, 209,</p><p>conversion  5 1 -2</p><p>2 1 1</p><p>exegesis  16-1 7</p><p>Apelles  266</p><p>Husserl's adaptation  65</p><p>Apologists  1 28</p><p>mistranslations  3,  66,  75</p><p>Apophthegmata  133</p><p>physics,  logic,  and ethics  26</p><p>Aristophanes  90-1 ,  1 66,  1 69</p><p>rules of discourse  13</p><p>Aristotelianism</p><p>self,  mystery  of  1 5-17: original  sin</p><p>absorption  into  Platonism  56</p><p>1 6,  52</p><p>exegetical  phase  5</p><p>structure  of work for  spiritual</p><p>life, conduct of  58</p><p>progress  64</p><p>physics  97</p><p>Trinity  107</p><p>scholasticism  63</p><p>Aulus  Gellius  190,  19 1 ,   199</p><p>theory  and  practice,  relationship</p><p>authentic  texts  73-4</p><p>between  60</p><p>t\ristotle</p><p>Barth,  Casper  10</p><p>aesthetics  1 90</p><p>Barthes,  Roland  56</p><p><image l:href="#95"/></p><p>302</p><p>Index</p><p>Basil of Caesarea</p><p>Oearchus  of Soloi  24 1</p><p>attention  to  oneself  1 30-1 ,  134,  139</p><p>Clement of Alexandria  74,  1 28</p><p>watch  of the  heart  132</p><p>attention  to  oneself  1 30</p><p>Baudelaire,  Charles  248</p><p>integration  269</p><p>Baumgarten  254</p><p>spiritual  perfection  138</p><p>being</p><p>Oeonymus of Athens  74,  128, 241</p><p>as  infinitive  5-6,  75</p><p>attention  to oneself  1 30</p><p>negative  theology of  6</p><p>integration  269</p><p>as  participle  &#xFFFD;.  75</p><p>spiritual  perfection  138</p><p>Bergson,  Henri  253--4, 257, 258,  272,  278</p><p>conscience,  examination  of  131,  1 34-5,</p><p>Bernard, Paul  54</p><p>1 39</p><p>Bernard of Clairvaux  129</p><p>consolations  22-3</p><p>biographies of philosophers  30</p><p>contamination  of paganism  and</p><p>Blake,  William  260</p><p>Christianity  4-5</p><p>Boethius</p><p>Copernican  revolution  253</p><p>es&#xFFFD; and id quod est, distinction</p><p>cosmic consciousness  266,  273</p><p>between  6,  76</p><p>Courcelle, Jeanne  52</p><p>translation  of Aristotelian</p><p>Courcelle,  Pierre  50-2</p><p>commentator  5 1</p><p>Crantor  72</p><p>brevity o f  existence  1 85-6</p><p>creative  misunderstandings  6-7</p><p>cryptography,  mystical  1 0-1 1</p><p>Caillois,  Roger  256</p><p>Cynicism</p><p>Cambiano,  Giuseppe  30</p><p>flight of the  soul  245-7</p><p>Carus,  G.  G.  255</p><p>life, conduct  of  58,  103--4</p><p>Casaubon,  Meric  179</p><p>philo.11ophy  as  a  way of life  266,  269</p><p>Cato  of Utico  272</p><p>Celsus  74</p><p>Dailly,  R.  180</p><p>CC-anne,  Paul  255-6,  257</p><p>Damascius  104,  284</p><p>Chastel,  Andre  243</p><p>Dead Poets ' Society  1 87</p><p>Chenu,  M.-D.  73</p><p>death</p><p>Christianity</p><p>awareness  of:  Antony  1 3 1 ;  Epictetus</p><p>Hadot,  influence on  277-a</p><p>1 3 1 ;  Marcus  Aureliu.11  1 3 1</p><p>historical  evolution  of philosophy  32,</p><p>Christianity  138,  1 39</p><p>107,  269-70</p><p>Epicureanism  222,  225-6</p><p>Kierkegaard's  views  1 57</p><p>and  flight  of the soul  240-1</p><p>and  paganism  4-5,  74-5</p><p>Lucretius'  views  1 87</p><p>as  a  philosophy  1 28-30</p><p>Marcus  Aurelius'  views  1 87</p><p>spiritual  exercises  1 27--40</p><p>philosophy  as  a  training for  242</p><p>Chrysippus  1 23--4n</p><p>preparation  for  68-9:  consolations</p><p>happiness and  wisdom  228</p><p>22-3;  Epicurus  68,  95;  Heidegger</p><p>lost  works  53</p><p>96;  Maximus  Confessor  138;</p><p>and  Marcus  Aurelius  188,  190</p><p>meditation  59;  Plato  22,  28,  68,</p><p>philosopher,  concept  of  30,  272</p><p>95,  96-7, 241 ,  269;  Socrates  94;</p><p>Stoic  dogmas  61</p><p>spiritual  exercises  93-1 0 1 ;</p><p>wine  in  the  sea  229</p><p>Stoicism  68,  96,  229</p><p>Cicero,  Marcus Tullius</p><p>Delphic  oracle  65</p><p>flight of the soul  240</p><p>Democritus  1 86,  24 1</p><p>infinity  1 84</p><p>demonic  1 64-5</p><p>philosophers  272</p><p>Dest.-artcs,  Rene</p><p>self-mastery  1 35</p><p>philosophy RR  w11y  of lil'C  272</p><p>on  Socrates  I 52</p><p>NtJiritual  exrrciNCN  3.l,  27 1</p><p><image l:href="#112"/></p><p>Index</p><p>303</p><p>desire  1 1</p><p>philosophy  as  a way of life  267</p><p>Epictetus  193,  1 94</p><p>physical  vision  of human  reality  1 87</p><p>Hadot  on  284</p><p>physics  97</p><p>Marcus  Aurelius  195-7,  198,  201</p><p>serenity  136</p><p>and  physics  12,  194</p><p>on  Socrates  1 52</p><p>tyranny of  95</p><p>Socratic  style  1 16 n</p><p>Diadochus of Photice</p><p>Epicureanism</p><p>attention  to  God  and  oneself  132-3</p><p>cosmic  conscioumess  266,  267,  268</p><p>dreams  135</p><p>ethics  208-9</p><p>dialectic  and  persuasion  92-3</p><p>exegetical  phase  5</p><p>dialogue</p><p>features  34,  3 5</p><p>learning  to  20,  89-93</p><p>flight o f  the  soul  243,  245</p><p>philosophical  work  as  1 05</p><p>Hadot's  interest  iri  280-1</p><p>diatribe  63</p><p>library  find  53-4</p><p>Dio  Qtssius  1 80</p><p>life, conduct  of  57,  58</p><p>Diogenes Laertius  1 1 8n,  123n</p><p>meditation  59</p><p>Diogenes  the  Cynic  98,  1 6 1</p><p>present,  value of  69,  88,  209-1 0,  2 1 2,</p><p>discourse  26-8,  3 1 -2</p><p>222&#xFFFD;, 259-60, 268</p><p>Dodds,  E.  R.  180</p><p>sage  252</p><p>Domitian  1 9 1</p><p>self-control  59</p><p>Dorotheus o f  Gaza</p><p>spiritual exercises  1 26: happiness</p><p>attention  to  oneself  1 3 1</p><p>103;  learning to  die  95;  learning  to</p><p>conscience,  examination  of  1 34--5</p><p>live  87-9</p><p>meditation  1 34</p><p>Epicurus</p><p>obedience  140</p><p>death,  philosophy  as exercise for  68</p><p>peace  of mind  1 38</p><p>discourse  27</p><p>self-mastery  1 35</p><p>dogmas,  disagreements  61</p><p>sin  1 39</p><p>flight  of the  soul  243</p><p>spiritual  perfection  136</p><p>meditation,  dogmas  for  60</p><p>dreams</p><p>philosopher  concept  30,  272</p><p>Christianity  135</p><p>philosophy  as  a  way  of life  266</p><p>and  flight of the  soul  24 1</p><p>theory and  practice,  relationship</p><p>tyranny  of desire  revealed  in  95</p><p>between  60</p><p>Zeno's  beliefs  l 1 3n</p><p>wisdom  57</p><p>During,  I.  1 05&#xFFFD;</p><p>Erasmus  33</p><p>duties  1 93</p><p>Eros  1 60-5</p><p>wisdom  265</p><p>Eckhardt,  Meister  270</p><p>erotic irony  1 5 &#xFFFD;5</p><p>eclecticism  2 1 0</p><p>escapism,  ancient  philosophy  as  274</p><p>Effenterre,  H.  van  1 80</p><p>ethics  137</p><p>Einstein,  Albert  283</p><p>Epicurean  208-9</p><p>Eleusis  28</p><p>Foucault  24-5,  206-7</p><p>Epaphroditus  19 1</p><p>and  inclinations  1 2</p><p>ephemerality  of human  life  1 85&#xFFFD;</p><p>spiritual  exercises  23-5,  1 26-7</p><p>Epictetus  1 9 1</p><p>Stoicism  2&#xFFFD;</p><p>-5</p><p>death,  awareness  of  1 3 1</p><p>Euclid  64,  68</p><p>discourse  27,  267</p><p>Eusebius of Caesarca  4</p><p>exegesis  108</p><p>Evagrius Ponticus</p><p>and  Marcus  Aurelius  195-202</p><p>dreams  135</p><p>objective  repre."&gt;entation  1 88</p><p>self-mastery  135</p><p>philosophical  topoi  1 2-13,  193-5</p><p>spiritual  exercises  1 33</p><p><image l:href="#128"/></p><p>304</p><p>Index</p><p>Evagrius  Ponticus (e-ont.)</p><p>spiritual  exercises  1 02</p><p>spiritual  perfection  136-7,  1 38</p><p>Stoicism  227,  228</p><p>exegetical  philosophy  5-7,  71--6</p><p>healing,  Epicureanism  87</p><p>Augustine  16-17</p><p>Hegel,  Georg  Wilhelm Friedrich  272</p><p>scholasticism  63-4</p><p>Heidegger,  Manin  272</p><p>existentialism  277,  278</p><p>death,  philosophy  as  training for  96</p><p>Henry,  Paul  5 1 ,  279-80</p><p>Ficino,  Marsilio  69</p><p>Heraclitus  68</p><p>Flavius Josephus  1 29</p><p>Herod  Atticus  1 99</p><p>flight of the  soul  238-48</p><p>hierarchy,  Christianity  and  paganism  5</p><p>Foucault,  Michel</p><p>Hippocrates  1 86</p><p>care of the  self  206-1 2</p><p>historical psychology</p><p>enthusiasm  for  Hadot  1 ,  206</p><p>Augustine  1 6,  1 7</p><p>ethics  and  spiritual  exercises  24-5,</p><p>dangers  I S</p><p>206-7</p><p>Holderlin,  Friedrich</p><p>Friedmann,  Georges  70,  8 1 ,  97,  1 08,  282</p><p>erotic  pedagogy  1 64</p><p>power  and  wisdom  235</p><p>and  Socrates  1 67,  168</p><p>spiritual  exercises  82:  learning to  live</p><p>Holzmann,  Wilhelm  10</p><p>83, 86</p><p>Homer</p><p>friendship, Epicurean  attitudes  88-9</p><p>dialogue  1 1 8-19,  195</p><p>Fronto  200</p><p>flight of the  soul  238-9,  240,  247</p><p>Horace</p><p>Galen  1 80-1</p><p>carpe Jiem  88,  224-S</p><p>Gataker, Thomas  179</p><p>dialogue  l 1 8n</p><p>Gesner,  Andreas  1 79</p><p>present,  value  of  69,  224</p><p>Gilson,  Etienne  277</p><p>Husserl,  Edmund</p><p>Glaucos  1 02-3</p><p>Delphic oracle,  adaptation  of  65</p><p>Goethe, Johann  Wolfgang  von  l 76n</p><p>"know thyself"  tradition  66</p><p>on  demonic  1 64-5</p><p>perceptions of the  world  272, 273</p><p>dialogue  2 1 7-21</p><p>world  of science and  world  of</p><p>erotic  pedagogy  164</p><p>perception  253</p><p>eternity  233-4</p><p>hypomntmala  1 1 ,  179,  209-10</p><p>existence,  joy  of  234-5</p><p>flight  of the  soul  23s-9,  244-5</p><p>Ignatius of Loyola  82,  126,  1 27,  270</p><p>horror  l 1 5n, 274</p><p>inclinations  1 1</p><p>poetry  239,  244-5</p><p>Epictetus  193</p><p>present,  value  of  69,  2 1 7,  220-1 ,  222,</p><p>and  ethics  1 2</p><p>230-4</p><p>Marcus  Aurelius  195,  1 98,  201</p><p>on  reading  109</p><p>indifference to indifferent  things  86,  197</p><p>and  Socrates  1 64</p><p>indirect  communication  1 5 1 ,   156</p><p>gratitude,  Epicurean  piety  87</p><p>infinity  184</p><p>Greek  literature  50-1</p><p>Marcus Aurelius on  1 83,  1 84</p><p>Gregory  Nazianzen  1 38</p><p>investigation,  as  spiritual  exercise  86</p><p>Gregory  Thaumaturgus  1 63-4</p><p>irony, Socratic</p><p>Groethuyscn, Bernard  25 1</p><p>dialectical  149-58</p><p>Guarducd,  Margherita  s-9</p><p>erotic  1 58-65</p><p>Guyau,  J.  M.  224</p><p>Jesus  Christ  I(}- I I</p><p>Hadot,  Ilsetraut  22--3</p><p>John of Salisbury  l 2'J</p><p>Hamann, J.  G.  1 50</p><p>j udgment  1 1</p><p>happiness</p><p>l�:pictel UN  l lJJ,  l 'N</p><p>Index</p><p>305</p><p>and  logic  12,  194</p><p>cultivation  of the self  207,  2 1 2</p><p>Marcus  Aurelius  1 95,  198</p><p>death,  awareness  o f   131</p><p>Julian  4</p><p>divine  providence  282,  283</p><p>jurists  57</p><p>and Epictetus  1 95-202</p><p>Justin  74,  1 28</p><p>flight  of the  soul  244,  245</p><p>Meditalio,,s:  as spiritual  exercise</p><p>kairos  221</p><p>1 79-91;  style  133;  underlying</p><p>Kant,  Immanuel</p><p>structure  10-1 1 ,   1 2-15</p><p>aesthetic  perception  255</p><p>parmsis  107</p><p>ancient  representation  of philosophy  33</p><p>peace  of mind  229</p><p>virtue,  practice  of  124n</p><p>physics  as  spiritual  exercise  98,  99</p><p>Kepha/aia  173</p><p>political  ideas  274</p><p>Kierkegaard,  Seren</p><p>present,  attention  to  1 32,  226-8</p><p>Christianity  1 57</p><p>rhetoric  60</p><p>existence,  seriousness  of  1 56</p><p>sage  251</p><p>pseudonymy  1 50-1</p><p>Maritain, Jacques  277,  278-9</p><p>on  Socrates  1 57,  1 58:  erotic  irony  1 59</p><p>Marius  Victorinus  279-80</p><p>Klee,  Paul  255,  256,  257</p><p>Marx,  Karl  272</p><p>"know  thyself"  maxim  20</p><p>Marxism  278</p><p>Husserl  66</p><p>Maximus  C.Onfessor  1 38</p><p>Socrates  20,  90</p><p>Maximus  of Tyre  1 84</p><p>meditation  59-60</p><p>landscape-painting  255</p><p>Christian  spiritual  exercises  1 33-4</p><p>Leclerq, Jean  129,  1 30,  270</p><p>Epicurean  spiritual  exercises  87,  88</p><p>Leonidas  of Tarentum  1 82</p><p>Socrates's  disciples  91</p><p>listening,  as  spiritual  exercise  86</p><p>Stoic  spiritual  exercises  85-6</p><p>live,  learning  to  82-9</p><p>by  writing  195</p><p>logic</p><p>memori1.ation</p><p>and  judgment  12,  194</p><p>monastic  spiritual  exercises  1 33</p><p>spiritual  exercises  24-5</p><p>Stoic  spiritual  exercises  85-6</p><p>Stoicism  25-6</p><p>Merleau-Ponty,  M.  253, 254, 256, 257, 273</p><p>logoi sokra1ikoi  149</p><p>meteoro/ogia  243</p><p>love,  and  Socrates  1 58-64</p><p>Metrodorus  208-9,  226,  266</p><p>Lucian  57</p><p>Meyer,  C.  F.  1 66</p><p>flight  of the  soul  245-6, 247</p><p>mistranslations  3,  66,  75</p><p>Lucretius</p><p>misunderstandings  6-7</p><p>anxiety  1 86</p><p>monasticism  269-70</p><p>on  death  187</p><p>as  a  philosophy  1 29</p><p>flight  of the  soul  243,  245</p><p>spiritual  exercises  1 3 1 ,   132,  1 33,  1 38,</p><p>physics  97</p><p>140:  passions  1 35</p><p>Plato's  model  68</p><p>monotheism  5</p><p>poetic  meter  62</p><p>Montaigne,  Michel  de  33</p><p>rules  of discourse  13</p><p>death,  views on  96</p><p>sage  252</p><p>Hadot,  influence on  278</p><p>universalism  226</p><p>Montgolfier  brothers  239</p><p>world  257--8,  274</p><p>Morenz,  Siegfried  22 1</p><p>Moses  74</p><p>Marcus  Aurelius</p><p>Musonius  Rufus  1 9 1</p><p>aesthetics  189-90,  25 1</p><p>bam1litv of life  1 85</p><p>names,  Marcus  Aurelius'  views  1 86</p><p>co!lmic. consciousness  266</p><p>nature</p><p><image l:href="#9"/></p><p>306</p><p>Index</p><p>nature (cont.)</p><p>aesthetic  254-6</p><p>Marcus  Aurelius  on  1 89-90</p><p>everyday  252--4</p><p>Hadot  on  283</p><p>persuasion  92</p><p>see also  physics</p><p>Peter,  St  8-9</p><p>Neoplatonism</p><p>Petrarch  33</p><p>being as  infinitive  and  being as</p><p>Philo judaeus</p><p>participle,  distinction � between  S-6</p><p>exegesis  72</p><p>emergence  56</p><p>Platonic  formulae,  use  of  65</p><p>exegesis  75</p><p>Philo  of Alexandria</p><p>new meanings of earlier works  66</p><p>flight of the soul  240, 243-4</p><p>spiritual  exercises  99,  1 00</p><p>Judaism  as  a  philosophy  1 29</p><p>Stoic  ethics,  integration  o f   1 36</p><p>philosophy  as  a  way  of life  265</p><p>Newman  277</p><p>set speeches  69</p><p>Nietzsche,  Friedrich  Wilhelm</p><p>spiritual  exercises  84,  86, 97-8</p><p>ancient  philosophy  tradition  272</p><p>universalism  184</p><p>erotic pedagogy  1 64</p><p>Philodemus  225</p><p>genius  of the  heart  1 70</p><p>philosopher,  concepts  of  30--4,  272</p><p>indirect communication  I S i</p><p>physics  1 37-8</p><p>present,  focus  on  2 1 2,  235</p><p>and  desire  1 2,  194</p><p>and  Socrates  1 48,  1 5 1-2,  1 56,  1 67-70:</p><p>night  of the  soul  242-3</p><p>seductive  powers  1 65-6;  style</p><p>Marcus  Aurelius  1 97</p><p>155-6</p><p>spiritual  exercises  24-5</p><p>Stoicism  25-6</p><p>obedience  139-40</p><p>study, as  spiritual exercise  87-8,  97-9</p><p>objective  representation  187-9</p><p>Plato</p><p>opium,  and  Marcus  Aurelius  180-1</p><p>being as  infinite and  being  as  participle,</p><p>oral  tradition  of philosophy  19-22,  23,</p><p>distinction  between  5-6,  75</p><p>61-3</p><p>death,  philosophy  as  training  for  22,</p><p>Ori gen</p><p>28,  68,  95,  96-7,  24 1 ,  269</p><p>Ambrose's  translations  3</p><p>dialogue  20,  2 1 ,  62,  90,  9 1 -3,  105:</p><p>Christianity  as  a  philosophy  1 29</p><p>methodology  106</p><p>on  Chrysippus  1 23-4n</p><p>discourse  28</p><p>conscience,  examination  of  1 34</p><p>exegesis  7 1 ,  72,  73,  75</p><p>dogmas,  disagreements  61</p><p>flight of the  soul  240-2,  243</p><p>exegesis  72</p><p>and  Moses  74</p><p>Gregory Thaumaturgus'  praise  1 63-4</p><p>river  of Heraclitus  1 82</p><p>Ovid</p><p>on  Socrates  1 48,  149-50,  1 53:  erotic</p><p>night  of the  soul  245</p><p>irony  1 58,  160,  1 6 1,  1 63</p><p>time  a.c;  a  river  182</p><p>Timaeus, as model  68</p><p>universalism  184</p><p>paganism  4-5,  74-S</p><p>wisdom,  nature  of  57</p><p>Parain,  Brice  93</p><p>Platonism</p><p>parenesis  106-7</p><p>Academy  1 06</p><p>PasL'll,  Blaise  1 84</p><p>adaptations  65</p><p>Paul, St  66</p><p>exegetical  phase  5</p><p>peace of mind  1 38</p><p>night  of t he  soul  242-3</p><p>Marcus  Aureli us  229</p><p>Glaucos  102-3</p><p>Seneca  229</p><p>life, conduct  of  58���9</p><p>Peguy,  Charles  278</p><p>philosophical  death  242</p><p>penitence  1 39</p><p>ri ver  1 82</p><p>percept ion</p><p>Sch11l1111t lci11m  63 -4</p><p><image l:href="#155"/></p><p>Index</p><p>307</p><p>Socrates'  death  94</p><p>Proclus  61</p><p>spiritual  exercises  99</p><p>Euclid's  model  64,  68</p><p>spiritual  progress  64</p><p>flight  of the  soul  24 &#xFFFD;</p><p>Stoicism  and  Aristotelianism,</p><p>treatises  64</p><p>absorption  of  56</p><p>Pythagoreans  9</p><p>theory and  practice,  relationship</p><p>between  60</p><p>Quincey,  Thomas  De  181-2,  1 83,  1 84</p><p>pleasure,  Epicurean  attitudes  88-9,</p><p>Quintillian  265</p><p>222-(), 268</p><p>Quintus  Mucius  Scaevola  Pontifex  272</p><p>Plotinus</p><p>Ambrose's  translations  3,  5 I</p><p>Rabbow,  Paul  1 26</p><p>dialogue  2,  22</p><p>Ramus,  Petrus  49,  52</p><p>discourse  28-9</p><p>reading,  as  spiritual  exercise  86,  101-9</p><p>exegesis  72,  73,  74</p><p>relaxation,  Epicureans  88</p><p>Hadot's  interest  in  279,  280,  28 1 ,  285</p><p>Renan, Ernest  1 79--80,  247</p><p>methodology  1 06</p><p>research,  as  spiritual  exercise  86</p><p>Plato's  text,  use  of  65</p><p>Revelations  72</p><p>spiritual  exercises  99,  JOO,  IOI ,  102,  I07</p><p>rhetoric  21</p><p>structure  of work  for  spiritual</p><p>and  persuasion  92</p><p>progress  64</p><p>and spiritual exercises  1 27</p><p>theory and  practice,  relationship</p><p>Rilke, Rainer Maria  258,  278</p><p>between  60</p><p>Ritter, J.  254</p><p>Plutarch</p><p>Robin,  Leon  226</p><p>flight  of the  soul  24 1</p><p>Rogatianus  57</p><p>spiritual  exercises  59:  curiosity,  cure</p><p>Rousseau, Jean-Jacques  259,  260</p><p>for  1 36;  learning to  live  86;</p><p>Rufus,  Musonius  I I In</p><p>physics  97--8</p><p>Rusticus,  Quintus lunius  1 99-200</p><p>Polemon  267</p><p>Rutilus Rufus  272</p><p>Porphyry</p><p>Ruyer,  R.  282-3</p><p>attention  to  God  and  oneself  1 32</p><p>being  as  infinitive  and  being  as</p><p>sage</p><p>participle,  distinction  between  6,  75</p><p>nature  of  57-8,  1 47,  226</p><p>exegesis  73</p><p>and  the world  251&#xFFFD;1</p><p>influence  on  late Christian  thought  5 1</p><p>Sallustius  I 04</p><p>nature  and  soul  144n</p><p>Scholasticism  72-3,  !07,  270-1</p><p>on  Plotinus  72,  1 06</p><p>Schopenhauer,  Arthur  271 ,  272</p><p>spiritual  progress  99- 100,  1 37</p><p>science, world  of  252---4</p><p>style  1 33</p><p>self-control  59</p><p>theory  and  prac..-tice,  distinction</p><p>self-mastery,  as  spiritual  exercise  86,</p><p>between  60</p><p>135</p><p>present,  value  of  69,  22 1-2,  259-60</p><p>Seneca</p><p>Christians  1 3 1 -2</p><p>belonging  to  the  whole  208</p><p>Epicureans  69,  88,  209-10,  2 1 2,</p><p>eclecticism  210</p><p>222-{),  259-60, 268</p><p>Epicureanism  l 24n</p><p>Goethe  69,  2 1 7,  220-- 1 ,  222,  230--4</p><p>flight  of the  soul  240,  245</p><p>Marcus  Aurelius  1 32,  226-8</p><p>joy  207,  225</p><p>Nietzsche  2 12,  235</p><p>objective  representation  1 89</p><p>Seneca  228,  229</p><p>peace  of mind  229</p><p>Stoics  69,  84-5,  212,  222, 226-30,  260,</p><p>present,  value of  228,  229</p><p>268</p><p>river of being  1 82,  1 83</p><p>Priscianus  73---4</p><p>sage's  life  58</p><p>308</p><p>Index</p><p>Seneca  (contd)</p><p>flight o f  th e  soul  242-3</p><p>spiritual  exercises:  learning  to  die</p><p>Hadot's  interest  in  280-1</p><p>96; learning to  live  86,  130;</p><p>life,  conduct of  57,  58-9</p><p>physics  as  98-9</p><p>and  Marcus  Aurelius:  aesthetics</p><p>universalism  230</p><p>190;  objective  representation</p><p>wisdom  261</p><p>187-8,  189; river of being  182,</p><p>world  257, 26 1, 273</p><p>183;  spiritual  exercises  13, 14</p><p>serenity</p><p>meditation  59</p><p>Epictetus  136</p><p>new  meanings  of earlier  works  65-6</p><p>Epicureans  88, 225</p><p>philosophical  death  242</p><p>present,  value of  221 ,  222</p><p>philosophk"al  discourse  25-6</p><p>Sextus  261 ,  266</p><p>philosophy  as  a  way of life  266-7,</p><p>Sileni  1 48,  1 61 ,  162</p><p>S</p><p>268</p><p>implicius  27-8</p><p>Skepticism</p><p>pleasure  and  joy  207</p><p>life,  conduct  of  56-7</p><p>political  ideas  274</p><p>,  1 04</p><p>philosophy  as  a  way  of life  266</p><p>premeditation  on  future  evils  23</p><p>theory  and  practice,  relationship</p><p>present,  value of  69, 84-5,  2 1 2,</p><p>between  60</p><p>222, 226-30, 260, 268</p><p>Socrates</p><p>sage  25 1, 252</p><p>death  93-4,  1 66-7,  1 68-70</p><p>self-&lt;:ontrol  59</p><p>dialogue  20,  23,  89-9 1 ,  92-3,  149</p><p>spiritual  exercises  1 26:  happiness</p><p>figure of  1 47: daimon  1 64;  dialectical</p><p>103; learning to  die  96; learning</p><p>irony  1 49-58;  Dionysos  1 69-70;</p><p>to  live  82-7</p><p>erotic irony  I 58-65;  and  Nietzsche</p><p>spiritual  perfection  1 36</p><p>165-70;</p><p>physical  appearance  147-8;  seductive</p><p>reaching,  texts  written  for  63</p><p>powers  165-6</p><p>theology  137-8</p><p>"know  thyself"  maxim  20,  90</p><p>theoretical  discourse  29</p><p>Logos,  faithfulness  to  93</p><p>theoretical  life  29</p><p>philosophy  as  a  way  of life  26(&gt;,  269,</p><p>Therapcutae  1 29</p><p>28 1</p><p>theriac and  Marcus Aurelius  1 80-1</p><p>unclas.'lifiability  57</p><p>wisdom  23 5,  265</p><p>theses  63</p><p>Thomism  27</p><p>soul</p><p>flight of  238-48</p><p>Thoreau  33</p><p>immateriality  and  immortality  100- 1</p><p>Thurot,  Charles  73-4</p><p>Spinoza,  Benedict  d e   27 1-2</p><p>treatises  64</p><p>Euclid's model  68</p><p>truth</p><p>philosophy  as  a  way  of life  272,  275</p><p>authentic  texts  73-4</p><p>spiritual  exercises  33</p><p>pagan  and  Christian  conceptions  4</p><p>Stoicism</p><p>absorption  into  Platonism  56</p><p>Ulpian  57</p><p>cosmic consciousness  266</p><p>universities,  nature  of  32,  271}- I ,  278-9</p><p>death, exercise for  68</p><p>dogmas,  disagreements  6 1</p><p>Vcync,  Paul  25</p><p>Epictetus  1 9 1 -2</p><p>view  from  ah&lt;wc  23H �48</p><p>exegetical  phase  5</p><p>Vohnirc  25011</p><p>features  34,  JS</p><p>wi11dom</p><p>Index</p><p>309</p><p>love of  265</p><p>Xenocrates  266</p><p>nature of  57,  58,  1 03,  228,  261</p><p>Xenophon  I I 7n</p><p>Wittgenstein,  Ludwig Josef Johann  1 7,</p><p>flight of the soul  240</p><p>1 8, 280, 285</p><p>on  Socrates  23,  1 55,  1 58,  1 67</p><p>worry,  Epicureans' attitudes  88</p><p>Xylander  IO</p><p>writing, therapeutic values  209-1 1</p><p>Antony  135,  209,  2 1 1</p><p>Zeno  l l3n</p><p>Foucault  209-1 0</p><p>Zopyrus  148</p><p>Marcus Aurelius  1 95</p><p><image l:href="#174"/></p><p>9  111</p><p>780631</p><p>I</p><p>180333</p><empty-line/></section><section><p><strong>Document Outline</strong></p><p>Contents</p><p>Translator's Note</p><p>Abbreviations</p><p>Introduction: Pierre Hadot and the Spiritual Phenomenon of Ancient Philosophy by Arnold I. Davidson</p><p>1 Method and Practices of Interpretation in the History of Ancient Philosophy and Theology</p><p>2 Spiritual Exercises</p><p>Notes</p><p>Part I: Method</p><p>1. Forms of Life and Forms of Discourse in Ancient Philosophy</p><p>Notes</p><p>2. Philosophy, Exegesis, and Creative Mistakes</p><p>Notes</p><p>Part II: Spiritual Exercises</p><p>3. Spiritual Exercises</p><p>1 Learning to Live</p><p>2 Learning to Dialogue</p><p>3 Learning to Die</p><p>4 Leaming How to Read</p><p>Notes</p><p>4. Ancient Spiritual Exercises and "Christian Philosophy"</p><p>Notes</p><p>Part III: Figures</p><p>5. The Figure of Socrates</p><p>1 Silenus</p><p>2 Eros</p><p>3 Dionysos</p><p>Notes</p><p>6. Marcus Aurelius</p><p>1 The Meditations as a Spiritual Exercise</p><p>2 Epictetus</p><p>3 Marcus Aurelius and Epictetus</p><p>Notes</p><p>7. Reflections on the Idea of the "Cultivation of the Self"</p><p>Notes</p><p>Part IV: Themes</p><p>8. "Only the Present is our Happiness": The Value of the Present Instant in Goethe and in Ancient Philosophy</p><p>Notes</p><p>9. The View from Above</p><p>Notes</p><p>10. The Sage and the World</p><p>1 Definition of the Problem</p><p>2 The World of Science and the World of Everyday Perception</p><p>3 Aesthetic Perception</p><p>4 Spectator Novus</p><p>S The Instant</p><p>6 The Sage and the World</p><p>Notes</p><p>11. Philosophy as a Way of Life</p><p>Notes</p><p>Postscript: An Interview with Pierre Hadot</p><p>Notes</p><p>Select Bibliography</p><p>ANTHOLOGIES</p><p>ANCIENT AUTHORS</p><p>MODERN AUTHORS</p><p>Index</p></section></body><binary id="101" content-type="image/png">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</binary>
<binary id="146" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAUEAEAAAAAAAAAAAAAAAAAAAAA/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AIyAB//Z</binary>
<binary id="162" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAAFgAAAAYCAIAAADxr60PAAAACXBIWXMAAAsSAAALEgHS3X78AAAAhElEQVRYw+3Y0QqAIAyFYc/o/V/Z7iKmrQneTP7d5TA4X5Ej9d4b1ZpBAAQQQAABBBCrdX01JL0vS48bmSwaV9226hbTOGMWSyrErVoK0/WTvxHxk3Nd23hrTg0ggAACiPpj1RrESVHjLK5r+f0VjfJZFMR7poYDXpPfLOLnLacGELO6AeM/NiDlatCbAAAAAElFTkSuQmCC</binary>
<binary id="0" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAfEAABAwUAAwAAAAAAAAAAAAABAgMFAAQGERIHEzH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AlmD8hZ9BxbMXCZxk0ZYMdeq1s5Z9lpvpRUeUJUANqJJ0PpJpSlB//9k=</binary>
<binary id="18" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAgEAABAgYDAQAAAAAAAAAAAAABAAIDBAUHERIGExQX/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AL21NkRVbXcTqn1u7Ej7KJJzHlk+R9cCBvAY7SGzrOrG5wBk4AAREQf/2Q==</binary>
<binary id="38" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAYDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAfEAACAQQDAQEAAAAAAAAAAAABBAIAAwUGCBESEyH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8Ag+N+gt57khumrO73tqDWOsv/AGy+HfKjbk7blu3I3Jn2TGZJmQST6APZ6/VKUH//2Q==</binary>
<binary id="57" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAAAYCAIAAABvFaqvAAAACXBIWXMAAAsSAAALEgHS3X78AAAAWklEQVQ4y+3USQ4AEAwF0H5x/yt/OxGRDjRW7QqLlw4AScmIJklR0Eeob3sAcx26GVpGAFb3tTQn5+2RaQWarVuxqSnWDpG8e8b9eLpazsHZpTkTRP1HBSXEAFjyFTkGn85iAAAAAElFTkSuQmCC</binary>
<binary id="76" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAnEAAAAgYLAQAAAAAAAAAAAAAAEgEGERMUFgIEBQcIISMmMTIzNf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCKutwqTulat+QEvrJXLC+Q9fw5NX2olMfrmxnKQAAH/9k=</binary>
<binary id="90" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAADAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAgEAABAwQCAwAAAAAAAAAAAAABAgMEAAUHEQYIExVR/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AKBifrjhi+Ys4lerpwwSJ9wskOVKd9nLT5HXGEKWrSXQBtRJ0AB8pSlB/9k=</binary>
<binary id="106" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAEDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAUEAEAAAAAAAAAAAAAAAAAAAAA/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AIyAB//Z</binary>
<binary id="110" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAdEAACAQUBAQAAAAAAAAAAAAABAgMABAUGEQdB/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJT9Kw1trfouy67YyzyWmKy91ZQPMwMjJFMyKWIABbijvAB34KUpQf/Z</binary>
<binary id="104" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAABICAIAAABjm6JYAAAACXBIWXMAAAsSAAALEgHS3X78AAAArUlEQVRYw+3Y0Q6AIAgFUGH9/y/bQ5tloQLaMnd9anOdJigNKcYYRgwOg8bC0FafJqL0XE8LlaavhMYSIJFoWmxStMF2KxnUo5xQpzLzzu6vAazcuLal9VisPwTmYPssVMh1IMcOQLA/hxwlHMHGWQME6LdQqeahQk4OiangISnzL+35MX+Mbta9FXWs6xBe6CBHpt/xO0uvyH1/c41Ck9+4X8hF2wUCTj8g89gBBLhCgOkct+sAAAAASUVORK5CYII=</binary>
<binary id="150" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAP/xAAdEAACAgMBAQEAAAAAAAAAAAABAwIEAAYHEQUS/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/ALci4BrXauf0On7ztG22Ni+42yy6xFpEVkrsMVERjJJ/MRBcQIg+ADwAAABjGB//2Q==</binary>
<binary id="168" content-type="image/png">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</binary>
<binary id="8" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAdEAACAgMBAQEAAAAAAAAAAAABAgMGAAQRBwUS/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJ5oHt/qdFrqV+r22bS+XHI8sevJqwbCxlj1ghlRiqk9P5BA6WPOkksYwP/Z</binary>
<binary id="26" content-type="image/png">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</binary>
<binary id="44" content-type="image/png">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</binary>
<binary id="62" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAfEAACAQQCAwAAAAAAAAAAAAABAgYAAwQFERQHEjH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AnKSyafwKbyiNaryFJrfV3eWmVfxtjfx+5fW6UfIdVc8u/oCSST85J4pSlB//2Q==</binary>
<binary id="82" content-type="image/png">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</binary>
<binary id="96" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAYDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAX/xAAhEAABAwQBBQAAAAAAAAAAAAACAQMFAAQGEhEHCCEyM//EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCJ2q9AJWQnMukpLOZnH0hJK4x4ixm+K2uH32SAnVV0g+PpwOvJL5XXREJSlB//2Q==</binary>
<binary id="113" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAfEAABAwQDAQAAAAAAAAAAAAADAQIEAAUGEQcIEyT/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AmWG9tOTcXsLbQG34zcPpkyiSZkMvqUpzkORzvMrGJt5HaRrURE0lKUoP/9k=</binary>
<binary id="129" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAjAAMDASIAAhEBAxEB/8QAFwABAAMAAAAAAAAAAAAAAAAAAAYHCP/EACUQAAEDAwIGAwAAAAAAAAAAAAEAAgMEBREGBwgSExghMVWU1P/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCZdlW1nz+s/uU350WmUQETIRBXvDba6C07B6HpbfB0YZLLT1Tm87nZlmYJpXZJJ8vkecehnAwAAiIg/9k=</binary>
<binary id="144" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAAAQCAIAAACDRijCAAAACXBIWXMAAAsSAAALEgHS3X78AAAARUlEQVQ4y2P8//8/AzUAEwOVAAtBFYyMjGgiWD3BiMdrmEbgMYtMr2HawUSGc2gb2LQ3iNT0RRev4XEUphTjoMsiw9ggAN+zGBQv4AykAAAAAElFTkSuQmCC</binary>
<binary id="156" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAcEAABBAMBAAAAAAAAAAAAAAABAAIDBAUGEUH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AkXbMJa1rasvrl6SGS3ir01Kd8JJjc+J5Y4tJAJb1p50A88CIiD//2Q==</binary>
<binary id="145" content-type="image/png">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</binary>
<binary id="13" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAUDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAeEAACAgIDAQEAAAAAAAAAAAABAgMFAAQGBxEIEv/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCK62+cOU9sWnLbXlfYZi36e7lpZ9qSGSwl2p9dVV2LyOhCBTGFJJJHoIX8j1jGB//Z</binary>
<binary id="32" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAAdAAAABgCAIAAAAigrSWAAAACXBIWXMAAAsSAAALEgHS3X78AAAHBElEQVR42u2d247rIAxFT6L8/y/nPIxUzbRJCvjCBtZ6HE2DMWZjCIHtPM9/AAAQz44LAAAQXAAABBcAABBcAAAEFwBgdY6BbN227fOPQ++yeKsRO0YA5u682yid/FJtO+rUnT0lxqjVBYYI++5xTnA69P0hnPigUF1C4dmeZ2PU6gKkF+6ysmC7FDpnn6CSA9lT8lu1+kJmaP3QPTweSlk2Pl0qvs9RSUQK6M9pltDdmj3DLgUAgCTUBZcFTQBAcAEAYDrBVUtySbphcdbsAi61JsMlFgGADHdGVUWOwRgbCSH0XMTKMWyv+75IPSNM+rQKPYVplOUymIlwIwcuSB4JzvNkGyMMERvIK0sKAAAILgCQVAKCCwCgMCIiuAAAZLgAAAjufHk+AACCCwCA4AIAQCWBHz5I3ZAodTVTzv72+W6jetVIpzpcAwpVAXBEh+Db34MictuuL2e7NEaw30b7P0gXqoYNS6FvBX2WG1Gjh2c+B/k/mUv2BorwuKFLyjl1l0g+B3p592uoau31bYXGOKpA1QMt11CqyV9ooWmVKuyZCfbUxkb0taQRUpjTrCWl1D7c2HM34xWzcbm3rCUuw6aj4Fo8k98K5SW2lZUwVkVbVRUb0YmFJavo3rIRzgkU3IR1xuju18WS7053SkkcfVJSoldxdv/4tmnOeTHdQ91xcA1NObu40eux7dekd7+NOXttZe3rgb0uaj1/0WaGo4c5la3Nt76t4PvMoH7qVd+vzzkU4mCUpX2pDqymJpenA9+9wXM8wf3ZDzrRJWLJsxkRQZUWqMaCchqI83CnJVOb7n5YtQEu+uUP5CtjwwS8zQyv9PlrjBn3dO4KwS2SrA3U4dtMTVs8zXR+l0oZV05Q8Llney2C26wvQbEoEtkis8Kv/m+2X3Pt3njLlm+l3oorD/VREou+Xcn35Z7auHiEuu/1x5J3Mi5O6bXLTUdtS1yU6YeS4lxeXjcvmFQ5xOUhLg3Utj9MJzCSLRGp3e6S0JUsfEyTfnYcLdd87Z5wna1LEZmBcfmK0m5AWhUSvnXUvONV6PAaqW2/EwuTgmGzNkTO4sbzkpHRt10++04L5u6Bt0vVgY2Tg458X3dZnn8RrBevv9RcMWWL7NO4b6DmUTiubNA5ygQrGyvM5ByXsz9fUQ6tBvu4pjP2zpEdw3ARnrxcMNMmPA4gB+cetf0iWaNFNr3pJ7mhBiTvgRkrH0oVXAVHjDtI9k0ee53CxWQCapcdyHAz+g+T2RE1d9ZWW3ac6PW5ZsmyQ8ShPCwpgGInZDiEFSaI7cczMviDb9t9RvxAKrzg0SKobQQHzQ+10tMcEqH32jHmgb527fgOkvs8TQnRWiG7inX07XuwYJ6L5sKyaRkvzaBdcxlu15yjoLbNNiC4sJDspt1+SAqf7JlRHH6UxCjRM8EsPlSYfv+/r5EDXXkHveSi6pDGvmrWIcNFvpmuLh5aOufqLpgy93XvLuWdhDOkIUGYyttiyoVgzoFMCz93V0d3DdZwoTRMq06lEZSVOZROP4tnRFERXP2RX/MKRcF+XiK7dDx84tUFLuNtxH60JzuOBCGuu0q9rKBlV86jfceVlzETNPEu0oT2FspsDNkTsAaNSPtAolNxuyUJdRliy+rd1Cq63NDevUfbB8lzUmN71Y58ltbPvK9QYUTnBJzLhYI7U+2f5wquQuwKrbvUwpY9X7NobkTALZKRsawR16k/tdXLk9tfmu0ZbElhoEB0MVVn31WVVUFLbyVlhV5Lk5NKu0wdVpbsBmVMsEdUcJstKwnE/NuxRi+lYTJlPOv2k5zVku6jSEl9M0cynTlHxMw1fzbs/OWke2bx9sCqr+4iDGh72sNe1AhXhNYlTuwiyvKN79qJbd/pSLkBIkHumC2l9SljocaR5nA3ztjYk02R7E9IcJRUW3h9jC9SqSAzHgLDfW5kjM8RG/RV1o/lDbuG76zdZ4rC1XBxY3JblBRnN0nkfmiF/Do6RUhYW3D5/vv8S3Qg3bnlGFQmhtCg6CUFe/pQFXmZe1EsxXVXW/KJO5+4d4HCOPl8yIM9l69z3XZN+C7ehYaa43uJu0fZl5W9Fqajz93w2udw+ZzCfxOplEuO6RL5mWu4XisSoRu3E3pTVaza10vdBJdRHUZH53QI+4j+8ByFLh+xENFW2bcfRjexj+CitjC94BLkYMfhpRmBCACQJLgA00NWAQguAACCCwAACC4AAIILoAvnLgKCCwCA4AJMl8OS5IKE4BKIgCgD5GW4BCIAQJLgAiySupJbQKDgEogAAGS4AAAILsC8cKgCRAkuqwQAABmCi9oCeSvpLfiyvd1PyYQL1u0MiSf/w+qCCwAAofDSDAAAwQUAQHABAADBBQBAcAEAEFxcAACA4AIATMV/kXz5NsZyhwIAAAAASUVORK5CYII=</binary>
<binary id="51" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAAIcAAAApCAIAAACQk63DAAAACXBIWXMAAAsSAAALEgHS3X78AAAAfklEQVR42u3bMQ6EQAwEQc+J/3/ZZAdkhCNUnW1csrWJs7tJdndUUJKZ+d0faiC5VFTVMTPWV1tmpaj/eFBptPH7ssFEhYqoUBEVUaEiKlREhYqoiAoVUaEiKlRERVSoiAoVUaEiKqJCRVS+pZLEXWRVDwy3LDaYXsyKQenpBOuIGEsETCfoAAAAAElFTkSuQmCC</binary>
<binary id="69" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAX/xAAeEAABBAMAAwAAAAAAAAAAAAABAgMEEQAGBwUIEv/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCj696L1FMDc4Wt9me8O1A26dEll/XmJzk2QgNhclS3VlQKx82mzVXZJOMYwP/Z</binary>
<binary id="9" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABAAAAAgCAIAAACU62+bAAAACXBIWXMAAAsSAAALEgHS3X78AAAAMElEQVQ4y2P8//8/AymAiYFEQK4GRkZGWtnAOGg9PaphVMOohpGhAbOAo72TSC75ABjqCTvCwLySAAAAAElFTkSuQmCC</binary>
<binary id="31" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAAHgAAAAYCAIAAAC+8q7fAAAACXBIWXMAAAsSAAALEgHS3X78AAAAhklEQVRo3u3YywqAIBAF0Gbo/3/ZdiFBDx8Fwbk7JVucERuLUsoi7ycRgAYt7Vlvn4iIeuhMf85VW8U13EGZdbdVtq6UJqt9Pie+lHLPx5Dm3DLoOrR3oKWjDQP9URlypEry7tGhBpOhgY5vvn0+nmie3d/l+vLR8K9DtHegBTRo0AL6X9kAwFIzI4Wq6gUAAAAASUVORK5CYII=</binary>
<binary id="119" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAgEAAABQUAAwAAAAAAAAAAAAAAAQIDBAUHERIUBhMh/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJautAOlXR8spfdOncdbmMdUx72Pv6PrTu4vBbLVjJnj6ZmYAAD/2Q==</binary>
<binary id="133" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAAJ0AAACYCAIAAABxiXwyAAAACXBIWXMAAAsSAAALEgHS3X78AAAEiklEQVR42u2dy3IrIQwFA8X//7LvwnVTju1heEggiT6rVGLzUCMQjJikx+Pxg8IpYwK4oj9KKaWUjLZt4zz8ZhRfK4Lxxm/j+nWku0B75aOmGp9NmcYvVNbXmmmMW63ePFONz4x34uEVUO1GmK4afx83CQY47d2WikE+a9RuuUhfbqu7p/b5ibE+jI0PPcbzppF1xJbqumqpF/jOdbIDlcr0Sh6uq7FMkdlVadxfFZtlO3BVgl7Jaz5pNpy8+mIR72RKq886Zlp+29oF7CereH79rRfuz4e9b5wE3WkDVw0Pljp23zgy9KouY2DW22J7A8SHtXgXXteUl5+uq+ltlng3FkAVjOSltjRjvX5+qywb/o/HQ3b70V7I/BbL4MaprqwxwLevxG+FHJjrk7cz8LtAWlaZ73B75kD7hDYziYUZbTO2Ko0V1GnhWNa2VbnRHDw3Dbu+2kdLLvRg3JT+yyA8vUdJHuO7wbjp11JbXGTxo9O9HRxLRpiNh9c/vTltT/W6iaicQL39qcxvQiyjXemsekYYWHqKoPlM0XW6pkrZsHwWOvPsfi9aNmO1eHiGzS7LWr4CZWif4wgtRPv2ry7QxiMq1aNyu4b7TcAXfAQbx19frWNwG6ORwxDJZXO7XeyYJrzzzXcw9456TpdcqHwdJnV4Io/H0fxhQCWjIX/90Dk5Cevndr2rgk3zsFI/Tb3OwngVV1vzyu/f52FTN5C+pjQv2E8vOwftWsi60Px2IZsNO0Uy3HpPo0SuQFmYt1LL4cNA/r5G9sKycwbt+wqqvfjjr73D58B42MXBal8eTODDne1jRRD5932Oi4Hvd+gsfktbtonNJlqzV5I+zwGzd1svtvJwB5WKvYzyZO8TqoYSY2FqVwfFLzqqBqS1TYfUleEF77vq2i0MvA1ElsHk1NV7bfyG6+LWb6xLtdkiTZ0ZfGl4kCpZ2cXbfa+arfR6lAEjmEvpdsrVmsy9vwl+Mbn+kJURlSuCK4LrSSqmWkM6XEB/nTxhQRa54qkBuQL1xLiJSdglV5w1INcDLxYwDyOfXJmBD/VXJmHmYeSEK87qkqvTVCa44qnnceWI/yx/BSrxMHLCFWcNyBWozMPIKle88wh/BXMcrrBkfUVwRXCFK4Jrm0iC0TXvyriUxzihuGq8MRLVVcwSRUbXV6ASDyO4or1cCXnC+uskWkZGtH0ORB2sr72QgOombmpHBVTiYWSAK46IvyK4IrjCFcEVwRXBFcEVwfUElTO7Hf6/9JSohK441T+v92+r4CoG9Wc0dy6l5B1t9ktUNd/RezIlcVNMtBmLh0SLv7J/ZTaGq6pIvXC2z+lKb5tPXw18g+iI86ar4fL8fUi6OR4tJm33cdMts2NXYuJhuCK4IriyG4YrgitcEVwRXBFcEVwRXOHqUjxjx1/hiuDqXeRLWDQxbznGXw9y6AwS/HWFiZlXPXHtotX+YS7q7OQ6Fg1JmfLMCSBbHummkPgaH9m4LSolsBLv4WrH7geOAPavcEWONu6qz7nmJ8B681rKb+mgVDmncEXMw0hS/wAVKoCjGBuwHwAAAABJRU5ErkJggg==</binary>
<binary id="163" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAaEAADAQEBAQAAAAAAAAAAAAABAgQDACER/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AI6vrrvu3uuq3qrp1bbffbQvpq7H6zMx9ZiSSSfSTznOD//Z</binary>
<binary id="1" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAfEAABBAICAwAAAAAAAAAAAAABAgMEBQARBzEGEhP/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AlLkmvl0/IvktROtH7WXBt5UZ+c9v6SloeUlTqtlR9lEFR2Sdns94xjA//9k=</binary>
<binary id="19" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABAAAAAYCAIAAAB8wupbAAAACXBIWXMAAAsSAAALEgHS3X78AAAAP0lEQVQ4y2P8//8/AymAiYFEMKqBGMCCxmdkZISzsUYREy7VmFyinISpZzTiMAFmVDCiCcHDEVfGYhzNcUQAAGzyEi3TBqcVAAAAAElFTkSuQmCC</binary>
<binary id="39" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABAAAAAQCAIAAACQkWg2AAAACXBIWXMAAAsSAAALEgHS3X78AAAAP0lEQVQoz2P8//8/AymAiYFEQHsNLHjkGBkZIQxkfxJlA1wnPg3IigZJKOGKUGJtgHsJn4b///9j2sM4DNISANOdEhsThqZbAAAAAElFTkSuQmCC</binary>
<binary id="58" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAACAAAABACAIAAAD07OL5AAAACXBIWXMAAAsSAAALEgHS3X78AAAAiklEQVRYw+2YQQ7AIAgEhfj/L9tr44GCYrTtcDPZMLIqiUhrrayM6hGJyH0Z2pMY6i5vF05MHUgdCh3O7pRpWRwA/gnIbR6bLEosQidbzZRFKQzeAQAAAAAAAAAAAAAARwA8n/1vW5Qyc9HJ7I+yTRaFzLHFL7lFRhH0okFAdIhgDV9Xj5Y55P2AC/1ZIYX505VRAAAAAElFTkSuQmCC</binary>
<binary id="77" content-type="image/png">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</binary>
<binary id="91" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAAFwAAAANCAIAAACrX55dAAAACXBIWXMAAAsSAAALEgHS3X78AAAAaElEQVRIx+2XMQ7AIAwDbf7/Z3eoipBCaOfaHkEMPh0KUBIAACTxZC56hnf/lYgbl2rDQFIAUVLVxEeWbXceDvweSmdDrk+gfNAkpgRKoLzmMEZGt2f7qJU0tv1NiHTFaf7NWcfQRHEBvMw1+zRwMpIAAAAASUVORK5CYII=</binary>
<binary id="107" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAhEAAABAYDAQAAAAAAAAAAAAAAERITAQIEBQYUAxUWMf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCS86sfmM3v2NbW31NyqKF9tDrXLNItJxSaTI4kf2IAAD//2Q==</binary>
<binary id="123" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAgEAABAwQCAwAAAAAAAAAAAAABAgMEAAUHEQYIExVR/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AKBifrjhi+Ys4lerpwwSJ9wskOVKd9nLT5HXGEKWrSXQBtRJ0AB8pSlB/9k=</binary>
<binary id="139" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAkEAAABQMCBwAAAAAAAAAAAAABAgMEEQAGEwUSBwgUFRYhQv/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCceYm0/CONNzW53d7rGByVfrXo7nC2ZMi0qG+zhkgT+twgJoCYBSlB/9k=</binary>
<binary id="151" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAYDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAL/xAAfEAABBAIDAQEAAAAAAAAAAAABAgMEBQAGBxESCCH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8Av594Uk3m28i2KeT94qYsLZ51S4K2wLEuathwKQ++/wDocJDi+x479KKgodkFjGB//9k=</binary>
<binary id="169" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAAEgAAAAQCAIAAAA6Uq6KAAAACXBIWXMAAAsSAAALEgHS3X78AAAAdElEQVRIx+2X4QrAIAiEu+H7v7L7F20yitIJh/c7ze8UI6hqY9TVSFVgBVZgsZLDeADTMymLF/3WlRLdFccsuQNj3fRChU2U0ro9vFepYxSmKb44H1kCvNgrrEeJi3nr8/PbshGabcH8jo2uCQeGnXCwfltuN1E5C1AxBmwAAAAASUVORK5CYII=</binary>
<binary id="27" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAT/xAAfEAABBAICAwAAAAAAAAAAAAABAgMEBQAGBxEIIjH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8As8e+P9+iRN4p9B5ZkavS1G4z65EZ6ijTnHi0G0h5Tiyn2KAgEAAdp7H3GMYH/9k=</binary>
<binary id="45" content-type="image/png">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</binary>
<binary id="63" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAADAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAfEAABAwUAAwAAAAAAAAAAAAABAgMFAAQGERIHEzH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AliE8hZ/BxbMXCZxk0ZYMdeq1s5V9lpvpRUeUJUANqJJ0PpJpSlB//9k=</binary>
<binary id="83" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAX/xAAeEAABBAMAAwAAAAAAAAAAAAABAgMEBgAFBxEhIv/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCZwbhVy2kC2wa92qwVeLo7TN1C2IDTyG5K2A2DIKUSEBKlApHj2QEj6OMYwP/Z</binary>
<binary id="73" content-type="image/png">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</binary>
<binary id="114" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAYDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAfEAAABgIDAQAAAAAAAAAAAAAAAQIDBAUHEgYIESH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8Ah8A0eQZ/ZPmdPUZPm199XxpcaVey69Fg7MbYkss6qQ8s9fdUH7sZkSCT9IAAB//Z</binary>
<binary id="118" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAfEAABBAICAwAAAAAAAAAAAAACAQMEBgAFBxESIjH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8Ani63fkmtcjXCAzb9nppblgmvbFjR7KRHiFKV4kdMBQkVR7HpFL28UHv5jGMD/9k=</binary>
<binary id="157" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAeEAABBAIDAQAAAAAAAAAAAAADAQIEBgAHBRIUIf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCf79etm1fYFo4AGybMiQubnDI+HPLEEUvpIpCNCN/Qfd6uerW/EVy4xjA//9k=</binary>
<binary id="175" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAADAAcDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAdEAABBAMBAQAAAAAAAAAAAAABAAIDBQQREhMx/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AI/pLe1orOG0pLPNrM+HryysOd0MsfTS08vaQRsEg6PwkIiIP//Z</binary>
<binary id="14" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAHAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAeEAABBAIDAQAAAAAAAAAAAAABAgMEBQAREhMUUf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCQL6rnUV5PpLRjzz6+S5FlNc0q63W1FK07SSDpQI2CR8xjGB//2Q==</binary>
<binary id="33" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAUEAEAAAAAAAAAAAAAAAAAAAAA/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AIyAB//Z</binary>
<binary id="52" content-type="image/png">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</binary>
<binary id="70" content-type="image/png">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</binary>
<binary id="87" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAACgAAAAQCAIAAADrtar6AAAACXBIWXMAAAsSAAALEgHS3X78AAAAO0lEQVQ4y2P8//8/w0AAJoYBAqMWj1o8/CxmwRRiZGRkYGCgSv6GGIXVNEZaFyC4vME4WnKNWjzsLAYASVYSF6VnxPYAAAAASUVORK5CYII=</binary>
<binary id="102" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABAAAAAQCAIAAACQkWg2AAAACXBIWXMAAAsSAAALEgHS3X78AAAANUlEQVQoz2P8//8/AymAiYFEQLIGFqyijIyMcDaam5nwq8bk0t4PQ0MDWjiicRkHX9KgvQYAhJEPG49cdFEAAAAASUVORK5CYII=</binary>
<binary id="48" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAAAgCAIAAACHPC9vAAAACXBIWXMAAAsSAAALEgHS3X78AAAAcklEQVRIx2P8//8/AzUAEwOVANUMYsEjx8jICGcTDAFiXYRsKGkGEdRJlEFYTcFvNBPlbiEn1vDYwUQV59AsQRLjHFxqBl8WGTWIBgbhKk+GutfwlJMD4SL8xTYTkUoJFv6MmCrQ8jeRNSjj8K1ph7FBAHqSHkNvLDHGAAAAAElFTkSuQmCC</binary>
<binary id="134" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABAAAAAQCAIAAACQkWg2AAAACXBIWXMAAAsSAAALEgHS3X78AAAAQUlEQVQoz2P8//8/AymAiYFEMBw0sCBzGBkZ0aQxw5AJj2qsgoSdhKaHCY/xAxusxKcokm1gRDMbzfeYNjOSmrwBbLcSIGp08r8AAAAASUVORK5CYII=</binary>
<binary id="4" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAhEAABBAIABwAAAAAAAAAAAAABAgMEBQARBgcIExQVUf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCGUXUfzno6OBSVfGXjwK+M3FitesiK7bTaQlCdqaJOkgDZJP3GMYH/2Q==</binary>
<binary id="164" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAhEAAABAYDAQAAAAAAAAAAAAAAERITAQIEBQYUAxUWMf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCS86sfmM3v2NbW31NyqKF9tDrXLNItJxSaTI4kf2IAAD//2Q==</binary>
<binary id="46" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAUEAEAAAAAAAAAAAAAAAAAAAAA/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AIyAB//Z</binary>
<binary id="120" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAAKUAAAA8CAIAAACIIO0GAAAACXBIWXMAAAsSAAALEgHS3X78AAAAlUlEQVR42u3dsRHAIAwEQZ7+e5YzV2CsGbQXOWbNp6Sqln4vScvJb0ffSM5bh38yez4q95u3eIu3eIu3eIu3eIu3eIu3ePMWb/EWb/EWb/EWb/EWb/EWb/HmLd7iLd7iLd7iLd7iLd7iLd7izVu8xVu8xVu8xVu8xVuflIS3+y3eumTSvV8yy/v9Am/PxVsX7LkxH9IDQoISaxuG8hkAAAAASUVORK5CYII=</binary>
<binary id="64" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAADAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAdEAACAgMAAwAAAAAAAAAAAAABAgMEAAYHBREh/8QAFQEBAQAAAAAAAAAAAAAAAAAAAAH/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwC18Z5nze/x/S717n2p2rdnX6M0883hq7ySu1dCzMxT2zEkkk/STjGMI//Z</binary>
<binary id="115" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABAAAAAQCAIAAACQkWg2AAAACXBIWXMAAAsSAAALEgHS3X78AAAAOUlEQVQoz2P8//8/AymAiYFEMAg1sKDxGRkZ4Wys4cGCVSm9/IDVzkEdD5iBiDVYmQiqQA8JmqdWACoLEhoS4uBiAAAAAElFTkSuQmCC</binary>
<binary id="135" content-type="image/png">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</binary>
<binary id="84" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAfEAABBAICAwAAAAAAAAAAAAABAgMEBQARBzEGEhP/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AlLkmvl0/IvktROtH7WXBt5UZ+c9v6SloeUlTqtlR9lEFR2Sdns94xjA//9k=</binary>
<binary id="147" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAP/xAAeEAACAgICAwAAAAAAAAAAAAABAgMGAAQFBwghQf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCHU3jXS+xd6+b9jsFsfb4q5cjxSTJuQl544ihEkrPExaVi7Fm9An4MYxgf/9k=</binary>
<binary id="2" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAhEAABBAEDBQAAAAAAAAAAAAABAgMEBQAGByEIEyIyQf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCS6T6Lfy126sJG1muKChpU27iH489hC3FSOyyVLBMdzxKS2PYcpPH0sYwP/9k=</binary>
<binary id="20" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAADAAUDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAlEAAAAggHAQAAAAAAAAAAAAAAEQIDBxITFBUWAQUGCCEkMTP/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AjNjDLtCtKvC9cjqtNkpTtrlMOJMP/JNEzcQ9Mi49xAAAf//Z</binary>
<binary id="40" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAADAAEDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAUEAEAAAAAAAAAAAAAAAAAAAAA/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AIyAB//Z</binary>
<binary id="78" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAHAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAP/xAAgEAACAQMEAwAAAAAAAAAAAAADBAIAAQUGBxESCBUx/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AKbS6Q8r56ID6LcHAYxQbzwiLZKw2GYMQbNFi5CXWL3lc1iy7d5c8/aUpQf/2Q==</binary>
<binary id="108" content-type="image/png">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</binary>
<binary id="124" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAACAAAABICAIAAAAYv2CUAAAACXBIWXMAAAsSAAALEgHS3X78AAAAnklEQVRYw+2ZsQ6AMAhEhfD/v4ybaYyhtcCi7yYHuddWz+EUdz86ZRszInJdT9cn6zsYfUfFDpaxXpoN+Ou+gYmVL/kmbXV/BtTqk4DabOtGdmqOyN1LMLqdoLKHnGRo8ktA0AAAAAAAAAAAAAAAAAAAwO8A04oquEHz7rGsz3qyg6rmTlvdycGlqD7OVMsrPdJm+/5iqvsHBW8RgLxO8nQ5hBy+9LcAAAAASUVORK5CYII=</binary>
<binary id="140" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAACAAwDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAUEAEAAAAAAAAAAAAAAAAAAAAA/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AIyAB//Z</binary>
<binary id="170" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAiEAAABgIABwAAAAAAAAAAAAAAAQIDBAUGBwgREhMhIkH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AmmPcOmzNoXmYXSb/ABo50HJZtfZuyXnW+9LQolOuIJDJl0GbnMvCfvqQAAD/2Q==</binary>
<binary id="28" content-type="image/png">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</binary>
<binary id="47" content-type="image/png">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</binary>
<binary id="65" content-type="image/png">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</binary>
<binary id="85" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAlEAAABAUCBwAAAAAAAAAAAAABAgQFAAMGERMHIQgSFBUWIkH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AmKK4YA1LfK5cfP1qPtNWuDTzrUPWqFOIxTZpk3IS5zZN/XcQEftgQhAf/9k=</binary>
<binary id="97" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAADAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAT/xAAjEAABAgYABwAAAAAAAAAAAAADAAIBBAUGBxEIEhQVITJx/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AIuCrDONciYtqdbvG2+5z4K4WVGXrpgPKJoAOg3QyNh7PdHet+fiIiD/2Q==</binary>
<binary id="17" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAAAMAAAAnCAIAAABFd2XIAAAACXBIWXMAAAsSAAALEgHS3X78AAAAJElEQVQY02P4//8/AwMDAwMDEwORAIsORixioyzcLEZGRhQxAF+3CT6KhUw7AAAAAElFTkSuQmCC</binary>
<binary id="158" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAdEAACAgIDAQAAAAAAAAAAAAABAgMEAAcFBhEh/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJgo7P2VQowUaOwu2ValeNYoIIeZsJHEijxVVQ/gUAAAD4AMYxgf/9k=</binary>
<binary id="176" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAUDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAiEAAABQMEAwAAAAAAAAAAAAAAAQMFBgIEBxETFCISFTH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8Al2KsZ5gkU5nrXFZ96l0ZnLjvdybxdo85fdXp3PNOg6lOyap61kR99fpmAAA//9k=</binary>
<binary id="15" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAABjIAAAAbCAIAAABZS4FbAAABtUlEQVR4nO3dwY6DIBAA0KXZ//9l9tBN62I1LJWZRt871qaCzBA7AS211i8AAAAAiHXLbgAAAAAAV/Sd3QAAAAAAPk4p5aif2tqrV5oDB56SYI+hPHwQX0aPUOEccjcyb+VRT6v6c/CCm7UfF+fYvvdc87EzDs+oy9MFTMv/vWe4f/+dOCfLetSGx6szMoNz58rCUi94dPr7JWwAcrW3lMF3tAAAAABc1rIS5dlSAAAAACR4lqUslQIAAAAgjNVSAAAAACRQlgIAAAAgwbMs5YU4AAAAAIT5s1pKZQoAAACASZrSk018AAAAAEy3Xg5VrJACGLbzDtOTza7rnp6sg8TreQWwMINEkpQx98gRG0AnZSkAAAAAEtjEBwAAAEACZSkAAAAAEihLAQAAAJBAWQoAAACABMpSAAAAACRQlgIAAABgilJKKWXzaK21+fb8JgF8imYOnOGoeXXZVHM1JxCQffvkEdc0L/XkFAA92jKU/zkAAAAAxFhWomziAwAAACBCs1rqtnMMAAAAACZpny31+6ndfAAAAADnMrYg6f0y0dZ5X5elAAAAAGAqz5YCAAAAIMEPaSWKDAnKcNMAAAAASUVORK5CYII=</binary>
<binary id="34" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAHAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAgEAABAwQCAwAAAAAAAAAAAAABAgMEAAUGBwgSERNR/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AIjTerOQOTwMjkY3sVywLh5BJhXVh6/SmluT0BHucUWULSsnskFfYk9fnglSlB//2Q==</binary>
<binary id="53" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAP/xAAeEAACAQQDAQAAAAAAAAAAAAABAgMABAUHBggRUf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCHTrXd3sTXWZ5Hf7L2Lhrt8/OkyYfOG3jncwwu00gKsWlYufWJ9IA+UpSg/9k=</binary>
<binary id="71" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAdEAABBAMBAQAAAAAAAAAAAAABAAIDBAUGEQdB/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJU9Jw9bWvRdl1yjJNJUxWXtUoHzEGRzIpnMaXEAAu40d4AO/AiIg//Z</binary>
<binary id="88" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAHAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAjEAAABQMDBQAAAAAAAAAAAAABAgMGEQAEBQcIEhMUIiNB/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJRpcyNyuYYmOyTAvXQRtrdXsi2bnJapBCpyn4pCuUS+wDz4hIyP2aUpQf/Z</binary>
<binary id="103" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAAAYCAIAAABvFaqvAAAACXBIWXMAAAsSAAALEgHS3X78AAAAcElEQVQ4y92V4QrAIAiEu+j9X9n9GERspldJG/mrwL7u1AgikiIip6A4GFQeewB1PdSHLdZadauKeJZvDQCDY2vksgaKbbM+GkhDFNSps12oRzKfOmnNYKl6txQ78tHyLN/am6U3mr/zrnEvH7/7RS5mIicpAlfabwAAAABJRU5ErkJggg==</binary>
<binary id="121" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAIAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAgEAACAQQCAwEAAAAAAAAAAAACAwEABQYHBCERExRB/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AINjGj9w7Dsy80tOPuvHFurGu+51yRDOQcMIWGXsZByUmJeZLuZ7/aUpQf/Z</binary>
<binary id="136" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAT/xAAiEAAABAYCAwAAAAAAAAAAAAAAAQISAwQFBgcRFSIUFiT/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AjwxhS/bj904vOlz0Hi7tn6bNeMUf7o8Jj5pbZhPdbi3tx9S2owAAH//Z</binary>
<binary id="3" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABAAAAAQCAIAAACQkWg2AAAACXBIWXMAAAsSAAALEgHS3X78AAAARElEQVQoz2P8//8/AymAiYFEQLIGFjQ+IyMjMhfTwUx4VGMVYcIjh1Wc9p5mwuM/rOJM+MOEQCihqcBqJ+PgSxq01wAAy3wbFVY5U7cAAAAASUVORK5CYII=</binary>
<binary id="21" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAT/xAAgEAACAgICAgMAAAAAAAAAAAACAwEGAAQHEgUREyEy/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AKKlwHeTsN20/F84Wivq07G0JDXY5xbXyIQ8XuOHK7OIHBBz1/QT9zHrGMYH/9k=</binary>
<binary id="41" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAADAAUDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAgEAABBAIBBQAAAAAAAAAAAAABAgMEBQARBwYSExRR/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJZ5YqoFHyn1bSVbHrwK+7mxYrXepXjabfWlCdqJJ0kAbJJ+4xjA/9k=</binary>
<binary id="59" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAAHgAAAAQCAIAAABSoSyyAAAACXBIWXMAAAsSAAALEgHS3X78AAAAfUlEQVRYw+3XuwqAMAxGYf/g+79yHAqhaC/Si4OcM4lFh8/BRO5+0P7OxpmkdMHHmE9FxCC+hXgfNKPLuQrQNWWs3xM/uWzJ66jGEvcNx33K+anB9E1AA/1vaIaK5SVSG3uM1iwsxT8pxAODR6CpwccKPsnd2QyJqQNo6nUBroE2FCpBbK8AAAAASUVORK5CYII=</binary>
<binary id="92" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAAAYCAIAAABvFaqvAAAACXBIWXMAAAsSAAALEgHS3X78AAAAW0lEQVQ4y+1UQQoAIAhro/9/2Q5Bl9IKBnlop7A5xxBhZkUBFhHyCdUTEoD+CAJFHPaQGPD4vFLxipGQ16AMezmDEjsJ9mi2/NrRvE085G1/ecUO6vj36AsJ0AD3BR4qdS3adAAAAABJRU5ErkJggg==</binary>
<binary id="109" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAYDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAX/xAAiEAAABQQBBQAAAAAAAAAAAAABAgMEBQAGBxEIEhQhMlH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AiYuw7GMuWN347hrwvODYRUKVdF9GSRW71Tq7QwkUUKnoSbVEdAUPUvzypSg//9k=</binary>
<binary id="125" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCASiAw8DASIAAhEBAxEB/8QAHQAAAgICAwEAAAAAAAAAAAAAAQIAAwYHBAUICf/EAGwQAAEDAgQDBAIJBxUMCAYABwEAAhEDIQQFEjEGB0EIEyJRMmEUFUJxgZGxsrMWFyNSdaHRJCUnMzZDU1ViZGVyc3SSk5SitMHSGCY0N0RUVmOChJXTCTVFRoOjwuMoOIWlw+F2V5ak4vHU/8QAGwEBAQEAAwEBAAAAAAAAAAAAAAECAwQFBgf/xAA5EQEBAAIBAwIFAgQFAwMFAQAAAQIRAwQhMQUSBhMiQVEyYRRxgZEjQlKhsTPB0RUkYiZDRKLw8f/aAAwDAQACEQMRAD8A77m33v14uZIo4htHu+HsDXfJuWsa7+0V5WpuwL3F+GfFRtRz6zo/LZ+RbX7Z9arT7QGeU6dV9MVctwbHaTEjQ6xWl6Ff2PSczTq1N0zK63I5JltzM1xQq1hR16aJuwT1XXYuqWPh5h/mpiCX6HHoqqwdUdqqGSNlhq13eXV6wwtPKvyr2RXp4rvPt/EB/WuozBg9mVhJJ1m/wrsMrqk134qvGqm+mBp+0B//ANLgZg8uxVa4LS8q2pHFOvxEO1H1o07yCIKLaJcJa6B607muaYAn1hcflQfUOsAtk+avGLDqJp91fzXH1RcoAk+pa3oXCqQ6HBO58Mkrj71gJ2VlQ2iJSUEVHkahf30aeNrarHRCqLXhu6qpAl0OV2adjUzjMHD/AA7E/wAYVUM1zB/h9nYn+MK4rh3b4Ua3xSr7l9rkjG44GfZuK/jT+FOMxxwH+GYr+NP4VxgleoaXDH46f8NxX8a78Kubj8d/nmK/jXfhVeEwxxBYGbld2OE8xdXZh6WIwlTEVGa6dEPLXu9UOAukpp0zsZmDXx7LxIJ3+ylKcbjw+2NxJB/1pSGjVbUeytZwMQeiR1INIBKWVFrsdjDvi8R/Gn8KcY/GWHsvEfxpXHDIQi6kliOQ7H43XbGYj+MKj8xxbTfF4j+MP4Vxo6ymDQ4XVls+4uOYYs7YrEX/ANYfwoeysWd8XiP4w/hXHO8N6Jmh7hur7r+Vc3AZtm+Cqmpgs1x2GfGnVSxNRpj3wVzWcUcUN/7z55/xKt/aXSBrmlOIO6XIjuvqo4o/0mzz/iVb+0oeK+KR/wB5s8/4jW/tLqAyEr1Pdo8u6HFvFJ/71Z9/xGr/AGkfqp4pI/NVn3/Eav8AaXRtso66e4d4zjHjGl+V8WZ6P9/q/wBpWUuNeNA7V9V+f/y+p+FdAN/gVg9BT3DKG8weNwwN+qvObfrt/wCFVv4840cfzWZ2P9+qfhWOSIVdQOJsrctDKBxzxu3bjHPv5a5T64fHDP8Avhn38tesX1PCEOep7jTK2cweNw81PqtzuT+vHq1nMHjgMJHFud3/AF49YkBCIdFk95pltHmdzBoPBp8aZw3/AMcrnnnBzPDAGceZ0B+7lYCQmYtzI0zz67vM8C/H2eH/AHkqHnHzPa2Pq6zo+/XKwgNGna6qqOa0Q5l0+ZkaZ9T5yc0miRxzmx9+quRS53c12j822afw1rqnAbJUa4zbZPfTTZH18+bLTfjfMf5v4Ezee/NjccaY4++1v4FrZ5BF0oE7BZ+ZTTaDefvNtoj6sMSffpt/ArafaB5uN/721vhos/AtWaSDdEnopeSmm1m9obnA3/vaT7+Epq5naM5wAfmmon38HTWpOiUvWpkmm4G9pLm63/vBg3e/gaatb2mebjd85wR/3GmtNu9GyjfRur71by/uquaMd1ry2Y9P2MF0+J7SXN6tiu+HEFKkP0MYOnpWpW2CRxkqZZGm6aPaa5rNZWbUzTCPL6emmfYrRod9t61T/dJ824/NDhv5E1adamKx7krcLe0rzZaZ9u8G7/dG/hV7O03zYEA5ngnf7o1aUsmE9FqZGm/c47TPMnD1GMwlfK/E0OJdhA7fpuuGO05zViTjsr972F//AJLS9d7TSpeelU6iZhWZLpvJnaj5nNPidlLv92d/aXJZ2qeY49Klk7v93d/aWgBqlWDVCe/Q9Bt7VnMDT/geUfxbv7SRvas5gar4PKP4t/8AaXnxriHQo4kOS5mnpBvax4sp0v8AqbLO9+38ScdrLix9O+S5Z3n23iXmkuk2VtN1rp7009Kf3WvFH57kOX/7D3p/7rviCPzKZf3n75f6XxLzS5yLCp7jT0s3tdcQz4uFMv8Agxb/AMCtb2us668KYb4MY/8AAvM7Gs0uVbmjUEmejT05T7XGdAzU4Ww7x+/Xf2Vb/df5nLgOD6UdJx5H/wCNeXn+EKvdanJfunteo29rzNJ/MXhf+Iu/5atb2vc0/wBC8L/xJ3/LXlfw9Ew1KfMPa9Sf3XuPB/MZTP8A9Yd/ylP7sDH/AOgtN3/1h3/JXl3u2nogdLE95p6kHbAx/wDoNT/4z/7KsHbAx434Fp/8Z/8AZXleysqVH1GtD3lwaIE9E95p6kHbBxP+gH/3r/2E47YOJ/0A/wDvP/sLym3SnDwrMz2vVQ7X1T/QAD/6x/7KP917Wi3A8f8A1j/2V5U1KSFPncn5PbHqT+7Ax024FpR91f8A2k47YGO/0Fpf8V/9peV9SmtPeaep39sDFe64Fp/Bmv8A7Sso9sB0eLgWp8Gbf+0vKoLYSgmbJMz2vVbu2DVp/wDcD/7z/wCwrKPbBqvH5gP/AL1/7C8nVS5Ck50q/M/Y9r1zR7XR/wBCf/u3/sJn9ro/6E//AHb/ANheSzVICrdVcrMz2vWFbtfX/MM//iv/ALSvf2s8VTwoxf1A4mrQ+2o5s18fB3UryPrYnw+Jr4Z7X4eq+kR9qVr5uf5Pa9i5V2ueHcTSa/FZBj8M47tNfV8XhuuWe1vwYDHsDH/H/wDpeNnVmYrEd5UmnWiQ9uxKsxOU1MyZSq4Ag1IitT901321+hU9xptjtsN08/syP6xwn0a0vUawiwC3d20mipz8zME/5Bhfo1o9zW0zeVM0xCo9rgxrZGkX9arqmB1lNSYHVbmyNYNFQmZlcVrbmZUXGXOFtA+ULjYqDiqkCAXErl5Y4/ZGgT4AB/CC42MpubiHahCoqfBJhyqGprT4laym52wT1sNUp0m1TTIY4kB3mQsxHE1iWugkHcK4lpbYQlZTGqHGCdlKjSG6XGDKeW8SCGv8UkK6iwPY4sfEdCqS2I8V1c1piYgK7So0ahcylgNMgpvQEBVtbLt0kS0XPBEEXSaoCZzTMAJAIKrklOx0qxI2E2qEZtdjkl8bQ+yaNNVvyr1TzN4h4B4by/C4TPMko8RZhVoa3Vafh7qQOvSf6l5HbUINuq5mMzDEYuoH4irVquDQ3U98kgAAX9QAHwImy5w9tfHVcRSaWseZA8lwAHOdK5ffNcNG0qipAdoDrpqIQkjcJiAbBCbRKhcPO6moCaYaJkqsu03urAXEKBuqxTUFUQNV7qU9UzJXI0tLdPkkOltk1BXqcCnAIE+akglNrBshIgc42UAJRDghN7ICKd5UMAogmIKgbNiqI0iZRLrpGiHQrGtJKmhHwpq8OyjmlrZKjogCN1RA6Rsli6JDmuiEQbbKSCW1IvE7KNa6FCHRJTRsA156qQQUzCI3Rc/Ttdas0I0ktuqyyagPROx8i6k3kKCwtbBkKttGQdJso5x6q2iGkSSlFRZBglFzSAIUqPZqiU9oErGwrgSBdSoGkiChUE7KM0kKgg9ISmPJMHtFghdwmFYFA9asYBCB0wJQ8IcCHKgGxSkSdk+qeiBsJQKxp1RKscNKLGiNSDhqG6SaCGFG7oEXRghSwcrSRh50yAuPTJ1FpbBXIw1UOBYTAXHLh3pIMq6BaPErXREKrYpxdNBAIcg65Svd4oQKaDBglPAhK6dIKjmkAFSwR1xCLDBhLsVCDMpoNqRBVQmU4KaBcUBpUIlKWJoE+pM0gC6HootBddAQ6yV1wobBAOOlLQrdQddWRZKDe6siRZUVESVYBpCZkB41Ja7h3kBIKxOtNIiEIuoBMoIBaUeiZkFqQzMIIDMogqMG6BDoQToUW+kFWNcwrGyLwgL6ZJkKBum7ggK94ITVHte3e6BXlrvRCDxqbpmErA6bJy0jxFBXT1NdEkK5levRfqo1S1x6qWeNUjV5Lj1HPDoIhBuntrEjtCZt9z8H9GVpJ0lsrfXbGxNKjz84gp1MHSrmpl2B0vd6VOGO29/+paOq1KdWABC5OTzpjGLK2BxWGwtKvVovY2qJaXCxHmFw3kbrt85frbhfxR3gbQazT9rC6h7CuBpzsucSNTb2HzghmnixLnEwJhWZYwClVvtTHyhcLFhzib9Vu9ovkAZbHRWHF4ruPY3e/YBfT61Ub09I3VSzCRfUxNR9JtMRZUv1O8TuirYXaoBV7ZDCHpprwDQDCtcTp0xZVMBDp6K2nWaQQVYlccVHd7eyv0NmRdK5rHHUgXECAqyEvDiU2lpEkXQEi5ReYbKla2g0xske2bpmkFiDnGAWiUBuwNduUzqmowAkBcPGR8CRwJMt6qsnABeAmewMf76UMIbM3VzNJpiT4gotVFwHhDQY6lAASjVa2TMmfJK0ENsmw5MCyANpJupTEg+aPdugoIwmJQLQbuUpNMQSmcIbdUIWgbIsYIklR0EBM1rTclNrsIYZgoFsCQnIZNkGzMIGkuKLwQLIXUJPVEBpnouRhn9ziG1tLX924O0uEh3qKogjZEFwHiUo5+e5gM1zOtjRhcPhu8M91RZpY33guudqTs9EpXSqCNRuHaVNJckaXTcK5pIFxCIrENIIG6srGKUz8SWNVz0R1CICEVs1d3LUCbQd1a4ODVTHilyzapg6BClM2KZjQTJRJaLAK7CknTZQPgXTNAco5oNoVCEMcZVhcA2Aq2gAwU7gAs6BDg4KaEGgTZWEyLLUgrLDMpgQBBRkxBQDQ6UAIDrhFgAMnogPCEWGZQAyExbFNM5ssSz0TYEloskcSbJz6KAb1QViZVzR4bpQ26c+QUCh0NgbpWjxz0Vmm10CAFRHNlojdEuIEKF3kgBN0AgTKMSbIgKNkFANDtylcTsrqklsBUlpaLqbAJtZEE6YKIZIlENvCoDRCjkzvIKRIkoJEBA72QIcTPRHeyCOFkQLKCwUmRspaA6OiLWpRJcrZAMFY2iNDNQ7xpc3qAYlLPTonJVbitmgDTqlF7Qo2UXGyqq4IumaD0Vjr0xZKJ3U2F0uBuo8XTEkpgwkSqKRMqyShphSE2GaEIEKCUAmxW9l5RaRF1Y9w07IMDSJKBC9rRZWte11PxpHCmEjmzspvQjXNbVmmSjXYag1AgFAAB8lCu4E2BhUbm7an/zD5vf/ALPwfzCtKgP73wBbq7ak/wB0Pm8fpfg/mFaX7x+3oOW+RMXIxeh9AVjVYH6oNMAyB57QuC5zmiy5FalN6dTWuPUa5m6xSuwy95FJ8j87K41Wqx9bSr8ul7KgjamVw6rdNQv6pvYuPokAKgCZsoKvgkndMwgmJ3U0K2Mb3ouuRVAadO6rfTDHAzdEnW71qmzG7YXH0lhK5LWlANmdSKSmJEzsmcQ646KNaIiUrABLWmZU0AJ1XNk5ALbpqegtLXbhVmq2dMbJsRlmaYRiBZBpEygZmRsmzYx5lM2LKs33TBhjUTZBZUcAQClkn0YU7trxqBlBzADuUoR+rUna9wpkFo99Rok2NlKjJU0BSIJsVaA4Pu6xVQptiWFE9JKEGoNOxQaCWklTwk7p5hWCs2EwiCNMwncfDsknw3VFpa1rA6UliZmyGvWNJFktpiYCCwluqxRc7okdTAuCgJlA7nS2IVZc7ZWja6VzQboI3ZSZMIt2ulkakDPBDZRa6QhVnRKFE2hA7QfEQjTaLONikc4iVdhWaw8l2nSJugBiVVWIGycuEWuuMZJn1ptdL2O8Mosc0i4VBcQIT0pMKeUXUwA8oBw1lI8lr0km5SdhcWy6Skrb2UY5zgo4QVKHw5jxOVkjV76pbJGlO8jTCB3RqCQmCYS65RAlWCSOqhMCyDwWpQXK6Dy7SboN8yg/YINcJUDOmQoZNgi9zXbbhIASbJrYuaZbASAw5SnLXwVdWDDGlNBTJug8eG6YWTNZLSXfArRxWktN1fIhVOGpsqywaEELoVjYAkqkyiHS2EDVCS6VHjWAAhuq2uLXwpoWC1iU0jok9IoxCQE22RaWt3ugTaFW0SSUodzlGkIAat1AI2UDgiFGEXVZeQYTiwlWdxGt8UoPHiUBd0TGzZKaAaZMJXs8UoB0OV2oEK+AnqU2QcYcgXSoHbKYCxkJQdLQURUJSUICQYhO5zrNmEpPiUf4nAq7AeCqw5wKvdOmVU0FxUgcPgAkJw9p6JHNcQLJZIMJoM8iUryA1K4EvsmIBEFUVmSZVjSAFIhqQAuNlNB51dFXUAbaUztQtCWo1u+q6SDdHbRP/wARGb/vDB/RlaSrgkrdPbSP/wARGb/vDB/RlaiwGNGEJJoU609KgkfEt5sYL8TgHZeAC9lXWPCWlcTFVPsDWVaRZUn7WJXbY32FicNSxlB1R2I3NMtgNXXZhXq4qk01qkuZsIiFmtK8tLhUeJgFpC4tWDUJaLi0rm5Wxpe+/i0ErrXk9QQZWdmj3joUQIIOxCWnIsQbq4gAibqqXd2qUacST1Raz7JHRR7dDxayqaWtqNHpKuu4k+AKVGgxCLxpbYrN3FI0tIglVjwvMFOG3nzRfTghbl1ArA6TIQZEkuarNUWRhum5uprZVUCfUrbFsBVgXg7I+jcbJcNEQBuqCmE3k2SEF0FPpMBAWkBsBK4iJKDg7VYwExAhWAUiNJPVSs91tKjmwAQo4SJSgU3afWi5uq4Q6ABPRcJLCFkUCwlWmQJQe3TI9aLvQhUBrpIKc+IpWgNbKIncbILKYAbEoVKUeJFoDhMqVakM0qQB1wEpHkll0gptQ1wqIXANtumpuaWwd1O6k2SQJJ6oITeAi1oiUC28pwZZCAPmI6KNDWWQYDNync2RKAEGbouY8jw7IzIugXuAgKLCNBmEz2NAQaYud1W+SZlVoXAWATtEQq2zEpmEuRFj4cli0BBx0pmOBCjKMMGEjiRVhWPk+iEjWHXJUsU7XbhL5hWkDokcLqw0am0tBMIU5L7K3wspXuuOyQ/1FVF7/Wqxeyuc2ADMqoxKgV8CyLWtiUSBCh9BAIbNkwpuIsgyLK2YsE2KmekQU7WAAlBmkHxJy5swNldiioTKemQ0SpUHisgSIhQR0EQkY2E5IhM0BBNNkjhCPiM3TbbpAAPD61HMmCgx3iM7Ivf4bIABpdKOrxJdWyI3QEmUtNpDr7Jm7pnEhQL6LlKhi4SEklMG2V0C3S4T1TNdqsREKsU+oMJ9Zd4Yj1qgOqwYUL5CbQ1TQBsmxU27k82MFQtjYboNY4EmLKUBpLjJVpaImCi0gAQLq+pVL6AaWgR5KChximlHQlRxkwmI8TVRC0KudJuuRpEEyq9DdMkpApfaFKJglKQTsoWECZSC0uJbZKNM33UY7SNMIFt5QBwvKZrWk6ibqR5lKWwZCBgDcHZK3wOsn1WgqEAoEqSSqqphWqusJV3sbi7a4/8AiGzYT/kOD+jK033IN56LcvbWAPaIze/+Q4P6MrTDyQLFbz/VUwjmeya9KhSw7amkMOoR5riV31KlVxeZLjqJ9ajCSQ4lMWiHPcQfKFmjm5WB3xtB0ELrHtd3pBOxXZ5SZNRxGzCV19Ujv7GS66xYI8XbCd7beKFQ5zg73lbWczu2kTqctTsCNPeCHIkEm649Mk3HRWl7iYVlNLYDQVRUcSL7IlxNgVGkEaXdFRYGxEhQmTBanq1gXDTspTfeCFlVT2hBviG2yYnxGQldVLAQ1imwLEwE2kAbykp3dJsmADau6e6gCXHyVjQYSukGQp4g03VAqAeaWRZFpBEuKDQC5S3Qts5sxYKOcCyAErXFrCITNeHMiITYUtIhymtuqVYGS2Q6VRUE7Khqh1VIHkjfTBSsaXPvZCo4MsDKBRIN9lZJ0pCZT6gWQoLKZDWSVSXaqhRa2WboPhosEgdhIMkWUcA5weLQqxUJcJ6p58UBBb3h1WCrBmZRuAq3O8SQckaO7g7qvU2LKt5KlMHVBVFxa3RIN1W1ztosrHMAG6VrhEIGbdqBID5KhfENlCm0vqCmHXKgZsOVbmjUrKrQyponxNkO+BUuJ1JpVjYiFKYk2ST4ZT03aWyglRk7oNbpKuPiZqSFphAusEwFYyNyuKBD91ez0SEFjnDop3JcNRMJGu6QjUe4NgKhXuBESlY6beSBMwQrKcSiF8RG6V07kq6AUjgJhArHzZWtuwpAzxbIuloUoAsVaxwmSuOxx1XCd72g2Si17mxMSkJEgqS4N2QBkGUgL3+LayTc2TwC1VgONgqLA0FOWXsUG03Bzh5JWvNwkobZyNT0VW0nUhUcQEECYtCgu0FQIJpEKbKAzdCoDpQNMGyckOakYARJTiOilC6QAoDCDyUhKgcmSiCBZJUImyjJPvKwXAjzQm8INYCd00QYTQgKYPEbJKjYEzunbAZcoK5kmyMmIUaPF6ike8NNjKBgLymkbqpjy5yc+QKaDNl0hKQWmCnDoEBQ3uUEbESAqnE6oVgfAIAVZSCxhAEI++laQn3bZXQrqg9EmogJnulMxrSECh2oiUziAFHMgyErksC95fZGq8adkIg7JarrbKbG5O2rbtDZuf1jg/oytKkyYW6u2xP90Jm37xwf0ZWk3Ehy3n2yqYrcPSqVi5nUWuo4MZYSALH301AO8R7zT4ZHvqto11LmIF/WVNlc3LhOsDo1cKrAqyD1XY5YWh9VpdcsK6up4ahG900HfcSkbqAhzU/pAQn7t+mTELKkaAJhHw381CzxbpSLqixrW280lRsOE9U5B0z1VJLtYlByWBukgi6rYSHwrWEFpKrJAcCN0F7mTTJO6oa1WOrQPEkDmu8UwrrYUtAeJUqEa5CjAXeldK5sVJ6KaDEy1K0m6bWJgiyenoJsgqc2Gmd0WCGyuQ7TpKoG0KUCncE9VGRed1W5xa4Qms0glIHa7TaUjiQbBRzgXJj61ZAmowlbTLrpmkItcQ6E0DTpkOJco/TCctJuFUTpOkhShgbQEelwgQS6xSkEFAXBpCLACLFI62+ysotfplrLealgeQD4rpL6pGyn2TVYAhMW+H1pAshzk2otcISBtpTMki60C9xcVWA4EwmBh6OqFmosploAMQUjWzU1dJQLhEhFrgd1YRW5sVnGbJhAMlSJf6k7wAPNW1SPJNOGncpmiBB2UBJp9AqiXdSsVXJabAA2TEWhUMd4bJ2zJMrXtNlcyCCmDtJ80C4WB6omA7SbKSaCHVOoK6o4O0i0dUC3S2dQKpqOkrSLHNhvhEqMBDUaOohR2ppupsM0GEukM8SYvIbIVTi9102HFQg7KDxSSk6XTMdqbpTyFHvKO2sLpg1w2TEunZNivvHkgQn3GylONUlWEjdUUkO1CNkxJB2Rc++yMyApsM0kJmBrTLkriC2SlqO1NEdEErNOqRsgA0m6hJIhVwU0LC1oNiiPFuqwbwrAI3TQsDGabJHi0ICSbKxpEQd1QjQIug4QbFM8yLINiEAqOA6JJnom0nVJ2RMDooE6oyQICkT1AThse6BTQAJKtZ0sTJuqyPJNTc8ar7iyCVT49MyoSIgqsAipcq17W7jdUKTLYVemU3upVtIA3QVMEFNEGU7xJsnZT1iZ2QUE3RBHmnLBeVVpvZUWCIhKWwnpgdUrTLiFAoarJ0tsq3amu9SLTKUVvkn1KynZsC6Z5aGQqWE6vDspILHOJSgSUTPUoagCgWvZVvMsCeqC4Kp/ohBuTtk1u+7QnEAP53h8G1vvdw0/KStNspa3Q42W4O2P/wDMXxJ+44P+jsWn3gAQHXXJlWcTVBDPCIVNMkG91yy0Op+nK4jgWkrj0tdhgAzvdfm1cN7B3rzPUrl5UdRdq6NXFnX3pAiCVsV051bq6lULjo3IVZIA8kjTpqSFhVhJL56JqoArt0mxSNOp09ENJFyfeQcgkB2ndJqY3U1wukpGCdSWqZfIUosAIaQCq5JMDdXNAp0ZJkqgyXWW5ibQOkwbohvVLpIMhXkeERungKyZsUtRxBRZ6W6OIiQEAEEI0Rco0DDhIkJqjWh8tO6UI4wd1Gi0gqPHgjqla0gWKmRAqCCCVYXsIEi6DGONymqMmA2JUxCtLZ2SVPOUwpvFyEKwAbK1KKg+OisDCfFKUNBgqwybBMqQWvIMI1CC8SEskBAnU6VAT6UpJ8Uyr2wWQQlfTDbhBWSC6FewnREwFR4S6wVumwunkHUAU4Gpsgqlzb+YRpvLDHRTQgDoKGrwRF1Z3gdVLWpXFoMKwU+KVZ7lMWy4IVBpKtCsvZORASgHXKapEW3UFpDDRaQLql8woHOgNCh3gqbBkbJfCXaeqgaO8kmTCEEGQIdKIOggwFaKcN1Ockdqi5uidWgCVra6M/SHBwAI6KPfULg4Ma4oaT3ZkKumCBBN1BbUDt3Bonol0jYwpYXddK46ttkBLu7dHRF1UOskIkKNjaEDnZWsA02VTQW7hMH+SgLm+aDABNkzSCwkoUyOqQK/UHCE5Bi5QqXcmbcKioBvRGTMIsA1FMPeU2ARZJ4pV0DdLIKWCNaXSDcJKgsQ1WtOltkjoBkpBUzU03Cd3RMXDySuiZVBpMl8qxw0uvshTcG0/Wg6XCSgaQDZK4y6UQIZqiyrLpNlNh5EIEzsgASVaGgBNAMB6oPDifCEz3EdEoeSbIAyHGIV0hrdpXHMh26lImTeVd6HIaA6+yhgP2SXjeEWTO6koV5l8gIElSoYdskc5wOybBNSLQrKTo62VQBcNkRYQU2He69kW1HM67pHOAagXSWhNi6SQq4PROw9FHNIGoKAEoEw/UiG9VHgErUCl+o3Ugz4U7mANmEGENCCsz1RiBZM+CErjDQApBIKkCVYB4JhUPBLt1bdCwwQqMSNLQrmiy4+PcdDffText7tlEntFcRDoKWD/o7Fp50kyOi3H2ygP7oPiI9TSwf9HYtPHTp8O61yRMeyMe8nSGxG5Uc6QPNWw5rZPVVaYqepPsOblUF1UO27ske+uvpk6nXsSSuxy92iq7UJBYQF17GO7xxiACVIqVnggABJ4Rtura7QGiN0C2mAPtksBp+iiWkNlGmwjdEuvphS9gtKXGIQfTM7wngsuCqXPeXJILtLe73SM0hW02Sy5VIGmoQtIcbwgJlB8zIQLlixQMBxJKd7dYBCNfD6GB5vKq8bCC13wK+BazU2+0Kxzy5rbXVDO81S+87KxtwfUpLsR10C8h4ajDoJSMcS8EhWiwlxRaBBBMEpXO0mQjIcJKgIc5o0yq7umUxcDYbowA2+6SBdPgUptgyl1EOvsmc7SQZsrsGoRpSMb1CYkO95RhaBoWJATMSTZBpsm0EiOirfLTZbFtFg1bIVzpPqSse4CZRdqeRqugDnS2yIANzskI8UBOLMPVAwc0XASyCbKumHO2EBWkQgU1C1wAUdqc+Tsg5oJnqna4AXugUTKkgGSg4EOBRqXbKAtcB4lJE6kgjTCuYA1kxKlCBpNzspEtJBiE5qBwgCFU1rgSoiB95VgJdslbTIBLkaZLSQVpVhcR6V0r7X6IBz5g3S1XE+FBA5rlHfqUrGgG6scWgeEXQVuLhc2TtEhSNVjZRgc10bhAwkeE7JtLYkKPZbVF0gcoGJ2CW42TEdVJsgUBxePJWhnhJStMKwGWJoU02kndWRAVfiYbBOxxdulEJSkWlM9vrRA8CgESQmrU3MIMyEFKhda8qhtIiSl0tIgJdTjZDxBWhoA6qOIiEl1WZ1boOQ19Q0jTD3BhMkTYqAeJK0u6bIucem6gsNpPRJqkSEWyR4kRoggWQKxwnxCUfBqsIRDRplK4gGIV0DR0Csdd2qPDe9JZZqTUGhBzpEILmDUN0NjZDDnwFMfMKBSJMkKOuo0O6ovBIsroGmDKFVo1KNaRcuULr3U0KntcSrBTgAwrGFp3RqEtiNk1oV7BU6zMK8wUDRtKgLTZBxEoOs1I3zKsF2qQgWKCA2UjqiotDRpSOaZsoKg0wUTq0yCpoQgkQFW0Qbqzdu91Gt0iXGUCg3IXHxrfsQ/bK9/pGFxse49yB+qSDb/bII/uheIgR+dYP+jsWng5uwF1uPtjQe0VxJawpYP+jsWnBpILx0K3yEWuJ0jqR0SXJJcLqwClpDg7xWn31XrIKI7DKWGpWc/cCkfjXCpz3ml58RJlc3Ji6azRsWEhdeak1SQJunlXIxNCm1geHXXGrNAIeFZWeS2FQZ801oOyo53RNDpkJGiBKZjnGymgSZQLSiRB3ungubKqF8QVR3lXXLUgZN0IVslOxo6oxoCqfU8SzIrkOD3AGfgVJBDtrqxlYfCke+XyUuIupBumQZI3SBpkkbJi4ACBEoQQLFXQpcH6oDrJmOLDpF01UNpuLSVNDCJB3UAA1EFOQASIVR1i1O5Qc6p1sVA4eGbiZS6pSDxPgq0tgKgWG6LmCEp32TyTAQBrb+pRulrpKsc0DZUucO8iEFwOq4VbxD0utwdA2Ra7xXU0CAOqhsZ6IvdqNgpoBFyqEJJ2VjJ7sygWiPCUCDCAgktIbulc4BkHdGAG+tQNaRDt0AZ6MokwpGmwUF0AEkymd95CEW+SCsjxSnY4kJ9I3KRwDUvcLMOlXT4ZCqawEXKgMGFnQfU4QdwoHB79Q+JCZRpw0yrQwspDSZQcJNtkA3qFAtUDompwW+tBzeoKLNU3V2Hrad27pA+8kovpFt9UhBrB1S3QcvLhA2QpDxXEp9Jc2GhKCW++qGc4bDdVyZIT0i3XJSvvUc4bKaDAAtVxhtK1yuO26Mu1HyQWkggpGh14VclM1xDU0DBLrlWWDFRLpRFR0wUvYWtEn1JhBMJdZDbKtrzKbFz2iJCpl0XVrSCEHNurvYrmyZrWxMJTumaJtKAOJASSSrazSGqpgKmthwTAhWPAgQg1vh8ig8lpAVDvcBDQkftKjmk3UYwmxU2K6YkkFQNuZTAaXwCjF02FoOlxaAuQwtJ0HoqWNIdMJTIqTKotMhyjnxZKx0m6hglAQZcJTVAJgKMENJ6pJcboJBHVOxzYIcZQdGieqRtjsgZpAlA1jsmqBgjzKVsaoAUAcZbdRolqaqOgStaQrJoK4ObboiArrGxSPap4AhMZLd4VQLtUFMTaFQ/TzSmZsUBIITvIm9lBVUOkqnGt1UQfWuQWCZKozD8rbHmngbd7ZZce0RxIG2+xYP+jsWnGsuJK3L2xj/APETxJP6Fg/6Oxacc6XiFyZeUxq8CG2hUvBG5VzxNMaRdVljrSsy9xy8oqFlWpO3cu/qXEo6ZPvrn5UykKlfUDakf6lxMO6mNfvqgOjoq7SnqBuvw7JH72QRxAsox0WAVTnS6Ama90xpspaqyoBEzdFrrIlrdM+aqAIKbFxImFHODWqpkF5umcyRMpQA+XoVGajKSm095IT1KjgCIQVsaA6xRqCDdNTFp6on3k2AHGBC5VEamyTdcYEE2CsDougsqsBkzKUNBZ5I6g5hAKUH7HcpoSlLX+EynrNDvEd1W3SCCwpnm0KBGARKg8ToQ16WpqPi8SQSp4W7KUwXBGodVlGucLBaQTtdU09bqhMWCtdBIRY5tMkBSqQgA3Qi/qUqPDnaVIMwVA7AFHgByAc5uwUDnOEwpYAWgXgwoXeSJ1VBBsiAAIF0AJkKXNylAN5TkeEEKhJJcpYOTvDdIhVO3sgZ17hGmYN04YdMqsyCgudBZbdUPdNjYq6heQVW4BzyALoIxltUoNg1JNk1wICRwPTdAzwG3RpmyBBLADuo0kCIugeYMeaemPAYVB1Ewno6pIDkCvdLohQFwPqQeHB0KAOdYKaFhdqaixwIhV6S0XSsJDlZByDU7sWug13eHySWO4UBjYq3sHEMcgCybdUBBNylYACTuoHEN2QL4uLqbhCABsgjXlxiFa0DSqqOkuKuDSdlKFkatkHhpumDHIEQDKa2GaQRBUgTa6qBvdFhOqyaF5EBVOBmQpUqGIKUOOiysDkGJUZupJLIKjBGyB6sEQq6ctdCgk1b7IuI72yA6yXQUakImAJVYfqOyeQzKrvJWB43KQFsQo9ocyApoQtpnxMMpQ6DKro77q0iLlA4eSJiFSY1SU2puySqLXS0MSIsjQ9LxIUmCN0xgJsO57Q6BsnZoiyoAkI6wBA3SCOu+EW0yDJSg/Gmbr6psLUnVfZK0hrpBVlS4S6AWxF1QKjuqalJCq1eKFZTJBsgNQlpgJe8dqDUzySUrG+OSFNBi26V4gyrXEBVluope4DXAlWNHi1G6rcNKZrimwlYnvVTjPyoT5rkvGq642OY/uRPmlg3B2yJ/uieJI37rB/0di06GkbrcnbGEdofiN3+qwn9HYtOmoKjgCuTPyxineOZFpClWtq06bK1zAWQFxQwh+6499267PLS0Uq7nG/dldc101iGgQV2OW021G1xq/Oj/UutawMd65S1NragMWKV4Gj1oua7TIKqJI3CuIRjTqurHAtICLdMapupvurVO0kDzQbJuSrKTWEQSg7S0pIIA1wSAXiU1NpiQq6mrVZUcrD4bDVMLUq1Mb3VZroZR7snWPOei49UIh6lW6gRisDJS0hAuUW1GtMEpQQ0UzMSo4A3hMXCJlJrE3NlAGWsrWgRfZK1m9RtwdkDrFMtISQIR4/CU4IVAa4GQVYJj1rdQz2hwVlJngsVVEC5TNd4fCVmqDiWlFrtSA8RurGsEKyoBEGZsiQ2UC2ZaDshWcAGBu4UqxW5kvkGCEWOc6WuCLBLieqFN5D4IViLCBsg7w2aoXXsESQeitISSbSpTBBklOQ0DZBpBF1hVdUkHdSm8kQmqMB6pWsINlBYZdZK4XhMXFuwRkPExdUOwECCUlQWUbMbqP8AEJF4QWUxoAKrqHS+QN1GO8N1GkE3QEH76Qk64T1CDYJGkTdAzmGZUbYyVbqBFkoglTYQEX80jDoMq5+kDaEKdLW0uGyugHOBp64SASQWmJVrGAjSEHMINhsrYA0yYKjmkdEjyQ6VYKnhkhYssCOmEjAdUo1XF2yamwlqBaYJcYVoZF5Ra3u3SdlYW6mujqkCNE2TQ0CCJQcNDLboMdLb7qgN0h8AK1rgAqYE2Uh07pIHBdqkmyWo4IvdpCpLiSrrQsItZCnM3UaZsjBBsgL9Kgg7IVLhK06PWgsc6CmDxCHh0yUhEiymxY0iJKqeZMhEAxCEXhNBy7wwpSImFA1SzbqgVB4pT03CbqWcENMdUBaBrsICsqNBEgqtqYai06SpRVIDrhGp4xYKMJIIIumHowoFB0NhAv0m4lHSSi2lLrlXQYXFkQw7wo4BqDa0mAlgO1yLoNLiVHkuS0wQ5BHTNkAXTCNQ6TYJmDVdBW5sO2VlNhF5UxAgAhI15IhLQzrORLzG1lCRpSPDiyQLJBYGtcNUoOdp2S0iNG6cNAbJvKaE1scIO6DyGssqS06p2Cct8CuhGu8MpMc4uoNH6pMGkNVWYvAoNA81LBuDtknT2huIv3HCf0di0227pW4+2VftD8RD/U4T+jsWnG2dC3l3yqSfS5THjuyIVEtDTeSr3Na0EES7z9a4wbJusSldpk5DtbWi5pldWGOq1NOxBXY5aXUQ9zN9MLri9xqybElWQcl0aNIAkKmDpggXULHRqlU94Xug9FfAuNIhvigBVhg8zCZ7nGxRZqdciwVAptEktcfeTMILosUGkBxLWQUtNuqqTMFFckAB0TbyVRvUIiyvFN1ZwY0+P7boqXtcxxmxCIXSwXgo2LfNQvjdRxmC0IFlkz1SuMi4CD2EQ4p2w7cQs+VKTYBAgkEQmc2CCCrWPZHibKtmkVMcWkSrXVLSEKrWubayRrfsd0iqzUEwgSi+mA6ZRa2wLtlaHw8O9JNUhuyDWH3CWo10eJZFbakOsJVknfZCkyDKscWmxCvgBojruoQAEXQdrAJToPW6gjDewRLXG4akhwEg2TBz9QAdCB6bb3TvYYslcYeITlzvNBW5pLUGiBdWTLUlkAIKDS4OTO1ESEBqAQMHGbhFjRMqESz1pG6iUBcAx0jqg5vVR41EI7boIGylLYKsmGygwhyCFpbBSBkvlWPmIQp2CCejuoxwL7KVzcDzUp04MrIL5lKHSC2Va+dyqC0d5Mq7F2FBAMlF0AqsEMNzYp9TCFRIaSq6jw3whNHrRa1hF9yrrYr1N0q6m0abKk0/F6le2zbJo2WobQVA8iwSYlwLb2KWm6ygudcSVWLp2kEovbAnogQHxIvMEJ6bBKaoyUHHqHUQhplO9haUzGOIlRZAa0AKCdoVpaBukeRIIV0GYwHdAsE2UbU6QpIDpWUK5lrpqbYCV+8onVpuLK7EEapUIaXyq2uiUw0ketIH1OB9SVzg6ycaYgqp4GrwhNhg0bSiGjYKuSCnGoXTYsDRFylcPWiLi6SHT6ktAILbymBtKYNa9kGyV/hbAumtBm3CIslmGyi09VQlR3iumaBuEKgDimphNgOadwhTDpurieiQEl1k2BUI2KLPC2ylRoIkoNPkpsNUMtVbBN1c5oLFXAAS9woImCndanCVoBKd2mFYKWsIEq1jiBuke+BZK2SgtALig4QIlMwwEtVs3TYg8NiFXmNIdw136pF7yVVi3uFEEm0oNu9s63aI4iP+pwn9HYtMh8OBW5e2ZftEcRD/AFOE/o7FplwvCuV+qtYz6VznuqToMJKb3A+IqUm3ImECyLysRmu3ymodNSdIaBEldcWaq0GLFcnLIdQrUyPWuK0gVjHorSRfiBowxdqC4LBcOndW1nSSOkqt4ggLU7KvPoqNYXmQ6ISh8Mgi6fDDx6pAHrWQHEtkBLSaSZG65NWu1xLdDY8wuPRqAVCIICluhyadZ5phkAX+FHF1qdYAObFQCLKmrLasNU8GqIv5qhHNLW+aBeW2Ameq5wOHqYch3gqDZvmuCWg/AtIWoXFwE2TAEusbKPIAuJT95SNGGsIKugrm6RJKBILJBUqgupgAwkpi2kiVnKrFokgGU7fQVYkWhAvjwxuoJUZqBIVg0uosZFwqg80nXNin0l5kGEBfrpmGpHucd04Pjg3ReGgyr4FTXQmBHvpakO2Qos1O3U2lEtdpJcUrRAVxg0wJVb2wQFPJKhcJgJC867hO1gBmVCRK0uxIcXAppJcAg9+kCFKbgXKos0uHWyDRY9Uzp80tIlp85WKouB7veEKbtmypWaT1StEFJ3Fmzt0NRaZU031AoAEm6SaEcSRIUaJbdCfchEAhqlCOcQ0tUouITGDCDmxsoGe60lDWDACh8TIVYID4AW53F9VswU9IGJKpa5xdfZXaxEK2aC1KhD4IlVVHiPRuiXEPkiVHPDz6MLjCNBcRKsIAKGq0RCDgSrAxBPVBh0vuhEN3ug24W4LyHOktQ1FtKOqRr3MHqRnUNSqBXgsHmlZZoRdcI04BgqVYYNnZOQ5rb7JYIPqTGpIgrAVjiXQriHC8qsRMptU9VQH+JWEOFOQkIsrD6EJGoNJ7CCHbqh7TqMbIegd0WP3lUqNpuImUpCcE+aV4O6MmDZCsglkJC4BgHVMwuaJN00K2NGqExYGuvsi5gLtQMIFzp9SgLtJFkjWyU4g72SsbcwUCvZDt0zb2KTSdcEokSIadk0GfAsEwENukoN8XiMp6jgCmgC0n0VHNIF0W1AOiaWndXQqF7KHwmE1gZCSoUDFsiQjTkbqNMNHrUaYfdA83uo1pEkpnAESFCZbAUoUNBaZKqu13qTCZiUlV4aITQs1jSqzUvsla6U1ugTQdniKZ4gKtki6u3arBxnsLtlZSaQLqRbdBjuigLgZJChMthR26kQgUUyT6lXmDA2g39srC90wAq8c4mg0ReVd7G2O2DVFXtDcR+puGH/8Ab01p7Rdba7W4jtD8U+p+HH/9vTWq65DCBRkiLkq5LFYBFoULhtMFGi4hpJMlUO3JIus4xny7jLqRbQqPcC0/1QuqpgyFkGSYmg2lUdimeyG9zAG0GF0THiRAWwHeldK+C4KXdUumLVFCekqxjC9llTB1zFlbT7xrZmyofuXAF0oUydDpTCoDYndSo25DdlKLK1RoElqopFxM9FY4SDOyUANZAJUHMwXcai2swOMWPkuO7wOqNIBk2SNIFybqYl7dIDRDlYEgJ+7sqbrm0McBR7qpSpv/AFWnxKo4vRSmbrscHRyqu7xVX0vUVxsXhO7rnuntNLoZUvdfBdVMjxGIUFJtQAseIb5quoxrXQ10oAHaJTwA9kkyJVrHDu42KrBIkFGJFkDAgJKk7qNHiukryHADZUQB8SAmoueCZCYE91DQhT1+SghB1SUHanGAjW1kiyjAYWb2qQWM1WJCbuXaokJaQ8RMoueWu3WvEUK7WgwLpaRAvCjnB1aGoOJa+CFUXd4I2Ra9s7KqZCdgELNu1SqdRkKMujaLoAAnwIC46QjSeBui4gtgi64/iB3Vk2OQ8NuQkOqN1GOJFwi4tFMyFLNBQwkWcleXs3TYeo2TumqQ8rINMagHFB2nVsnpAxHRJbvYKsDDTEqU2lxQfpCDH6CSDZUWv0AwN1WWjSSEWgEkoAEkzspoU3cYCcNI3KsGkBI4Sd00EdMwEWsLRdM4QBG6jgepWoGJBbATUmahAMLjgOD4V1MHzVQXNLX6SUabQ0OJKJFySl8JeGjqpVFztLJJVZBPiBVtVrTTgdEA0BlljQRznmBEq5g8MOCDRaSjqcDYWWg4bAs1VOeW7q0PMbqp7dVyptdgwa+qaozw+tK2WmyabXV0EpGRBTRIsrGUxoUbDZCm0V93IkpmvAEIy4E6tkPASrsEmyDHTZCRMdFA5rHyE2LO7JG6Vggo1KzSyBuqmvsmwxbL5lHTeyqB1HdMyQ5BbSGl8QlrkaoCjnxZQAdSpAjTNlZpAEkoP0N2QMuFlQpadWoFNEwo0HYBQsfFkDgQkc2agM2VjxAAO6RBY42ACraYdKnRQi0wpANcmwSVRqKLSQCkLzqVDsbG6Zzg0bJBrKB1HdAwfKtZVBbCqYAbBNoIdfZTewXEdFGwo4MB3Q6KguN7KBzuoQba6MkqAMnVMLjZk8saIC5dwuPjmy0EpBtLtZj/AOIXir9vQ+gprU2ud1tvtZ//ADC8Vft6H0FNaiqidlvKEphAEhKWlzweiIgtgqSQbJKO2yh7AKjSPcrrHFra5gdVz8ps2o9w6Lr6nicXNHVEggjUi5pIskJhMakRClUQIbdMwgO8WyqcTMJyARdSC46ajxpbAQqEBwuq6feDbZB0jdXyLpa5sA38laazTTFJ1Ns+a49MwZi6hc0g38SaCvZD4N0jrvEqwXEyhpkzGyoAACR2rorCwkSiIBAPREAA6B5qwue5mkdFTJ1wNlfhahFSCNlidqqpxINxdFhdM9FdjKxr1tTmtYAIgKik7S7zC1Zs2NSxBDZKgcPRNj6kz3NMkoMLS8mFJAga4uRfSc7dXamhVufq2QKGlogJqQdeVGgzMpiRCsKQhxJUEgXTNMG6Vx1OsrYQGiLobv2TEGIQbY3QOKYFUFqlUDvbqFzdUtKD3EvEBZt2Ga26DxATs9aR/pKWBACTCYhwPhQnSJVrPE2QkgrcCBJ3StaXbq3SSbotC3eyKmOl0BWPYeuyBaBcBOHS26lVSWiYbumIc1vrQbAfKJfcysQNR1FpSua7VKam+1kDJWgSNTfWg0dCjZomUrTLt1Ni1o0hR99rIGBuVWbmxW9yoZkaoKLy3olDYui6CsqA8ToTPAG6ltwgT5qyhHNO4V1AA7qsCoRYWVrdTW7KZXYarAMDqg5rRT1jcJnM1QVH0/sBE3UFI1OE9FCXBsAIsJa3SUC8yIQGkHm5sFYHt1QlNTw7Jab2NfJ3WoVZUfTmNkoMiGpagDnTphK0GbKC4MLN7oPICA1kQUjt0DNc7ohUeT6ig2QiGanXQQl5YJIKtphgZJF1U5hFgVGmBBQLUMutsiwjcpXi+yDN4QWuLIsErLyCE5LS1RrZbYwUChkTCLZ6qNJaYJTESmgpbq2Kup0ZbJKpDg0qwPtvCmgazWuZDd1XTYQIlFzoFilpvvJKCydIgboAvg3Sl3ilMx8zZUAu1C5ugQ7orKWHe9hqAeEKG0BBU0mYKtIlqraNVQCU76emqRqUorc28SoKYaZKaoQLoOqAx7yoNjsg5tkKImU5EKQLThpQL3Od6kxgjZDUG9ECvYDebosaYUPiuE7CGi6tAMRCDLKPGs+FVnU10FILX1Ggaeq4mLqSyFe5su1dFRjCIEBTextXtZSe0Pxb+6UP6PTWqHN2W2e1nbtD8V+upQ/o9NapifgW8/1E8FawoaQCrp8MKp4JcpB2eApk4HEEi8WXX2NIQLyuwwdQswNRrrAiy61rSLjZIA4QboBzWmCrHjUqatIkyCnkR4lwhF3l1StBaLlWNbqMoHpuIbCj5Lgmc2wI6JXPEprQJsNoVZiVa1zD6ZVTmAmWusqACVax8iEmkWUdpaRF03BbqEKuqCRui2Jug4sJiYU3sKym4e6hOxljqckdBFig1zQYmSqLQ1rR5pC4dE24SOZ1UlB7suvKEQ6EWTqiUarRIMqTLdNIwiISvdBsiS2bJHNJdK0L6TREkpZAcUR6KQiUQASSrGEAKoNcCnEqVRe4JPSN1I6qSqLKQaAo8+OyGzUD5rH3DNf4oTQwu3ukZoFyVYxjT4guTaBWEwEjahY7TujVMJB6UrO9KuDjukeXOdZMHkWhP4QJTZoj3kCCqmuurHjXeFAABKkoDkrkbG8qNaNxdPbsAVC0+in1E3iEGXcjUtspoMGyJJVZZeQVYHksjSltF7FNCXcN0DA6o0nNDTJR0tcFcaADaZlEQQZVZBBgJ2XsSs72J1EKP1apiykaTIKOubFUcmk5kCSEalRnvrieEmxVjRKTuHZVjYJalRzukIlpA6JC60GyaC7esqvUdUEEK0aW+ISSiA13icbpZsBrLHxSraBAp6SLyqmtiqSCYVjQ0G6smhZUa3SCDdLSYNyg4+SQOcHeIWS0XMBdVIGyqIGsjqrqJAmEpAJJU2KTZRurcIuF56IQQJ6Khum6Ak7qNugNUEICfIJQ2SnYCN1HEa4QHTaU1KJ3RAluyriDZA1VrS+ZUIGwKrkl10QbpRCEH7ABWEjyQdBGymwobaVGgEwnaJYlY3SZSAGxhOwjZKRqcgQWgq7HZUarKWDNIXLlx6wbLT5LjUnHvBJsrKhkkypO4RwHeAgozrfBVezpRafGqGe2TZKAOqHeaZCUOBKC2QNkxdpEoEAiECDEOUgU1JEKbsjqkc28o6rwrl2FlAxupVBJtsqg/wAUAK+H6brMCtBBEI1QxzgOqrc4tKBaT4xutA6S3whcXGNe1my5bCZkqvMHTSEC6Dafa0M9ofiv1VKH9HprVbG7+tbT7WZ/+Ifi390of0emtV6iIW87rJPsYCDdB0I1Hg6YVZBuoOdQBdhjJt0XFHikA2XPwZBwMCn3jguBUqNNWWs0BRSiyF5hSZemqMNnBCqiwg3VjWw1LUPmo0k2TYILhLVWzcg7rkNaQCSqC1wl6QXNoE0tRCT3UJmVHNGkuVQkuN1v7IfqUAFNB3lSJXB7btR0vc6EH0w0ybqDVq3QeSBcytwN4Q2YVb2gDUAnHiYlOoWWsqkPTBLZKWSXwmDoEIWF0x7rSOlrk7i7u7pI1O3VxHhhZ1oVUW2kpnvA6KU/JM5rYursW4eCLpHiH2UpgjbZBs6irs0jwdMoMIi4TB42KYaSLBQVuEpjTgApiJGydwlgjdQcd7dLtKYNsiGnVLkznR0QCGxdEOAEBKZcErmECxVhTOAdugxoDlGtJEyhpIdJcqQ7zLrKH0d0C9oHRVkrF7By6yDphCIGyPRSQENGhMyAyyVptCmqFqUFggqVDHRK5hIkOhAkxe60LqDZbOqEpZL01Mju9kWugJpC6Gg3RL2ts0IPfJgBEMbpJO6x5UpkmSq3Ag2RcbwEBJKsxNo4kAKNElRxA3TsvsFdG1jGsA2ug2YcU7KZIkqPGlql7Cslzh4WmUAJs4XTaifUlc68dUEc57fC1oTN2vuqy+E7DPiKC4CRtCrIMxKYGTYoOqNlPADgQEB3rjAiE4qzZSZ6rIlN+ix6ol4G3VJXc2A07qUWAi5WgJlO67IULWEQ3dEu8Ogb+akCaC3ZHUNMdVAb3VbxLpCo5LNIZdUVR45amDpbBSOaeiC2m+BdSo4G4VJu+FY24RFT3QYTDaUAAX3VpiIAQqUXA7hF+8BSm31I1DpIspVQNIESmYwl0SkL56Qhqd0KaD6L2VT5LoTNLgoReeqBWjQZKm4lFrS4SUS1J2CxaUA4B4CLjCVpl8wmw+lvVRjGgoTJRBVDxpM9Er3yRayJeIhK1zTupBeGs033Vb2NGyV5hqVjiRJVvcM1onZWVHHTDVXqREgz0QJdx2TF0CETqgloSggtvupaFmypxXoiVeYIACpxrToEKa2Nq9rIf/EPxXP6JQ/o9NaqL9O4W1u1pH90NxXP6JQ/o9NaoLZ3XJl+ongKukBpAuSmdALbpQYcJEhPUYS8QER2WDIp4Osd/CupbY6V2GFa44evTc73K4dJrfSkyDCmtqjCNVwnc6diFXWA3XHkh1iU0OQ4A7pR4eqXxdFIJRBLySrNQa26TTq67I2KbVLEyjp6qN2TEO0+pVCM3UPpepM0WRMQpVVEAndLB1ad1YGgXQnxSE2AAWlHQSJBUqXCZri0RCaCyQ3ZVuJO65LADuhVYAJCspVFMGU7iRZMyApU0uQSnARfcqou0lPJLZRFjH6RCS4dspQu+6srEkEAJoVlgN5RpmChRa8nxbKHwuWao96S7SAn1Fu6VulviULw47LOgRU1OghR5hwQlpEg3SOkuWhbuNwq3ieqLZBug6ApAaZAad1AdQMpASNkWtcQtW6FjadPTqJQLWuMA2Sva4NibJRbbdSdxd4gdKqqtcHot1byrY1CSVLNBGCElUGZTuBGyjRIgqaCtPhQLhEQni2yBEjZal0GZJpoTdWDS2nCRrQ4ypsKQSbJ6bXE3KE6LKNcSd0nYBzYqRKsYy5shAF5umpVCHdIWvcaVFkOuFY3wCYRq7yhTfHpCyS7Q7KsgmISvcXBNqaRIFlU4tNwVMu6q6j3DomYLahulv5IsJmECudLoKcNtARLBuUzAAFLQJhN3cjUpbVdWkQ31KjjxBsiSUzRe6hEGyCrS7VJVoslLi4wArA210C6+gVlFs7oU2NDrqOJD7KQCo3xWVLmuBkbK50kSmpiWGVRS3aU7ZjZKANUJi8h2lShQIMlR1tuqZwlQEHpsqI1gFyVa2B0VbrtkItcQ2UlFlNwL7pKzxrgBBrwDJCV3idICXuA/ZCmDG6Lmkp6dkAIcg8kq4mbQlIHVSiqm4gqwmQoQAJCLRqakFBF0wbdWFkIdUoGlO0NDIKXVBQeRO6koLwNMoFhcBZKSI3VoJke8qK3gdSqtRDtKtqaS0TvKVrdVSAkDN2UBmQmNNzHyTISuI6IASdpUhQAm8IkwEA0gFUYokNlXHzSYoA0lrAraXa4OntC8VfulD+j01qq8Lana38XaE4qP+sof0emtWC4gq5fqPshFpQ1HXvIUfqDbiAEKTw22n4VJdo7HDOD2Ynu2kEMG64NMEPIMFczDAFmI01LinJC4NC7yR5JFR5BdCUN6gKOa9rpI3TEwIVCl0dEWk79EJAF1GCVA8MGxuUpOg++kNip4nKaDva4PEGyeo52iAnYJZJVfU+SoFMO6lF1uqVpOr1KVAZ9SAtPQqupIdZWsGowjVYGiVQGiWSUzGiLlBrgWeSRhvAKXuHJHRRxJbCg9aN1Agjqg4SbJzAVeuHRCQMGSbqOhvvIEO6FO30IKojHNJ8O6ALzKVrdLpTSSiHY8hhCrB3JRIi6WZMBRTghwgqFsbIaSnN2woK2iLpfEX2VjmwzdKwltyoGAciRIRDpGyNMWKSikyTCLWva7eyYU5qSTCD6bjVABK1KHBmZCSkwF5OpM6m5jt1GidggJACjXhOAALoNLA02UCmo0dErTL5Tu0xsq6j9IsEFjiC4hLJkBKNwSi8w+yl7guu+AjTJEyjTBPiG6hBm6oLdBuUBUAqBoZIQe0dEB4blJBa4h59GEj2n3KLDN0rngOWRNR6qSSlcZHrQLiAtBi47KSJSypq1GwQMngRbdJ6O6bpIQDV5qB10YCLGwboI+91AXuAB2VxLNPrUIBFk0KngwIRERHVK8ODp6INJ1SgsOlpTNMiVW5pLlawCIUFVw6VdbRPVV1RBhSmTMJASREJQ7SIReDNlS4OJ3VBMl1kxB1K2lS8EylgygjNlGt0yVIKjp0IA8gMIVdOYglQHUYTPgBAQFLgoNndEkoISdKamTCrL5tCLHWhByGlJUKlEyVKzT0TQLRLbp2wBCpYSCrCmgr3KNg3KX3V0TtAU0I7TKpeCXWRdITbNlNBWsMSVYySEGmW2TNMSIVFRaS5N7qyFK+olQ+G6C0uaG3N1T1so50xIRe0kAtsgbU7TACRgcTdM0ltil1nVZBa9oDFxsS4CkrHucRCpxDCaSDa3a0EdoXir90of0emtVEgLa/a4/wDmF4p/b0P6PTWqi0ELdQj6vQtJVbKhf7kAJiyoSCWnSdilZTh4BtJWVdthmEZfialCRU06T7y4GGp/ljw4eFskLnYA6cHjAHWDZXBo3cTYSE2HBqPN60hVVQWjzTlxmAFW8giSE2KhJVjj4UgdOyl+qoRzzsFfhyO7lyRoEFXMa17NKqC0gNhIHXIITCmRdKQS5Zqlc6HKxjgQhVFgg1hiVPAdgvaylYnSnYLIVS3TCCqm2RBMAoBpa4ghBoJlwNxsr3MqNYHPtKkuxXuZKsa5qDIi6ECbLaIRLpSvF7BM7w3QLrSpVBnXUmMEWSjxDxWUPgZASAEHdGladSVrnEXTgSpbRKonZJR1B3o2TukDZSlqJU2GekJk7o1zCrY5x2EJByA1k7KutHeAbBCnUtD7FCpBPmqLW0xMtcrTDW+tcanY7lWvIAUymgpcNyFGvAdLRCqe4jZWUhIkpAZc511JINkpkOTNdOwWoJDyJKgaYlTvfcq2PsdlL2FQkoOTtaQkqNIupsB9OYMqOYQ1NJOyji7Yqiyk5ndQ7dI8OPo2TUh0IVj9LQg4vi9aYu2kJtV7IOaXiUgLX7wlI6wpThhhyZ7iT4VdCFtpQtF1BrlLUkkJoWNa3Sg0CbotsFH3FlJNCuqJNldTaC26DQFHSEBc1odZFzCRKVl7yrHkikgqAM3VzTA3Ve90waSpoCo4k7JWukwnqgtiEGgDxEIAQQU9I3gquo8nqludkFtVoL90gqaXwW2Thp0z1SVBqERdQWky2VW6C2VC6GQgy9irBZTcS0BFg8ZlFthZV6vFdXYd/pJWGxQc7yTNaYlSCuzZU1Ai6LhIKDGANumgW3Fk2nzUpxFk1QgBUVFrZQ0gFBwJMhNTbLoKBmnyVh2ukI0GycXUoUC9kRvdB8gyFGuJckDua1ANaCmcARJSEDoVfAFUAqot6Kw6lX7tBZTkC4Sgy5M1zpghA04dKAOaQJCRpJ6K0khsJqbbTCANY0Nk7osc26SpdxEpGiDKUXNgk2SVBPo7p4bEpHFp2MFQVVGu03EKqsCWASr6gcQLyqq/ogKjava0M9oPiyDP2Sh/R6a1TqMLZHadJPaA4xk/5a36Ni1uCPJcmSH72oaAYXAhpsFU4O1CE0aHA2glR7tTwG2WR2WADBgMQ0+k4QV1bQ5zhqEXsuxwEjCV53XA1DvSA0mCmlWODAYHRcepJ2VpMlVvsN1BXMCAnPoXVYaS6VyBdsFKKGnxALk6dEEKogahCviRdQL3jnDSEpDh1TU29UXjqtIpGrVcq1rrQq/SNimghSmlhkNlcd7nEyFyQRpg7rjvF4Fk0qU9QseqvqFxaA50gKumWgeJEkOO6aAL0bkSEdIG6gcAbIAQ4i6gaYT6ijUd4UncVgyLpXbo0x4CUPcygdhA3CgdMwowShTIDiCqiN1HfZHVHopnC1khELNij6VyoY2aUjhLbGFKZA99NAhjXdbphSi5QbAfKYvJMdFJA1NqlVpNkSCBIRD5C1fCKmACzimaY22SDTUqkbKwAMMG6ziqd41x0wm06bpSAXDSIVrmGBJW4VxXA95K5bHDQqnMlWMbDVLNkVVHkvgIGTuoQdaJdBWdCMNpiErnHqiHTMhQtkKCxslshK8Oi6lJxBhQOJcRurIK4jdOwX3RqDbZRojorMdGwq0wRIQpgmwTOE2ClLVTnZWgeMGFH2Ukh10SJSBGlWMU0tCLIDkpBNkHiWp6hbFlXMhSwV+IbJjVOmCm0ylgTdSTQLTIVjHOUaxp2VraZDSQroVvfIghIDKciQfNViQCdlJASRHooU7FAv8AUmpPHVqou2bKpe/qrqZD2noFU5oJgFTSaVyCbpyWgSEAwaiErx0WpFWtf4UAQ4I02g0yiGAKXsBpVrDLSAq5sQFGP0SgrqHSD5paRJadSeqA64QAiyBqUTAQqmTCFOxlSoQCmgzR4VGWui27bKARZSgm6dgtCR1hKjaiA1HAO0qSOiWpDjqUpnxXVDOuIlK2xTVbnwpGNdN1kPMqvSdUol0KEmJWtm0cHC6hqSQChJNikc0zIQW1ASAQpTL5iVWXOVtLzQQMJqElSoPJK95D7JdRMygjiT7yQj1wn1CErC0VPsmyB6cqrFRIBBRa9W0pc/0Q5Bnnafkc/wDjS3+XN+jYtcAkAepbL7UBP1/OMvXjgP8Ay2LWUOcTC1lPrSfpWO8SUiHhPTDCyo573BzWywAekZFvilIxxc9RXOwjj7ErEdCuG1xLri65lGWYXEAjTZcRhufeV2DDtyIlV1BbzTU3OeIcUtUkER5ohaat9wu74K4O4j41zOplvDWXOx2KpUTWewPa2GAgTJPrWZt5D82AL8IVz/47PwpvStYsFkzZlbJ+sRza/wBDa/8AHs/CoORHNqfzHV/4+n+FZs2ba3ZYuulc/wAMaZWzvrD83I/MdX/jmfhWNcQcuOP8god/m/CGbYal9t3OsD39MrUhGJPptaNV5TNItDpSGoD1lWUhqYSYWJNGw/PEal1ycmyzHZzmeHyzLaDq+MxL+7o0wQC53ldZ+zkLzcH/AHOxJn/Ws/Ct7K1zSa0ekhVa0nwrsM4yrMMkzXE5Vm2FfhcbhX93Wov9JjvIrrzuibVy4GCmA6qFwKgKlUdUIjxBJUELk5Tg8ZmWPo5fl+GqYnF136KNGmJc93kFMU04ZdDtKsjU0BZ3T5Oc0zU0v4GzZvr0tP8AWsQzPAYvK8fXy/MMNVwuLoPLKtGoIcwjoUo4rXaCl6o12+CQsk4Y5f8AGfEeXHMMi4dx+Pw2rT3lGnInyWtEY3quhVKyHijgbjLhbCUMZxFw3mGW4avV7qnVr04a58Ex8QKx/wB3DlBD+VpKey7PIcizfP8AM2ZZkeX4jMMbUa5zKNFupxAEk/EshxPKvmNhcPVxOJ4NzajRosL6j3UYDWgSSVdtMOpzrg2AKeoIdIVRLtwmbqNyiGcS4jyVoA99UMuJKvpkNaSdipYFIaHagpMmUHFnmkB8SzIzR8eqYso6q6Ym6Z1QjpZVMaalQNa0uedgBJKsai9j/wBUmL/WtscEdnbmNxLhcLjquEw2T4PENa9r8a+H6T10C62Nh+yPX/yvjSj/AOFgz/W5aT2vLr+iQdV6gx3ZHzLTU9g8Z4J36H32Hc2ffutQ8xeT3HfAj6lXNcndicvb/l2FOuiPf6j4lF019YdVJOwVjWAiVW4sabqaKgMbpqczIMKMLHiwKDgWmxVkQSPGmLoKjbo0cPVr1W0qLH1KjjDWtEkn3lQjiOigJW0+B+z5zM4opeyRlLMqwp9Grj6ndav9ndZ5g+ybxM+l+KuK8moVftG0Kj/vypR5vMoiV6IzTso8W4ejOB4myfG1Zju3MfTt5zdan5gctONuAy1/EuS1aGGe7TTxNI95Scf2w2+FZhGHw7dFpKAqdEDO6ZXQeqLKunvdWTqCrNipLtYsvq9SB9P1eSb87V+S5bmOc5nQy3KsHWxmMrvDKdGk3U5xPkFrWxS0AGxVrnODbLcPDnZq5nZpodjMHgcoY7ri8QNTffDZWUf3KXFvdR9UmST+1qfgTTO3nXVFPV5qiYGnzW5eIezlzPyeg6rTwGDzWm28YKvqef8AZcAtRY7B1sFiamFx9GvhMTTMOo1WQ4e+p4NbUhrfNRzi2G6jpR7rYEOCVw3aFWvCxrWafC4yq3eAzMpqTRIaSZVncPeSGU3vjyEoulTXAm4QdYyrxhMVN8LX/infgVjcBijcYat/FO/AiOI1105k+6V1XA4pv+TVv4spaOGqg/ZKNcf7B/As72m1bXaCTuo065sofSLbg+sJmsIaSrFVPaQErTe6Y++hJ1QASfUFRGnxQrDTAbJEpRDrgGfeKcvJ8LQD8Ksmy0lNWFVvDvJXVvY4ePYvfaIv3sTPwLAQ7JIE7KF7iOiDGlxurAS7pCjbdFC1rTcoPqMHVVdHJRaJVY+36JvZFPbU34woiEXvspEGeiYHUJGyFgIRADZvKgImCVLI1GN0yDdVYDmtmZQZDX7oQPNAsEymzax7QTrHVKQdJcN0Kc6o6K0kRPRPak7uO0lx2TFktkpmxq8Kd4AbZSKpY2CrcK8CtHqUpwGyU+FY11WfUtQrOu1C8N5+8Yj9fD6Ni10Gu9yw/EtkdpsN+v5xk4j/AC8fRsWvhjC1zdDR0MrWX6k/yuJdr4NkwGl+pWY2tUxVZ9as7VUeZcYiVS2WqDsKRD8BWLjJhcSkGRHWFyqMnKap0w7VC4FIFrrlBHAsb65SaiXaTdXuIcIG6Rgl4LhCK9B9hUfkpZx9xz88L2cGNXjbsKN/JSzj7jn54XqvmXmONyXl1xJnGXVRSxmBynE4ig8t1BtRlJzmmOsEBceV7tSMgOnpKW82Xg5naM5vho/voYffwVP8CcdpDm+B+aOgffwNP8CvtT3veUeQAS1KfeNLXEuaRsRK8LUu0vzYYWmrnGBrgbh2CYJ+Jbi5SdpzLuI87wmRcT5NSyatWOluNp4ovpOd0BaW+H4ylwWZG559nHJ+IxWzvg0U8ozMML6mEDPsOId6rjQfjXjXF0auBxlXB12OZWovdTqsIgte0kEH1ghfU94IMrwf2uOChwtzTq5nh/8AA891Y1o0wGVS494347/CmGW2cppjHIYfkv8ACf3TZ8hX0VqEudY9V86+Qh1c5OFG/siz5CvooBDp9amXetTw+ePaHdHOriz7oO+QLX7vNZ32hnTzp4r+6DvkCwV48IXL9nHPKp4GpORayV4TUwSopHFZz2f2zzk4VHX2xb8hWEOas97PrfyauFB+yLfmlRX0RJdrPRfPPtDCedfFThf8Wn5AvobufhXzv7QDj9ebir9/O+QLjxm65M2A+Ivhe4+xhI5J0z55hX+ULw813iBK9x9jAE8ksP68dX+ULWfhjF1HbmfHKrJwf0+pfQVl41YwOJK9ldusRyryb7vUh/5FZeM6YIPvK4eGb5bm7HA/Jzy8eeBxX0ZXs7jQRwbnX3Pr/RuXjTsaieeWX+rA4r6Mr2Zxrbg7OvufX+jcsfdueHzIF7xa6VrnF3qVrQO4HrBSaYZZcmtMnqtDXQNkR4gB0VcuO91YzorYEc0ShsrH2MQjTZrMQpJpD4HCYnH4ulg8HRdXxFZ4ZSpsEuc47ABe4uSHITh/gJgzLNTTznPSQ7v6lHSzDnq1jST16rX/AGMuV9A91zHzganv1U8rwz6Xo+dafkXqHNMxwWUZZicyzLEU8PhMNTNSrUeYDWgXKbcki8MJuAldUpUjofVpgnoXALxhzU7S/FOdVsTlnCI9pct7xzRiA/vK2IZMB0wNEi8XWlcdnOb46qa+MzbMMRiHelUqYp5J++s3HbNyfT1hZU9B7He8QU1WkKlF9F4a5rrOa5stI8iF8zsi4v4qyWu2tlPEWaYN7SPyvEOAsvSXJbtKGviMDw1xzhw6pVPdjOW1NPiPo62R8EyntX3OJ2iuz9pbmnGXBwDAPsmIymnT/hPpmfhLYXlNwLXEEGesr6pYcsqQZDmOHxheDO1XwH9RnNDFV8JhmUsqzYnFYXTsHH8sb/Ck/CmNZsalpQFKg1bIBsC6amZK34Rz+FMhzHibiLB5DlFF9fG4uoGU2tBIA6uPkAOq9x8i+SWR8uKT8dXr+3Gd1gNWKq0dLaG8ikJMb3PWFhXYj4LwuB4ZxvG2Jo/i7G1nYXDT7ig2Jd/tOn4At38weL8o4G4VxWf5xWa2jREU6Uw6s87Mb6yuO1uRkOh7hA2Rp0i03ptPwrw/zQ7RvG3E7mUchnhnAj0qdCvrqv8AWXwPiAWsqnG/GNW7uLM81efs6p+FX2pa+ltRt4iFxszy/A5pl9bAZjhaWKw1ZumpSqNDmuHvFfPHhPm1zB4azFmNwXFWY4rTZ9HGVjWpuHlBNvgXrLs988qHM3GVskx+UsyvOcPhu/006xfTrsDg1zhIBaQSLSbJ7Wpk0h2neR+E4Fy5nFvDuIqHKa2JFGtgnMk4UuDi0h83aS2IItIutBr6e8VZHg+IsjxmR4+k2phcVTLHhwmJFj743Xzj4/4YxXCPGea8OYx01MDWLA6I1t6GElZsY8wQ6VOqd4hq5eQZTjM7zjB5VgKZqYnF1W0qbR1JMJrSRlvJrlxnPMjiduW4EGhgKV8bjdOpuHb6haXeQle5+W3LrhXgDJqeX8P5bSZVj7NjKjQ6vWPm52/wKvlBwFl3Lrg3DZFhAKmII73F4iPFVqnefe2XE5z80Mm5acPtxuKaMbmOIthMC1+l1Q+bjB0t9cFPdtdaZ6WgCGwkgjdhHrXhTjztDcyOIcQaeEzL2iwNT84wNnfC83PxBYSePeNGw4cXZ9q8/Zz09i+59IWsLfO6wvmbyt4X5hYE4fOcI2jiwPsWMosDarT78X+FeVOCe0fzCyJ49tMXT4hww3o4zwO+B7Rb4ivWnKzmHkHMfhtubZNWLK1PwYvCv/LMO/yPq8j1SYrK8Gc2eBc95e8UPyTNmyN8PXDYbXZ9sFiGo9V9Eee/LjBcyODnZeQKWY0GmtgcTo1Frx7j/aXz0x+ErYLHYjB4hrmVsPVdSqtIgtc0kEfGExy2zkDLbL1F2FMPhsXQ4objMPRrGm6jo7xgdE++vLtG269T9hH8r4r/AG1D5Fd6I9NswWBn/AcH/EM/Ao/A4H/McJ/J2fgXV8b56OF+Ecz4g9ijFuwNB1UUDU0a46aoMfEvPP8Addn/APlzT9/27P8AyVmVXpn2Bgj6OAwn8nZ+BT2swB9LAYP+Ts/AvMru13U6cv6YH3XP/JT0+13S/PuX7/8AYzcf8lX2n0t2cW8q+AOKKTxmvDWCNVzYFeizuqjfeLY+/K8tc+OQ2J4AwD8+4fxVfMskDvsrazfsuGHrPuh64C9O8pOanDnMfAVamXF+Bx9D8twGIcO9At4h9s2+/qKzXMMHhsxwNfAYyi2thsQw06tNwkOaRcLWtLrb5eaJ95bY7JuEoYjnXlmHrUaVak/DV9TKjA4HwjzXVc9OAHcvePcRlDKjqmArjv8ABVC2CaZ3HwGyyDsjj8m/LY6YWv8ANCmUY29ov4eyJ1N+rJMsJDT/AJIz8C+b/FzKdHi3OoAAGY1wAOniX01ZTsf2p+RfMzjBgqcUZ0f2Rr/PUxulsdZ3gN1VVJNwoGkWR2sjMK0+atp+pVuI6KzDgqtRsTs2ZbgM054cN4TM8HQxmErPripQrMDmOAw9UiQfWAV7WqcveAnMB+ovIRY/5Ez8C8cdlv8Ax9cLD/WYj+jVV7vf+Uu9TSs1Y+bOZ1qGW8wsTXOFpVcLhM1Lzh4hrmMqzo94gQveeQ8I8vc4yLL82w3B3D7qGNw7KzD7BZs4e8vAXFN+Kc5+6Ff55XrXsZ8XnOOBa3C2IM4rJ6vgd9tRfJHxXC0kYn2xOXWU5TkuB4pyDK8HluHov7jFUsNRDGnV6LreteXmbr6TczuFqPGHA2a8O1RfF4dwpn7V4EtPxr5vEAWc2CNx5LON3NmXYYEJXbQlc6NkuolKkMdlHO8KVgJBlToiVdl+GrY7G0MHQaXVa9VtNjRuS4wve/CPJvgnKuEcqyzMOHMrzHE0aI9k16+GaX1Xnc+peauyHwV9VHMkZviv8AyNnf1JbIdUPoNXtjNsbh8syrFZlinhlDDUnVXkmLASrbpyYx4f7WFPh/LOZZ4d4fyHA5VTy7D0u99jM09457Gvv7wI+NajcVkfHufjjDjrN+I8Ue4dj67qkelpAaGsb06NAWMPN1WReegXIy5oNSD5KprQbqzCSK9vJTbOmedp8j6/PGP7/H0TFrUaYWy+04Wnn5xiP1+PomLWNQXst2/VVPUMAFJruJTSNF1W3xPgoO7piMojrUBc34wunA+y+Jd0wfiHSfzrDOc34wula77L4lBaIA2Sx45mFJM2UOoiYVNPRHYSEczc7+5I+kC9P85DPKHjAfsFjfoHrzF2E/FzKz53llTfpAvTnOEfkScY/cLG/QPWM/Lkw/TXzdElod6kHzaEpfYAdFCC4StRx6SNQIO6JOkCN2kGfeKQSLlEu9W61CvpVyk4sZxvy7yjiVrND8VQHet8nt8LvjIn4VqPty5FRxnLfAZ86e8yzHNA/a1LH74C5nYgzX2Xynr5cWQ7AY+o2fMOghZX2pcLRxfIfiTvWau5pMrN9RDx+Fcf321l4eNuz/B508KO88c1fRRt3j9t/WvnZ2fm/k2cJkbezm/Ivosxo1A/qlMvKY3cfOjtAgO5z8VHyzF/9SwUmTHks558nVzj4qPnmNT+pYKfC731vPzGJ5N3bSJJVYEugIEu6IttvupLtpY+QAOizvs7u1c7OFB5Y8fIVgTX+KDdZ52evDzq4UP6/HyFb0W60+iemXD3187OfsnnPxXPTMHj7wX0UBh7QL+IL5z8+6n5M/Fv3Sf/AFLhxum+SML0DTMr3H2MLckMMf19X+ULwy0OIgGZK9ydjJpHJPDCdsfiPlC1nds4x1Pbrh3KrJ5/T2n9BWXjHxB8AL2V27SRysyYD9Pqf0FZeOGSCTCuHhnLy3P2NR+TjgyemBxHzV7M44twZnX3Pr/RuXjPsb+LnjhfVgMR81ezON5HBedfc+v9GVmzu5J4fMkxAGwEpXAlkSmc2WN+FI2Q46jIXIxDts1MZBCrLxEmyteJYCqVKjwmwrH1KraTPSe8NHvkwqdB81nvIDITxHze4cy51PXSZjG4iuP9WzxFY2afQHhfJcPw/wAOZdkeFA7nAYdlBpDY1QLmPWZPwrzX21uYVb2RS5eYB0UnMbiMxqB/pfaM/CvVDvG2NpMr5q8z8/qcScwc+zx79YxWNqGn6mNOlv3mqYtXsxg+EwFY1IJmSE8jzWt6ZFpkwCoS4neCDIKDQ0PkFMXQZAlWJXvLso8XP4p5TYKjjMQa2ZZY52FxDnOlxaCTTJ/2C0fAuP2vODqfE3KvEZnSH4uyX8VUvWy2sfEtMdiHiN+D5gY/h5xinmmDL2N8n07z8RK9fZzgaGa5Ri8rxLNVLFUH0nj1EQpJq7bfL0S5jXJ6LNTgPtiAuRnODdluc4/K3+lg8TUou99riF2PAGGbjeNciwNT0a+YUWH4Xhavdnb6H8tcho8M8B5JklKCMLg2Nc4e6cbk/GV5w7deemrm/DvDNL0MJRq4uv8Aq3VCAz+Dpd8a9Wk92A0dLLwt2u8XUxHO3M2Hajh6NJv8Gf61xRyZeGn6riXAE2VRBLrbIkHV600Gy3txlqNgLLeUPFlfgjj7K+JKJ8NCporN+2pu9ILFaqAbLI8rpsfU7DV2V8LSxNAjRVYHtI6giQvHHbkyKll3MHK8+pC2bYPTU/dKfX4l6X5G5gzNeUfDOYNZp7zAUw71log/ItTduzAd9wfw/jxvhsa9h95zD+BYnZcq8fOdNoutydjvIKmdc5cFmRpxh8lo1cTU9bnMdTb8RfPwLT7gItuvXPYVyF+G4JzjiKqB+LsZ3FI9YpyHffKVnGvQWdY/DZXleMzPEycNg6D8RV/asaXH7wK+dPNXjjMOPuMcXxFjmvotqnRh8MTIoUh6LQfv7dV7W7TWd08j5MZ8XWfjqHsKn79Twn70r5/VLWSdm7UJc8yU7fFZVyRYJmSzxFXe2Tml+rWdckeYWYcuONcNmNMmrl+IcKGPpfb0yd/fbusCaSSmfOm1j0WoPqVUYzby6LwD2muFqnDHN7OGAfifM6rsfR9QqEkj4DK9pcoOIvqr5aZHnR/La2Fa2r+3bY/fC0d26slNXBZDxM0flD3YOt7xu35Fidm8u7yjTYQ8nyXqvsG+PD8Vu8qlH5pXldr5e4jYgr1R2CxpwXFZ861D5pVy1pmN1c9R+Q9xSR0wDl86g47epfRXnr4eT3FI88A9fOtrb28k+xkV4cQg02hNUOmyrYJcm0ZHwPxJmfCfEeEz/KnEYjCvDtJ2e3q0++JHwr6K8EZ9h+KeE8tz/CjTSxtBtUNmdJIuJ9RXzTw77Qvb3Y2zJ+P5L06Tz/gOYVsK33gGP/8AWple21xrBu3Xlf2HhPOY9B+Kw1T4e7cz5HLXXZBH5OGA9WEr/NC3d228J7I5WYTGf5tmVL+dIWkuyB/jvwnqwlf5oUl2WPcd+7d7xXzJ4rLhxNm/7/rfPK+mj3OAgeRXzP4tH98ebfv+t88rWKZbdKHg1EKkFygZ4ypUBDgVfCFjzVtM6VWIIumNgitq9lg/k/8ACx/V4n+jVV7wLPsZXgzsrmef3Cw/VYn+jVV70efsR95Zy/U3jXzM4mfp4kzb9/VvnlZ32ZuKKvDHODJSD+Js0rNy+sP3U6Wn4HLAeJhq4lzX9/VvnlUZXjKuWY+hmGHMVsNVZVpmNnNcCD8YWtseH0/c0zDXQehXzw56cIVOCeaGaZOATh6rzicO7o5j7/KvenL3iXC8Y8GZbxHgz4MXRBePtXj0h8a0V23ODamMyTLuM8G0F+XO9j4g+bH7T7xXHi3m8iNbLyCrGtA2QiKplDUdVluxglTU18Is9KEKuouXb8H5Fi+J+JMt4fwIJxOOrtpM9U7n4pUg9tdlHhCnw1yky/GPvic8aMfU8MQ1wGgfEup7Y3Gv1P8AALeHsIfxXnM0j+poj0luPh/LqeT5Fl2U0TFLA4WnhqfqaxoaPkXiLtccQPzrnHmGHZU14bLGsw1K+xDAX/ziVG9tSvAaZCr1DdBzoEFIB4ZW2FoIN1bhy3vRfouLTdLVdg6QNWSeiz5VsDtONB5+8Yx/nw+iYtZvEOWzu02Q3n5xjP8An4+iYtbOcwreU+qsxR7j4Va00reDx+arI8PwrkYiuyph6NGjhaFHu/Se1viqHzJUnddu5xHdnB2Efib5Ssem+y7vEF7cGD54b5CukouBWrNCCoNVgnaS4QTCR1NpfLSmF3QoPRvYQj64HETvLKm/SBemucEnlFxj9wMd9A9eY+wcD9X3En3MZ9IF6e5uOA5ScZA/6P476B6zn5cmPbGvmvIgyiXeEwks6CniWrTjVk3ACtENEwq2NuncJCsV667BZP1McTzt7NZHxLaPaQfHIziueuCn+eta9g+jHBPEeK/O35iGN+Bqz/tR4jueQ/ExHusO1nxuU13W/peP+zuQedHCgP8Anw+Qr6J0SC9o83BfOrs9CednCbNvxcPkK+ilMaajPU4LN7VnCdnzk56H8mHin7o1Fg8h1SfJZxzzAPNnik9fbGp8qwRp8Uq5fqjIl2nZK1xJRc3zQYQ3ZJ2aWFg7yAs97Pku51cKNj/Lx8hWAOeA8EbrYXZ3qA87eExF/Z4+Qq2pZvT6IUx9naB9uF85eeoDucfFhP6Z1P6l9HKJmqw7eIL5wc8Hfkw8WfdOp/UsYd282I03aQ0M3le4uxk6eR+FcRf2wxHzgvDLHS4EWuvc/Y00/WNwYiZzDE/OC1lGcK6Pt3EO5X5HFvx+Z/R6y8ZN7zVE2lezO3YB9bDIh+zrP6PWXjS4KsmkvluzsZf47cP5+wMR81ey+OCfqMzq/wD2fX+jK8ZdjCTzsw58sBiPmr2ZxuP7zM6n/MK/0ZWL5cknZ8ywCA1rvWlqAOPhU1uc1h2kH5VGMdpLmlclcYmNGkjomdUGkNCakWBr21Gy4tsfJI1loKlohet+9hzL3VeauOx0eHA5ZUn33laDdTXqfsFYVrq/FmOgamtoUZ+CVjTUeosdXGGwdbEdKdJz/iBXy2Jkk+a+lvMrEnBcv8/xbbOpZdWI/gFfNKznXCuJkrLnTBKIIFioW+NWaBovur5QsG2kSrWtt60lJjvNEuNN8uEhJdI2D2ecyqZZzo4XrC04sUX+tr7L6HgaawPRfMvgbH+wuNsixw/Oswou/nL6Z0zrptf5gFS925NvnLzty72r5vcVYTyzKo7+F4v61w+V3+Mzhj7q0PnLMu1dhhheemfeVc06/wAbAP6lrzhfMParifKczPo4XHUajveDwuRxvps5ulxnzK8IdrSk6nztzl/6JTovb/Bj+pe6mvbiMMysx3gqtbUafMESF5C7buTew+OMmzoaO7zPBvp231USJn+GFxuW+HnYNNyg4SncIEhKwyTKWMFc2SESdKa0pK3pBEr2n2duafAeU8ociyjPOLMsy/HYWk5rqNapDgNRjouh7W3HXB3EvLehg8g4ly3M8S3HMf3dCrqcGwvJIDAdUC6sAYLJoQvgL6A9mTLnZbyO4bpuEHE0nYl3vvcSvn24jQ4edl9L+XeGZl/AXDuCaIbRy6gP5oP9aaajR3btzXuuEOH8pBh+KxjqxHqYCF5DqMBGpxuvSPbwxRdxZw3g5tSwlWrH7Z0LzdcmTsqUobL5VrxqEJWnogdU2SISYcrQ7yVenxXTgQU0le2uxXmbcXymq4Hxa8Fj6jDPkYK7btb5UzM+SGbVI8eDqU8SP9k3+VYF2EMTryTibCT+VYmk/wCNp/Atw89ML7N5PcVYfzy6o7+CJ/qUrkj52sgNj1L1Z2DRqynio+WIofNK8ogyGkdQvWHYPEZLxUR/nFH5pUzm6zg3Jz5d+Q1xSevsB6+dbKgaL9QF9EufQ/IY4pP6wcvnY9oMFXH8JZ3SoNRklAQEHiyDRG6aDsPjXtTsM35S5rP6e1o+GjRXi1mnVsvaHYaM8pc1P7O1o+CjRSrHc9sXT9ZPGtO4xlAj4yvP3Y9bPOnBu/WdY/eC3x2z6op8mKs71MbRb98rQ/Y1dq5y4eemBr/IFGtd3uImWk/qT8i+Z3FZ1cS5sP19W+eV9MH2pu/alfMzid0cTZt+/a3zyrLoz7usA01CSq6rtQsmqPkiOqgZJU241QRL+kKFoa++yMtcbLWPZfLaXZT/AMf3Cx/VYn+jVV72ePsLj+pXgvsp/wCP/hcevE/0aqveVU/iV58mrOXlvF8zOI2O+qDM3Hrja3zyuv0iIldjxOdWe5jB/wAtrfPK61jZaTKrFesOxDxk2tlWZcE4h4FbDu9lYUE7sNnAfDdb/wCPeHaHFHBua8P4kTTx2GdSHqcRY/GAvn5yl4nqcE8wsp4kDiKVCsGYhv21N1iF9IO8DmhzTY3BUs015fLbEDTULS3S5vhePJwsfvqkSStk9pLg13BvNjMKItgswPszC/tXbj45WuGEStXsysqMtdeiOxRwTVx3EeN43xDfxLlzPY+F/VVnb/EF50q1JEFfQns9cOU+GOUOQ4JlPTWxOFZjK/rqVWhx/qHwLNWTbvuZHE2D4Q4OzPiPHn7Dg6JfpG7ne5A+GF8381x2LzXNcXmONeXVsTWfVeT1LiSvTvbf40p91lfA+GJ7wP8AZeNP6n3A+NeWXv8AdBIlLUbN0ou2E73ywwq6eyqCGgQr8O6H28lWBICbDH7MRHRJNKz7tQSefvGJ/X4+jYtaEgAFbM7Tv+PzjEfr8fRsWs3QDdbymyeBFQdUNXTzSPpkX89kQHDwu36LM7GmQ41jfa2hT1eL2KX/AHwseoaTLfO67usQ7DMcZthC374XUYZoAuFu90iSUrpBVx0pSBKzrRt6M7BV+P8AiI/sbT+evTPN4Tym4z//AIex/wDR3rzT2CW/388Sn9jqfz16X5uH8ibjX/8Ah3H/ANHes3u5MXzZDZAjyQ8YTh0Ae8gahvZbceygnVKaLyl1LtOGMlzTiXiHB5Hk2Efisfi6nd0aTYFz1JNgBvdIte3+yJkpyjkhlrn09L8wrVcX77XG3yFdX21sd7D5MDBtqaX47MKLdP2zWkk/1LdOS5bh8oyXBZVhBFDCUG0afvNELyl26eJ6NfiHI+FKNYVPYVN2Jrj7V77D7yzjdtZTTVHZ4BPO3hQn/P5/mlfROIqW85Xzv7OoD+ePCbQf8t/9Ll9ETZwt7qFckj5uc7dTubHFE/pjV+VYXFlmnO/UebHE8fpjV+VYbA0JGSahMdFGskz0StaZvsnZcwNka0V7RqWwOzkNXO7hOf8APh80rX7wdS2H2cxPO7hOP89HzSlu0t0+h7BFWn+3C+cHOtv5LfFZJv7Z1f6l9IWEGoz9sF83Od5P12eKSf0zq/KsYNcrEGCSvc/YwYfrDYEn/P8AFfOC8MUbuC929jNv5AuAJ647FH+et59mcZpjvbrafrY5GT+nrP6PWXjctGor2X28bcrsj+7jP6PWXjRrhB80neK3Z2LWn69LPufX+QL2Rxxfg3Ogf0vr/RuXjvsVg/Xob9zq/wDUvYfHZjg3PD+x2I+jcuO3u1HzKA8IKjXQg69Ie8hSHh8S5LduOLH7AhK2oQbpmkbFLVaoVY12oletewdR08P8UVvt8XRH8wryRTBaV7B7CH5h+IHRvmTB8TFddll7trc/andcm+Kn+WXPHyL50bOX0K7SDyzkZxa6f8ij43BfPd26Y+FyLUEXTtu1IQXFMC5oiEsQwMJKh1FK97lKUvddYndHNysFuYYJzfc4ml88L6g4Vx9g4c+dFh/mhfL3AS3HYYA/5RT+eF9PsEZy7DA/5vT+YErWNeIe2jTFLnXVAP5Zl+Hf89abobEH4FuztsNDedYi/wCNGF+V60gCWvj1LXiJp9CezzxZT4y5UZTj3v14jCM9g4ve1WmB5/qSw+V11/aO5a1OYvBgw+Whnttl7jWwIdbWT6TJ6TA+JedOytzVwfAWeYjJs+rmlkWZO1uqQXCjXgNDiACSIj3oXtnDVWV6VOvRe2pTe0OY5pkOBuCFNtSvmLnmW5hk+Z4jK81wlXB47DO01qFUQ5h/r98WXAYV7r7R/JzDcx8DSzTKjSwnEWDaRTeRpbimn3Dz6uhK8X8X8I8Q8IZocs4ky6pl+MDdYY4hzXDza5pLXD3itb2y6N+6PRSLKN3hYFjSCzwqoMdqklWtAa1BxEWVgFOk52Kps83sH84L6e5DTLMiy6n5YOkP5gXzMwDHOzLCA+6r0h/PC+nmWgMy3Cg+5oMH80K5N8bxr24nzzVy2jPoZWyfjK0MYW8u207Vzmo/qcrpffJWioMyrYwdjRKLoBskJICVr7rO9CwtJCLWO0oipaEQTCTuWPTfYPfGN4ro9TToH75Xo7mHSFTgDiFh65bWH8wrzV2EHH6oeKR09jUT/OXprjls8EZ99z63zCpfLU8Pme0BoYB0EL1l2DxORcU/vqj80ryaREL1h2Dyfqe4pcP87pD+YtXwzje7b/P4xyV4s+57vlC+dzB4F9Du0GY5KcWfc939S+edMfYwkasKQLSgQLwi4AESo5wGyzIyDNWsL272K8BWwXJBtasI9nZpiMSz1shjAf5hXi/JcBis3zPD5Zl9B2IxuLqNpUabd3OJj4PfX0c5bcODhPgLJeHQPFgsK1j/ANsbu++SrWo0/wBubGFvLTKMAN8XmQPwU2kn5VqPsbgHnPhwf8xr/IFnHbyxo9lcHZaKt6bMZWqs/bd0G/I5YR2OfFznw8f5jX+QJprb25U/KD+1PyL5mcVH++TNf39W+e5fTWqPsDv2p+RfMjir80ea/v6t89yQyrqmiakwmfq1SEA6LwnL2lqtcVUvMosUIkygDLoRG1uyr/j84b/3n+jVV7wq/wCD1P2h+ReEOym2OfnDX7XFf0aoveFb/Bqv7Q/IsZOaPmTxI6OIM0/flb55XBougSubxH4s/wAyP68rfPK4gHgWpNuK+QLi7UDsYhfRPkbxdS435aZXm4qB2JZT7jFtm4qMsfjXzq9Fejew9xnTy3irMeD8VUPd5mzvcK0mwqs3+MK623Kzzts8IHNeC8BxVhKM1soeW4g/6l/4D8q8c1GgbL6a8VZSzP8Ah7MsmqQaWMoPpO+EL5nYmhVo1KlCuIrU3FtQeThYhN7LNMk5QcJ4zjTmFlWR4Wl3jHVxWxM9KTLu+SPhX0cp0qWHoNpsAp0KTQ1rRs1oFvvLzb2HOD62ByjMuNMewA44+x8EP9W30nfCVtTtDcZ4fgvlfmeN73TjMUz2Ngm/bPfb70ymUV4n52Z7U4k5qcRZqaveUDjalHCn/UsOlh+ECfhWFnoFe4lwLySSbmSqRuVNM2bF7fDCr0kFOZlQbyVUFtoCeiD3pPqSS3dPh4NQ+8tQZ92nh+T3xj+/x9Gxa1LQRdbJ7ToP1/OMT+vx9Exa2bcqS7qfYlQkAA9NksOkFxVlVtlRVcSR6lMljIsT4sBRY0X9iz98LpqTnFsDZdrVLgGDoMIflC6qj6QYD61rTMEghID4rq0m6p3qGEHpLsFunjriU9Pa6l88r1PzCynFZ3wBxHkuB0nF5jlOKwlAOdpbrqUnNbJ6CSF5a7ArAeM+Jif0vp/PK9ht9fwLFneRyYTbw0zsv8zg0DRlNh/nrUf7mDmd9plP8savc4puj8rf8SBpu/Q3/EtXJNPD+B7LHMSvi6bMXiMowtEnxVPZOuPgAXpXkvye4c5aUDWwOrG5tUEVcdWHjj7VvkFsZwqN3pED1hdHnfG3B2QUnVM84pyXLtInTXxtNrj7zZkqe5du4zPHYXLMvxGOx1ZtDCYamataq7ZjRclfNjm3xC3ivmXxBxFSrmth8Xj6pwr7j7AHkUrG48Aatm9ovntiePar8h4bOIwXDbT9kLxpqYs+bh0b6louzz7ysmmLdtkdmtv5OXCZn/LJ/muX0QDi03HupXzw7MwnnnwqP13/AOly+iLoJI8ipXJi858Zdl3A8RcU5nnb+McZQ9nYl9fuvYzHaNR2nquo/uQcH045xI/3Ji9BYjjHg/DYiph8TxZkFCtTcWvp1Myotc0jcEF0gpfq44H/ANNOHP8AilD+2tb0lxefXdkDD9OPMR8OBaqndkJg9Hj2p/IWr0K7jrgYb8b8Mj382of21U7j/gIb8c8L/wDFqH9tY96zF58/uQm/6dv/AJEPwrI+W3ZnHB/HGVcTfVecZ7X1u9FA4QN12I3m262/9cDgP/Tjhf8A4xh/7a5WWcYcI5njaeCy/i3h7GYmoYZRw+Z0alR59TWuJKtyPa7qNL2H9UF83edN+bHFP3Sq/KvpOB4mgX8YXzZ5zn8lnikx/wBp1flWcacjEaADd17t7HFuQuWgD/LMV9IvCTZ1eHzXvPsdAN5C5Y49cZivpFcmcWL9u4/kX5GD+njf6PWXjJxhy9n9u8TyzyPy9u2/QVV4zqsAkpjUvat49i2/OSR+ltf+pewOPnaeBs+cf0txH0bl4+7FEnnG71ZZW/qXr3mN+YHPz+xmI+jcl7tzw+Z99DS61krXfEmeZptJ8krR4ZC1cdOOHaA4yiSSdJSNcPhUklyRasAIhexewgCeX+fmP+1QP5i8eatl7C7CBI5e8QfdUfMCufhMfLYPaa8PIfisz/krR/PC+f8AF3L392oLchuJx54dvz2rwA+W2HUKYTs1kRrtJulrVC8QxJqvBUDdN5WtMoCQ29yiwk7WUGkDUVBvIWaOdl4aMVhnk3GIp/PC+n+XHVleFd+t6fzQvl5gj+LMOOnf0vntX0/y06csw4P+b0/mhYy7N4R4u7aoJ51O+5WG/wDWtHB0vK3b20Xn69lSNvavDf8ArWkaX5bCutxMhpRqgyB6l6Z7KHOvBZTRq8G8a5qaOEboZlWJqBzms9KabzePcwdl5nqflrlKlpjdIkfUpjmVGB7HBzXCQQbELAednLXJ+ZXDgwOMD6GYYXU7A4tn504xIcOrTAn3l557MnPQ8Nu+pXjbG1X5W4tbgsW/xexf1Lv1G1+i9b5fmGAzXAMxeW47DYzDVLsrYeq2oxw9RBhL2b8vnRzB4C4q4DzX2DxLlhwoeT7HrseH06zR1BG3vGCsYDPHK+knMfgjIOPeFamQcQUnPpF3eUarfTpVACA4H4TbqvD/ADg5T8S8uMwnHUDispqO00Mxpj7E89Gu+1d6iteXHezX7mampKVN+qEznEOhAOLXWKkmzbn5UD7c4EHb2TS+eF9NsOQMPSHTum/IF8xcqe45vgv3zS+eF9OMICcLQP8AqmfNClcnG8V9tIzzrcPLLKHyLSLDFMhbr7Z5/Jtrjyy2h8i0pC2wjhIVMQdlbUJjwqumHHdcdEbMKxhtdQgaUtEhaK9N9hCPqg4p9eGpfOXpnjmfqIz6P0ur/MK8ydg905/xVHTC0fnL01x47RwLnx/Y6t8wrN8tzw+aBBt7y9Z9g0f3s8Tz1x1L5hXkwumF637BoH1L8Su/X1L5hWvd2cU8tvc8sqzLOeUnEWV5ThKuMxuIwpZSo0/SeZFgvEjeTnM8CDwVm38Bv4V9FAkefWs7c2tvnbU5Pczh/wByc2/gD8K5WB5G82ca3VR4JxjB/rq1Kl854X0IcXTdM4t03T3M3FoHsy8jKnBNR/FHF1DDuz8vIwtKlUDxhmRElwsXEztt5re+Kr0sNhquJr1BTpUml73u2a0CSSmr1sPhsOa+LxNLD0W+k+q8NaPfJsF5d7VnOnB4nAu4L4LzbC47D4qjOPx2Erh7QC4jumuad7XjoVZVl005z+44bx5zMzHNMK/Vl2HIw2DP2zG+6+Eysq7GInnHT/eNb+paVaA0CBAAiFu7sVCecdP941v/AEq5OOPbOIBNFzW7lpAXhvPez3zaxOcY3EUeHMO+lVxNR7HDMaAkFxIN3+te5tiJVgYfWsxzWPA7uznzgj8y1B/vZrhv7aqd2decH+iLB/8AVcN/bXv00x9qUhp39Fy3MtM2PAv9zxzi/wBEGf8AFML/AMxL/c8c4v8ARBn/ABTC/wDMXvzu49y5KQftHfEky2zY8jdnrk5zM4W5wZJxBxBw3TwWWYRuIFat7PoVC3XRexvha8k3cNgvWmKH4mq/tD8i5MaKdwuPiv8ABav7Q/IsZNR8xM6BOdZiT/ndb55XEAXNzogZvj/31W+e5cEustTw4t7ouaHWK53B+cYjhzirLc+wlTu6mAxLKwPqB8X3pXBEu8Sq8IqW2WZdNx9SsNUpV6FOvRcH0qrQ9rhsQRIXhHtMcHYnhznDi6dCgRhM6q9/gYHpOdYsHwr012U+MW8VcpsDQxGJ73Mcr/EuJB9KB6Dj74+Rd/zG5eYLjLiHhbOcXA9pccax/Vtjb40nZq93Z8rsj+pzl3w7ktWlorYXLaDKw/1ugF/86V5V7aHGlHOuPsPw3gnd5QyIRXb+uHekP9kL2VmeMwuAy+vj8ZXZh8Lh6ZfUqPMNa0C5JXzV48zRuecb55njX625hmFfEtd5tc8lv3oVxuyugJdN0WXMqAHVJTlt5Ct7slLTulcCGx1VzpaLpWwXXUsRU8OaxswnoE6zHknqNBMHokpwKpA8kl0jYPad/wAfXF/7+b9Exa0JWw+0Y5ruenGneSXDNagHvQIWuvS9S5PCTusd6CqJBZBCZriLbqPN4hY007eqJZTf5YQ/KF1tOk1tJr58RJldhWOrKmOG/dlv3wurpOJqnyC1tNCbtJNlTRcBPUrlOYHR0CGimyoA2/mg9Hdgf82nFH7wpfPK9Nc38RiMLyk4wxWErVKGIo5HjKlKrTdDmOFFxBB6GV5n7BH5teKP3hS+eV6U5zR9Z7jX7gYz6Jylax7Pn4eOOM4E8VZ5/LXqVOOOLYvxTnv8teugJklA2V9zLtsTxjxZiGd3ieJ86qMPT2Y/8K6o1HP1OqPc97vdOMlVO8RQdYIXuJaYuVVfUQCri+yQRKh4bN7L7Z57cK+rEvP8wr6HWNUe+vnp2WgHc9+Fh5V3n+YV9CgfsjfWVMrquSeHzW50AHmlxMB+mdb5yxJrWxdZXzlkc0+J/upW+csT3IlbuWo4/NMGU3Ge7bKV7abbGkyfeTtJAmLJHvDjeJWF2jWUyPytvxLY/ZnAHPbhPSwD8VO+jctaNIJMErZvZgZPPbhUE/5Q8/8AluVXF9D6RBqN/bD5V82ucpaOa3FA/ZOt85fSCh4azSDPiHyr5t84jPNbign9M63zljG7Xl7MUaXXjoveXY8H/wAP+S6tziMV9KV4OaQG2O695dkGfrA5H++MT9KVcmcWL9uq3K7JB+zjfoKq8auNiF7I7d8jlfkf3cb9BVXjV1xbdTDsuflvLsUD8mB/3Nr/ANS9d8xrcvOIvuXiPo3LyL2KP8b75/S2v/UvXPMg/kdcRfcvEfRuTLsS9nzQ06mpTYp2nS34EsalvbMICNafdQUxMq0ta1spOylbZeyewmAeW2dnzzT/ANAXjY2XsrsJvH1tc5A39tT8wJl3MYzztRUzU5EcTwdsOz6Rq+fbw8g3X0F7TZcORPFUf5s36Rq+fW7TdZxrWZQ0C6jhNglbIFzZFkl0g2Wts6MaYezSeiRvisBsnqEgWKVgi/mpajk4BurMMK3zxFP54X1BwbIwWHH+op/NC+YWU/8AWmD/AHzS+eF9QsPbDUh5UmfNCmTWFeI+2kPybKn3Lwv/AK1pIWW7O2g6eddb7nYYfectJndaiZdzN6kqmoSSVfY2CUNDrKWKWndbU5B83sVy2zipQxzKmNyLFFvsig10vpFs+Nnx3HWAtWlkWaqzTgyU1tH014Q4t4c4tyunmHD2b4PMKRaC9tKq0vpEiYe2ZaffC5fEuT5Zn2U4jKs1wdPFYLEs0VaTxIPr9R9a+eXKPj/NOXfFlLPMtaK1NzO6xWHcYbWpEglp8jIBB6L6AcB8WZNxrwrh8+ySsKuHri7CfHSd1a71hT26and4k598pcz5bZwa2GonFZBjKxODxfVh/QX/AKrqPMBarF3QvpLzQ4MwfHXA+YcN4yG+yGaqFT9Cqj0XfBdfOTNsBisnzbF5XjRGKwlZ1CsI900wVrbNh8mbOd4Efrql89q+neFE4el6qbfkXzFyH/rrAuPTFUvnhfTvCkdxSjrTb8imV8NYPEPbPEc78R+qy6h8i0wfRW6O2m6OdteP0uofItItcSGyre7O+5z5JiAFW5xlAuJKwGcq2zMBWTaSqw7SS5ag9Pdgpk59xY7oKFAfKvS/HxjgjPj0GX1/mFebewO38cOLHdTRw4+VekeYHh4Dz6f0tr/MKzfLU8PmgSCwQvXnYMEcH8Ru88dT+YV5DY0CPeXr7sG24O4h9WYs+ata7OOeW3+dHEOY8K8r89z/ACksGNweH10i9siZC8ljtN81Y/w3J/5CF6e7Sv8AiK4u/eI+eF8+2xAWXLbpuc9pzmtF8TksfvIT8qd3ac5pGlfE5N/IRPyrSD/TRHpLcrO2X8bcxuNOM7cRZ/isVStpotdopi8+iLH4VibQG+8qi6E9N2pNpRDvFK3p2LI+u+fXl9b+paJcJdAW9OxP/jgIPucvrf1KZXcZx8vbNYxRcQbhpM/AvnjnfMfjylnWPp0+MM5psbiajWhuIIgBxX0Mrn8Tv/aO+Qr5h8RunP8AMf33V+eVMa5ayT65nMJn/fXPP5SVProcwj/31zz+UlYa5yjStM1mg5qcx27ccZ5/KSrG82OZo244zv8AlJWDPF07XQFYy9BdmnmHx3nvOnIspznivNMdl9dmJNXD1aupj9NB7hI9RAXsLHf4FW/aO+ReFOyc/wDJ+4b/AHPF/wBHqL3djo9hVv2jvkXHXLI+X+dE+2uP/fVX55XEYbBczOx+PGPjb2TU+cVw7abbqZW7cXt1Vr3+HSFx4g3TtBm6OgndSeWtt2djri6lw7zRGUYutTpYXO6XceN0fZR6H4F7iuKcBfLrL69XB5jhMbh36K9Cux9J/Vrg4QV9RC4kn41rk7tStH9sji1mScsvqfo1NGNzpwYGzcUmnx/GvEZtbot0dsnN8VmHOWvhariaOBwdKnSZ0BIkn4VpY7QpGbkDTayjyICZoaGRCRxm0LZs5q+EKuZMpoAF1YA1zNkqI10iFWxpOImfcn5QppvYrsMgwjMVjHMqE/lZP3wpjjtGS9oqofr6ca2/7XqfIFr8RU3Wf9oqPr6ca/dep8gWAF7BsuXPyYzsj/BEXQY5z6gkI2fEJoh4WFdo9hGVFg9LUY96QuppNLXkdQSu6c/RhPFuKGr74XTMM1HA7kyqizUYgqptifNWGwuksbhB6T7BAP1X8UH9j6X0i9I85zHJ3jT7hYsf+UV5y7BA/vp4pP6wo/PXovndbk1xqf2FxQ/8spe7UfON2noFU6ZUe71poBbv0WfNRWLKxjZMwqmyFYNQurlNQKWz1S6dO5lO7qYQF4ELM7lbR7Kvi588MH/W1PmFfQdrvE31FfPvsptjnvw1+6VPmFe/C/SY9auXlvDw+b3OOfro8SnzzKt84rFGt1HdZZzgLTzM4iPnmNb5xWIlkiQVuMa7nqPhgYNkugESSgIDocbJg9nope5ojQ0Gy2b2W/Fz64WHlWqH/wAty1owDUVs7srj8nrhj90q/RuWZNEr6B4cw9vXxBfNnnC4u5p8TevM63zl9JsOB4HetfNjm7/jR4nP7J1vnLOLWfdjNEDVBK969kM/kAZIGj8/xH0pXginuvePZDc4chcj/da/0hTLHTOHljXbvP5F2Rz+njfoKq8a0oLivY3bvvyvyMfs436CqvHFKz4WpDOt49i0kc5nDp7W1v6l665mW5c8RH9jMR9G5eROxcQOc7h+xtb+pet+abyOW/EUfpZiPo3LF8mMfNVlwPeT2CjYAA9ShAlXYkeFH0mhMAIhQM+xkrUCC69gdgx08BcQM6tzQH4CxePjfZesewPjR7U8VZefSbXo1R8IISrG3u0azVyO4q9WE/8AUF88ao+yz0X0h5yYP2fyq4nwn2+W1T8Qn+pfN15tKzj3XMXRp2Ua06fCgL7lEh0w02WtMKyHbQnZYXTub4d7pAmldhw63vM/y2l9vjaI/wDMavp9sGD9QPkXzM4ApeyOO8gw8enmVD6QL6Z1LPjyAWcmsY8M9sd3ec7sdf0MFh2/zStMeNbX7VWKbiud+d6fzsU6fxNC1tlmW5nmlV1LK8uxePqNEuZh6Re4DzgdE2zXDJ8KdjvCu5+o/i4Ak8KZ5H7zeuiqseHFpBaQYINiCtXuRYxK+S5Gi0gIB32SE2gxDVuLsicY0uFOadPCYyoaeAzmicI+TDWVdQNN5+It/wBtag3dCdjzTcajTDmeJp8nC4++rtZdPqMDIk3HReMe2zw4Mr5m4LPKbR3WbYPU8x+eNIHyBep+Vubvz/lzw/mzzL8Rgabqn7eLrTvbty8VuBcjzOPHh8wNOfU5hEfGuOdmrXkXAvLMywzh0xFI/wA8L6e4Ezl+HPU0mH+aF8u6T+7rMefcvaficF9POH6vf5Jl9U7PwdI/zGrWXdMHjHtqU9POPWfd5bRPxSFo0WiF6B7cWH080cFXGzsrb95xWgA3wrVxSmZEXTOY3dKg+SuMRwkQkYy8FOHINN1qD1P2CqemtxbU6asOwfEV6F5pVO75bcTVdtGWVvmFaK7CWG08P8T4vq7FUW/zVuLnniTh+UHFNQW/G+oPjCzlN1vxHzppiWgnqAvXvYPBHBvER6HMGfMXkFoPctjoAvX/AGEHaeCeIQd/Z7D/ADFd6jE8ti9po/kG8UfvYfPavn61oDQvoB2mj+QbxR+9h89q+fTyQApj3XJY404VeoAolrUrgAqzAF3FW0meFCm26tBgQk7KQNMyFvLsV25wmfdZfW/qWkWHot3djAzzgPqy+t/Up5iY9q9rVf8ABqn7Q/IvmDxIZ4gzA/rup84r6fVf8GqftD8i+YmfMBzrMD+u6nzlcY5a6zrZOwwbpyzyULYbdXTFKRJlDVpCjjaAh1gqEbX7JTz9fzh/9zxf9HqL3fij+IKv7Q/IvCfZJA+v5w/+54v+j1F7qxn+BVv2jvkWbW4+Y+cu/HjH+Xsqp84rhX6LnZqB7aY8n/OqnziqIZ3crd7uO96rBMetLqeTun1M6qsjx2NlmTus7npk94z9u35V9TJmffXy3pka6f7dvyr6i6on31cmsY8IdrV0c8s0/e9H5q1KPHutsdrQ6ueWafvej81anammLAcCHQUQ07piOqF4VCPurhaik0pnvb3endSimmPdSu84TIOZu/cXfK1dEGuFl3XCJ/HN37g75zVce47ztFj8nXjaP03q/IFr+ATsth9oc/k68bfder8jVgUCbBbz71MfBaYgo1DdQiLqsP1OhRXdYwRQj9aNXUYYaqhPqXcYv0R+8wunoHS8+8s1NrSwKkmHQneTKS0rQ9Ndgn80PFZ/WdD569Dc8nRyX40+4uJ+YvPnYIE57xaf1rQ+et/89jHJTjQ/sPXH81Ys+pqfpfOQt8wiRAsYKaqRqkFIWlxmVuRA1dITEFo1boNIBunaJm6uhTTqF7jbZXMPkloaGvdNkzbvJFgs7Stq9lEH6/fDk+db5i980gNYleCeyeNXPjh8+Xe/MXvihBqtlYt7uTj8PmzzXcPrncRz+mNb5xWLEgmAsn5s35k8RkfpjW+eViWohwC3b2Z+5y0AyhAmUyBgqbDsIW0+yq38nfhp36ur8xasY1sT1W1+ynB56cO+YNU/zFu36WZ5e+mAeFo6FfNPmzJ5mcSmf+063zl9KKAdqaT5r5r82iPrl8S+vM63zlxS928mNUutl717IrfyCciH+srfSFeDKRAHvL3r2RiDyHyMn7et88q53szixHt4eHlnkMfp1/8AgqLxtTPjk+R/qXsnt3n8jbIAP05//C9eN2gEn3kxulyjd3YsE85D68trfKF635rDTy14jP7G1vmFeSuxbbnM0fsZW/qXrfmxfllxCf2OrfNKzk1Jp81qZ8I95Qu8SZ0NpA+pVAyVyRirtUC6QvtZFwkIBipAI1L0l2DqxHGXEWDn8swDKvwtf+BecAIC2x2S81OWc7cm11+7o40VMNUb9tqFvvqS7aj3JxXhDjuFs1wbbnEYKtRHwtXzFc5rqDYFwF9SvR+xkTO6+YOfYCrlea4vLa4irhsRUpOHvOIUxmjOuuF1Id0TgiNkzYK1ezHkg1RdMfQiFHAa4TBzQYKzO7TYfZpwHtlzs4YoGnrZTxBrv95gkr6FM8eJbaxcvGPYeyJuO5kZhnjvQy3BlrP21S3yAr2Lm2KZgcnxmMqGGUMO+o4+QDSVnKtx86eb2MOZc0eKMX+yVZnxOj+pbU7DIB5iZwD+lX/5WrQ+NxNXFY3FYupUc+pWrPqOc4ySSSZW6OxXjPYvOIYX/O8BVZ8XiWq4o9rljjh6g1D0T8i+YfFTXDiPNGOs5mNrA/xjl9P23cAvmpzLwz8HzF4lw1RmhzM0r+HyBcSPlTCtWOipOAaqXemYRDSlJ0m6tZEWkqNJLoSU3anEK4Q26wlr3j2Q3OdyFyUuM6atdo+CoV03bbj60eGn9NKUfEVkvZbwb8DyK4dou/PGVKw/2nuKwjtz4s0+XGT4PrWzOf4LCpO7lvh45e3U5xX0j5Q4v2w5V8L439Ey2kP4Ij+pfN2mbX817t7IObnN+SeX0alSamXV6uGcPITqb94rkyZxav7euFfTzXhXGD0X0a9N3wFpXmTdy9o9trKfZ/KrCZoylrq5dmDSXfaseNJPxwvFuzlnaVHW6ITbdMY80jpBsE8hH3KamIuN0rgSVdQbBBKule1uxPgX4flHXxb9sVmFRw+CAu87WeMbhORmdMLtL8QadFvrlw/Au77PuTuyLlDw/l1RmiocK2u/1l/in761X27M3fS4WyDI2O0+ysY+q71hjf8A/JZaryOH2C9c9hUxwVn5/ZBvzAvIPWF6/wCwmCeCc++6DfmBWsxsTtM25GcTO/W7fntXz7OwX0C7TpP1jOJm/wCob89q+f8AFgrimQtF0dIlOBZQtsptCMICJdCR7NJlWM0xdJ3Uab5Oy3l2K/8AG/VP7H1flC0iwNOy3d2Lmkc3Kx/Y+p8oUvaLjPqe08Q78S1T/q3/ACFfMTPXfjvjyP8AO6nzivptiXfiWsD+hP8AkK+Y+dR7b44frqp84rONcmflRTiFXVJlO0wFVUPiXI46gAJTlpiyRpEqzUeily0NrdkwOHP3h6f0DF/0d69048j2DX/cn/NK8Mdk0H6/nD/7ji/6O9e5swgZfiJ/Qn/NKx5bxfMvOj+OWN/fFT5xXCa4bLk5sScyxv74f84riFhHiXJpijXuLBCmLXCJcTsFY30dlL2Z2WnevT/dG/KF9Sag395fLfDXr0/3RvyhfUqoN/eVzx05cI8GdrNwPPDOPPuaPzFqYC0rafatB+vpnP7lR+atVkEqyuMziS3dQt8O6V8ltkGkkAFSh2g6t7KFrRU3QeYiEpE3WRKlnXXb8JPAzJ37i75zV05ubruOFQPbJ0D85d85q3jUrvu0NJ568bGLe29X5AsDBvACz/tDT9fTjaB/2vV+RqwDZy1l5MfAGRYqtrPHIVhl5Vb9THKK7vG/lMjphGhdPQH2S/ku5rsJwlU+WHaulaCHEhRFlWIsuO2dd1cJJQLLqj1D2BW/jtxc79b4cfzit98/LckeM/XlNUfItEdgUfi7i4/6jDj+cVvbtBGOSHGH3LqfKFP8zU/S+ctSN2gqB0CSnxDn95DmSPUlcARaybSKyZ2VrNrJQIMFO2Bslm1I9gm+6jTAhVuLtZTAWlZ1tmtudkcF3PjI/U2r8xe+GkNew+teCuyHfnrkh/UVvmr3oPFVaPWs5dnJh4fNnmgdfMTiI+eY1/nlYofTiFk/M50cwOII/TGv88rF5Jetb7MfdcA3RBVUgWTOBlVFpBlWxVrLOW1+yeQefGQ+oVj/ADFqWmCTPRbb7I7NXPvI520VvmK6+lnX1Pe1JztTQepXzW5qjVzK4kHlmdb5y+llJt2g9IXzR5pS7mTxK4dczrfOWOPFvOsdpyAQvfPZGg8hsh/bVfnleB2ENuV737I9+Q+RR51T/PK3lHHhWHdvG3Lzh4D9OHfQvXjemT3hlexe3k6OAeHB+y7voXLx31JWZGq3j2K2fk0O+5lX5QvWvNj/ABY8Sfc2t80ryV2Kn/kzn7mVflC9fcxsDisy4DzvAYGka2LxGCq06NMbvcWkAKZTTcr5nhssF7JC2BLd1sQ8k+bIlo4FzL42/hQbyX5qt9LgTNP5v4Vy7Y0180nTJ3VjJls7LOxye5o6oPAmbfA1v4UHco+Z7LHgTOfgpj8Kgwior8lzKvk+c4LNcK4trYOu2swgwZaZXfZ5y847yXLquZZxwlmuBwNETUr1aQDW+/dYsN7GFmzSx9Tm1aVaKlK7HtD2u8wRMrxN2yOCvqf5js4jwdDusvzmnLtO3sgen8Yut29kPjw8UcCHh/McS6pm2TQzVUfqdVon0DJvI2W0eP8Ag/JuN+GsTkWeYanWoVmHu3lo10n9HtPQhZi+XzK9BFrisz5q8v8AiLl7xBiMtzbLa4wYqubhccGHusQwGzgehPksLDg46guSxkbh09EDd2r3KckASVvfs68i8dxfi8LxJxTgqmE4ebUmnRqWdjfg6M+VWzSN39j3hlmScocLmJw3dYzN61TEVCWw402vcyn95pPwrn9rHij6nOT2YUaNd1LGZqRhKWnq0+n95bWwmGw+Dw9LB4Wiyhh6LAynTYIa1o2AHkvE3bB4qq51zVxGRU8SamW5K1tKm0Oljqr2Ne8++CdPwLjjk+zSAs3Ss65DZ6eG+cPDeaOMUhixQrftKnhPyrBqlnSjSqvY8VKT3U6jCHMe0wWuBkEFcjOn1MawGHDY3XhvticMHI+beIzMDRh85pNxNP1uFn/fj416r5AcYfVxyqyvOXmcTTBwuJnfvGRM++C0/Cur7RPKxnMvhKm3CaKedZfqfgqr/RvGph6wdI+JcOLVeAKp1CVURqK7TijJM34ezStlecYCtg8XReWOp1GxceXmF1gZV9S5KxshBabLsMjy+vnGcYLKcKx78Rja7KFJrWyZcVxLlwa1pc47ABep+yDyjzHLs3+rvirLBSb3BZltCuz7I1xIPe+qwge+kpp6Q4WypmR5Bl2TYZgbRweHZRa0CAIH4V5a7ded99xXkXD7an+CYZ9eqz9U4w370r1pjMRSwmDr4zEPFOjRpuqVHHo0CSV85ebfFFTjLmLnHENSo97K1csw+rpSbZqy3bpi0aV6V7DPEjMNxDnPCdSq4+zqLcTQZNg5npfeheZ6jpWYcluJxwdzOyDiJ5ilh8QWV/3Oo0sd950/ArWMXvjmlkp4i5a8R5HTotq1MVl1anRBG1XQSwj/AGoXzcrMfRe6jWYWVqZLKjSLtcLEfGvqPQqUqlJtai9tWjUaHscNnNIkFeY+1LyQOKOK484OwdMBjNeZYGmyC6LuqsA3PmFIZPKDjBFlNZB9SepAGlgv1BU0XErSSqg6Su/4LyHFcS8U5dw9hqXeVsdWFMAdGz4j8UrqKGExGIxVPDYOjUrVqhAbTY0uJJ9QXt7s08nqPAmWPzviChh63EWJAIkavYjftGnz8yN1cuy+W5aDKNGmyjQptp02ANYxogNA2AXhvte8TVM/5vYzL2VCcNkzRhmN6B/u4+EL2fxjnuD4Y4bzDP8AMKraWHwdB1QlxjUejR6yV83uIs0r51n2Y5vinF1fH4yriqhPm9xcR711wt2bdcGe7Xozsxce5ZwJy+zY41tWri8Rje8o0Wj0mxAMrz/l2FfjsXTwlP0qjgPg6r0Lyo4DdxLjsFlYbUpZfl7R7IqU/CKlhYwut1PPnjfl8c7vpvQfSOn58Mus6zLXHj+PNczmHzPz7i/h7MMjxWFoewca3S5tMHW1syLmy8353lpyzNq2DIcA3SWz5ESvbnaA4dyfI+R+evyzL8LhK9DDg069JmmoDIvqC8fZqKGO4VwOZVZGLZ9ieZ9OFOPHn4c58zPcv+zk63l9N9R6XKdFw3jy4++75ynj/nTHLBt0lBwdunL26bhI1zQbLu27fIz8hWMGCpLYQeNblHMhl0jSyifJb07GGr67FY/sfU+ULQ+GJBK3v2Li53NXEerL6nyhXLw1j+p7KzCRg6xH6C75CvmLnWr23xh88TU+cV9OsYScBiJ6UX/IV8x84J9tMX++anziuLAzvdxwTF1U65V0GEoaFy7ccIxt1Zsg1jn1GsYJc4gBdvm+Q4zKe5fiAH06g9JuwXHlljLJfu5ePg5uTC8mM3J5bF7JQ/J7yD9xxf8AR3r3LmkDLcV+4v8AmleGuyXbn5kX7li/6O9e5szP414v9xf80qyM43b5k5lp9sMZ++H/ADiuN4DZX5jHthjP3w/5xT5HgvZ2aYfChs63iR6uv3lrPOYY3K/ZeDjy5+XHix85WT+7sOGuHMXm73uDqdCg3d7zGr3h1WYs4RyJtOCMYfVrKPEeY0OHcnZ3QpUq0d3Qphn85a7ZmOYPbBx+Lnz7wrzMZ1HV/XMvbPs+46vD0r0K49Pnx/Ozuvdd61Fub5bUyvPDg3tMtqtLD5tlfTwnf3l848zqtzPhjCZlVE4yni20nv8AtmyF9GSd1z8XJllhPd5navm/Uulw6bnvy/05fVP5V4I7Vknnpnf7Sl81arbOqFtTtTgnnnnn7Wl81ard4V297eTTeKbhVOcC6JhXB0hU1GyZARDtaD1TOsElOyepstQIQIkrteFHH2zdH6C75zV1DgdK7bhRrvbMx+gu+c1FZH2iC76+vGukx+O1X5AteF5DrrYPaKbPPXjXxR+O1X5AtfFsQSZW8vKY+E1EOCjvG6ChMuTDewuoO+zOgW62scYOGaunp0S1uouC7etWvWB9zh2hdMwyTOyREkNQaQSg8AlE6WtRXqfsDt04ri0/qKH9a3f2hHE8jeMPua/5QvBfBPHnFvBdTEP4WzutlbsSAK3dsY7XEx6QPmV3mec4+Zue5NismzfjLFYzA4tnd18O+hSAe3ykMBQYLiZ1AjyS03SIco4mUHSBMIQHnxJoJCDAHNklL3mkwLqbUzWw66NQQJCQVJN7Jqj/AA2uqzY292Qf8e2SftK3zF7yoPbrFuq+X/DHEGccNZvSzfIsfVwGPpT3demAXNmx3BCzr6/HN8j83ePj9xo/2FnLu3OzF+Zn5vM/8/bCv9IVjcLk5hjcTmGPr47G1XVsTiKhqVajt3OJkm3rKphaZ2gewCCYKFVpLZBkIHQdxJQcTpgCApQ9Jbc7I3+PnJP2tb5i1DSK7rhbiHOuFc9oZ5w9mDsBmFAHu6wpsfE72eCPvK2EfToflgq+oL5ocyz+SFxH90q3zlmP90TzmdAPGlh+xeD/AOUtY5pjMVmWZYnMMZV73E4qq6rWfpA1OcZJgWHwKwvcjG6gV747JP8AiJ4fjyqfPK8DUnaQs94S5x8zOEshoZFw7xMcFltAk0qJwOHq6Z3u9hP31bGZNPQ/b1/MFw5913/QOXjtqy3j3mdx7x1hMNg+K8/9scNhqprUqfsSjS0vI0zNNjSbErEGrKt6digA86nnp7V1flC9wQxfMfgbi7iLgvOjm/C+Y+1+NNM0nVe4p1ZadxD2uHTyWef3RPOX/TL/AO2YT/lLOeO2pdPfkgdfvqAHcOPxrwH/AHRHObrxs3/hOE/5aX+6J50zbjRhH3Kwn/LWPZq+Wpnv7PfriT7t38JBpMwaj/4S8DDtFc5hb6sKZ/8ApWE/5atZ2iucgHi4tpf8Kwn/AC1yfL/cuUn2epe1UNHIriWHT9jp/PXz9LZAWxuL+dXMzinIMTkWe8Q0cVl+KAFWkMvw9MuAMjxMYCPjWvGHoppm13nAnFudcF8S4bPcixJo4uibg+jUb1Y4dQV9FOXvGeQcdZBQzrIcU2rSe0CpSnx0Xxdrh0uvmfUYu94N4v4k4QzMZjw5m+Iy7Ee6NMjS/wDbNILXfCFZGdvpfmWFwmNw5w+OwmHxVF27K1Jrx8RC11mfIzlJj8VUxOI4IwVSo9xcTTr1qQk72Y8BaL4L7V+c4KjSwvFmQ0s16VMXhn90/wB/R6PxLZGG7VHLZ9Jhfg87p1Du0YWY++pJtYz/AIZ5TcuuHsR7IynhDLaNUe6qMNY/+YSs2a2kxoY1opgeiAIC0Bmvau4Jw9JxyvJs5xtQe5qU20h8ZK1Hx52n+P8AN8YW8NnDcO4I9GUWV638N4IHwBST3L7m5+0zzqHA+Ddw7w9Vpv4irgantAecIw7OI2kjzXizFYyvisRVxOKxL69aq8vqPeZLnEyT8ZUx+OxeaZnicwx+Jq4nF13a6taq7U558yVxCxb1plHPLrdEuqDCIt0UgEzCzK1W5uzLzdq8vM6OU5k51bhvH1g6u2f8Gqm3ejqRAAI2svdWBx+EzDA0Mfl+Ip4nC12B9KrTdLXNPUL5ZQYWf8tOcXHPL5jMLk2YMrZaDLsDiqYqUz7x9Jv+yQFde4j3txZwjwxxVQbR4iyPBZk1s6O+pyWzvBFxsNlhTuz1ybqeJ/BjdXmMxxQ+SqtfcJ9rbhzFYcUeJ+H8dgMT1qYSKtP8KzlvaP5RVAPx/wAWz9tgnhZuNjW2QcLcpeXXDOLbisj4TwGGrt9GpUL67h7xqucR8CzkBzQAAAAtEcQ9qTl5l+tuV4bNs2ePR7uj3bT8LitMcxe01xvxEw4LIe74cwh9N1AB9d48tTgY+D400m2xe2JzWo4bAfUHw7mk42v/ANauobMo6T9inzJietl5LO0j4ktWrUrYmrXq1KlWpUcXOc9xc4k7kko/eRmkIM3VgjRCrqG0I0zNlZ3THs9RdlLnbWbicJwJxbiTUadNDKsSenRtJ39RXq8gOaQQCDuF8s6Dn0q7X0nuY9pDmuaYII2IPmtz8vu0Zx/w3Uw+FzXF08/yyjY0sSxrawHqqtAJ/wBqVLi1t6s4k5RctOIsZ7Lzfg3Lqtb7ejroH/y3NXQ/3PXJ9z5+pJ/vOzLEn/8AIujyHtQ8uMYIzFma5bUPR2HNRvxtXc/3RfKff29r/wAjqfgV0rMeD+XXBHCMnh3hvBYF5/PdJqVP4byXffWTPLKdN1R7gGsBc4kxAC0JxV2quBsDQIyHK80zevMAOpdy335cvPXH/PTmBxpQrYHG5mzAZbVs/A4KmGMI9dT0z70x6lPbZ5Nu27RXOXF8wM7q5PlWJfS4awj/ALDTiDiHD88cd/eGy0+50NiEuiTPhR9ErNZ/dnXLPLaL3Px+LoknagfIr0x2OcU/GcN8S4io8u/HV7Wz0aJhebamJGQcB0jQkVsVTmT0c5qt5W84eK+XuU4rL8ow+XVqWJqiq812ku1R6iuj0nH8zky5b/R9j8Qc2PR9Jwen8f2nuy/e1627UMfWJ4lj9CZ85eEK2Nq1cpoYDYUqpqfGtmcc8/ONOMuFsXw9mGEyqjhcUAKhoscHQDPUrVD7L0LjL5fI482eH6fuseAbJdA2VReTfZMwmJVs0xvYuAYRN5TAVILntlgsFWSZgpg922qyLsdGlb27FP8AjPxX7wf8oWh6lSVmXKLj/MuXnEj86y3BYXGPfRNJ1LEFwBB6yLpraTs+h2POnLMX+4P+aV8y848WYYr98P8AnFb8rdqziupSqYc8LZNFVpaT3tTwyvPuNqGtiatYgNNR5eQNhJlZ/SuV2rJIEItgi6RplOLJLtmLGFzHtex2lzSCDCyzOc8p4/gttImcT7Ia1/yrECVVrfO6xycWOdxu/D0Ok9S5Ol4+Tiwm8c5qtv8AZKbq575M79b4r6B69wZi6csxY/W7/mlfOzlNxlV4A46wXFFLBMxzsMyozuHvLQ7Wws3HlMrduN7V2Nq4WtRPBWFb3lNzAW419pETtdXV+zpTLTznjv8ADsXP6M/5xWV8vqFPC0sXnNSjr7thDT5FYc+ucRWqOiDVqEx5SVnuYv8AaXgdmEbc4ilp/h7roddblJxS63X1HwpxYcXLydbyTc48b/e+P+GGcRZjWzPHHE1akidLW+QXCpmCkOyWYXpTGcc9k+z5rm6jPn5MuXK793d2uHx7+4w+V+49ltqz8K+mzdn++vlxQOmtTq+6Y4O+Ir1A/tbu7kmlwK3w2k4zdY+XPsZcuWevdd6at7Uz/wAnDPffZ81aqcZcsp5m8XO4442x3Er8C3BOxZE0WvLg2BG5WMBsvXJJqacNRpMwiDJRc3yQFilimgbyoXgBQtETKUgEQgcEObIXacLuIzRx/wBQ75zV1AJ2C7XhX/rR8/oLvnNVxVkPaL0nnpxrNvx2q/IFr6LDqthdov8Ax5caz+m1X5AteNdAsrfKY+Dta0e+nowagBFyqZsT1TYd5NRo6yptK7jMaQpYjEgPsaDbLqqIaQZ6lc7MHn2TiTuBSYF19B8GCLKUhngAKtwkJnnU5QwrK0Volsos81G3ZpT0mQLqCawDdSrVtACV4aXIG7gE0bGm0AXKjmwZCBEOAVzmkMsmtJtx3tLvUnjSwBI1xDvErgQQrpfCM0kXSvgGAiQOiDyFnVp3hXGyLJJUfFiOqZsCFe+J7KZ2jSqnunbZWPLS8AbKutA8LUtZx7lebAtVryDp80lMAthSs5ocI3CsFrgABKqc8g+EWTNIe2SiQ0AWVXYySBCemSToIIVdN0OnyVz6veQTAhS5LJ7gfpbZVkRsmdTLryq3gtKtS9jMJJhXHSGwVxg6DKtI1CUtPJ2gTfqsuHDmCPA4zZpIxDaZquHmJKw4gusDsto0KVI8D1mEkFuUAtHmYeSuh1fJlhlj7fy+o+HfT+Lq+PnvLP04Wz+fZq0mTKcu1NhR3oQphWVK1ZlGkwuqPIa0eZXd92u9fL4z3XUheiDPST4mjWw1Z1GvTLHtMEFLT0Jvc2ZT25XG+YLiZTQSFW+zvCi57g26iz8GIhkrKOXmA9l5oMTUE0aLf5yxOm/U7StlcKtoZLwoMyA+yvpd84OPpfarq9ZyXHDWPmvofhno+PqOr9/NPo45cqxXjOlhsPxDjaFCzWuv+26rotLldmGLqYzHV8XWM1azy9/qJuqgSufjwuOMleL1fNjz82WePi2rGsi6R/mnB80HQVzSOvITTNxsoZ6BMwx4QmLw20XWa1oGTsVKhMQEztpVTnlJUoMnVdWOMCAq2G901QwJWtlqeKIQYBqug18hQWMlSkqxzADIUIkShrlEEqRaDmSEoGkyroO5UIBZK0wUOvKYzEhK3xI6o8KyoseITBxJ9S44MFWB5iySGzVD0SuDA3xJhBF91Vo1uurclkK0yuflGH9lY/D0Nw6o0H3puuE5ulZXy5wIq42pjanoNIpD33Sut1fL8vhyyen6J0X8Z1/HxX89/wCReYWKdUzBmCpn7FQpgfEBCxcegZXY8SV31M8xkdKrmfACVwSPAFOkwvHxY4//AN3X1vqJz9dy8n23qfynaEa/SVHEkylEONk5ENldmTbyfdiV0kSVbRALVSXEtV2HIay6llqgdyl9yU5u9ZrwNleXYrh/FvxdDUTUe3UejWtBt99cXPz48OHuyej6X6Vy+pc94uO6slv9mChW00lZrWYis2n+ViodHvJ6a5ZXn2aEk60u+6si5VcEkwmmaLYATmHNSAdEryW7Ib0RwjZBspwRF1GiTZXJMe+wkyrB4hdVvEGUzHA2WNrr3ac/IMO2vnOEpH3WIYD7xK7zmJjC7M2YJh+xUmiR64hJy9yx+LzP2Y8fYsPUbHvzK6fiTE+zc4xNXb7Jb3l0ZJzdXv8A0x9T7f4T0L9+XL/hwPCDZI67rJwGlBjZcvRs+75bWu34JN4TVRIACY0jqlFsAGUl2bUCzgrQ3xSqw4PcYTAuhXYsfIVNMkvurA+bFQMvKhAqmyQTpTvaSleYaimp7ruOFWtdmrwT+cu+c1dNSnu9S7nhNv46Pcf0B3zmrWJa7rtFu/J042+69X5AsA3Wwe0Uz8nTjX7r1PkC16bLWkiOJFvNGmIqtCjPHurGt+zNKzYtdrjKU0cXU9xDV09ILs6uIJo4umR4PCuvpBQTSlbF1a4KsN3TQUuE2TtkiVW5l1a0ENT26NgQCLJADKtZAN1Kt/RVSq2yXXXJaHkQbq3KMuxWYYptHC0nVD7ojZo8ytj5Tw7lmUVGtfQONr+6qO2b7y6/N1XHw9q930f4c631e28Mkk829owLA8M5vjWd7Qy+qAfdvsPvrmP4K4gaJGGYfeeth5nnuVZdX0YrGvDvtD4yPiXKwmLw2KZSxeGqa2VBLXbWXl8vqfLjPdlh2fZdL8G+n8+V4eLqN5zzrTSuLw+KwlZ1HFYepRqAwQ8QqTq9Fbm4kwOCx2GxbcU0VHCkagf9qtP0KPe4qnR1RreGg++YXodN1U5sfc+T9d+H+T0zqJw+7e/DteHuGcyzhofT7unQPu3rtM24FxeAy+ti/ZlKoKTdTmhpCzPD4vL+HeHqdHECG0R4PtnuddYVnnGmMx9OrgmUaeHo1Om7vj2XXw5+fmz3hPpen1/pfpfpfTzDqMrebUtk/diBDhUITkt2ITkF73E7pHNGq69Lb4n+UM1sXASwTMASrbBtgqnmXeFAabCyZKlTZR406dR3WV8NcKU8dT9l5katHCe4Lfdri5ubDhx92dd70/03qPUOWcPT47tYvgcFisbUDcLh31T+oErIaHBOc1qYe6lTofu1TStjYXAZdl2DBo91h6HmVxMJxBktbMG4HBY01qr3aSNENPvHqvPy6/kynu48ez7rg+Duj4M8eLreoszv2n/lrvNOF84y6g7EVaAq0m7uou1QulqLeWFbToMe1zWua4ncTutf8zsDhKOIw+Io02U6tWdQaIkea30vXXly9uU7uh8R/COHpnD8/iztx8d2GEApmmAhoMbo90Y3XpTF8Rj3Rh1PWz8J4+D6lUG3tbUb/NctXs8L1svIKmvhA0T1wtUfzXLy/Upr5d/ePtPgy+69Vh+ePJrd28LLOXOUuxOajHOE08Pf/aWKkRJWzMijIuDDWnu6xpur36u0+Fq7HXZ3HCYT7un8KdFx59Tl1PL+njm65HEWVZbm9V1Gox9HEhpNN8blatxOHdQrvp1BoLHFrgeq2FwZxJTx+MGHzcNOJA+xVYjUPL31xOYWTYdzDm2FYSQYe0be+ut0vNnwZ3h5b58Pb+JOh6T1PpsfUegx7z9TBHCT4Ujw4iCrCZG0KtwK9OPzze+4BsuaB7yz3jF/sXhXKMIDd1ClPwNWI5NRbis0wmGj03gLv+Y1VwxtDCg2oUwAF1+f6ufHD8d30npv+D6V1HPPOVmLF3svMpdV4hFpi5SudrPhC7Um3zPhZsnw9GpiKvdUab6jz0a2VkHC/DFTNGDEYx5pYP3Jb6TveKz7LMty/LcLGDa2k0ek548R98rp8/W4cV9mPfJ9V6P8KdV12H8RzX28X5rX9DgzPKlPW2hSpfuj4XHx/CGe4VneOw4q/uTtS2BhuKcmdmDMto1zVNS06PDqXZvc+nsWQdhC6HN6nzcNlzxfT9L8Fem9dhZ03NbY0lVp1aRNKoHMcNw4QUrFmnMzDM9k4es5obWLJdHW6w/R4gR16L1ODmnNxTk8PgPUfTsug63Lpbd6utq/RumnvAsk4xyjD5Vk+UtpeKrVD31HdT6MLGafhW+POcmMyjg67pM+k5rxZ+Z/42UMgphZMso4U4U9sqXszHjEUcL7ju/Sf8fRZ5eTDix92Vcnp/p3UdfzTh4Md2sX9aPTUs/4vyDJsryKo7B0R3w0xUe4zdYCPQTh5seWbxcvqnpfN6by/K5/OtgXmFGOJaUWtkpdiQFz7eYIMIIOVmAwtTGY+hhqe9Wo1nxmFnLKYzdb4+O8mUxx80g0p2gEgBbGxHBOWNy9lOa7a7bd6CDPviFi+M4ZzLBVA+tTFXD95Iezo31rrYdZx5y6vePd6v4Y63pMsfmYfTldbnfX8z4bhDOMQzUG0aP7q/8ABKmJ4Nz6izU1lCv+5P8AwwsizLjbLsG8UsJh34wx6QdpaPhgq/JeKKuYVBRZkWJGrd7PHHyLrTn6qTdnZ7k9I9ByynFjy5e69u0tYBVynM6by2tl2NbDd205ErYvCuTDDZVg9LHNeXCrV1CHTFgu2wONpYvCOFGvSqvaDIpvlcbH4sYINrY3E+x2kdQuh1vV8nPceP2vqfQPh/o/SLydX86a1ZLvxtrHNsFjn5riS3A4lxdXcZDJESr8Fw9m+JDQzL6rSer2ws1q8X5KGEtqmp0OhtyuBiuN8E8inh8qdUIEaqtQifiXpfP6iya4/wC74zP0n0jiztz6u3dt+mOtwfA2aVHRWxGGofqPSd95Y/muFOBx9fAuqNqGi8tLhsV3WJ4yzIgswlDC4Jn+qadXxkrHKj3VKjqjzqc4ySeq7fD83zm8b1XL03cx6OZX83IvdyrKbRGlIXQ2UjKhmVy148i4jS6ekrYuTt9hcD26U3u+Na4aS9zWD3TgFsXid3sHg1tJu72NZ95eZ111nx4fmvtfhOTj4Oq6q+ccdT+rXbxqJJ6pWz3gaDA81JJd5I07EyvS1p8Te9NVaWGA6VWH6TdO9wAuFNbCILJTaaKyei7zIcjqZuMR9mFPumamjTOo+S6QTT3WwOAMNpyarmBMQ8/wV1er5suPjlx87e98Pem8PX9XcOX9Mxt/swCqzRiH0fdNdpXf5PwXmuNw/svXTw9N+3eGF1mFfRfxA2pUgUu+1EnyWa51x3l9JraGX4U4oD3R8LVx9Ryc+Opxzd05/Sei9L5PmcnW53GS6mvOnQYrgbOaYLqbsPiD5NqLrvaDOqNSKuU1x6wJHxrKMJzBpvqhuMykMZ9uyoTHwLKcpzHK8wPeYLEuquIvTcIj4F1suq6rh754vb6f0D0Tr77On5rv8V1+QZW3J8lAoh5rPonXqMmfgWuamAzKpinOGBxTyXEmKRK2vmWNy/JqYxWOrd1TcbQ0uK6bFcc5JTGqh7LreoAtC4ei5ebKXOYb29n4l6L0y/L6fPqPZ7J41thmG4Zz7FuBbl1Sk0mC6r4QF3OH4ExxY0V8dhGEm+iXQuRW5g0xqOGyvU49azyR8S6nG8cZzWaaTWYHDtd1pUzMLuzPq8/tMXyvJ0/oHT//AHMuT+mnQYtjqWKfRa8kU3QT5rs+Hchr5zWdOulh2+lVA+RcXL8I7M8cyiHOLqjvG/yHUra2GGDwGWBxqso4ag0NmPS9a31nU5cUmGP6qvw16Dxeo8mfUc/bhw8/Z0eH4EyaA01MVH23fs/srDOKsmp5Nmr6FCo99F3iZrN/kWwMnzxmZYlwpUYosqEU6n26wrmBjfZnE+KpgeDDv7ofAuv0XNy5c1wzvh7XxV6d6Zw+m4dR0mGvddS/mRjrSB4plWh7T0VTi1vhATsZrvML1b3fm0GoYFlWQCLqx7YVFWZVWrqbbBoNl3HCse2jmn9Bd85q6Slq0hd1woR7Zu1foLvnNW8WK7ztGf49eNfutU+QLAmsaOqzfn9W7/njxq/9ma7f4LtP/pWCua4Ke5qITB8KsoeKu1qrkBNgpOLafWpCu2xtYVcPiz+e6mrqqQldnmtL2PUxJ66mrq9elXRDPMFJKFR0lAkhqzaGILiFa4eCFxmVHSrWVNRgpKhSVbgqFbE4inQpM1PqOho80ui89Fn/AAFk1LD4M5tiGl1f84jy81wdT1E4OO5Pa9D9Hz9U6zHgxna+f2jv8ryilktKnhcPTD2Obqq1gLussZzvjZ7cS/C5TS7kA6XVXXcVzeNeJX4Fjsowp1VHN+yVOrPUsGwtJ+MxFLD0mzWquhoAuSup0fT73y8vmvqfiL135Ux9O9O+nHHtdfdZlGX43Os29jtL3EmX1IW3cFlVDB4DB0GHQ3Dgz+qJ3K4eSZfheHcoDH12Az9kqkdV2dWuypg6dWmdVEs7zX6onZeb13U3qMvbjPp+z6b4X9Gw9H4bz8uX+LZ9XfxPwwjjziE68TlGCENadFet5+bVinCNFtbiHB03n8+BHwEKvMa/srF4vEj8+rPqfGZXY8vaHfcT0nk2pU3v+GF7N4pxcFmP4fn+HWcnqfrWGXNluTLU/u7PmjjnHPTlv53h2Aj4QCsPbAbZd9zFqa+LMQ93WlS+YFjbamp8NW+mmuHHTz/iG5Zeqc/u+2WnKoA6iTsqqsB4IuoHuAOoxZJ3gc2Fzx429+ascZ2SD01GHR6S5uT4F2Y5jSwlN0Gq6JjYeazcpjN1y8PFlzZzDDvb2n83f8GZHTzBtXH4wE4egfC0+6Ky7Ps0wWX5XSx2KpipYso0GuibrmYelgckyNvsh7WYagyCB7orWPEmcuzXGd46l3dMEtps6Aea8jHjz6zl9+X6I/S+o6rh+FugnTcHbqcu+/Op91vEnEeMzxzdYFKhT9GmPNZBy+4fLSzO8Y7uy0/YqJ3nzXX8D8ONzTEDGYxhbhKJsPtys9fRwozNlN1YS1oIpjoE63qpxY3i4v6sfCvo/wDG889Q6+/vjvvbUzXMcPluAfj67dQaYDQYknYLVfEWb184xxxeIY1kiGMaZDQsz5mV208ppUG/nuI1j9qGn+srXbrlc/pnFJxzkynevP8Ajr1Tk5etvS8eX0Y/b9y3AlFrtQhQkBt1Xq8l6e3wchwAH2WwuC/xVwrWaPSpVH0/gcwrXTJDpKzrlhiAalbCHZ5L10evx3xb/Fj6r4P5fl+oe3/VjlP7xi2WUHYnNcNhSPTxVOn/ADgsz5n4n2NTpYKn6FR2p3wABdZw5lrzx13btsNiTVPwOVXMfFeyM70D0WNhT3Tl58f2m3Yxwz6H0jn+3vz9v9GPYeq5lRtRji1zSCCOi2xh8Rg86yA6D4a7YePIrUGi26zHl5mtHDY72uqXZW9H1FZ9R4LnjOTHzGPhL1LDg6jLpeT9HJ2/r9mJPYaZdTd6THFp99K70VkXMDLxgs+qVWfleJ+yN+FY442Xe4svdjK+b9Q6bLpeoz4r9rXecA0O/wCIqT/0Eak/HtQP4mxQmzfD8S5vLCgXY3HV/tKbQPhK6PiusH5/mDj/AJy8fzoXWn1dTlf2e/1PH8r0Hhl85Z2/2jgxNNd5wfw4M0r9/iKhpYWk6XGPSXSYNj6tUUWCXPIDR7623kWAp5bkFHCVKjXGg3VVIG5WOv6n5OEmP6qvwp6Rj6h1Fz5/+nx96mb4nC5PldOpTY0YOifsY2Lx5LXnEPFGYZpiHUwThsK4WpNdIhTizODmeZvfTDqeGBhlKbBWcK5E/NKzq9c9zhKZBc8j0/UFx9J0+HT8fzeX9Tuer+s9V611P8D0Xbj8ST7/AM3ZcFZHSdSp5tii4s1RTphu/rWd5ji6GEy1+KqiKVETvdHDVcuovo5fRa0eCWtB9ELHuZeKbh8ppYSk69c+L9qvP9+XWc/1eH3PBwcHoHpGV4f14+b+7C+I87r51jGYitT7vQzQ1szZcfIsKcbm2Gw0xrqBcJ713XA/5psJ8K97lxnHwWY/h+S9Dy59Z6jx8nL5yyn/ACyDmvTFMZaBsNf/AKVgLrmFnnNQk08vPrfH3lgtKm+rUbTYCXOMNHmV1/T8pOmxy/8A7y9D4uxs9Y5cZ57f39sd5wTk1POMwqMru00KFM1H/qr2C2XSq0sM6hgaTYAod4Gj3LZhY/lFPAcNcPV6tZoqVe7AxAP20yB95V8D46tjc2zHMcSTUFSl3bB0YJleb1kvUzLPf0ztH3Pw/hh6ReHpfb/jZfVn+00XmniKYy7C4Yflj3sq/AAf7S19JXa8V5n7Z53Vqt9BkNb8C6uQvV6Ph+Tw4x+e/EfqF6/1Hk5PtvU/lBYSShs4ympgzZV31Fdt4R3GVlnLfAeyMwOOdvQ9D9ssTa2VsvgTCtoZBRdMVKmp68z1TPLDh1Pv2fW/BvRcfU+oe7PxhPcnEvFj8ozc4T2N37WianiiPvLvsDUwNfAUsXRw8F1PvCFqfiHHHF5xiMUfduWe8GVatfK8G7V9jNFzHLqc/SY4ceGU8/d9l8Peu83W9X1XBnlvGbuPjXb/AJc/D5pk7ga9XMsr95sLHM940oVg/DZc9ztdg5zNMLB6mp1R4JnxFLGjovR4+jwxve2/1fE9d8UdTz7x48McJ+2Md7wkyp9UWGDHEBvicZ3hdnzLxxxWaUcP6LaDA4jzJQ5Y4Y1s0q13iWsaGD1EldJxhXdX4ozB/RtU02+82y48Z7+rv4kdnkv8J8P4/nky/wCHWPN7KykbXVIMbpgT0XoV8b+PyjyQ8pIsSrKjSBKIADZK0m9g0A04UbROmVKdyrWvkaQs1qUcDT1Yyg3/AFg+VZxzFrhmVYDDD3Z1H4FiGVUy/NMKwe6qBZHzHPhy2md20zK83nw+Z1fH+z7H0v8Aw/QOrznm2RhoA0kTdRoMetEgdENUFelY+O2j5gE7omoQ0QAlMuKV1xCmkOTrC2UCMn4E3v3Uf7TlgfD+EOKzWjS9xLSfghZpzGrNORMps9F+IZHwMK83rJ7+bDjfcfDuP8P6f1PXT7TUv71r7S6S5yAJdZNqO3RAw27d16WWMfDy5X7+RA07rueD2VKvEODY0w0VAT7wXSatXpLKuXFAVM3q1XbUqRI99dXq8pjw5V7nw9wZc/qPFhPzv+zkcyq5ZiaODL9XdjV8axEMkXXY8VYxuMz2vVklurSPgXXl87LXScU4uHHGOP17rsus9Q5ebL73/hS9NShMW6vRUwlB1fEMpNPic4ADzXPbMZuvLwwz5M5hhN29mbcu8m7w1cwqyGxppjzXB4rzNmKxIyfANqOptdDhvrf5LLsaamUcMsp5XhX4ktZ3YA3E+6XR8E5HUwmIGPxtFwxLnamMdu2eq8bjzxzt58+9+z9V6j07nx4+L0bpfpxv1Z3w7rKcuw+U5GHVxBpU9b1rDN8X7LzTF4jTp72u9/xlZVzD4mfVxFTK8E4NY0ltYgzJWFj7J8C7nQcFx3yZea+Z+LPU+Pm9nScN3hxzX9fAAeJXMIaq3iEHHwhd/KvjFrnKuoNTpCMghNCkCtcWrteFzrzN/wC4u+Vq6lzgsg5e5bUzPPalGlUZTIwrnku2s9g/rWse5XJ56DTzr41J/TzFfSFYY994Wbc+b85+NIF/bzFfSFYI7xPI2WaYrAJdJV+Bg4tjR9sFxxaxKty8H2wpgeYTau2z+KlfFtPuXt+RdM3UahvZdlmjHn2a5zoJqN+RdUCGiAbq2h3NJMmwSljjYGyLXueS07IFx9FqiGFLTuZTBnUFVEVG7mU4cWi5VhHJy9vfY+hS6OqsafhK27Qq0coyevUmGYenMnzWtOCsCcfxBhC30aVQVX+8Csm5kY8YfL6WWU5Dqx1v/a7QvL6zj+d1GGP2nevvfhzmnp3pHU9Vf1ZX24sCxOJxGLxb61WX1qr7R1lbO4R4fo5JSbmGOGquWao6MC4HBXCYoluOzRomJp0z09ao484tDy7KsuJaGiKlTz9S3y8t6mzi4vE81j0/ouP0bjvqPXzeWV+jH9/y4nEvEdbPMUzAYdncYbvYP6u6yXiXGnLuGHMmCKYos9a15wyx+Lz/AArJtr1R7yy3mnimd9hcuY2NA1uKxy8WM5sOPHxHJ0XqnN/6b1fV813lnZIwMVCS5d7wA8s4mpD9Ea5v3lj58BK7Hh7E+xs7wlYdKgHxr0eb6uLKfs+R9J5v4fruLO/6o7fmbhu54h73pUpNHxBYiwDXK2LzWw80MJjffH3lr9jW6ZhcPR9+HF3fibi9nqnNfzd/3RpBkEIN0g7SiApp8guzp4Ol1n+ks35YZfS7zFZg/ZpFMe/ErALytncCYV+E4YZWqG1Wsax94NhdP1DLXDZPNfV/B3BOT1LHPP8AThu3+zhc1MyLXYfKaJ0t9KoB1jZYzw1klXO8XUaHGnSpxrf5LlCjiuKM/wATiKDS5mrxOPuG9Fm1BuWcK5J3lSpqcRcRBqPXFeSdPxTiw/VXocXR5+rdbydd1d1w4W9/z+yZ7mWA4VyOnTw1HvHwG0mTcnzK6flzicVjc+x+Nxr+8c+lY+QPRYpnOb1c5xrq9RpaATob9qFmHLhoo5Njsa+GtbuT6lw8vDOHgt/zXy7Hpvq+XX+r4+3txccvtn406bmNjm1869iMMtw7Y+E7rFQbQuRmOIOJzDE4h5k1Hl0++uPp8UL0eKTHjxkfF+p9Vl1HWcnLl97QmTCgATNYQ6SoQuV0YjTKyLl9V0cSUKO3ffY/jXQUWrsuHq3ccQ5dUNgMTTn+EFw8+Hv4so9T0fn/AIfruLk/GUbOGTtw+bVMyYfFWABha440dPEOIPkYW1sL3hlrzIbstQ8U1e8zfFO6itC8f0m5Z8tzy/D7/wCPMOPp+h4+Dj8XK3/u6on1q7Lq1TC4uhiW+lTdKoLZdKaCYC97Hv2fl+OVwsynmarZXHuAOYcNUsRhzLqJFRvrad1rggaA7qtocJYunmfDr6dRwmhTdSI9ZFlrPFYaph8S6hUt3biHLpdBlrfHfMfXfFvDM7x9dhO3JO/82c8scP8AiHE159Kq37ywzOm95nGNedjiXn762DwPS9j8M06g92S8rXOYVC7G13dHVHH76nSXfPyVv4hl4vSei47+N/3d5wBgm4riOi5wPd0Qahjqei7/AI9zsYbA1ctww01ajpeT5HyT8scDWo5fUzHuwG1iA0nqF0HEVKvnvFeKoYOm58PaxtvR85XFcJydVcre2L0Jln6f8PY8XHj9fLft+O7qsgy2vmuM9jNbDPdVOjVsStVwXDHD7WmKjmeg3q4p8my3A8P5GG4yoGvHirO81gHFebHOMyNZji3DN8NNvqUxyy6zl/8Ahj/vXDOLi+Gui93/AOTyf/riyjgDEYjM85x2b4kSI0AfarruZ+IHtrQoUzLadC/vkn8C7Lle7RlWJq7h2J0/E0LEuKcV7LzzGVASWl3h94ErXDjMury1P0p6p1eU+HuGZ5fVyZe6upb4lkHBbQOI8IZ8/kWPtsu54QcRxBgz+rI+8u/1H/Sy/k+V9Ivt67hv/wAp/wAsj5jjTg8oDjqhlQz8IXD5e5Q3MMXWx+IZ9iwxGj1uMru+L8nxmce1VPDjwMFTWfIGFfneMw/CvDdPCYZoNWs0NafM9SvJ4+b/ANvjxYea+/8AUvTrj61zeo9RNceF3/O67MY4zzZjz7U4Vs0qNTW90+k5dzlNIZXwNicaD46rST8PRYNgab8RmDKDZfUqvAv1JKz/AI7c3BcJU8IyBqqBlvUuXnxxw+XwR5fpnWc3U3rfVeW/VrUa6doLdt0AABZAiW26JS4tC9Xv4fA27vu33q+mQN0rrkwkaS4yiL2QlFrhInyW1eHqTGcKMdN2UXvB+Bao0k1B6gto5G531N91BgYJ7p9a8z1O7wxl/L7z4Fn19RlPMwtaxqO7yqT+qJWxOXNYv4cdT60qzgtcwQwOG8rPeWhPtbiG/bVpXJ18vyI6Pwdnr1HLX3xu2DusTPmVCQYCR7tYketCm0yF3521v8Pk8/N9rYfL9gwWR4vHH3TtXwNWC41/f4yrif0So5/xmVnjWnLeCAD7qloPvuWuydJK6HRT3ZZ5/u+u+J85xdP03Szzjju/1EgEq9rBplcYGDJXJZXYGAFehJt8eV4LrQqnMPRchjwCQeqR4LTKl7CoAtCana6lTzRpeJpQdlw/486wXqqru+Zjw7McGP8AUf8AqK6PhkF2eYUC/iXacyDOOwZ/Ws/ziuhcv/eyfs+v6ef/AE1y5f8AzkYyVU+xTB07IOtuu++QQ7SlG8os8Sj/ALUKk8sn5c0hXz1wP53Qc74yFfzGxQdmFPCDakyT99W8ssOdWOxw3FMMA+ELH+JsScXnmKqH7Ys+JeZj/idblfxH23U3+F+GuLjn+fK2uvgQkD0YICNKk+pVaxg1Fx6L0b2m3xMxtskFviWecCUzhMlxmYnYtc4fA1dHmeX0skyihSxgBzDE3DW37tvrWRP/ABt4BdT6vpuE++1dHqcpyY44z719t8P9Fn0XNy83J5wwt/ltr6o8VKmp25MlFxF4Kp/AraDGd8zvDDCbrv6mOP7Pipby5SXzf/Ii5gWlZ5wlwo2hhxj8w/Ld6bPtVzMiyHhrCAYijVZiXuuHV37LIWuGIpGuX+Gd14nX9fZjMcY/U/hH4Yx4+W9Rz5S68SXf9zUyxjPG6AsL4k4sYx9Shl1KX7Ora/kR4y4rbTZUy3B0xOz6h/qWBk67zur6f0Op7uT+kdf4q+K7c70/R5a/1Wff+SVKhq1XVHiXOMk+ZS+iExbDZSObDdPmvZ/TNPzTvkLPWbqwj1KikC03KvL5bslmmQJDeiGo7zZQutEJDKaU7oNwsz5PH++ysJ/yCp9JTWFMmFmnJ6m53FtaP8wqfSU1rGM2q+e7w3nTxppG+d4r6QrCY1ErNOfRA50caAfp3ivpCsHaTCmXZcRqNFlzMuaPZ1Bo6kLhklxC5GBqNGLp3uCm9tV2WcN7yji6hcI75ot7y6ENIeT0XeVnhuCxuHeJd34v8C6ioNIA6yroK5unY7oNEbXKsaAR47IOgXBWWdoXuDNMSUwpzTvugNerWBZWeIeMqjNuU+GNOvjsSfR0BgXf1cmbmPEPtnjhTq0qVqDI+VcXlk0e1VYxd1QFdhxRxDgMqYaTSKmJH50F4fJycmfPlMH7H6fwen9L6Nw59V4n1fs4XFPE9HL6b6GHM4siP2i1c8lzi47mytxFapWquq1XFz3GSSd0mu0QvX6fgx4MNR+a+s+sc3q3U/N5Pt2k+2mR8ucIK3EbH9KVMuVfH+KdU4lxM/nYaz7y7PlbT/HHE1PKnC6fjSH8TY6LjvP6l1cLvrL+0exz4ez4cws/zZujjUpSLqNZlQG7XAhc/wBqsfTy32yOFqex/t+i4QPeLv3Wnyftywylv27tlcXTm3BFPHxBGl0LWohroWyyB9QIdO+Bbb/aK1m67l0uhy1jZ+K+o+Lsd9Rxcv8Aqwxv+yWLk2oNMHZAagZhMC3Xdd58mGHYXVtLRJeYatvMwNR/DzMnou0VG0dAJWrMsp95mGHa39EELcZrYfDzisS7Qym25XjeqcmUzxmL9H+BeDg+Rz58vaa8uDluT4Hh7JXUXwBvVe9YBxrxCzPMVTYxgZhqE915mYmfiXJ474kGaYk4bBuPsRv85YffvPRXY6Ppbjbycn6q8b4h9b4+XGdH0n/Rx/H3qw6Wmy2LkY9h8vMTV/RKLlrpukGCtl4hoo8vHUv9Q376nWZaywx/dPhfD/D6rlnmYNaU/Rkpta5GFw1fGYgUMNRfVf5NEpczwWKy7E+x8ZQdRq+RIPyFd7HW9Pl+Tivs98nZVOqyXUQVGEAygTJPrXNY4YsZVVlI/ZWVJuxwcPfBlcak1N1lYy1ZpvHPLGyxu3LsUzEYKnimHw1Kc/eWn86l+Z4kjrVK2FwHjBXyFtDrQYZWu8eXHH139DUK8noJ7eXOfh958X9Zj1XRdLnPNm/+zix4gFYSNQSHzUbcyV60y3X5/wCZ/Nk3AGLbTxtTA1XQzFj+cNiux5kZI7C1WZjQbqY+BUA8/NYjg8T7HxtCsy2h4P31tmtXoZhXYKgL8NWpNMRYGN15HWcn8Nzzlk7Xs/Rfh3p7676Zyen5ZfVx/Vi4eVfiHgik6oIccMT70haveA97p81tPi97cPw3Xa2zQwMZ8S1Q4OHwLn6DL345Zur8Z8ePHz8PTb/TjJ/s2/w9SfR4XwOHovDScKx1+ji1NkmU0sqoudUew4p5dVq1fMI4dmFdw1hq1WuaLG4alq/ghYjxpxM3E1vYWXVPxO1mh9UH0153Fx8vNyZYzw+z67reg9K6Lh5uTvySfTP6Ty4XHHEJzTMDhMO+cPT6/bLGSEKjmd4dO3RFrm6Dq36L3uPCcWMxj8f6zrOTrufLm5Lu1sXgBraPBleqf0Wo7+a1a8xLpqvd9s4n762PkdI0eAXAbuY933lrl2FxGJrsp4an3lQ+5XQ6LvycmX7vpfiLG49J0fHJ29jjtErsckr9xmOGqdW1Aqswy/GZbiBh8dQNGqWB4aXA2Oxt7ypwwLKzank4Fd7O+7CvmumuXD1OFs7yxu7Ch3sZgB0AtkT0WseOM0GNzJtKkdVLDgsafX1KzLiPO6GH4Xo1abvs1ZmmnHnF1q6WvsDJJn4V5XpXT+y3ky/lH3vx361c8cej4/N+rJkPL7BnFcQtqkCaFMv+HoudzDxQqtoYN062S93vlcjljhqtA4rG1GQC0tB9QIWNcUY1uNzvE4mm7UzVDPeC55hObq7yf6ezzOe3ofh7Dg+/Ld/0dUJiE2jUISuMmQoHOBlenldx8VZqjGk2U9ajDJRcPNREFRocG9Vs/hmq2rw22iPSfQe0fEtVv0teHdZWzOAA3EZNScDek57SPfXm+pyziln2r7j4Fyx/iuTDP/NhY1zUDmVnMPQkLY3A9D2Lw2a7huw1AsMzLLazc/qZd+eOxEfAVn+aGnk3CtXDH0m0hSb76nU80yxwwn3cvwz0d6bLquq5P8ksasdLYgblWUw59UNaLyIRqkOJj3lzOHKJxObYaj1c+67vLn7eO5X7R8Z0vF83qsePH75Sf03/AOGWcwK/cZThsJSNjv8AAtfvnUsq5gYqcwbhh+ds+VYv9qVwencXs4J+/d6/xR1HzvU+TXjH6Z/KAZTAAhN6SJbDV3bXzsMXib7pmkO3VOkEySmaQFNqepp80jHaQUKokiClcbQE2WO74K/NBg5+3Xa80aUZjg6mzO5j75XVcDNNTiKi0dFl/HmQZhmNPDNoGm4s6uevK5+XHj6yW+NP0D0zoeXqfhzkw48bcrluSNbUoAlBx1mFkI4Kz8bUsM4fuoVtLgbOnnxNwrP/ABSu9/E8P3yfL34f9Tyvbgy/sxjRZRjLrOcFwJf8WY34KTf6yuVisn4VyOl3uLLqtTo177/EFn+N4rdY3bsT4X6/HD382Psn70/LWn3WS4l53IcsCxfjxtep51Ctm8NYjD5jlNd2FZ3LIdYBa0xTe7xdel1FQrp9Blvn5Hs/FHFOP03pZL2049YLI+BMpdWzT2wefsGFuZ6yP6l02DwdfGYulhaUd4/0f6/vLP8ANO54f4RNCl6RGn33HddnquXXt4p5rzvh3ofdOTreWfRx95+9+3+7E87xXt7xSxrPysu0MKyHmQ5uGyHL8upmdV3/AALGeD6JfxLguoku+JdhzIxRdnLaM+GnTJPwrhsk6jDj/Edzi5+T/wBJ6jqcvOeWoxTSXO32TMZ4rmyVpESN0+q9l6Wu74zK3vIVzWtDoHTzW1PbAZTwRTqn8sNAaJ+2K1cGFxNlsLjwRwphbQAGroddhM88Ma+w+GOfPp+m6rlw8zGf92ujJc7vHaiTM+aYNafRSu0l4ARY3xgAyftfNd+6j4/H3ZX8/wDK3C4atiqzKGHYX1XuDWt81bmOHoYbFVMK2TUou7uqfN43j1Ssty7BYfIMm9tMSZxWIH2D9QsOxBc+o55PicS5xjcldfjz+Zlb9o9TreinR8WOGX68u9n4cdzTMBMwFoup4twpq8Jldny8lHEDa6XSXOEoAGZCte7ZGhgALNuThaOLK37wqfSU1gjy5ZlydeRxZW/eFT6SmmKKee7fyaeNB+zmK+kKwi9ws456u/Jo41HUZ5ivpCsKfJEgbpl2JSNDjsnwrNFUOdvNk1NgDE1P8uaBcSs72VzHuL8NiHuvLwuDLXPuNguYJGAr/twuG3dxIXJvaQtRwiAlpgk3CYEHcBJTe41CIss1dLSCDZWOk00pOkXRNUFqk7l7u/4d4ofk2CxFGnS11aghjvtV0lavUxVd9ard7zLnLi3JsnaYTHjwxtsneu31HWdRz8eGGef04zUhqoEWVbQrLQlI8lre3UndnfKmn4sa47Rursz4TxOO4gqYpjm08A9zR+qd5rrOX2eYXKsRUo41xZTqwA7STB9cLNMz4hyfCYD2UcZSrWljKRlxXjcvzuPnyywnl+o+k30vqvSeLi6zPU47vW9f7On5h18NhOHqeApVBqd9jaz1Ba7wWFq1a9NlBhc95gDzK2PUfkHFuWBj6ooY0bB3pNPqV/DnC1DJ63f4l/f1h+Vk7M9Y9a5eDqMeDj1lPqeb6h6Xz+r9bM+Gz5Otbn2n/lTnWHGW8HHWfshw3dEdPNazcQsw5k5w3F40ZXQP2LD+n+2WGOYV2ei4rhhu+b3eJ8U9dh1PVTDju8eOTGX+SwlQttKqkwrGElq7j5uLKD+5qNfEwZXdcScQVM3FFjGGlRptjTMyfNdGEHWXFlx45ZzKx2ePq+bi4LxYZal8leJNlHNhs9UQfJHYy7Zbrq2a/oFINn1ytt5rgTW4ZdQY3SKmHphvlO61M0gPDvJbM4b4rwGPy1mExNWlSrMaGuYXxYdZNvvrzeuwzsxywm7H3HwZ1HS43m4epzmM5Jrzr+xuA8lp5W2ticU+k57/AHX2oWD8YY2jmGe18RQM0/Rb8CyPjfiTCnCe1eU1LfnlQfIsDJn1Ll6Tj5N/M5PLq/EfW9HjhOh6Hvx43e/vaFMFzpCIA1XRYd0rQdRK71u3yYuEbItuEd0Q2FPunmO4yDOquWYPG0PHqrUi1hb0K6l7i4ydyiXJSbrE45LbPu5uTqOTk48eO+MfAEINsiQW7qbrWnBoHLYnL3Nu9y8YCpWHes9BpHuVrxytweIr4au2vQqup1WXa5pghcHU8E58PbXs+h+r5+kdT8/Cb39mecxMyw5y1mBY8Oq954xOywImRdJVfUq1nVKr3Pe4ySTclHTp2unT8E4MPZGfVvVMvUuqvUZTV+ztsx4ix+My3D5e5wp0aNMMhvuoESunp7KNbB8SJtsubDGYeHQ5ufl6i+7O2391bmnUnYwlOy6GoNdC1ZMo4ccrLG2eGaBxPC1CltroEBcPhDIX5RQq18a0VK5qeE+TVweFOJ8J7TUsNiK4wlTD+DY+MeanFXFrXYUYTLHh5f6dReDOLnueXHO0tfsHJ1/pOPR8PXZWZZ4Y6mO/2/DouYeKw+M4iL8M/VTp0Ws+GST8qxzxQjiGnVJddViY9Je5xcU48Jj+H5L1fV5dT1GXN/qu3LxGYYrFUKWHr1XPp0J7sHpO/wAiqpNJIDGy4mAk9wu64SwbsbmTNLZbR+yO94LPLljx4W/hydLwcnWdRjhO9ysjMahORcF1bjvalHT8JWuGmaTfNZnzEzFlTDYbBMJD9feOHqWFldT06X5fvv8Am7voPivmxx6ydNx+OOTH+3kHNAEpTuhVeSICS678j5ZaPDdEGUk2RG6uk3pN6izHltj6WHzA4Gqfy6zPfWHj01bl2JrYTM6GLZ+c1Wv+Irr9Xwzm4rg9T0L1C+n9dhz/AGnlsz2ofW4sOciO7p9P1S6fmNjm93SwLTLydb/Uu3w/GGQexKj6lY08RotS7p/id78Qtf5pinY/F1sU8yXu8PqC8fo+k5s+aZ80/T4fb/EXrXp/H0OXB0OW7y3eTgLKOXuG15nicR+gUZ+ErGAwytgcu8GW4HHYrpUqfeC9P1H/AKNn5fLfCXBOf1HC3/L3v9GIcUVm4nO8U4bFy60/ahPiSX4qo8+6cSqS4tcuzx4+3CT8PD6vl+b1Gef+q2/3M3Uw3RfUlI5xL0xErflwGDSRMqHcBKHECEQ4JVM+yr3TuulHpKaHa8LZizLc1GIezwDqth4TijJa9EEZoxsdKjS0/EtVmyQiV1Oo6Di58vdl5fR+kfFHW+mcfyuGT2/u2lW4n4awpkY+pWqHpTpvP/6XW4/jrBtH4kwD6p86vhWv2ybKOkWXHj6dw4/Z2+s+NvU+o/za/kyfG8aZtiKRpUaVPDA+6pb/AH1j9bE1q1U1K1R9Vx3LzKqpuHmrJaV28OPDjmsZp871PqPU9bl7+fO2s+5a4gDLMXQOzP61jvGWXOw/Eb2UGyK/iYuTy+x1LBY+rSq120mVGbv2WYvxmRYfEezMRj8K6t3cd5Gr5JXkW8vD1OVxx3K/Qen6fofVfReLDm5phlhXA4T4fbluCqYzMi2nWbexnSsU4tzYZpjPsRPcMMNb/Wuy4t4ip4ii7A4EuNKp+WVJiViYt1ld7pOnymV5eXzXz3r3qnBOLDoOhu+PHzfzWUcu6He56KwHhpMI+NdRxZVGK4gx9bo6rA+CyyTgKm7C5fi8aRaJHvLD8W8VsTWq/bVHH764+mvzOp5Mr9uzHqUvTekdNw/fLeX/AGcKIMBOG6TKaACi90tiF6fl8r+Um4+BbT4wwvsrhd1GbhoIhaqaeq29kWJpZllFPE+Y0wvL9R3hcM4+/wDgjDDqOPqemy85Sf8Adp0DxalnfBXCj/ZgzDMWaBE02HdcrKeDMDl2LNXH1fZEmWNiwVnFfEFHANxGGoYnVjIgMHuVnm6m8+uPi778tem+gcfpmGXW+pax9v6Z+axvjbMTjs3dRof4LhB3LR6xusffqUc973ue8kucZJKVxML0OLinFhMcfEfE9b1mfWc+XNyecqDHt1EJDd5HRRovqVjmizguTw6cmihulLUMGSr3NkCFW9s7hTbRQZCzPk7A4trW/wAgqfSU1hsR0WbcnWg8V1f3hU+kpreE+pLXG58D8mjjU/s3ivpCsIDg0eazbnu4DnTxpO3t3ivpCsIHuj0Uy7piZr5Yrstph2Np6jaVxWgiZ2V+WOPsxt9lmRa52JbpwWJ/bhdTrINiu0ruPsHETeXhdZobJJMLkk0Epkl5VtK5S0g1rjdNAgkLNU1U2SskpG6junYswOCAEh3THdOQA1aQrAeqe0KszCINrpGbN+FoPluldfdIxxRcSd1e07xuZWdrezkYeq6kQ+i8te33S7XFcV5zVw3cPxM/q48Xxrow5oFlW8FxsuPLjxyu7HZ4us5+HH28edk/mYve+o6pUcXOcZJO5TRIlK5rtNt09MHSuTF1r3u1LhdWMIiEjh4oTNbBUDh5ChcSjIIQdZNprRTYqHUSlvKt2bZQ8hTGo3KdzQG23VNJ3jOpXagWpEKC0MgnUUrxDbhEQTtCL4Iglaqq6cmYRYYJlWUoaLJHiZ6KaDU4V2oFsLisMFWSpoNMFTTF0JTNNrrUi0rrhBodG1lHepPS70tgBNMgApKJY/chKQVRYwBLUdBspTMC6V11GgklMNMXSAGVCL7rSW6MZ1QESwlwlI2dYVjnOBUSdwqt0o0zafJR51RKVxgQFiz7t732QlzwVWAZT0XWcFHA6JV+20xm7pAtgcvsCMvy/E5njvsVOoBoJ6ATKxfhTK34/FkmnqpU71fLSso5g44UcjwmXUNqwOseTRELzup5PfyTp8fv5fXegdLOi6bk9W5fGPbH97WI53jTmGZ18UXSHO8PvdF1slMLPRkL0McJhPbHyfLy582V5M73vdUQ6dkdJ3TA3TkS1a2wqZJNlY0EDxINBbso4uJum1FtyUvoz1RAg2KBcZU3qmtzsYw4CU9UbQVGgFqBUl3kz48JNwFs7J6By7J6dR1gaBDlrfD0u9xFGl7qo8BbQ4wd7H4bxem32MBq8r1HL3cmGH77fd/BvHeHp+q6q/bHX92rCA4NI3hVVW9fUmoEgmeiFY9V6utPhb3kqtguidYOyspgAq6ARdVXEkk7IOJCvIGqyqeLqBQ8zBVrBIlVn0ZTUXSIVQ4IUJIGyBZ1Kb1JtSU5Lr2COJAAGi5RvKRx0etZQGNLgrGgjdPRqN0z1Svk3V2ncCS43TsbDw4nwqmo4hwTF/hUlbtuvK9zpS72b6Sqa4lc7KqHsjHUqXm4fev/AFKZ5TDG5X7NcHFeXmw455tk/wB2e9z7W8EVHH0/Y1/fLgtcyY23MrZ3HGhnDeJa09GN/nBaxc+KbiBeV0ug745ZfmvrfjbXH1HBwY+MMJCFxD0Q+UoM7oxdehK+O/CeFdvw7n2KyZ/2P7JSPpMcd105DQgSAs54Y5zWUc/T9Ty9Nn7+LLVZXmHHOZV293haNPC/qhcrFXElxqOMvPVLT2KinHhhxz6Y5eq6/qOsy3z5XI1N2vdM5qFMKwiy26dVyD4QnYLKozqsrqZhZUabgWmdwq9ZvqFkagsXDdU0nOcDqV0i7UC3ZZjydJ+qyt+8Kn0lNYUSQ1ZjyfJ+qut+8Kn0lNbx/UmlfPhgPObjOd/bvFfSFYS5o0gBZjz6Lvr08Zx+neK+kKwxtm7rOu6/ZH3EI4F2nENcBKUklxEKzBQyqBE3V8DsMRfCVv3Ro+8ureRpK7OuGnD1xJs5vyLrCw+a17kVsEqwC26ajTIpunebIPADoXHWieIuVzWiJ6qtwLRZRj3A3CGzmZTE2UMkiyFSp4g2FdIMWSmSIRKBBQCDG6BfAQvBugxkm6ssqVLkp6YhLWaWXCNN0tQhy52wTsMC6SJurfzqYSNKX3JhLTcZgqxrTBKlMbkhWi1voqt6N3GyDwQFgKwjVdGo7oFUw+O4Vjo1LUChGSi0AlSAqyjHRujMmxSBvrRbvZSKdpIRc6yrqExAQaCG3uqixsRKjZLkjQY3V1IQLqVYB33S+JH3VgpJG6sqpTdG6uDjAErj6C+6tpMIcJKzeyOZqp9zBF1xHOE2VtVzQIC4rrGUxRaXAKtxSOeoHStWBtS7DIssdmeaYbCkHTUeA73lwQPCsz5asa/GV6xHipMaG+orrdTncOG5R63onSYdX13HxZ+Pu6njDAYbA5t3GFp6KYphdKWrvuN3B3EmME+joH80LoHPWuD3Tjlycfqs451fJjx+JbIWqDpRYAWSU7bi6R4AOlc3l5+tBLVZT8RgCT0ASaWrJ+XuVNxWbjF1vynDeI+t3RcfNyTgwud+zu+m9Fn13VYcGHnL/wD1kvCmAoZFkb8Zi6gpmq3XUk7epYJneYPzLMa+Kmzj4B5BZHzIzCm+nSy6hUkMOurB+ILCWX9S6fRcVv8AjZ+a934l6/C2en8H/T4+3879zuPkkG90XAg2SOErvx8nv3LHWEhOCO7VYkthMPRU2u9FLjKsMlsqs7pnEhqpKDQVDA3Upu6FOQCopmGyOm6AEFWSAFZ2Zs2vyvGuy/MqOMbTbUNN0w4LuuK+KzmmFp4fD0HUmavsmrr5LGJlSFxXgwysyvmPQ4fUuo4eHLgwy+m+Z/ICCBCJI0wUXXKBbe65XR8GZCJ9RSiECRO6iHpRqJKrrtJdZK9wHVL3k9VdAtB2TBsFRjrqPPiUVaCNKUQ7ZI1xhFgIkoH0+arqAFOHarJakNTSA1hlWPBDVWx09VZMiEXYHSW3VTmnVZWQQlJhAWiFzcqxr8BjqeKZpmnJE+cR/WuE12pQqZ4zOavheLPLizmeF1Z3jJOIeJ6uY4H2Jh8JTpUTd8C5KxtpJb4k1NxawtN5RaQRdZ4+PHjmsfDs9X1vP1vJ83qLvIA3wymHopnOGmFWPJbdRU8EulPAhBwuo0wbqlQEgwi4SUC++ygqA2RDzCmpxPqSiCpq0mEUxbBlWahpS6wWKtxuophUgwoXBVuPkEadxcJKh9TeqzDlC0ni6vB/yB/0lNYeQ21lmHKA6eLa8f5i/wCkprWH6i1x+fP+OjjT7t4r6QrCASGwVnfPYD69vGk7e3eK+kKwSq4RA80lPsem7QbiVfgy3vmuNrrjNDm33T0DqrsbtJU2O1xo00sUbXqNj4l1LxHVdvmUBtdv6to+8upqaS6PUt4oakRa9kjxLiQo1oixRBjUFLAg1E3TaTIgIgSi3wndZEqOIAtCX0rq1xDgkIbpskojTdWASIhJRcIMgSmlzZPRSxQ7spbi0gKCo4FBpJdJCmkHTqFyjTpgGJQkdEwAEElbi6MQG7IazGmEtQuJGlLqLXeIKVTEnaUWOiyTU01JhOxuqpIWpUq4EAKlzXFyL5aSla8nqpoB0Awo0QUHkG6DXLUiHbYyUCZ2UJEXSkkWAWaGZvCIHjUbDRPVQuO6mgX+8oy4gou1uZIsoxlrlaEDE7TpMFQWKV7ZdusqL51SCgL7pYAdAKdpLd02IBoKsPoyqagLiCFdHghShZkIObqCgEboOcWiy1BWaRiUgsYXJa60KtzQDMLW0GmbLJeBcXTo51RouqaadYw74ljH3k9FzmVG1GOLXMMgjzXBzcfzcLh+Xd9N629D1OPUT/Ldsm47y+thc5xGKdTPcVjLX/AsbcLytn5BiKHEWSdzjT31Qj7MPJYXxPkGIyfF1GtBqYT86qx8q6nSdRL/AIWXazs97170jLG/x3Dfdhyd+323306Sq6GiEsawo58bLkZfhsTjq7aOHove93kNvfXfysk3fD5jHDLkz9mE3l9osynLauY4lmEoiXv6/a+tZ1nOKocM5DhsHhL1qjHA+/8AbKjUzgzJQ3U2rjcR4ve//SwjH4vEYzFvxWIqF9SoZJXR9l58939M/wB30t58fSOmvHjd82c73/T+381L3Go8lxJJuSeqmyUpSu7v8Pl7bfPlY4yFWZlEAogK7VBJCgaUQYKsEkLO1im8pnXappvuoQrCkYwzKe4RbsiBKrJmbp6voqth8SL3SYQgNHhUiU+myQmCpIugdJNkSYCNMgpKnpQrpmwQQUr6ZmZRLT0T3i6KrcyWqkUzqsry6BCjEAJ0xZHfog4uL4hOGuJhApMQmqPBZAS1GwYRcwhswopaVnSVK5lNSbqddGswAWQV0gALqwkdEobLVIgpUM5xUZBN0QQQfUqCXEmFU2ts18hBriSowSJKY2UqjIhFoETKRwQOrRZZ2ujF4KAJ3VTQdSsb4jCu00hE3RsRJUI0lTdUoGCNkC2LhO9trKkay5N6IuYA50EwpUA1aQoxuo+tWaRPrSKrYJso5sFEtIcg6QEDtA0bKjUQSIVrHQIVdT00RYwmLhZlyhvxZX/eL/pKawp0tCzPk4Z4rr/vF/0lNXH9SK+foP15uMtH6eYv6QrAtBBkrPeeFVtXnLxmW7e3mL+kKwSqHgq2aFgOoe8jhXA4po9arnTpPxq/AtYcwpeRKkHLx7w7D1HO9LvB8i68kG67HGtb7Crj3Xf2+JdSwEH1LcFsTsiwAujZTWBuldUvMJSI58OgI6jEpTpDdSOouZAAXHsOHDSlZvYIOY4MsmpAhhndSCaQCmeTphVNLnOvKd9hutVSmQEWuEXaSlddsBGmNIvKiLKTmOMbJcT4XDSbItALZiCg64RowLg0EJxpsXhU+KyYO6G6b2uzPdROzYRpGdlWYmITNlpsFpDVSYKrpkdQmcCblK0QU2guAlIdJfAV7dPVI7S10tErW9IgbdR0A3Vglw1FK9pcJWLQjhaQmDC6nMqNECCkMh29lVOS/TpTNsN0GyQiAqg7pR6e6drSBdK/TKyAWeOVyGhmi6qLmabbqMcSFLFM6OiIHrREEKpxcHWVmOwzlU9pAV1MTun0goOPScOqdzmuULWg7KENAstbRW8Hoi0EBMbNlVu1i/RNFc3BYuvhsQ2rQqGnUHuui2HlHFmBxmEbQxtUUq7bEn0XrWQHrTgLqc/ScfPO/n8vZ9J9c6r0vLfHd4/i+G2MZlOQ5tTGKq+xmkek9vVY7mufYDKKRy/IQJ91UHmsMFSoW6A50e+gGuaFji6P2/ry3p3Ou+IPm23p+Kcdy82HxD31KjqlR7nucZJJkkqione6VXEru+2Saj5rK5ZZe7K7qUplQtLnJ2MIumAvZZnYo0nAAiFW4o6XBxlAhKoG4RkhqBAmxUMrLQEmVYBIkpC0qNeRZaiGUCh2SNuVUcgWSVIDkXTF0jxN0SLQfClN1NggCC5I0LQ1pSu9KUX7qRZVDMMpariLKNcAYUeZKS6CkS1OymYlNLA2CnD26YCloqFN2qSU2l+uyGqH7p6roAIU2quoLyoKk2TGC1Jpi6oewCVxtKjnBBwJZZBGmyBuVNLgxRoO6JUAgwoWHonloN0dYOyU0rBtCbcQFDAug1rplRTgjYpiQRASFsI0xdJC9ylsJWASSrKpvCUANCiF9IlFttlAAZhVguD/AFK6DPc4JWjUd1cBqGySqxzBYbqCNOhyt1AmVxdNSbhM6oR4YUVyD4iqasl0I0nEoGWuMrQLBdCv5oAmVHw4R1VQKZLt1mvKARxVX/eL/pKaxGk1rfSWY8ph/fVWgT+IX/SU0xZdZzaMc1eK/u3jPpnLFC7UT6llHOEkc1uK4/TvGfTOWJklvwrPlowIcTKtwfgxtN3QKlrdLZPULm5K1hxv2WC0sMT5rciHxLi7L61Tqa/9S69nheZ2hdp3cZZV1fo1lwHtBdZaFdi66IaCUpDtUBMAWrNUSwEQoWw2AjE7IA6TdZoVutovsnbO6BqahphGn5KSB7RskewkSrHTCQvtC0FYACnJBskkBGJ2UCyQfUmF9kHAgSUaThMKgGfJQAnopUJa9NqiFBIgXRBMJasaZTUHN0XTYjnGIQHrRBBKZ+kttupsVuM2CjSRaFGMKfSVfeaCSFJdsjUsz1pGAnqps0JNwmIkwlMkbICALm6sosYyJuraL2sMOEqsmGAhAwBJWsbsqxxJCRoE+JEPlwCFUkOSzQLtPQKu6Zokq6m29wpvQqAO6VwdEhWVbCyFKe7kp7tCUwdMpmuMwiD4dkuxlTYZw9SrdbormukhF7W6gmxQLiEr52TPB12UDTF1tFYdFirWX6pdDeqUenANlnwq8QLhM06jdIQAN1YyALq7FRAkwlNlfTDfEqKlinuRYSdFkKZdF1KR1JnWss1VbtZNygZTpG3qIBfVsjdWmA+ISsMvIKUV6ipPVOWhBwAVgUuBT0wN1XZXUgCEBq+ilvpRfvCINoQK0zYpDIeni8o2KmwQJCZzfCg0GVc4t0IOLpOpPSLdaYkEKgS18qh65GqyQEzARMuMp2C6lCEHUFyNI0XVLwdVkS87FJBA+8J3XCrb6Uo1HWVogaCCiTDLKqk6TCscDFkAc4liGqFNJi6fSCEtANwqzIsrJ8UJKgIepO4jS42TayLBRrr7IO81Q2skQjqcBICrYbyVc1+oQAgUEm53UcJCL0wA0JoVghoQJBUe1IJlBZSeZjonc6d0WgAbKusfIKCTJ3SFoLpJQIJumZT1GU0I/wALZbulBc65T1AQ6OijQXBUJVJbEIM3kpntMSo2AzUUFgHVbQ7NF+YOKm/41VfpaK1W11tXRbT7M3+MHF/cqr9LRTFKxDm5H10eLrf9uYz6ZyxQkBswsr5sGeaXF4j/ALcxn0zliTwZAKtig93eANBuFyMA2KwJNwFQGAPJAXJwh/FEeYUg5jnzlVQuNjVXVOdcmVz3lwymHDequG+mO7kKwUscdW8K520kyuOR6k4u2FrSbXUwHSQg7aCEKOrZB2uVxZKMkQAFDO6HjlMGk7qiazoAUAadymIHkg1nilApA6JqYICUnxQjfoVYBVc5FoZp1HdGNTPWkIc1XQjvEmAEgJZLblOwBw1KWAVWkqtpLXX2XI9JhuqtHmZWBA9lyjSEklAsDdwoHgOgLehYD5BEucbFGQXWEIPEOus6C1NkrCRsrKgBbZVUw4HZQFjnaoTd3J3UkSgZBkFWQWPBDQAEjgTEpg50SU2oGFqdgQyBI3QsXeNODa6Bg7BPIhDZ8FwmJhlt1RJa7wq5plt1NCsseXXKtDIG6pfM7pmkxurMdGzmyrqd4bhNujMbqWBmggSUHuKYPskNwVZABcyi4kKotdNirGzF0lAIBiUDAcmcQkde6ujZ3TEhKKjiYT0jLboN06vWpYaFoDRdK4BwsneQQqg8BPAsYC1Rz7qa5CV4sr5BgOCFNsPlCn604MFZ1oGoPGgGkGU0yUwhNbCPVdQ2VnVVYj1KSaCTJVzCqW7SnZK0LdLiZUIIKeTpSlwQCT1UaG7qEghVyZiFkXFwCjZKVzfNM13hsqFfZyQnxJyJMpS28qUE22UEmyiLCNQKojwQbq1rGupyo4ayFH+FsAoKy1uqxS1W2kJTOqUZtBSBGWVjXFVt3hPBTQsc4aVS4mYCLjaEQLSl7iDwouOpQmbJ2gGwQVv2CDiICd7bwla2HXVAcB0VlEQg9zQQITNPkgZ26AnZK514KQvvZAzmuSsEG6gLj1TDzQPJAuqXFwPhVjnamwCgwQsitzSblO1xAgBWvjTsgxwA2WgviO6BfBTF0pdPVSAzqCqf9qmJIKDxeVRAC1sBbR7MZP1wsX9yqv0tFavu5smy2j2Zf8YGLI/Sqr9LRVwn1JkxDmyC3mnxcf2cxn0zljJGoSsp5vAfXQ4sH7OYz6ZyxNpDQ66q6K0kkgdFbgml2LmdgUlN8VCIsuRlwHsu3VpRHLqsByZpneqV1cuDY9a7OsYyOm4foxXWl402FwgVoOrZR4IOyIcXX2UOpFQVIOydz2mlIF0rZ2ISvDumyyI2oCbqwepUAwbq5rjATwA4mLotmN0HGUzCIhQVm5lFk3Thnkma3SblWQcd7nCwKtoy4eIIPYNchO1xHRavZC1mSpTZIiVZdzdksaVje1ONDGwd1SfStsmkuddK8Q5bk2HeQW3VLQNUwmJmwQaYMFL2Ra0zdM9wLVVq0pwQVlTUzLdkQYOyVxIFgmpkEXV0FeATZV22VpCrLbyUgYOGnTKXqmLGxKAbJUoIcQLoUqhLrhQiHQmiBYLNDu8SDyWi10rnWuoDGyuhIk3VgaYVbjF07ajnNiLKy6BgDY3SHUTsg1o1TKY1HCwCBmt8KVztJiFYSIQADt1pFYcSmBUcAEmoAxKyoPJlWsALI6qup6kWBwMrSI0FpuiwjWSg9xJugyxV0sOXNKQhqDmxdMACyVmoE6bog6kpIIhPTaQ2Qpey1AYTSCqHEqUySVZNjksVjAHGFS1wFiraQaLypewV7CFW5pIuuTMlVVnAWQcZwsraTmgJTJRDFNaFpIIIlUxfdEiNyhCQWAQFARr2VeqDCZkl0qh3OBTNbDErWaincS0QFBWAQVCeiYAuEpAPGr2AgpT4VeGyVVWZdA4f4ZSlxe2ZSA20qAhligdt7IPamFhISvcdkCUhLpV73QEjG6SjUBlBW8E3TNBhK8nZFjrKaEdZWUHdSg1utENiwSdhHEa5StfqebJokoOaWXCorqHxXCYO2hF3ipkkKpklA1QkpCT0RLXA3Tw2JCk7g0gdN0xBF1GRCJeCNKUVtEOnonDpNkjndAmoC90kDtdJgpwQLQkcWtdZA6iroVuf9kMJm1dTtKXQASSgyNUhA8ElQMkwmYUQYclCOEeFbT7MrfyQMWNvxqq/S0Vqt5JqStpdmjUeYWLm341VfpaKuH6kyYdzbeG80+LZ655jPpnLFXRHh6rKOcInmnxYTb8fMZ9M5YkX6bK7aNBmJXPyRv4taZ9FpK4MWBXOyM6sa0TFjKm005Fcg5IWAzFYrqXiYOy7aswsyqdwaxXXFuokCyBWQG2StedSj26Nig0hUPrAQLiSoHsBiEajNThFlNwK9oiUBTcdiidTd7pu9I2ClDNbAgqPsJUDiRKBcXCCFJAGVjMK8EObJCodS0kEFO1xAAWpNFTSAblAkdFHnqkBvsteUX0HWIKD7yq2uiUzHSCCsaUzASJKL2NImVW15aSCmI8MqwpQEhEGSU8+FIBO5WbQwE7pmGDsg226dpE2UBN+ihcG7qCdV9klRwmyb0LC4abKemIKR7wXaQmB0jZaAdAEBC5bKjvGLQENLh1MLNBYS4SQhqO6anLRBuna1oC1IFpNc92yeowAetFrtJVbyS4kJaEY2DKvh7mepViSEGuc202UkAuHQN1Zh2OLjqUMm4bdFuttyYTQMeKErvCUwtdVvLnGei2i1pad0H0mG8osggCFHiDBWVUQSYCsY06bo1gGxpQa+FrYZzfBJSPbDRCsJDhEpHHoFnYJALYUpNAsVXqIKcGQro2mIa1oBCNNwFO6BGrdQtMQE0A9oc0kJcOwzdGCBEqUjpcqg1Q0uhGm6LIPEmVAIVk2LdcJKt7pXXRJ8ELNWK2uurQ6VU1pmVYseRHiUIhM6wlJcqiFgcVZTY5oVQkOV4cdKbCtqaU9MF6pkOK5FJsCQroI8lllWDeSr6om6pcIKzlBYx1kjpc5RpsgZ3VgBGl4KZ7A4akJ81Y54FKBuloRptCJ0zKr32VjBNikojnCbIOcSrNDRZRzQrRVF5KEJnXKAEIHYdLUpcQjqEIOgrILTaUQ6TdKbNskaZctC4kE6UBSvZK8EXBTU3OG6A92dkgp6XX2VneXlVvqgm6mgdImyre4MdsiHgmyL4cdrqggNcJClL0rotaAEoBaSSoGczU6QrGtIF1UKkWCsDjCuwHgdUvdjcKF0m4RBgQFIIGwFWZ1WRc8xCDFQWNMyto9mcu+uFjB+xVX6WitXOcdwJW0ezK+eYOMkR+NVX6WirjfqjOTC+cBDuaPFwcY/HzGR/HOWKNps7sEGSsr5wMb9dHiyT/25jPpnLF26WsACztyWi06Gmbrk5C0vzUAWBaVw3GCF2HD7wzMGmPRBKRlzMUQMr0/a1iuqc+TOmF2NQtdgGanQH1iuHiadJj4p1Na3pHHLSd0CwBWQlqydlKsVmNYVhaSUNLRBKbVOy4/bQhFom6VtN2oCbKx8bxdBj4gkLWqLQ0NSud+pUcSZIQ1kN2VkEaC43VjoAhKHQ2UNUlX3GhvtCQmDsrmkBvmVU8u9IhNmgDepRbYqsv1C9kL+aSbFpgndEOMR0VdMgmFa8aVL2Fe9kWtgXKUDxbpj5BTQaJ3RpjxJXghso0TIlXQd26qeCDKuMEXSONtlmwLROqpcQr36iLXCols7FNJ0wLKyhSHdRCLA5xiSpBLZMq7C4h9KpLdI98KiokixQDvWmqeIklV3FgED3HrQcXO9SUHSZcVYPFdYAFhuoQCgQS6AE3om65II0OHVWPNgCUpNrBV1NVlUckMGndVkQoHEshVvcRspasXUn6X3S1Xy5VFxDJTMdqElSQR7tUJgJhLZM0q0MW23SsA1XKXUXPhPTYNUkrAhAcE1Jkg2Ra0GwTgFjStSioggoskm6jCXuKem2HlapFVQINanqDxKAjZZBIEJCnOyraZJCmxJCbcKom8JgSAp5Ac6CmaSQhAIlTXpMLQsAUfawCak4OCLggRrZ3UfAFlCfFCWoLrIDQBdcimfCqABsrGSBC0C9/RUySU1S11GAEII1MXwIhI30oTRJQVOJ1epODJhEtuhpCBmwmZuqjZPTJCB3g7pSD5oVnEGEoJShgIRJugpBKkFmkEKd2BdIxxFim1WhKCYLYVTWQSnCVrvGkEhyITgjSVWqFN3QiWghTTN0SYQJABVjCJulEF10xaBdA7qcjUCqajiDBV4dLICoLSXXU2IwiVcGmZ6KsNaAnFSArsB++yLQd0pqSYhFlS8HZAr4lJImAr3UNXiBVLmhpUoenZsELaPZpZHMDFkfpVV+lorWNHSWyVtLs1uH1wMZ0/Gqr9LRWsO2UZyYPzeAPNTiyf07xn0zlidllvNwauafFn3bxn0zlimiN1xt6Co0wIXMyePZgHm0hcSDG65mTD8XMnoCuSXaVdWDWZXScf0UrhagRqXNxxHtPSdH56VwqIa5klNglwhJPiulqE6pGyD3WlKRa6CgGgKpryrAZUghE3SkzZWUy0OBfqLZ8WnePUlxRoHEP9ja+6nw6xB+FaQmozoCLmOiSUjRDplcpunTdTKK4+q0KxjC4pnMDiNIThjgRdcegHsNMQErWudumqh7tiqgXMdEoJVZBiEWtGlF0xJupRHilckEowCbKVBKNYEOEJWuBdF00B3YDZko0wVbIiEjS26qbBwCLW6RKhHVFoJO6AlwIQ6WTOpncJSNG5WbFJ1uo4jomgEWU0GJF1JArHOlQtdqkIQ6UwDlRYG+HxKsmCrL6ZKqm6BgNSJEdUBZSZU0DJTekqjYwrPRC1o2JjZRsTdIHeK6sDOspQ50kWVbqZglEgg2RJIbB6qCsjUyPJVhjldBBUaCVdhCCCFY1pIlAkBNTJhKEAh8q9rQQEjSA64VrCCPJZ0AW6XghGo6SoLlSoBsrJoJRb45CsLCDMo02iEKjHD3S15RXWIAS0m6infTkAId29osVewVwgwlaIJsjpdqT6XRcLiy7DjuEOlWOlzQFKvqRaDEqSBqbNLVXpGoygHO172TON1tUBANkdR80vdkoBhB3QRxMppJChMWhMBKlFYlrrrkMIIVZA6pXNdPhKgv0yLpWCm126g1aYKQ07zKCVANUhFrSkdqG107CUDOSuBARvuU2oEKwVNF0XWNkSEji4EKizT4ZKQiFYSdN0ligZxAAlEObCQCTCesWtaLIK33dZGSGqU/OVCbqbADzsiAUfC0aioJdsqDcC5SEyo5rg6CVCOgTQIMbqOgqaI3Q6wgLWoGSPUnA8Nk7BLIQUscQ71J3Fu/VI6xQDh1WYHbLkCyEG1QDCcP1dFQD6KDABug590A4E3VDmpps1I8arlF5EWUPooIyzFtDszy7mBi/uVV+lorVzdltTszQeYOMA/Sqr9LRVwveM5MO5tmOanFg/ZvGfTOWJlpIWV84jHNXiyP07xn0zlizTLVjTktVlhA1ErnZC11bGEbQwrivuFbluIOGrggTIITTLmY0j2mpGPzwrrGOMQFzsbIyeiP8AWFcJlgPNWeUEgQZVTgCFZUdva6QEOBjdbtIANohWsaCy6VnrCaoSWwFjelSwFiqyD0ULSBMq2npLbpLsLTpCNUq5pAEQqA4bAq9haWx1Wp3Aa7eEgqG8qNHiN0Y9Smg1N503SmNXmhI62U95NBnnSJ3TDTpkWVRM2CWHTcpYLiS7aUkabpg6LIK43QsoVKRY7WDKW0SApAAt1QDjMQqhhdCLoiFHOISCydLVU50m6IdIgpSNW6ugXQoDBVbheysYCWyU0ASJmE2oQiIdYoQ1p6woobtiYSBsGJlO4E+ilb4XS6ymtgpms6lB7mdEQ6WpvQFRolO2mS2ZVRN7lXNnTZWd0UvYA7dM1xCD7HdK1xJgBFXh0quoSXSiw6jCLoa6Fm47Ng0uO/VG4ULuimpWdilc0m6tY3wpQQQmpugEFVABGqFZUAgQqiDMoyVJ3VZTcBupWfcQEGNm6VzSb+SUW03A7p3Eea41xdWMMiVnYYm+6FSpsEpBJS1G9ZQMWmdQKjnnaUrXWTimC2VAh81C4aYULHShUaQFqQVgSVa0earbZMDJgILgyRYqpzSHpzqaEty66z4ENzsmYNToTOACjWmZC1O4orAk2TsMNgpi1xOySDqgoGLjCUFxVxpxTlUS7yUvYONig25UZPkpMFAznCIQY3qlcCXWUaXAwUlDOdBUN4KD4eUxA07q7Ed4mxKqAIMSr2NB6qOpQZUoRmoXhLWa54lXu9FARCg4wa7aU5EBFwvKhNldaAAkQVZhw7VHRVMJLlzKMAJsVVWEvQd4BKsJmokxAJ2QJqkSo1pLoRa0aZKanIdIVCuBFkabtPrKNVwDpcg2AZCgR8k3VLrOsuU/S6yoqsLDKQDRJlP6IQbBCMdVRW+SdkACArHEFLPRAADCMnTCbTZBTYUGAtp9mMH64WMP7FVfpaK1e5sskLaPZkdHH+Mn9Kqv0tFax72M5MA5gg/V5xEXdc2xUfxz10TR4rfCu85hh31f8QA7e22Kj+Ocujf4Xb++pGjuIAuph26qkjyVRIN1yMra51Zx6aSm90c7EljcnoOf9uV11RzHGaey7DGNByfDg/bFdZpiI81bEKW1Ab7Iag11hdXDV1NkjqYmWm6lu1QhzrgoBxlMA7eITywN06L+aa2K79SodtMqOAkRdQiTMQroHSGsHqKsdDXW8koFoPmnDQ6SpjAukWLjuoTGylYS2x2QYwxE9FaRCbbJqQ1KADSpTOl0QoJDQ5Am6ctl0qaL2QBrZCm1lYBDUkAha0bK5xAsl1HdEgKaPWpsNJiUA6VILWXhJqgbLPu0HcXQlBcd1NDnNkEqQYW5TQi6eXRHRIBF0xdZS00gddWOPhVLSCbbqyHepZl2DTsIQe2eilISU7iAr7tDjhsO2VzGOImEWlpOwVmqBZXyOM8Q66sY4x6lCJuVGeSa0FqXKjQYsrYG6WWgwpL3CBpaZUDSXSmqgsI6qMPihbqA4SUBTKseDIRDvJZ8KDBG6UiXWTgeG6jSJhA8DRdCmGkwhUdZLSHi3UF74DSQuMHOJPkuQ9wDYKqGlANQiEWGAlcWhRrwRCgc1BFkuuVXsUQE0LmhobMJ2CW2VQ2TUnEO9SAvcWoVHfY5KFd4cQAjUbNILcRSILZRpelZEQGwQma5gKnlVp8QVbiGvgpm7yHKqoRMlTLEWOqAiyehUjdcYFMXEBTwORUqAGwVT3iZUDhElI8Ne6ygta4usNkHiFBDGyl16irAQVHtJugR1RL4CbAZIUcow9IVjmS1IKST0UYHdU0QUwu1QSmQLqwvBVWwSOJCsFj3mYCOoBt0tPzKlUahASCBwcLKOEhNSbpbdQpQjQQrA6BZLqGyNK7tkEBd3kqPfL1ZWgNkKgGLwkDOIPhTMMCyrmLotd5KgktefF0Q1eSVwgqNN1IGEzKFV9oTyCFXp1FUBreqsiQhbZQu6KUI+yQC6vcBpukEQnkWMAi6rqelATstuldGuQkAa0hq3X2OcFhcw5l5hSxTdYZk9U/+dRWmSRp2W7+xaPyUc0+4lT6eit8fnTOTTnMR73cfcRW9HNsVH8c5dC9jnRffdZBx64jj3iAuH/a2K+mcukLg55IWGgpsAaZ8lyMscGvcOukrjEukq/LhFV5PRhU3s25+YCMqw3mXFdQXQTK7XHv1ZZhT6yuneJeVfdoOTIsUGgjZFtgiHwLBEWNc6PEEJDjKOrU1IGq7ILQCTCIA80IjZQNGoJaq1rQWuk7KvXpJCLhDnNBslLTMpIC7b30uq8A7hPTINihoZqsVaJBmEaYvJSvD9cyiSR0UgsdtKRtWDEImdCrpgTdakF1RwIsqp6Si4gdUGibq+ERoJBMpqbSQTKBMBI152BXFkp3NO4SuaS2VbSAi5QrAAWSTYNH0blKReyVriOtlZBIkLftNq3GCm1DTEIO1A3VhAe3yV1tFOggS1WUyTYqOgNhSmRCml2sFjKjvGYSySUWgzKlgDhpQBJTPBhK0kdFPdoMSCLKBwhRoJEwp4RbqrsAvSEk3CLgjTaRugYgkGeiVs6pTzJshpO6soYmUrZ1IgGLIhpUAJcCiwSZKJMFB06oUojrlRshFoAt1QmXJAlQkpAXAQrbAoO8XRUBrZZJQ2VhgNQaCSgQXREqwtChNkFTZJiVfTAndVSDbqnFkkEqNEyFGOc5pCMhDYWWkAbGUhgpxICUtBWZ2VACBYpmgEjUixiuDWRdLRU8t2aFIEXUluqyLmkiQVkKboABuyQzMIwVoWi7ErSGoCdlDYqAkylvICYRCjCC5BYGiysFrKsOUc4xZAKqq1R1VjjIuqi1pKQO1wIU0F+yjG9AmJLFRW0OBgpwCjTIdcomwUkCkkFWPcNFlUYKcNslFXrCuouGlIWaRCQS1UWvMhBoEQUGXUdbZQGo3SyBdCCGypqtdA1JsqALm6L/UgN1HCXIA19oRDtJjzRDUHgAglSCQWnURYpzfxAIOqhwDQi58NAhUQ+IQhpAQFkXOQNrEQQqybqTKWL3TQt1LenYvP5KOafcSp9PQWiIW9OxefyUM0+4lT6egtYJk09zCM8c8QjyzbFfTOXRSQLLvOPSDx7xG2P8AtbFfSuXSPsAFmqDtUhczANa57yftFw481fgX6TUJ+1WZBzc1AZl2FAXUO812mZu1ZfhT6l1L5BXJJIg6nbIgqMEuCscy1lmxdoy6sCpHhThxISQEwCiWkiyQ3KuaYC1Ym1AD9d1bJlKXEPTOd6kVHASg1rWukoekd0+keazQX+l6khPiUqHwWKqaHG5TYt9SXQSbItI6otJBJBSCd2XbCUSAGwE9GqWyA3dAsBBM7q7CNg7pdOkmUwbJTuaDumjZGusg50otYXTClMNHpJZoKYIsrKIcZCV4b7ko0w8XlTewSwmUoJB3UaXhxlJUY8jUCr7jRidRTNAGypaXBWAkbpKaWNiVZabLjg9VbTJ6qXuLQGl1yqnmH2TyCUroBU0GLtVykeAbykJJBQZOxVy7BhM2TPJ6IAaVHOhPsEbGq9lYXkiEGsBvKtDQGrOtAMcYhMw3uqS7S6ydrouqGfEodEDJMoH0oCsBaYdJQLhMhF7CGpB5K0MXBAOCgaOqjmtbssgwSoJBUcTpskALuqQXB1kBBKkFrQifRVoUsEpgICFNpJ3TkFouECGSg6U7JKlVh0yFdiuZTVAQ0EKsAgKS4poXUQ6JKsnoFWKmlkQiwyJWBXUs5KDeQnJ3lKBBlWQNqe+xQcCAjJBTPu2VRW13QqOsbKQCjsghiLpYHROS0i6W2wQOyALpwQBIShoIVbmuabbKUO4hylNrJukpuGxCeAk7h36QLKNDniAqwJKsY/RZKELS2wTNafdKSS6VYQC1Nip4bMJmwBCDoUFxCCOc3zlVkl3REt8kpa6LKwFryPcQi5wIuoxrhuZUqOG2lQMdOn1qoXKgBlEWKoPoo7hL6TkwjXEoGYIF0lUajYK0m10rXDaFBW1sJnHzRIugAeqQKCg2XGytAaSoC1uwVAaIVVSdStaZN0rmyVICwg++t69i+ProZn9xan01FaHYC1b17Fpnmjmf3FqfTUVrj/VGcvDT3MFzfrgcRQN82xX0rl0EnUQSu75gH+/3iGd/bbFfSuXTNZ4pJWa2AJa/xbLk4VmptYjbSqjGklXYA6W1J2LVnGo5mPhuVYQlkWXVVG6rzC7rNiHZThLdF0riC2IW9UJ0sUWOIdeUS3SAg1hMnvAFqoL7mxRpyAlAkymbOyzKHVmmYgpJ8KLSFoFzfFKjxITthwVbpCBCYTNkoNaHFXsaGhBWQB0QY9pdphXuiNlxXSHagmlMGh1SITFg1IgSNQ3VrGy2Ssihzw0wEC6DumLWh90HMBdbZZ0CwiUX1L7KBoCNVskQFuBQTFuqDdroCQ6E0yYVAIESjqAESmDA4RKV1IeazYELp6p2ejdVhoB3VjW6jAV0bKIlGo6RYInwFEOaVAjhGyLAQEXNvYq1olAhkBLMlO4HUmDbIK3epGIRNkPSCBTJcpUFrKAElMS1u6Bg21lDYwSi290r2gmZVCVI6I0weqDh0VoaCxWxAJ8lGn1XSuEbpmmyypjOlIDdWC7d1x3ktNlLQ5N0zCCVKYlsxKrcXDYKyC8gEKonSUWudoug8y31pJ3D06ocnMHYriMkK6lbdWzQsbI2KLnEiCq7zugTexUt0LKe8SiXXulZZMQHbKSgOg7IFtkxbAhMC2E2Ej1IGQmqOHRVueZVDNM2UqbQEQ0kSFJ07oEbqG6sDpEKOOoWVcwYQWNpjcJalgrR4WSVS8hynkVAklWNHVNTbbZE2VCjUnG11KJ1OhGrY2QIYBkBA+aRxMwnPoIGpm8oneUrBaEXG0KUNY3VZLyd7IiRZMdrKCN2QD5dEIAqAglAzh1JQaYUqA93ZK0C0qwO03KDiErrbKFhNHWCmhGmSpJLtJCWkCLq0+aoWNKQnxSrdJKRzIspYH3vKSfEoGlouoWyrIG32KJI0wq9JbeVZTbqN0FRc5qdtxKLhIiEI0oCRdAAh6WoSXAoF/iUouc23rW8OxaI5o5n5+0tX6aitHseC31rePYtM80cz+4tX6ait4fqjOXhp7j+nr4+4iAtGa4q/wD4zl0ZY4bkFd7zBePq64jA3Oa4r6Zy6G4AAMLNbF1JobvdX4DDmq50OktpOJ+8qZHulysreBVxJBj7A6PvKTFHLzsCnlmEpu9K110wBHrXdcRFpwGEAMiN/gXT0o2Oy3bpEc4FKi6D6LUnim7SsxTtTJqTQRJTENJgJYKwLptMCVO7M7pjIEFWBSQ1kKbiUj2yrWCWQqiMaCrJAakptiUHFZU1R0tAG6rcQBEI9UXMmLqwoUpG6sLjEBVkwdKeBolS0IW6nIOEWSS/VbZMCTdQNRkiE0w5JTkEounqkoDzeyAkXhEXcrtMha2Kmun1JT76eo2BZLptJU2EY0F8Eq4eAyktNlHyRBWkPUIcJCqYJKL7U7IU39IQPBGydjnJATCdkrKncZCmw3U1tmCi0BxN7KaFL52QEtF07mw7dBxmLJArXQU7w1wmErtxAVo06Y6pQjDARIB3KQuIdCLo023VDmn4ZBUpOsZSsJa25smYASVRXVN0hc4iAmqDxJwGNbIuUsCUg8C5UfJN07fEU5AiFihGyGwEGh+qCFZTAG5Slx1K7BMCyQ3OyIdLlcQ0NTYUU2wleADZM0tJ3Rdc7JuhNMhANgSnluyjzDbKeUKCOquD2CnPVcRroPiTOPhtsgdz9YlECBKqbtCtpEAQUU4hwSloBTkDokBkwta0GabqutvPREmHQi4amwngLRMlB4+yhFg0qHeUFz4cyEjGtmEhedlGE6roOSGgCyrc2VHuMQEQ7w3TQDWabjdCqYElVmo4PhM86hdTQU3uFHGG2RAiyhBDSmxA4BsoatRkJTOmyLBayvkWAXugI1QnY1xdDrlHuSx2pxUgApONwo1uk33VjHuJgbKVG+W6BHGDfZBrRMlSoIaJVgo1KbA93onZWCqo0NOkbFK6Ws0hORJklCo3walNipgcQrBspS2Tub4VAlNxueiQOcaisp2GlQs03WgagkSq5I3QJcfeROk2KBXEOXKrCmG0wzruuO3S0FEdEDBwLoS1AQliHSneZASitondNUa2EYAgJam8LNCUxdb07Fzo5pZn9xKn09FaPaFu/sXN/JSzM/sJU+norfH+qM5eGouYDY474h+6uK+mcujdssg4+A+rniIzYZrivpnLH3kEbws1diGEgBcrLqR7ysOncuXDe+G2K7DIvHWqNP6C5bijmX/V+FY/yXXlzdOkCLLn5mdWFwxdvpXWudfboszE2Q1IMAqy5G6UMbMhXNgiLK5ZIqYHDqnbPmgR4la1oLJWZ3UBP2yYi1ylAb5piEFBLtSumB60ryGuhBpl61jdBmuMmUsklGofFAQAslEJKqBd3lyYVhnTsi1siSE8AjTEzdWx4LKkwCrqZ8EKdhQWPBEOsmd4YaEbkTGyjyDCgJhpvvCDJJndCjpcSXFWUqel7iH2VCvs8Qmc4gWRNzKQ3cs7AkndWNIiCliCiIK3IFEajZR4kJnwClc2BKqFiGpZuICcwWwEBZBYRCgMFIffTNPRA2kOKM6TAVbAddyi4eJWwNIlQpam8hRpkrj0o0ydV9kxgFLW1NAIUHoyrAHXKhhQkoNEm6oYOkQiAeiqJIfAVrbBAjrm5TMAi6qcTrVs2hKI1vjkbJn+ooNgBGLrOgHggzKkAtlPpkpXCLKa2KjY2RdUJTMbdEUpcrJoCkfEnqEzZQsIKIEqis7qGUw9IhK4wYS6oU3KspvbEEJNxICsY0FvrU0IWAmQmayyRwc3ZPS1O3TQlwUTPQJ3lqQPlytE0+e6sDRo9arrO03CjXEtnooAAEOsIyDcJZlUQtvZO0AhVa4MKxu8oHaLJSZKdx8NlSJ1JvYUg6pVm4Qm8ImUFZJlOyC3dI4XhN3cN3SQWU2CLJzSAuCqqMgwncfFBKgVznMOprpUl7vFqSPgFPRKCxhDWSd0A8m8JH3MdEzRAsUBc6RcKp9ao94bqOkdE5OmeqRsatkgNR53G6YOJp+JM6mCJ6qAWhQRsAJn+glcYKUmVQkouf4d1DEqCmDdUKLtsrXMAaD1QDYOyctaG3Kkg4/uvUnA6IOEFXNEMlWil8wkDiN07j4oSxvKmgXO1OEKPHiCVjbyrJBTwBK3h2MATzPzOP0lqfT0VpCAVvLsXEDmhmf3EqfT0VrD9UZy8NPcdujjziJvT21xX0rl0DhKyDmC3Tx1xE3r7a4r6Vy6FoWWiOEgHyXPyR479/7m5cKqYbA3V+VkUqhcerSFueBy82AdSw4G3drrRpkghdrmzdOGwoG/drrTvfdS3SQpbDZaUzY0yd4RIDRJQtK45d0p2hhZqJMoQCyA4pQTEAiEwADZlanlYpkh0pg4vlFwk32QEAQFq3YdtMhhqEhDrISiR4SUxMCyghI6p9MCVWB57KxzxAAQEtcL9FAR1StqPPhOyLtI3QQhhKNIiHN6JWgERCDjpsFkTWWsIVdSYBTb3TEAiSrIEY4hWCqBukaASUC1psVb2FmvV6KgJ03VdIaZBsrGgkeaugNUhNcBK4aReykmxBkKoaZ3TEgiFW8ECVKclXQIIBgIkFAgapCeCRKgWOpCsp6SPWgNIaSUlPUYIb1WL5VY9oFwlE+SesDG1kMOBoJf8C5PEQlSzohM0QEurU5PTa5xXHb3VW8GdrJgLJ3tMJWyG3WqQCLKsHSZKugERKqIvESs+Q7Q111YG2SMIAiIVk2sVcaKg0TJRfcwElQO3CNCYgsurSLG23CeWkWQmB4mpAQTZWFOZOyV0tN0PECo4ucs/cKN5lW03Hqqu7O6e7RdTzQxde6Zoa4eSrrE6AWo0SSIKutgho1qOaCbBRoIJJujrBUsCgAFXltPuNfulQTEyoXDSoAXEkK1jgLKoekES0turBYW9UoEJtQc2yUGbIK6l3wrYAZCLQzcpKjvJUGiQZCECSElOQVaAOqlC6W6rouImGq0Bmm6rAaX+FZ2HohpJDkC0EkH4ExZpIdO6FYhq0KtJmysYxVjU42VrJKoprCHWTHxNBKFX8s9SD2u06hsgLN0HkzZKwkqPnopQL9U7A7ohTt6ScHyUB6X3Up+tA3QIMWW8Ra5rS2UtIsJhBhtBTEtBsFkNUBBHklaZf6lKhLmwENmetBZXa0NsVQDAR1E2KgElWCp1yrWnS1K9oCQkypockOkSVRUud049CZSPFwU0CTsrGyWwlLdUQFZYWSQLpBOyV7BNiiTpKUOkq72HY0AIODQboaougTqupewdrRpW8Oxh/jSzT7iP+norRzSdK3j2L/8aWafcR/09FawZrSvFtV+K4wzqs+3eZhiD/5jl1no7LmcSB7+Js1DbRj8R9I5cONO6lbJUbJBC5uSsZVxEVPRErg6rlo8lysvdpdUjo2Vr7J93Kzd+qlh5sQxda20mVzs3JFOiSN2rrGuc4vAWaLtZNiFJ1NKTekPNIQ4NCkml0cW2KfUBZKGt0g6k7RqFhZERrgd0oBcZ8kdGndM25gKisyTJN03iNlYacW3SuBaLJQB4hBQPhtF0Q4C0IudquAoJScYuLoVJLoVjAIk7pXXdKBA9wsArGnVuAi1olF1KDqBQJogwnFO19kpcZ95M6oC2NlZQmgNkylkA3CZpB6qPYHX8lJ5Cu2siwkjaFJDRa6muQLQtAVHQHT9qVuHjJ3DnBnDHBdFvAvDuZ1s0yZuMxGIxhxGsvLo9xUC069uoO/alegeYnLfjPjHhfgDFcMZI7MKVHh6kyq4VWt0un1rURgXtbw3xXwVm+b5RlFXJs9yYMxWKw1HEGphH4Mu0Oc0PGsPD3U/dEQVgJAY6y29m/DeK5Ucu84Oe4nBP4i4kpMysZbRrB78Lhy9tV9V8bXptA/bLT4B13KlyXQ0W6q9NpEhzgD8a2Jz+4ZyjhTjulluS4T2JhnZdh6zqesu+yObLjfzWv2fltGP0Vnzgtp9qvvjzXPfbe1eD0e93QSdxqhrpWXcqsFl2Z8Y08LmmBpY3C08Di8S6hULg17qVJz2g6SDEjzWIuhoWecg8P7M5l4fBd6yj7Jy3HUu9qejT1UHDUfUJSDht4zySoxoPLHhaP3XFf8ANXR8R5lhM0xTK2ByDL8mptbpNLBuqFrvWdbnGVsZvI+qxg/JH4G/lxn5FgvH/DDuDs2Zlbs5yzN9dIVO/wABW7xgnoT5rWSMc06Ss15J5Rgc/wCanD2S5nQ7/BYvGNp1mTu2CsL0ly2J2a9Q55cJMFy7GwPf0lcWKuHieKuEa+N9jZhy+wNLDNqlr6mX4utTrATEtL3Pb95V83eDDwJxnWyeli/ZuAq024rAYn9FoPEtJ6TvMLIMv5E8ysdju6xWRDLcOXE1MTi67GMY2Zne66/n3xdl/FvGlI5KCcoyvB0svwVQ+lVp0x6Z9+VyVGAujVIWz+WGTcNN5QcacbZ1kNDOMbleJw9OhTrVajG6XwD6DgtYtZLZlbt5M8N5rxJ2ceYOSZHgqmPzCrmOE7ukzd3UrGM2rouAMu5dcxuJcPw/iMtx3CuZYppbgK2CxmvDvqxLWPZUa432mVrjNcFisszTF5di2d3iMLXfRqN8nNcQfkW6OWnLfH8vs3o8e8x3MyPL8mBxOFwYrNdXxNdvoshaf4kzZ2f8QZlnj6Pcux+LqYju/tNTphazmiOpLo1FZ9n7eHeHch4UI4QwGaYrNcrOMxFfFYmuDq71zYAY8ACAFgbm2ct55ry1xnFfBHA2aYPijhrLO7yNtE0sxxPdv/LXmyuF2zWq8xzrKMRhKlGlwdlGEqObDatPE4klnrhzyCsdaS3YLY/GPKnH8NcP4jOMVxZwvjmUSB3ODx3eVXz5Nha7YQN1MrtYjXOPpJpsg0A9VIEws/dRDjCBl5Tloa3dLBmySd0ZlU4fy48jPqr7s+2X1TNy/XNu59j1XxHvsCw1i3dy+4MzHjXs4vyvLsdleCq0+LPZDqmYYoUGEDD1GwCdz4tvIFdZ9YPiT/Sjgz/i7PwLY6HkTwrlXGHGOY5bnLKlTDUMlxeLa1jtP2RgaWmfhWA30h42K9LckeWObcHZ9nWbY3O+HsbSGQ4yl3eAzBtepJaL6R0sbrzSQRSDPIqVYh1OAlQ6WkIhw8lk/K3hqnxhzCybh+s/u8PiaznYhw3FGmx1SpH+yxyxJsbCyflHltbkNjuJMbiHU+KalF+b4PDF0H2HTsbeRF1pZ8teFt3G8eDOee2CxbKbaXD7qzMhZQDvC3LH/YnCPPTdYFzD4Zq8Jcc5tw5iHuccHXIpud7umbsd8IXJpHRNMIVJDXOHlZITBVlY/iZ/7UqDc/NXAcuuAuJKOQN4GOYF+AoYo4h+Z1mPmo2YgGLe8uk4ZwHJ/iyu7LKtTPuEs1qjRhquIxlPEYIv6avAHt+Nc7tYEfXZojyyTBfRrUT2ggorsOIMnzLh/O8Xk2cYV+Ex2EqFlWk8XHkfeK4GvwLbfNisOL+VHB/MDHj8d3PflOPqD8+7sfY3H1wtRFvggLGXYWNvS3udvWtn1+DeAuDslwWK47zbNswz3F4ZmJZk+U1G0+5a6YbVe4GHKjs6ZFl2bcc1MxzamKuCyDBVM0fS/RHU7tH8KFgfEucYrPeIswzvGkHE4/EPxNQjYOe4uIHqEwB5QtYwZP8AVPwaB3H1ucL7H/RfbSt7Kj9t6H81drm/A+R8QcIVuK+XFfMMS3CDXmuTYotqYrBtgA1QQG66cg3AstaNlzism5Z8VZhwbxlgs4wLmvBcKGIw9Se7r0nmHMcAbiCmhjlEnTZMXCLbrLudmQ4Hh3mtnuTZZ4cFRqU6tFv2ratJlXT8HeR7wWHwsy6GR5bj+CKeEo08fwxmuLxNg+o3NdDXHzDe7MfGs35t5Fy84J4ko5OOG85xjKuAoYvX7b6I7wE6Y7s7RutStkVKdvzxvyhbY7VjgOZGE+4mC+YtTIauzOpl9XGVKmWYSvg8IfyujWrd65vvugT8S47PEEaLRUOku0rkBlOmNOrUrs047WFyZrQBCfU0GAqqz2j31miKCwSzLZTQNNlL2EJ8kgJL4IRZIddO5p3UDNAaJSVHeFR0xZLBO6ugrDJVrI1JNHkppIMpRZVAIsqmU3FyYHzU7wt2VDwAISWJuix8iXKovJeWgKB3VHNNtkdYPii6R1jBCcNaQkoXUXlMGhoklHumtMg2SVHSICtEnUYTAWVTQRdWMdaFmB2jwrf/AGG8EMVzOzkE+hkrvp6S8/l1l6N7BYLuZ2ex1yV309JcuKV514lJpcS5oYn8cMR9I5cGdZkrn8TkniLNZ/z/ABH0jl1uqBZZsXYaNLiT5rlYIaWvO8tXEfNSD5Lk5e4nvGxYMJ++g5OdCG0CdtEBdcwSY2XY5vIpURU3Gy64VIMkKWkO4afCUrrNTtIqAPKTUDZIbFoB3srWuLRoAskIEyoJF0oZ1wkBIMAKajKjrO1KwWtdpb4t0jjJnzSek6Va5o0jSVNCtovdEmNkAKk3uiYIkqBWF2qTsrC4JHbSqw5ak2LnyBIT0y4iCUgd4ZShzg62yxfIZ8tfHRK5s7FGqSSLpmtgXWoKx4Ar2kuoy1U4jaAkpa/RDrKWB6bJBMptIsmaAAZKFQtaBCoYgFl1uHnxmGOwGR8vKWExmLw4PDVIkUa7qc36xutNvlzLFZ5zU4ty7irAcK0sDSr03ZRlFPA1+9aBqe3cj1JsYO+o+q81aj3Pe7cuMlVG756Si46WE+ZUpizZ2mVN7FrGRWo6Pt2/Ktu9rD/GtSn9J8J9GFqKpU0VKbm3DXAn41nXO/jHLON+NW5vldPEU6LMBQwxFZoB1MbBIWsexWBPPVZxyQ/NpXP7C5j/AEZ6wh46LJeWee4Dh3iY4/M24g4R+CxOFeaDA57e9plmoAkAxMxIWojGGOim1ulshovHqTky27WrI6OB5fFxniviT/8Ap9n/AP0Lq8+w2S0cSxuR5ljsdR0y52KwQw7gfIAPfI+FMoOuf4DZbI7NdMv548JEGCMbb+CVrg+ndZfyg4iwPCfMfJeIsxFZ2FwOIFR7aXpGxWZ9Ks+yHMcXze4cqcG51m76fFGVUX+0lYVnMGYMBJdh63Rzo2NlpcsIqaQNt/UrMFmGMy/NWZlga76OJoV++o1G7tcHSCsm5m5pw1nue/VBw7Rr4A49ve4vLn0vDhavugx9tYJvsI9a3ajF2sdpW5eVWZ4/Jeznx1mOXYmrhcZRzXCGnUYYWmW1CGrOOG+L8swfJrizhOsKox2Z4qhUoEDww3crON0rt+a2TP4k4Xy/mpluNxOYtzF/490HnWMvxnutA9zTcdvLzWrPzzSs15VcdfUdmOIwuYYL2y4dzKn3OY4En029Hj9U2SQsX4hpZZSznFUsmxVbFYBtT8T1qtPQ9zCJEtvBEx64nqrnNo4BJJLeizzmxTp+1vAgDbfU023/AIz1g9OC3T1WxswrcAcR5Lw4c44vzjJsblmVtwNWhRyUYlpIe46g7vG+fkmML3a1c1rY0sUeZdfdZZnWT8u6OWV6uUcfZzjse1s0cNWyEUW1HeWvvTHvwsVptlku3TWhAADYpyG+arhK90OhYt1VWOeJhM0hUtElWtBCsvcbMrEt7LdKDP8AfkP6LWWsWkCbffWcVuIcp+sdT4P7yr7afVIMw9Dw917HqM399wWDaPWlG3OyzDeO87eAABwxj5/gsWpQIaY8ys+5IcUZVwlxHmmPzd9RtLFZHi8DT0Nn7JUDdPyLBKYilJUCgGNltLkrhsqyLhnPuYHEAzIYTDj2swXsCq1lapVr+GqAXAizPUtWB7iYbutg8ecTZW7gXh3gbh9z6uCy6cZi8Q5mjvsVUHihvQN2mb+pXGiwVeSgaA3KOYNMgWPtrhv+Ssr52NyTj7gHAczcg9n9/lj2ZXmtLElr6m32J7i0LSVTWs05Z8YYXIcp4nyHNKT35bnuV1cO97LmlXDSaTwOsOhclyRhQc0jVEepGo4Gg4eYKqLi8zsm3afKFx7XTbvayYfrtMjpkmC+jWp2sc4gEQSYC3RzXzTlbx9xM3iGpx9meV1fYdHDHDtyF1eNDYnV3jfkWPZHm3LTgzMqeZ5fgsz46xFMfY/bGm3L8LTf0doGtz1rSO35yYNnBXLHhXlnWOvNWas3zH/UVKno0/iWnZ8K7TPM4zHPM4xWb5tiqmLxmKeX1ajzJJ/AurLVxXurZPZ1zbB4DmI/Ksyr9zgs/wAC/K31PtHVLNP8KFg/E2TV8i4lzLJMT+XZfiqmGf77HFs/DE/CurJLSCCQQQQQYIPmFsvMeLOD+OcHgcNxfl+PyjOcPRZSqcQYMit7I0iNVaidJcfMhy3Jsa5aIcIWTcrOFMbxlx1l+S4OmS01RVxFT9CpNu53wLJ/qK5Y0m959ePDupxt7RVO8/g97/WqK3HOTcK8JY3hXgPDVH1ceS3MOIMV4MRiKf6Gylfum/7RW5NI63njnGA4h5s5/mmWmcI6syjRdPpMpU2Ugfh0T8Kw2o13uUKZYTJMlNULvcriUtNx10wR+eN+ULbHaq0/XKwk/pJgvo1qhpDajC7YOBPwGVn3aA4jyfirj6lmuSYn2RhW5XhaBMRD2U4cFJBr5npync5VtPi0owe80oGAkJHNM7K3TpCR7yNlYIQYhFrJtKDXlzZKgqAFUEi6eJCSdSsZZBALe8pXoV6dJlZ1Jwpv9F0WKZzgPhVVZxgCXGNvEbfBspAGzN0X3Hh6Jab5MFNLWAmd0or8Uainpt1WKGqWwraZDRKo47mQ8gFQENMRdPLXVC4Ita1xtugRzTGolFhJ3CNXVtCZrZbuoK6j9RDQiIbYhF7GsIMglRomZQMGteyQk0S0kbpmuDGkQg1/gMJoRsAQV6J7BDy3mjns/pIfp6a87tHoyvRXYKaDzUz0H9JD9PTXJhe8ZyefOKWg8Q5qf1/iPpHLqyw6ZK7XiZ4+qLNR+v8AEfSOXXkiIWY1SNZFC/pavvLkZYNeJrx6Io3+MLjhxG91yctGluJI3NP+sKo53EzqffUmgCGsXTVGt0gjzXZ8UD7PT6W/qXV0/RE9VizutM5vggJC26s9LZLqtKqDSbeHFEgh5aBICjTpuVC6Z0hAQ0xcBMILgCqg5wMOBVmjYyrFNUpgbFFrTCAEm5Vhs1KRTr0OhxsgAwjcohupyZtjuLLAR8zHRAMaLFXACZKpe7xxC0A6NhsoPJPIa3ZKXeEWUBc2ITEEssUsguuhqiQEAe0mEBTgxqTanDdAeJ10DgFrfNBjwNwnfDW7pRBGyokSZCD3mIRBAEJCJ2WdiNn4E7jLhClJsz5KOABskBg9FHC3rUBtZR0LQDmkdUWid0RAElRh1bIIWwZBUe60Je78dyrHU4CtuxXqkhO6zUjxF0HEktCzboF7jZMX6hCDQDZAtgpBYCAIS6mzACDb3CLXAGCLlUFszZT3UwkcHMf6imDj0TYLnwQW2hOHkifNIRLhKLgB7ylDU+7a5z6guBZAPBbMXKSZ32T0zFoSUA7wjpAM7pakgyUoeStSbod8dLKBzgNlW9xKYOICuWO6CXT6QsoHA2CHeAekEIm7UiLgIEhK552UbMIOaN1lQb4JPmrA+WwqjsmbZPuHcSXAITElBzoulL5MJlQT4n7bq5rNDZhV0rOmNlyDV1DZZg40kkuT0z5ouDQlsG6gt72GDpJQuCkY6dwrSJJPSFjWk0DQ0uSQ4PtsrLNHrQEPIMq7Ur5CAOxITWDrqOAcLBW0K8+MEJzUgbKMYHOhK5rtZapANRcQArXMaAJN1TEPhWH0hJVDMZcFA/lhPVXMHjHkqatqrj0TQdx1CFTaYKdp8MpCIMlA9tFlUGp3utASlpjdIIDCbWk7vrKLbdJQPq1FK67oCk22RDPDqlTQXRBlGAbIEEhRkg3S0F3k0JmglsEpg24KWqZqABID4WhV0zpeTKctlsSlo0/Fe6odz5OysMBire8NBIGyVry65FlArw1ztV07NplBzVBEQAkEeQ6QqtLpsU5bB3UDDMgrWw0xoB8l6L7BI/JUz0n9JD9PTXnju5uV6H7BYP10M8+4h+nprWPmM5PPnEzB9UeaCYnH4j6QrgvYG2F7LseJ2k8R5p6sfiPpCuvMjdRVNXwgGNlzcsIc3EknajP84Lj1GOc2E2DY5jauvYsg/GFdjn8TlrqzDuS1dQC2AHFdrxA0Nq0TO7V1RgzZYqiSAIVfimIsnIMbKATCgYeKyLgQbIUy3UQmME2N1Qh1ahKuLmxKSn4gdSEDYqwKXHVZXNMiCkACZ2whTK6IYjSVW4y5M5x6qsQXyk7hyIcBKFVjdQMqxwBEhU1C7cqWBjslcDsEHO8CdkGEA0eFCm3S65Vk+KE1RvkEncIWzJlCk2SVDIMJqciVPuA519JCYBsRMJDe6IBIlbxmxHAAWuloguNlmVDgnDYXg7KeJs64ry3KsNm76zMNSqYetUqE0iA6dIgekPjXV5rlOQYPLn4nLuL8HmmIB/wenhK1N0ecubH31r2G3StGm6jmx4lBUssh4QyCnxBheIKz65o+0+UPzEDTPeFtSmzRvb8smfV61nRtjfukeq7scM59V4R+q4ZZV9o/ZHsb2Z7nvftV11bBYyhRo16+FrUqNYE0qj2ENeBvB6q+0cbTqsi4dy210wEPujWgiylx0KgXOVon7yrpkhZtwbwdh8+5f8W8S1MbWoVsiFHuqTANNXW6DKi6YYZS6Z2TuOmxQLxHh3RC6Q03TPAiVBES5KKjSfUglOIJKHhJJRbpMqs6btCujaOui1ZVyk4Ubxtx7gOGqmL9iMxQfNUN1EaWk/1LHs0wzsDmeKwbnBxoV30tQ66XET95NG1IcNSZ5BVbI1J9Oo2UCxqVtM92qdcdF2eMynM8JluBzHF4GtRwmPYamFqub4arQYJHvFXRt19R1yFWGwCV2eByqviM3wGArsq4b2ZVpsa57CPC92nUJ3G/xLueaHCrOC+Ocz4ZbjXY32E5rO+LdOqWg7fCrOyMTYC7ZWNEKxjQ0WUMHZS1VDhJk7KymfLZQxseqZrI22UB1TYqt89E5KEQgVrZEotN4hPhKTq2Lo4Zkaq1RtNpOwJIAn41knMTg/MeB+KKvD2aYjCYjE0qTKjn4ZziyHtkCXAGfgV0MXddFjLymi/qVjRqIa0EkmAAJJPkpYAdLhZLoINkz2upPdTqMex7TDmuaQQfeKWm9L2Aqgeid1KdMndIXhxk7q2mSrBHshIHwreqyvl1wUeOMbmlIY32IMry2rjyY9PT7lNbGJuuIKRrY6qxsuaZ6IBqgWAREosgCCmdSESCkLHNN1q4m1jLOQqOhyGl1PTULXBjvRJFne95rlZzlWZ5VUoMzTL8RgnYii2vQFZmnvKZkB49RIPxLA4T53CLehKQuhEGVqzQ5NMiJJVFcyVXqdqA6JnnUIG6zA9OISvBlSnayeobBKK3AwnYCW3TtExKdzfJNimLptIlAg9UWA9ECuEGyZwdosodWq6YuOmwQccuIERdBrjEFWuYd4KrvuW2U8C2kSWmEjgKlpghM2AJaU4cOjVdhCA10KBwmAVKlwVXh2EuMpsWelZOSGU9PVI12kkI2NymgH+ioNk4AIQ0BBU/UbhRhIEkKxgMFAeiQVBawh1OPUvQvYJBHNTPG/sIfp6a87zpbZeiOwSZ5oZ47r7Sn6emt4/qjOTz/wATPjiPNQbkY+v9IV1znaj5LmcT24lzU+ePr/SFdeXCZ3WbdNLHOhu65eWsc6liC/YsAHxhda5znDaFzcue/uajXGwg/fCS7F3E79NSgCL6V11JwDZI3XP4nqNOMpM09F1pkiBZbqORUDYbHkkc31wg2QBqSmDJmVhT09IMm6DiNdkGbSiY8k+wBBDplWAyIVbtdgmb4TJTGgQQd04d6khAPi1JC8zYWTKi572EXVZjcIOAKgBhILGu2EqOE2KWm2TJTOiVQpE2CbTBEJGGCVDUO8KB3NIvKGvola+XQUXzrsFvUQzjF1GuJBISlxiCE9OCyFhSU9TtyrGAkwEWNa0FPRFzdanYbufwPieLuSnATsPxDw5lPsSpmILc2xpoGrqqUrshrpiL+UhYDxpy7xnDOSjNKvFfCGaM75tI0cszI16okHxadAtb767nmMGfWO5XVepdms/xlBazp92HEjQBN5hcyMwwnL3Hs4Uw3FOeZvlWRZXjH6MG7FvqGriP1babGOOj9UYWacD8H1Ms4H464hwOfZLneV1eHamGNXA1Xl1Koa1J2l7HsaWyGOjeYVfaZpYjE4rhHHYXxZDUyDDjAVG/lbiAdcfDC6rlFhswdwlzExLG1faz2h0VnD0DWNanpn16Q9QdTgeGOI38p28QjiOjR4YdmvsWphKlSpDK0flunTEffWbc4cowuH5McCEcU5TWOEw2J7uG15xkvb+V+Dp11aVTQt2Pj/8AxN/6FOOKuCHLrk9Vxw/Eeqr3/wC170alNlYvX5ZYvLcjy7OeKuJMkyChmNPvMNh8Q+o/Evb9t3bGGG+uVwOMeBsx4cyDBcQtx2AzrJ8bUNOjjMte57dY9y4Pa0h3qhbe7Qmd8FYbj1juIuBswzWnUw9M4PH0s17unXox4dIXW4HibJsRy7wmEyfl9jsp4UPEuCqYnH4vH96xj21G6o6m26aTbA8Vyux+T5Lgs34s4jyDhxmPZ3mFwmMrVHYpzftnU2MdpHrlbB4X4Qx3DHIjj/G1cyyrM8DmFHD1MLi8uxBqUnw+7Tqa0hwtYjqFhfaeGafXpzt+ag91Uc1+BPR2H0/Y9PwLIOWOHzFvZo5g4x9KuMuqVMP7GJ9FztQ16VnStMPaHCVm+F5YZlS4VwfE+fZ1kvDuX49mvBMx9Wp39cfqabGO+VYMZdSeyPSC2/2rxjBzNoYgycnqZXh/auoPys0tPufhVxjLpRyez/EZNjc9yrOsgzXJsHhH4mrjMJiKjm+C5pxokPi8EBcbg/lNxHxPwjT4qweMyrC5W6vUo1KuLrmn3Ojdz/D6PvSfUsu7OYzBvLrmljS0+1ntK5jnnbvf/wDSqzHH4jD9kDLqFMxTx2f1RUj7UBTTbFMbywzCnwpjeJ8k4i4f4gy/L7Y0YCvU72j69L2NlvrXF4N5cZ5xHkGK4jOMyrJskwrtFTHZnXdTpud9qwNa4uPqhZn2davc8G8zwNvqcPyoc1pxPIDlvXynUcopYZ4xmn0WYyfFq9fpLMHcdnXgLE4TmXlHEeVcRZBxBgMJUeMSMtr1HVaQLSJLHsb4b7rSvFfi4nzVzbD2bW+kK2f2QMPj6vOvL6mDpVXU2Yav7Le30W09Huvhhax4lvxDmpdY+za30jkpF+b8IZrlnB2S8YVn4erlecvrU6JouLnUn0nlrm1BENNpFzIK5eC4F4ir8uMTx9TpUDk+HxXsV/jPeavOIiPXKzzk5iKHGPLviLlRiCDjH/jnkcjfEN9OnP6pZRwnnGG4azPKeTPEz+5wGJyqphszt6GNxTtdO3XQH0xK2jTnBXBOccXUM2xuXVcDh8LlOEdi8XWxdUsY1o9yCGmXHoFycXlmdV8t4aw2Z8R4OjgMZgqtXL/ZVV/c4RmtzXaoYY8TekrLONsPmnLTlJX4ExtLuc5zvNH4nFidsFTOinfrqcx5hY3zBEcC8BdJySt/SHrOU0sbL535M2nxxy5xwzzJ6opZdlWF9iUn1DiK32Z/2Vo0R3frkH1KdoHl5isfzdzjNMfxLw/w7h8fWHsMZrVqNdiNLWtc5oY11trmN1wOcYH11eW9GP8AsHKvpai6LtZY6vi+e+fUsXWNRmFFKjRB9y0N2QYlzC4Jz3gXNqOXZ2MLU9kURXw+JwlXvKFdh90xxAn4l0GBwmJx2Mo4PB0X18TXeGUqTGy57jsAFsvnPXNfl5yuJJP4y1b/APiBXdlenhanNzBh/duxoweI9gNf1xGjwf1qSbHAxvJ7MssxuHy3O+NuCcozWuJbl+LzCo2sz1PikWtPq1LrOOeWnFPBeQ4XN8+Zg6NLFYt+EpU2VS55c0Tr2gsINiCVjPE4x7+JczdnU+zxiansrvfT1yZlbh5kHOanZr5etzzve9GMqex+89Lu7aZW/ajGs65M8SZEGV+IM84aybA1W0+5xWMxVVrKznt1aWRTJMDcxCx3mHwJnnA9bA+2dXAY3CZhT73B47AVjVw9dvXS4gfIs67W+OxeM5gZdl1WsXYbCZLhu5p9G6mmfkS8bCey9wI51Qnu8xxDBPwrMitUZKJzrAfvql88LcXaAyPMOKe0V7Q5YaDcZj6WHpUe/eWsDu7m5AJG3ktRcPic7wH76pfPC9EcRkVO2jkp8quHP/klVGuByaz3DYihg864n4QyPHYmpow+Ex+PqNq1vFpDgG0zAJsCYXB4d4LzjJ+deUcL50/AZfi8Jj6Fd769fTSqNbVBhjo8RdHhHVdPzTzbE5pzU4ix+NqPqV/bCpT1uO7Wmy2hzn+zc9uX7j1oZRrP/itUV0/OvgbEYrnRiMPhOIuG6+IzzNxh6OGpYmo6rhnOgN75vd+EecaoWMZ1ywznIeGcTnme5zw/l1SiNTMtrYtwxtYatMtp6YE7iSJCyzMCB2yWOHueKMOf57FgnE+JZnvNnFY3P8QXUq+baKzzsyiKsafeASd0dvmfKXOMuyjDZtxPxHw1wx7LAdQwuZYqoMQ5p91oYx0Lr+POW+f8IZXg84xGKyrNsoxtsNmOV4nvqD3fayQCHeqE3Pd+eO5ucQDiHvRiBiYpNqbClHg0/qd1mXJ4Yg8huZPtwHe0PcM9h956PsmR6Hr95XQxLIeWOfZnwx9U2Y5jkvDeTuH2DE5vinU/ZH7m1jXOd8S2XyX4JzPhzDcS5s/MMrzbKsbw5iG0sdluINWkHfaulrS0+ohY92qjivql4fpUT+MPtPS9r9P5XECfhlcrsxnMRkXMClSL/ao5HU7z7Tvvc/CpKrW31J5q3l8zjfXhPap2N9g6dZ77vPPTEafXKHCHCWbcVDNDlT8I0ZZgn43Ed/ULfsbN9MAyfVZZ6fF2Rqejxd1xBNePce/5IdnHD1XYHmDjGj7FT4eqscf223yJoYZy/wCXnE/GwxVfLKeEweAwbC/E4/H1+4w9P1aoMn1LsMw5cOp5TiswwHHPBucU8JpOIZhMbVDqbSY1Q+k2R70rJOJDiv7lDhP2uJ9hHNcV7daT+fd47utX+zpWnxTOklhbDd1pG5+ZPCFD60fBdRnFnC1R2VYDFn7Hiak4nVinH7F4PFG3vrC+aWE4xpY7h+nxbjmZpiquS0H4AU363NwxL9DTYXB1efvrmcxAPrXcs4/S/Fz/ACp629h6WWVe0Py29shReBwfhvY7KvoOrRW0T8KxpWo8dylzLKm4FnEXF3CGQYzGMbUZgcfi63f02u9EvDKTg2ffXQcfcF5zwVj8PhM0fgsSzFUBiMLi8FVNXD16eotlryBN2kERIScw/butxtnFXiTvhmPs2p33e7zq6ery6LLcyv2Y8EcdJxI4ixFPK9W/cd3T1af1OpbsQmL5NcQ5dQoYzOM94WybBYmlSqYfEY7HPptra+jR3ZJLfdWgSL3XR8yeAc64FxWB9s6uX4vC5jSNXB4zAVjVoVwLOhxaDIkdOqz3tX4muc74WwLnE0MNkOGNNn2usS744WN8a13YjkbwA15J7rG5oGeps0Fm9hrpgBMo1CJEJTYpdJuVjyq3XLbJ6FQaoK4tJ+kkFWMImQqOVUY0iQqWscHGCoakN3SseTKyGIAFyox7VRUc4uTU46q6HIqViWxACpcTp3UeNQsqyCLJoM1pAlXUmyyDYqpwJaIKjQ83lWdgakAosAFwVS5rpuU0EdbKUGoYchrGyjiNyLJxoLZAVBY7yTi+yoBgwFZRHiMlASDpKr0u0lWPkHdRpOnZZCsabBy9GdgyBzRzyNvaQ/T0153IkSF6I7BduaGeAj/sU/T01y8XmM5PPPEjSeJM2A29n1/pHLrCwtLpXP4mrFvEeax/n9f6Ry4FNxfqJXHlGhqO89lzMr8TcQCbaB84LiHS5txsuXlLQ41m9CwfOCmwM7dqxQMbBcJl3Suwz2m9teCFwABpnquSU0eu+LC5hV0Wl1ijsS4otIA1Lj+4mgtMA2T6RFkabmv3KhIDtLStAAlBxkQRCN2mUXeJAsANSh/hgBHTBgovDW7IEaJNyrIIbJNlVJeLK6nBbBS9gpfaAgGE3lQgByAMGVAAS1xlWt0kXSPBdsFYxrQy+6Cp7GgyCi13ihCqINkGyHApsWOaAJQBA6ol7nWIshpDrKhwNQsixpBulpu7sI69Tk92hsHh/mxnmR8N4LIG5Fw/mmDwTnuoez8EKrmayC6CdpgLicY8x8bxRkz8rxPDfDOBY94d3uCwApVRH6qVhNYiFUyJW5kmmweDOZOYcP5B9TeaZZl/EuRNf3lDBZnT7xuHqfbMPudzb1q/O+befY3Lsdk+X5flGUZLi8G7COy/BYfRSEuB1+t9t1rwt0pS3UpclZH9WmbfW7+oX8S+1nsz2Z+Vnve8/beSoz3irMs54WyPh7Fij7FyVtRuGLGw4h7gTJ+ALowzSFX6LpSUbF4f5r5lhOG6XDfEORZRxVleH/wWnmlPW+h6mv8ASj1LruYPH2bcXUMJgXYfC5XlODH2DLsEzRQafPT1PrWHaNfiVtKlVqh3d03v0N1O0iYHmVdmmxsp5uY/6nMNkXFHD+U8T0MHbC1MfS1VaTftdfpEfCk4j5w8UZrlGY5I2ll+CyfGsp0mYHD0NNLD02OmGCbE9StdAiJIQeHEghtlNmjl4WxOGebGPwfCtLhXiHh3KeKcnw5nC0swpy+h6mu+19S1tUEJx6092jTZuP5z8Q1cFmWVYHKsqy7JcZgqmDGX4ajppU2v3f63+tYo/jHMK3LnD8EOpUvYOGxjsWx8eLU7cLHT6k1as1xGmk2lAggdfWm9lZBwfxpmHDWVZ/l2AoUqjM7wfsSu5+7GzuPWu15d8xs04PwVfJq2Dwuc5BjBOJyzGN1UnO+2b9q71rB2oje6g2xS51Y3KsZhHcJcL5Tw7hKNXvK1DDaicT+pe60t9S1dmGJdjMwxOMeIfiKz6rh0Bc4mPvqtxaGKsQRCWjt+FM7xPDfEuW59gNIxWAxLcRTnY6enwq3iziPH8ScV43iPHOjGYvEmu4stpNoA94ALpJcLdE2kQCSrKjJuZHG2acdZ9h82zUN7zD4GlgqYH2lObn1kkn4V1ee57is2yvJsurU2MpZThXYaiW7ua57nkn4XLrmtOnVpOmYmLIPhBlXE/HeY5/xNkef4qhSZiMmwuHw1BrLNc2i4lur411/MPiTGca8Z5jxPj6VKjice8PqMp+iIAFviXQtJM6WkxuY2RGoXCDIuJuKsVnuQ8P5RXw9KlSyLCuw1FzZl7XOmSupyfG4zLMxw+ZZfiamFxmGeKlGswwWELhkgmXbpi5pEFY2rbeZc4skz6o/NeJ+W2R5nxGyIzLW+nrPm5l5PwrH+PeaufcacOYPJ83p0C3B4s4mi9gjTIjRHksCDCHE9CgGNAIJXJtGT8x+L8z414gZnWYYSjhq7cNSw8UjYtYICtzbjbH5jy0yfgirgqLcJleKqYhlcHxuL+kepYsCDaUfDr9FS0cnLsQ/DYyjiWAE0ajagB2JaZj7yzrH80cxxPNvD8xva/CsxuHcwsw+9Pw09H/7WvSHCwRNPw3WZ3Vzc6zH20zfG5lUoNp1MVXfWc1pMAuMmJWT8T8w8fxFxnknEmJy2hQqZQ3Csp0abiW1BQcHCSb3hYUHQ+E8wZS0ZViONcbW5ru4/OFoDEHMW4/2LfRqaZ0zvCxvH4l2MxtfEOAHfVX1C3y1GVR0lBm8q4UrbjOcGXZzkuCwXMHgfLuJsRgqfd0sb3zqFZzRsHFu66DmRzMzDi3A4TJsLlmFyHh/BXwuWYK1Np+2d9sVgpaXBtNzS17fSBGyDy3YK5XZGyeDuaFLCcL0+FOL+HMHxXkeHk4dld/d1sOftWvA9H1Ln1OdNXCUK+U8PcM5fk2QVMDUwrcvoH3T/AM8c+JcQtTUxpcfJMY6LIzvlfzFxPBeFxmVYjLMLnGSZk2MXgcT6LnfbA9Cuw405oU8fwxW4S4T4cwnDGSV368S2g/VWxH6lz4Hh9S1qGmJSEumAmxmfLjmFmfBoxGAdhcLm2R422NyzGM1UqvrH2rvWuz4k5hcK1uGsZk3CvLnKshdjzGJxHfOrv0+TJjR99a2qtcVKVJp3T3GnfZzxLWzPh/Icmfh2U6eT4epQpvBkvD6rqhJ+F0LmcacZ5jxJnWT5tAwOJynLqGBw7qDoIFJzy1/v+L7yxePGp7pWZbG4Hc2eFs9Zh8Zx7y7wnEOdUGCn7OZXdR7xo2DmjePfWF8y+NcRxnm1CuMBhcqy/B0Bh8FgMKIpUGAk2HUkm562WLU3/bIVHaiLAe8loynmTxrjONszwOOx2Gp4d+EwNLBtDDOoUxAJXAzTierjuEcl4YOGYyjlWIxFZlUG7++0SD72gfGuma3ULItbBupO4h8ZVT3kWCsPhJhVwJugQBrjuraTINig0Uw5WNY3VIlQBwEwgwObsFY5oNwkDiCmgrg6CSFGQBJVj3yIKpcRsqLGuHRVl5JIKNMibKFpDiSEEaZG6upPGjSVxp8UBM0wUBrtMTKRhcB5qxx1NSsDpspYDJiCFAIG6m7vEU7miJBVFJbBklW0b3SOAcLJmEtbAQWEOAJQpOcRBCqNV7d07HyLLItYSakL0X2Dj+Spno/YQ/T015zZLWE9V6G7BLieaWen9hD9PTXNh5jOTzpxQx31S5rb/L6/0jlw2DwldnxKwniXNpNvZ9f6Ry6xzSBY7rjrSAO0n1rmZSHA1TPuB84LiUyWjxbLsclbJqud6JaPnBSQLntRzsbJK4LDc2XOzqm05gS02C4WsNdpAS3uAb7pXeiUXOLk3h6oFpnS4SESQXGEHkRICDG62yEFpcOt0Nd0gYQ66D3EOFkDm5lHSClcJMgptUbrUgbDsAJlWhoDrBVNJlWB8C6lgrezxKoAgwVc/aZVYM3UBmDZEzEygGON1aABQuEFLBqMko17RAUHhFk48QumgrLNkpoESClcLQiLM2TwDUAAVUHomD/NAnVsm9iPmAg1slR0tiVYHNACoI1GxKBaQZU9YKkmFKICSUrhJTjcetR0tqAQriIyzbrZfIxodgeYktBjg7Fm42MFa5DdTVtvsyU8DUx/G7c0cRl31NV/Zmn0jRg6w31wt6Gn2RIk9NkXEgxPwLcOD5ocJvxjch+ttkOD4UqnuKjyJxtOibGr3v249JXv4LyThrmjjOCMfhqWYYPiLK6rcgzCp+d1qrD7Gd/D0grVRpR7rqEyF3OX8OZtmPFNHhingapzN+LGGdQjxB4Nwu05qYnhzE8xM4PCuEp4XKKdbusOxnokN90PfK46sYq0Em4st9/Wiyo8kvY4dRPMDufbf2H+f+xN9Onf0brVXLLhbFcacdZZw7haVR7K9XViXs/O6Lbud8i21SdzOZ2gG8engnialhH4t1KrT9rqn+B+jo29GFqRGgBDWy4QRug5zdMrLOb+RVOHOZPEGVOoVKWHOOq4jBB/XD1Haqf3lszNfrccv8Dk2Y4nh3BcR5tnGR4Gt7ArflOF+wN1Pd+qe7xLPhWh3wW7pKYEm+y9GZ3geWPCfLHgzjXMOHcPj83xuC1U8r2pV3ON6r/UFjnHWB4S4x5QVeP8gyDCcN5jlGOGFzHB4We5rNd6Dx5ErUm0aYe4CJO6lMayRK3Bw3U4A5fcCZVnmdcPYfiXizOKZxVLC4s/ifBUdUUy4ddTfEu2wuH4R51ZLj8Jl2RYHhjjLA0H4nCswH5RjKbB6EfbJYMTNFo7MHfPaNTOMHgOi8exqS1x4J1LZrw9vZVDKoIezjN7XD1+x6S7nD/U9ylyLLMNn3B2B4k4lzfDNzL8VHwYSi/wsp+/4C7/AGlBxOTNCg/ldzOrVGNJp5SzSSNiXdFqQNpwz1L0nw1mfC/EXJrmLm+T5HRyDMTl/d47BUKmqiQHhzKjfKdbm/7C81taLoMvxOV4AcmMvzb2G32wqZ7XoHETfumsaQ1YlUptmB5LPMb/AIgcv9XEWI+iasEJkgjyWL5VW4HQZ6BehuJXcB8B8vOB69blxk2dYnNct7/EV8Q57XFwPqPrXnmoDocPMLd/Pt4HLbliP2GPyhbRThMVyf5hj2jHDdHl9mzm/iPH0qxfhX1ejamr0QfNav4x4ZzrhHiTFZDnmEdh8VQNjuyqw7PYerT0K6x7h3MTEGZXoPnHw1juNsz5SZbR+w53m+TinXJ/Q2eLW7/Za5Ueeg4tdDkKjr+pbr4l4l5T8H5sOGcp5f4Hiqjg5p43NcTinh9d/U042C7DOMg5UZTw9wlxZl+HONyTNM7eMXSxWrXRpGnek79o4z8CmtDQ3hiVzOG8JhMz4hy/LsdmVDLMLicQ2lWxla7KDSYL3R0CyjnJwTV4R49q5bl1N+KyzG6a+UVKR1jE0n2bo8zNoWb4jgvhPJs75ccCV8vo189xmMw9XP6s+Md4f8Hd9rAU0rTmc4fD4LOMXgsLjKeNoUKzmU8RTENqtGzh6iuK6Cxw81sfgbg7L844s4hzDNh3HDnDL6mIxwFu90HwYdp837Ltzxly5zrFHLs25XYDKsrqvbTZisBWf7Kw97O+1clg4fadpUcPznzWlQpMo020KENaIA8C1Y5zdViFvzmvkWTcTdqpmR55jPYmBxHsY1H95o1gUxDNXSV1meY/hZ7Mxyzjfk47g9jqVQYLG4TC1WVaNYegHd56S1O40ySC6RsgHAmFtrlrwzwlkPAruY/MbDOx2Gq1jh8pyqmdHs1492T9qubwpxDyo42zIcN8Q8DYThU4x3d4TMsvxLoovO3eauix7Rptjw1tzIQGhxlr5W7eTXLbIMdxfx5wxxUaWjJsNVaMS/8AORTqEGq332iVfwNmXKniviOny/PBFHB4XFvOEy/NqVV/fl+zalT391rQ0VUe1I1y7TizJ3cP8R5jkj3947BYmpR1ecFdU0KaNjeZUi8o6hMI9VBAJKD2+IdVY0W2QrgiIskBoy1xmyL3AuVILtW8p4vJC1YkEGTCUtvKIs5PErKqjG5CtpEOFlW5o2KNI6dlkF8h0BVnVqVrnSZVXeHWBC1A72kskJIAbJ3VznO7u4VRIIgqbEDYEtUdrdugHDYFWvA0iCmxTdqBcZTvEWSmmN5VBBOlKyppKM2hAtDSPNAlWZmVZSqDTDt0HtJgotYd0DyOgSkqPMKNugWCWkpqDXQSoTCZlS2lZ0LGmSQvQ/YJB+urno6e0h+nprzuyZJXojsEknmrnv3EP09NcnHdWM5PPGfVW187zCvTnTVxlao2fJ1RxHyrhBpi6bFavZ2Ij9Ed8qWHxdcel0reHTZc3A94GQ3eQPvrhy6bLs8qkN71wt3gH3lrauNmryMWbXXFpFofLuq5OclrsW47LigCL9FnyGfAqeHYpSTKaNQ1BRzNPrlWCNNoRpnxEHwjzQa4ejF0S1zvCQgYFwdd2pqFYajLDAUNPuzE2UAF+qSaApth0yrKlOfEUjAQFY5w0QVqZaNFa8CwTEhyqpt1EkIt3hSUO4dEAAPfQJ+NASLndByqTAblWVNLcNqJiDZJRquDD9jmRukr1Wd3TZE3uFmwVai0lxCGvqmrQR4UjAC3x2Wrlo0UuMyr6ZHdmUhALobsg+zYUk2GdQmgKmuSVTpc10K1lXQ2NMhK92s7K2BSSfXCkktkDZMQ4AaWj1pqh7sCeq1iVGNIBJUBmyLn6gAEGQHQpn2DgCZSvCDyQi6dIKmPYNOlkLbPZudllTEcY4HMs2wOWMx/D1fCtrYqu2m1peC2b7gTJ9QWo5kwleJOy3tGwcr5XcTVc7o0MbRw9HKRUb7IzkYqmcEylPiqd7qggC67DnrxrgM55l4LHcN1hXwOQYfD4fA1/wBFNIzq+EgLWYqFtLu9b9P2uox8SWm0vqNYLBxj4VZR6mfjsjoYXH8+sGaDauNyg0aeGOm2ZxpJ/rXlem3Q3ck7md5W1edWdZVhMo4a5ecN4/2VluSYIVcVVp+hWxVS7viWq7ysW6VuDgvE4DgPkdnHEYxVA8ScS1PYGDY2q01aGH90+N2rVZzLMnWOaZjP75f+FcSTIBJI6KTpdKe4bh43flvGHIvhriSjiaAzrh2n7U5hQdVHeVaLfyqr5nyWNc3K1CtnOQGhXpVQzhrLWP0OnS4YdstPkQsGpEkOm87XQ0mS4CFUbS5x4rB4ngDlfh6GNoVauEyVzKtNr5cw6vdBHhnFYIdmrjbL6uMoU8RWzPDOp0i8a6lugWqyJcTqJPrUgSCASR1Vl0Ns51wp9XfAfDGe8KV8Djc3wmAGXZnk9Oq0Ypvdud3b2s3dLV3XJvKRysqZrxrx09uS4qjg6uGy7Kq7oxmJqPbGptLfSPOFo5r3MqCox76dRuzmOLSPhCFSrWqYh2Iq16tWqWxrqOLzHvlXK7Gy8XmTK3ZvqUhXomvU40q1u5n7JHcUvFHku55oYbH8y6XD3F3CeCfmZpZVQyzH4HDOD8Rhq1IuMmn6WktcDPqWmA4OMjwlWUsTXoP1Uar6TttTXQVkb65fZQzhvkpzApZ1Xw+X5xmGDApZdXq/ZzQa78sLekv1AT5LQg/Kwg4lx1OLnHzJQnwLNis7xOIw/wBYXL8P39Lv/qgrnup8Ud228LHauQ5nhOGMJxHWp4f2BjKzqNItxDHP1N3lgMjfqF0gDgbKwAi4Jn31pBcJafNb95p8PZtxPy05cP4fwRx3sbKO7xAbUaO7dbeSFoQekCdkWvc6RrdHQaiptdNp8Ect8DlucMzbmRm2WZRkmDacQ/CMxtOpi8YW/nbKQMwfNc7KOaOGzTtE5Vxvm34hyfCPfhKFLphsM6k6kPnalpttINmflT0pgQbjqp7hsXirlXxHTz3FDhrDDiLLKlRzsPmWXPFfDuBPuqjfCz/ahZBzJyzAZFyG4XySjm2Bx+Ow+b1zjhhcSys2lVLBLZb5LT9KvWo0n0adeuyi+z6bKrmtd74BgqrQwGWCAL7q72N/8rs7ybiblxgvqhxWGbmPL3FHNsMa1SH4nDU/sndfqvE2FrjgbiDF5vz1yLiDNK49kYrP6WIrPNmsBf8AIFhAe5jiab3N1WMHdKAQ4OBggyCOhTY3Hy9znLqz+ZPB2JxuEwOK4gbUOAq4mqKdN+IaTpplxsNRsCTuVimG5acbvqnD5lkeJyjDW73MMcBSw1Np913jiGut5ErBjpJi8+atfiK76Xdvr4ip6jWcW/Em9jcXObLcBxV2g8XgaXEmVZbTfh6XsbG4itpokhlm69tSyjlPmnMl+ZDIeaVPE1eCfY9UYytnrBSbQMGNFSpE/wCyvOBLjAcXge+CFynYrEvboqYrFVW/a1KznAfASr7tDb+VewOYHIXKuFKWZYXDcT8N4l/cYXFYllEYym8mO71bu9S6LgflVnx4gwtTjKi3hXJcPWFbE47NHjDt0NvDNXpStauaS4Oc4iPdizh8KuxWLxeJaxuJxVbENZ6IrVHPj4yp7jTe3A3EGXY3jjnBm1HE0qeFxuW4o4UvqBupuohkTvIv8K1lyUq0qHNjherWqClTbjqZc8mwWH+G7y8ybGEodB0kH1FXekZRzbqMq8y+IqlKoKjHY+qQ5pkG/msVbPRWOvtf301COqm10DWmPEoAJurXtjbZKY6KB6b+7FglqEOuUCDCr8fULIbTF0WEudEJWuGxVtJhfW0tICbCVAQYR26JnjS4gmVB6yr3FbpQDTOyt8L6wYDFt0gllUgmQFb2BaPNVvHjRc+6AuZQM4SqzSIaSrQUHOOw2Ug4tIO1mVeSQEWFuuFZUY00zCTuKJc5GBpuUGmAo64VBqNa2CDugwh0+pBgBIE7KMaWuJ80Dv8AREKMJagDNkUAqE6ktJ0O2TVBJlRkC5QBw1HeEW04Eou3sjqtCB6UBei+wRRqHmZn1UegMnj46zPwLzrR0jdek+wAXHmJxI33Iyhn36w/AtYM5PM2La32biCP0V3yqt5MQEcQT7LxI/1rvlVVQRcFY03o7g3SPNczC1XMp0Gt2NYfIuC500rbrsMlomricM123ej5FEcLNgTjnBcYjSIXY5rDse8FsQVwHxrVTZw4BmkBK8uaySiQBCj/ABuEbIpaYc64V9IuY4zdUhpB0kwrILRBMqhyQQdW6WmBqQA6yqxqL91AzSZgpnMDm7oVD4kGkz6lQR9jaqwSXSrahsLKEDoFBGgdUrymaL3UOmU1sWNxFQABoskDvEXHcpmOAYYCqqSYhADUGpMHh1oULPDcXQEaNIF0FoEDwpbyQUIc0XKUSDcylosmGFpUDQyl3hqAk9Ejnw0iJVQu2VNjkhw2QcQbEbKU3NYAXKVnSJaFqUFoaCnDRr1KimJBJKcOhu6b2JVPjTPeNAQEOMlM5g02U2K2CdymNtiqzYwEzWuPVTYOodVHXFlNMmEzmkCy1KEaIMqy5CXcK1jRoklTLvRUxplFwkot3KAcdS5PsiEEbKDUo5xO6gKggKaQAlMoOE9VmxQcSXWRdMWUaIThBWGkNkoM8ToKtdeyDacXS9wrpFgjTu2E9QCEjLIGEAQUQIKguZTvcNIgJboRwlVu1NcITavNR9xZS9w7vEySqhI2TgHTdQNEJoVkklNNlC2EHRCSAEHomZKFNwlM50bJ4DGCEGQCkBkotjUoHIkqt5cDZXOsLKm5KBxJangRCHRK6ZlWCPZF0pPhTOfLYVbbhIHBtdKx0PTtIi6VzR0UFri1wuUoAGypMjcqxmyuhdNpQm0FVmYQpgu3KgRzXa4CsDHgTqgq2jT1PDRuU+KoPokNeblWDi1JA3lNSDnsd6ktQWEJ6dTS1wjcK2wUOLhe6Zhhm8kpw3UIKSoNIU8iCSZTTAhBrvBshM+pNBwLTKhPhSsvZO/wtlPAWmGi53TuMtsqg7wpmS6ygWEHA9Fa6GCDdI1wJhaFYOm6YanGAnqsGmY2S0zCAhunqmJVcOkklMx0hAeqIAKUg6kduqBg0eaQAlyLHwDZFpupAsEO3Xpj/o+/8YHE33Kp/SrzTUa0NmV6X/6Pv83/ABN9yqf0q5ce7OTzLmQNPH12C81HfKVxXOMwVy8a5rsdXnfvXR8ZVTmUxclcXhvZWQxmomV3fD7h3uHe0T+KW/IV0mmm60mF22QvDGgNN24gEfEVbUcHO3n2a+1yVxWi8lcvNH6sfULhuVxjBlvVPahaztPRIDF04AB8V0NOo2SKam0atRKsJBmFVs2CrKYAZ60EpNAm+6BaGXCjWP1T0UeDKgRxJuQpMBWsgjZUv9NWdhcwgtuoS2LJQQAgSAlosa2WyqnDSSSn1wN0vppsGnUAEaDCJ8VxZNTqGmSzSCExiJQLMRKrd6cQpJLlZBLdTkEJ6FVsO9rK0Ab7pYDJPQoKwQXFMxo1WTNDSwmEGmDsgYtDmGTdJpjcpjI2UEmxQLBULDEJiYMKxl90FTbCE8whpaXboVWwbKWAVI1CAmDyTBCWB5ox4rKyBgSHTChfKsptndDT4jZLAlAamlHayno+iis+BA4t6IWdJR1A2Slp6LezQkACyBFkabT1TP2smxGiQlcyUGOMwmJgq+UCCBCInqkLjqVglSqcNaUHWSF2kqPMiVgQ3RASTDgri4QrAjSZhNMICQ6VHGyoR7ZO6NIw6CjClgZQWvhV7myUmbyiwgFBZp80lRohM91lWZKAU6R3TEQVGucAmZBPiU2BpCrgh0q98AWVDtQKbDucSIRZsiyIuoReyoJc4i7UHOAbsiy5uUKgnZABcSAgCb2Ra6BCYAEetBSSdUdFbAGxQc26mm0yghFlGgAXKBsQrBEXUoAaDKQS2YUMgwFGkQZTQNGuWVAfJW16xrOEqhrQSrXM0wQkoBFlWwXcrNQ6pDYEhSgg6YUedQSNJdYpgIVgIb4UHN6otcDZCq60LVoam0AWVVcuT0w4NsmdTeW3CzQjGg0pQa6CiJAhKRDkkD3O6AACNxsmLZCojjLEjRCgJ2TASgMAhBwAFkYhBwlBNxKV20piYbCLGy2UFbXGNkzYTNF9kwbJ2UgDoLRC9Lf9H5B5gcS/cmn9KvNei9l6Y/6P9gZx7xIepyqn9KuXjvdnKdnmDGaW5jW1dKjvlK473NLoK5GZQcbiHRfvXfKVSzTMlvRceWLRm056wFz8s8NJhB/PhPxFde8yJbsVz8q0Cmxu5dUHyFZhtwsyf+LXg7gqkS4l0q7NaZGOqSeqoAJaQFyXuh6hLAA68qsO8ScmWjV0Veg6geixrQd58MpmHwSl6QURcQEFneGEJ1Kp0gwrGghkooh8GEHCbqaS4SFHNe0SUC3JgJnNskpOOoq0GUFJkdJXJw7R1sVUGEyjqLPWVNCODtZgotIiCboNa50lR/hi1yrA8N3CPh0ySqyIEpDUi0Ki5lyZsEtMTM3CmGDS4945HTpcdJgIHlgbpSvLOhUADlGUwXIC0SJlQguJ0pzTIiAldqY4gBTYqLXA3RDnbJ3nUi1oIVFZaQZlM+S1EtdKJENhAKUEXUd6XhUY2N0XNgy1TYZhcNwiCfJAazuUC4i0psAnxJXmCjU6EKQC2UCNd4pVwMqkQrellQRZEXSC5XIY0QtWaFAbLpV1IM90ld4SlF1nGgVo1eFRpndAiEJKWiOAJQfMQ1ECQnA0hZCADqQnGnzHxr1J2d+B+WOY8n6XEfGeU5Uavs2rSfi8XVc20jSLH1rOxwd2bNy3g/8Aljv7S0seIDvuidEXI+Ne4Dwd2cH/AJWODX+/mB/trv8ABcmeTmOwrMVgeEMnxVF4ltSlUe5p+EOUvZdPn8LIOMr1D2ueXfA/CXLnLMy4Z4bwuWYyrnFOhUq0nvJdTNGs4t8TiN2tPwLy/EdE2yA96ULnpCLbneE5ghXW0IDqsmI0hFrQLqVLhCBTuiYBQYYRNzKKYOCDwCq3nSbJ6TpCkoA3hO9ulsqtx8SLy5zVQtN0m5Tj0kuHLSY0pqhLXWQB4hRp0m6QuJfcK2xUoD53Q9zCL7BK0ajursKN4Tkk2ISOABTAEjdTewQVVDtfqVoBAUWoKzI2V1JxfYpSFAY2WaI5vjQd4RCly4lAkdVRGJnbKCCLIb2QIN5Cj2ymcIT0wJCbFTS5hXJFcaIKpqN+yQiQAyEncQGXKODSo2IRAkq6CtQcHxMqx0JNUiFAWNurIhBgICO4UoAEpy0AJW2Re7wpsIWAnzTsGk32QpXCNV3h0ixSh2sBMqGGlK15hQguQR5MB7fNelewCS7mDxL9yaf0q81RpGlelP8Ao/z/AH/8S/cqn9KuTC92cnmXGub7Mrggn7K75Vx3RuFZjSRjK37q75VW8gwFx725aqJJcAF3mU0CcNQJIvVd8i6Z7AC3Ruu7yh2mnhw63jd8isZrrM1IONqAea49IXIlWYnScVVLj7pUB0OJGyTJFrwBaEAA71IPcZEKahHisoSI5h6GVAIEotMCxsoHAgoFhznqxwht1XSJD1dUFpKgrpO3BTPEbmQlplrhCZ72tZpcfeVADABujAAslpjrKLnXjoggsZlRwDiCo+C2Gi6Zrho0EXVEaYSPkulR5ggBEFsxquoDrB3Slgdc7KWBI39akgiCimEDYJ9LSJlVA9AgSSQCYTaLrCYT03BvvqvSA03lUd44OiFRzXGo2HVHDSqz46sg2SavR1mQuQTStp3QV1WCQ0++pSjUjWPhlKwDRqHvIGqvgWVWqRvJRJumY0F0xCBW6tkdRG4VzhpMtSPk7hZ0A1wIJVQLS+SrA0bKtzC1ysD6pao2dJS05BurXQGKitoE3RcRMBLui4NAkLSCwABGm8646IAIgAFL3DVBJlRoaNyke7okDTvKyq92mReyECd0jZdECUzgY2hAwiClaDvugGlW0yCQBupYPbXZCwVLG8jKOGq06Tw/G1/yyk14BtBhwIssP4V4izytn2T4DG1MFWDMfnOHxpOXYf7M3Dhhp+46auiznsYHVyWwn3Qr/OC1tw6Cziyk4fplxF8yit490tbX5Q8P4HijljhMw4wy/Lc2r5iX1Dqy+jSDaeohrYY0dBv61rnhWo/ln2nvqK4Yr1sPw5mhaamAc/WxjnNJlpdJG3SFnHCOe8XZJyZ4Sfwpwc7iN1TCv72MU2iKJB8MzvMnbyWuuTWZ5dW53ZrmnN0YnL+MKpYzKqWKp93Rp/tC3crM7tysq7c/+KnKvu9S+grLxrUcSvZHbmIPKbKiCD+P1K4/cKy8ZnUozeyPd4bFNTd4LlK1msaRZOWtY3SblVNI6dNkAPAiHgiFEUWCyjrbICZUIKA9EGqX6qCJhTQICYAQgBayXUZhUMG3slcTN0zVDEFAriIShxmyE9CnpAboI8khFglI7UXepPSHms7ALADKPSyDjchKNU2VgcyldMwmDrXQJnZalEDSi62yAcdUFR5g2WRGz1QcL2TNDnBNTHmqKwSERe5TOElENHmpsI6+yDdQurJY0JXGRZPIPptlVNBDrpmOLbJXuOpal0HBEq0A6ZXHDryrQ956WQFzSUGUpOqVHOIsUzKsWWaLKrg0wAgACJReWubI3VLXmYUFgbIlQjwoEkDdRpJVEYQOihAd0QuHIkklBBayLQ6ULzZONW6BR6R95elP+j+b+SBxL9yaf0y81xDl6X7AFuPOIz+xNP6Zbw8xnJ5ezTxY6vePsrvlVYaNIkrkZkz8X1/3V3yqgWt5rDdK8ANLpXcZadVDClw6vP3l1FRu4WQZTTp+x8I3eWvP3ktZ06DFgHFVYECVW3Q1pBK5GN/wmoG7SuPDZNpSRUY8AwmqEObAbIlA0q0B5ZDPNO6zBCrWwpM+xwbSiWhohKC7omA6FSIWm2HTKd7huXaj5JHNdEg2VTZ1+aJtbTeCdMRKapTBiVWdwALoPfpGlBYYYLIugU5VYOrqmJtpdsgIBbB80XDqo9wIDRuoSQNJCKreYvulIBM9U9IQTqULGuJIMQhpG+FsHdEDVYIEQPMoU9WtQ0LmuYoQNPi3Rc5xMBNSJ9J42VSlGuLIXi6sfMiEGC9ygZmmLhGRqkKMhziOiWo6DASUPUcC1QGCGjY3SU4JMqPgEQgY2KfXIVLGve8NBuTAV+Jw1XCVDSxA0vHSZ+RWAAlEnzSMeFHunZANfjhcihSbiGuaTpqAEs9cLj02S7UrWSx2rVBQI8aDDt0hJNuiueO+OtDSIhXehWwSYRcACg1wa66aqQbhTYjTZE+cINIARc+BspsKQCoGmFA4FEtJFipsNg2F9cN1QFbiy1jy1pmFQCWO8IQuZJV0G1SJRYQCCN1VMGyspeKoBsqPcvY2tySwhH6YVz/OC1xw6f75KJ/ZHiL5lFZn2XamdUuQOHfkGFwuKx4xtbRTxNbu6Z9Hco8KcruNcLWwWNzQ5QMQ2vmtfEMp1vD+KW0wwN/guTjak22HyOaw8o+HWO9zhrfGVpTt7YbD08Pwlj2eHGN9lMaQYMfYiPvrYHLbBc4uFeFcNkOLyHhrMW4WW0azMxNJxbJPiEETfpC4edcpeKOZfEGAzXmnjsDhMDlk+xMtyd5dr1EF3ePfP2rRYBPbojB+0lisRmPZl4JxOKM4irjcO+oY6+x6oC8s1CRsvYnbWo0cFyiyLD0KYp0qedMYxo6NFCrC8eEh2yjGRaczN0SJddPSaQJ2Qnx+aqhpaDYqBpBQJuiCT1QHVeIQJMqRBUMygNupQJE2Re2QoxjQLlBDISSdSsc0ja6E9IQC5Ugi6MQEW7XU2BpBULYFijEhRm90A6WSHWDZXEXsg4wbpYK2mTdMD0CRwk2TstumhHAQgAApEmQpF7mE2HY2TdVV2uDrKwWuClqEv6pA1MkN3VYqeKCmpscdyoWgOuqIDeUxIAlK7ayrLjMQpoPAcU72hrd0tK7kKoeX6YVEpiXKw0w4p6LWgQ7dElodZTYU0A0Ska4gxC5E2uUhgHZWCpwDig2mdUq0lo6JhOmUFYi8KsXeuQYaJVJqNmwUBNxuoBaUt01wFqgSiISOJ6BNTk7rAYmNla2NNyuO43U1lWi4kL0v2AL8d8R/cmn9MvMo2lelv+j+P9/3Eg/Ymn9MuTj8xnJ5nxpAx9f90d8pXHcQU+On2fX/AHR3yqnZcbdC7nQSu7y2oKRpmbNoOK6OoHEjSOq7HCOd3TR17twK0jg4guOJKr1X0q2qQHyqW2qkwkmhyxi6wwjsLI7t29rqqnU0SNIPvqo1IQ16lkXBxJkBHVe6rY9wbEIvaXCSUFhuIbdUvaaZu1M0hotdK55ciU1OwkhUOl1TZXw6N0jw73JugLBBuE7hMKkd40XEpgXEXRYd5gam7qptRznS5NF5ULZukVHucTZKwknxJgRuULGXjdL3XayQ3a6LSQSS2JVNN5FSXK4O1ifJNJtXdrpT0nagS7ZB7rbIC4gBU2d0RZRvoXCrqSGiFBUsAVEWNOnZFxBFwkmTZOQ4bhIgsdIgBM1odvuFGxFt0jRpeZNlVhnSNkrH+KSoCW1D5IFwmwUtFzgPSVbTJTueDTVYI0ykDhMIcIlLTfbZB1jZUWUnmnUhhTvF5XEbJqamlchj2zpJ3U0K9Ic4iVC2LSi6mG1CWlJUaZmVNhgICVxJRZMKFsoAwnZXQGt9JU6CmLLXK0I5x1IwkLg0ymDtQQFoMotkPskD3aoThwbdB6W7Puac8MLy7w7OBuHeFMwyf2RU0PzFxFXXbVtUFtlsA5/2nSb8H8D/AMJ//OXjTC5pmeFoilg8xxmGpgyG0q7mCfeBV7M/z9v/AG7mn8rqfhVlHslmddpz/Q7gJv8AtVf+cuRTzntOHfhngFo9b6v/ADl4x+qLiH9Ps1/ldT8Kn1RcQ/p9mv8AK6n4UtXbenaizPm9W4Ry2hzCyThbB5X7YTh35W55e6r3b95qOtGpedX+YXNzHNcyxtNrMbmONxTWmWtrYhzwD5gE7riDxsSs+TsJLUHWugHaDpGyjzCwqahKFNwDiVGibpmsEKwAw50ogQUQ0AJmt1KhjB3SlzRaE77biVWC0oLGkTIQcWzKVxhtlSC5x2WReBKBF01MQJUlUKAUrh5K0+iqwLqiNeQER4t0pPiU1dEAmCpMokiEu6BmwDukq+lvARDL7qPb61kSIFilG90wHQIGzoVgIeQ6OickFVuBOyg9aoYm9kCPMKC53TOcA2EEpWMp3VHatUKpt9lO80nS4FA5frfOyjj4lSSJ8Mpg7SYKBxVkwrdYC47xBkBHXPhgoHqVZcICu1amLjBsG6sa5uyAOfaCkaAUzwCJSMbBup4DF0FNq1JTA2SgwtSbFob1RjySAlFhmyzoBzSUhtZXTAVFi+VKORH2Bek/+j8/xhcTfcin9MvNOrwQvS3/AEfv+MHiX7k0/plvj/XGcvDzHmD2nHVyw6wahILbg3VQGrom/wBlHUW9FJGiOc5pXPy0Sxxcd6ToXBA1OkhdrRhuHpuDfRouJWtI6rEA95CSIR1Fx1FK53iWVBzSoGxdO8wAoKjSdJUEsTCjiY0qGzgUzxLbIK2D7V3wJy3aFW0EO3V5kNB80FZDtWkIOGh191YLX6qtx1P2RQ1OPSxTaTKjX9D0TB8FVdxW+Zsla5xMRdWHSCq3vA9GzlkQyXQQmOpgmFGeIA7lGsSXAKs6RrdZmFYWBosUjNTXSg93juVdiSNuqUktdZWU4a6SJTvDXXhE1tS52lpcRKDIeNUJ3NkQUQA0WSVS0xDwSFfVdJHkqm+O46Jiwm8oC13igBTVJ8QTkta0EKpz5dYII4OcIDUA2OiuBsgQE0Eh2jZKAYhchw8KSmA4m6zsBji0RCJMmSg+xRawuG60K3aWnw9VYxgAk7oGnBUaTsVQ0jaboEgekoWX9aIgHxrNCAkGwVnRGQTYIReVAIKU7py7oqybqyAlo0pGNIVrSEwINiqKg4TsoQXJiwNdITB7QgjIIRIG6QOAMhGTKZQMRaUHOlsdVGO8UFEgapUk0UAwFviUYBEBM4SFXJFglppcAEtRo6bpGPOpWdZTQlMiISGZsiRBlQWCC1jSWXKjZalYXFqWXAyVRZOoHVZccuLXQrYLhKrhuqCpA4JLVA4AbIxGwslIBO6osFSRZQFVUmwVYWONwp4DO9FBkQkId1TAFUFwASC5UcZMKBAQLoaSDKYSRKJcIhTyEHrQdYwFHNKA3TQdtkrgS9O0akjw4P8ACqC7wohsiZULSRJUAPQIKnSCmI8Mync3zSkII2WNkIai7cJxMQk2cgQuLXbKwaXmSYQIBMlSGu2QWOc1ojdBtTqGhI5iIED3lkWlxIuFU/1KatQ3QMqwKHFFziRAR8JEINbBShXEhFslWhoO6U2K1OwLZCZtjKVtymJClBMEJadOSlJJKta7S2QshajIddelv+j7H9/3E7+gyqkP/NXmjvNbvEvUP/R9hh4t4seBcYHDj+e5cmDOTyk4kOVzW6xukqU3l101Mad1m1pNFRp8JXb02vYPRb48M4LqNRJ8JXNpio9psfCwqzI0658DTCUCbwjVBBEIBzhaFNaDkkyHFK1rbwjAmXFCAJLVBawCJKLRJlUiXNJCek+LFAHth0pqpLi1R51WUrODQ0dUFbXy6FC9uqFGgTJQe2HAhBHCEA7oE7oi6DANSLAb5FLUbaYVlQhoSh2pkFFlW4Z7mUC0dU9NwLfELpKOlgkoOJM6Aie5HxKTuyboGQbpg50bIgiQNlGuAUlx6IaT5IkM53hhGkzULqMhN0PRFKQKZsmadRlBrZuUA6CQqHO0JBpCZ1gqg0uMqyizVdHUkA6JoQM52psAoMaY3QIIRB6rIMCL3VrC0UjuqieoCYOcWXU+4XWDaUzWiJVYYNUq1pG0LfiBRJKNnWKsaAJKRpAeT0WNgNAao4GJULgSmseqorMxMKBjiNUJ3GBCAeYhArWGblN3ZmZUkmCE0uV7isnxQSi4IvYQybfGgT4Qp3DFgIQDSCg1xCj6lrKgx47JztdJRfFyjUqAqSiNYQ7V0QJBOydhBCB0h100IGghRrHTbZRwAdbZFtQtPhShXAkxCNQbBWAkvJhJU9KU2IywhR49ajb3AUe0kqiMMKBw1pXQ1LN5hLByajhosFxtLt1YXEwIRJEJAjG+tchphqpADeqdpDhEqUF5BCU7KFvrSsI1QSkCOmVAVa5rSN0jQJVE1JDdysc1ACEEGyg2TACEBugVrosn32UawG5TQBsgX31Ywx0Vbg43TUfWgZw1KojojUcQUGGUAGoIC5uryIaqSLpsKQAoDARjxbovAhAGXCAME2TMAa2yYGFKKmmSbQjuLJoBBKFMHqFRA0aJi6DGiZVlZzBT0jdVNJAQM8mQjdw2sgbiVBPmgZoiyYsDuqrO6Iv1U0A0RN02hwpFwO6gG90WAmxNk0EYIXqP/o9/zWcW/vDDfSPXl9wg2XqH/o9/zV8W/vDDfSPWuO94zk8sPMulM8y2FtR3Zw5xG/1L4f8A4phv+YoOztziFvqTpH/6phf+Yr7au2pQ267xrNNBj5Bc7DuM+8s9HZ25yT+ZBv8AxPC/8xcxnILnAKZa7hEmWFv/AFhhbTH+s9STE202LuS1Gk7FbUqdnjnC2Szg9x/+oYX/AJirHZ85yH0uC6nwY/Df8xW4ZG2ro0kSZVoLXtiFsx3Z75xdOCqx/wB9w3/MVZ7P/OIG/BOIH++Yf/mLEwyNtataQNIRYwtN9lsscheb7P8AuTiz/vFD+2mHIrm2KTgeCMaXfu1H+2r7cjcazIBdI2VVQS+QtmU+RnNljIfwNj59VWl/aQPI/mvNuBMx/h0/7SkwyNxrgU5ukdBMLY9TkpzXDJPAuaj+B/aXFdyZ5qA/mGzb+C38Ktw2WsAqNkCdlGtBENWe/We5oNkO4Hzj+LH4VUOUfM5pP94+cj/wf/2p7DbCHh22hOGgsgtuszPKnmQz0uCc7/kxSnlhzEb/ANzM5/kxTWlYcGE2gpg0gQsuby34/ZJPB+c/yVyody745D5dwjnX8lcgxYgblM0ardFkVbgDjMH8ymcj/dH/AIEn1E8Xsb4uGM3H+6P/AAJpNsfMNMNKmlxuV3X1HcUh0nh3NR/uj/wIu4Y4kZZ+Q5oP90f+BNLt0glvkq5Oq7l3L+Hc9afHkuZA/vZ/4FUeHs61ScozAD97P/Ag4NJGoyVzHZPmzf8AsvHfyd/4FzMPwpxTiKTa9LhrOX0nei5uCqEH4grodMabiLoaSCu+fwpxSB+ZjOx/uFX8CpfwvxMy7uHs4Hv4Gr+BPabdOWnpCLZ6gLsXZDn4Me0GbD/cqn4EvtJnjT4smzMe/g6n4E0bcMNBCUtvErsXZXmjRHtVjx/uz/wKs5bmE3y/Gj/d3/gUs2OE0HaVAHm0CFyjgsa0/wCCYoe/Qd+BKcPimnxYauPfpO/ApocUktMImoW7BWVaT9zTqD/wykpsc58aXfC0pqiay4QhqIEQr3U2Ms4GVS/uvX8aaBphpFwiWACyq1tbs8J21GH3bfjVuOzYmQLp2BsbpC9hHpN+NOx9GLuZ8YQRxa2yR3wpnPpAyS340r3scfC9vxp3CknYgoCNii5wa2TUZ8ar1NebPZ/CCllgsJlqqvKsgTuPjSugdQtTwCwEJ6lPULJGSfdBWgX9IfGsz6QLtACJbN5U63hCXepNpsQJMEpwwDcqtt72VzSIvBTZsA5olKdLtlYTR7uRE++gGEjwgJtYFMQ1QyXJhLfShEFhBMhBW+nIsl06U4feJHxoOv1Cs7gQkk6k1x1UA9YUsAsU7A0bJu7JCAYW9QlAJCQAEyne0qBhAlULBRYE4FkCECkhCxQLb7qAXQPsFIgSmDUtTaApsM0BzbFQNgXSUg42BV4pmLlNioSR4UGtfJlWN0sMEoFzZsZSCvrdGCNk+km6UkiyoQvckhziriyWylLS1TYUMd1UcwwnDjqAKaoCE2KAHBM0yYKIHml92mw7iBYIDVFkxpvJsEkuaYVBcJbdACRBTxqGyGkjdNhGmHQUzmmZCYAblOY0zCCpGm25KAaXbK+m3SIPVBUYlNuLJgGwZSNOlpU2JBBuvUH/AEfN+K+Lf3hhvpHrzFTIcvT/AP0fbY4s4tI/zHDfSPXJx+Yzk9hdzR/Qqf8ABCnc0f0Kn/BCii7TiL3dP9Db8SPd0/0NvxKKLMUH06f6G34kgp0/tG/EootCwUqf6Gz4lO6pfobP4IUUUUvdUv0Nn8EJu6pfobP4IUURA7un+ht+JTu6f2jfiUUQDQyPQb8SXQz7RvxKKKxqKi1vkPiSlrftR8SiijNWlrftR8SOhn2rfiUUW4JpHkPiQLW/aj4lFED02M+0b8SLqdP9Db8SiizUQUqUj7Gz+CEH0aXej7Ez+CFFFirEfQofoNP+CFG4ehH5RS/gBRRXLwqs4TCz/g1H+AE3cUWiBRpgepoUUWYFfTp6fytnxJH0qWj8rZ/BCiipEbRo6fyqn/BCDaFAm9Gn/BCiitU9XCYXSPxNR/gBV+w8JqH4lofxYUUTApXZdl9/xDhf4pv4FW/LcuMTgML/ABLfwKKKVYQ5TlZ3y3B/xDfwJGZLk9/xpwH8nZ+BRREqs5HkpdfJ8v8A5Mz8ClXhzh6P+osr/klP8Ciix9qqs8McNx+Z7Kf5FT/AuOeFeGJ/M5k/8hp/2VFFjIUYng/hLT+ZbI/+H0v7K6fE8IcJ6vzL5J/IKX9lRRKsUV+DeEDE8KZF/wAPpf2VxMVwXwdH5k8h/wCHUv7KiiNOtxvBHBnc/mRyD/htH+yuqrcFcG/6JZB/w6j/AGVFFvMdbiuC+DpH96eQ/wDDqX9ldfiuC+Dg+3CeQ7fpdS/sqKLiSOmxfCHCYq24XyQf7hS/srj1uEuFRtwzko/3Cl/ZUUVqx1L+FuGZf/e7lG/+ZU/wKl/C/DWl397uUbf5lT/AookHDdw3w6GWyDKv5HT/AAJ8o4b4dOYsByDKiP3nT/AooiMuxXCXCvc/mZyX+QUv7KxXEcP5CKz4yTLRf/NWfgUUXHiscDFZDkWg/jLlv8lZ+BcF2Q5HB/GbLv5Kz8Cii2OEckybWfxowH8mZ+BKclyfSfxpwH8nZ+BRRBxDlGU6v+rMF/EN/AnOUZVp/wCrMF/EN/Aoogoq5Zlv6X4T+Jb+BUVcsy2P+r8J/Et/AoopBR7XZfP+A4X+Kb+BT2uy/wDzHC/xTfwKKKotp5dl8f4Dhf4pv4FVUy7L5/wHC/xTfwKKIE9rsvn/AAHC/wAS38C6zP8ADYaj3fc4elT/AGjAPkUUQdW2nTn0G/EmpU6fi8DfiUUUUadKlLvsTP4IXKZSpaR9jZ/BCiiqOM6nT9kO+xt+JR1KnqH2NnxKKKKtr0qWgfY2fwQqjSpQPsbP4IUUWkO2lSj8qZ/BCudRpaPypn8EKKKUittKnr/K2fEpXp05/K2/EookKoq06dvA34lxKzGDVDW/Eoos5rD4P0EKvpqKLIjvQVbvRUUVCj0U49FRRIAxWKKK0K5IVFFBX+eL1R/0fn5peK/3lh/nvUUW+JnJ/9k=</binary>
<binary id="141" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAT/xAAeEAACAQQDAQAAAAAAAAAAAAABAgMABAUHBggRUf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCbp3r272JrrM8iv9l7Fw12+fnSZMPnDbxzuYYXaaQFWLSsXPrE+kAfKUpQf//Z</binary>
<binary id="152" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAADAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAgEAABBAIBBQAAAAAAAAAAAAABAgMEBQARBwYSExRR/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJZ5YqoFHyn1bSVbHrwK+7mxYrXepXjabfWlCdqJJ0kAbJJ+4xjA/9k=</binary>
<binary id="171" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAUEAEAAAAAAAAAAAAAAAAAAAAA/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AIyAB//Z</binary>
<binary id="10" content-type="image/png">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</binary>
<binary id="29" content-type="image/png">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</binary>
<binary id="66" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAX/xAAeEAABBAIDAQAAAAAAAAAAAAABAgMEBQAHBggRIf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCl1z0tFnwecQYOxtjUESl5lYVTDFPdiM26hkNBLriQ34p0ggFQ8BCR8HmMYwP/2Q==</binary>
<binary id="98" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAfEAABAwUAAwAAAAAAAAAAAAABAgMFAAQGERIHEzH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AlmD8hZ9BxbMXCZxk0ZYMdeq1s5Z9lpvpRUeUJUANqJJ0PpJpSlB//9k=</binary>
<binary id="116" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAdEAACAgMBAQEAAAAAAAAAAAABAgMGAAQRBTFR/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJTrt4ulb0n0a7b7B42pJKZng0PSm142cgAsVRgC3FUd+8A/MYxgf//Z</binary>
<binary id="130" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAaEAADAQEBAQAAAAAAAAAAAAABAgQDACER/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AI6vrrvu3uuq3qrp1bbffbQvpq7H6zMx9ZiSSSfSTznOD//Z</binary>
<binary id="159" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAhEAABAgYCAwAAAAAAAAAAAAACAQUAAwQHESEGEhMUIv/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCJsrai+nJLZND1w655sjHU+b1aFHutkJK6zjE/iWKgmTEi0u85XarCEID/2Q==</binary>
<binary id="72" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAUDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAiEAAABQQBBQAAAAAAAAAAAAABAgMEBgAFBxEIExQhMTL/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8Aj8H8fYbOMi5Mjl2ukgQaRS79kxO1cIlUUT6zkm1BMkYBNpEvyBQ2I+PWlKUH/9k=</binary>
<binary id="16" content-type="image/png">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</binary>
<binary id="35" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAaEAADAQEBAQAAAAAAAAAAAAABAgQDACER/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AI5vrqvuovup2qrp1bbffbQvpq7H6zMx9ZiSSSfSTznOD//Z</binary>
<binary id="54" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAAAYCAIAAABvFaqvAAAACXBIWXMAAAsSAAALEgHS3X78AAAAbklEQVQ4y+2UUQqAMAxDF9n9rxw/BBHXtZkEBDFfo4NHk3YDyebQ1kz6QbV6WAVwHPSZ9vxaJ6rWAJxQQ0YJ672pzZqKQXm0IeuhtZE1BZXzvrGyjpZYhTWS4nJLGSksNWzbE3Eu5NjUtYLvfv47OsEnKsuy/NgAAAAASUVORK5CYII=</binary>
<binary id="148" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAX/xAAkEAAABAQGAwAAAAAAAAAAAAAABQcRAQIDEwYSFBUhIhcjJf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCygSRRP/IDKepZVt2NzIv+ce2dVbt++t0jnrTP2n4docAAAP/Z</binary>
<binary id="165" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAABICAIAAABjm6JYAAAACXBIWXMAAAsSAAALEgHS3X78AAAAi0lEQVRYw+3Y3Q6AIAiAUXG9/yvbXXOYpGj/n1e17AiLNVFSSmHGiGHSALoQWuzHIrJd24USG5XyVk/eXcd4pxaXhuxlDSv2KrVpFORd0MhP7rTU3EG94qv5sqOygYCAgICAgIAOocaO5GGplVH7I1LWUGq59bE6ynfk/g277qqr7Xdnxy4cRP0ZWgHPSi2FjDJptwAAAABJRU5ErkJggg==</binary>
<binary id="22" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAEDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAUEAEAAAAAAAAAAAAAAAAAAAAA/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AIyAB//Z</binary>
<binary id="42" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAHAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAdEAACAgIDAQAAAAAAAAAAAAABAgMEAAcFBhEh/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJgobO2VQowUaOwu2ValeNYoIIeZsJHEijxVVQ/gUAAAD4AMYxgf/9k=</binary>
<binary id="79" content-type="image/png">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</binary>
<binary id="93" content-type="image/png">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</binary>
<binary id="126" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAAAQCAIAAACDRijCAAAACXBIWXMAAAsSAAALEgHS3X78AAAAQUlEQVQ4y2P8//8/AzUAEwOVwBA1iJGRkZGRkYAa/IGNph+PYibiTSHTa1hNwWP0UI9+MgObeFMIR/9oXmNgYAAA+o0SHvoq+AoAAAAASUVORK5CYII=</binary>
<binary id="142" content-type="image/png">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</binary>
<binary id="153" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAHAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAaEAADAQEBAQAAAAAAAAAAAAABAgQDACER/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AI5vsqvu3uuq3qrp1bbffbQvpq7H6zMx9ZiSSSfSTznOD//Z</binary>
<binary id="172" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAACAAAABACAIAAAD07OL5AAAACXBIWXMAAAsSAAALEgHS3X78AAAApklEQVRYw+2YSw7AIAhEhfT+V7Z7UZyKVk2GbRlelU8iknNOK03TYiOgaw/iJCJdn1axiP2AhMNJ86+o+L8Lk7z8ivoniAwPq9VPNTdQqeLEwuvVCaJjsmlVhDB8Hw3qOa4JIIAAAggggAACCPgPEHx0MgcEHAHw63j3CcAuc9yaD/GBBq6G0onjoarakYPIdLPaCxvtgJ1dcPtRyAUMZ7OHClev918sQEJoLsrT2QAAAABJRU5ErkJggg==</binary>
<binary id="11" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAUDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAeEAACAQUAAwAAAAAAAAAAAAACAwEABAYHEQUSMf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCIbkvMz1JtvKcNxvYuWBZrv4uyaHk3JN5vUDZNvoUQbeEIkzkSUj3kfIUpQf/Z</binary>
<binary id="30" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAfEAAABgIDAQAAAAAAAAAAAAAAAQIDBAUGEgcIESH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8At+J+tPD1jiC3LfG5FlLj29pCOU9ZSEOOojz5DDZqJtaUbaNp91SRGf3wAAB//9k=</binary>
<binary id="49" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAHAAUDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAdEAACAQUBAQAAAAAAAAAAAAABAgMABAUGERIh/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJG2y1zNltWWstjaZs1BfTRZFpphNIbhXIlLOCfbew3W6en700pSg//Z</binary>
<binary id="67" content-type="image/png">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</binary>
<binary id="99" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAADAAcDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAfEAABBAICAwAAAAAAAAAAAAABAAIDBQQGBxIRIVH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AnLc7m7475V3Wl0W+udcwIbzKxWxV9jND2ihnkbE1xa7y/qCQC4k+z9KIiD//2Q==</binary>
<binary id="117" content-type="image/png">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</binary>
<binary id="131" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAABACAIAAACPyCA1AAAACXBIWXMAAAsSAAALEgHS3X78AAAAjUlEQVRYw+2YURLAEAxEJdP7X1l/O2lQO9Eq68/gYRPGkpxziiiagspRbxaRa7WyfCm1GUST5YBKiDpOAUqk2Pf5wqI2PwhO9JFbe7Kodh7BG9wo/AQRtDio9wKg2EuBel8TFJunn2Lvcfr/+/IHPJLCFNPta7/2rqnBWLgXMX2kOcaV3/Hm031pLAw6Ae4ZOWwaj7rhAAAAAElFTkSuQmCC</binary>
<binary id="160" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAhEAAABQQCAwAAAAAAAAAAAAAAAQIDBAUREhQGBxMVIf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCWO14Hqu0uWUvdmz9OtzI+1Nd8kh/B9ac3F2LJarXM7fTMzAAAf//Z</binary>
<binary id="5" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAhEAABAgYCAwAAAAAAAAAAAAABAgMABAUGBxESExUiMf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCZs3WlVLHytcFs1qr+Zn5aZDjtQJUVTXahLwcXy2eZS4CoEnSt+yvpQhAf/9k=</binary>
<binary id="36" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAHAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAgEAABAwQCAwAAAAAAAAAAAAADAQURAAIEBgghEhMU/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJiwaXyWdX3byae7vRvn2TNA7naX6zAxzOFtye4iDUgpmbVnwTqE6iEUpQf/2Q==</binary>
<binary id="55" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAUDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAjEAAABQMDBQAAAAAAAAAAAAAAAQIEEwMGIgUHIQgREhQW/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJfosZbn3kV5fObsPrZict3b2fTaepe5XrzeVU5lYrOPJRcr47niQAAD/9k=</binary>
<binary id="74" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAACAAAABICAIAAAAYv2CUAAAACXBIWXMAAAsSAAALEgHS3X78AAAAq0lEQVRYw+2Z0Q6AIAhFhfX/v2xvza2Jt4CY7fLkwx0HVLRQeu8t07QlGwFLO0CdiFzjR/tClurR9WggRt95D8gAcY0koUmBW4BA738ttNjjr2iKApOoW+SoJNRZqN4pshlISfJGI4AAAgjI+/DiGmwD4JVJAAEEEEAAAV8B/L0jbwbLCDQ1fAuAe7eVMU1BQx+2i2aMfepg9q+Q3lITsCN0l4H9eOEbTjngBJheNo4O7e9ZAAAAAElFTkSuQmCC</binary>
<binary id="89" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABAAAAAQCAIAAACQkWg2AAAACXBIWXMAAAsSAAALEgHS3X78AAAAWklEQVQoz7WSUQ7AIAhDbeP9r9x9LHFEUCGZ/dJYwD6FpFYRW1F9dQDgXUxXgN0Pk9dnk5SPIYn7xj+Epo+VmpCvYcBhC4oxuzVWhKaJm/Xw8Ey+1/XPVy54AHwPMvbUPWTRAAAAAElFTkSuQmCC</binary>
<binary id="137" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAABjIAAAAbCAIAAABZS4FbAAABiUlEQVR4nO3d0XKDIBAFUMn0/3+ZvsUWlFARNpOe86jGmAxM9E7YTTnnDQAAAADWekRfAAAAAAD/kVgKAAAAgFlSSqe7ikV8jUMBAO71nsUEituhw4vsuWXq/HTuvgiRc26MvZfD/vK8ALbmD8TIPFo8MX++nelPp3qU7rGUYQQAAADAPEUyZREfAAAAAAHEUgAAAACsUKzVE0sBAAAAEEAsBQAAAEAAsRQAAAAAAcRSAAAAAKxw2okv51zsAwAAAIBb1LlTEkUBAADAWym6lW1Hz/PwAcRSAAAAAARQWwoAAACAAGIpAAAAAAKIpQAAAAAIIJYCAAAAIIBYCgAAAIAAX/WmZx/Ky036rp2h7n/Z7/Z+guNfQuf5n7REBAAAAD5MO2BJxdaRbAgAAAAAzhQx1P5vKYEUAAAAAMvstaUsIgMAAABgmV8lzyVTAAAAAMxQ505lbaltfrVv/mrx+srxUvcAAADABe1H8uK5e3FuM9Lg7uwlB7EUAAAAAMz2eH0IAAAAANztG/OGeA9T4ok8AAAAAElFTkSuQmCC</binary>
<binary id="149" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAHAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAX/xAAeEAACAgIDAQEAAAAAAAAAAAABAgMFAAQGBwgRIf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCx5m8/7svUVXcWXYvP+OTXP2wXQoLhdTXWJwBE7ABw7vGqMW/CAyqQCpJYxgf/2Q==</binary>
<binary id="166" content-type="image/png">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</binary>
<binary id="6" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAT/xAAfEAABBAICAwAAAAAAAAAAAAACAAEDBAUGFCEHCBL/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8Ar8X+omg5/Uudmth2Y78WRyFGU6csEMR8a7NXExAojcfoYmd2ci7d+0REH//Z</binary>
<binary id="23" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAeEAABBAIDAQAAAAAAAAAAAAABAgMEBQAREhMUUf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCQL60nXt5Pu7R/0T7CS5KlO8Ep7HXFFS1aSABtRJ0AB8xjGB//2Q==</binary>
<binary id="60" content-type="image/jpeg">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</binary>
<binary id="80" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAT/xAAiEAAABQMEAwAAAAAAAAAAAAAAAQIEBgUHEgMIEzERISL/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8Aj28WUn0ts7QpDRb6SaLsHZOOKlM06/E3xcaiDxxcoL6Uk1H4SXtR99gAAP/Z</binary>
<binary id="94" content-type="image/png">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</binary>
<binary id="111" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAADAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAgEAABBAIBBQAAAAAAAAAAAAABAgMEBQARBwYSExRR/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJY5Zq4FHyn1bSVbHrwK+7mxYrXepXjabfWlCdqJJ0kAbJJ+4xjA/9k=</binary>
<binary id="127" content-type="image/png">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</binary>
<binary id="143" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAHAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAfEAABAwUAAwAAAAAAAAAAAAABAgMFAAQGERIHEzH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AlmE8hZ9BxbMXC5xk8ZYMdeq1s5V9lpvpRUeUJUANqJJ0PpJpSlB//9k=</binary>
<binary id="154" content-type="image/png">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</binary>
<binary id="173" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAAAgCAIAAACHPC9vAAAACXBIWXMAAAsSAAALEgHS3X78AAAAWklEQVRIx2P8//8/AzUAEwOVwDA2iAWXBCMjI5xNTIQwETSFml4jxtyhEmuYoUvQd7T3GqmOIs1FeMwaWnmNpKJq5JZHxAfTUAwjIn1HlIuIMYtxtIIcyQYBAHYuGzjZi2/AAAAAAElFTkSuQmCC</binary>
<binary id="12" content-type="image/png">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</binary>
<binary id="50" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAHAAUDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAfEAABAwUAAwAAAAAAAAAAAAACAQMGAAQFBxETITH/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8Ames4dvPYk9nb2Nnb2FkVhettZ83cs/bq88hOgIotuJCQh4jFETginEH18UpQf//Z</binary>
<binary id="68" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAEAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAhEAABBAEDBQAAAAAAAAAAAAABAgMFBgAEBxESFSExUf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCA3q432mXadp8HuLc2YqCktRG6Fvvb6ehhh1TbY4SoJHCUjwAB8A9YxjA//9k=</binary>
<binary id="86" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAAAYCAIAAABvFaqvAAAACXBIWXMAAAsSAAALEgHS3X78AAAAUklEQVQ4y2P8//8/AzUAEwOVwDA2iAWrKCMjI6Yg/mhhRJPGagQxxjGRZAoeNaPRP1AGEZOBiYp+gmbhkWXEJYeZXkhL2VjNIsbLjKMF20g2CABcYCcZq9KxxwAAAABJRU5ErkJggg==</binary>
<binary id="100" content-type="image/png">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</binary>
<binary id="132" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAX/xAAhEAAABgEEAwAAAAAAAAAAAAAAAQIDBAURBgcIEhMWIf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCJoXZPkha6IobSi3dOBVTK2PIgxfY7BvwMLaSptvols0p6pMiwk8FjBfAAAH//2Q==</binary>
<binary id="161" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAAAYCAIAAABvFaqvAAAACXBIWXMAAAsSAAALEgHS3X78AAAAbUlEQVQ4y+2USw7AIAhEHdL7Xxl3po0KQyFNF7KSRB/DT6hqqzBpRXbdHQDjHFUqS8rsplILsZwa8Sy/2CSL6hrDYtvvssrmSPjBsUU9FGXWBcvHRvBdMNndfr8ifPCvupYUFVNkcPG7H/KAfOsNNyQq6SNzeQAAAABJRU5ErkJggg==</binary>
<binary id="24" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAABACAIAAACPyCA1AAAACXBIWXMAAAsSAAALEgHS3X78AAAAoElEQVRYw+2Y2wrAIAiGU3r/V2534VoHT6MIvRqkH/5mI4NSSvIwTE7mBspLDwCo35M6wGiNxlMb+WdmvECaGvEqtpHyw/bb21Kc0agIyOmRfUfEkhQyG1cjTcc67zeCoiN+gbQABShAAboONL/ldFej2AEK0DYQZy75+hwgrUkKLYMfdUbj+FhDztv+dsoWqaOxnXF9yepe5+HetxE30AP1Iy2IJaAnIgAAAABJRU5ErkJggg==</binary>
<binary id="37" content-type="image/png">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</binary>
<binary id="56" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAACAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAX/xAAgEAAABgICAwAAAAAAAAAAAAABAgMEBQYAEQcxCBNB/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AK/g5U6tdOMJ6cuNahrHKq2Vx7H0qxSdrn2g3OO1FCiYdmMY3fZhH6OMYwP/2Q==</binary>
<binary id="75" content-type="image/png">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</binary>
<binary id="105" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAABACAIAAACPyCA1AAAACXBIWXMAAAsSAAALEgHS3X78AAAAhUlEQVRYw+3Y0QqAIAwFUO/w/395PQSRik7mBKnrW7R7oinBgqqmiCUpaJ0HZbMCwPuy11N0b5R50yqgQdi0xKFENrt96ofP0cmQqq58CWTm1DpfzWdx+wkRIkSIECFChAgFQJNjUlUmPqUtFrdSRTb0yD1B3sG/jFkrEMz8eBOeOKJ++1wbySp+sQIpTwAAAABJRU5ErkJggg==</binary>
<binary id="122" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAABACAIAAACPyCA1AAAACXBIWXMAAAsSAAALEgHS3X78AAAAi0lEQVRYw+2Y3QrAIAhGU3r/V3Z3I5aVaRvCPq8C9ZA/CUYiUk4Il0MC0Frq0oKI7vOkxDTStf6tDO17xQgxZ9UthCnZEQoachMUnCdsaTZPaG4W2x8Byg8QQB+D1OmOHCUHqSMUOQIIIEzIP4B8S8lrNzJepzdjd1AP4+RVi+wi+pY9T5buku635gKh7i16/8ovCAAAAABJRU5ErkJggg==</binary>
<binary id="138" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAUDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAb/xAAgEAABAwQCAwAAAAAAAAAAAAABAgMRAAQFBgcTCBIW/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AIvxv1Xni3ze86fxvvOHwvz+STb5Ru6JcYdf9nW+xkLYcielQJhBICJmAApSg//Z</binary>
<binary id="167" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAIDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAjEAAABAYBBQAAAAAAAAAAAAAAAQMEAgUGERMhBwgSFRYx/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJ9Iek/lKs5GwrD2WmVvOtk5nkePXMS8eeElLqHhO8Z92zue77P6AAA//9k=</binary>
<binary id="7" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAFAAUDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAgEAABBAICAwEAAAAAAAAAAAABAgMEBQAGBxESEyEi/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AJr2K53Pj/kTbaio3i/ZltW0iNOnRZz0dyetp5xPtc8V9lRJUr9FRBWfp7JxjGB//9k=</binary>
<binary id="25" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAAGoAAAABCAIAAAC5cKxZAAAACXBIWXMAAAsSAAALEgHS3X78AAAAGElEQVQY02NkQAX///9nGAV4ASMjI5wNAIlCAwLg4owoAAAAAElFTkSuQmCC</binary>
<binary id="43" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAACAAQDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAbEAACAwADAAAAAAAAAAAAAAABBAACAwYHIf/EABQBAQAAAAAAAAAAAAAAAAAAAAD/xAAUEQEAAAAAAAAAAAAAAAAAAAAA/9oADAMBAAIRAxEAPwCYO6VFUO4uaoorYqqL8geywwxzFM8qVYuK1rUeVqAAAB4AIiIH/9k=</binary>
<binary id="61" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAACAAAABACAIAAAD07OL5AAAACXBIWXMAAAsSAAALEgHS3X78AAAAjElEQVRYw+2YyxLAEAxFxfj/X0737UhD0GqPJZl7hjwEUdU0c+Q0eewPKE47ETnNOJ0ntt1Vt5VRBdjSfkaOqHssCdPfAlR1VBHMwTyKZvJtsHcmGlEEYCWAcg0AAIBlgMjljA/oKgAAAEDr+B6AfQ72agkecf8ztlW6prOPk2s7/nCYjvptEf6uHwcctAgzc6ZjIaAAAAAASUVORK5CYII=</binary>
<binary id="81" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAACAAMDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAj/xAAUEAEAAAAAAAAAAAAAAAAAAAAA/8QAFAEBAAAAAAAAAAAAAAAAAAAAAP/EABQRAQAAAAAAAAAAAAAAAAAAAAD/2gAMAwEAAhEDEQA/AIyAB//Z</binary>
<binary id="95" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABgAAABICAIAAABjm6JYAAAACXBIWXMAAAsSAAALEgHS3X78AAAAmElEQVRYw+2YSw7AIAhEhXj/K9utxS9gjTbDzgRfxlFMgFJKYUVwWBTngeJMEhHly6qt1DFb7O+z2EBReDSklAnRKaSuyEx5gTyUw1+2s3q/OZpHFJdv34bjVilpcVuuXyXqx18tQAABBBBAAAEEEEDHgUQ3tUWRqoO7yOyZc+U57HenCbJ1yVeYbesgm9OaoVNiI2HGNowH9DUtkfMDgBMAAAAASUVORK5CYII=</binary>
<binary id="112" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAABAAAAAQCAIAAACQkWg2AAAACXBIWXMAAAsSAAALEgHS3X78AAAARUlEQVQoz2P8//8/AymAiYFEQHsNLJhCjIyMyFw0TzLhV40pwgg3AFMpVnsGYSiRrIERLdSweh1ZDSPWtISsDd3EwZf4AO/ZGxXVUPiwAAAAAElFTkSuQmCC</binary>
<binary id="128" content-type="image/jpeg">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</binary>
<binary id="155" content-type="image/png">iVBORw0KGgoAAAANSUhEUgAAAAMAAAAJCAIAAAB40QGOAAAACXBIWXMAAAsSAAALEgHS3X78AAAAGklEQVQI12NgYGBgYGD4//8/AyUArp8JzgcAMUsI+miVmZMAAAAASUVORK5CYII=</binary>
<binary id="174" content-type="image/jpeg">/9j/2wBDAAUDBAQEAwUEBAQFBQUGBwwIBwcHBw8LCwkMEQ8SEhEPERETFhwXExQaFRERGCEYGh0dHx8fExciJCIeJBweHx7/2wBDAQUFBQcGBw4ICA4eFBEUHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh4eHh7/wAARCAAGAAUDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAfEAABAwUBAQEAAAAAAAAAAAABAgMEAAUGBxIRCDL/xAAUAQEAAAAAAAAAAAAAAAAAAAAA/8QAFBEBAAAAAAAAAAAAAAAAAAAAAP/aAAwDAQACEQMRAD8AnD3z/tfY2282t91yfH5uR2Z2I5dZkqS8G3jJaLjYa5Z/KUJ555SEgBKR4B4pSg//2Q==</binary>
</FictionBook>